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CD
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KK 066CD
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This is the third album by Detlef Weinrich aka Tolouse Low Trax. Weinrich is a member of the Düsseldorf group Kreidler. He's already got three EPs and two albums under his belt. Jeidem Fall sounds like music brought down to earth from the heavens; however, it's a dark cosmos in which there are only fleeting glimpses of light. All eight tracks were composed in a short space of time over the period of just a few months and fit together perfectly atmospherically. With a musical expressiveness that undoubtedly twists your emotions, Jeidem Fall attacks the subconscious and clouds the mind. Alongside the constant tapping of drumsticks are melodic arpeggios dancing dark and dirty. At times, longing vocals drift abstractly through the room, as on "Sa Seline" or "Geo Scan," without telling any obvious story. Jeidem Fall really doesn't sound like anything that has gone before: you could compare the dark minimal timbre of the drum computer aesthetic with Craig Leon's first reductive album Nommos. There is also a hint of the minimalist industrial of the Spanish band Esplendor Geometrico in the bubbly textures. But Tolouse Low Trax is still looking from the present into the future and filters all his personal preferences through his MPC and his small synth set-up to make them come alive here and now in a new way. He has created a truly mysteriously vibrating drum computer music which offers hypnotic magic for the shadowy dance floor. Ideal for a journey at the end of the night and for all those non-places where longing sleeps and the last romantics dance while getting drunk.
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LP
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KK 066LP
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LP version. This is the third album by Detlef Weinrich aka Tolouse Low Trax. Weinrich is a member of the Düsseldorf group Kreidler. He's already got three EPs and two albums under his belt. Jeidem Fall sounds like music brought down to earth from the heavens; however, it's a dark cosmos in which there are only fleeting glimpses of light. All eight tracks were composed in a short space of time over the period of just a few months and fit together perfectly atmospherically. With a musical expressiveness that undoubtedly twists your emotions, Jeidem Fall attacks the subconscious and clouds the mind. Alongside the constant tapping of drumsticks are melodic arpeggios dancing dark and dirty. At times, longing vocals drift abstractly through the room, as on "Sa Seline" or "Geo Scan," without telling any obvious story. Jeidem Fall really doesn't sound like anything that has gone before: you could compare the dark minimal timbre of the drum computer aesthetic with Craig Leon's first reductive album Nommos. There is also a hint of the minimalist industrial of the Spanish band Esplendor Geometrico in the bubbly textures. But Tolouse Low Trax is still looking from the present into the future and filters all his personal preferences through his MPC and his small synth set-up to make them come alive here and now in a new way. He has created a truly mysteriously vibrating drum computer music which offers hypnotic magic for the shadowy dance floor. Ideal for a journey at the end of the night and for all those non-places where longing sleeps and the last romantics dance while getting drunk.
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CD
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KK 052CD
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This is the debut full-length release by Düsseldorf's Detlef Weinrich aka Tolouse Low Trax. Mask Talk a distillation of the sounds of the night, possessing a musical intensity that bodes well for a different kind of dancefloor. Cool, atmospheric new wave sharpness, and a cushioned beat rate between 107 and 116 bpm call out a mechanical functionality that doesn't bow to any contemporary doctrine. This is urban music, and a true club album, harkening big city lights in Africa with chilly neon sounds from Düsseldorf. As a member of Kreidler, Weinrich has contributed to a group's cosmic vibes. Now, with his solo project, he demonstrates that an MPC and a small synthesizer ensemble are enough to bring alive futuristic dance music in the here and now. Bedroom-recorded under tense creative circumstances, the 10 tracks invoke, mostly instrumentally, an eerie atmosphere that would fit in perfectly with an early John Carpenter movie. With plenty delay on the bass figures, compact analog effects, percussive dabs and a rough blend of layers, Weinrich has, without any digital support, created quivering drum machine music, whose danceability he was able to test regularly as a resident DJ and co-owner of a Düsseldorf club/ bar. These tracks breathe the hypnotic power of his DJ sets, where he arranges diverse rhythms between Krautrock, cosmic, electronic and acid. They are also reminiscent of analog-electronic pioneers such as Cluster or Peter Baumann. Also, 1980s avant-gardists Cabaret Voltaire and Zazou Bikaye have left their mark, without Tolouse Low Trax explicitly referring to them. Mask Talk is a dark, urban solanum, full of reverb, whose melodies are never prankish, but whose minimal nonchalance is sure to help not only the dark creatures through the night. "Form is essence brought to the surface," Victor Hugo wrote 150 years ago. Mask Talk reasserts this theory as a distillate of an operating procedure seeking to subvert ingrained listening habits and to resharpen the contours of the audible.
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LP
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KK 056LP
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LP version. Includes one vinyl-only track, "Aseko On," and a download voucher for the entire CD.
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