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Search Result for Artist BISHOP SIR RICHARD
viewing 1 To 6 of 6 items
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LP
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UNROCK 001LP
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Repressed. After having released records on labels such as Locust, Drag City and John Fahey's Revenant, Richard Bishop's The Unrock Tapes contains eight complete tracks, six of which are highlights taken from earlier tour CD-Rs that were released on micro-editions years ago. They have never been available on vinyl. Two completely new and unreleased songs make this album even more special. Bishop's guitar-playing skills contain a variety of influences. They could arouse the absurd impression that his work has something to do with what one would call "world music." But his playing gets its fire and fascination from being irreverent in Bishop's unique way. The spirit of his former outfit Sun City Girls is still floating through the album, even if it is not the musical intention; however, it gives an impression of an underlying ever-increasing and developing personal signature. On the one hand, Bishop uses influences respectfully (Omar Khorshid), and on the other hand his style is typically disrespectful. His guitar-playing is delicate and hybrid; because of his subtle skills, Bishop is able to express himself in a wide range of styles without losing authenticity. That his ragas fray out and end up in distortion and his Flamenco sounds Arabic, is also part of his game. Bishop is a Grand-seigneur of the modern American Underground and a big part of its substance and integrity. He is a magician with his guitar; still a winking prankster. Variable and never too predictable. That is also what makes him special. Unrock in its purest form. Released in a limited pressing on 140 gram clear, white vinyl.
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LP
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SOMA 010LP
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"I met Richard in 2004 on a crazy tour in Australia (Oren Ambarchi's last 'What Is Music?'). He was a founding member of The Sun City Girls but he came out to play solo. Instantly we were entranced by his playing, so many beautiful elements of why I love guitar come through in his music and presence, without floating around in genre space at all. Here on the road with Kevin Drumm, Dead C, Residents, Gang Gang Dance, Black Dice, etc., amongst this insane line-up, Richard ended up supporting Pan Sonic and really held it down, as a soloist. A few years later, Peter Rehberg and I (as KTL) were invited to join a tour Richard was doing with Earth. His incredible communication of atmosphere and texture was even more fluid than I remembered -- a real pleasure. If the reason to start a record label is to release the music you are truly enamored by, this is a true example of that philosophy." --Stephen O'Malley, Paris 2012; All songs composed & recorded by Sir Richard Bishop. Master & vinyl cut by Rashad Becker at Dubplates & Mastering, Berlin, April 2012.
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CD
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DC 398CD
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$13.50
NOT IN STOCK, SPECIAL ORDER
"Another album of acoustic guitar music from Sir Richard Bishop-- are you 'freakin' nuts? The Freak Of Araby is a new direction for our distinguished gentleman, and just in the nick of time as well. Sir Rick's had it up to here with solo acoustic guitar records! The Freak Of Araby isn't even a solo record! And there's no acoustic guitar on it! So let's have no more of this kind of talk. Over his years with Sun City Girls, Richard Bishop threw a wide variety of music and sound against the wall -- and all of it stuck. Among those who know, he's reasonably fluent in any number of international music traditions, playing them for (mostly) fun and (sometimes) profit all over the place. The Freak Of Araby is the debut of Sir Richard Bishop and his Freak of Araby Ensemble, a talented quartet of players getting deep into the Middle Eastern mystic with hand drums, percussion, bass, drums, electric guitars and a heavy dose of Moroccan chanters, all of it captured with depth, detail and sympathy for the eternal enigma by engineer Scott Colburn. But a Sir Richard Bishop album with a backing band -- how did this happen? After recording a cover of 'Ka'an Azzaman,' written by Elias Rahbani, one of Lebanon's finest songwriters, something dawned on Sir Richard. Half-Lebanese by birth (it didn't just occur to him later), he found himself suddenly possessed to really dig into Middle Eastern sounds. A pair of original melodies not fully developed at a prior recording session had the Arabic inspiration, so these were reattacked and finished in short order. Soon, Sir Richard's head was flooded with some of the classic sounds spun for him by his grandfather back in his (way) younger days, like Farid Al-Atrache, Oum Kalthoum and Fairuz, along with other personal favorites, such as the guitarists Omar Khorshid and Mike Hegazi. In addition to the studio improvisation, 'Taqasim For Omar,' the whole of The Freak Of Araby is dedicated to these inspiring players. Check 'em out. In addition to his soul-stirring electric guitar playing, Sir Richard grabbed a couple of Moroccan chanters and blew the house down on 'Blood-Stained Sands,' providing an epic (not to mention epochal, heh heh) finish to this journey to the center of one-half of the family tree. This is music meant to be played live, and Sir Richard's Freak Of Araby Ensemble intends to play it everywhere there's interest in hearing it. So get your Freak on."
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LP
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DC 398LP
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2012 repress, LP version.
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CD
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DC 349CD
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"It goes without saying that Polytheistic Fragments is an instrumental release -- who among us would want it otherwise? In the tradition of his classic debut, Salvador Kali, this new record features equal amounts of improvisation and composition. Sir Richard's powers lie in his ability to captivate with just the sound of his guitar, but he doesn't completely abandon studio processes, which allow Polytheistic Fragments to communicate a greater wholeness: all Sir Rick, all the time, if you will. We have come to expect a few solo acoustic guitar pieces with the gypsy stylings of his hero, Django Reinhardt -- and as if to tenderize our consciousness and prepare it for the ride, 'Cross My Palm with Silver' meets and exceeds our expectations. 'Rub 'Al Khali' is an ode to the oud, a northern African lute of sorts. On 'Free Masonic Guitar,' Sir Richard manifests free form acoustic playing wholly in his own style. Peppering the mix are the sounds of electric guitar and lap steel guitar, bringing contrast and color. 'Hecate's Dream' is a dreamy praise to a dark Greek Goddess, but 'Tennessee Porch Swing' and 'Canned Goods and Firearms' switch gears to good old down home Americana and country twang. Sir Richard is renowned for his prowess and mastery with the guitar, but the piano playing on Polytheistic Fragments shows a fluid, meditative style. 'Saraswati' is a lengthy river piece bathed in Hindustani serenity, while 'Cemetery Games' is a short celebratory skeletal dance, with more light-heartedness than spook. In a record with so many spirits, Bishop fills in the space where necessary and rounds out the feeling with catchy tunes such as 'Elysium Number Five' and 'Ecstasies in the Open Air.' Polytheistic Fragments shows that the divinely inspired Sir Richard Bishop cannot be contained in one form."
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LP
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DC 349LP
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