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01. Paul Demarinis - If God Were Alive (& He Is) You Could Reach Him By Telephone
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02. Paul Demarinis - R4T
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03. Paul Demarinis - Et Tu, Klaatu
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04. Paul Demarinis - Eenie Meenie Chillie Beenie
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05. Paul Demarinis - Novena
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06. Paul Demarinis - Mind Power
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07. Paul Demarinis - Yellow Yankee
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08. Paul Demarinis - I Want You
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09. Paul Demarinis - Vocal Variety
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10. Paul Demarinis - Kokole
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11. Paul Demarinis - Cincinnati 1830-1850
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12. Paul Demarinis - Edison's Piano
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13. Paul Demarinis - The Lecture Of Comrade Stalin At The Extraordinary 8th Plenary Congress About The Draft Concept Of The Constitution Of The Soviet Union On November 25, 1936
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ARTIST
DEMARINIS, PAUL
TITLE
Songs Without Throats
FORMAT
2LP
LABEL
BLACK TRUFFLE
CATALOG #
BT 041LP
BT 041LP
GENRE
EXPERIMENTAL
RELEASE DATE
2/15/2019
Black Truffle announces the release of
Songs Without Throats
, a collection of recordings from
Paul DeMarinis
. A key figure in the history of electronic music since the 1970s and collaborator with the likes of
Robert Ashley
,
David Behrman
, and
David Tudor
, DeMarinis is a pioneer in the development of gallery sound installation and digital music technologies. All tracks have been selected in collaboration with the artist, focusing on DeMarinis's exploration of synthesized voice and the digital analysis and manipulation of speech sounds, recorded during the late '70s up until 1995. Drawing together tracks dispersed on compilations along with a number of pieces previously unheard in any form,
Songs Without Throats
offers a mind-blowing, revelatory look into DeMarinis's alternately accessible and uncompromising production. Opening with a mesmerizing piece from 1978 pairing the voice and tamboura of
Anne Klingensmith
with letters spat out by a Speak n' Spell to the accompaniment of the randomized melodic patterns of DeMarinis's homebuilt electronic instrument "The Pygmy Gamelan", the record then dispenses with the live human voice in favor of its recorded and synthetic doubles. One can follow DeMarinis's restless probing of the possibilities of technology, from the hacked Speak n' Spell (which gives us the austere "Et Tu, Klaatu" (1979), another duet with Klingensmith, on bowed psaltery, in which the toy's synthetic voice is stretched into an alien song) through to the use of digital samples manipulated with home computer technology in the early 1990s (including a remarkable collage piece that weaves a rare recording of
Stalin
's voice and bird-like electronic twittering derived from its formant - glides into a rich tapestry of samples reflective of the dictator's musical life). In between is a rich sampling of DeMarinis's signature work with speech melodies -- usually unnoticed melodic inflections that lie within speech patterns -- which he analyses and translates into synthesized musical accompaniment. These pieces draw on a wide variety of sources, which range from the hilarious to the menacing, combining elements as seemingly unlikely as
Beethoven
's piano sonatas and the sounds of '80s synth-pop. The results are an extraordinary combination of the alien and the familiar. As DeMarinis himself characterizes his work with vocal synthesis, this is "a kind of signal that simultaneously carried and obscured meaning and ideation, even as it created a sound world totally alien in esthetic". Deluxe gatefold sleeve with archival images and liners by DeMarinis; design by
Stephen O'Malley
. Mastered and cut by
Rashad Becker
at D&M, Berlin.
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