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CD
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ABD 045CD
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Repressed, one of 2010's most highly regarded albums. In stunning fashion, Sun City Girls' final studio record caps a 27-year run for what many hail as the most bizarre, eclectic and provocative musical trio ever assembled. From the delirious intro of "Ben's Radio" to the final drum crash of the title track, Funeral Mariachi delivers 11 well-crafted gems which display the refined studio production side of SCG shrouded in that otherworldly glow which has always separated the group from their contemporaries. Beyond the gorgeous folk and vocal styles which drive the album, there is a heavy retro Italian cinema influence, Arabic and Indonesian references, and a ghostly psychedelic moodiness throughout. Post-production and final mastering was completed by the Bishop Brothers after the untimely death of Charles Gocher in 2007 and the results will not disappoint followers of this impossible-to-describe unit. Funeral Mariachi provides a perfect introduction to the more melodic sector of the SCG universe surfacing, ironically, at the end of their career in the form of what someday should become one of the most beloved records they ever created. CD pressing housed in a beautiful, heavy-duty, 24-point, full-color mini-LP replica-styled gatefold jacket with the back cover photo taken during the last SCG photo session in 2006.
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3LP BOX
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GET 719LP
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$57.00
NOT IN STOCK, SPECIAL ORDER
"Dark and twisted storytelling by Charles Gocher backed by a variety of instrumental moods: bongo bohemia, C&W, lounge swing-swong, ooga-booga rock, children's melodies and all things in between. Includes two 'Uncle Jim' pieces, his first appearance since the debut LP in 1984. Also, 'Hector and Chino' features guest vocals by 9-year-old Crystal Gallegos. Much of the material on this release was originally recorded during the Torch of the Mystics sessions, remixed by Scott Colburn and the band."
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3LP BOX
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GET 718LP
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$70.00
NOT IN STOCK, SPECIAL ORDER
"Originally released in 1996, it was their second double CD of the year (along with Dante's Disneyland Inferno). Partly an ethno-surrealist take on places and forms known (Indonesian gamelan, Bollywood soundtracks, Polynesian folk, surf stylistics, & sci-fi thematics) and partly a stupefying surreal ethnography of places yet to be discovered as the collective Bishop Brothers, Mssrs. Gocher and Kang walk that liminal tightrope between Here and There.''Kickin' the Dragon' was live recorded at the 'Off Ramp' (now defunct) in Seattle. 'Ghost Ghat Tresspass / Sussmeier' was recorded live at 'Bottom of the Hill' in San Francisco, and features Eyvind Kang on violin. A portion of 'Sussmeier' appears on Kang's Theater of Mineral NADE's CD (Tzadik, 1998). 'Shin Paku' and 'Maybe I'll Kiss and Die a Fool' were originally recorded during the sessions for Torch Of The Mystic. The songs 'Apna Desh' and 'Rookoo Bay' originally appeared in remixed form on the 78rpm 10" issued by Perfect in 1994. This release also features the recording debut of Sun City Girl's Javanese Gamelan, acquired in 1993 at a Seattle auction." Deluxe box with full-color printed innersleeves.
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CD
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ABD 010CD
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Originally released as a limited edition LP of 1000 copies in 1998, this is another mysterious soundtrack work by Sun City Girls, featuring guest appearances by Eyvind Kang, The Ruins and Jesse Paul Miller. The music flips back and forth from melodic and reflective themes to shards of noise and collective improvisation. Throw in some clarinet lounge music and spooked-out drama and you have the backdrop to a film that was never completed, explained further here from the original liner notes by Alan Bishop: "A nervous, stuttering Japanese gentleman phones me in the Fall of 1995 requesting soundtrack services from Sun City Girls for his new film project about a secret underground alien base in New Mexico most commonly referred to as 'Dulce.' The real kick for us came when our new Japanese friend finally announced his allegiance to the esoteric Aum Shinrikyo group most famous for the sarin gas poisoning in a Tokyo subway not long ago. He also professed to be a former associate of Aum technical minister Hideo Murai who was killed by a Korean hitman in April of 1995. Murai joined the Aum priesthood in 1986, becoming the head of its science unit focusing on the current state of electromagnetic weapons development including EM beams using lasers and plasma. We flew to Japan to perform a few shows in April of 1996 and a clandestine meeting was arranged with our mysterious director friend on one of our days off in the electronics district of Osaka which happened to be less than a mile from where we were staying. So Doctor Gocher and I pretended to take a souvenir-gathering stroll down the hill and met 'Hachiro Maki' (a pseudonym, I'm sure) nearby in a temple courtyard. After thirty minutes of reviewing rough cuts on his swivel-screen Hi-8 camera and discussing the necessity of anonymity in today's international fast lane, we were one million yen richer with an 8mm tape in my back pocket. Haven't heard from him since..." --Alan Bishop, 1998
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CD
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ABD 002CD
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Originally released as a limited edition LP by Abduction Records in 1994, and released on CD for the first time ever, this is an essential yet overlooked Sun City Girls recording consisting of various electric and acoustic tracks with a few compositional ideas rarely heard or revisited in their immense back catalog. And when we say compositional, we mean improvisation as composition which was basically the SCG method of operation in the studio. The record opens with two patented SCG stretched electric guitar/bass/drum works of dark beauty and then things become weirder as odd keyboards, acoustic instrumental and percussive pieces, and strange vocals start to dominate the rest of the album, setting the mood for Piasa... Devourer of Men which was recorded directly after Juggernaut. These tracks were exclusively created for a short film project by Mark Roman Bodnar and Kyrill Kazemirovitch Protsenko (a Ukraine/USA co-production) which resulted in a limited promo VHS release and a few festival screenings before the film was buried and forgotten. Segments from many of the ten tracks were actually used in the film, although there is much more to hear on the original full-length cuts found here. Some of the most unusual SCG studio recordings are contained on Juggernaut, all recorded live to 4-track cassette in 1993 in Seattle by Scott Colburn.
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