Search Result for Genre ELECTRONIC
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CD
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VMR 018CD
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$14.50
PREORDER
RELEASE DATE: 3/14/2025
Since his early days at Chain Reaction, K. Soublis (Fluxion) has carved his own unique style, combining elements of dub, ambient, techno, score, textural, and even jazz elements, all glued together with his distinct production aesthetic. Haze is a broad selection of pieces that was recorded between 2023 and 2024. The music moves from more slow cyclic compositional pieces on
"Life Motif," "Nexus," and "Desiderium," to ambient dub pieces, on "Magenta" and "Touch," on to more euphoric and uplifting ones on "Footsteps," "Berlin," and "What Tommorow Brings," reflecting on the artist's need to tell stories. As a whole Haze showcases the artist's versatility on moving and combining different genres with his own distinct crafted sound, bringing a bold, fresh, unique view, making the album an indulging and intriguing listening experience. Fluxion has managed to constantly add to his sound through the years always evolving and Haze is a testament of his restless nature and his need to move towards more uncharted territories without alienating the listener.
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2LP
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VMR 018LP
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$33.00
PREORDER
RELEASE DATE: 3/14/2025
Double LP version. Since his early days at Chain Reaction, K. Soublis (Fluxion) has carved his own unique style, combining elements of dub, ambient, techno, score, textural, and even jazz elements, all glued together with his distinct production aesthetic. Haze is a broad selection of pieces that was recorded between 2023 and 2024. The music moves from more slow cyclic compositional pieces on
"Life Motif," "Nexus," and "Desiderium," to ambient dub pieces, on "Magenta" and "Touch," on to more euphoric and uplifting ones on "Footsteps," "Berlin," and "What Tommorow Brings," reflecting on the artist's need to tell stories. As a whole Haze showcases the artist's versatility on moving and combining different genres with his own distinct crafted sound, bringing a bold, fresh, unique view, making the album an indulging and intriguing listening experience. Fluxion has managed to constantly add to his sound through the years always evolving and Haze is a testament of his restless nature and his need to move towards more uncharted territories without alienating the listener.
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LP
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MOM 057LP
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$29.50
PREORDER
RELEASE DATE: 2/28/2025
Modern Obscure Music presents Pierre Bastien and DJ Low's Swing Low, a work that fuses the poetic inventiveness of Pierre Bastien with the visionary legacy of the late DJ Low (Tom Deweerdt), a central figure in Belgian independent music and founder of the influential Lowlands label. This album, which interweaves memory and experimentation, represents Bastien's debut on the Barcelona label's catalog and a testament to the creative bond between the two artists. The album, composed of seven pieces, stands out for its hybrid nature: five reinterpretations of Bastien's previous works, some of them coming from his influential Mecanoid (originally released by Rephlex), and two unreleased improvisations, "A Pupa" and "Reviver," which seal the unique character of the project. Pierre Bastien, recognized as a composer, inventor and builder of sound machines, has been a tireless explorer of the frontiers between the mechanical and the musical. From his contribution to the Belcanto Orchestra, his collaboration with the PRSNT project to his participation in Pedro Vian's Earth, Our Planet or his collaboration with Tomaga for the Other People label, his career illustrates a constant commitment to experimentation and the intersection of disciplines. Among the artists he has worked with are names such as Robert Wyatt, Jac Berrocal, Jaki Liebezeit and designer Issey Miyake. His works have found homes on iconic labels such as Marionette, Morphine and Discrepant to name a few. The album is presented with a visual design by Koen Bruyneel, reinterpreted as a tribute to Tom Deweerdt, a decade after his departure.
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12"
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CLR 123EP
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$20.00
PREORDER
RELEASE DATE: 2/28/2025
Chris Liebing remakes Emmanuel Top's iconic "Turkish Bazar." A new version of the 1994 acid rave hit lands on Liebing's CLR. Initially released via the Le Petit Prince label, "Turkish Bazar" is an evergreen club hit, now painstakingly rebuilt by Techno powerhouse Chris Liebing, with each musical element reforged to create an essential new version. Liebing's version of "Turkish Bazar" features the instantly recognizable spoken word vocal of the original, while he ups its unmistakable 303 with an additional dose of acid. Raw, unfiltered licks are in tandem with pounding drums as airy pads and dainty sequences aim to soothe dancefloor madness. Extensively road-tested by Chris Liebing and blessed by Emmanuel Top for release via CLR, this is a mammoth revisit that lives up to the original's timeless appeal. Founded by influential techno lynchpin Chris Liebing in 1999 and reemerging in 2021 after a five-year hiatus, Create Learn Repeat (CLR) has hosted a range of artists like Shlomi Aber, Dubfire, Flug, Bjarki, DJ Dextro, and more while also focusing on developing newer acts in the scene such as Risa Taniguchi, The Southern, and Klint.
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3LP
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181 001R-LP
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$65.00
PREORDER
RELEASE DATE: 2/21/2025
Triple LP version. Red color vinyl version. Colours Revisited, a revision of Adam F's MOBO Award-winning 1997 debut album, is a story of musical rebirth and passion. Adam F, realizing that Colours had found a new audience -- partly thanks to artists like PinkPantheress -- decided to recreate the album. Instead of simply remastering the tracks, Adam went all in. Over two years, he meticulously reworked the original music, from restoring vintage instruments like his Fender Rhodes piano to enlisting UK jazz legends like Julian Joseph. Vocalists including Kirsty Hawkshaw and the late MC Conrad re-recorded their parts, while new solos from world-class musicians added fresh life to the tracks. "Colours holds a special place in my heart because it was not only my first solo album, but also because I had the opportunity to collaborate with diverse talents," says the seminal producer on his ground-breaking album. "Musicians of a caliber such as Dave Ital (Guitars), The Jazz Great Julian Joseph (Keyboards and Fender Rhodes), MC Conrad (MC/Artist), Roni Jordan, Tim Philbert/Tim the Bass (Bass), Greg Leicester (Bass), Maurice Capillaire/MC MC (Live MC)." The revisited album deftly weaves together the energy of new live instrumentation with the '80s British electronica and jazz fusion inspired sounds of the original. The result is a project which not only brings the album into the glistening present but somehow manages to add further depth and sense of understanding of the original Colours, the influences latent within it and how and why it has gone on to influence so many others since its inception throughout the world. This is a must have album which pays homage to what has become a cornerstone of British electronic music history.
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2CD
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181 001CD
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$18.00
PREORDER
RELEASE DATE: 2/21/2025
Colours Revisited, a revision of Adam F's MOBO Award-winning 1997 debut album, is a story of musical rebirth and passion. Adam F, realizing that Colours had found a new audience -- partly thanks to artists like PinkPantheress -- decided to recreate the album. Instead of simply remastering the tracks, Adam went all in. Over two years, he meticulously reworked the original music, from restoring vintage instruments like his Fender Rhodes piano to enlisting UK jazz legends like Julian Joseph. Vocalists including Kirsty Hawkshaw and the late MC Conrad re-recorded their parts, while new solos from world-class musicians added fresh life to the tracks. "Colours holds a special place in my heart because it was not only my first solo album, but also because I had the opportunity to collaborate with diverse talents," says the seminal producer on his ground-breaking album. "Musicians of a caliber such as Dave Ital (Guitars), The Jazz Great Julian Joseph (Keyboards and Fender Rhodes), MC Conrad (MC/Artist), Roni Jordan, Tim Philbert/Tim the Bass (Bass), Greg Leicester (Bass), Maurice Capillaire/MC MC (Live MC)." The revisited album deftly weaves together the energy of new live instrumentation with the '80s British electronica and jazz fusion inspired sounds of the original. The result is a project which not only brings the album into the glistening present but somehow manages to add further depth and sense of understanding of the original Colours, the influences latent within it and how and why it has gone on to influence so many others since its inception throughout the world. This is a must have album which pays homage to what has become a cornerstone of British electronic music history.
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LP
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BNSD 091LP
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$24.00
PREORDER
RELEASE DATE: 2/21/2025
On Not Around But Through, Portland-based experimental musician and tape wizard Amulets navigates the process of acceptance and the tumultuous journey of looking within. Over the course of eight tracks, he explores the emotional path of moving through rather than circumventing, in the process soundtracking a purposeful desire to face trauma and vulnerability. The Asian-American artist is one of the most gifted alchemists working at the intersection of experimental and heavy music today and this riveting album represents his most direct and immediate work yet. Infusing his trademark ambient soundscapes with ambitious blends of post-hardcore, emo, and metal, Not Around But Through connects the dots between personal and social dislocation, leaving listeners with a taste of the fragmented and fallen future they are all steeling themselves for. Traversing a landscape that varies from gentle and meandering to explosive and cathartic, Amulets uses cinematic tension and relentless attention to detail to construct his sonic apparitions. On "Lifelike" he collaborates with Midwife, incorporating Madeline Johnston's voice into a song that pulsates with post-shoegaze transcendent energy. Amulets' second album for Beacon Sound and his first new music in four years; his 2021 album The Blooming was released by The Flenser.
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3LP
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181 001LP
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$63.50
PREORDER
RELEASE DATE: 2/21/2025
Triple LP version. Colours Revisited, a revision of Adam F's MOBO Award-winning 1997 debut album, is a story of musical rebirth and passion. Adam F, realizing that Colours had found a new audience -- partly thanks to artists like PinkPantheress -- decided to recreate the album. Instead of simply remastering the tracks, Adam went all in. Over two years, he meticulously reworked the original music, from restoring vintage instruments like his Fender Rhodes piano to enlisting UK jazz legends like Julian Joseph. Vocalists including Kirsty Hawkshaw and the late MC Conrad re-recorded their parts, while new solos from world-class musicians added fresh life to the tracks. "Colours holds a special place in my heart because it was not only my first solo album, but also because I had the opportunity to collaborate with diverse talents," says the seminal producer on his ground-breaking album. "Musicians of a caliber such as Dave Ital (Guitars), The Jazz Great Julian Joseph (Keyboards and Fender Rhodes), MC Conrad (MC/Artist), Roni Jordan, Tim Philbert/Tim the Bass (Bass), Greg Leicester (Bass), Maurice Capillaire/MC MC (Live MC)." The revisited album deftly weaves together the energy of new live instrumentation with the '80s British electronica and jazz fusion inspired sounds of the original. The result is a project which not only brings the album into the glistening present but somehow manages to add further depth and sense of understanding of the original Colours, the influences latent within it and how and why it has gone on to influence so many others since its inception throughout the world. This is a must have album which pays homage to what has become a cornerstone of British electronic music history.
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LP
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GR 2161LP
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$28.50
PREORDER
RELEASE DATE: 2/14/2025
Geometrik Records in association with Munster Records presents the new album by Orfeon Gagarin, Miguel A. Ruiz's main project, one of the leading names in experimental music in Spain, a true pioneer of the risky and underground Spanish electronic music scene since the early eighties. Limited edition of 250 copies. In 1986 Miguel A. Ruiz released his first cassette on his own label Toracic Tapes. Since then, he has remained active in the international network of underground electronic music. He has composed many solo albums in all formats, especially on cassette, under different names such as Funeral Souvenir, Exhaustor, Michel Des Airlines, Ventral Metaphor, Orfeon Gagarin, and his own: Miguel A. Ruiz. His first vinyl LP was Encuentros en la Tercera Edad (1991) produced by the German electronics master Asmus Tietchens on his label Hamburger Musikgesellschaft. In the following years, and up to the present day, he has published with other respected international labels like, Old Europa Café, Aquarelist, Monochrome Vision, Menstrual Recordings, Abstrakce, and Geometrik Records. Ruiz has also collaborated with musicians all over the world such as Cisfinitum (Codachrom), Siegmar Fricke (Efficient Refineries) Dieter Mauson, Francisco López and Stefano Barban. Ruiz's style is fantastic and surprising, with an imagination that can be considered overwhelming. Science, technology, Soviet space era, Borges, surrealism, clinical pathologies, black humor or extra-planetary life, whatever eccentricity has a place within the microcosm of this artist. His music is considered bizarre, surreal, dark and funny at the same time, using in a very personal and original way very different styles in an amazing and unique universe. After the last two albums as Orfeon Gagarin, he presents a new album: Orfeon Gagarin & The Supermoon Orchestra, which includes eight gems of extraterrestrial electronic pseudo-pop. The perfect music for an intergalactic party, where he shows his fascination of the sonic possibilities of old synthesizers and other analog electronic instruments.
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CD
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WWSCD 098CD
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$16.00
PREORDER
RELEASE DATE: 2/14/2025
Following the success of the Tokyo Glow and Funk Tide sets, Wewantsounds once again teams up with Tokyo-based DJ Notoya for a breezy selection of funk and boogie recorded in Japan for King Records in the '70s and '80s. Most tracks here are making their debut on vinyl outside of Japan and the album, like its predecessors, has been designed by Optigram's Manuel Sepulveda and is annotated by DJ Notoya. The audio has been newly mastered in Tokyo by King Records and remastered for vinyl by Colorsound in Paris. For Tokyo Bliss, Japanese Funk expert DJ Notoya has picked a diverse selection of great funk, boogie and city pop tracks recorded between 1974 and 1988 for King Records, one of the most venerable record labels in Japan. These tracks -- which are in demand on the Japanese groove scene -- are mostly new to international ears and showcase the breadth and quality of Nippon music recorded during the '70s and '80s. The selection kicks off with the group Buzz, a folk duet formed in the early '70s by Hiroshi Koide and Masakazu Togo who released a handful of albums for King during the '70s. The track "Garasumado" (Glass Window) is from the 1974 album Requiem The City which was produced by Nobuyuki Takahashi, the older brother of future YMO superstar Yukihiro Takahashi. At the time both were members of cult group Sadistic Mika Band. Next comes the synth boogie sound of singer Mami Ayukawa, who was active on the Japanese music scene in the mid-'80s, followed by drummer Johnny Yoshinaga's 1978 hard funk "The Rain" featuring great keyboards action from Hiroyuki Namba, one of Tatsuro Yamashita's key musicians. Keiko Toda's mid-tempo delight "Fade In" was released in 1983 and adds a touch of class to the ensemble with its languid rhythm and synth riffs. The rest of Tokyo Bliss alternate between the stylish funk-folk floater "Bokura no Date" by Koji Kobayashi from 1978 and the '80s funk bomb "Your Love's Away" by Kumiko Sawada, produced by prolific guitarist Kazuo Takeda with his group Creation, who is backing Sawada here. The selection closes with the superb Moog and Fender Rhodes-led space funk instrumental "Paper Machine" released in 1977 by Fujimaru Band and which ends the set on a perfect note.
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2LP
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WRWTFWW 093LP
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$38.50
PREORDER
RELEASE DATE: 2/14/2025
WRWTFWW Records reissues revered UK electronic duo Ultramarine's best kept secret from their discography, the superb A User's Guide album, available as a limited double LP housed in a beautiful heavyweight sleeve with inside out printing. On the rare occasions that Ultramarine's story is told, the duo's fifth album, 1998's A User's Guide, tends to get omitted from the narrative. Radically different to anything the duo released before or since, it has remained a slept-on, timeless and inherently futurist classic ever since. Unavailable on vinyl since the year it was released, A User's Guide was the result of a conscious decision by Ultramarine members Paul Hammond and Ian Cooper to change their working methods and the "sound palette" that underpinned their work. Out went the partially improvised hybrid electronic/acoustic sounds and the collaborations with guest musicians they'd become famous for. They were replaced by painstakingly created electronic sounds and textures, metallic motifs, spaced-out chords, rhythms rooted in contemporary techno and drum and bass culture, and nods aplenty to pioneering music of the period, from the post-rock atmospherics of Tortoise, and the hazy dub techno of Basic Channel, to the tech-jazz of Detroit, the minimalism of Berlin, and the musically expansive warmth of Chicago deep house. As this first vinyl reissue conclusively proves, the material showcased on A User's Guide has lost none of its sparkle in the 26 years that have passed since its release. Fully remastered from the original DATs by Jason G at Transition Studios, the 2024 vinyl edition of A User's Guide thrusts Ultramarine's most overlooked album back into the spotlight. This WRWTFWW edition also features brand new contextualizing sleeve notes, complete with new quotes on the production process from Ultramarine, by dance music historian Matt Anniss (author of Join The Future: Bleep Techno and the Birth of British Bass Music, and founder of online electronic music platform Jointhefuture.net). For fans of electronic, leftfield, postrock, tech-jazz, IDM, minimalism, futurist electronica, dub techno, house, experimental, Autechre, Tortoise, Basic Channel, forgotten gems from superb discographies, and very good music.
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2LP
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R-M 212LP
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$51.00
PREORDER
RELEASE DATE: 2/14/2025
The world became another since the release of Decadent Yet Depraved (R-M 178CD), as did Belief Defect's reflection of it: now darker, political, honest -- end times in Cinemascope. When the duo reunited in the studio after the two-year fracture COVID inflicted on reality, the album that had been on pause all this time seemed insufficient against whatever life had morphed into, while humanity hid from itself. Finishing an album coherent to the present moment took prolonged studio shut-ins that proved to be as cathartic as the struggle sessions of the cultural revolution must have been. Desire and Discontent unfolds like a parable, structured by subsonic frequencies that give arrangements a solid gravity, dissonant chord progressions resulting in coherent movements, punctuated by human-like voices over slow, suspenseful melodies that come into being without the listener's awareness. Contributing to the album with machine-like precision drumming is Merlin Ettore, vocals from Anna Gartner and the artwork of Juan Mendez (Silent Servant).
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CD
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TEC 026CD
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$12.50
PREORDER
RELEASE DATE: 2/14/2025
2025 marks 20 years of life for Tectonic Recordings and the label is very excited to kick things off with an amazing debut album from Denver USA producer, Sectra. Sectra's Through The Static encompasses emotional depth, sonic intensity and moments of sheer brilliance that transcend any single genre. With all the hallmarks of a truly great electronic album, it brings together Sectra's love for bass music alongside punk, drone and experimental electronica. Each perfectly crafted track takes listeners on a journey -- from melancholy moments like the opening track "Glitter In The Dark," through the wild and raw collaboration with Dis Fig on "Horrid & Dejected," to the techno-chug, 1000-mile stare of "Entry Point," featuring Trisicloplox; the one consistent thing is an incredible and delicate manipulation of sonic texture. The creative use of distortion, crunch and crackle is the static through which each track passes. There is a very special bonus on the CD; when the album finishes, you will hear the static and you can begin a search for a hidden EP. There are five exclusive tracks bedded into the CD that can be found amongst the static.
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CD
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IF 1095CD
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$17.50
PREORDER
RELEASE DATE: 2/14/2025
Fragility, modesty, delicacy -- Frànçois' voice evokes illustrious contemporaries, from Devendra Banhart to Vincent Gallo, whose vocal inflections sometimes echo behind the uniquely French timbre. Artists like Malik Djoudi with his captivating pop, in-demand jazzman Thomas de Pourquery, and British folk artist Rozi Plain all lend their talents to Âge Fleuve. These three delightful collaborations blend seamlessly into the album's ten tracks. But the album's fluidity is also felt in the flavor of certain compositions, like the upbeat "Où mène la nuit," a kind of mystical inquiry into the whirlwinds of youth. Then there's "Aïeul inconnu," whose apparent melancholy pairs perfectly with its elegant groove. "Adorer," the duet with Thomas de Pourquery, is an uplifting track that jumps wholeheartedly into the joy of living in the "present moment." Âge Fleuve -- or rather, a "liquid inspiration" -- is built on a heritage of memory. And when one delves into the mystery of this heritage, the answer becomes clear: "We're here, under this part of the river, further downstream. Everything communicates, everything is in motion." In other words, an album flowing through the river of the sensory, intimate, and universal heritage.
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LP
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WWSLP 098LP
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$31.50
PREORDER
RELEASE DATE: 2/14/2025
LP version. Following the success of the Tokyo Glow and Funk Tide sets, Wewantsounds once again teams up with Tokyo-based DJ Notoya for a breezy selection of funk and boogie recorded in Japan for King Records in the '70s and '80s. Most tracks here are making their debut on vinyl outside of Japan and the album, like its predecessors, has been designed by Optigram's Manuel Sepulveda and is annotated by DJ Notoya. The audio has been newly mastered in Tokyo by King Records and remastered for vinyl by Colorsound in Paris. For Tokyo Bliss, Japanese Funk expert DJ Notoya has picked a diverse selection of great funk, boogie and city pop tracks recorded between 1974 and 1988 for King Records, one of the most venerable record labels in Japan. These tracks -- which are in demand on the Japanese groove scene -- are mostly new to international ears and showcase the breadth and quality of Nippon music recorded during the '70s and '80s. The selection kicks off with the group Buzz, a folk duet formed in the early '70s by Hiroshi Koide and Masakazu Togo who released a handful of albums for King during the '70s. The track "Garasumado" (Glass Window) is from the 1974 album Requiem The City which was produced by Nobuyuki Takahashi, the older brother of future YMO superstar Yukihiro Takahashi. At the time both were members of cult group Sadistic Mika Band. Next comes the synth boogie sound of singer Mami Ayukawa, who was active on the Japanese music scene in the mid-'80s, followed by drummer Johnny Yoshinaga's 1978 hard funk "The Rain" featuring great keyboards action from Hiroyuki Namba, one of Tatsuro Yamashita's key musicians. Keiko Toda's mid-tempo delight "Fade In" was released in 1983 and adds a touch of class to the ensemble with its languid rhythm and synth riffs. The rest of Tokyo Bliss alternate between the stylish funk-folk floater "Bokura no Date" by Koji Kobayashi from 1978 and the '80s funk bomb "Your Love's Away" by Kumiko Sawada, produced by prolific guitarist Kazuo Takeda with his group Creation, who is backing Sawada here. The selection closes with the superb Moog and Fender Rhodes-led space funk instrumental "Paper Machine" released in 1977 by Fujimaru Band and which ends the set on a perfect note.
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LP
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IF 1095LP
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$35.00
PREORDER
RELEASE DATE: 2/14/2025
LP version. Clear color vinyl. Fragility, modesty, delicacy -- Frànçois' voice evokes illustrious contemporaries, from Devendra Banhart to Vincent Gallo, whose vocal inflections sometimes echo behind the uniquely French timbre. Artists like Malik Djoudi with his captivating pop, in-demand jazzman Thomas de Pourquery, and British folk artist Rozi Plain all lend their talents to Âge Fleuve. These three delightful collaborations blend seamlessly into the album's ten tracks. But the album's fluidity is also felt in the flavor of certain compositions, like the upbeat "Où mène la nuit," a kind of mystical inquiry into the whirlwinds of youth. Then there's "Aïeul inconnu," whose apparent melancholy pairs perfectly with its elegant groove. "Adorer," the duet with Thomas de Pourquery, is an uplifting track that jumps wholeheartedly into the joy of living in the "present moment." Âge Fleuve -- or rather, a "liquid inspiration" -- is built on a heritage of memory. And when one delves into the mystery of this heritage, the answer becomes clear: "We're here, under this part of the river, further downstream. Everything communicates, everything is in motion." In other words, an album flowing through the river of the sensory, intimate, and universal heritage.
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LP
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MG 143LP
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$25.00
PREORDER
RELEASE DATE: 2/7/2025
A groundbreaking collaboration between British experimental artist Pete Kember, aka Sonic Boom (Spacemen 3) and Swiss electronic duo SINNER DC, MAPS blends music, visuals, and interactive gaming (Mac/PC) into a multidimensional experience. Originally conceived for a one-off live performances in 2013 in Geneva, MAPS draws inspiration from Borges' meditations on the limits of representation, crafting a surreal auditory and visual journey.
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LP
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WRWTFWW 090LP
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$33.00
PREORDER
RELEASE DATE: 2/7/2025
WRWTFWW Records presents a one-of-a-kind collaboration release between buzzing UK producer and DJ Pizza Hotline and Swedish electronic and synth icon Mitch Murder, delivering three gigantic tracks each for the Anti Gravity Tournament album, available as a limited-edition LP housed in a heavyweight 350gsm sleeve illustrated by the legendary junkboy. Inspired by the classic WipEout video game series, this high-energy boosted split-album transports listeners into the futuristic world of anti-gravity racing, a colorful turbo adventure soundtracked by six mega tracks of fast-paced atmospheric jungle, thunderous breaks, and liquid drum and bass. The adrenaline-fueled collection delivers maximum energy and dreamy vibes, a true paradise for fans of '90s/Y2K video games, LTJ Bukem, Peshay, Soichi Terada, and previous efforts by Mitch & Pizza. Anti Gravity Tournament follows two critically-acclaimed albums by Pizza Hotline -- Level Select and Polygon Island, both still available on WRWTFWW Records, as well as the limited Low Poly Breaks cassette series which sold out in a few minutes. Mitch Murder is known as one of the originators of synthwave and has released timeless albums on Rosso Corsa Records, Mad Decent, and My Pet Flamingo (TimeSlave Recordings). He is also the man behind the Kung Fury soundtrack and has collaborated with David Hasselhoff himself! The astonishing exclusive artwork comes from the one and only junkboy, creative director at Mojang Studios (Minecraft) and all-around design grandmaster. Fasten your seatbelt and join the fun.
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LP
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BR 185LP
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$32.00
PREORDER
RELEASE DATE: 2/7/2025
Mauricio Moquillaza, in his debut album, charts new directions for electronic music in Peru through the use of modular synthesizers and improvisational methods, crafting minimalist sequences with rich melodic and textural qualities. The four compositions in the album belong to a modern tradition of modular synthesizer use, an instrument that has experienced a global resurgence in recent years, expanding the aesthetics and possibilities of analog sound. These four pieces, created with a modular synthesizer, blend innovative sequencing processes and minimalist repetitions while interweaving organic and melodic patterns with noisy abstract soundscapes. These works, the result of extensive experimentation in his studio, have been recorded in a single take, without any overdubs. Emerging from Lima's experimental music scene, Mauricio Moquillaza is also a bassist who has developed his sound practice at the intersection of noise and free improvisation. He is the founder of the collective Deshumanización, which has served as a platform to showcase a new generation of experimental music artists in the city. This perspective is crucial to understanding his work with the synthesizer, which he views as an extension of the spontaneous nature of improvisation. Consequently, his pieces have an irreproducible quality and explore the ongoing tension between control of the instrument and its generative possibilities. From this vantage point, Moquillaza embarks on his own exploration, offering a narrative that is striking in both its conciseness and its openness to the unknown. Mauricio Moquillaza's debut album is presented in a limited vinyl edition of 300 copies by Buh Records. It has been mixed by Christian Mun and mastered by Simon Davey, with artwork by Aaron Julián.
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VEYL 043LP
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$28.50
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RELEASE DATE: 2/7/2025
Veyl welcomes Harlem back to the label with a new eight-track LP titled Cage. The Stockholm-based duo of Martin Thomasson and Johan Skugge last appeared on the imprint with 2021's Bait, and the project now returns diving deeper in to their infectious cocktail of menacing electronics. Bringing with them a vast body of work, ranging from dub to minimal techno, with Harlem the pair fuse electro, no wave, post-punk, disco, proto-body, dub, hip-hop, and grime, creating a unique sound that cannot be categorized. Cage opens with "Shut Your Body," a muscular piece which drills into the surface, setting the stage for what's to come. Next up is "Fantasy Scan" a dance floor ready jam that picks up the pace and lures listeners into the pleasure dome. "Blow by Blow" brings a nihilistic energy to a fictional scenario that takes its cues from the past while remaining firmly in the now. "Kiss The Steel" continues on the slow burning path, dropping listeners into a dream like state, blurring the lines of reality and plunging them into a surrealist nightmare or reverie. "Dummy Up" comes roaring back, injecting a dose of electro and body that sounds like a soundtrack to your favorite cult gathering. With "Sleuth" comes the repetitive grind of a man at work, searching for the unknown, unlocking new mysteries along the way. Towards the finale, "Contact High" brings back a seductive dance, ready to movie bodies and stir emotions. Closing things out is "Wiggle Walker," returning listeners to a drifter's journey, a wanderer's melody that carries them to the end -- or is it just the beginning?
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4LP
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LAPSUS 041LP
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$97.50
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RELEASE DATE: 2/7/2025
Electronic music visionary Pye Corner Audio, a master of blending nostalgia with forward-thinking production, has carved out a unique niche in the electronic music landscape. Drawing inspiration from 1970s and '80s synthesizer music, Detroit techno, and cinematic soundtracks, his work often evokes a sense of eerie futurism. Lapsus Records presents Where Things Are Hollow: No Tomorrow, a comprehensive box set revisiting and expanding his acclaimed Where Things Are Hollow series. This release includes the first two volumes -- with Volume 2 featuring an unreleased track -- and two additional chapters that further enrich the series' narrative. Once again, Pye Corner Audio delivers innovative soundscapes, drawing inspiration from ambient techno, cinematic electronica, and experimental slow disco. The third installment unveils a constellation of entirely new tracks, weaving the ambient, synthwave, and retro-futuristic textures that define Jenkins' work. Meanwhile, Where Things Are Hollow 4 amplifies this narrative, incorporating reinterpretations by some of today's most visionary artists: Alessandro Cortini, Kaitlyn Aurelia Smith, Lord Of The Isles, and Surgeons Girl, alongside the popular 2020 John Talabot remix of "Resist." As with previous entries, the visual identity of Where Things Are Hollow: No Tomorrow is a striking collaboration between Basora Studio and renowned illustrator Alex Trochut, offering a visual counterpart to the series' otherworldly audio. With all tracks remastered for this release, Where Things Are Hollow: No Tomorrow is a testament to Jenkins' enduring influence and creative evolution, cementing Pye Corner Audio as a key figure in modern electronic music.
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LP
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KK 136LP
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$27.00
PREORDER
RELEASE DATE: 2/7/2025
Emmanuel Mario returns to Karaoke Kalk with his third album under his Astrobal moniker for the Berlin-based imprint. L'uomo e la natura ("Man and Nature") sees the prolific drummer and producer, who has worked with artists such as Laetitia Sadier and label mate Pink Shabab, take a different musical route than before. The French electronic music composer pays homage to the spirit of library music while also making concessions to different strains of pop and even classical music. With only two of the ten songs putting words to the music, L'uomo e la natura is a masterful exercise in the evocation of atmospheres: expressing much while saying very little outright -- show, don't tell. The album was born out of a desire to push the envelope. Taking inspiration from library music artists such as Alessandro Alessandroni or Bruno Nicolai as well as the more cosmic strains of electronic instrumental music, he strove "to create a soundtrack that would immediately bring to mind outer space." The first of the three singles released ahead of the full album, "L'abeille pourpre," captures this spirit with funky rhythms and an overjoyed interplay of different melodies, all tied together by wordless yet terminally catchy vocals. The second single, "Miami 2064," traverses through many different moods in its six-minute run-time: Starting off as neo-noir synth-wave piece, it then proceeds to pay its dues to the masters of the cosmic music tradition such as Tangerine Dream or, of course, Jean-Michel Jarre before slowly descending back to Earth with guitars and dreamy synthetic vocals, playfully punctuated by a plethora of wistful melodies. It is the perfect encapsulation of the open-ended approach Mario follows throughout the entire album, taking full creative license in regards to songwriting and arrangements. L'uomo e la natura rewards multiple listens not only emotionally, but also intellectually. "I also wanted to talk about politics and ecology, because it's impossible not to," Mario notes. Some of the track titles express this more openly than others and the two title tracks sung by Mario and Nina Savary use French and Italian lyrics, respectively. However, as a whole the album leaves things open to interpretation.
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CD
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BB 395CD
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$16.50
PREORDER
RELEASE DATE: 2/7/2025
Collector, seeker and storyteller Charles Bals brings his curatorial finesse to Hamburg's Bureau B with Ambientale, a journey into otherworldly sounds from the years 1983-2000. Drifting effortlessly between digital exoticism, mellow fusion, new age groove and library electronics, the pieces range from largely obscure to utterly un-google-able, and coalesce into a stunning soundtrack to tranquil seas, desert sand and starlit skies. Cinematic and enigmatic, Ambientale is a stranger you've only just met but can't stop thinking about. A familiar face to those who dwell in the deep end of the record pool, Charles is an obsessive digger, always on the track of an otherwise unheard sound. Through two trips to "Club Meduse" and star-crossed lovers "America Dream Reserve" and "Black Rain," he's also established himself as a mixtape auteur, weaving together the strange and beautiful into evocative compilations that transport listeners to distinct, imaginative realms. While his previous sets resembled Super-8 vignettes, populated by sun-kissed hedonists and drifting outsiders, Ambientale sees Charles leave the human world behind, exploring all the world's wilderness on the scale of an IMAX epic. Bals opens his sonic travelogue with the bamboo flutes and resonant gongs of esteemed Italian maestro Luigi Ceccarelli, joined by the clean lines and Eastern tonalities of the little-known RanōBoru. The journey deepens with a double-feature from Tokyo composer Akira Mitake, sliding from dreamy New Age soundscapes into the lush groove of floral fusion. Digital rhythms and snaking bass add a Latin accent to the bouzouki of Individual Sensitivity's "Greece Ambientale," while the lilting percussion and shimmering synths of Steve Shehan's smooth jazz rarity "Evening In The Sahara" segue perfectly into a masterpiece of French Balearic from Private Joke. A smoky saxophone rises like mist, echoing through the rainfall on Adriano Maria Vitali's "Velvet Blue Circles," before Masami Tsuchiya pulls listeners into the depths with the aquatic ambience of 1983's "Never Mind," its electronic palette the perfect vehicle to ensure that Akira Mitake's "Spectrum" surprises, rather than startles, with its booming machine drums a superb point of difference. From there, we wander once more into the digital undergrowth, exploring the mystical and magical sounds of the Italian library ensemble Gruppo Sound, along with a rare glimpse of Blue Note new age from Gil Mellé. Police sirens and street noise signal our return to the city, forming the backdrop to the tumbling drums and moody electronic stabs of "Ship Out" by Ferris Wheel, an utterly unknown piece rumored to be a promotional track from a Venezuelan garbage company -- the final twist of intrigue to this otherworldly voyage.
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LP
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BB 395LP
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$28.50
PREORDER
RELEASE DATE: 2/7/2025
LP version. Collector, seeker and storyteller Charles Bals brings his curatorial finesse to Hamburg's Bureau B with Ambientale, a journey into otherworldly sounds from the years 1983-2000. Drifting effortlessly between digital exoticism, mellow fusion, new age groove and library electronics, the pieces range from largely obscure to utterly un-google-able, and coalesce into a stunning soundtrack to tranquil seas, desert sand and starlit skies. Cinematic and enigmatic, Ambientale is a stranger you've only just met but can't stop thinking about. A familiar face to those who dwell in the deep end of the record pool, Charles is an obsessive digger, always on the track of an otherwise unheard sound. Through two trips to "Club Meduse" and star-crossed lovers "America Dream Reserve" and "Black Rain," he's also established himself as a mixtape auteur, weaving together the strange and beautiful into evocative compilations that transport listeners to distinct, imaginative realms. While his previous sets resembled Super-8 vignettes, populated by sun-kissed hedonists and drifting outsiders, Ambientale sees Charles leave the human world behind, exploring all the world's wilderness on the scale of an IMAX epic. Bals opens his sonic travelogue with the bamboo flutes and resonant gongs of esteemed Italian maestro Luigi Ceccarelli, joined by the clean lines and Eastern tonalities of the little-known RanōBoru. The journey deepens with a double-feature from Tokyo composer Akira Mitake, sliding from dreamy New Age soundscapes into the lush groove of floral fusion. Digital rhythms and snaking bass add a Latin accent to the bouzouki of Individual Sensitivity's "Greece Ambientale," while the lilting percussion and shimmering synths of Steve Shehan's smooth jazz rarity "Evening In The Sahara" segue perfectly into a masterpiece of French Balearic from Private Joke. A smoky saxophone rises like mist, echoing through the rainfall on Adriano Maria Vitali's "Velvet Blue Circles," before Masami Tsuchiya pulls listeners into the depths with the aquatic ambience of 1983's "Never Mind," its electronic palette the perfect vehicle to ensure that Akira Mitake's "Spectrum" surprises, rather than startles, with its booming machine drums a superb point of difference. From there, we wander once more into the digital undergrowth, exploring the mystical and magical sounds of the Italian library ensemble Gruppo Sound, along with a rare glimpse of Blue Note new age from Gil Mellé. Police sirens and street noise signal our return to the city, forming the backdrop to the tumbling drums and moody electronic stabs of "Ship Out" by Ferris Wheel, an utterly unknown piece rumored to be a promotional track from a Venezuelan garbage company -- the final twist of intrigue to this otherworldly voyage.
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LP
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SPITTLEDD 011LP
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$24.00
PREORDER
RELEASE DATE: 2/7/2025
Italia Synthetica 2025 features a Fred Ventura curated selection of unreleased tracks from a collective of Italian artists and producers who have long been influential in the electronic underground scene. These musicians continue to push boundaries and explore new frontiers within electro, synth-pop, and new wave. Rimini Metafisica is the new project by Paolo Gozzetti, already known for his work with Sigma Tibet and as part of the Italo synth pop duo Italoconnection. TenGrams is one of the many aliases of brothers Alessandro and Davide Piatto (formerly of N.O.I.A), here exploring dark and minimal synth sounds with an essential edge. Diego Montinaro aka Sandiego, DJ, producer, and prominent figure in the Milanese underground scene for over two decades, contributes to the album with a synthetic ballad marked by a cybernetic cadence. Mono Han is another project by the Piatto brothers, this time brighter and authentically synth-pop, where the sounds of the Linn Drum and Roland Jupiter 8 pave the way. Deep Field is the new synth-pop project by Danilo Carnevale, a former member of post-punk bands Other Side and Jeunesse D'Ivoire, and more recently active with Ivoiries and Lunaires. Castelli, a member of the band Clone Culture, presents a track from his upcoming solo album, an engaging mix of Italian new wave and disco. Fogli and Ventura brings together Livio Fogli (formerly of La Maison and Periferico) and Fred Ventura in a minimal synth project with an isolationist character. Through Twelve is a Milan based duo that recently released a mini-album featuring a sound that blends post-punk and synth-pop with a contemporary sensibility. Body System emerges from the collaboration between Enrico Colombo (formerly of Art Boulevard, Orang e Party, and Bedroom Rockers) and Fred Ventura, aiming to rejuvenate the EBM sound in 2025. Finally, Italoconnection featuring Francesca Gastaldi presents a "lost" track by Paolo Gozzetti and Fred Ventura, reinterpreted in an electro-Kraftwerkian style by TenGrams.
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