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ACID 007CD
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2001 release. "Mastertape reissue of 1963 instrumental LP on the exploito Charter label, more 'frat' than 'surf' but enough lively blasts for your backyard cookout! A whole new way of life has been created by the word 'surf.' Although many of us have not yet indulged, most of the terms used by the devotees of the art are common household words today. It seems that everybody is taking to the water. Whether you have been on the boards yourself or just 'watched,' certainly you are familiar with the music and dances which were conceived from this new craze. In this album, Calvin Cool brings his unique touch to the standards such as 'Surfin' U.S.A.,' 'Pipeline' and the new one-to-be 'Surf City,' as well as his original compositions of the surfin' sound, the most outstanding of which is 'Beach Sound.' We hope you will enjoy this album as much as we enjoyed recording it, and that you, too, will be 'taking the drop' and joining the crowd."
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ACID 003CD
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$11.00
NOT IN STOCK, SPECIAL ORDER
"Reappearance on CD (with tasteless original cover art intact) of fantastic Latin funk/psych rare groove special from around 1970; as Latin mavens Dusty Groove say, it's 'an insanely wonderful bit of Latin funk! The groove is super heavy, and falls somewhere in between NuYorican soul and Chicano Power rock -- with a sound that's pretty close to Black Sugar, but a little bit more psychedelic, due to the heavy guitars and keyboards in the grooves. Hard congas take the lead on most of the tracks -- especially the cut 'Chapumbambe,' which starts with a nice breakbeat.' Astral-planar Latin jams, with blazing guitar and organ laid down over hot funk/psych grooves; leads off with the eight-minute runaway train 'Tema de Bwana'; what's next, you wonder? Why it's the intricate twin-guitar progressive call and response jam of 'La Patada'; the rest gets better from there, with songs that shift and flow until they hit an acid freakout point -- check out the end of 'Chapumbambe' or the second half of the thirteen-plus minute soul/psych style rave up 'Lolita' that closes the album."
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ACID 008CD
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"Jaw-dropping album from one the US's earliest progressive rock bands -- it is safe to say that dumping an innovative product such as this on an unsuspecting audience, even back in 1972, baffled most listeners, thus a disappearing act which has relegated this gem to the obscurities hall of fame! Their music is dominated by heavy Hammond and an active core of drum play and congo bashing; add to this mix a penchant for surrealistic lyrics and off-center vocals and you get the picture. Try to imagine a band who, upon hearing Emerson, Lake & Palmer's Tarkus for the first time, indulged in heavy amounts of mescaline and dropped by the studio. Assume that they are competent musicians and have carefully considered their music before recording. With that I think you have a vague idea of what this seminal progressive act from America were all about. Is it progressive or psychedelic? The answer is yes. Extremely so!"
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ACID 009CD
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"An album which has had a mystical allure for the stoned elite around the world since it's initial release. This rare psychedelic/progressive freak-rock album, released in 1973 on Harvest in Sweden, has great instrumental wealth -- flutes, guitars, maracas, timbales, harmonica, and remarkable percussion -- resulting in five songs with very special character that have, at times, a very North American sound. Panta Rei's tight playing and Thomas Arnesen's terrific searing guitar leads directly resulted in the recording of this, Panta Rei's only album -- a great effort from a band who tried to record an album after playing at a big acid festival in Uppsala in 1971, but got so stoned that nothing got done, and the tapes went up in smoke. An amazing combination of trippy blessed-out guitar raves, complex compositions, and consciousness-expanding improvisation which sounds better today than ever before. Cover art scientifically designed to keep your mind focused intently on the music."
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ACID 006CD
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"An inspired fusion of Middle Eastern rhythms and the fuzz guitar blasts so dear to fans of psychedelia resulted in this the most accessible album by accomplished oud player John Berberian and his troop of skilled musicians. First released on Verve/Forecast in 1969 this exotic album features music based on traditional themes from Turkey, Armenia, Greece, Arabia and North Africa blended with the terrific improvised energy of psychedelia. So what you end up with here is bustling bazaars and scorched sands passed through the prism of the lysergic sensibilities of the late 60's. A great album, for the first time on CD!"
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ACID 004CD
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$11.00
NOT IN STOCK, SPECIAL ORDER
"Strange Kim Fowley produced psychedelic opus with a sanctified hippie vibe -- 'canyon music' as this Los Angeles area group might have described it; strange songs about the fires of hell and spacemen from Venus alternate with some anti 'flower power' songs and stoned sounding jams that show why they were touted by Fowley as the next 'in-thing' -- they weren't, of course, but a strong album all the same."
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ACID 005CD
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"The West Coast Pop Art Experimental Band (WCPAEB) are a showcase for the various dementias of vocalist Bob Markley (paranoia and a very keen interest in young --emphasis on young -- women), and the electric shock treatment of guitarist/vocalist Dan Harris; the album's rich harmonies and full, delicate arrangements show the abundant influence of Michael Lloyd, who co-produced the album with Markley; tracks such as 'Elegant Ellen', 'Sweet Lady Eleven' and 'Magic Cat' are nearly as good as some of the highlights from the WCPAEB catalog; a surprisingly consistent and accomplished album for a band about to collapse under the collective weight of it's own insanity."
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