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2LP
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BCR 030LP
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2LP version. This is the debut album from Norfolk's Luke Abbott, channeling Britain's pagan heritage through an overwhelmingly satisfying electronic union of joyously Kraut-y arpeggios and rolling, primal rhythms. Abbott's Holkham Drones is a modern and decidedly British take on the Krautrock meme. Quirky, versatile, cerebral electronica that sits alongside Four Tet and Caribou in that middle ground between the dancefloor and home stereo, adaptable to both. "One of the finest left-field techno-electronica debuts of the year." --IDJ
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CD
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BCR 030CD
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This is the debut album from Norfolk's Luke Abbott, channeling Britain's pagan heritage through an overwhelmingly satisfying electronic union of joyously Kraut-y arpeggios and rolling, primal rhythms. Abbott's Holkham Drones is a modern and decidedly British take on the Krautrock meme. Quirky, versatile, cerebral electronica that sits alongside Four Tet and Caribou in that middle ground between the dancefloor and home stereo, adaptable to both. "One of the finest left-field techno-electronica debuts of the year." --IDJ
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12"
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AMSO 003EP
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Amazing Sounds welcomes Luke Abbott into the fold for a 4-track EP of delicious Kraut-tech mayhem. "Honeycomb" pits a pulsing 4:4 groove against hissing white noise and gurgling ascending arpeggios, while "One Hundred And Thirteen" sees a fragile, juddering drum track colliding with a stuttering synth melody. "Present" changes things up completely with a blistering pace of 164 bpm. Rounding out the package is "Schmitt Swell," an apocalyptic noise-fest drenched in fizzing, sawtooth waves and self-oscillating, squealing squits and splats.
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12"
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BCR 021EP
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Norfolk's Luke Abbott joins Border Community with the accomplished Tuesday EP, a musically ambitious 6-song selection of beautifully wonky modern electronic psychedelia. DJ-friendly, exuberant rave stompers rub shoulders with dubbed-out nu-Kraut and 8-bit bleeps to form a cohesive home listening experience. There's the twinkly music box trance of "Melody 120," the noisy schaffel-rave stomper of "Without Aim," and so much more.
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