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2LP
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SSS 002LP
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Double LP version; gatefold sleeve. Saigon Supersound Vol. 2 presents more interesting tunes of a musical era that has long been obscured. As with Saigon Supersound Vol. 1, (SSS 001CD/LP, 2017) this new volume digs deeper to share the beautiful music of a short but significant period in Vietnam's history. Much like the country itself, the music of Vietnam has endured many twists. As the result of the Geneva Accords in 1954, Vietnam was divided into two. From the North, the Nationalist forces fought to reunite Vietnam as a Communist state, while American troops backed the government of the South. This caused a mass migration of Northerners to the South, which included many Tân Nhạc (modern music) singers and songwriters. Tân Nhạc continued to develop in the South, moving on from the influences of its main inspiration, French music. In the North, the Resistance music, the so-called Nhạc Đỏ (Red Music), promoted socialism, patriotism and anti-capitalism and was the only genre allowed on national radio. Between 1954-1960, the theme of (quê hương), or hometown, was a main inspiration for many songwriters such as Hoàng Thi Thơ, Lam Phương and Nguyễn Hữu Thiết. The 9th track on the compilation, "Thôn Trăng Mở Hội Trăng Tròn" showcases a variety of images often described in this genre: the harvest moon, playful children, an old mother. Every recording made in this era is then an organic combination of human experiences, communications and uniqueness. In 1965, the first American troops landed in Vietnam, bringing with them the musical influences of the likes of Beatles, Bob Dylan, Jimi Hendrix, and Elvis Presley. The Vietnamese people quickly integrated it into the repertoire with the hope of further diversifying the music of Vietnam. Constantly changing and learning from different cultures, the modern music of Vietnam cuts a window into the soul of a Vietnamese person and the country's history as a whole. With that, the hope is that Saigon Supersound Vol. 2 would take you on a trip back to the unique atmosphere of Saigon through the different palettes of music that this beautiful place offers. Features: Carol Kim, Son Ca, Van Son, Elvis Phương, Thanh Tuyên, Thanh Thuy, Phuong Dung, Thanh Lan, Tuy Phuơng, Champagne, Hùng Cương & Mai Lệ Huyên, Connie Kim, Truơng Hai, Mai Lẹ Huyên, Lẹ Thu, and Kích Động Nhac AVT.
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CD
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SSS 002CD
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Saigon Supersound Vol. 2 presents more interesting tunes of a musical era that has long been obscured. As with Saigon Supersound Vol. 1, (SSS 001CD/LP, 2017) this new volume digs deeper to share the beautiful music of a short but significant period in Vietnam's history. Much like the country itself, the music of Vietnam has endured many twists. As the result of the Geneva Accords in 1954, Vietnam was divided into two. From the North, the Nationalist forces fought to reunite Vietnam as a Communist state, while American troops backed the government of the South. This caused a mass migration of Northerners to the South, which included many Tân Nhạc (modern music) singers and songwriters. Tân Nhạc continued to develop in the South, moving on from the influences of its main inspiration, French music. In the North, the Resistance music, the so-called Nhạc Đỏ (Red Music), promoted socialism, patriotism and anti-capitalism and was the only genre allowed on national radio. Between 1954-1960, the theme of (quê hương), or hometown, was a main inspiration for many songwriters such as Hoàng Thi Thơ, Lam Phương and Nguyễn Hữu Thiết. The 9th track on the compilation, "Thôn Trăng Mở Hội Trăng Tròn" showcases a variety of images often described in this genre: the harvest moon, playful children, an old mother. Every recording made in this era is then an organic combination of human experiences, communications and uniqueness. In 1965, the first American troops landed in Vietnam, bringing with them the musical influences of the likes of Beatles, Bob Dylan, Jimi Hendrix, and Elvis Presley. The Vietnamese people quickly integrated it into the repertoire with the hope of further diversifying the music of Vietnam. Constantly changing and learning from different cultures, the modern music of Vietnam cuts a window into the soul of a Vietnamese person and the country's history as a whole. With that, the hope is that Saigon Supersound Vol. 2 would take you on a trip back to the unique atmosphere of Saigon through the different palettes of music that this beautiful place offers. Features: Carol Kim, Son Ca, Van Son, Elvis Phương, Thanh Tuyên, Thanh Thuy, Phuong Dung, Thanh Lan, Tuy Phuơng, Champagne, Hùng Cương & Mai Lệ Huyên, Connie Kim, Truơng Hai, Mai Lẹ Huyên, Lẹ Thu, and Kích Động Nhac AVT.
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2LP
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SSS 001LP
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Double LP version. Gatefold sleeve. What started as an idea in 2012 now becomes reality with the release of Saigon Supersound Vol. 1, compiled by Jan Hagenkötter. A compilation about the story of a musical era in Vietnam that was almost lost, made of tracks from 1965 to 1975, the so-called "Golden Music" period in the south of Vietnam, where -- under difficult circumstances -- a lively pop culture had developed. This period is characterized by the fusion of Vietnamese music with western pop music. The compilation includes some tunes reissued for the very first time since their original release. Jan Hagenkötter, a music-lover and DJ who is also the mind behind the renowned music publishing company and record label INFRACom!, relocated to Saigon in 2012. In co-operation with the Vietnam based dOSe crew, Jan organized parties and shows, inviting guest and friends like DJ Spinna, Jazzanova, Alice Russell, and many other artists. In 2012, as he was spinning tunes in Saigon and other parts of South East Asia, the idea for this project was born. In 2013, Jan returned to Germany, but he has been swinging back and forth between Saigon and Frankfurt ever since. In the following years, he began to research and collect more seriously. He bought vinyl singles from around the world, often several copies of the same release, just to restore or rather "rebuild" one good recording from several sources. With the help of friends based in Saigon, he was able to navigate an almost impenetrable jungle of music websites and come into contact with several collectors. The best recordings from this treasure hunt were then retouched, refined, and remastered in the studio for this release. Besides this amazing project, Vietnamese producers like Maqman from Saigon, DJ Yellow from Paris, and others who also share roots in Vietnam, have already started to work on edits and re-works of songs featured on Saigon Supersound Vol. 1. Features: Carol Kim, Hùng Cường & Mai Lệ Huyền, Duy Quang & Thái Hiền, Thanh Vũ, Connie Kim, Hòa Tấu, Phượng Mai, Khánh Ly, Kim Loan, Thanh Thuý & Văn Thanh & Hoàng Liêm & Thanh Mai, Kiều Oanh, Thanh Lan, Châu Hà & Thanh Mai, Mai Lệ Huyền, Vân Sơn & Thùy Dung, Hoàng Oanh, Phương Dung, and Ngọc Giàu.
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CD
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SSS 001CD
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What started as an idea in 2012 now becomes reality with the release of Saigon Supersound Vol. 1, compiled by Jan Hagenkötter. A compilation about the story of a musical era in Vietnam that was almost lost, made of tracks from 1965 to 1975, the so-called "Golden Music" period in the south of Vietnam, where -- under difficult circumstances -- a lively pop culture had developed. This period is characterized by the fusion of Vietnamese music with western pop music. The compilation includes some tunes reissued for the very first time since their original release. Jan Hagenkötter, a music-lover and DJ who is also the mind behind the renowned music publishing company and record label INFRACom!, relocated to Saigon in 2012. In co-operation with the Vietnam based dOSe crew, Jan organized parties and shows, inviting guest and friends like DJ Spinna, Jazzanova, Alice Russell, and many other artists. In 2012, as he was spinning tunes in Saigon and other parts of South East Asia, the idea for this project was born. In 2013, Jan returned to Germany, but he has been swinging back and forth between Saigon and Frankfurt ever since. In the following years, he began to research and collect more seriously. He bought vinyl singles from around the world, often several copies of the same release, just to restore or rather "rebuild" one good recording from several sources. With the help of friends based in Saigon, he was able to navigate an almost impenetrable jungle of music websites and come into contact with several collectors. The best recordings from this treasure hunt were then retouched, refined, and remastered in the studio for this release. Besides this amazing project, Vietnamese producers like Maqman from Saigon, DJ Yellow from Paris, and others who also share roots in Vietnam, have already started to work on edits and re-works of songs featured on Saigon Supersound Vol. 1. Features: Carol Kim, Hùng Cường & Mai Lệ Huyền, Duy Quang & Thái Hiền, Thanh Vũ, Connie Kim, Hòa Tấu, Phượng Mai, Khánh Ly, Kim Loan, Thanh Thuý & Văn Thanh & Hoàng Liêm & Thanh Mai, Kiều Oanh, Thanh Lan, Châu Hà & Thanh Mai, Mai Lệ Huyền, Vân Sơn & Thùy Dung, Hoàng Oanh, Phương Dung, and Ngọc Giàu.
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