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CD
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INFX 037CD
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Mini-LP Japanese-style gatefold packaging. "Infraction Records curates this new entry to the already considerable body of collaborations involving Alio Die. There have already been communings with the likes of Robert Rich, Mathias Grassow, and Vidna Obmana. Here, though, Stefano Musso's fellow-travellers are lesser known but closer to home. Aglaia is an Italian duo with a trio of albums on his Hic Sunt Leones label; Gino Fioravanti and Gianluigi Toso come trailing credentials in therapy, writing, painting, and teaching, to say nothing of alchemy and ortho-bionomy. In contrast with Musso, who has fully two decades of musical endeavors behind him, they're comparative novices. But you wouldn't have thought it. Theirs is a music whose apparent stasis enfolds within it endless subtle micro-variations. They bring with them from previous HSL releases an appealing aquatic/amniotic sound dimension, characterized by a combination of electronic sounds (analogies as the sleeve notes would have it) and processed acoustica moving as if in virtual circular breathing. Slow waves of soundflow suggestive of psycho-acoustic energy (if you're a believer, otherwise just go with the flow) come with peripheral fragments of sonorities, carried on the wind, drifting as if at the edges of sleep, recalling the way echo plays in open landscapes. That's part of the method of this animist collective's historical unfolding of its subjects' textures and trajectories, yielding a series of luminous aerated tracts. Animists see a spiritual force residing in every element of the physical world. Nature is believed to be alive, imputing an inner life to leaves, lakes and the like. Dwelling on Private History Of The Clouds brings this to mind before even entering its audio world, particularly in light of Alio Die's predilection for 'passion, nature and awakening' and Aglaia's for worlds of feeling ('mondi sensibili,' as a previous album was called). But, lest this kind of talk scare off those averse to nature-hugging, note that the musical Grace inspiring this project is more a familiar of Pandit Prath Nan and Brian Eno than of Wyndham Hill and Hearts of Space."
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