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12"
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AU 1012EP
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CD
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AU 1012CD
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"A lot of DJs stake the tapes I make and try to make them into something more ordinary. Let's Go Swimming was supposed to be a futuristic summer record. Some DJs said that nobody would ever, ever play that. I think eventually that kind of thing will be commonplace." - Arthur Russell interview with David Toop in 1986.
"This is an impossible dance music, jumbling your urges, making el you want to move in ways not yet invented, confounding your body as it provokes it -- a work of genius" - Simon Reynolds, Melody Maker in 1986.
"Remastered reissue of Arthur Russell's most mind-bending (and boggling) psychedelic dance-raga originally released in 1986. The 12" and CD include all three versions of Let's Go Swimming: Arthur's own mixes of the Gulf Stream Dub and Puppy Surf Dub and the legendary Coastal Dub mixed with love by Walter Gibbons. Also included is the previously unreleased epic 11-minute keyboard funk version of 'Make 1,2' (Gem Spa Dub)."
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CD
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AU 1010CD
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"Four years ago, Audika Records began releasing the exceptionally varied, long sought-after music of Arthur Russell, and in the process has succeeded at helping the beloved, late artist find the broader audience he always believed he would reach. A new generation of listeners and critics has come to appreciate Russell as a visionary and an influence upon a broad range of today's most compelling musical artists. Now, Audika will bring to light an as-yet-unavailable side of Russell's body of work -- the most rare and, at the same time, arguably the most accessible part -- in Love Is Overtaking Me, which comprises 21 demos and home recordings of unreleased pop, folk and country songs from his vast catalog. While much critical and popular affection for Russell's music has come about well after his untimely death from AIDS in 1992, many fellow artists believed in his genius and were drawn to collaborate with him during his lifetime. The legendary producer John Hammond (Billie Holiday, Bob Dylan, Bruce Springsteen) recorded Russell on several occasions; a number of these recordings will finally be heard on Love Is Overtaking Me. So, too, will songs recorded with various incarnations of The Flying Hearts, a group formed by Russell and Brooks whose shifting line-up included, by turns, Jerry Harrison, Rhys Chatham, Jon Gibson, Peter Gordon and Peter Zummo as well as Larry Saltzman and David Van Tieghem. Several other Russell projects are represented on Love Is Overtaking Me, including The Sailboats, Turbo Sporty and Bright & Early. Compiled from over eight hours of material, three years in the making, Love Is Overtaking Me reaches back further to Russell's first compositions from the early '70s and spans forward to his very last recordings, made at home in 1991. Chris Taylor of Grizzly Bear contributed mixing, restoration and editing to the album, whose tracks were selected by Audika's Steve Knutson, Ernie Brooks and Russell's companion, Tom Lee. A number of the songs feature prominently in Wild Combination: A Portrait of Arthur Russell, Matt Wolf's film, which had its world premiere this year at the Berlin International Film Festival and will be released theatrically and on DVD by Plexifilm. Love Is Overtaking Me is the fifth release of Russell's material by Audika Records, whose work has proven that the music remains as contemporary today as when it was first recorded. The label launched with the disco/new wave collection Calling Out Of Context (2004) and continued with a reissue of the cello-and-voice masterpiece World Of Echo (2005); the instrumental compositions double-disc First Thought Best Thought (2006); and the hip-hop-inspired Springfield EP (2006), which includes a DFA remix of the title track. Extensive Love Is Overtaking Me liner notes by Tom Lee provide an intimate perspective on Russell's diverse catalog, which spanned an extraordinary diversity of styles and won the love of artistic communities that would seem utterly disparate, from Philip Glass, John Cage and Allen Ginsberg to rock bands like The Talking Heads and The Modern Lovers; the pre-Studio 54 disco-party scene of Nicky Siano's Gallery and David Mancuso's loft; and DJ-producers like Francois Kevorkian and Larry Levan, among others."
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CD
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AU 1008CD
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$13.50
NOT IN STOCK, SPECIAL ORDER
"The new album from Brooklyn's latest and greatest pop punk sensations overflows with urgent anthems like 'We're Coming Out,' 'Yellow Taxi,' 'Take Me As I Am' and 'BLT,' that will make you dance, drink, fight and make up all at the same time. Is That the Tralala also includes covers of the seminal Wipers tune 'Mystery' and Giorgio Moroder's 'Underdog.' Their 2004 self-titled Audika Records debut took them places they'd never dreamed, sharing stages around the world with bands including Broadcast, The New York Dolls, The Dirtbombs, Ted Leo & the Pharmacists, Holly Golightly, Franz Ferdinand, Camera Obscura, The Magic Numbers, and more. Tralala will hit the road in December and into the New Year bringing their make up or break party into your town, so suit up."
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CD
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AU 1007CD
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Seven track mid-length CD, all tracks previously unreleased. Includes a new DFA remix. "Before Homer (Simpson) there was Arthur Russell and his vision of a utilitarian and common social oasis. There appears to be in every state of the union a Springfield -- be it county, city or street. Arthur imagined that his music could be universally accepted in each and every one of them. Springfield is one of the last compositions Arthur Russell wrote in his all too short lifetime. Arthur recorded over four hours of tracking with the intention of collaborating with a producer for completion. It never happened until now when DFA accepted the monumental task of editing and completing the track. No overdubs were used with the exception of minimal keyboards on the remix. Three versions are included with separate vocal takes. The result is a classic electro dub track that ranks beside Arthur's visionary club music and DFA's prime remixes. The remaining tracks are some of Arthur's finest, most twisted moments, and culled from the unreleased 1985 album Corn. 'See My Brother, He's Jumping Out (Let's Go Swimming #1)', is the original (and no less stunning) version of what became the classic 12" released a year later. 'Corn #3' is a hypnotic instrumental with Casiotone, cello and found water sounds while 'Hiding Your Present From You' is a psychedelic blur that hints at the elements that came later with World of Echo. Closing out the album is 'You Have Did The Right Thing When You Put That Skylight In,' Arthur's ode to his close friend Ernie Brooks' home skylight. The heavy metal cellos rumble throughout as Arthur sings, 'It makes your place, your pad, a nicer place to be.' Springfield is a companion album to the critically acclaimed Calling Out Of Context, and offers further exploration of the genius of Arthur Russell."
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2CD
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AU 1005CD
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"Before disco, and before the transcendent echoes, Arthur Russell wanted to be a composer. His journey began in 1972, leaving Iowa to study Indian classical composition with Ali Akbar Khan in Northern California and ending two years later in New York at the Manhattan School of Music. In that brief period Arthur met and worked with several musicians and poets that would guide his work throughout the remainder of the decade: Allen Ginsburg, Christian Wolff, Jackson MacLow, Rhys Chatham, Philip Glass, Elodie Lauten, and Ernie Brooks. First Thought Best Thought collects Arthur Russell's out of print instrumental and orchestral compositions along with over 45 minutes of previously-unreleased material on two CDs. Initially intended to be performed in one 48 hour cycle, 'Instrumentals' was in fact only performed in excerpts a handful of times as a work in progress. The legendary performances captured live in New York at The Kitchen and Franklin St. Arts Center include the cream of that era's downtown new music scene including Ernie Brooks, Rhys Chatham, Jon Gibson, Peter Gordon, Garrett List, Andy Paley, Dave Van Tiegham, and Peter Zummo. Included here is the previously unreleased 'Instrumentals' Vol. 1 along with 'Instrumentals' Vol. 2 that has been out of print for over twenty years. Originally released in 1984, sections of 'Instrumentals' Vol. 2 were incorrectly mastered at half speed, and have been now corrected for this compilation. 'Reach One' is one of Arthur's earliest compositions dating back to 1973. The hypnotic soundscape was written and performed for two Fender Rhodes pianos, and is previously unreleased. One of the holy grails in Arthur's discography, 'Tower Of Meaning' is a beautiful and stunningly moving orchestral work. Conducted by the late Julius Eastman, 'Tower Of Meaning' was originally released in a limited private edition of only 320 copies. 'Sketch For The Face Of Helen' shares only the same title as the previously released excerpt from 1981. Inspired by his work with friend and composer Arnold Dreyblatt, this previously unreleased version was recorded with an electronic tone generator, keyboard and ambient recordings of a rumbling tugboat from the Hudson River. First Thought Best Thought is an essential collection of the lost instrumental treasures from Arthur Russell's vast archive and brings the genius of his legacy closer into focus. Packaged with a 16-page color booklet + O-card of archival images and essays by former Modern Lover Ernie Brooks and Audika's Steve Knutson."
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CD
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AU 1006CD
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$5.50
NOT IN STOCK, SPECIAL ORDER
"Three brand new holiday hits; one sad, 'Christmas Never Comes (When You're Alone),' one sexy, 'Holiday Hearts,' and one drunk on eggnog, 'Everybody Christmas Time.' If we have to get all wound-up, overexcited, tense with anticipation, grossly disappointed and joyful for a month every year, at least we can have some new songs! Despite it all, the holiday season is still a time for joy and sadness and cookies and liquor, all in liberal doses, and the season can still inspire a great pop song. You deserve coal, but you're getting Tralala."
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CD
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AU 1004CD
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$13.50
NOT IN STOCK, SPECIAL ORDER
"The dream started in Brooklyn. The vision was of the ultimate rock &roll band, 4 girls, 3 guys, and 2 chords. Loud, simple and urgent hooks turned into infectious, vibrant anthems, retelling what was already there in the short, sweet language of pop. A Brill Building badly in need of a chimney sweep. The Ramones meets The Shangri-La's? Is Tralala a nod to Hubert Selby's doomed character in Last Exit To Brooklyn? Are they a tribute to the Banana Splits anthem? Could it be Lou Reed's brush-off in Street Hassle? Perhaps. But what is true is that Tralala with their wild, primal pop is now a rock & roll reality with their Audika Records debut."
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CD
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AU 1002CD
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"Out of print for over fifteen years, Arthur Russell's most extraordinary work, World Of Echo is issued for the first time on CD by Audika Records. Newly remastered from Arthur's pristine original 1/4" sequenced masters, World Of Echo sounds like nothing you have heard or will ever hear. 18 tracks are featured including drumless versions of his Disco classics 'Let's Go Swimming', 'Tree House' and 'Wax The Van' along with four previously unreleased tracks from Sketches From World Of Echo. Originally released on LP in 1986, World Of Echo is a deeply intimate and meditative work of awe-inspiring grace and remains a timeless work of sublime beauty. Arthur's aim was to achieve what he calls 'the most vivid rhythmic reality', with just cello, voice, and echoes. Arthur achieved all of this and more on one of the most amazing albums you will ever hear." [this is the regular mass market single CD version; limited version with bonus DVD is out of print]
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AU 1001CD
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"When Arthur Russell died in 1992 he left an overwhelming archive of over a 1000 tapes that reveal the sublime genius of one of the most important musicians of the last 25 years. As a cellist, songwriter, composer, and disco visionary Arthur Russell consistently blurred the lines of our expectations of what pop music could be. Originally from Iowa, Arthur travelled west in 1970 to study Indian classical composition with Ali Akbar Khan, befriended Allen Ginsberg, performed with Alice Coltrane, and then moved to New York in 1973 to study at the Manhattan School of Music. Quickly gravitating to the then burgeoning downtown scene, Arthur wrote and performed his minimal compositions (captured on Instrumentals and Tower Of Meaning. Both to be re-issued by Audika) and collaborated with a who's who of some of New York's most influential artists including Rhy's Chatham, Ernie Brooks, David Byrne, Phillip Glass, Laurie Anderson, Jon Gibson, Robert Wilson, Christian Wolff, John Cage, Arnold Dreyblatt, and Phill Niblock. It then changed by a mere accident. Simply, he went to a disco. Inspired by the sonic repetition and sense of community, Arthur wrote and recorded some of the most important records of the disco era including 'Kiss Me Again', 'Is It All Over My Face', and co-founded Sleeping Bag Records with partner Wil Socolov releasing 'Go Bang' and the album 24-24 Music. In 2002 Audika Records entered into an exclusive licensing agreement with the estate of Arthur Russell to issue previously unreleased and out of print material from Arthur's vast archive. The first album Calling Out Of Context , features 12 previously unreleased tracks recorded during Arthur's prime years 1985-90. The material is drawn from Corn, an album that was completed in 1985 but never released, and an abandoned album recorded for Rough Trade as Arthur had become ill. Many of these tracks show hidden sides of Arthur's talent and underline the loss of his great potential. Contrary by nature, Arthur's spontaneous reaction and altered perception to his environment produced music that remains challenging and contemporary. Arthur's open hearted attitude to music was far ahead of it's time, and now that time is ours."
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