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LP
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BTR 057SPL-LP
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Yellow/red splatter color vinyl version. Lost somewhere between the mysterious alleys of '70s Istanbul and the scorching sun and crystal blue sea of Jaffa, Tel Aviv, Şatellites self-titled debut album is set to be released on Batov Records. The Şatellites' sound shimmers between traditional Turkish folk and instrumentation, ethereal psychedelic guitar leads and groovy dancefloor baselines. The resulting concoction of songs draws on cross continental influence yet at its core is a desire to illuminate the vivid qualities of classic Turkish music, honoring the Anatolian folk and psych artists from this golden era of music. From the funky disco beat of Disko Arabesque to the celestial lead guitar in "Yağmur Yağar Taş Üstüne", the band add fire and flair to time-honored pieces of Turkish music giving them new meanings. Covering important tracks such as female singer Kamuran Akkor's track "Olurmu Dersin", and musician and guitarist Zafer Dilek's "Yekte", the album covers an array of original pieces of different musical styles and sounds, that once have and continue to flow out of Turkey. The band boasts six members; Ariel Harrosh (bass), Lotan Yaish (drums), Yuli Shafriri (vocals), Tsuf Mishali (keys and synths), Tal Eyal (percussion), and Itamar Kluger (diwansaz, both electric and acoustic, electric baglama, Greek four double string bouzouki). They came together some years after band leader Itamar Kluger discovered the saz whilst traveling the Kaçkar mountains in Turkey's eastern region. The saz being a long necked, plucked stringed instrument native to the rural areas of the country, which remains an integral part of Şatellites' union, and plays predominance throughout the bands' album and music. In the same way the guitar was electrified in the 1930s, the electrification of the saz in the 1960s led to an explosion of rock music dredged in middle eastern influence, a musical genre fittingly called "Anatolian rock" and based on the principles of Anglo-American and psychedelic rock music, yet incorporating the style, rhythm, and scales of traditional Anatolian folk music. As such, throughout the creation of the album, the band conceived the idea of intertwining differing elements such as the groove of funk, the rhythm of disco, and reverb of psychedelic, with traditional Middle-Eastern rhythm and structure, opening up the wealth of Turkish music to the western world. For fans of: Derya Yildirim, Altin Gün, Liraz, Baba Zula, Yin Yin, Ayyuka, Bab L'bluz.
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LP
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BTR 109LP
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LP version. Şatellites' self-titled debut album received international acclaim. The record earned support from outlets such BBC Radio 6 Music and FIP in France, and they were invited to record live sets for both Gilles Peterson's Worldwide FM, and KEXP in Seattle. Since their debut, Şatellites have evolved from a studio project into a full-fledged touring band. Over time, the lineup has shifted, enabling the group to recreate their studio sound live. Their expanded lineup now includes Tsuf Mishali on keys and synths, known for his work in proggy psych bands, and the animated Tal Eyal on percussion. Şatellites blast back into orbit on Aylar, delivering a bold evolution on the psychedelic folk-meets-groove sound they established on their acclaimed debut album. Rotem Bahar has also stepped up as the band's full-time vocalist and frontwoman, adding a fuller, grittier edge to the group's sound. Behind the drumkit, Lotan Yaish brings dynamic energy to the rhythm section. After two years of touring, this cohesive and reinvigorated lineup entered the studio with renewed purpose and closer musical bonds. Aylar (Turkish for "moons" or "months") showcases more ambitious arrangements, extended compositions, intricate harmonies, and unexpected twists, reflecting the band's commitment to innovation and their passion for the original wave of Turkish psychedelic music. Kluger's saz and Mishali's synths intertwine seamlessly, underpinned by Ariel Harrosh's infectious basslines and Yaish's dramatic drumming, all culminating in Rotem's husky, emotive vocals. The album's most ambitious cover is their cosmic folk-funk rendition of Hakki Bullut's ballad "Ikmiz Bir Fideniz," followed by the original instrumental "Beş Kardeş" ("Five Brothers"). If Şatellites' self-titled debut laid the blueprint for their sound, Aylar marks their transformation into a fully realized musical force. With this album, Şatellites step confidently out of the shadows of their Anatolian psych heroes to craft a modern yet timeless record, expanding their influences while deepening their connection to their roots.
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CD
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BTR 109CD
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Şatellites' self-titled debut album received international acclaim. The record earned support from outlets such BBC Radio 6 Music and FIP in France, and they were invited to record live sets for both Gilles Peterson's Worldwide FM, and KEXP in Seattle. Since their debut, Şatellites have evolved from a studio project into a full-fledged touring band. Over time, the lineup has shifted, enabling the group to recreate their studio sound live. Their expanded lineup now includes Tsuf Mishali on keys and synths, known for his work in proggy psych bands, and the animated Tal Eyal on percussion. Şatellites blast back into orbit on Aylar, delivering a bold evolution on the psychedelic folk-meets-groove sound they established on their acclaimed debut album. Rotem Bahar has also stepped up as the band's full-time vocalist and frontwoman, adding a fuller, grittier edge to the group's sound. Behind the drumkit, Lotan Yaish brings dynamic energy to the rhythm section. After two years of touring, this cohesive and reinvigorated lineup entered the studio with renewed purpose and closer musical bonds. Aylar (Turkish for "moons" or "months") showcases more ambitious arrangements, extended compositions, intricate harmonies, and unexpected twists, reflecting the band's commitment to innovation and their passion for the original wave of Turkish psychedelic music. Kluger's saz and Mishali's synths intertwine seamlessly, underpinned by Ariel Harrosh's infectious basslines and Yaish's dramatic drumming, all culminating in Rotem's husky, emotive vocals. The album's most ambitious cover is their cosmic folk-funk rendition of Hakki Bullut's ballad "Ikmiz Bir Fideniz," followed by the original instrumental "Beş Kardeş" ("Five Brothers"). If Şatellites' self-titled debut laid the blueprint for their sound, Aylar marks their transformation into a fully realized musical force. With this album, Şatellites step confidently out of the shadows of their Anatolian psych heroes to craft a modern yet timeless record, expanding their influences while deepening their connection to their roots.
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LP
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BTR 057TRS-LP
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Lost somewhere between the mysterious alleys of '70s Istanbul and the scorching sun and crystal blue sea of Jaffa, Tel Aviv, Şatellites self-titled debut album is presented by Batov Records. The Şatellites' sound shimmers between traditional Turkish folk and instrumentation, ethereal psychedelic guitar leads and groovy dance-floor baselines. The resulting concoction of songs draws on cross continental influence yet at its core is a desire to illuminate the vivid qualities of classic Turkish music, honoring the Anatolian folk and psych artists from this golden era of music. Covering important tracks such as female singer Kamuran Akkor's track "Olurmu Dersin," and musician and guitarist Zafer Dilek's "Yekte," the album covers an array of original pieces of different musical styles and sounds, that once have and continue to flow out of Turkey. The band boasts six members; Ariel Harrosh (Bass) Lotan Yaish (Drums), Yuli Shafriri (Vocals), Tsuf Mishali (Keys and Synths), Tal Eyal (Percussion) and Itamar Kluger (Diwan saz, both electric and acoustic, electric baglama, Greek four double string bouzouki). They came together some years after band leader Itamar Kluger discovered the saz whilst travelling the Kaçkar mountains in Turkey's eastern region. The saz being a long necked, plucked stringed instrument native to the rural areas of the country, which remains an integral part of Şatellites' union, and plays predominance throughout the bands' album and music. In the same way the guitar was electrified in the 1930s, the electrification of the saz in the 1960s led to an explosion of rock music dredged in middle eastern influence, a musical genre fittingly called "Anatolian Rock" and based on the principles of Anglo-American and psychedelic rock music, yet incorporating the style, rhythm, and scales of traditional Anatolian folk music. As such, throughout the creation of the album, the band conceived the idea of intertwining differing elements such as the groove of funk, the rhythm of disco, and reverb of psychedelic, with traditional middle-eastern rhythm and structure, opening up the wealth of Turkish music to the western world, so that anyone and everyone can relate to something from the album. With that said, Şatellites emphasize that their music is not fundamentally Turkish music, on the contrary, they merely try to sound as close to the genre as possible. Their sole aim is to honor this amazing culture and to present it to the world in a more accessible and attainable form. Presented on color vinyl.
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7"
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BTR 056EP
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2021 release. Şatellites return to Batov Records' essential Middle Eastern Grooves 45s series with Seni Sen Olduğun İçin Sevdim -- another irresistible pair of fresh takes on Turkish psych and folk. On the A-side, the four-piece tackle "Seni Sen Olduğun İçin Sevdim", a lesser-known gem by Arabesque pioneer Hakkı Bulut, with the force of The Stooges crossed with the JBs. The song kicks off with a mighty swathe of synth before Ariel Harrosh on bass and Raz Man on drums launch an aggressive groove, crowned by Itamar Klüger on electric saz. Before you can catch your breath, Yuli Shafriri beautifully and clearly voices the infectious melody. On the flip, Şatellites deliver another deadly instrumental jam, putting on a raw and up-tempo psych-rock spin, à la Jefferson Airplane, on the traditional "Şaskin". This version is tailor-made for toe-tapping and dancing in a safer, freer world. Şatellites met and bonded over a shared love for Turkish psych. Ariel and Raz happened to be looking for a saz player whilst Itamar, obsessed with Anadolu rock, collecting records, and attempting to emulate his heroes on a bargain saz, was looking for a band. Rather than attempting exact facsimiles of these gems from another time and place, the band allows the songs to run through them, capturing the influences and experiences of musicians who grew up in the '90s in Tel Aviv, listening to psych and rock, Led Zeppelin to Rage Against the Machine. Operating as a full democracy from the start, they continue to tighten their chops by busking regularly in a flea market in Jaffa.
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LP
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BTR 057LP
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Lost somewhere between the mysterious alleys of '70s Istanbul and the scorching sun and crystal blue sea of Jaffa, Tel Aviv, Şatellites self-titled debut album is set to be released on Batov Records. The Şatellites' sound shimmers between traditional Turkish folk and instrumentation, ethereal psychedelic guitar leads and groovy dancefloor baselines. The resulting concoction of songs draws on cross continental influence yet at its core is a desire to illuminate the vivid qualities of classic Turkish music, honoring the Anatolian folk and psych artists from this golden era of music. From the funky disco beat of Disko Arabesque to the celestial lead guitar in "Yağmur Yağar Taş Üstüne", the band add fire and flair to time-honored pieces of Turkish music giving them new meanings. Covering important tracks such as female singer Kamuran Akkor's track "Olurmu Dersin", and musician and guitarist Zafer Dilek's "Yekte", the album covers an array of original pieces of different musical styles and sounds, that once have and continue to flow out of Turkey. The band boasts six members; Ariel Harrosh (bass), Lotan Yaish (drums), Yuli Shafriri (vocals), Tsuf Mishali (keys and synths), Tal Eyal (percussion), and Itamar Kluger (diwansaz, both electric and acoustic, electric baglama, Greek four double string bouzouki). They came together some years after band leader Itamar Kluger discovered the saz whilst traveling the Kaçkar mountains in Turkey's eastern region. The saz being a long necked, plucked stringed instrument native to the rural areas of the country, which remains an integral part of Şatellites' union, and plays predominance throughout the bands' album and music. In the same way the guitar was electrified in the 1930s, the electrification of the saz in the 1960s led to an explosion of rock music dredged in middle eastern influence, a musical genre fittingly called "Anatolian rock" and based on the principles of Anglo-American and psychedelic rock music, yet incorporating the style, rhythm, and scales of traditional Anatolian folk music. As such, throughout the creation of the album, the band conceived the idea of intertwining differing elements such as the groove of funk, the rhythm of disco, and reverb of psychedelic, with traditional Middle-Eastern rhythm and structure, opening up the wealth of Turkish music to the western world. For fans of: Derya Yildirim, Altin Gün, Liraz, Baba Zula, Yin Yin, Ayyuka, Bab L'bluz.
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