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LP
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OM 032LP
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"High Hopes is recording of music for cassettes. While the general tone is experimental, the structural elements of song are not left behind. Each side is a continuous statement comprised of brief motifs and repetitive strains bleeding into one another, coalescing into a cold narrative of half-remembered, slow mbiras, 78s of an orchestra in endless refrain, a confused piano, a vocal hosanna... While the pacing allows a certain introspection and the tape fidelity allows a certain detachment, direction and concision are not sacrificed. Elements from side A reappear on side B recomposed, and an overall tone of melancholy is maintained throughout. E.M. Cioran said, 'A heart without music is like beauty without melancholy.' Here... you've got it all." -- Greg Kelley
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LP
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OM 031LP
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$18.00
NOT IN STOCK, SPECIAL ORDER
Bill Nace (Guitar) and Kim Gordon (Guitar, voice). "So much more than a 'likely pairing,' this is a group which manages to illuminate the best of both players while simultaneously pushing them into fresh territory. Live shows have been accompanied by slowed films, and the pair's obsession with cinema comes across in the music itself. The pieces exist as vignettes in and of themselves, all the while presenting a full-bodied emotional narrative over the course of the record's 20 minutes. It's fascinating to hear Nace and Gordon develop these ideas, to hear relatively simple pulses, stabs, moans, and calls take shape as something almost like songs. There is a strange terror to this music. Electric shards punch through and shatter the air. There is agonizing pain living in the guitars and genuine anguish in Gordon's voice. It is some of the most courageous and emotive singing of her career. This is some of the most fantastically elastic music currently being produced, shifting form and formlessness without batting an eye. Like the best art, it exists out beyond the limits of what we can easily define. It's as pained as it is curious, as free as it is claustrophobic, full of spellbinding tension throughout, from the sparse opening of 'Turn Me On' to the intensely moving and breathtakingly sad closer, 'Where Did You Go?,' a track that's as good as anything either player has ever put to tape. It's so scary and so sad, so tender and so angry, a consummate example of what both musicians are capable of, the capstone to a sequence so satisfying one wants to just play it again. The music changes shape with each listen, behind each shadow lives another melting perspective. Beautifully pressed at 45rpm, the fullness and depth of sound and feeling come through loud and clear. This record is a complete picture, a blurry pool at night, a short story to revisit over and over again." --Matt Krefting
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