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Search Result for Genre ROCK
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CD
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MORR 207CD
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$17.50
PREORDER
RELEASE DATE: 3/13/2026
With News from Planet Zombie, The Notwist return to view after years of exploration and experiment with an album rich in both melancholy and positivity, sketched across a suite of thrilling, fiercely committed pop songs. It's an album reflecting a chaotic world, but responding with warmth and generosity, to achieve creative and spiritual consolidation. Recorded in their home base of Munich, it reconnects with the security of the local to explore the troubles of the global: a guiding impulse writ large across this album's eleven songs. For News from Planet Zombie, the core trio of Markus and Micha Acher and Cico Beck embraced the plural possibilities of writing together, bringing songs to the collective and then arranging, rehearsing and recording that material live, in the studio. The result is an album that's energized, fully in "the now", with spectacular moments where you can hear the magic bubbling up in the dynamic between the Achers, Beck, and fellow members Theresa Loibl, Max Punktezahl, Karl Ivar Refseth, and Andi Haberl. The openness to chance also takes in guest turns from friends both local and international, reflective of a cosmopolitan Munich: Enid Valu joins in on vocals, while Haruka Yoshizawa guests on taishōgoto and harmonium, Tianping Christoph Xiao on clarinet, and Mathias Götz on trombone. The Notwist aren't best known for cover versions, but News from Planet Zombie features two: a gorgeous version of Neil Young's "Red Sun" (from 2000's Silver & Gold), and a take on Athens, Georgia folk-pop gang Lovers' "How the Story Ends." They slot into the album's narrative perfectly, nestling in like old friends, revealing The Notwist as poetic interpreters. Also available on black vinyl (MORR 207LP) and orange color vinyl (MORR 207ORA-LP).
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LP
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MORR 207ORA-LP
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$33.00
PREORDER
RELEASE DATE: 3/13/2026
LP version. Orange color vinyl. With News from Planet Zombie, The Notwist return to view after years of exploration and experiment with an album rich in both melancholy and positivity, sketched across a suite of thrilling, fiercely committed pop songs. It's an album reflecting a chaotic world, but responding with warmth and generosity, to achieve creative and spiritual consolidation. Recorded in their home base of Munich, it reconnects with the security of the local to explore the troubles of the global: a guiding impulse writ large across this album's eleven songs. For News from Planet Zombie, the core trio of Markus and Micha Acher and Cico Beck embraced the plural possibilities of writing together, bringing songs to the collective and then arranging, rehearsing and recording that material live, in the studio. The result is an album that's energized, fully in "the now", with spectacular moments where you can hear the magic bubbling up in the dynamic between the Achers, Beck, and fellow members Theresa Loibl, Max Punktezahl, Karl Ivar Refseth, and Andi Haberl. The openness to chance also takes in guest turns from friends both local and international, reflective of a cosmopolitan Munich: Enid Valu joins in on vocals, while Haruka Yoshizawa guests on taishōgoto and harmonium, Tianping Christoph Xiao on clarinet, and Mathias Götz on trombone. The Notwist aren't best known for cover versions, but News from Planet Zombie features two: a gorgeous version of Neil Young's "Red Sun" (from 2000's Silver & Gold), and a take on Athens, Georgia folk-pop gang Lovers' "How the Story Ends." They slot into the album's narrative perfectly, nestling in like old friends, revealing The Notwist as poetic interpreters.
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LP
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MORR 207LP
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$30.50
PREORDER
RELEASE DATE: 3/13/2026
LP version. With News from Planet Zombie, The Notwist return to view after years of exploration and experiment with an album rich in both melancholy and positivity, sketched across a suite of thrilling, fiercely committed pop songs. It's an album reflecting a chaotic world, but responding with warmth and generosity, to achieve creative and spiritual consolidation. Recorded in their home base of Munich, it reconnects with the security of the local to explore the troubles of the global: a guiding impulse writ large across this album's eleven songs. For News from Planet Zombie, the core trio of Markus and Micha Acher and Cico Beck embraced the plural possibilities of writing together, bringing songs to the collective and then arranging, rehearsing and recording that material live, in the studio. The result is an album that's energized, fully in "the now", with spectacular moments where you can hear the magic bubbling up in the dynamic between the Achers, Beck, and fellow members Theresa Loibl, Max Punktezahl, Karl Ivar Refseth, and Andi Haberl. The openness to chance also takes in guest turns from friends both local and international, reflective of a cosmopolitan Munich: Enid Valu joins in on vocals, while Haruka Yoshizawa guests on taishōgoto and harmonium, Tianping Christoph Xiao on clarinet, and Mathias Götz on trombone. The Notwist aren't best known for cover versions, but News from Planet Zombie features two: a gorgeous version of Neil Young's "Red Sun" (from 2000's Silver & Gold), and a take on Athens, Georgia folk-pop gang Lovers' "How the Story Ends." They slot into the album's narrative perfectly, nestling in like old friends, revealing The Notwist as poetic interpreters.
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CD
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DC 964CD
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$13.50
PREORDER
RELEASE DATE: 2/27/2026
"My Days of 58 is the eighth Bill Callahan album, his first since 2022. The twelve tunes here open uncanny depths of expression as Bill continues to blaze one of the most original songwriting-and-performance trails out there. With My Days of 58, he applies the living, breathing energies of his live shows to the studio process, sharpening his slice-of-life portraiture to cut deeper than ever before. The core musicians featured on My Days of 58 is the group that toured for 2022's REALITY: guitarist Matt Kinsey, saxophonist Dustin Laurenzi and drummer Jim White, whose synergy was evident in 2024's live Resuscitate!. This showed Bill, as he puts it, 'that they could handle anything I threw at them,' adding: 'Improv/unpredictability/the unknown is the thing that keeps me motivated to keep making music. It's all about listening to yourself and others. A lot of the best parts of a recording are the mistakes -- making them into strengths, using them as springboards into something human.' With this in mind, Bill prepared the songs with each player separately. Taking a note from songwriter, fan and friend Jerry DeCicca, he recorded the basic tracks for all but one song in a duo with Jim White. Meanwhile, he rehearsed with Matt, guitar to guitar, while asking Dustin to make horn charts for a few songs. Bill: 'I usually just sing a melody to a horn player or let them try a few takes and go from there. This time I thought, why not get some of the record charted out. There's always room for spontaneity on top of that. And we did indeed throw some off the cuff stuff on top of the charted horns in a couple cases where they weren't fully doing what I wanted. With this record I kept thinking of it as a 'living room record.' I'm not talking about fidelity at all here. Living room attitude. Living room vibe. Not too loud, not otherworldly. I asked for the horns to be relaxed like someone on the couch playing, not a blast from heaven or hell.' For more spontaneity and human color, Bill called up several other players: Richard Bowden on fiddle, whom he'd seen playing with Terry Allen and loved; pianist Pat Thrasher; bassist Chris Vreeland; and trombonist Mike St. Clair."
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2LP
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DC 964LP
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$30.00
PREORDER
RELEASE DATE: 2/27/2026
Double LP version. "My Days of 58 is the eighth Bill Callahan album, his first since 2022. The twelve tunes here open uncanny depths of expression as Bill continues to blaze one of the most original songwriting-and-performance trails out there. With My Days of 58, he applies the living, breathing energies of his live shows to the studio process, sharpening his slice-of-life portraiture to cut deeper than ever before. The core musicians featured on My Days of 58 is the group that toured for 2022's REALITY: guitarist Matt Kinsey, saxophonist Dustin Laurenzi and drummer Jim White, whose synergy was evident in 2024's live Resuscitate!. This showed Bill, as he puts it, 'that they could handle anything I threw at them,' adding: 'Improv/unpredictability/the unknown is the thing that keeps me motivated to keep making music. It's all about listening to yourself and others. A lot of the best parts of a recording are the mistakes -- making them into strengths, using them as springboards into something human.' With this in mind, Bill prepared the songs with each player separately. Taking a note from songwriter, fan and friend Jerry DeCicca, he recorded the basic tracks for all but one song in a duo with Jim White. Meanwhile, he rehearsed with Matt, guitar to guitar, while asking Dustin to make horn charts for a few songs. Bill: 'I usually just sing a melody to a horn player or let them try a few takes and go from there. This time I thought, why not get some of the record charted out. There's always room for spontaneity on top of that. And we did indeed throw some off the cuff stuff on top of the charted horns in a couple cases where they weren't fully doing what I wanted. With this record I kept thinking of it as a 'living room record.' I'm not talking about fidelity at all here. Living room attitude. Living room vibe. Not too loud, not otherworldly. I asked for the horns to be relaxed like someone on the couch playing, not a blast from heaven or hell.' For more spontaneity and human color, Bill called up several other players: Richard Bowden on fiddle, whom he'd seen playing with Terry Allen and loved; pianist Pat Thrasher; bassist Chris Vreeland; and trombonist Mike St. Clair."
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Cassette
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DC 964CS
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$12.00
PREORDER
RELEASE DATE: 2/27/2026
Cassette version. "My Days of 58 is the eighth Bill Callahan album, his first since 2022. The twelve tunes here open uncanny depths of expression as Bill continues to blaze one of the most original songwriting-and-performance trails out there. With My Days of 58, he applies the living, breathing energies of his live shows to the studio process, sharpening his slice-of-life portraiture to cut deeper than ever before. The core musicians featured on My Days of 58 is the group that toured for 2022's REALITY: guitarist Matt Kinsey, saxophonist Dustin Laurenzi and drummer Jim White, whose synergy was evident in 2024's live Resuscitate!. This showed Bill, as he puts it, 'that they could handle anything I threw at them,' adding: 'Improv/unpredictability/the unknown is the thing that keeps me motivated to keep making music. It's all about listening to yourself and others. A lot of the best parts of a recording are the mistakes -- making them into strengths, using them as springboards into something human.' With this in mind, Bill prepared the songs with each player separately. Taking a note from songwriter, fan and friend Jerry DeCicca, he recorded the basic tracks for all but one song in a duo with Jim White. Meanwhile, he rehearsed with Matt, guitar to guitar, while asking Dustin to make horn charts for a few songs. Bill: 'I usually just sing a melody to a horn player or let them try a few takes and go from there. This time I thought, why not get some of the record charted out. There's always room for spontaneity on top of that. And we did indeed throw some off the cuff stuff on top of the charted horns in a couple cases where they weren't fully doing what I wanted. With this record I kept thinking of it as a 'living room record.' I'm not talking about fidelity at all here. Living room attitude. Living room vibe. Not too loud, not otherworldly. I asked for the horns to be relaxed like someone on the couch playing, not a blast from heaven or hell.' For more spontaneity and human color, Bill called up several other players: Richard Bowden on fiddle, whom he'd seen playing with Terry Allen and loved; pianist Pat Thrasher; bassist Chris Vreeland; and trombonist Mike St. Clair."
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LP
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RANDB 179LP
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$28.50
PREORDER
RELEASE DATE: 2/20/2026
Leonard Cohen's appearance on 20th March 1968 in a BBC television special had a huge impact and contributed greatly to his success in this country. Here are eleven of the songs he played, recorded in excellent sound. Backed by a select group of UK musicians including Danny Thompson and Dave Cousins, Cohen performed seven tracks from his debut LP. The remaining tracks appearing on subsequent records, with the exception of "There's No Reason You Should Remember Me." Comes with full recording details and extensive sleeve notes.
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LP
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RANDB 180LP
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$28.50
PREORDER
RELEASE DATE: 2/20/2026
The last gig played by The Who before the Quadrophenia tour was this seven-track "greatest hits" set, broadcast on Dutch television in March 1973. Featuring material from Tommy and Who's Next, the encore was a lengthy but engrossing version of "Magic Bus." Comes with full recording details and extensive sleeve notes.
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LP
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MR 494LP
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$28.50
PREORDER
RELEASE DATE: 2/13/2026
Juegos Nocturnos is the new project from two key musicians of Spain's '80s scene, coming from essential bands like Décima Víctima and P.V.P. Jesús Amodia (guitar, vocals, programming, and keyboards) was a founding member of the punk-rock group P.V.P., a band often compared to The Clash and other British acts of the era thanks to their blend of punk energy with Jamaican influenced sounds. The project also features Per Mertanen (bass), member of cult band Décima Víctima, known for crafting a very distinctive sound with echoes of Joy Division, The Cure, and other British post-punk groups. Now united in this new musical adventure called Juegos Nocturnos, they present nine guitar-driven, sophisticated pop rock tracks that showcase influences shaped over more than four decades of musical career, recorded between 2020 and 2022.
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LP
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HPS 361ULTRA-LP
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$41.00
PREORDER
RELEASE DATE: 2/13/2026
LP version. Yellow/green/red striped vinyl. "The Grotesque Within is what we proudly call our first true self-produced album. Recorded in the winter of 2025 between Outside Inside Studio in Treviso and our own home studio, it marks a raw and uncompromising chapter in our sound. The record weaves a dense narrative inspired by the unsettling atmosphere found in the works of Thomas Ligotti -- where reality constantly threatens to unravel, and horror seeps into the everyday. Much like Ligotti's existential tales, The Grotesque Within doesn't simply portray darkness -- it observes how the absurd and the horrific have become indistinguishable from our modern reality. Each track is a confrontation -- with the bizarre, the dissonant, and the disturbingly familiar. This is not just an album. It's a descent into the uncanny that already surrounds us." --Oreyeon
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CD
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WBR 002CD
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$12.50
PREORDER
RELEASE DATE: 2/13/2026
British singer-songwriter Lucy Kitt presents her highly-anticipated second album, Telling Me, a deeply personal collection that shifts focus from introspection to storytelling, capturing the lives and struggles of those closest to her. Drawing from her love of '70s Laurel Canyon folk, '90s indie rock, and country music, Kitt crafts narratives that blend her own experiences with compassionate observations of loved ones. Based on a raw acoustic "three chords and the truth" style of songwriting that ripples throughout, the album expands with full-band arrangements that give a huge range and richness to the sound. Though influenced by American musical traditions, the Essex-native maintains her distinctive voice and authenticity, ensuring the music remains unmistakably her own. Following her 2018 debut Stand By, this new record represents a more mature approach to songwriting, written during her early 30s and completed in the 2021 lockdown -- a storybook of songs capturing that moment in time. Musically, Telling Me showcases Kitt's stripped-down acoustic foundations, while incorporating fuller arrangements that blend her love of Nick Drake, Bob Dylan, Gram Parsons, Joni Mitchell and Joan Baez, with music she loved as a teenager such as The Lemonheads and Veruca Salt. The album features collaborations with an impressive roster of musicians, including Jay Starkey on drums, Nashville-based pedal steel virtuoso Spencer Cullum, Treetop Flyer's Sam Beer and longtime collaborator Pat Kenneally on drums and piano. Recorded between 2021-2023 at London's Lightship 95 studio at Trinity Buoy Wharf, the album was co-produced and engineered by Dave Holmes, with some musicians contributing remotely from Nashville and London.
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2LP
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HPS 368LTD-LP
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$43.50
PREORDER
RELEASE DATE: 2/13/2026
Orange vinyl version. Remastered version of the Earthless epic live at Roadburn 2008. "This double gatefold LP, recorded at Roadburn Festival in 2008, celebrates the psychedelic powerhouse that is Earthless in all their mind-splitting live glory. In fact they put in one of the best live performances I'd ever seen." --The Sleeping Shaman
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2CD
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MR 297CD
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$11.00
PREORDER
RELEASE DATE: 2/13/2026
In Santurtzi, on the left bank of the Nervión estuary, a unique band was born: Eskorbuto. Iosu Expósito and Jualma Suarez lived in working class neighborhoods that had grown fast. Both Kabiezes and Mamariga were, in the '50s, mainly rural areas of Santurtzi. In the '60s, industrialization and rampant development transformed them into urban areas without any investment in urbanism. Some elements for the alchemy led to the explosion: intelligent young guys who were nevertheless incapable of adhering to school discipline, a country in full swing towards freedom after 40 years of dictatorship. It was a context very familiar with the turbulence of the "Basque conflict," with neighbors seduced by the "armed fight" and the "liberation of Euskal Herria," with the question of "identity" constantly present, traumatic episodes of killings, tortures and imprisonments. One day at the end of the '70s they decided to start a band. The first period of Eskorbuto's life, before the damage done by the needle became noticeable, was incredibly fruitful. They soon found a rehearsal space, thanks to their first drummer, and there the first songs were born. Iñaki Laiseka played bass for them, and that role was also taken by "Seni" and "Garlopa", two precursors of "left bank" punk that played some gigs with them. Later on they found Paco Galán, who also came from a similar neighborhood to theirs (Repélega, in Portugalete). Paco always was the necessary engine, the piece around which the rest revolved, which guaranteed continuity. His drumming also added an apparently chaotic element to the already unbridled guitar melodies and visionary texts, halfway between dirty realism and Edgar Allan Poe's nightmares. These recordings are taken from those early times of excitement and vertigo, of journeys to Madrid under a train's seat and endless trips up and down the left bank looking for "someone that I've heard is selling an amp". Now the Reina Sofía Museum exhibits their Impuesto Revolucionario LP and there's no Spanish speaking country without legions of fans.
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7"
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MR 7395EP
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$15.50
PREORDER
RELEASE DATE: 2/13/2026
Few late-'60s Spanish pop songs have reached the status that "Cuéntame cosas tuyas" has earned decades after its original 1969 release. The single, put out by Barcelona label Belter, has become one of the most coveted gems for collectors of '60s sounds. "Cuéntame cosas tuyas" is perfect pop with flawless arrangements. Although originally from Valencia, Los Ros (formerly Los 4 Ros) built their career in Palma de Mallorca and released nearly twenty singles on Belter. These are two irresistible tracks that, after years out of print, are brought back into circulation.
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LP
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LAPSUS 043LP
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$26.00
PREORDER
RELEASE DATE: 2/13/2026
APORIAMOR explores the affective ontological and organic processes of love and lust in the turmoil of an urban existence, through the female lens. It expresses the process of strengthening through heartbreak in its various forms. With her debut EP The Art of the Concrete, elsas knew that by giving that name to a record which was ironically expansive and experimental, she would be calling for a distilled and clearer path further down the line. This is what she's been incorporating into the sonic world of this new album, APORIAMOR, signifying the birth of a more matured and distilled version of herself as an artist. With APORIAMOR elsas conveys a personal process of healing in the romantic space. Through different experiences of heartbreak, elsas builds a language -- a coping mechanism attached to its subsequent artistic expression -- that isn't founded on hardness or a closing-off, but instead, on a playful but profound reckoning, and learning of self-worth. APORIAMOR embraces the complexities of being a lover-girl: of moving through life with an open heart. It celebrates the clarity, sweet hindsight, and detachment that come from processing emotion. Her sound in this record is naturally referential of both her Mediterranean heritage and UK alternative music -- intrinsic parts of her lived experience. She has had the opportunity to collaborate with artists she deeply admires, each exchange enriching her creative world. The experience of working hand-in-hand with Sampha has been a core of her evolution as an artist. She has also collaborated in many forms with artists like Florence + the Machine, Little Simz, Jordan Rakei, Jockstrap, Obongjayar, Black Country New Road, Genevieve Artadi (KNOWER) and Duval Timothy. Additionally, her ongoing work with the Idrîsî Ensemble, of which she is a core member, continues to inform her artistic depth. Experimentation and modulation are an intrinsic part of elsas' method, conceiving songs as organisms that respond to their surroundings. Collaborators on this collection of songs include Shrink, Will Lister, Gabriel Gifford, Ethan P. Flynn and more. The record was mixed by David Wrench and Nathan Boddy, and mastered by Matt Colton.
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LP
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HPS 361LTD-LP
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$31.50
PREORDER
RELEASE DATE: 2/13/2026
LP version. Green color vinyl. "The Grotesque Within is what we proudly call our first true self-produced album. Recorded in the winter of 2025 between Outside Inside Studio in Treviso and our own home studio, it marks a raw and uncompromising chapter in our sound. The record weaves a dense narrative inspired by the unsettling atmosphere found in the works of Thomas Ligotti -- where reality constantly threatens to unravel, and horror seeps into the everyday. Much like Ligotti's existential tales, The Grotesque Within doesn't simply portray darkness -- it observes how the absurd and the horrific have become indistinguishable from our modern reality. Each track is a confrontation -- with the bizarre, the dissonant, and the disturbingly familiar. This is not just an album. It's a descent into the uncanny that already surrounds us." --Oreyeon
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CD
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TR 590CD
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$16.50
PREORDER
RELEASE DATE: 2/13/2026
Formed in London in 1992 by singer and songwriter David Christian, Comet Gain were originally inspired by early Creation Records, Television Personalities, and mod culture, drawing from the same ideals as Dexys, The Style Council, and Vic Godard, and from the lineage of The Velvet Underground, The Byrds and the 13th Floor Elevators. In the ensuing years they have released eight albums on such esteemed labels as Wiiija, Kill Rock Stars, What's Your Rupture and Fortuna POP! that blend French New Wave with English kitchen-sink heart, Riot Grrrl with acid punk, and C86 with post-punk and Northern soul, somehow outliving their peers and in turn inspiring a younger generation of DIY musicians. Comet Gain are all things post-punk, DIY, Indie POP, international pop underground, lo fi, garagebeat and folk and rock. Boy/girl vocals, scratchy guitars, sweet noise and rough melodies, enthusiasm and pain. It's all right here. Put it on, turn it up and feel alive again. City Fallen Leaves' was first released in 2005 by Track & Field in the UK and Kill Rock Stars in the USA and is now being reissued worldwide by Tapete Records.
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2LP
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HPS 368LP
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$36.50
PREORDER
RELEASE DATE: 2/13/2026
Remastered version of the Earthless epic live at Roadburn 2008. Also available in orange vinyl (HPS 368LTD-LP) and splatter color vinyl (HPS 368ULTRA-LP). "This double gatefold LP, recorded at Roadburn Festival in 2008, celebrates the psychedelic powerhouse that is Earthless in all their mind-splitting live glory. In fact they put in one of the best live performances I'd ever seen." --The Sleeping Shaman
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LP
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WBR 002LP
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$27.00
PREORDER
RELEASE DATE: 2/13/2026
LP version. British singer-songwriter Lucy Kitt presents her highly-anticipated second album, Telling Me, a deeply personal collection that shifts focus from introspection to storytelling, capturing the lives and struggles of those closest to her. Drawing from her love of '70s Laurel Canyon folk, '90s indie rock, and country music, Kitt crafts narratives that blend her own experiences with compassionate observations of loved ones. Based on a raw acoustic "three chords and the truth" style of songwriting that ripples throughout, the album expands with full-band arrangements that give a huge range and richness to the sound. Though influenced by American musical traditions, the Essex-native maintains her distinctive voice and authenticity, ensuring the music remains unmistakably her own. Following her 2018 debut Stand By, this new record represents a more mature approach to songwriting, written during her early 30s and completed in the 2021 lockdown -- a storybook of songs capturing that moment in time. Musically, Telling Me showcases Kitt's stripped-down acoustic foundations, while incorporating fuller arrangements that blend her love of Nick Drake, Bob Dylan, Gram Parsons, Joni Mitchell and Joan Baez, with music she loved as a teenager such as The Lemonheads and Veruca Salt. The album features collaborations with an impressive roster of musicians, including Jay Starkey on drums, Nashville-based pedal steel virtuoso Spencer Cullum, Treetop Flyer's Sam Beer and longtime collaborator Pat Kenneally on drums and piano. Recorded between 2021-2023 at London's Lightship 95 studio at Trinity Buoy Wharf, the album was co-produced and engineered by Dave Holmes, with some musicians contributing remotely from Nashville and London.
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LP
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TR 590LP
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$26.00
PREORDER
RELEASE DATE: 2/13/2026
LP version. Formed in London in 1992 by singer and songwriter David Christian, Comet Gain were originally inspired by early Creation Records, Television Personalities, and mod culture, drawing from the same ideals as Dexys, The Style Council, and Vic Godard, and from the lineage of The Velvet Underground, The Byrds and the 13th Floor Elevators. In the ensuing years they have released eight albums on such esteemed labels as Wiiija, Kill Rock Stars, What's Your Rupture and Fortuna POP! that blend French New Wave with English kitchen-sink heart, Riot Grrrl with acid punk, and C86 with post-punk and Northern soul, somehow outliving their peers and in turn inspiring a younger generation of DIY musicians. Comet Gain are all things post-punk, DIY, Indie POP, international pop underground, lo fi, garagebeat and folk and rock. Boy/girl vocals, scratchy guitars, sweet noise and rough melodies, enthusiasm and pain. It's all right here. Put it on, turn it up and feel alive again. City Fallen Leaves' was first released in 2005 by Track & Field in the UK and Kill Rock Stars in the USA and is now being reissued worldwide by Tapete Records.
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2LP
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HPS 368ULTRA-LP
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$51.50
PREORDER
RELEASE DATE: 2/13/2026
Splatter color vinyl version. Remastered version of the Earthless epic live at Roadburn 2008. "This double gatefold LP, recorded at Roadburn Festival in 2008, celebrates the psychedelic powerhouse that is Earthless in all their mind-splitting live glory. In fact they put in one of the best live performances I'd ever seen." --The Sleeping Shaman
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CD
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MR 350CD
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$12.50
PREORDER
RELEASE DATE: 2/13/2026
Los demenciales chicos acelerados is Eskorbuto's fourth studio album, originally released by Discos Suicidas in 1987. It was their most ambitious project, a double LP rock opera in the vein of Quadrophenia by their beloved The Who. It tells the story of an unscrupulous young man who wishes to achieve power at all costs, stepping over everyone and everything in order to do whatever he wants politically. In the end, he falls due to his ego and is betrayed by those around him. Hence lines such as "crowds are a nuisance", "I'll come unscathed out of the attacks planned by my image consultant" or "shouting in front of the scum". In 1988 band members Iosu and Juanma narrated the album's concept and story on a Radio Euskadi show, the Basque Country's public broadcaster. This satirical political plot also explains the controversial Nazi pictures on the front and back covers. Eskorbuto were equaling the unprincipled politician of their rock opera with the Nazis and Franco's dictatorship. It's a conceptual record that attacks any kind of dictatorial political regime. Although Los demenciales came out on Discos Suicidas, in typical Eskorbuto fashion the band stole a copy of the master and sold it to the Twins label, which also released it a few months later with a different cover. The original sleeve caused some trouble, to say the least, with its combination of Nazi photos and the Spanish flag on the back accompanied by the words "Of national interest." The album contains new versions of a few previous tracks such as "Ratas rabiosas" and "Enterrado vivo" plus the studio version of "Más allá del cementerio." For the recording the band enrolled keyboardist Aitor Amezaga, who would also collaborate on their next album.
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LP
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MR 495LP
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$28.50
PREORDER
RELEASE DATE: 2/13/2026
The birth of Los Indios took place at a key moment for Bolivian music, in May 1968, during the "Festival de la Canción" held at the Félix Capriles Stadium. This event was a milestone for the so-called Bolivian new wave, featuring various groups from all over the country. A month later, Jorge Filipo Dalence, in association with Freddy Valdivieso, decided to launch their own band, Los Indios, ready to make their mark on the music scene. Their discography includes one LP and a handful of EPs released on the Caracol and Imperio labels. Their album not only showcases their musical talent but also represents an important moment in the evolution of rock in Bolivia. The combination of their unique style helped open new doors for other artists in the country's music scene. By 1969, the group was enjoying overwhelming success and widespread popularity. This collection brings together some of their best recordings, captured over the course of their short life as a band, blending beat sounds with garage rawness through a repertoire full of covers of artists such as Deep Purple, Wilson Pickett, and Eduardo Araujo (via Los Iracundos). This is a joint release with the Peruvian label Rey Record and includes an insert with notes on the band's history.
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CD
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HPS 361CD
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$16.00
PREORDER
RELEASE DATE: 2/13/2026
Also available on black vinyl (HPS 361LP), green vinyl (HPS 361LTD-LP), and striped vinyl (HPS 361ULTRA-LP). "The Grotesque Within is what we proudly call our first true self-produced album. Recorded in the winter of 2025 between Outside Inside Studio in Treviso and our own home studio, it marks a raw and uncompromising chapter in our sound. The record weaves a dense narrative inspired by the unsettling atmosphere found in the works of Thomas Ligotti -- where reality constantly threatens to unravel, and horror seeps into the everyday. Much like Ligotti's existential tales, The Grotesque Within doesn't simply portray darkness -- it observes how the absurd and the horrific have become indistinguishable from our modern reality. Each track is a confrontation -- with the bizarre, the dissonant, and the disturbingly familiar. This is not just an album. It's a descent into the uncanny that already surrounds us." --Oreyeon
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LP
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HPS 361LP
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$28.00
PREORDER
RELEASE DATE: 2/13/2026
LP version. "The Grotesque Within is what we proudly call our first true self-produced album. Recorded in the winter of 2025 between Outside Inside Studio in Treviso and our own home studio, it marks a raw and uncompromising chapter in our sound. The record weaves a dense narrative inspired by the unsettling atmosphere found in the works of Thomas Ligotti -- where reality constantly threatens to unravel, and horror seeps into the everyday. Much like Ligotti's existential tales, The Grotesque Within doesn't simply portray darkness -- it observes how the absurd and the horrific have become indistinguishable from our modern reality. Each track is a confrontation -- with the bizarre, the dissonant, and the disturbingly familiar. This is not just an album. It's a descent into the uncanny that already surrounds us." --Oreyeon
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