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Search Result for Label COLUMBIA
viewing 1 To 10 of 22 items
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LP
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KC 31061LP
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Legendary 1971 session featuring Dewey Redman, Don Cherry (pocket trumpet), Charlie Haden (bass), Billy Higgins (drums), Ed Blackwell (drums) and Bobby Bradford (trumpet).
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LP
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KC 31502HLP
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Ornette Coleman's 1972 "third stream" album with the London Symphony Orchestra, conducted by David Measham. 180 gram exact repro.
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LP
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CL 652LP
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$14.00
NOT IN STOCK, SPECIAL ORDER
"This is the story of Charlie Christian, who played guitar with the Benny Goodman Sextet and Orchestra from the fall of 1939 to the spring of 1941. He brought with him a new concept of jazz which, fused with the music of Lester Young and a few others, became the foundation of what was called bop in the forties, and opened the way to the whole field of 'modern jazz' in the fifties..."
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LP
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CL 998HLP
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The Jazz Lab Quintet, formed by alto saxophonist Gigi Gryce and trumpeter Don Byrd, was active in 1957 and released music for Riverside, Verve, RCA/Victor and Jubilee. This release on Columbia is considered among the project's most notable sessions. Appearances by Tommy Flanagan (piano), Wendell Marshall (bass) and Art Taylor (drums). Songs include Horace Silver's "Speculation," as well as Gryce's originals "Nica's Tempo" and "Blue Concept." 180 gram exact repro reissue.
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12"
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RG 561EP
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"Two cuts from Brainstorm's sought-after 1978 album Journey To The Light. A self-contained nine-member band from Detroit, Brainstorm proved equally adept at crafting love ballads and jazz-funk jams. 'Journey To The Light' definitely falls into the latter camp, a mass of hot brass and slapped-bass goodness, with a killer female vocal. 'We're On Our Way Home' is another soul weekender anthem -- a jazz-funk / disco fusion cut with massive end of night chorus."
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LP
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PC 9604HLP
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$21.00
NOT IN STOCK, SPECIAL ORDER
Dylan's eighth studio album, released in 1967. 180 gram repro reissue. "A calm, reflective album, John Wesley Harding strips away all of the wilder tendencies of Dylan's rock albums -- even the then-unreleased Basement Tapes he made the previous year -- but it isn't a return to his folk roots. If anything, the album is his first serious foray into country, but only a handful of songs, such as 'I'll Be Your Baby Tonight,' are straight country songs. Instead, John Wesley Harding is informed by the rustic sound of country, as well as many rural myths, with seemingly simple songs like 'All Along the Watchtower,' 'I Dreamed I Saw St. Augustine,' and 'The Wicked Messenger' revealing several layers of meaning with repeated plays." -- All Music Guide
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LP
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CS 9432LP
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Exact repro reissue, originally released in 1967. "...fans of typically '60s harmonies, artful production, and crafty integration of acoustic and electric dynamics with a wide range of instruments will find much to enjoy.... It does include a Paul Simon-Bruce Woodley collaboration, 'I Wish You Could Be Here,' that Simon & Garfunkel never put out on release, though Woodley's group, the Seekers, did put out a version. About the best of the lot are 'Our Love Affair's in Question,' which (whether intentionally or not) sounds quite a bit like 1966 Simon & Garfunkel, and 'Don't Cry, No Fears, No Tears Comin' Your Way,' which is tougher than most of their output. There's also a rather wacky cover of the Beatles' 'I'm Happy Just to Dance With You,' complete with the cheesy twanging sitar that decorated several of the Cyrkle's songs." -- All Music Guide
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2LP
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CG 30450LP
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Gatefold exact repro reissue of the 1971 collection of recordings by the "empress of the blues." One of the most popular female blues singers of the 1920s-30s, Smith recorded alongside the likes of Louis Armstrong, Bob Fuller, Benny Goodman, Coleman Hawkins and Fletcher Henderson. Songs include "Me And My Gin," " I'd Rather Be Dead And Buried In My Grave," "Devil's Gonna Get You" and "Poor Man's Blues."
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LP
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KC 32063LP
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Brothers David (Buskin) and Robin Batteau had careers writing songs for TV, film and numerous Top 40 entertainers, but this 1973 album inspired by their father's dolphin/human communication project (which, according to the cover, apparently involved swimming naked with them), is a lost gem, featuring the hit-that-never-was, "High Tide," a free soul aquatic space groover that was later sampled on Ghostface Killah's track "Underwater," from the album Fishscale. Exact repro reissue.
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LP
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CS 8607LP
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$14.00
NOT IN STOCK, SPECIAL ORDER
Exact repro reissue, originally released in 1962. Featuring Chico Hamilton (drums), Charles Lloyd (tenor & flute), Garnett Brown (trombone), Albert Stinson (bass) and legendary Hungarian guitarist Gabor Szabo on guitar. "...a fascinating document... This group's sound was much harder and bluesier than Hamilton's previous quintets, and Lloyd's heated, Coltrane-inspired tenor sax was its most prominent voice. Szabo's cool, well-paced soloing is reminiscent of Jim Hall's, and Brown proves to be a far more interesting soloist that I would have ever expected. Hamilton's playing is remarkably aggressive, and his crisp, taut, nervy solo on 'Tales' reveals that he had much more going on, chops-wise, than most jazz drummers. However, the real hero of this recording is the bassist, Albert Stinson, whose supple, probing lines weave a graceful counterpoint to Hamilton's crackling drums." -- Jazz Weekly
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