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Artist	Title	Format	Label	Catalog #

SMITH, KAITLYN AURELIA	Ruin: It's Not Just Music	CD	SOMEONE SPECIAL	SPECIAL 001CD
$13.50 PREORDER RELEASE DATE: 10/16/2026 Kaitlyn Aurelia Smith returns with Ruin: It's Not Just Music, a new studio album that marks one of the most decisive statements in her creative trajectory. Across the past decade, KAS has established herself as a unique voice in experimental electronic music, a composer and synthesist whose work dissolves the boundaries between ambient electronica, contemporary classical, composition, and immersive sound design. Her new album arrives with a distinctive gravitational pull. The record moves with greater physical force, placing rhythm and impact at the center of its architecture, revealing a more confrontational and embodied dimension of KAS's musical language. Where much of KAS's earlier work explored harmonic environments, the forthcoming album is built around tension and release. Inspired by the sound of drum and bass, breakbeats fracture through dense fields of synthesis, percussive patterns and her signature melodic fragments -- motions that feel closer to the kinetic language of club music than the meditative spaces often associated with her past catalogue. The result is a body of work that feels both recognizably hers and newly charged, music that moves through the body as insistently as it engages the mind. KAS's practice has steadily expanded beyond the expectations placed upon experimental electronic artists, moving between orchestral composition, audiovisual installations, film scoring, and large-scale commissions while retaining the unmistakable sonic signature that defines her work. Her prolific collaborators and creative partners have ranged from Patti Smith and Suzanne Ciani to Danny Elfman, Tycho, Glass Beams, RY X, Caribou, Four Tet, Reggie Watts, and Max Richter, while her compositions have appeared in projects with Apple, Chanel, Meow Wolf, the BBC Orchestra, and major film and television productions. On Ruin: It's Not Just Music, that vocabulary becomes more kinetic than ever before. The record draws energy from jungle, drum and bass, and dance-floor focused electronic music while retaining the intricate synthesis and tonal curiosity that have defined KAS's work from the beginning. The result is a record that feels equally at home within club culture, contemporary composition, and the experimental spaces that have long championed her artistry.

Artist	Title	Format	Label	Catalog #
SMITH, KAITLYN AURELIA	Ruin: It's Not Just Music	LP	SOMEONE SPECIAL	SPECIAL 001LP
$34.00 PREORDER RELEASE DATE: 10/16/2026 LP version. Kaitlyn Aurelia Smith returns with Ruin: It's Not Just Music, a new studio album that marks one of the most decisive statements in her creative trajectory. Across the past decade, KAS has established herself as a unique voice in experimental electronic music, a composer and synthesist whose work dissolves the boundaries between ambient electronica, contemporary classical, composition, and immersive sound design. Her new album arrives with a distinctive gravitational pull. The record moves with greater physical force, placing rhythm and impact at the center of its architecture, revealing a more confrontational and embodied dimension of KAS's musical language. Where much of KAS's earlier work explored harmonic environments, the forthcoming album is built around tension and release. Inspired by the sound of drum and bass, breakbeats fracture through dense fields of synthesis, percussive patterns and her signature melodic fragments -- motions that feel closer to the kinetic language of club music than the meditative spaces often associated with her past catalogue. The result is a body of work that feels both recognizably hers and newly charged, music that moves through the body as insistently as it engages the mind. KAS's practice has steadily expanded beyond the expectations placed upon experimental electronic artists, moving between orchestral composition, audiovisual installations, film scoring, and large-scale commissions while retaining the unmistakable sonic signature that defines her work. Her prolific collaborators and creative partners have ranged from Patti Smith and Suzanne Ciani to Danny Elfman, Tycho, Glass Beams, RY X, Caribou, Four Tet, Reggie Watts, and Max Richter, while her compositions have appeared in projects with Apple, Chanel, Meow Wolf, the BBC Orchestra, and major film and television productions. On Ruin: It's Not Just Music, that vocabulary becomes more kinetic than ever before. The record draws energy from jungle, drum and bass, and dance-floor focused electronic music while retaining the intricate synthesis and tonal curiosity that have defined KAS's work from the beginning. The result is a record that feels equally at home within club culture, contemporary composition, and the experimental spaces that have long championed her artistry.

Artist	Title	Format	Label	Catalog #
RADA, RUBEN	La Yapla Mata	LP	LITTLE BUTTERFLY RECORDS	LBR 156LP
$35.50 PREORDER RELEASE DATE: 9/25/2026 Blending Afro-Uruguayan rhythms with rock, soul, jazz, and funk, Ruben Rada has left an indelible mark on the musical landscapes of Uruguay and Argentina from the 1960s to the present. In the '60s, alongside Eduardo Mateo, he helped pioneer candombe beat with the legendary band El Kinto. In the early 1970s, Rada broke new ground again with Totem, fusing Afrobeat and rock into a sound well ahead of its time. He later joined the Fattoruso brothers and Airto Moreira in Opa, contributing to the band's now-iconic jazz fusion sound during his time in the United States. In the 1980s, Rada relocated to Buenos Aires, where he formed a powerhouse ensemble featuring top musicians from both sides of the Río de la Plata. Together, they created a string of acclaimed albums blending candombe with jazz and rock -- marking one of the most celebrated periods of his career. La Yapla Mata (1985) stands out as one of the finest records Rada produced during that era -- a vibrant fusion of candombe rhythms with rock, jazz fusion, and soul, all anchored by his extraordinary voice. The album includes some of his most iconic songs, such as "Candombe para Gardel." Once a well-kept secret in Uruguay and Argentina, La Yapla Mata is now being released internationally for the first time -- forty years later.

Artist	Title	Format	Label	Catalog #
CLAUS, GASPAR	Cells	LP	INFINE	IF 1105LP
$41.00 PREORDER RELEASE DATE: 9/25/2026 LP version. Following the sensory adventure of Tancade, in which Gaspar Claus led his listeners to a secret beach, somewhere between friends' parties and summer sun, a new territory opens up. With Cells, he offers an even more expansive journey: an inner journey as much as a cosmic shift, a plunge to the point of origin, where life is invented. True to his sole instrument, the cello, Gaspar multiplies its sound to the point of abstraction. This new work seeks to reach the primordial moment of the first cell division: a tiny, infinite moment when everything was still possible. On stage, he has built a shelter, a refuge-cell, a porous space where the visible and the invisible respond to one another. Lights, electronic breath, uncertain presences -- everything conspires to confront the audience with its own dizzying presence in the world. On the album, this architecture unfolds across ten "musical cells." Each piece observes the same phenomenon: the cello allows itself to be absorbed, dissolved, stretched, or replicated by the machines. Sometimes preserved, often transformed, the instrument becomes living matter, an unstable organism, capable of emitting both electronic landscapes and archaic beats. A rich, luminous album, imbued with an almost healing energy, Cells might seem more electronic than Tancade. Yet every sound that makes it up comes from the cello -- transformed, filtered, and reworked through a series of successive transformations. This is music that doesn't merely describe life: it re-enacts it, cell by cell.

Artist	Title	Format	Label	Catalog #
CLAUS, GASPAR	Cells	CD	INFINE	IF 1105CD
$20.50 PREORDER RELEASE DATE: 9/25/2026 Following the sensory adventure of Tancade, in which Gaspar Claus led his listeners to a secret beach, somewhere between friends' parties and summer sun, a new territory opens up. With Cells, he offers an even more expansive journey: an inner journey as much as a cosmic shift, a plunge to the point of origin, where life is invented. True to his sole instrument, the cello, Gaspar multiplies its sound to the point of abstraction. This new work seeks to reach the primordial moment of the first cell division: a tiny, infinite moment when everything was still possible. On stage, he has built a shelter, a refuge-cell, a porous space where the visible and the invisible respond to one another. Lights, electronic breath, uncertain presences -- everything conspires to confront the audience with its own dizzying presence in the world. On the album, this architecture unfolds across ten "musical cells." Each piece observes the same phenomenon: the cello allows itself to be absorbed, dissolved, stretched, or replicated by the machines. Sometimes preserved, often transformed, the instrument becomes living matter, an unstable organism, capable of emitting both electronic landscapes and archaic beats. A rich, luminous album, imbued with an almost healing energy, Cells might seem more electronic than Tancade. Yet every sound that makes it up comes from the cello -- transformed, filtered, and reworked through a series of successive transformations. This is music that doesn't merely describe life: it re-enacts it, cell by cell.

Artist	Title	Format	Label	Catalog #
DOLLAR BRAND/DON CHERRY/CARLOS WARD	The Third World-Underground (1974)	CD	WEWANTSOUNDS	WWSCD 125CD
$18.00 PREORDER RELEASE DATE: 9/11/2026 Wewantsounds presents the first-ever international release of the legendary collaboration between Abdullah Ibrahim (Dollar Brand) and Don Cherry, featuring Carlos Ward. Recorded live in 1972 at Jazzhus Montmartre in Copenhagen, this highly sought-after album was originally released exclusively in Japan in 1974 on the cult jazz label Trio Records via its revered Nadja imprint. An essential chapter in the musicians' discographies, the performance masterfully blends jazz with rich South African rhythms and global influences. This long-awaited edition features fully remastered audio, the original Japanese artwork, and a four-page booklet with new bilingual liner notes (English/French) by Jacques Denis. The Third World-Underground captures a rare convergence of three singular musical voices: Don Cherry's nomadic imagination, Abdullah Ibrahim's deeply rooted South African lyricism, and Carlos Ward's muscular alto saxophone. By 1972 when this magical album was recorded, Cherry and Ibrahim had already spent a decade redefining jazz by pushing beyond its foundations and embracing a broader, global musical language. Cherry was in constant search of new musical pathways. Drawing inspiration from the traditional sounds of Turkey, India, Africa, and beyond, he cultivated a fluid, borderless approach that expanded far beyond the trumpet, incorporating voice, percussion, and communal improvisation into his work. Ibrahim brought an equally profound sensibility. A spiritual heir to Duke Ellington, shaped by Cape Town gospel, township jive, and the emotional weight of exile, he transformed the piano into an instrument capable of both celebration and lament. Having first crossed paths in the mid-1960s, the musicians shared a deep mutual affinity that culminated in this performance. Recording under a name that reflected the era's growing decolonization movements, the trio created a fearless, boundary-defying statement across seven hypnotic pieces. The music unfolds as a continuous conversation: Ibrahim's cyclical piano figures provide an emotional foundation while Cherry and Ward drift, soar, and chant in ecstatic unison, searching collectively for new ground. Originally released in Japan in 1974 on Trio Records, the album was never reissued on vinyl, gradually attaining cult status among collectors and fans of Don Cherry and Dollar Brand alike. Freed from convention, The Third World-Underground remains a restless and deeply human work of collective discovery whose resonance continues to unfold with every listen.

Artist	Title	Format	Label	Catalog #
DOLLAR BRAND/DON CHERRY/CARLOS WARD	The Third World-Underground (1974)	LP	WEWANTSOUNDS	WWSLP 125LP
$33.00 PREORDER RELEASE DATE: 9/11/2026 LP version. Wewantsounds presents the first-ever international release of the legendary collaboration between Abdullah Ibrahim (Dollar Brand) and Don Cherry, featuring Carlos Ward. Recorded live in 1972 at Jazzhus Montmartre in Copenhagen, this highly sought-after album was originally released exclusively in Japan in 1974 on the cult jazz label Trio Records via its revered Nadja imprint. An essential chapter in the musicians' discographies, the performance masterfully blends jazz with rich South African rhythms and global influences. This long-awaited edition features fully remastered audio, the original Japanese artwork, and a four-page booklet with new bilingual liner notes (English/French) by Jacques Denis. The Third World-Underground captures a rare convergence of three singular musical voices: Don Cherry's nomadic imagination, Abdullah Ibrahim's deeply rooted South African lyricism, and Carlos Ward's muscular alto saxophone. By 1972 when this magical album was recorded, Cherry and Ibrahim had already spent a decade redefining jazz by pushing beyond its foundations and embracing a broader, global musical language. Cherry was in constant search of new musical pathways. Drawing inspiration from the traditional sounds of Turkey, India, Africa, and beyond, he cultivated a fluid, borderless approach that expanded far beyond the trumpet, incorporating voice, percussion, and communal improvisation into his work. Ibrahim brought an equally profound sensibility. A spiritual heir to Duke Ellington, shaped by Cape Town gospel, township jive, and the emotional weight of exile, he transformed the piano into an instrument capable of both celebration and lament. Having first crossed paths in the mid-1960s, the musicians shared a deep mutual affinity that culminated in this performance. Recording under a name that reflected the era's growing decolonization movements, the trio created a fearless, boundary-defying statement across seven hypnotic pieces. The music unfolds as a continuous conversation: Ibrahim's cyclical piano figures provide an emotional foundation while Cherry and Ward drift, soar, and chant in ecstatic unison, searching collectively for new ground. Originally released in Japan in 1974 on Trio Records, the album was never reissued on vinyl, gradually attaining cult status among collectors and fans of Don Cherry and Dollar Brand alike. Freed from convention, The Third World-Underground remains a restless and deeply human work of collective discovery whose resonance continues to unfold with every listen.

Artist	Title	Format	Label	Catalog #
HANSEN, JUAN	Ultrasonido	LP	ULTRASONIDO	US 001LP
$35.50 PREORDER RELEASE DATE: 8/28/2026 Argentinian artist Juan Hansen presents his debut album Ultrasonido; twelve tracks spanning indie dance, tech house, and soft melodic house, released on his own newly founded label Ultrasonido. After his breakthrough Boiler Room appearance in 2019, Juan has been on a relentless quest to push the boundaries, playing major stages around the globe, becoming one of the figureheads of the Argentinian electronic music world. As an exceptional live artist, multi-instrumentalist and vocalist, Juan brings a real sense of groove to the stage, merging two worlds effortlessly: deeply emotional songwriting and direct, dancefloor-focused club tracks. Ultrasonido brings both sides together. The album is a clear evolution of Juan Hansen, presenting a wider range of his sound, which he also presents in his live performances. A journey through the musical world of Juan Hansen. Across twelve tracks, with contributions from Clér Letiv, Santi Portillo, Franco BA, Rocio Giorgi, Miko Franconi, Brigado Crew, and Marley Waters, Juan shifts between club-focused tracks and more intimate, song-driven moments, moving naturally between Spanish and English. It's a debut album that captures both his roots and the direction he's evolving toward. Juan Hansen's story doesn't start on the dancefloor, it starts with acoustic instruments. He built his foundation in the indie and rock scenes of Argentina before crossing into electronic music, a journey that's still audible in every track he makes. After years of building his profile with live performances, mesmerizing audiences from Cosquín Rock and Ultra in Argentina to Watergate in Berlin, Burning Man in the Nevada desert, and Grand Factory in Beirut. His search is real and visceral; a search for the different, mixing genres without prejudice, with a seriously playful attitude. Positioned within a new generation of artists dedicated to improvising on stage, Juan fuses electronic sounds with analog instruments and organic soundscapes. There's no genre cage. Ultrasonido is his debut album and the launch of his own label, also named Ultrasonido.

Artist	Title	Format	Label	Catalog #
BLIND YEO	The Lemoine Point	CD	BONGO JOE RECORDS	BJR 122CD
$18.00 PREORDER RELEASE DATE: 8/28/2026 Based in Cornwall, Blind Yeo emerged from the isolation of lockdown. Built as an open collective, the project brings together musicians, visual artists and performers, developing a practice rooted in improvisation, live energy and shared creation. The Lemoine Point, their debut album, was recorded on a disused airfield near St Agnes. The title refers to a hidden geometric center where lines converge, a metaphor that runs through the record as past, present and future meet within a single moment. Much of the album was captured live by a core ensemble including Sam Pert, Phil Self, Henry Greenham, Philippa Blum, Jake Sheridan, Will Greenham, and Anouska Helm. These recordings are balanced by more intimate sessions, shaping a sound that moves between reworked folk traditions, electronic textures and raw, organic energy. Across the album, fragments of stories and emotions intertwine, exploring themes of love, duality and disorientation in time. Rooted in the Cornish landscape yet open in form, The Lemoine Point unfolds as a space where place, people and memory converge into a fluid and immersive whole.

Artist	Title	Format	Label	Catalog #
BLIND YEO	The Lemoine Point	LP	BONGO JOE RECORDS	BJR 122LP
$29.50 PREORDER RELEASE DATE: 8/28/2026 LP version. Based in Cornwall, Blind Yeo emerged from the isolation of lockdown. Built as an open collective, the project brings together musicians, visual artists and performers, developing a practice rooted in improvisation, live energy and shared creation. The Lemoine Point, their debut album, was recorded on a disused airfield near St Agnes. The title refers to a hidden geometric center where lines converge, a metaphor that runs through the record as past, present and future meet within a single moment. Much of the album was captured live by a core ensemble including Sam Pert, Phil Self, Henry Greenham, Philippa Blum, Jake Sheridan, Will Greenham, and Anouska Helm. These recordings are balanced by more intimate sessions, shaping a sound that moves between reworked folk traditions, electronic textures and raw, organic energy. Across the album, fragments of stories and emotions intertwine, exploring themes of love, duality and disorientation in time. Rooted in the Cornish landscape yet open in form, The Lemoine Point unfolds as a space where place, people and memory converge into a fluid and immersive whole.

Artist	Title	Format	Label	Catalog #
HAPPY MONDAYS	Pills 'n' Thrills and Bellyaches (2026 Edition)	4CD BOX	LONDON RECORDS	LMS 1725734
$82.50 PREORDER RELEASE DATE: 8/21/2026 4CD box version. Originally released in 1990 by Happy Mondays, this album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music. Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fueled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike. This 2026 reissue of Pills 'n' Thrills and Bellyaches is presented in multiple formats, and marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era. Available as: 5LP Boxset (LMS 1725740), which includes 64-page hardback bound book with brand new essays from James Brown and Central Station, previously unseen photos and more, plus a Slipmat and folded tour poster. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 4CD Boxset (LMS 1725734), which includes 60-page booklet with brand new essays from James Brown and Central Station, as well as previously unseen photos and more. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 2CD version (LMS 1725733) , featuring the remasted album plus 12 remixes; red color LP version (LMS 1725739), featuring the remastered album; black LP version (LMS 1725740), featuring remastered album. All Audio fully remastered on all formats.

Artist	Title	Format	Label	Catalog #
HAPPY MONDAYS	Pills 'n' Thrills and Bellyaches (2026 Edition)	LP	LONDON RECORDS	LMS 1725735
$30.50 PREORDER RELEASE DATE: 8/21/2026 LP version. Originally released in 1990 by Happy Mondays, this album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music. Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fueled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike. This 2026 reissue of Pills 'n' Thrills and Bellyaches is presented in multiple formats, and marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era. Available as: 5LP Boxset (LMS 1725740), which includes 64-page hardback bound book with brand new essays from James Brown and Central Station, previously unseen photos and more, plus a Slipmat and folded tour poster. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 4CD Boxset (LMS 1725734), which includes 60-page booklet with brand new essays from James Brown and Central Station, as well as previously unseen photos and more. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 2CD version (LMS 1725733) , featuring the remasted album plus 12 remixes; red color LP version (LMS 1725739), featuring the remastered album; black LP version (LMS 1725740), featuring remastered album. All Audio fully remastered on all formats.

Artist	Title	Format	Label	Catalog #
HAPPY MONDAYS	Pills 'n' Thrills and Bellyaches (2026 Edition) (Red Vinyl)	LP	LONDON RECORDS	LMS 1725739
$32.00 PREORDER RELEASE DATE: 8/21/2026 LP version. Red color vinyl. Originally released in 1990 by Happy Mondays, this album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music. Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fueled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike. This 2026 reissue of Pills 'n' Thrills and Bellyaches is presented in multiple formats, and marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era. Available as: 5LP Boxset (LMS 1725740), which includes 64-page hardback bound book with brand new essays from James Brown and Central Station, previously unseen photos and more, plus a Slipmat and folded tour poster. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 4CD Boxset (LMS 1725734), which includes 60-page booklet with brand new essays from James Brown and Central Station, as well as previously unseen photos and more. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 2CD version (LMS 1725733) , featuring the remasted album plus 12 remixes; red color LP version (LMS 1725739), featuring the remastered album; black LP version (LMS 1725740), featuring remastered album. All Audio fully remastered on all formats.

Artist	Title	Format	Label	Catalog #
HAPPY MONDAYS	Pills 'n' Thrills and Bellyaches (2026 Edition)	5LP BOX	LONDON RECORDS	LMS 1725740
$191.50 PREORDER RELEASE DATE: 8/21/2026 5LP box set version. Originally released in 1990 by Happy Mondays, this album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music. Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fueled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike. This 2026 reissue of Pills 'n' Thrills and Bellyaches is presented in multiple formats, and marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era. Available as: 5LP Boxset (LMS 1725740), which includes 64-page hardback bound book with brand new essays from James Brown and Central Station, previously unseen photos and more, plus a Slipmat and folded tour poster. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 4CD Boxset (LMS 1725734), which includes 60-page booklet with brand new essays from James Brown and Central Station, as well as previously unseen photos and more. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 2CD version (LMS 1725733) , featuring the remasted album plus 12 remixes; red color LP version (LMS 1725739), featuring the remastered album; black LP version (LMS 1725740), featuring remastered album. All Audio fully remastered on all formats.

Artist	Title	Format	Label	Catalog #
ANDY, HORACE	A Serious Thing	LP	GORGON MUSIC	VPRL 4243LP
$43.00 PREORDER RELEASE DATE: 8/21/2026 "20 Massive Hits from Horace Andy on one beautifully packaged essential double album. Includes hit after hit including 'Skylarking,' 'Just Say Who,' 'Money Money,' 'Zion Gate' and many more. Features the original 'You Are My Angel' as later re-imagined with Massive Attack on their multi-million selling Mezzanine album. Produced by Bunny Lee at Channel One, Dynamics, Harry J's, Joe Gibbs & Randy's. Mixed at King Tubby's by King Tubby, Prince Jammy & Phillip Smart. Horace Andy's work with Massive Attack has made him an international star and his work at Studio One has become an essential of the Great Jamaican Songbook. However it is Horace Andy's work with Bunny Lee that is considered to be his 'most successful association with a producer' and in the 1970's they would create a broad catalogue composed of nothing but certified classics."

Artist	Title	Format	Label	Catalog #
CRAMPS, THE	Gravest Gravy	CD	VENGEANCE RECORDS	VEN 678CD
$16.00 PREORDER RELEASE DATE: 8/21/2026 "In October 1977, the Cramps ventured into Ardent Studios in Memphis, Tennessee with producer and Cramps translator extraordinaire, Alex Chilton. The band had planned on recording their song 'TV Set,' as an A side, along with another track or tracks. Mr. Chilton told them the way he liked to work was to have a band record a lot of songs and from that they would pick the best of the bunch. Luckily for Cramps fans everywhere, the band did just that. The first evidence of these sessions was unleashed upon an 'unsuspecting human world' in April 1978 on the band's own Vengeance Records label. It was a two song 7-inch with a version of the Trashmen's 1963 classic 'Surfin' Bird,' pushed well beyond its breaking point, forcing it to mutate into a much higher form of lowdown, and Jack Scott's 1959 cool burning 'The Way I Walk,' dragged back into the Stone Age. After one listen, it was clear the Cramps had absolutely tapped into rock 'n' roll's mainline. In November of the same year, and again from the October 1977 sessions came another two-song lesson in how it's done, or undone, with easily one of the greatest A sides of all time: 'Human Fly.' The B side was held hostage by 'Domino,' originally sung by Roy Orbison. The Cramps' version swaggers with infinite confidence and is an absolute thrill to listen to. In the summer of 1979, young degenerates in England were treated to a 12-inch by the Cramps called Gravest Hits, which featured not only the aforementioned four tracks, but also a fifth, again from the October 1977 sessions. This release features the legendary band's unreleased sessions with producer Alex Chilton from 1977. Liner Notes by Henry Rollins."

Artist	Title	Format	Label	Catalog #
CRAMPS, THE	Gravest Gravy	LP	VENGEANCE RECORDS	VEN 678LP
$27.00 PREORDER RELEASE DATE: 8/21/2026 LP version. "In October 1977, the Cramps ventured into Ardent Studios in Memphis, Tennessee with producer and Cramps translator extraordinaire, Alex Chilton. The band had planned on recording their song 'TV Set,' as an A side, along with another track or tracks. Mr. Chilton told them the way he liked to work was to have a band record a lot of songs and from that they would pick the best of the bunch. Luckily for Cramps fans everywhere, the band did just that. The first evidence of these sessions was unleashed upon an 'unsuspecting human world' in April 1978 on the band's own Vengeance Records label. It was a two song 7-inch with a version of the Trashmen's 1963 classic 'Surfin' Bird,' pushed well beyond its breaking point, forcing it to mutate into a much higher form of lowdown, and Jack Scott's 1959 cool burning 'The Way I Walk,' dragged back into the Stone Age. After one listen, it was clear the Cramps had absolutely tapped into rock 'n' roll's mainline. In November of the same year, and again from the October 1977 sessions came another two-song lesson in how it's done, or undone, with easily one of the greatest A sides of all time: 'Human Fly.' The B side was held hostage by 'Domino,' originally sung by Roy Orbison. The Cramps' version swaggers with infinite confidence and is an absolute thrill to listen to. In the summer of 1979, young degenerates in England were treated to a 12-inch by the Cramps called Gravest Hits, which featured not only the aforementioned four tracks, but also a fifth, again from the October 1977 sessions. This release features the legendary band's unreleased sessions with producer Alex Chilton from 1977. Liner Notes by Henry Rollins."

Artist	Title	Format	Label	Catalog #
HAPPY MONDAYS	Pills 'n' Thrills and Bellyaches (2026 Edition)	2CD	LONDON RECORDS	LMS 1725733
$20.00 PREORDER RELEASE DATE: 8/21/2026 Originally released in 1990 by Happy Mondays, this album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music. Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fueled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike. This 2026 reissue of Pills 'n' Thrills and Bellyaches is presented in multiple formats, and marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era. Available as: 5LP Boxset (LMS 1725740), which includes 64-page hardback bound book with brand new essays from James Brown and Central Station, previously unseen photos and more, plus a Slipmat and folded tour poster. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 4CD Boxset (LMS 1725734), which includes 60-page booklet with brand new essays from James Brown and Central Station, as well as previously unseen photos and more. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 2CD version (LMS 1725733) , featuring the remasted album plus 12 remixes; red color LP version (LMS 1725739), featuring the remastered album; black LP version (LMS 1725740), featuring remastered album. All Audio fully remastered on all formats.

Artist	Title	Format	Label	Catalog #
CLARKE, JOHNNY	Originally Mr. Clarke	LP	GORGON MUSIC	VPRL 4267LP
$27.00 PREORDER RELEASE DATE: 8/21/2026 "Classic Johnny Clarke album from 1980, restored and re-mastered for the best-ever sound. Features the hit singles 'Every Knee Shall Bow,' 'Can't Keep A Good Man Down,' along with the Jah Shaka sound system anthem 'Bad Days Are Going.' Produced by Bunny Lee, Brad Osbourne, and Johnny Clarke. Recorded at Channel One, King Tubby's, Aircraft Studio & Shep Studio. Mixed at King Tubby's, Shep Studio & Blanktape Studios. Jamaican artist of the year in both '75 & '76, Johnny signed to Virgin Records and released two highly acclaimed albums for Virgin's Front Line label. Still performing and recording today, Johnny also tasted crossover success when his 'Everyday Wondering' hit made number 2 on the UK Charts with its Rupie Edwards 'Irie Feelings' dub deconstruction. Johnathan Richman also turned Johnny's Earl Zero penned 'None Shal Escape The Judgement' hit into the international chart topper 'Egyptian Reggae' in 1977."

Artist	Title	Format	Label	Catalog #
CRAMPS, THE	Gravest Gravy (Color Vinyl)	LP	VENGEANCE RECORDS	VEN 678X-LP
$29.00 PREORDER RELEASE DATE: 8/21/2026 LP version. Glow in the dark color vinyl. "In October 1977, the Cramps ventured into Ardent Studios in Memphis, Tennessee with producer and Cramps translator extraordinaire, Alex Chilton. The band had planned on recording their song 'TV Set,' as an A side, along with another track or tracks. Mr. Chilton told them the way he liked to work was to have a band record a lot of songs and from that they would pick the best of the bunch. Luckily for Cramps fans everywhere, the band did just that. The first evidence of these sessions was unleashed upon an 'unsuspecting human world' in April 1978 on the band's own Vengeance Records label. It was a two song 7-inch with a version of the Trashmen's 1963 classic 'Surfin' Bird,' pushed well beyond its breaking point, forcing it to mutate into a much higher form of lowdown, and Jack Scott's 1959 cool burning 'The Way I Walk,' dragged back into the Stone Age. After one listen, it was clear the Cramps had absolutely tapped into rock 'n' roll's mainline. In November of the same year, and again from the October 1977 sessions came another two-song lesson in how it's done, or undone, with easily one of the greatest A sides of all time: 'Human Fly.' The B side was held hostage by 'Domino,' originally sung by Roy Orbison. The Cramps' version swaggers with infinite confidence and is an absolute thrill to listen to. In the summer of 1979, young degenerates in England were treated to a 12-inch by the Cramps called Gravest Hits, which featured not only the aforementioned four tracks, but also a fifth, again from the October 1977 sessions. This release features the legendary band's unreleased sessions with producer Alex Chilton from 1977. Liner Notes by Henry Rollins."

Artist	Title	Format	Label	Catalog #
PLANETARY ASSAULT SYSTEMS	Planetary People	3LP	OSTGUT TON	OSTGUT 039LP
$87.00 PREORDER RELEASE DATE: 8/14/2026 Since Temporary Suspension brought its machine-tooled weight and alien feeling to the label in 2009, each Planetary Assault Systems release on Ostgut Ton has been its own quest for discovery, from The Messenger's search for sounds not yet present in club music to Arc Angel's focus on melody to the deep hypnosis of Plantae. His new album, Planetary People has the deliberate imagination and depth of a record that took its time, shaped as much by live rooms and crowds as by the studio. "Into The Night" creates a haunting, dystopic environment of corroded acid saturated in echo, absorbing from the first second. "Labyrinth" breaks into buoyant tribal percussion, modulated chirps trading off over propulsive drums. "Quadrant 10" is clean, delay-drenched techno, buzzing with noise splatters over saturated thuds. "Sermon Of The Light Tides" scrambles metallic bell sequences that distort and evolve throughout, reminiscent of a dial-up modem crossed with a game of Frogger, squelching between percussive bursts and stripped-back kicks. "Brave Cosmo" is tormentingly menacing, eerie synths panning around buried vocal fragments over frantic percussion. "Retina Burn" rolls on fierce, cement-mixer 909 cycles, rave stabs over a ride that locks you in, the whole track stuttering and repeating before stripping back to a bare echoing kick and building itself again. "Thunder Major" barrels on open hats and reverb-drenched claps ricocheting through twisting wreaths of delay, mesmeric and relentless. "Beton Brut" marches juggernaut percussion stamping through hall reverb so vast you can visualize the room, the darkest and most unrelenting track on the record. "No Ninja" crunches in metallic and immediate, a wiry plucked lead threading through glitch with the bass held low and deep, mixed so precisely you can see every layer stacked in your mind's eye. "Ha Jam" is danceable techno with plenty of funk and a sophisticated looseness, a vocal laugh bouncing off clanging metal blocks and rave stabs. "Lynx" lowpasses its rave stabs and crystalline beeps, chirpy hats ticking, cold metal repeats, old school and mesmeric. "Generation Slip" closes everything out, ominous and churning, skittering percussion and electrical sparks rattling through steel, a freight train barreling on into oblivion.

Artist	Title	Format	Label	Catalog #
KALSOUM, OM	Laylat Hob	LP	SOUMA RECORDS	SMR 004LP
$33.00 PREORDER RELEASE DATE: 8/14/2026 2026 repress. The rich and lengthy instrumental intro is just a precursor of the emotion present in this song. The talent of the composer is underlined by how he utilizes the traditional style of singing poetry in a more open and creative way. Abdel Wahab's infusing of long and groovy interludes with varied tonality, rhythmical patterns and an overall unique approach, carries Om Kalsoum's powerful voice and brings the song to an incredible climax. In this way, he gives more color and depth to the music and the skilled soloists in the orchestra are finally able to breathe. Sensual rhythms, breaks and dazzling solos of accordeon (Faruk Salamah), guitar (Omar Khorshid), violin (Ahmed Al Hefnawy) and organ (Hany Mehanna), have ensured this song is an all-time classic for belly dance routines. Souma Records thought it was time to re-release this monument on a high-quality vinyl format.

Artist	Title	Format	Label	Catalog #
KALSOUM, OM	El Hob Kollo	LP	SOUMA RECORDS	SMR 002LP
$33.00 PREORDER RELEASE DATE: 8/14/2026 2026 repress. Om Kalsoum! They call her "The Rose of the Nile," "The Queen of the Nile," "The Daughter of the Nile" or even "The 4th Pyramid of Egypt" since she's known as the greatest Egyptian singer of all times. Om Kalsoum's mythical life story of a poor peasant girl who grew up to become the face of Egypt is a 20th-century fairytale. Almost half a decade after her death the power of her music and singing is still moving the hearts of millions of people worldwide. At the end of her overwhelming career, she was introduced to the young but brilliant composer Baligh Hamdy who wrote this 30-minute lasting monument for her in 1970. In the footsteps of Mohamed Abdel Wahab, the godfather of Egyptian modern music, Baligh Hamdy refreshed the classical Egyptian orchestra sound with the addition of stylish instruments like accordeon (Faruk Salamah), electric guitar (Omar Khorshid), organ (Gamal Salamah) and horns that were adapted to the eastern tonal system. Together with the immortal Alf Leila we Leila, El Hob Kollo must undeniably be archived under the best recordings ever made in music history!

Artist	Title	Format	Label	Catalog #
KALSOUM, OM	Alf Leila Wa Leila	LP	SOUMA RECORDS	SMR 001LP
$33.00 PREORDER RELEASE DATE: 8/14/2026 2026 repress. Om Kalsoum! They call her "The Rose of the Nile," "The Queen of the Nile," "The Daughter of the Nile" or even "The 4th Pyramid of Egypt" since she's known as the greatest Egyptian singer of all times. Om Kalsoum's mythical life story of a poor peasant girl who grew up to become the face of Egypt is a 20th-century fairytale. Almost half a decade after her death the power of her music and singing is still moving the hearts of millions of people worldwide. At the end of her overwhelming career she was introduced to the young but brilliant composer Baligh Hamdy who wrote this 30-minute lasting monument for her in 1969. In the footsteps of Mohamed Abdel Wahab, the godfather of Egyptian modern music, Baligh Hamdy refreshed the classical Egyptian orchestra sound with the addition of stylish instruments like electric guitar (Omar Khorshid), organ (Hany Mehanna), accordeon and horns that were adapted to the eastern tonal system. The studio version of this immortal Alf Leila we Leila must undeniably be archived under the best recordings ever made in music history!

Artist	Title	Format	Label	Catalog #
KALSOUM, OM	Enta Omri	LP	SOUMA RECORDS	SMR 003LP
$33.00 PREORDER RELEASE DATE: 8/14/2026 2026 repress. "Enta Omri" is Om Kalsoum's most famous song, composed by Mohamed Abdel Wahab, who is still rightly regarded as a prominent musician and composer in Egypt. The creation of this song was the first long expected collaboration of two musical giants, which came at the repeated urging of Egyptian President Gamal Abdul Nasser. There was talk in Egypt on the streets and in the media about what was believed to be a cold relationship between the two legends. Finally, after years of estrangement, Mohamed Abdel Wahab took the initiative and offered Om Kalsoum a song by poet Ahmed Shafiq Kamel, for which he had just composed a musical score. To his surprise, she responded positively and started to like the theme upon hearing it a few times. After a month of rehearsals, "Enta Omri" was released in February 1964 to critical acclaim and packed performances. The event was so grand it was labeled "The Cloud Meeting." With "Enta Omri," Abdel Wahab opened up the traditional repertoire of the diva to a more innovative style, which the composer was known for. The use of the electric guitar and a long instrumental intro, fusing oriental themes with Western musical elements, made the song particularly special, securing its place in Egyptian musical history. Despite some criticism from other Egyptian composers from that era, the song was soon recognized as a milestone and opened a path to modernize Arabic music for many other musicians and singers. "Enta Omri" is loved by Arab and non-Arab audiences alike. Paying respect to the great diva, dozens of artists around the world have reinterpreted the song, adopting the intro's catchy guitar melody in their compositions.

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