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forthcoming releases available for pre-order
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How preorders work: FAQ
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2LP
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BARN 133LP
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$41.00
PREORDER
RELEASE DATE: 7/24/2026
Gold Panda returns with Ton Up, a brilliantly stubborn new album for Studio Barnhus: eight rough-hewn dance tracks and two cozy little service-station interludes, all crafted with the robust determination of a producer who knows that 140 bpm is not so much a tempo as a way of life. Made with Derwin Dicker's unmistakable sampler-bashing touch, the tracks on Ton Up carry the raw knock of old-school hip-hop instrumentals, pushed through pumping house-music machinery and ready to cause absolute trouble on any half-decent sound system. Here you'll find zero of that dreaded, over-explained "maturity" usually demanded of beloved electronic artists several albums deep into the game. Instead, Gold Panda just sounds as happily locked in as ever, carelessly chasing the physical joys of pressure, swing and repetition. Ton Up is functional, funny and oddly tender club music, arriving just when the world needed it the most.
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BISON 021LP
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$36.50
PREORDER
RELEASE DATE: 7/24/2026
With For Red Riverbank, The Sprigs return to Bison for their first full length LP, this time joined by Ratty and Badger to form a full three-piece band, and to help Mole take on the developers working above ground. Armed with guitars, pipes, samples and bric-a-brac, it'd be easy for the Sprigs to succumb to a totally romanticized nostalgia for an imagined British folkloric tradition. There's enough of it going around. Instead, the gang create a ramshackle, ruddy faced blend of introspective hibernation, real-world anxiety and some absolutely knee slapping, joy inducing tunes. It's a masterwork of folk collage -- where beautiful straight-to-tape guitar sketches are cut up amongst British labor history with the help of Leon Rosselson and Ash Reid, giving way to waves of depression and relief in equal measure. Such is life!
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CD
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CIS 211CD
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$20.50
PREORDER
RELEASE DATE: 7/24/2026
Following an illustrious tenure as founding member of acclaimed, boundary-defying trio The Comet Is Coming, alongside output as half of electronic psych jazzers Soccer96, the producer and synthesist Dan Leavers, aka Danalogue, announces his debut solo LP, Teleportations. Conceived as a continuous, journey-based piece, Teleportations is a warm, playful and immersive album that transforms endings, grief and personal upheaval into a vivid science-fictional voyage of escape, healing and renewal. A self-contained sonic world performed entirely by Danalogue, Teleportations unfolds like a single trip rather than a collection of standalone tracks. Moving seamlessly between celestial ambience, shimmering kosmische, euphoric space disco, liquid jazz funk and the deepest Detroit house, the album invites listeners to enroll in what Dan describes as a "teleportation program" -- a musical technology designed to sublimate difficult emotions, allowing sound, texture and motion to carry the listener through shifting states of feeling and emerge transformed on the other side. Science fiction provides both the language and architecture of the record. Inspired by astral travel, theta brainwaves, collective consciousness, the artist Jean Giraud, the writer Ernst Bloch and the film maker Miyazaki, Danalogue imagines music as a shared act of transportation -- not unlike the experience of an audience tuning into a gig as one unified organism. Danalogue cites figures such as Joe Meek, Wendy Carlos, Isao Tomita, Laurie Spiegel, Mort Garson and Terry Riley, and groups Harmonia and Kluster, as influences -- all artists who operated outside rigid genre boundaries. Teleportations was created using a largely vintage analogue setup, centered around the Roland Juno-60 and SH09, Jupiter 4, Oberheim and old samplers.
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12"
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DEFCLAS 030EP
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$20.50
PREORDER
RELEASE DATE: 7/24/2026
Definitive Recordings presents a powerful new remix by Roland Leesker of "Pennies From Heaven," the timeless house classic by Inner City, originally released in 1992. On his remix, Roland Leesker transforms "Pennies From Heaven" into a driving, floor-focused house weapon. Built around a heavy, straight TR-909 groove, the track gradually introduces elements from the original in a layered, loop-based arrangement. The remix reaches its peak in a powerful breakdown, where the full main theme and vocals unfold, creating a classic hands-in-the-air moment before dropping back into the stomping groove.
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LP
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ENLP 015LP
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$28.00
PREORDER
RELEASE DATE: 7/24/2026
Released in 2011, Komba is Buraka Som Sistema's second studio album -- their fusion of Angolan kuduro and bass music reaching further across the globe, absorbing new rhythms along the way. Among the standout tracks: "(We Stay) Up All Night" and "Hangover (Bababa)." This limited vinyl reissue -- pressed on colored wax for the first time -- remains faithful to the original release, including the bonus track "Burakaton" featuring Colombian outfit Bomba Estéreo. Part of the vinyl reissue of Buraka Som Sistema's discography marking their 20-year anniversary, it arrives ahead of their long-awaited return to the stage. Also featuring Afrikan Boy, Kaysha, Sara Tavares & Terry Lynn, Blaya & Roses Gabor, and Stereotyp.
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ENLP 053LP
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$28.00
PREORDER
RELEASE DATE: 7/24/2026
Released in 2014, Buraka is Buraka Som Sistema's third studio album -- and the last before their hiatus. Rooted in the group's signature fusion of Angolan kuduro and bass music, the record captures the global reach of their sound, documented in Off the Beaten Track: a film following the band through Caracas, Paris, India, London and Luanda, narrated in their own words. This limited color vinyl edition marks its first ever vinyl pressing, giving full room to the original artwork by Studio Moross. Part of the vinyl reissue of Buraka Som Sistema's discography marking their 20-year anniversary, it arrives ahead of their long-awaited return to the stage. Featuring Yadi and Alo Wala.
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LP
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FRAGILE 017EP
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$20.50
PREORDER
RELEASE DATE: 7/24/2026
Fragile presents the release of Juan Pablo Echeverri and Wolfgang Tillmans' unreleased 2016 composition, "Warm Star," alongside a new remix of the song by TR/ST, celebrating the 10th anniversary of Tillmans and Echeverri's first recording sessions together.
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LP
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HHBTM 241LP
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$22.00
PREORDER
RELEASE DATE: 7/24/2026
"From the sprawling, congested, and heat affected city of Atlanta, Georgia comes Go Public, a mutant disco day-glow post punk dance band bringing you social/political party til you drop anthems of joy and conflict while the nation is collapsing. Go Public mixes dub, afrobeat, post punk, new wave, and disco to the max building up the energy till the room is moving and the floors are shaking. The Atlanta four-piece is made up of Sean Rawls (Masters of the Hemisphere, Still Flyin'), Adrian Finch (Masters of the Hemisphere, Dances with Wolves, Elf Power), Jay Domingo, and Sam Gunn. The band formed in 2020 and released a cassette titled EP in late 2022. You Are Traffic is their debut album feels and sounds like Atlanta with its sweat-soaked dance rhythms, its lyrical content that radiates like the colorful murals and street art that cover the city, it's an album propulsive in nature like the abundant green canopy that breathes life and provides comfort from the oppressive heat. You are Traffic is bursting with joy while taking in everything around it and presenting it back to the listener. The world is on fire so you might as well dance. Go Public would fit nicely next to Maximum Joy, ESG, Liquid Liquid, and James Chance."
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Book
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HRZ 010BK
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$19.00
PREORDER
RELEASE DATE: 7/24/2026
123 pages. Second edition of 350. "It's finally come to fruition. Chicago photographer and graphic designer Brian Shanley may best known for his work with Wax Trax! Records during the 1980s, but for the first time anywhere, Hozac Books has collected his seminal band photographs that he shot during his time before settling in at the record label's art department. Most of these incredible shots are previously unpublished, and not even seen by many of the bands themselves. From 1976 to 1984, Brian Shanley fixated himself at the epicenter of whichever show was happening around Chicago (and a few from NYC and London as well) and locked in on the talent. Setting his craft apart from most of his photographer brethren, Shanley focused on portrait-style shots of bands that rarely ever sat still, and along with his trusty camera, was welcomed into a world where most people aren't allowed to tread. You won't find a better snapshot of the fledgling '70s Chicago punk scene than in Dodged & Burned, which collects rare images of bands such as Epicycle, The Imports, Sundog Summit, Special Affect, and more, that escaped attention and fame at the time, yet still are firmly rooted in the city's rich music history. But that still can't overshadow Shanley's incredible shots of the new and exciting touring bands that criss-crossed the US passing thru Chicago on many of their maiden voyages, most of which have never been seen before anywhere. Featuring a Foreword by Sub Pop Records' founder Bruce Pavitt, he fondly recalls meeting Shanley in the early 1980s when his Chicago-based fanzine Subterranean Pop ran their first ads that Shanley designed for Wax Trax, as well as an introduction by David Kendrick (DEVO, Sparks, Gleaming Spires) and commentary by Kevin Haskins (Bauhaus, Love & Rockets, Tones on Tail)."
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Book
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HRZ 023BK
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$23.00
PREORDER
RELEASE DATE: 7/24/2026
202 pages, softcover. "Hozac Books presents An Ideal For Living: A Celebration of the EP (Extended Play) by Corey du Browa and friends. An impressive first overview and history of the often-neglected E.P. format, whether a 6-track 3" CD, a 4-track 7", a 5-track 10", or a 6-track 12", the EP is the sweet spot between a 'single' and an album/LP and it's time you recognized how many great specimens there truly are. From Dangerhouse to Touch and Go to Sub Pop to Flying Nun, and all roads in between, savvy labels have used the EP to great effect and it's been the way to introduce bands in a less risky mid-sized format for decades. This super-interesting guide shows how the format developed and how it took on a life of its own, from early jazz and rock'n roll through the beat and psychedelic rock era, right on through punk, new wave, and post-punk, and into the alternative/indie rock era, right up to the modern age. This rousing guide through the mid-sized mindset features a huge swath of guest writers galore, each offering up their enthusiastic opinions on which E.P.s deserve your attention, divided by decade, along with all of their details on long-forgotten B-sides and extras that couldn't fit on the 7" version, yet easily pad out a 12". Featuring contributions from Camilla Aisa, A.D. Amorosi, Rick Anguilla, Andrew Beaujon, Jonathan Blunk, Tim Bugbee, M.J. Call, Jason Cohen, Byron Coley, Britt Daniel, Joe Ehrbar, Rob Elba, Neil Ferguson, Jeff Gold, Glenn Francis Griffith, Matt Hickey, Tim Hinely, Jon D. Hurwitz, Steve Klinge, Joseph Kyle, David Menconi, Steve Michener, Eric T. Miller, Nathan Misner, Kevin Moyer, Tom Murphy, Molly Neuman, Al Quint, Jim Riswold, Nickolas Rossi, Jason Roth, Matt Ryan, Chris Slusarenko, David Smay, Tim Stegall, Kevin Stewart-Panko, Matt Teper, Pat Thomas, Eric Waggoner, Henry Wimmer, Annie Zaleski, & Scott Zuppardo. Foreword by Britt Daniel (Spoon). Epilogue by Chris Slusarenko (Sprinkler, Guided By Voices, Boston Spaceships, Eyelids)."
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Book
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HRZ 024BK
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$36.00
PREORDER
RELEASE DATE: 7/24/2026
252 pages. Hardcover. Edition of 150. "San Francisco rock'n roll bleeds through Michael Goldberg -- an innovative, inspiring figure who always has been quietly pioneering something interesting for the past 50+ years. Hozac Books presents the first-ever collection of his photographs in Jukebox, featuring an impressive array of underground figures and outcast luminaries captured in their natural habitat, most seen here for the first time anywhere. Bridging the gaps between the late '60s psychedelic era, primitive first-wave '70s punk and soul and reggae, as well as never-before seen images of country and folk iconoclasts and rule-breakers across the spectrum of all that is captivating, and even including some modern artists still making waves, Jukebox is a riveting photography collection that truly feels as good as it looks. Jukebox is a book of distinctive, full-page photographs of musicians taken between 1967 and 2023. Goldberg is best known as a writer, but for over 50 years he's also been photographing musicians and the photos in Jukebox are drawn from the thousands he's taken over the years. Included are photos of the Sex Pistols, Crime, the Ramones, the Avengers, Devo, the Nuns, the Clash, Tom Verlaine, Lou Reed, John Cale and the Dils as well as Tom Waits, Courtney Barnett and Kurt Vile, Janis Joplin, Ben Gibbard, Ramblin' Jack Elliott, Muddy Waters, Toots and the Maytals, Patti Smith, Bettye LaVette, the Who, Neil Young, Jonathan Richman, Townes Van Zandt, the Flamin' Groovies, and many more. The book's foreword is written by acclaimed music book author Joel Selvin. Most of the photos here have never been seen before, including rare 1970 photos of Jerry Garcia in his Larkspur home months before recording began for the group's crowning achievement, American Beauty. Some of the photographs of Frank Zappa, Commander Cody, Michael Bloomfield, Professor Longhair, Grace Slick and Paul Kantner, Toots and the Maytals, Willy DeVille, and John Cale were taken at their homes or in their hotel rooms. The Ramones photograph was shot from the doorway of Goldberg's room at the Tropicana in L.A."
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HRZ 025BK
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$32.00
PREORDER
RELEASE DATE: 7/24/2026
320 pages, softcover. "Hozac Books presents another foundational brick in the pantheon of New Zealand underground music with Peter Jefferies - The Other Side of Reason, a career-spanning biography by music historian Andrew Schmidt of Audioculture.nz. Covering Jefferies' earliest musical projects during the first wave punk heyday such as Dull Emma and Pink Noise on into Nocturnal Projections, This Kind of Punishment, Plagal Grind, Cyclops, and much more in striking detail, the author leaves no stone unturned and weaves Jefferies life story into a gripping saga of innovation, isolation, and redemption. Alongside is the story of the evolving Flying Nun imprint as well as the creation of Xpressway which served to fill a sorely needed gap in handling and distributing more of the marginal New Zealand lo-fi recordings to the masses. The Other Side of Reason truly shows the endless power of creative perseverance and the intensities that come therein when dealing with that immovable thrust in the core of your being and how to channel that into something that lasts for the ages. For ten long years between 2002 and 2012, Peter Jefferies, the New Zealand indie composer and musician didn't answer the phone or his email, when old and new fans and friends called. He didn't want to know about the brilliant run of solo albums and live shows that sparked a major cult following in the United States. Then step by step, note by note, year by year, Jefferies emerged from his Taranaki abode on the edge of home city, New Plymouth, to see nearly every major work he'd meticulously assembled in the post-punk and alternative rock era between 1980 and 2002 in New Zealand and the US reissued and universally praised. The cultural footprint from his busy and fiercely creative years with Nocturnal Projections, This Kind of Punishment, Xpressway Records, Plagal Grind, Cyclops, Two Foot Flame and solo was that deep. Returning sporadically to the live stage in New Zealand, new music soon flowed, adding to one of the small South Pacific nation's most potent collections of words and sound. Written with Peter's cooperation, Peter Jefferies - The Other Side of Reason reveals the stark beauty, brutal honesty and endearing humanity of his best work, as music historian, Andrew Schmidt, traces the Stratford-born musician's life through New Zealand's punk and post-punk hot spots in Auckland, New Plymouth, and Dunedin in the 1980s and early 1990s, and then, when the world came calling, Chicago, Vancouver, and Austin, Texas, with tours through Europe and Australia from the mid to late 1990s into the new millennium."
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BOOK/7"
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HRZ 027BK
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$36.00
PREORDER
RELEASE DATE: 7/24/2026
170 pages, softcover. First edition of 500. "As a founding member of one of Los Angeles' earliest female-led bands, Backstage Pass, Genevieve Schorr lived and breathed rock'n roll growing up like a lot of teenagers at the time. What set her apart was forging her unique band so early in the punk timeline (a direct shot from her glam and pub rock influences) and eventually evolving her life into becoming a professional rock'n roll stylist to the stars. Genny's book reads like a lost diary trapped in a punk house time capsule from the era, complete with tales of dereliction and unsuspecting victories along the way. Crossing paths with such wildly diverse characters such as The Screamers, The Mumps, Dr. Feelgood, The Damned, The Quick, Jon Stewart, Jim Carrey, The Bangles, and Linda Ronstadt, All Roads Lead To Punk is an invigorating flash through a wild life not to be forgotten. This book comes also with a limited-edition Backstage Pass 7″ single featuring the original 1977 studio recordings of 'Legend (Come On Up To Me)' (immortalized by Redd Kross's version in Desperate Teenage Lovedolls) b/w 'Let Me Show You Love.'"
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Book
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HRZ 028BK
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$19.00
PREORDER
RELEASE DATE: 7/24/2026
242 pages, softcover. First edition of 400. "As long as there has been music, the form has been used as a vehicle for storytelling. Artists who have something to say often find that putting it into music is the ideal means of communicating thoughts and feelings to others. And the concept-album form is a logical extension of that storytelling impulse, often writ large. It allows the writer to tackle bigger themes, more involved story lines, more finely textured characters and ideas. In the pages of What's The Big Idea, author Bill Kopp explores 30 remarkable concept albums, drawing on new, firsthand interviews with the artists behind their creation. Author of the critically acclaimed Disturbing The Peace, Kopp turns us down the darkest road of musical blind-spots yet, the concept album, a previously shunned genre, now worthy of your curiosity. And then you hear something like Ogden's Nut Gone Flake, and The Turtles Present Battle of the Bands, or S.F. Sorrow, and you're REALLY second-guessing yourself now, right? As it turns out, there's something genuinely interesting about this 'concept' in itself, and it lends readers a look into a world when musical creativity really had been unleashed in its full glory. Yes, those extravagances produced much audio garbage, but very few people even get that chance anymore, despite the ease of home recording. Even Captain Sensible and The Church committed this 'big ideas' into noteworthy efforts, along with Hawkwind, William Shatner, Ghostface Killa, and of course, Pete Townshend, who graciously offers an exclusive interview here."
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7"
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HRZ 032EP
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$14.00
PREORDER
RELEASE DATE: 7/24/2026
"The official re-issue of The Tights Bad Hearts 7″ EP, the maiden release on Cherry Red Records in 1978 has come back to roost at HoZac Archival, making this gem of first wave UK punk accessible again. The three tracks on this EP were recorded on 16 track over a weekend in Cheltenham at Millstream Studios 1978, produced by John Acock. This was the first time the band had recorded in a 'real' studio. RIYL: The Users, Eater, Steve Treatment, The Outcasts, Panic, Television Personalities."
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LP
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HRZ 229LP
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$20.00
PREORDER
RELEASE DATE: 7/24/2026
"San Francisco punk's stillborn 1979 masterpiece is about to be mid-wived and you're invited to the violently beautiful procedure. The often-misunderstood 1979 Pop Session recording has been historically misattributed to Negative Trend, the band originally fronted by Rozz Rezabek, in its only available bootleg form, but one thing that's for certain, these nine blood-boiling studio recordings are set to change the historical context going forward. It's truly that heavy, that powerful, that intimidating, and somehow still unknown. Dangerously simmering in the pre-hardcore sweet spot of 1979, this collection of speed-soaked brain-frying tracks is inexplicably stuck in the blind spot for most first wave West Coast punk fanatics, until now. Featuring Bobby Barrage on drums (pre-No Alternative) and the ironically named Dave Basic on guitar, Rozz's Negative Trendisms are still firing on all cylinders through some of the most cranium-exploding vocals ever set to tape. The purely aneurismic vocal delivery on tracks like 'I Don't Wanna Be a Machine' and 'Never Say Die' are going to be used specifically to medically resuscitate dying punk people in the near future so you might wanna just get that ready, y'know?"
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7"
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HRZ 231EP
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$12.50
PREORDER
RELEASE DATE: 7/24/2026
"Formed in 2022, the Obliques are Angus Gering, Donivan Russell, Jackson Steffens, and Pablo Blackwell. An incredibly unexpected vibe from kids that really have their slop mentality in the right place, and who kick out a delirious tone for the ages. RIYL: The Mirrors, Styrenes, Poly Styrene Jass Band, Electric Eels, Cinderella Backstreet."
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LP
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HRZ 235LP
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$20.00
PREORDER
RELEASE DATE: 7/24/2026
"An earth-moving night in Chicago, 30 crazy years ago, caught HOT on tape and finally unleashed! Teengenerate were a force to be reckoned with in the '90s garage punk underground and with their string of classic singles and LPs, the Midwest was just STARVED for these heathens to break minds wide open. Is this how Hozac started? YES, this was THE SEED. Just an awe-inspiring brute force of punk purity, slashing through incredible covers of The Kids, Pagans, and Fun Things and sowing the seeds of obscure punk obsessions to no end with their savage treasure map of sick sounds. The heat, the power, the rage and the euphoria, it just doesn't always align like it did when Fink & Fifi took the stage. Secretly recorded by Ken White, the Brides' right hand man, and mastered by Tim Warren of Crypt Records for maximum authenticity, Live at the Empty Bottle just explodes out of the grooves and will level anyone within earshot, just like it did when Teengenerate desecrated Chicago TWICE on the same night."
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LP
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HRZ 236LP
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$20.00
PREORDER
RELEASE DATE: 7/24/2026
"A true Ohio outsider legend in every sense, Tommy Jay along with his producer/co-hort Mike Rep were recording like crazy in the mid-1970s. Here is an unreleased 1974 studio album with another book of classics intertwined within, and if you've been following Tommy's hypnotic trajectory with Mike Rep, True Believers, and the Harrisburg Players over the years, it's another long-awaited reward for your faith in this underground system you're invested in. Pure Ohio Gold as they say, and as a recently unearthed recording, it is presented it for the first time anywhere, solidifying Tommy Jay's pillar-like influence in the sick and twisted Harrisburg underground. Forever underrated, Tommy shines hard here for the singer-songwriter era, keeping that creeping 'punk edge' just under the surface for extra tension, even in 1974. In another world Tommy Jay would be as well-known as Skip Spence or Ron House, but his star still rises, albeit slowly and surely. Much like a companion LP to The Grim-O-Comix Sequence and his essential Tall Tales of Trauma LP, Short Sagas of Sorrow fills yet another void with its deep lo-fi goodness that has no problem hitting all of your unprotected sweet spots."
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LP
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HRZ 237LP
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$20.00
PREORDER
RELEASE DATE: 7/24/2026
"A common misconception about Mars is that their music was meant to be dark and nihilistic. That's not totally wrong: When their guitars sawed noise, rhythms lurched heavy and words came in howls, listening could be a harrowing experience, as suffocating as any of their apocalyptic No Wave counterparts. But the quartet's work was also energetic, joyful and buoyantly melodic. After all, they started by jamming on tunes by the Velvet Underground, pretty much the ur-band when it comes to sounding both dark and bright. As much as Mars stretched and remade that model into new wiry shapes, the spark of brightness sustained. It's easy to hear when listening to this set recorded in the summer of 1977 at a series of shows put on by the late Terry Ork at the Village Gate, a renowned jazz club in Greenwich Village. All eight songs have an urgent bounce, which is clearest in the caffeinated energy of the vocals, usually delivered in the pungent wail of either Sumner Crane or Connie Burg. Mark Cunningham's rubbery bass and the chopping guitars of Crane and Burg shoot flares as if they were running a fireworks display. Add Nancy Arlen's nonstop drumming -- roughly echoing Mo Tucker if she had extra limbs and Live at the Village Gate becomes a dizzying rush of tunes that zooms by in a taut 24 minutes. Though Mars hadn't even recorded at this point, they were already what Burg called 'like a machine in a way -- a really out of control machine.' Most of these songs were honed when the band was called China, a name they changed a few months before this gig after discovering other, potentially litigious groups bearing that moniker. In fact these songs were so far along that when Mars did start recording, only '3E' would survive, none of the other seven would ever see the dank light of a studio." --Marc Masters
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LP
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KOM 505LP
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$35.00
PREORDER
RELEASE DATE: 7/24/2026
The album November 89 comprises a selection of very early GAS tracks, some of which date back to the late 1980s. They were first released in 2008 as a CD insert in the art book Wolfgang Voigt GAS, published on Raster-Noton. Just like the photographs in the book, these pieces are early precursors that would evolve in the ensuing years with the albums Zauberberg and Königsforst into a style-defining, audiovisual "Gesamtkunstwerk" (total work of art) comprising hypnotically focused forest imagery and an abstract, psychedelic wash of sound created by alphorn and bass drum. The album is now available on vinyl for the first time. This effectively completes the existing GAS vinyl series by adding the "first" album, which had previously been missing. The cover art makes direct reference to the album Oktember, released in 1999. The highly hypnotic, dense forest motif served as the basis for one of the first Oktember Waldloops (forest-loops) works that have increasingly found their way into international galleries and art venues over the years.
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LP
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LG 014LP
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$29.00
PREORDER
RELEASE DATE: 7/24/2026
"A remaster and first time pressing of the earliest Gun Outfit cassettes, which were produced by the band to sell on their first two national tours in 2009 and 2010, along with some unreleased tracks. The aesthetic at the time was basically an embrace of primitivism. Technical know-how was actively disdained in favor of abject expressionism. The context was the hardcore scene, but it was Olympia, so there was some kind of hermetic awareness that could be read as art. This record shows the side of the band that was least afraid of what people thought. The tapes were for friends, there was no outside audience yet. The Emanation cassette was recorded by four track cassette wizard Adam Croce (from Broken Strings) at Carrie's dad (Chunk's) house during the summer. 'We thought he was insane because he made us do multiple takes.' Reuben Storey of the death metal band Funerot was the drummer and played a role in arranging the songs. The tape had space on it that an LP didn't. The self-titled cassette was recorded in various spots throughout Olympia -- mostly the slummy abandoned office building where every band practiced downtown and was mixed at the double wide where Carrie did work trade shoveling out horse stables for rent, Weeping Willow Ranch. Daniel Swire joined on drums after Reuben slid back into metal world; his style was more subtle. 'The band got weirder and the tape got worked so much it started to bleed through. There was confusion throughout but a pretty consistent focus on the songs, a process that translated as vibe.' Enjoy. Mastered by Tim Green at Louder Studios in early 2026. Pressed on 180g black vinyl with heavy Stoughton 'Tip-On' jackets with a cardstock printed inner sleeve. 500 copies pressed."
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LP
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MIG 3621LP
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$21.00
PREORDER
RELEASE DATE: 7/24/2026
"Louisiana Red was born in Alabama in March 1932 and died in Hanover almost exactly 80 years later. The early life of Iverson Minter, also known as Louisiana Red, was marked by suffering. His mother died of pneumonia a week after he was born. When he was five years old, his father was executed by the Ku Klux Klan. After that, he lived in orphanages until he was able to spend the rest of his childhood with his grandmother. As a teenager, he was sentenced to hard labor for burglary and subsequently sent by Uncle Sam to the Korean War. Iverson had wanted to become a blues musician ever since he had met Muddy Waters. In the late 1950s, he played in John Lee Hooker's band. In the mid-1970s, he moved to Europe, where he gained recognition among a wider audience through appearances at the WDR Rockpalast and the Montreux Jazz Festival. In the 1980s, Fritz Rau signed Louisiana Red for his successful festival series, the 'American Folk Blues Festival.' In 1983, he released his acclaimed album Anti-Nuclear Blues, whose content and message are more relevant today than ever. The original vinyl edition has since become a sought-after rarity. Now, the album is being rereleased, featuring six bonus tracks from the 1981 'American Folk Blues Festival,' as well as a reissue on vinyl with a fresh sound."
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LP
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MIG 3641LP
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$21.00
PREORDER
RELEASE DATE: 7/24/2026
LP version. "In the early 1970s, the band from Hilden and Düsseldorf (Germany) dropped the name Q 66 and has performed as Cobraa ever since. A demo tape by the band caught the attention of talent scouts at the Cologne-based record label EMI Electrola, who subsequently offered them a record deal. The single 'Ride a Pony' was released as early as 1973, and the album Cobraa followed in 1974. The LP received very good reviews in well-known music magazines, and even the teen magazine BRAVO had words of praise. Critics particularly liked the harmonized vocals, the catchy melodies, and the varied arrangements -- not just drums, bass, and guitars, but also flute, harmonica, and strings. The band members, however, were disappointed with their collaboration with the record label and wrote a letter to the head of EMI, complaining about the lack of support and the lackluster cooperation. After a clarifying meeting with top management, it was agreed to release another single, 'Take A Look At Love.' The record company, however, was unwilling to make any further concessions, so it remained at just one LP release. Over 50 years later, this Cobraa album has achieved cult status among progressive rock and Krautrock fans. It is now being re-released on vinyl as well as, for the first time, on CD and digitally, including the 1973 single 'Ride A Pony'/'The End Of The Day.'"
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CD
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MIG 3642CD
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$15.00
PREORDER
RELEASE DATE: 7/24/2026
"In the early 1970s, the band from Hilden and Düsseldorf (Germany) dropped the name Q 66 and has performed as Cobraa ever since. A demo tape by the band caught the attention of talent scouts at the Cologne-based record label EMI Electrola, who subsequently offered them a record deal. The single 'Ride a Pony' was released as early as 1973, and the album Cobraa followed in 1974. The LP received very good reviews in well-known music magazines, and even the teen magazine BRAVO had words of praise. Critics particularly liked the harmonized vocals, the catchy melodies, and the varied arrangements -- not just drums, bass, and guitars, but also flute, harmonica, and strings. The band members, however, were disappointed with their collaboration with the record label and wrote a letter to the head of EMI, complaining about the lack of support and the lackluster cooperation. After a clarifying meeting with top management, it was agreed to release another single, 'Take A Look At Love.' The record company, however, was unwilling to make any further concessions, so it remained at just one LP release. Over 50 years later, this Cobraa album has achieved cult status among progressive rock and Krautrock fans. It is now being re-released on vinyl as well as, for the first time, on CD and digitally, including the 1973 single 'Ride A Pony'/'The End Of The Day.'"
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LP
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MIG 3661LP
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$29.00
PREORDER
RELEASE DATE: 7/24/2026
LP version. "Berlin, late 1960s: A divided city becomes the epicenter of a musical revolution. Amid the tensions of the Cold War, a group of young sound explorers emerged to redefine the boundaries of rock music. Agitation Free, founded in 1967, was never just a band, but a laboratory for 'movement, unrest, and change' -- the definition of the word 'agitation' that their mentor Folke Hanfeld had found in a dictionary. From the very beginning, Agitation Free served as a hub for the burgeoning 'Berlin School' of electronic music. Their early rehearsals at the Electronic Beat Studio under the direction of Thomas Kessler became a magnet for other legends such as Tangerine Dream and Ash Ra Tempel. At the same time, they served as a springboard for exceptional talents like Christopher 'Chris' Franke (Tangerine Dream) or guitarist Axel 'Ax' Genrich (Guru Guru). While Agitation Free's studio albums Malesch (1972) and 2nd (1973) are milestones of the genre, it was on stage that the 'Free' in their name truly came to life. Their concerts were avant-garde experiences that combined liquid light shows and experimental films with hypnotic, drawn-out instrumental improvisations. An example of this is their new live recording Live in Berlin from December 1, 2025, at Berlin's Kesselhaus, featuring the current lineup: founding members Lutz 'Lüül' Graf-Ulbrich and Burghard Rausch, as well as Michael Hoenig, who has retired from live performances but remains the band's 'spiritual leader,' together with Daniel Cordes, Axel Heilhecker, and Tim Sund. As Michael Hoenig once noted, Agitation Free's music is a 'time machine that connects the past and the future.' The magic lives on."
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LP
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MOV 3119GOLD-LP
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$43.00
PREORDER
RELEASE DATE: 7/24/2026
"American trumpeter Chet Baker was a major innovator in cool jazz, leading him to be nicknamed 'the prince of cool.' He earned much attention and praise through the '50s, particularly for albums featuring his vocals. This included his 1954 album Chet Baker Sings and its follow-up Chet Baker Sings Again in 1985. The latter he released on the Dutch jazz label Timeless Records. He recorded the album with bassist Ricardo Del Fra, drummer John Engels and pianist Michel Graillier. Chet Baker Sings Again is available as a limited edition on gold colored vinyl and affixed on the protective sleeve is the 50th Anniversary Timeless Jazz sticker."
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LP
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MOV 3271GREENLP
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$41.00
PREORDER
RELEASE DATE: 7/24/2026
"Blackbird contains the live recordings of the same-titled album by bass player Jaco Pastorius and drummer Rashied Ali. This live recording was broadcast on French Radio, December 19th, 1984 and features their duet performances of John Coltrane's 'Naima,' Jimi Hendrix's 'Purple Haze,' and Ornette Coleman's 'Broadway Blues,' amongst others. Student bassists Michel Hatzigeorgiou, Reno Steba, Alan Brennan, and Angel Vicens joined the duo at various times during the performance. Blackbird is available as a limited edition on translucent green colored vinyl and affixed on the protective sleeve is the 50th Anniversary Timeless Jazz sticker."
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LP
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MOV 4069COL-LP
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$43.00
PREORDER
RELEASE DATE: 7/24/2026
"Susan Cadogan is a reggae and rocksteady singer from Kingston, Jamaica. With a delicate voice that shimmers between childlike innocence and smoldering sexuality, Susan Cadogan's vocals were the perfect expression of lovers rock. Susan Cadogan's talents as a singer led to her recording her first single, 'Love My Life' for Jamaican Broadcasting Corporation (JBC radio) DJ Jerry Lewis. Lee 'Scratch' Perry was in the recording studio at the time, and was impressed by Cadogan's voice enough to record an album's worth of material with her, also renaming her Susan. One of her first recordings for Perry, a cover of Millie Jackson's soul hit, "Hurt So Good" (featuring bassist Boris Gardiner), was released was released in the UK by Dennis Harris' DIP International label, and topped the UK reggae chart and went on to reach No. 4 in the UK Singles Chart which resulted in Cadogan flying to London to promote the single, including many television appearances on the BBC's Top of the Pops. Other singles were released but none of these charted. 'Hurt So Good' was subsequently certified silver in the United Kingdom and gold in South Africa after a few weeks and became one of the top selling singles of 1975 in the UK. This is the album she recorded for Trojan Records and it was produced by the legendary Lee Perry, Susan Cadogan is available as a limited numbered edition of 750 copies on orange colored vinyl."
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LP
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MOV 4070COL-LP
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$43.00
PREORDER
RELEASE DATE: 7/24/2026
"Ras Michael's Dadawah. The singing drummer, a devout Rastafarian musician. Dadawah brought Ras Michael together with veteran studio hands -- bassist Lloyd Parks, drummer Paul Williams, guitarist Willie Lindo, and pianist/organist Lloyd Charmers, who trebled as producer. The resulting album Peace and Love is a work of faith. Although not a concept album in the strict sense of the term, it thematically evokes the Biblical final days. 'Run Come Rally' calls together the world's righteous in preparation for the upcoming battle with evil. Having gathered together the brethren from 'Seventy Two Nations,' all bow before Jah in a celebration of His greatness, then give voice to their desire to return to 'Zion Land.' The set concludes with 'Know How You Stand' a call for freedom, and with it the ability to fulfil Jah's plan. The extraordinary power of the set's themes is echoed by the equally phenomenal backings, all conjuring up the most haunting of atmospheres. Intriguingly, though, there's no reggae guitar, just Lindo's sublime riffs and licks that flick into the rock realm, while constantly sliding back into blues. Charmers' piano and organ occasionally take over the reggae guitar role, but mostly his keys intertwine around Lindo's leads, accentuating melodies, scattering elegant flourishes here and there, and subtly building up the atmospheres. Charmers' production is superb, the musicians inspired, and Ras Michael's power undeniable. An astounding album that's lost none of its potency over the years. Peace and Love (wadadasow) is available as a numbered limited edition of 750 copies on orange colored vinyl."
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LP
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NYAHH 008LP
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$36.50
PREORDER
RELEASE DATE: 7/24/2026
Following on from their critically acclaimed first release Whose Woods These Are, NYAHH Records and Eiderdown Records are thrilled to announce the second album by cellist Eimear Reidy and keys player Natalia Beylis. The album was recorded at St Georges Church, Carrick On Shannon, Leitrim in a cold early January with a William Telford Organ. Built in 1846, it is reputed to be the second oldest organ in Ireland. The album features two long tracks. "Pour Upon The Sky" is a story told by the two voices of cello and organ. Influenced by the rhetorical style of 18th century vocal music, the inspiration for this piece came naturally to Eimear who has a background in early music and has performed alongside the organ in a variety of settings from chamber works to Bach's larger orchestral works such as St Matthew Passion. In 18th century music, the cello and organ perform a role as continuo players. Traditionally the cello and organ are both intertwined and interdependent, playing the bass line and harmonies together and providing a foundation for the rest of the ensemble while soloists come in and out. In "Pour Upon The Sky," Eimear and Natalia play within and without of this traditional form. Freed from the need to hold the solid ground for an ensemble, the cello and organ playfully explore the space as they pass the role of solo and continuo back and forth. "The Whistling Dust" is a slow steady study of the microscopic flutters of the organs and the organ. The heart of the Telford rattles and breathes as the cello dances in and out. When Natalia and Eimear began working on these pieces in the cold January, the Telford, which seemed like it had been sitting quietly for quite some time, shook and trembled as its insides were awoken. "The Whistling Dust" speaks to the moment when the instrument moved alive, every opened stop knob of the pipes bringing the feel of the microsounds of the machine closer and closer as the cello offers utterances of encouragement.
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CD
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PFL 348CD
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$16.00
PREORDER
RELEASE DATE: 7/24/2026
"Lockstep is a Nashville-based band pulling elements from shoegaze, doom and heavy rock. They've built a sound rooted in atmosphere and weight, moving between quiet, uneasy moments and crushing walls of noise. With each release, the band has tightened their approach -- cutting excess and focusing on impact. Their debut full-length, I Know What I Saw, out through Profound Lore Records stands as the band's most focused and complete statement to date. Following the release of several singles (their last being the 'Drag Along' single from 2025), their Arrival EP from 2023, and already having a decent number of shows and tours under their belt (notable past tours include runs with Prize Horse and Gumm), I Know What I Saw leans into massive, slow-burning riffs and dense, layered guitars that stay engaging without letting up, locking into sections that feel both hypnotic and suffocating. Songs stretch and build with purpose, pulling listeners deeper into the band's world while keeping a constant sense of tension and release. It's the clearest and most realized version of Lockstep yet."
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LP
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PFL 348LP
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$25.00
PREORDER
RELEASE DATE: 7/24/2026
LP version. Color vinyl. "Lockstep is a Nashville-based band pulling elements from shoegaze, doom and heavy rock. They've built a sound rooted in atmosphere and weight, moving between quiet, uneasy moments and crushing walls of noise. With each release, the band has tightened their approach -- cutting excess and focusing on impact. Their debut full-length, I Know What I Saw, out through Profound Lore Records stands as the band's most focused and complete statement to date. Following the release of several singles (their last being the 'Drag Along' single from 2025), their Arrival EP from 2023, and already having a decent number of shows and tours under their belt (notable past tours include runs with Prize Horse and Gumm), I Know What I Saw leans into massive, slow-burning riffs and dense, layered guitars that stay engaging without letting up, locking into sections that feel both hypnotic and suffocating. Songs stretch and build with purpose, pulling listeners deeper into the band's world while keeping a constant sense of tension and release. It's the clearest and most realized version of Lockstep yet."
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LP
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PRESH 029LP
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$31.50
PREORDER
RELEASE DATE: 7/24/2026
The Bug and Ghost Dubs relentlessly probe and atomize original material culled from Kevin Richard Martin's critically acclaimed Sub Zero album. Remixed to punish sound systems and freeze up the dance, both Fiedler and Martin trade fresh, contrasting blows, after their recent IMPLOSION face off album on PRESSURE. The resulting four remixes are every bit as hypnotic and persuasive as you would hope for from productions fresh out the soundlabs of Michael Fiedler aka GHOST DUBS and Kevin Richard Martin under his dancefloor destroying Bug alias. Both producers intensify the desolate mood of the originals but introduce demolition inducing beats which provide the literally irresistible momentum. Echoes of the originals are respected and heard throughout, but the extra gear shifts pay off brilliantly. Guaranteed to push serious air, and test the most powerful of sub woofers, these four remixes vary from heavy to superheavyweight. i.e. GHOST DUBS outputs a deliriously stoned headnod with his zonal refix of "When I'm Gone," which miraculously sounds both subtley mysterious, but monolithically huge, whilst The Bug prowls ice cold, on the noirish, narcotic, instrumental hip hop of "Too Human," which sounds like prime Mobb Deep mixed by Rhythm & Sound at 16 bpm. Essential remixes of an already very special album, the original atmosphere is not only captured expertly, it is categorically amplified.
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LP
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SR 007LP
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$24.00
PREORDER
RELEASE DATE: 7/24/2026
"Eddy Current Suppression Ring make a surprise return with their fifth album In Light of Recent Events. True to form, it finds the disinterested careerists sidestepping expectation and working on their own terms, in their own time. Dialed in through closed-door weekly jams across 2025, that pent-up energy has only leaked via pseudonym-billed small-room shows as Jimmy and the Ringtones and Top Hats, record shop in-stores and country detours, plus a pair of phantom straight-to-YouTube singles ('Swimming Hole' and 'Hard To Be Moved'), each with accompanying films by Chris Middlebrook and Amiel Courtin-Wilson respectively. Modern-day anxiety and human disillusionment press through the album's darker, more politically aware subject matter, as suburban melodramas and tender, hard-hitting reflections articulate everything you've never been able to. Taped within the band's signature close-quarters claustrophobia, Brendan Suppression purges his dome with a newly awakened vocal range, while riff savant Eddy Current bleeds through quicksilver, blood-raw scratches, cut against the tension-wound, locked-in low end of Danny Current and Rob Solid."
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LP
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TU 020LE-LP
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$36.00
PREORDER
RELEASE DATE: 7/24/2026
LP version. Color vinyl version. "Cartographers and US multinational technology corporations might think they've mapped out most of the planet, and yet there's always more to discover if you know where to look. French-born, London-based composer and musician Pascal Bideau takes this as his central premise on a new album of intrepid sonic exploration that delights in the sensation of being somewhere you've never been before. Terra Incognita invites listeners to seven faraway sonic imaginariums fusing global and spiritual jazz with life affirming minimalism into a hypnotic, polyrhythmic odyssey. This time, the albums' sound palette is more vibrant, earthy and abundant, drawing inspiration from the radiating optimism and high-energy sources heard in Afrobeat, highlife and electronic Afro-pop music, sounding looser, free and primarily interested in raw sensations. Terra Incognita is a hybrid blend of traditional music and modern electronics, a trip into the unknown that ambulates freely, taking pleasure in its repetitions and never staying still. Bideau suggests this unmarked territory could be as much a fantasyland as it is a transportive journey into the inner self. In an era where the concept of nation states and their need to be protected has come to dominate the political discourse, Terra Incognita embraces adventure without borders, seeking out the unexplored territory of the title, breathlessly beholding vistas and pirouetting to take in boundless panoramas. Bideau is not the only musician on Terra Incognita. There's the Indian-born tabla virtuoso Sarathy Korwar who adds an almost drum and bass-like kineticism to 'Rain Dance', Dudú Kouate, the celebrated Senegalese musician adds an array of percussions, ngoni, flutes throughout with a spirited multi-octave vocal to give a climatic end to the album on 'Dawning Dusk'. Levitation Orchestra's Marysia Osu alongside Lluís Domènech Plana respectively bring harp and flutes whilst pulsing electronics are provided on 'Anima' by longtime collaborator Daniel Brandt. Ecstatic improvisations were overlaid with an array of instruments at his disposal, many from around the world, from Africa to South East Asia, Latin America, Eastern Europe, gathered from his own travels or brought back by family and friends. Pascal plays flutes, clarinet, guitars, bass, mbira, balafon, dutars, marimbas, zither, adungu and many other percussions."
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LP
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TU 020LP
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$34.00
PREORDER
RELEASE DATE: 7/24/2026
LP version. "Cartographers and US multinational technology corporations might think they've mapped out most of the planet, and yet there's always more to discover if you know where to look. French-born, London-based composer and musician Pascal Bideau takes this as his central premise on a new album of intrepid sonic exploration that delights in the sensation of being somewhere you've never been before. Terra Incognita invites listeners to seven faraway sonic imaginariums fusing global and spiritual jazz with life affirming minimalism into a hypnotic, polyrhythmic odyssey. This time, the albums' sound palette is more vibrant, earthy and abundant, drawing inspiration from the radiating optimism and high-energy sources heard in Afrobeat, highlife and electronic Afro-pop music, sounding looser, free and primarily interested in raw sensations. Terra Incognita is a hybrid blend of traditional music and modern electronics, a trip into the unknown that ambulates freely, taking pleasure in its repetitions and never staying still. Bideau suggests this unmarked territory could be as much a fantasyland as it is a transportive journey into the inner self. In an era where the concept of nation states and their need to be protected has come to dominate the political discourse, Terra Incognita embraces adventure without borders, seeking out the unexplored territory of the title, breathlessly beholding vistas and pirouetting to take in boundless panoramas. Bideau is not the only musician on Terra Incognita. There's the Indian-born tabla virtuoso Sarathy Korwar who adds an almost drum and bass-like kineticism to 'Rain Dance', Dudú Kouate, the celebrated Senegalese musician adds an array of percussions, ngoni, flutes throughout with a spirited multi-octave vocal to give a climatic end to the album on 'Dawning Dusk'. Levitation Orchestra's Marysia Osu alongside Lluís Domènech Plana respectively bring harp and flutes whilst pulsing electronics are provided on 'Anima' by longtime collaborator Daniel Brandt. Ecstatic improvisations were overlaid with an array of instruments at his disposal, many from around the world, from Africa to South East Asia, Latin America, Eastern Europe, gathered from his own travels or brought back by family and friends. Pascal plays flutes, clarinet, guitars, bass, mbira, balafon, dutars, marimbas, zither, adungu and many other percussions."
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LP
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VB 014LP
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$25.00
PREORDER
RELEASE DATE: 7/24/2026
"Multi-national trio Riviera Gaz (Gustavo Riviera of Forgotten Boys, Paulo Kishimoto of Pitty, Forgotten Boys, and Steve Shelley of Sonic Youth) have pieced together a psychedelic collective consciousness where fuzzy riffs, glam rock energy, fearless studio experimentation, and Can-inspired grooves all melt together to form new unstable elements. The group's second album Catacroma elevates their sound even further, intentionally avoiding sterile digital recording crutches and instead using extensive editing and mixing to shape the songs into sprawling cosmic experiences. The album is a hall of fun house mirrors where killer songs break apart and come back together organically, never taking expected turns and always ending up somewhere even more interesting than where they began."
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LP
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5JT185
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$28.50
PREORDER
RELEASE DATE: 7/31/2026
In late September and early October 1969, John Tchicai toured throughout Denmark with a special quintet. The international band was a notable one, bringing together musicians from Denmark and Holland whose conceptual differences were as important as the musical values they held in common. Tchicai and two of his closest Danish collaborators -- trumpeter Hugh Steinmetz and guitarist Pierre Dørge -- embraced an international perspective that incorporated far flung influences from African music, contemporary classical, and jazz into a cool, yet playful and joyous, modernity. In this quintet they worked with two pillars of the Dutch Instant Composer's Pool, pianist Misha Mengelberg and Han Bennink. Ironic and subversive, they displayed a willingness, you might even say an eagerness, to disrupt accepted conventions of any kind. The music on this LP, recorded on October 9, 1969, at Danish Radio Studio 11 in Copenhagen, consists of compositions they'd played on the recently concluded tour plus a group improvisation. Of course, Tchicai's international collaborations extended beyond neighboring Holland. He was a most cosmopolitan musician, performing and recording with musicians in the U.S., Asia, Africa, and Europe. Perhaps surprisingly, one of his most sympathetic European partners was German bassist Peter Kowald. Tchicai did share some musical affinities with the German improvising scene. As Kowald and his compatriots, such as Peter Brötzmann and Alexander von Schlippenbach, took inspiration from the cathartic energy and the collective improvisation of free jazz, especially Albert Ayler. His appearance on John Coltrane's Ascension, would have also earned him respect among the hard-blowing Germans. Tchicai and Kowald mutual openness to the sounds of other cultures and free improvisation made them quite compatible, so it's something of a shock that this is the only documentation of their work together. The two improvisors found themselves in Japan in 1983, when they recorded the astonishing duet contained on the second side of this LP. Their improvisation in Kyoto is an amazingly resourceful conversation a kind of improvisation which remains far from "world music," and with new textures expanding their musical vocabularies and allowing them to develop new ideas; qualities that allowed Tchicai to flourish in so many different settings. Includes an insert with beautiful photos from the John Tchicai Quintet sessions with portraits of Tchicai, Bennink, Mengelberg, Steinmetz and Dørge as well as liner notes by Ed Hazell.
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LP
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6FFCND186
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$28.50
PREORDER
RELEASE DATE: 7/31/2026
To the best of anyone's knowledge this performance by John Tchicai and Cadentia Nova Danica was the first ever jazz- or improvisation-type concert held at London's hallowed recital room Wigmore Hall. 1968 was a year of Denmark's extensive cultural program in Britain, which included a poorly attended CND concert, not recorded, on 2nd October at Manchester's Free Trade Hall. That this was to be the sole concert by Tchicai -- of New York Contemporary Five, New York Art Quartet, Coltrane's Ascension fame -- was stupefyingly ridiculous so Anthony Barnett set about trying to organize a London concert. He traipsed the capital in search of an available venue without luck until, with no thought of a positive outcome, he entered Wigmore Hall. To his astonishment, with few questions asked, they said yes. Following that, there was the matter of work permits. Barnett visited the relevant office and they too said yes, probably because of the involvement of The Royal Danish Embassy and the Danish Cultural Ministry with the Manchester concert. Danmarks Radio asked the BBC to record the concert on its behalf. The arrangement was that Barnett would receive a small fee and a complete set of the tapes. Afterwards, it turned out that the BBC had edited the tapes down to what it sent to Danmarks Radio, as broadcast and now heard here for the first time since. Sadly, and quite true to form, the BBC had wiped the rest. And it was a struggle for Anthony Barnett to get back the tape that did remain. Possibly it shows how difficult things can be when one acts independently. Featuring Cadentia Nova Danica at the absolute peak of their powers; furious, rich and dense, moving between freeform improvisation and African touchstones before erupting into incandescent free improvisation. Includes an insert with the reproduction of both Wigmore Hall and Manchester's Free Trade Hall original press releases. Liner notes by Anthony Barnett.
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LP
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7FFTCJQ190
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$28.50
PREORDER
RELEASE DATE: 7/31/2026
Includes four-page insert. "TCJQ together with Gary Peacock and Sunny Murray! This is THE sunken treasure. This is music I have only heard about. And yet, here it is. Unbelievable. Intact. Preserved. Beaming of energy and JOY! This is a sensational find. My favorite Danes exploding together with my favorite double bass player all time. Gary Peacock. The engine. The power engine. I can hardly breathe when he plays, and when he starts soloing and creating beautiful duo bass action with his colleague Steffen Andersen in this very first recording of 'Predetermination,' 10 minutes in -- my heart expands, and the world suddenly looks and sounds entirely different. Add Sunny Murray on top of it all? The master of unreal flow and accents. Sunny was a beast to deal with at the time. But what he adds to the music is pure poetry. No other drummer did anything even close to this back in the mid-'60s. To have Steinmetz and Beckerlee playing alongside Peacock and Murray in 1964 is as good as it gets. The absolute point-zero of free jazz, Spiritual Unity, was just released. It changed everything. This is the mother of it all. The birth. You would think Steinmetz and Beckerlee would have had a little anxiety joining the American duo. There is nothing of uncertainty or vague playing here. This is for real. Right-on-take-no-prisoners-do-not-look-back. Added to the A-side of this mythical recording with creative Danes and the rhythm section of Spiritual Unity is a little improvised miniature. 'In the Name of Beauty.' The title very accurately describes what is going on. TCJQ creating pure communal beauty. Steinmetz, Beckerlee and Andersen getting very real! Dig the harmonics of the last note. The B-side´s 'Spontaneity,' 'Action' and 'Collusion' are just wild. Raw. And utterly beautiful. The group is doing real sharing on a level unheard of before. While listening through this music numerous times and trying to write something simultaneously of intellectual or emotional content something happens? I lose the sense of time. The emerging free jazz scene of Denmark of the early '60s, is something spectacular and WILD. Years before the other Scandinavian countries even got a grip of the new jazz, the Danes were doing it already. Fueled by very important guest visits by Cecil Taylor, Sunny Murray and Albert Ayler at both clubs and radio or TV appearances. Those were the times when public service actually noticed new developments in art, music and literature." Mats Gustafsson, April 2026
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12"
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7V 216EP
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$19.00
PREORDER
RELEASE DATE: 7/31/2026
In This House is the new 4-track EP from Kenneth Graham, a deep and elegant journey into the world of underground house music. Hypnotic grooves, warm atmospheres, and immersive rhythms come together in a release designed for both late-night listening and the dancefloor. A sophisticated and timeless collection that captures the pure essence of deep house.
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CD/BOOK
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9ED 032BK
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$26.00
PREORDER
RELEASE DATE: 7/31/2026
Diastima, released by 901 Editions, finds Luigi Turra working at the point where notation, sound and perception almost fall apart from delicacy. The project begins with a series of essential, open graphic scores by French composer Sylvain Chauveau: sheets of subtle marks that refuse to explain themselves. These drawings do not describe in any conventional sense; they suggest, orient and gently mislead. They abandon the security of notation as instruction and move into a more fragile, poetic register, where the musical gesture is only ever evoked, never pinned down. Turra's response is to treat each score as a field of possibilities rather than a plan to be executed. Within this space of indeterminacy, sound does not "realize" the notation so much as traverse it, brushing against its edges and dwelling in its gaps. Using a reduced electroacoustic language -- isolated tones, close mic'd textures, filtered noise, tiny percussive events -- he brings every element to the threshold of its own possibility. A single sound might be stretched until it frays; a faint rustle might be amplified until it becomes a landscape. Internal tensions in the drawings are translated into dynamics of proximity and distance, presence and withdrawal. The scores become devices that activate listening and response, not blueprints to be followed. Across the album, Turra continues the trajectory that has marked his work for years: a commitment to precision, subtraction and a pared back elegance. Diastima defines a space in which music and listening effectively coincide; what you hear is as much the act of attention as it is any "composition" in the traditional sense. The title -- Diastima as interval, distance, suspension -- is central. These pieces inhabit the space between two presences: between mark and sound, intention and reception, event and memory. Rather than building through accumulation, the music proceeds by articulating voids, waits and minimal signs. It is in those intermediate spaces that the work takes shape, asking the listener to lean into the almost nothing where, unexpectedly, a great deal is happening.
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LP
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APLTRONIC 026LP
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$35.00
PREORDER
RELEASE DATE: 7/31/2026
Details marks SCHiLLiNG's return after years of research, above all on himself. It brings together the practices that have become essential to him: composition, sampling, sonic patchworks, and a palette that mirrors the full spectrum of his musical identity, from rock'n'roll to trip-hop and ambient. Details is rich in small edits, hidden layers, fragile textures, and fragments that reveal themselves slowly. Yet the word carries a deeper meaning: what truly matters is often the smallest element, what doesn't appear clearly at first glance or on first listen, yet quietly holds the core of everything. The detail as the very pulse of one's inner world. Across 14 tracks, the album unfolds as a diverse journey, carefully shaped yet open enough to allow unexpected elements and subtle imperfections to remain part of its flow. The structure is not binding, you can begin from any track and embark on your own path through it. Each piece contributes to a wider arc without overpowering the others. The album includes collaborations with several artists who lent their talent to the project; their names appear in the credits of the physical release. In many ways, they embody the very idea behind the title: individual presences, each bringing their own nuance, forming a whole together. After all, fragments, in their union, shape the larger totality. Details doesn't ask to be consumed in a specific way, fast or slow, close or distant. It simply is what it is.
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12"
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AWK 007EP
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$19.00
PREORDER
RELEASE DATE: 7/31/2026
rush2theUnknown is a Japan- and New Zealand-based duo with roots in the foundation New Zealand jungle/drum and bass scene. Ancient/Future is a journey through time, influence, and emotion. Drawing from the duo's diverse musical backgrounds and inspirations, the EP bridges ancient echoes with futuristic sound design, balancing antediluvian nostalgia and far-future energy in equal measure.
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5LP BOX
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BOND 12084LP
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$135.00
PREORDER
RELEASE DATE: 7/31/2026
For two decades, Bondage-Music has stood for timeless underground house music, consistently shaping its own path through deep grooves, warm textures, and uncompromising dancefloor aesthetics. Founded with a clear artistic vision and an enduring passion for vinyl culture, the label has grown into an internationally respected platform for forward-thinking electronic music while always staying true to its roots. To celebrate its 20-year anniversary, Bondage-Music proudly presents a strictly limited collector's edition that captures the spirit, sound, and evolution of the label across two remarkable decades. 20 Years of BM brings together 20 exclusive tracks by artists who have played an essential role in the label's journey, alongside close friends and longtime companions of the BM universe. Carefully curated across five heavyweight vinyl records, the compilation reflects the musical identity that has defined Bondage-Music since day one: deep, soulful, dub-infused, and emotionally driven house music designed for both intimate listening and late-night dancefloors. Pressed on heavyweight 180g vinyl, each record is housed in an individual printed sleeve and presented inside a specially designed colored collector's box with refined spot lacquer finish. The visual identity of the anniversary edition was created by Pete Bombart -- BM's longtime Head of Artwork, close friend, and an integral part of the label since its early days. Strictly limited to only 400 hand-numbered copies worldwide, the release also includes an exclusive BM bag, poster, and sticker set created specifically for this anniversary edition. Featuring Roger Gerressen, Sascha Dive, Rhadow, Lola Palmer, Alexander Matchak, Andre Kronert, Mihai Popoviciu, Pornbugs & Frink, Markus Homm, Dilby, Lolu Menayed , Cristina Lazic, Lika, Steve Kelley, Dust Yard, Politics Of Dancing, Ntfo, Tuccillo, Stefan Braatz, Valence, El Mundo, and Tal Groenman.
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CD
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BS 090CD
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$19.00
PREORDER
RELEASE DATE: 7/31/2026
In this work, first published in 1978 by Cetra, Antonio Infantino continues to express his ritualistic and shamanic relationship with the musical traditions of Southern Italy. The recordings focus on the mystery of death and the sacraments, the light of the spirit and the divine that descends and conquers souls. The phenomenon of Tarantism is still strong, the power of dance as a symbol of transformation and revolt, a therapeutic process of final healing. Folk music celebrates a deep sense of community, the memory of a peasant world that no longer exists but is still alive in the collective memory. Behind the tight and insistent rhythm of the percussion, the voices of the people, the colors of the squares and the scratchy string arrangements always emerge. The magical sound of the bagpipes is lost in the alleys of the villages. Infantino sings of minor cultures, the poor and oppressed classes, who share joys and sorrows, dance and music as secular forms of liberation.
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LP
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BS 090LP
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$29.50
PREORDER
RELEASE DATE: 7/31/2026
LP version. In this work, first published in 1978 by Cetra, Antonio Infantino continues to express his ritualistic and shamanic relationship with the musical traditions of Southern Italy. The recordings focus on the mystery of death and the sacraments, the light of the spirit and the divine that descends and conquers souls. The phenomenon of Tarantism is still strong, the power of dance as a symbol of transformation and revolt, a therapeutic process of final healing. Folk music celebrates a deep sense of community, the memory of a peasant world that no longer exists but is still alive in the collective memory. Behind the tight and insistent rhythm of the percussion, the voices of the people, the colors of the squares and the scratchy string arrangements always emerge. The magical sound of the bagpipes is lost in the alleys of the villages. Infantino sings of minor cultures, the poor and oppressed classes, who share joys and sorrows, dance and music as secular forms of liberation.
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CD
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BS 100CD
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$19.00
PREORDER
RELEASE DATE: 7/31/2026
Al Doum &The Faryds have always been an enchanting organism, a timeless land of wisdom, humility, brotherhood and love. Their blend of spiritual jazz, psychedelia and Afro-Latin rock holds a magical balance, turning their music into a tropical celebration filled with harmony and deep vibrations. A volcano of emotion, where the poetry of rising and falling voices becomes a gospel and soul illumination, echoing from faraway places. The expanded horn section -- alto and tenor sax, soprano sax and bass clarinet -- erupts with power, igniting incandescent grooves. Sax lines weave and chase one another like a train in relentless motion, evoking the urgency of post-punk, a wry Zappa-esque eccentricity, and exotic jazz-folk arrangements tinged with retro flair. A hybrid assemblage, deeply anchored in the '60s and '70s, flowing through free-form instrumental turns and psych-tribal impulses, where the guitar traces unexpected, lysergic, dreamlike paths. The Faryds continue to believe in the possibility of a new utopia: moving forward with courage, with hearts open to human connections, grounded in the dialogue of their souls.
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LP
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BS 100LP
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$27.00
PREORDER
RELEASE DATE: 7/31/2026
LP version. Al Doum &The Faryds have always been an enchanting organism, a timeless land of wisdom, humility, brotherhood and love. Their blend of spiritual jazz, psychedelia and Afro-Latin rock holds a magical balance, turning their music into a tropical celebration filled with harmony and deep vibrations. A volcano of emotion, where the poetry of rising and falling voices becomes a gospel and soul illumination, echoing from faraway places. The expanded horn section -- alto and tenor sax, soprano sax and bass clarinet -- erupts with power, igniting incandescent grooves. Sax lines weave and chase one another like a train in relentless motion, evoking the urgency of post-punk, a wry Zappa-esque eccentricity, and exotic jazz-folk arrangements tinged with retro flair. A hybrid assemblage, deeply anchored in the '60s and '70s, flowing through free-form instrumental turns and psych-tribal impulses, where the guitar traces unexpected, lysergic, dreamlike paths. The Faryds continue to believe in the possibility of a new utopia: moving forward with courage, with hearts open to human connections, grounded in the dialogue of their souls.
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LP
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BS 103LP
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$27.00
PREORDER
RELEASE DATE: 7/31/2026
John Paul Bohon's Terlingua is teeming with electronic life, a record that quite literally synthesizes the veteran musician and engineer's tactile approach to sound and has resulted in a mind-expanding work possessing impossible warmth. Terlingua is equally reminiscent of the languid, electronics-focused psych of legendary forebears like Cluster and Can alongside the ecstatic sprawl of contemporaries like Bitchin Bajas and Kaitlin Aurelia Smith. Bohon constructs entire worlds on these seven tracks, dense with jagged terrain that provides a thrilling journey for listeners. Utilizing an array of vintage synths and electronic instruments, Bohon made extensive use of reel-to-reel tape manipulation across Terlingua. The process added layers of warm texture that ripple through moments like the planetary ecstasy of the album's bookending "Alice" suites, which resemble the sharp ambient drone of Kompakt founder Wolfgang Voigt. Terlingua is Bohon stretching his legs and considerable analog know-how to craft a work that heads towards total aural bliss, making for another exciting entry in an increasingly fascinating catalog.
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LP
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BS 105LP
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$27.00
PREORDER
RELEASE DATE: 7/31/2026
These three previously unreleased tracks reflect the cultural influences of a very young Riccardo Sinigaglia. In particular, the Anti-psychiatry movement founded by Ronald David Laing, author of the influential books The Politics of Experience and The Bird of Paradise. As well as Jung's theory of archetypes, a subject explored in depth in the writings of Elémire Zolla. The compositional processes of concrete music are fundamental, while the extensive use of fragments from other cultures reflects a sensitivity matured through his travels in Africa and Asia. The mixture of aquatic and liquid sounds manifests a new state of mind: bird songs, hidden streams, marsh plants, invisible drains, light waves, African, Tibetan, and Indonesian echoes. Everything is skillfully collected using various recording methods (4 tracks Teac 3340, Akai S612) and then assembled on tape with reverbs, equalizers, and the electronic moods of the Revox. Music conceived in different times and situations, but with a similar mood, that of the waters of Lake Orta as a perennial source of peace and inspiration.
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LP
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BS 106LP
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$27.00
PREORDER
RELEASE DATE: 7/31/2026
Cucoma Combo are back with their impetuous and political sound, an urgent need to communicate in order to awaken consciences and react to the sick immobility of the times. Captain Marco Zanotti (Classica Orchestra Afrobeat/Lolo) once again gathers his pirate crew and sets sail for new Atlantic and Caribbean adventures. From Cape Verde to Salvador de Bahia, from Haiti to Colombia, then back to Tanzania and Zimbabwe. An inspired and furious attitude incorporates disparate rhythms, languages, and styles in an original way, with even more daring and inspired arrangements and lyrics. A freedom of navigation between coladeira and maracatu, currulao and more atmospheric and evocative tropical safaris. There is no shortage of heartfelt tributes to Tony Allen's Afrobeat, the chimurenga of the legendary Thomas Mapfumo, the Afro-dub of Nigerian Obongjayar, or the more eccentric influences of Meridian Brothers.
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LP
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BS 109LP
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$27.00
PREORDER
RELEASE DATE: 7/31/2026
Lero Lero is a collective of artists gathered around a shared core: the Sicilian Sound Archive of the twentieth century. The melodies it preserves, remnants of a magical world now almost entirely lost, are revived with a critical spirit and a contemporary sensibility. It is an act of reclaiming, reworking, and giving back to the community a heritage that has long remained suspended in time. In the voices of farmers, shepherds, and washerwomen, in songs of indignation and in lullabies, one can glimpse a kind of submerged Atlantis, rich with forgotten treasures. These sounds draw the listener towards fundamental questions in an increasingly plasticized artificial world. Lero Lero's sound is both archaic and visionary, infused by Mediterranean electronic textures and microtonal melismas, echoing the hypnotic tones of bagpipes and marranzani, the laments of cart drivers, and the cries of salt workers. A sound that, starting from its most ancestral elements, seeks to rethink the legacy of oral tradition through a consciously anti-folkloristic approach. The album's artwork, created by Giulia Parlato, features a suspended image disrupted by the figure of the crocodile from Palermo's Vucciria district, a submerged presence that resurfaces to unsettle the composition, mirroring the very nature of the project. Co-produced with Shhh/Peaceful and Panta.
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12"
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CLR 142EP
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$20.50
PREORDER
RELEASE DATE: 7/31/2026
Terence Fixmer reimagines Chris Liebing and Luke Slater's "Double Split" for CLR. Fixmer's remixes of Liebing/Slater's collaboration from the former's Evolver LP release. From deep and mind-bending to experimental and soulful, he is a visionary who has been hugely prolific, with many standout LPs and EPs on labels such as Mute Records, Novamute, Ostgut Ton, and Planete Rouge Records. Fixmer's first "Double Split" remix is inspired by the energy of the original, but focused on dubbier, hypnotic vibes. Then comes the "Melting Mind" rework, which is boiled down to a handful of key elements, not least the original's penetrating acid line. It's an immersive, late-night dive that locks you in a state of constant motion and unrelenting pressure.
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LP
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DC 985LP
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$25.00
PREORDER
RELEASE DATE: 7/31/2026
"Prison's third big one, Big Rigs on the BQE, finds the jammers of legend far away -- miles from Downstate (2025) and Upstate (2023): driving further down the road, Prison's guitar, bass and drums compel them to dream LOUD. An improvised rock and roll tapestry, multiple impulses, intersections and lifelines rended with gas 'n guitar pedal on down to the metal. Reflecting real lives lived today, sprawled and recalled in undulating electroacoustic performance. On March 7th 2024, Prison vets Sarim Al-Rawi, Matt Lilly, and Paul Major on guitars and drums were joined by Mike Donovan on fuzz organ, percussionist Ryan Sawyer and Downstate's Matt Leibowitz (back on bass, and synth too this time) at a Sunset Park studio where they could see the fucking highway from the studio windows. It kind of set the tone. Downstate guitarist Adam Reich switched it up too; as studio honcho/engineer/mixer, he scored a couple FX/remix passages that are of the performance on both sides. Big Rigs on the BQE is the sound of Sarim, Matt, Paul, Mike, Ryan, Matt and Adam in wicked battle and glorious play, a far-ranging scrum of Groundhogs/Velvets/Hampton's/Pink Fairies/Magic Band/ Good Rats/Can propositions powering guitars, bass, drums and organ (and synth!) that day: a beast, imagining a better allegory for qualities of the 'spirit of the jam/road trip' duality. Paul and Sarim's vocal shouts transmit a kind of road-thoughts as they come, circular processing loosely knotted loops in different ranges and a couple different levels! These are deep, searing, multipurpose jams. Big Rigs on the BQE is a kind of travelogue, two side-long trips that take flight and fight another day in the never-ending process. It's a beautiful opportunity to send new blasts of positive energy out to the world. Prison of one, freedom of many!"
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LP
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DC 987LP
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$23.00
PREORDER
RELEASE DATE: 7/31/2026
"Time stands stunningly still on The Final Painting, the dreamy, elegiac final album from legendary underground singer-songwriter/poet/painter Ed Askew. Ed started his singing career in 1968 with a self-titled LP release on NYC's infamous freejazz/free-folk ESP-Disk' label. Upon returning to New York in the early '80s, he began circulating cassettes of his self-recorded new songs. This was a fascinating and unlikely new chapter in his music, but only a few noticed. In the years following, additional new and archival Askew recordings have been released through Tin Angel, Drag City and Improved Sequence Records. By the time Ed turned 80 in 2020, his health was declining to the point that touring was impossible and even leaving his place was a challenge. In his Brooklyn apartment, he continued to tape new songs, posting them on his Bandcamp page. Their stark and fragile quality was singular, inspiring thoughts of a new production fleshing out Ed's two-track home recordings. Ed was into it; he forwarded nearly three dozen songs in different stages of completion and the two plotted a path forward. For the World featured acoustic piano, banjo and harp; the songs here, played by Ed on keyboards, synth and harmonica suggested trumpet, tenor saxophone and other sonic touches to expand their existentially lonely sound. Health scares for both men delayed things until early 2024, when various musicians recorded their parts either at home or in a Nashville Studio, with Styrofoam Winos' Trevor Nikrant and Ryan Davis's Roadhouse Band taking their turns almost in response to one another. The Final Painting not only defies the curse of sequels and the ten-year gap between the two DeCicca/Askew productions, it's also a wonderous variation on the intimacy of the self-portrait, an expression from the twilight of one of the most unique artists to emerge in last half of the 20th century. The Final Painting reinvites For the World contributors Sharon Van Etten, Eve Searls, and Canaan Faulkner, and new guests Bill Callahan, William Tyler, Ryan Jewell, Dustin Laurenzi, and Fulvio Sigurta. In their last conversation, just days before Ed passed in January 2025, he and Jerry agreed to: a) use the painting left on the easel of Ed's now-empty apartment and b) call the album The Final Painting. Profoundly resonant in the style of Frank Sinatra's Watertown and David Bowie's Blackstar, The Final Painting is faithful to the spirit of Ed Askew and his DIY nature and Modernist values, pursued for years and years throughout life, art and music, all the way to the very end."
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CD
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DC 988CD
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$13.50
PREORDER
RELEASE DATE: 7/31/2026
"Sir Richard Bishop returns for a new spontaneous six-string meshing of people's music, recollections and psychic intentions. Are y'all ready for some Hillbilly Erotica? Migration from last album's Ragas to this new Erotica is another chapter in Bishop's progress, drifting via songs into the further frontiers of his pappy's hometown sounds, trancing over and out in their hand-me-down clothes. As with the ragas, the 'rotica's hung round the neck of John Fahey's infamous dubbing of certain traditional American folk sounds as 'American Primitive.' A perfectly good thought, but Sir Richard picks his own axe and chose a separate path. Rushing through gutters and picking pickled brains in the saucy headwaters of the down-low and literal American primitive, his hillbilly music is a mash of brined cultural inheritance, mini-ragas and moonshine-drunk savagery breaking out on the frets. As a conception for Sir Rick's acoustic guitar music, it's a dynamite means and frame, centering his improvisations in a place overflown with pagan desire and unbound in deliverance. Here he flies up and down the neck, his manner less pristine, yet more exquisite, a flailing, flowing-on-the-river medley through stubborn whitewater turbulence, post-grass and folk's classical gas. Anybody who takes a snort of this here Hillbilly Erotica will find a frankly spellbinding richness of intent and execution in their ear-mouths. And may thereafter find brain and blightness. It's fine! Like with Hillbilly Ragas, Sir Richard plays one acoustic guitar on all eight Hillbilly Erotica cuts, no overdubs and, but for the closing 'Postcoital Serenade,' improvised entirely. The not-so-sexy 'sexy' angle of song titles like 'Lick Skillet,' 'Sweet Lips,' 'Hookers Bend,' and 'Finger, Tennessee' is actually actual names for dots on the map in rural TN, each one just five minutes removed -- by horse, of course -- from Richard's dad's remote Enville homestead, its town name purloined previously for a song on 2020's Oneiric Formulary. This ancestral interzone's a venue of interest for Rick, allowing him to ask the deep questions, like 'What the hell has been going on around here with place names like these?' while running down the changes like no one else before. Hillbilly Erotica promises unspoken wonders of the world around each and every dark corner, revelations of legacy, a new spyglass to sight your forebears! Imagined American music at its most gorgeous and violent, simply achieved by Sir Richard Bishop through a powerful application of steel-stringed instrumentation and delightfully exhaustive flights of speculative thought."
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Cassette
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DC 988CS
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$12.00
PREORDER
RELEASE DATE: 7/31/2026
Cassette version. "Sir Richard Bishop returns for a new spontaneous six-string meshing of people's music, recollections and psychic intentions. Are y'all ready for some Hillbilly Erotica? Migration from last album's Ragas to this new Erotica is another chapter in Bishop's progress, drifting via songs into the further frontiers of his pappy's hometown sounds, trancing over and out in their hand-me-down clothes. As with the ragas, the 'rotica's hung round the neck of John Fahey's infamous dubbing of certain traditional American folk sounds as 'American Primitive.' A perfectly good thought, but Sir Richard picks his own axe and chose a separate path. Rushing through gutters and picking pickled brains in the saucy headwaters of the down-low and literal American primitive, his hillbilly music is a mash of brined cultural inheritance, mini-ragas and moonshine-drunk savagery breaking out on the frets. As a conception for Sir Rick's acoustic guitar music, it's a dynamite means and frame, centering his improvisations in a place overflown with pagan desire and unbound in deliverance. Here he flies up and down the neck, his manner less pristine, yet more exquisite, a flailing, flowing-on-the-river medley through stubborn whitewater turbulence, post-grass and folk's classical gas. Anybody who takes a snort of this here Hillbilly Erotica will find a frankly spellbinding richness of intent and execution in their ear-mouths. And may thereafter find brain and blightness. It's fine! Like with Hillbilly Ragas, Sir Richard plays one acoustic guitar on all eight Hillbilly Erotica cuts, no overdubs and, but for the closing 'Postcoital Serenade,' improvised entirely. The not-so-sexy 'sexy' angle of song titles like 'Lick Skillet,' 'Sweet Lips,' 'Hookers Bend,' and 'Finger, Tennessee' is actually actual names for dots on the map in rural TN, each one just five minutes removed -- by horse, of course -- from Richard's dad's remote Enville homestead, its town name purloined previously for a song on 2020's Oneiric Formulary. This ancestral interzone's a venue of interest for Rick, allowing him to ask the deep questions, like 'What the hell has been going on around here with place names like these?' while running down the changes like no one else before. Hillbilly Erotica promises unspoken wonders of the world around each and every dark corner, revelations of legacy, a new spyglass to sight your forebears! Imagined American music at its most gorgeous and violent, simply achieved by Sir Richard Bishop through a powerful application of steel-stringed instrumentation and delightfully exhaustive flights of speculative thought."
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LP
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DC 988LP
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$20.00
PREORDER
RELEASE DATE: 7/31/2026
LP version. "Sir Richard Bishop returns for a new spontaneous six-string meshing of people's music, recollections and psychic intentions. Are y'all ready for some Hillbilly Erotica? Migration from last album's Ragas to this new Erotica is another chapter in Bishop's progress, drifting via songs into the further frontiers of his pappy's hometown sounds, trancing over and out in their hand-me-down clothes. As with the ragas, the 'rotica's hung round the neck of John Fahey's infamous dubbing of certain traditional American folk sounds as 'American Primitive.' A perfectly good thought, but Sir Richard picks his own axe and chose a separate path. Rushing through gutters and picking pickled brains in the saucy headwaters of the down-low and literal American primitive, his hillbilly music is a mash of brined cultural inheritance, mini-ragas and moonshine-drunk savagery breaking out on the frets. As a conception for Sir Rick's acoustic guitar music, it's a dynamite means and frame, centering his improvisations in a place overflown with pagan desire and unbound in deliverance. Here he flies up and down the neck, his manner less pristine, yet more exquisite, a flailing, flowing-on-the-river medley through stubborn whitewater turbulence, post-grass and folk's classical gas. Anybody who takes a snort of this here Hillbilly Erotica will find a frankly spellbinding richness of intent and execution in their ear-mouths. And may thereafter find brain and blightness. It's fine! Like with Hillbilly Ragas, Sir Richard plays one acoustic guitar on all eight Hillbilly Erotica cuts, no overdubs and, but for the closing 'Postcoital Serenade,' improvised entirely. The not-so-sexy 'sexy' angle of song titles like 'Lick Skillet,' 'Sweet Lips,' 'Hookers Bend,' and 'Finger, Tennessee' is actually actual names for dots on the map in rural TN, each one just five minutes removed -- by horse, of course -- from Richard's dad's remote Enville homestead, its town name purloined previously for a song on 2020's Oneiric Formulary. This ancestral interzone's a venue of interest for Rick, allowing him to ask the deep questions, like 'What the hell has been going on around here with place names like these?' while running down the changes like no one else before. Hillbilly Erotica promises unspoken wonders of the world around each and every dark corner, revelations of legacy, a new spyglass to sight your forebears! Imagined American music at its most gorgeous and violent, simply achieved by Sir Richard Bishop through a powerful application of steel-stringed instrumentation and delightfully exhaustive flights of speculative thought."
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CD
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FRVR 003CD
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$19.00
PREORDER
RELEASE DATE: 7/31/2026
Sublime frequencies from the golden era of ambient electronica. Plumbing hidden depths beneath a deceptively tranquil surface, MLO's mid-'90s masterpiece Io is an overlooked gem from a golden era for ambient electronic music. Originally released in 1994, Jon Tye and Pete Smith's collaborative album responded to the growing chill-out movement by leaning into classical and avant-garde influences from Satie, Debussy, and Cage through to Soft Machine, Incredible String Band, and Eno. Recorded across various studios stacked with classic and rare synths, Io was patiently composed into slowly unfolding suites punctuated with ripples of arrhythmic interference to arrive at a purist vision of true ambient. The next instalment in Forever Records' ongoing reissue series shines a light back on this landmark piece of UK electronica with the first official reissue since its original edition on Rising High. As well as the original double LP (FRVR 003LP) pressing and a new CD digipak version, there is also a uniquely numbered, limited edition housed in a gatefold sleeve that comes with a bonus 10" featuring two previously unreleased versions of the album's opening cut, "Wimborne" (FRVR 003LTD-LP).
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2LP
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FRVR 003LP
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$41.00
PREORDER
RELEASE DATE: 7/31/2026
Double LP version. Sublime frequencies from the golden era of ambient electronica. Plumbing hidden depths beneath a deceptively tranquil surface, MLO's mid-'90s masterpiece Io is an overlooked gem from a golden era for ambient electronic music. Originally released in 1994, Jon Tye and Pete Smith's collaborative album responded to the growing chill-out movement by leaning into classical and avant-garde influences from Satie, Debussy, and Cage through to Soft Machine, Incredible String Band, and Eno. Recorded across various studios stacked with classic and rare synths, Io was patiently composed into slowly unfolding suites punctuated with ripples of arrhythmic interference to arrive at a purist vision of true ambient. The next instalment in Forever Records' ongoing reissue series shines a light back on this landmark piece of UK electronica with the first official reissue since its original edition on Rising High.
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2LP + 10"
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FRVR 003LTD-LP
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$51.00
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RELEASE DATE: 7/31/2026
Double LP version. Includes bonus 10". Sublime frequencies from the golden era of ambient electronica. Plumbing hidden depths beneath a deceptively tranquil surface, MLO's mid-'90s masterpiece Io is an overlooked gem from a golden era for ambient electronic music. Originally released in 1994, Jon Tye and Pete Smith's collaborative album responded to the growing chill-out movement by leaning into classical and avant-garde influences from Satie, Debussy, and Cage through to Soft Machine, Incredible String Band, and Eno. Recorded across various studios stacked with classic and rare synths, Io was patiently composed into slowly unfolding suites punctuated with ripples of arrhythmic interference to arrive at a purist vision of true ambient. The next instalment in Forever Records' ongoing reissue series shines a light back on this landmark piece of UK electronica with the first official reissue since its original edition on Rising High.
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LP
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GR 2165LP
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$34.00
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RELEASE DATE: 7/31/2026
Geometrik Records once again plays a part in the exclusive recovery of Marcelo Expósito's previously unpublished work, which had been lost since its original creation in the 1980s. Marcelo Expósito is one of Spain's most internationally renowned contemporary artists, whose work is regularly exhibited across Europe and Latin America. He began his career at a very young age during the era of sound experimentation that flourished in the wake of so-called industrial culture, which found particularly fertile ground in Spain. As co-editor of legendary publications such as the fanzine Experiencias (1983) and, above all, the cassette-fanzine publisher Necronomicón (1983?1987), which operated on an international scale, Marcelo Expósito has, in recent years, been reconstructing those of his sound experiments that had been lost for decades. This album brings together material previously released on cassettes as EGK023 in a very limited edition. These tracks have now been remastered and expanded to complete this record, which noise musician Mattin has described as "secret recordings that constitute a gem from the rich Spanish underground of the 1980s." In the words of Luis Alvarado, editor of the Peruvian label Buh Records, this album "allows us to appreciate how Expósito developed a style of his own that understood sound as a malleable material open to chance. The recordings gathered on The Lost Tapes reveal an artist who moves as much through territories of unsettling textures and atmospheres as through zones of abstraction and radical noise." Influenced by the early work of figures such as Maurizio Bianchi, Nurse With Wound, and La Otra Cara de un Jardín, the release of this album provides a key piece in reconstructing the genealogical puzzle of Spanish experimental music. This carefully curated edition -- in Spanish and English -- includes a lengthy essay by Marcelo Expósito on the creative processes behind his work and the historical context of the industrial culture of the 1970s and 1980s, as well as extensive liner notes contributed by Vittore Baroni, editor of the legendary Italian label Trax; Francisco Felipe, co-founder of the Ars Sonora program on Radio Clásica (Radio Nacional de España) and one of the most active names on the Spanish experimental scene of the 1980s; Mattin and Susana López (Susan Drone), key figures in the sound experimentation of the generation that emerged in the 2000s; as well as the aforementioned Luis Alvarado.
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JAZZAL 001RE-LP
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$39.50
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RELEASE DATE: 7/31/2026
2026 repress on yellow vinyl. Flirty Ghost is an evocative LP by Rachel Kitchlew, a jazz and contemporary harpist known for pushing the boundaries of her instrument. A blend of jazz, ambient, and experimental sounds, the album was crafted in a spontaneous, deeply personal atmosphere, recorded late at night in the cozy, smoky setting of SFJ headquarters featuring Alexis Taylor (Hot Chip), Dave Bardon, SFJ, and Sholto. Inspired by everything from Henry Mancini to Dorothy Ashby, this LP captures an eerie, playful essence, like a "flirty ghost," while celebrating exploration and self-expression. The album holds emotional depth, particularly in tracks like "Truncate" and "Cyclical," which were recorded shortly after the passing of Rachel's grandmother, Sheila Horton, whose work is featured on the back cover. With the collaboration of close friends and talented musicians, Flirty Ghost represents a new chapter for Rachel, marking a joyful departure from her solo harp work into a collective, experimental musical journey.
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LPSI 007LP
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$37.50
PREORDER
RELEASE DATE: 7/31/2026
Second album of French incendiary fake big band Parasite Jazz. A krautrock, jazz-non-jazz, experimental album recorded along four seasons by three musicians (Alex Larsen, Tamara Goukassova, and Théo Delaunay) from the French fringes; members of Succhiamo, Diagonale des Yeux, Simple Music Experience, and Violent Quand on Aime. Featuring Radio Hito, Kyle Knapp (Deliluh), and Hochiwah. After its first release in 2023, the tiny big band Parasite Jazz brings its public iterations to fruition with this testament to an alternate reality, matured voyaging across France over the span of four seasons. It sees the music flee through exuberant forests and steep troglodytes; a parallel genre movie with a soundtrack of diluvian rhythms, mocking chants, jazz noir and voodoo accidents. In this shifting, autonomous world, the elastic orchestra -- whose members keep on appearing and disappearing -- plays for nocturnal secrets and feverish cavalcades.
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MIG 3622CD
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$15.00
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RELEASE DATE: 7/31/2026
"Louisiana Red was born in Alabama in March 1932 and died in Hanover almost exactly 80 years later. The early life of Iverson Minter, also known as Louisiana Red, was marked by suffering. His mother died of pneumonia a week after he was born. When he was five years old, his father was executed by the Ku Klux Klan. After that, he lived in orphanages until he was able to spend the rest of his childhood with his grandmother. As a teenager, he was sentenced to hard labor for burglary and subsequently sent by Uncle Sam to the Korean War. Iverson had wanted to become a blues musician ever since he had met Muddy Waters. In the late 1950s, he played in John Lee Hooker's band. In the mid-1970s, he moved to Europe, where he gained recognition among a wider audience through appearances at the WDR Rockpalast and the Montreux Jazz Festival. In the 1980s, Fritz Rau signed Louisiana Red for his successful festival series, the 'American Folk Blues Festival.' In 1983, he released his acclaimed album Anti-Nuclear Blues, whose content and message are more relevant today than ever. The original vinyl edition has since become a sought-after rarity. Now, the album is being rereleased, featuring six bonus tracks from the 1981 'American Folk Blues Festival,' as well as a reissue on vinyl with a fresh sound."
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NMN 187LP
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$26.00
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RELEASE DATE: 7/31/2026
Alga Marghen presents the historical Intervalli by Giuseppe Chiari, a world premiere of the compete cycle of 12 Intervalli. Elegantly performed and recorded by Reinier Van Houdt, this timeless composition from 1950-56 anticipates Minimalist by a decade as well as Concetual and Sytems-Based-Composition while intersecting the perspectives that would soon be developed by Fluxus, the group Chiari would join in 1962. Giuseppe Chiari's Intervalli for piano still retain the charm of a discovery, even when considered in the context of their historical perspective. Composed within a time frame that extends throughout the entire first half of the 1950s, they are striking for the precocity of their compositional conception based on a radical reduction of musical parameters on mathematical and rational grounds. One might also be surprised to discover that Chiari's early compositions follow such a rigorous logical approach in the organization of musical material, particularly in light of the subsequent direction his work took, which established him, within the Neo-Avant-Garde, as the most resolute and determined exponent of gestural music -- a genre thus free from any dogma or structural constraints. In Intervalli Chiari focuses on the idea of a rational "arrangement" of the sequence of sounds and/or their simultaneity through a more or less controlled system of repetitions of variants or invariants, defined by their interval features and duration. The systematic processes of limiting and repeating musical parameters are elements that, by analogy, later came to the fore with the birth of musical minimalism. It would, however, be a stretch to regard Chiari's Intervalli as a driving force that will have a direct impact on the emergence and establishment of this current. Whilst minimal music employs the systematic reduction of parameters and their repetition to guide unidirectional development as a gradual process, Chiari's Intervalli move towards an opposing concept that "explores the relationships between sounds without any temporal hierarchy" in order to achieve "music that strips succession of its discursive power." A clear indication of an objective, almost atomistic conception of sound, aimed at deconstructing its syntactic homologation. Hence its conceptual relevance, which cannot be equated with the canonical currents of minimalism: a nuance that would subsequently predispose Chiari to an informal openness towards the performative gesture. The Intervalli cycle thus marked Chiari's first point of arrival, but also a point of no return -- save for the final decade of his creative career, when a still surprising new recourse to musical writing was mediated precisely by a gestural instinctiveness. This first edition of complete Intervalli also includes liner notes by Gabriele Bonomo as well as the reproduction of some of the pages from the original score.
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LP
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OKNR 010LP
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$39.50
PREORDER
RELEASE DATE: 7/31/2026
A deliberate sonic and emotional architecture that doubles down on intensity to shatter and rebuild the listener in one unrelenting wave. Third album from System Olympia, following acclaimed releases like New Erotica Collection LP (2023) and Delta Of Venus LP (2020), solidifying her as a bold, self-produced voice in electronic and Italo-disco-inspired music. Released on Okay Nature Records (her own independent label), fully written, recorded, produced, and mastered by System Olympia herself.
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OUTS 049LP
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$25.00
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RELEASE DATE: 7/31/2026
Marvin Gaye performed a legendary concert at the Kursaal Casino in Ostend, Belgium, on July 4, 1981, as part of a local festival. This comeback show in Europe marked the beginning of his celebrated recovery after financial and personal problems.
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PAN 117LP
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$43.00
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RELEASE DATE: 7/31/2026
Creator of Le Châ, a chimera emerging from the margins, Lutèce Lockness builds worlds where dreamlike imagery and satire intertwine, inviting listeners to embrace the bizarre, the strange, and the intimate. With her debut album Le Châ, she crafts powerful, incantatory soundscapes. Her compositions blend psychedelic tones, medieval timbres, drifting drones, bouzouki improvisations, and digital textures, enriched through collaborations with Christoph Fink, Maxime Denuc, and Jean Rondeau. Inspired by David Lynch, Jim Jarmusch, and Hayao Miyazaki, her practice shapes sonic material like exquisite corpses. Across disciplines, Lutèce Lockness explores new territories through projects such as the collective book Bande organisée (Seuil), born from the transport of a stone book across France during lockdown, and as part of the feminist punk group Forsissies. On stage, she has opened for Bonnie Banane at the Olympia and Flavien Berger at Le Lieu Unique in Nantes.
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PRF 001LP
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$28.00
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RELEASE DATE: 7/31/2026
Human Error Club is keyboardists Diego Gaeta and Jesse Justice and drummer Mekala Session. Gaeta is a jazz-trained pianist with a restless harmonic imagination. Justice honed his chops making beats before trading his MPC for a Fender Rhodes, always maintaining a producer's ear for texture and detail. Session, raised in Los Angeles' Leimert Park, studied under the legendary drummer Billy Higgins, and also leads the Pan Afrikan Peoples Arkestra. All hailing from different corners of LA, these longtime musician friends came together in 2019 as a solution to a recurring dilemma: good bassists are hard to find. What was originally meant to be a one-off for the underground series BackbeatLA turned into a regular thing, and soon the trio was in the studio recording what would become their debut album.
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LP
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RANDB 182LP
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$28.50
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RELEASE DATE: 7/31/2026
Twelve tracks from the New York Dolls recorded live for TV and radio in 1973, showcasing a raucous rock'n'roll band in their prime. Two cover versions -- "Hoochie Coochie Man" and "Give Her A Great Big Kiss" -- were never included on either of the band's two original studio LPs. Comes with full recording details and extensive sleeve notes.
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CD
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RELTIME 004CD
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$16.00
PREORDER
RELEASE DATE: 7/31/2026
The secret multi-instrumentalist album Tiger Tundra by Rico Friebe from 2022 finally gets a release.
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SBH 001LP
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$20.50
PREORDER
RELEASE DATE: 7/31/2026
Jon Gravy presents his third album on Studio Bahöö, containing ideas and thoughts from previous years. 21 Dreams has eight tracks and features Harry Dean Lewis, DOS, and OK June.
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12"
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SBH 004EP
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$15.50
PREORDER
RELEASE DATE: 7/31/2026
With the Ease EP, Austrian producer and DJ DOS presents a concise continuation of the sound he has developed since the mid-2010s. Often linked to the early lo-fi house movement, his productions combine rough-edged drum textures, reduced melodic elements and a clear rhythmic focus, balancing club functionality with a more introspective tone.
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SEISMOG 006LP
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$46.50
PREORDER
RELEASE DATE: 7/31/2026
Anthony Hüseyin presents their new album O Geliyor (Making O), in which they return to the rediscovery of their gender, their childhood, and their attachment to Zeki Müren. Müren is widely regarded as the most important queer exponent in the history of Turkish Art Music (Türk Sanat Müzigi). This genre of music was open to musical hybridism, and Müren himself also included elements of jazz and pop music. Stylistically, O Geliyor (Making O) is a combination of contemporary discoid electro-pop music, based on Turkish Art Music by Zeki Müren. After successful current re-interpretations of Turkish music styles like neo-Anatolian pop and neo-Arabesk, this album provides a first take on neo-Turkish Art Music. The album title is referring to the third genderless person pronoun in Turkish called "O," which encompasses all gender possibilities in one word. The album reflects on the memories that haunt people and the indescribable wounds of displacement. Set against the backdrop of Berlin, home to many immigrants and political and queer refugees, it exposes the profound emptiness in a metropolis wishing to imagine itself as a safe haven for the free-spirited, yet always reminding the Other that they don't belong. At the same time, it delivers anthems for the displaced, for the queer migrants who traverse internal and external landscapes in search of a place called home. Anthony Hüseyin is a non-binary musician and performance artist of Kurdish-Turkish and Arabic descent who works with voice, text, film, dance, and installation. Raised in Urfa in Southeastern Turkey, where they learned traditional local music, they went on to study both classical and jazz singing in Istanbul and Rotterdam. Their works combine the personal and political to explore memory, identity, community, collective consciousness, and the body.
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LP
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SME 093LP
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$36.50
PREORDER
RELEASE DATE: 7/31/2026
The legends of the golden era of Italian soundtracks and library music go by many names, but the backbone of that era's definitive sonic identity is most often identified as I Marc 4 (also known as Marc 4 or I Marc Quattro). While the moniker might be less familiar to the uninitiated, it is a simple acronym derived from its founding members: Maurizio Majorana (bass), Antonello Vannucchi (organ), Roberto Podio (drums and percussion), and Carlo Pes (guitar). The number 4 serves to highlight the core synergy of these four master musicians. Their journey began in Rome's vibrant jazz scene of the 1950s and early 1960s, where they honed their craft as members of the RAI national orchestra and collaborated with the most prominent jazz and pop icons of the day. However, it was their pivotal role in defining the Italian cinematic sound of the 1960s and 1970s that secured their legacy. Their unmistakable style was an eclectic fusion of beat, jazz, classical, and Latin influences -- textured with early synthesizers, experimental sound effects, and a blend of electronic and baroque instrumentation. Beyond their work as session luminaries, they produced a vast body of library music under their own name at the legendary Telecinesound Studios in Rome. These recordings were released through prestigious library labels like Sermi, Ricordi, and Fonit Cetra, as well as through their own imprints: Nelson Records, Silver Men, and Silver Music, spanning a definitive series of sixteen albums. Ten of these volumes were issued on Nelson Records during the 1970s, featuring the now-iconic military stencil design. The series was completed by two elusive companion releases: S.M. 2001 on Silver Music and S.M. 2002 on Silver Men, both presented in the same distinctive brown sleeve. Rediscovered in the 1990s and 2000s, these Nelson releases have since achieved cult status among collectors, producers, and DJs worldwide. The final two installments, S.M. 2001 and S.M. 2002, remain the rarest and most enigmatic of the set. Often overlooked, they contain some of the most profound "hidden gems" in the group's catalog. Sonor Music Editions has meticulously curated the finest moments from these two rare albums for this first-ever dedicated reissue. Bringing together the best of Silver Music (S.M. 2001) and Silver Men (S.M. 2002), this release retains the iconic stencil artwork but introduces a striking silver finish. This design choice honors the original ten-album sequence while shedding new light on these outstanding recordings -- works that remain, in every sense, golden.
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CD
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SNF 011CD
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$18.00
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RELEASE DATE: 7/31/2026
Composed and recorded during tough times in 2025. Using compressed air, percussion instruments, piano and samples, Alessandro Brivio explores varied and extreme approaches to sound processing, diffusion, recording and re-composition, as a tribute to a lost friend.
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CD
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SR 582CD
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$15.50
PREORDER
RELEASE DATE: 7/31/2026
Performed by Stephan Ginsburgh. A European premiere of piano pieces and recordings by American minimalist composer David Toub. Two powerful pieces that propel him among the most adventurous composers of recent years. "'Gendarme de la Libertad' (2020) is a work for speaker and piano (or for just speaking pianist) and utilizes a text that I had wanted to set for many years but was not certain of the best approach until later. The text for the speaker is taken from the original Spanish words, as well as from an English translation, of the speech by Dr. Ernesto Guevara (Che) before the United Nations on 12/11/64 : 'Those who kill their own children and discriminate daily against them because of the color of their skin; those who let the murderers of Blacks remain free, protecting them, and furthermore punishing the Black population because they demand their legitimate rights as free men - how can those who do this consider themselves guardians of freedom?' 'Duophony' for open instrumentation (2020) is one of the few works I've composed in which there are no silences at all (except at the beginning and ending of the piece, as per my custom to start and end on empty measures, which is my own tribute to Quaker culture and practice in which meetings begin with a moment of silence)." David Toub is a unique voice in American minimalism, a genre that has produced quite a few composers over the past 80 years. Stephane Ginsburgh has performed as a soloist and chamber musician at numerous international festivals. A tireless explorer of both repertoire and new combinations integrating voice, percussion, performance, or electronics, he dedicated himself early on to contemporary music while also developing an extensive classical repertoire. He has worked closely with composers such as Frederic Rzewski, Jean-Luc Fafchamps, Stefan Prins, Joanna Bailie, Alec Hall, François Sarhan, and Matthew Shlomowitz, premiering several of their works. Stéphane Ginsburgh has recorded around fifteen albums for Sub Rosa, World Edition, Grand Piano (Naxos), and Kairos.
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CD
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SSR 169CD
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$19.00
PREORDER
RELEASE DATE: 7/31/2026
Club Atletico Voces Y Gritos is the new release by Petrolio, the solo project of Enrico Cerrato, a versatile Italian artist able to move with ease between experimental and noise music. The album features five tracks of strong emotional intensity enveloped in raw darkness, all composed and performed by Petrolio. Each piece boasts the evocative vocals of an international guest artist: Alos, the stage name of Italian musician and performer Stefania Pedretti, co-founder of the noise duo OvO with Bruno Dorella; Bestial Mouths, a project by American musician Lynette Cerezo, active in the goth, industrial, and noise genres; Julinko, a dream doom/dark folk project by Italian musician Giulia Parin Zecchin; Pallas Athene, an ethereal alt-pop project by Canadian musician Breanna Johnston; Pierpaolo Capovilla, musician, songwriter and leading figure of the Italian independent rock scene, active first with One Dimensional Man and later with Il Teatro degli Orrori. Also available on black vinyl (SSR 169LP) and blue vinyl (SSR 169LTD-LP).
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LP
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SSR 169LP
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$28.00
PREORDER
RELEASE DATE: 7/31/2026
LP version. Club Atletico Voces Y Gritos is the new release by Petrolio, the solo project of Enrico Cerrato, a versatile Italian artist able to move with ease between experimental and noise music. The album features five tracks of strong emotional intensity enveloped in raw darkness, all composed and performed by Petrolio. Each piece boasts the evocative vocals of an international guest artist: Alos, the stage name of Italian musician and performer Stefania Pedretti, co-founder of the noise duo OvO with Bruno Dorella; Bestial Mouths, a project by American musician Lynette Cerezo, active in the goth, industrial, and noise genres; Julinko, a dream doom/dark folk project by Italian musician Giulia Parin Zecchin; Pallas Athene, an ethereal alt-pop project by Canadian musician Breanna Johnston; Pierpaolo Capovilla, musician, songwriter and leading figure of the Italian independent rock scene, active first with One Dimensional Man and later with Il Teatro degli Orrori.
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SSR 169LTD-LP
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$35.50
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RELEASE DATE: 7/31/2026
LP version. Blue color vinyl. Club Atletico Voces Y Gritos is the new release by Petrolio, the solo project of Enrico Cerrato, a versatile Italian artist able to move with ease between experimental and noise music. The album features five tracks of strong emotional intensity enveloped in raw darkness, all composed and performed by Petrolio. Each piece boasts the evocative vocals of an international guest artist: Alos, the stage name of Italian musician and performer Stefania Pedretti, co-founder of the noise duo OvO with Bruno Dorella; Bestial Mouths, a project by American musician Lynette Cerezo, active in the goth, industrial, and noise genres; Julinko, a dream doom/dark folk project by Italian musician Giulia Parin Zecchin; Pallas Athene, an ethereal alt-pop project by Canadian musician Breanna Johnston; Pierpaolo Capovilla, musician, songwriter and leading figure of the Italian independent rock scene, active first with One Dimensional Man and later with Il Teatro degli Orrori.
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2LP
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SSR 170LP
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$51.50
PREORDER
RELEASE DATE: 7/31/2026
Aborym's 2003 album, With No Human Intervention, marks a key moment in European industrial black metal. Compared to their debut, the band pushes the fusion of black metal and industrial electronics even further, creating a colder, more mechanical, and chaotic sound. The extreme guitars and signature black metal vocals intertwine with drum machines, abrasive synths, and digital noises, giving the impression of an almost "dehumanized" music, as the title suggests. The atmosphere is dystopian and aggressive, far removed from more traditional metal: it focuses not on melody but on a dense and oppressive sonic impact, where everything seems filtered through a technological lens. In short, it's an album that pushes the idea of black metal to the extreme, bringing it into an industrial and cyberpunk universe, becoming one of the band's most iconic works. Also available on red/black splatter color vinyl (SSR 170LTD-LP).
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2LP
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SSR 170LTD-LP
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$59.50
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RELEASE DATE: 7/31/2026
Red/black splatter color vinyl version. Aborym's 2003 album, With No Human Intervention, marks a key moment in European industrial black metal. Compared to their debut, the band pushes the fusion of black metal and industrial electronics even further, creating a colder, more mechanical, and chaotic sound. The extreme guitars and signature black metal vocals intertwine with drum machines, abrasive synths, and digital noises, giving the impression of an almost "dehumanized" music, as the title suggests. The atmosphere is dystopian and aggressive, far removed from more traditional metal: it focuses not on melody but on a dense and oppressive sonic impact, where everything seems filtered through a technological lens. In short, it's an album that pushes the idea of black metal to the extreme, bringing it into an industrial and cyberpunk universe, becoming one of the band's most iconic works.
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SSR 171LP
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$28.00
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RELEASE DATE: 7/31/2026
The project was born from the meeting of a live-played, unprocessed Game Boy and a distorted guitar. Recorded, mixed, and mastered by Riccardo Gamondi (of Uochi Toki), Gom Jabbar delivers eight tracks of low-resolution violence, interspersed with ambient soundscapes. The lyrics explore the dystopia of contemporary capitalism. This approach extends beyond the music itself: the band embraces copyleft licenses and carries this stance into its distribution and touring choices. They believe in the subversive power of gathering in person and playing loud, angry music. Also available on yellow vinyl (SSR 171LTD-LP).
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SSR 171LTD-LP
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$35.50
PREORDER
RELEASE DATE: 7/31/2026
Yellow color vinyl version. The project was born from the meeting of a live-played, unprocessed Game Boy and a distorted guitar. Recorded, mixed, and mastered by Riccardo Gamondi (of Uochi Toki), Gom Jabbar delivers eight tracks of low-resolution violence, interspersed with ambient soundscapes. The lyrics explore the dystopia of contemporary capitalism. This approach extends beyond the music itself: the band embraces copyleft licenses and carries this stance into its distribution and touring choices. They believe in the subversive power of gathering in person and playing loud, angry music.
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TRA 032LP
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$29.50
PREORDER
RELEASE DATE: 7/31/2026
Tra Tra Trax presents Mzansi Bass, curated by Shannen SP. A project meant to explore the space between 3-step, Gqom, the dark sides of Amapiano, and mutations of Pritori rap deeply rooted in Black African rave music from the local scenes of Durban, Johannesburg, Cape Town, Eastern Cape, and their global mutations from Brazil and the Netherlands. The project is anchored around the legacy act of DJ Lag and new comers of South African bass whose music has broken international barriers with pure-emotionally-rich dance music. The release works as both a celebration of the roots and the future offering it projects. As Shannen puts it, it's electronic music with a futuristic feel, both raw but minimal, trance-inducing and deeply physical, built in a very particular geographic space for the whole world to enjoy. Indulge into this special soundscapes crafted by their own inhabitants. Featuring HENNYBELIT, State OFFF, LYZZA, Boniface, Jay Music, Deep Narratives, and Audio Addicts.
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TTTT 025CD
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$14.50
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RELEASE DATE: 7/31/2026
33-33 present Ton Klami, a rare live recording from one of East Asia's most remarkable improvising ensembles, bringing together Japanese pianist Masahiko Satoh, Korean saxophonist Kang Tae-Hwan and Japanese percussionist Midori Takada. Recorded during a memorial concert for the influential critic and producer Soejima Teruto, the album documents a unique meeting between three pioneering artists whose individual careers helped redefine the possibilities of improvised and experimental music across Japan and Korea from the late twentieth century onwards. Masahiko Satoh is one of the most influential figures in post-war Japanese jazz and experimental music. Across a career spanning more than six decades, he has continually expanded the possibilities of improvisation through work encompassing jazz, contemporary composition, electronic music and interdisciplinary collaboration. Kang Tae Hwan is a foundational figure in Korean free improvisation and one of the most distinctive saxophonists to emerge from East Asia. His radical approach to breath, tone and extended technique has influenced generations of improvisers internationally. Midori Takada is internationally celebrated for her groundbreaking work as a percussionist and composer. Her recordings and performances have profoundly shaped contemporary understandings of minimalism, rhythm and environmental sound, earning renewed global recognition in recent years. Ton Klami reflects 33-33's ongoing commitment to uncovering overlooked histories within experimental music. Through a catalogue spanning contemporary commissions, archival recordings and cross-cultural collaborations, the label seeks to create new contexts for significant work that sits beyond conventional genre boundaries. In bringing this recording back into circulation, 33-33 continues its wider exploration of artistic exchange between Japan, Korea and the international avant-garde. A rare document of spontaneous dialogue between pioneering improvisers Masahiko Satoh, Kang Tae-Hwan and Midori Takada, exploring tension, texture and space through cross-cultural experimental sound.
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TW-Z LP
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$29.50
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RELEASE DATE: 7/31/2026
Few artists have expanded the possibilities of the voice as radically and masterfully as Berlin based voice artist, composer and improvisor Ute Wassermann. For her, the voice is an ecosystem: a living field of relationships between body, object, space, and the listener's ear. Her music moves between the transcendental and the quotidian at once -- breath as ritual, sound as touch, acoustic experience as something simultaneously otherworldly and utterly present. Dissolving the perceived boundaries between mind and body, she offers instead a full-bodied immersion in ever-changing stillness, an idiosyncratic engagement with sound that is all-at-once fierce, tender, and free. On her new album chimeric, Wassermann extends her voice with a wide array of implements; breath-driven drums, hydrophones used as throat microphones, bird whistles, jaw harps, brass megaphones. These objects don't just function as embellishments or demonstrations, but rather, as companions -- materials with which she communicates and is herself transformed. The result is a music in which the lines between self, object, and environment are constantly blurred, erased and redrawn. Across six pieces, Wassermann's voice moves with uncanny immediacy: lips smacked, gurgles roared, harmonic tails snapping through space. Recorded with a striking spatial presence -- using stereo microphone placement that allows sound to shift with the smallest movement -- the listener is placed almost between the ears of the performer, inside the throat's resonant chambers as it flickers from whisper to warning, from animal cry to sculptural multiphonic bloom. What emerges is not theatrical representation but embodiment: a confrontational tenderness, a call to arms meant for hugging. Steam valves and pistons of breath cycle into quick rhythmic stabs; ritual supplants noise, noise tilts into song. Wassermann reverses the trained control of the voice to discover empowerment in growls, screams, baby-animal whines, and undersea calls. These are song forms not as fixed structures, but as living organisms -- colorful tendrils of sound, improvisation as feedback between inner listening and the outside world. In the album's final movements, her voice becomes something both larger than a person and tinier: an army of intimacies, gnawing at the root, feeding. chimeric is an album teeming with vivid colors and transcendental beauty that reveals the voice as a truly limitless instrument.Deluxe LP housed pressed at Optimal, Germany housed in die-cut neon spot-color sleeve with spot UV gloss with two full color inserts and printed inner sleeve.
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LP
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UMA 190LP
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$29.50
PREORDER
RELEASE DATE: 7/31/2026
Government Alpha, the project of Yasutoshi Yoshida, is one of the central figures in Japanese harsh noise, emerging from Tokyo's early 1990s underground scene. Through his Xerxes label, he developed a style that is both extreme and meticulously constructed, balancing ferocity and precision with remarkable control. Even at its most chaotic, every sonic eruption feels carefully placed. Originally released on cassette in 1994, The Human Race Was Restored To Life Repeatedly captures a pivotal stage in Yoshida's artistic development. At this point, he was still refining his unique musical language. The album is raw, unstable, and charged with experimental energy, yet it already reveals the defining characteristics of his later work. These recordings reflect a deeply physical, hands-on approach to sound creation. Worn electronics, manipulated tapes, feedback, and metallic objects become sonic material, each noise bent, reshaped, and reassembled into new forms. It is harsh noise in a state of constant transformation, still free from rigid conventions. The album moves through continuous walls of distortion and corrosive frequencies. Beneath its abrasive surface lies a wealth of detail, pulse, and texture, where chaos is organized into shifting, layered structures. It is precisely this balance between violence and composition that defines Yoshida's work. This new vinyl edition, remastered by Lasse Marhaug, marks the first time the album appears on vinyl, bringing out every nuance of the original recording. The sound retains its rawness while gaining depth, clarity, and spatial presence. Today, the album stands as a landmark of harsh noise history, a vital work that transforms sonic destruction into musical architecture. Recorded at F23 Studio Tokyo, January 16-29 1994. Mixed by Yasutoshi Yoshida on January 30, 1994.
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2LP
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UMA 191LP
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$43.50
PREORDER
RELEASE DATE: 7/31/2026
Between 1999 and 2000, Merzbow entered a new artistic phase, embracing digital production and refining his sonic language. He moved away from the tape collages and improvised circuitry of his earlier years. In their place arose monumental sound structures, dense and meticulously sculpted. Harsh noise, tribal rhythms, and corrosive textures merged into a single, overwhelming sonic body. Yoshinotsune emerged during this especially fertile period and stands as one of Masami Akita's most evocative works. The album weaves together historical, mythological, and personal references, drawing inspiration from the figure of Minamoto no Yoshitsune. From the outset, bird calls, radio interference, and electronic signals create an enigmatic atmosphere. The result is an unsettling soundscape suspended between nature and technology. Throughout the album, the sound continually transforms, alternating between ominous beats, unearthly moans, and ritualistic pulses. These elements evoke tribal rhythms filtered through circuitry and digital distortion. The music drives forward with relentless force while maintaining a constant tension between motion and stillness. Rather than simply overwhelming, it invites the listener to become immersed in its intricate details. This new double-vinyl edition, mastered by Lasse Marhaug and limited to just 199 copies, greatly expands the original experience. The three tracks from the CD are spread across four sides, with the addition of two previously unreleased pieces. This format highlights the depth of the low end, the nuances of the digital processing, and even the acoustic guitar passages. As a result, the work gains a broader, more tactile, and more detailed physical presence. What makes Yoshinotsune so compelling is its perfect balance between technical precision and creative instinct. Though meticulously constructed, its structures retain a raw and immediate vitality. Akita's hand can always be felt, shaping the sound with intensity and sensitivity. This reissue fully restores the grandeur of one of Merzbow's richest and most immersive recordings, now expanded with two bonus tracks.
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LP
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UMA 192LP
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$29.50
PREORDER
RELEASE DATE: 7/31/2026
Originally released on cassette in 1985, H·A·D·A·Y·R·O is a landmark of Japanese noise music. It documents the early vision of Solmania and the singular sonic approach of Masahiko Ohno. For years, it remained a cult artifact among collectors and underground enthusiasts. This vinyl edition renews its impact, feeling more like a rebirth than a simple reissue. Solmania was far more than a band; it was Masahiko Ohno's personal sound laboratory. At the heart of the album are his self-built guitars, transformed into extraordinary sound-generating machines. Their tones scrape, roar, and vibrate with an almost organic intensity. Alongside these, Ohno also employs tape, radio, turntable, and voice -- expanding the palette into a raw, multi-source field of sound, with drums and keyboard performed by Tomioka Akira. The album constructs noise as a complex, layered architecture. Distortion, feedback, metallic harmonics, and electrical abrasion intertwine into dense, evolving structures. Despite its industrial harshness, the sound remains deeply human. Every vibration carries the mark of touch, pressure, and spontaneous improvisation. Here, noise is not simply about volume or aggression, but about exploring texture, repetition, and transformation. The music exists in a thrilling balance between construction and controlled collapse. Its hypnotic passages take on an almost ritualistic, sculptural quality. Each moment seems poised to mutate into something new. The vinyl format fully reveals the richness of this work. Low-end resonance, harmonic detail, and the interplay between feedback and silence emerge with renewed clarity. More than a historical artifact, this reissue presents H·A·D·A·Y·R·O as a living, vital work. It remains a radical example of uncompromising creativity and sonic innovation.
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LP
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VLG 010LP
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$28.00
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RELEASE DATE: 7/31/2026
Multi-dimensional expressionist Maia (aka Sonjia Hubert Harper) is an internationally renowned vocalist, multi-instrumentalist, songwriter and composer who is proficient on several musical instruments that include flute, piccolo, harp and vibraphone. As a music educator Maia specializes in vocal training for adults with developmental disabilities (Autism, Down Syndrome, etc) and school-aged children. Over the years Maia has gained notoriety as a longtime member of the Association for the Advancement of Creative Musicians (AACM of Chicago) and Pan Afrikan Peoples Arkestra (Horace Tapscott, Los Angeles). Maia headlined the Gorée Island Jazz Festival in Dakar, Senegal in 2019 with the Maia Quintet, the first all-women band in the festival's history. She has performed live with the André 3000 New Blue Sun Ensemble at Hollywood Forever in Los Angeles, and has appeared on recordings by Carlos Niño & Friends. A former Executive Secretary of the AACM, she is also a 2025 M3 Luminary Award recipient through the Mutual Mentorship for Musicians program. Water is life. Water is a vital spiritual medicine, essential for cleansing and healing. It embodies a space for surrender, memory, strength, and enlightenment. All living beings depend on water to thrive, as it symbolizes life, fertility, and sustenance, as well as hardship. For many people, water is viewed as a sacred gift from the Creator. Maia originally created Waters Deep as a solo harp piece to accompany a dance tribute, choreographed by Laurie Goux, for the iconic dancer Miss Katherine Dunham in Chicago in 1996. Miss Dunham was present at the debut of this piece. Over many years, Waters Deep evolved into a three-movement suite celebrating water as life's essential force.
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2LP
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VON 019LP
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$42.00
PREORDER
RELEASE DATE: 7/31/2026
Von present Kino Variants 1967-1986, the first-ever collection to illuminate the vast body of work created by the Uzbek composer Rumil Vildanov during the second half of the 20th century. Offering a rare glimpse of liberated creative spirit operating behind the Iron Curtain, this engrossing double-LP provides an unprecedented immersion into the work of one of the most celebrated composers from Uzbekistan, often described as the "Ennio Morricone of Central Asia". Comprising a startling range of electronic and electroacoustic experiments, evocative chamber works and orchestral works, and more discrete instrumental efforts -- all created to accompany moving image -- totaling an incredible 82 pieces in total, this remarkable sonic journey into Vildanov's inner world and towering talents. Beginning in 1964, when he was first asked by the director, Elyor Ishmuhamedov, to compose the music for one of his films, Vildanov became "obsessed with making music for cinema" and remained deeply connected to the field for the rest of his life -- collaborating with prominent filmmakers, including Eldor Urazbaev, Ali Khamraev, and Shukhrat Abbasov. It is Vildanov's sonic contributions to film, around which Kino Variants 1967-1986 narrows its focus, illuminating the composer's striking range and diverse touchstones. The collection begins with 29 "Abstract Variations" of various durations, rendered on a range of instruments -- synthesizer, harp, harpsichord, and timpani, among numerous others -- in solo and multi-instrumental combinations, utilizing both purely acoustic and electroacoustic approaches. The second side of the collection offers an immersion into Vildanov's "Orchestral Variations", which move between constrained and encompassing scales of instrumental combination. Retaining a strong sense of cohesive vision within their diversity, Vildanov elegantly moves between the use of avant-garde tonal dissonance and lush melodic sensibilities. The second LP of Kino Variants 1967-1986 is dedicated to two thematic groupings, "Rubab Variations" and "Titles Variations". The first stands among the most culturally revealing bodies of work in the collection; centering the focus upon Vildanov's compositions for the rubab, a lute-like stringed instrument played in parts of Central and South Asia. "Titles Variations", the collection's fourth and final side, comprises 19 pieces that expand and further illuminate the range of Vildanov's musical explorations, the majority of which date from the final decade of the composer's life. Printed inner sleeves; edition of 300.
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LP
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VSP 003LP
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$35.00
PREORDER
RELEASE DATE: 7/31/2026
Vasopressin presents On the Edge of the Outside, collecting four works by Nurse With Wound -- three composed in response to texts by Kafka, Tzara, and Forneret, one previously unreleased -- on vinyl for the first time. Electroacoustic abstraction, minimalist drones, and grimy ambience. Vasopressin's second installment of their dedicated series bringing Nurse With Wound's contemporary output to vinyl -- and it is, if anything, even more extraordinary than what came before. On the Edge of the Outside gathers three works previously issued as 3" CDs alongside literary editions published by the French imprint Lenka Lente, each "conceived in intimate response to literary texts -- yet entirely self-sufficient as autonomous sonic experiences": "Kafka's Parachute" (2017), composed in dialogue with Franz Kafka's "Rapport à une Académie"; "On the Edge of the Outside" (2020), drawn from Tristan Tzara's "Minuits pour Géants"; and "We Are the Dead Men" (2025), accompanying Xavier Forneret's "Le Diamant de l'Herb". To these is added "None and a Star Stand (Untitled Lament)", a piece whose origins remain close to the same Lenka lente orbit -- appearing here, as does the entire collection, in its vinyl debut. Across two sides, the record maps a vast and quietly staggering emotional and sonic terrain. "Kafka's Parachute" opens proceedings with howling recitations and a knotted palette of electroacoustic abstraction, channeling something close to concrete poetry in its most visceral, unsettling form. The second side then opens with "None And A Star Stand" -- a breath of grimy, luminous release -- eleven minutes of shifting textures that feel restless and alive without ever resolving into event, before "We Are The Dead Men" descends deeper still, unfurling at glacial pace through overlapping drones and harmonics of rare, disquieting beauty. The closing title track moves from ripping feedback through swirling resonances and sparse piano tones before dissolving back into abrasion, completing a journey that feels as much literary as sonic. Featuring Steven Stapleton alongside collaborators Colin Potter, Andrew Liles, Matt Waldron, James Worse, and Quentin Rollet, On the Edge of the Outside stands as proof that after nearly five decades, Nurse With Wound remains one of the few forces in music genuinely capable of making the world sound like somewhere you have never been before. Issued by Vasopressin, the Milan-based label founded by Matteo Moschettoni. Black vinyl.
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LP
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ZEIT 021LP
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$77.50
PREORDER
RELEASE DATE: 7/31/2026
Building upon their recent, incredible immersions into the contemporary landscape of experimental sound, Die Schachtel returns with one of their most striking releases to date, Border Soundscapes II, distilling their longstanding efforts at the borders of interdisciplinary practice with a profound sense of accomplishment and grace. Instigated and curated by the label's own Bruno Stucchi, who also contributed the release's graphic design, this very special vinyl only art edition encounters the guitarist and composer, Paolo Spaccamonti, operating in spectral collaboration with the renowned photographs of Pino Musi: utilizing 24 images selected by the artist, published as a three and a half meter long leporello (accordion style) book that accompanies the edition, as the score for the detail and ambience laden abstractions that sprawl across the album's two sides. Born in Salerno, but currently based in Paris, Pino Musi's photographs, exhibited widely across the globe and featured in the Venice Biennale, utilize modern architecture, classical ruins, steel mills, rural architecture, and urban cityscapes as their subjects, focused on pure form and compositional abstraction. Paolo Spaccamonti is a Turin-based guitarist and composer who, for more than two decades, has worked with sound across numerous creative disciplines, bringing him into intimate collaboration with everyone from Jochen Arbeit of Einstürzende Neubauten, to composers like Stefano Pilia, Riccardo Sinigaglia, Jim White, and numerous others. Imbued with a deep sense of abstraction and space that mirrors the foundational elements of Musi's photographs, Spaccamonti's work on guitar, often unrecognizable as such, unfurls across the album's two sides with a striking degree of range, embracing a palette of industrially tinged clangs and scrapes, subsumed tones, passages of dense distortion, overlapping and shifting drones, endlessly surprising tonal and timbral punctuations, and deconstructed melodies, embedded within the sprawling ambiences that bind these actions within a single, cohesive world. Issued as a very special vinyl only art edition, limited to 200 copies, housed in a silkscreened sleeve, hand-signed by Musi, Spaccamonti, and Stucchi, accompanied by a three and a half meter long leporello book comprising Musi's 24 photographs. Truly amazing and not to be missed.
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LP
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ACRSLP 1705LP
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$26.00
PREORDER
RELEASE DATE: 8/7/2026
"Billy Fury remains one of the most important and charismatic figures in the history of British rock 'n' roll. Born Ronald Wycherley in Liverpool in 1940, he was a shy young songwriter who transformed almost overnight into a national sensation after a chance meeting with impresario Larry Parnes in 1958. Parnes, impressed by both Fury's original material and striking presence, signed him immediately, setting in motion a career that would define the sound and style of pre-Beatles British pop. Fury possessed a rare versatility: he could deliver energetic, American-influenced rock 'n' roll with conviction, yet switch effortlessly to tender, emotionally charged ballads. His voice -- smooth, yearning, and capable of surprising dramatic power -- made him one of the most distinctive singers of his generation. During the early 1960s, he became a fixture on the UK charts, achieving an extraordinary run of hits that placed him just behind Cliff Richard and The Shadows in chart appearances for the decade. His tours, which often featured young Merseybeat acts such as the Beatles in support slots, played a vital role in shaping the emerging British pop landscape. The Hit Parade Hero 1959-62 brings together the defining recordings from his most influential early years. Side A captures his breakthrough and rapid rise with tracks like 'Maybe Tomorrow,' 'Margo, Don't Go,' 'That's Love,' and the atmospheric fan favorite 'Wondrous Place,' a song that perfectly showcases his moody, intimate vocal style. The side also highlights his early experimentation with teen-pop and rockabilly influences. Side B presents the full force of Fury's hit-making period, including the majestic ballad 'Halfway to Paradise,' the dramatic 'Jealousy,' and the polished romantic pop of 'Last Night Was Made for Love' and 'Once Upon a Dream.' Together, these tracks form a definitive portrait of an artist who helped shape British popular music -- passionate, stylish, and timeless."
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LP
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AW 141LP
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$22.00
PREORDER
RELEASE DATE: 8/7/2026
"The Whiles are a Columbus, Ohio indie-folk-rock band whose work spans four different decades. Formed in the late '90s, The Whiles have shared the stage with The National, Grizzly Bear, and My Morning Jacket, had a song in an Academy Award Nominated documentary (Murderball) and all of its members have been at the center of the world renowned (and Sir Paul McCartney endorsed) Sgt Peppercorn's Marathon, the only show of its kind in which all 220 songs of the Beatles are performed in a single 14-hour performance. In 2024, The Whiles booked time with legendary producer Steve Albini (Nirvana, Pixies, Breeders) to record a new album. Unfortunately, Albini tragically passed away three months before the scheduled recording dates. The Whiles pivoted and finished two records on their own in their home studios: 'Hummingbird,' a 10-song polyrhythmic meditation on being a middle-aged parent in a post-Covid world, and Colors of the Year, a rerecording and 3D reimagining of the band's 2004 masterpiece. Both albums showcase the band's ability to incorporate Beach Boys harmonies, George Harrison-esque guitar composition, the 2000s indie aesthetics of bands like The Shins and The National and Dylan/Cohen inspired lyrical precision, and an emotional vulnerability that echoes The Smiths and Elliott Smith. The Whiles bring a uniquely earnest musical kaleidoscope of both records, records that hopefully will resonate in a fragmented world that craves beauty and truth."
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LP
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AW 142LP
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$22.00
PREORDER
RELEASE DATE: 8/7/2026
"The Whiles are a Columbus, Ohio indie-folk-rock band whose work spans four different decades. Formed in the late '90s, The Whiles have shared the stage with The National, Grizzly Bear and My Morning Jacket, had a song in an Academy Award Nominated documentary (Murderball) and all of its members have been at the center of the world renowned (and sir Paul McCartney endorsed) Sgt Peppercorn's Marathon, the only show of its kind in which all 220 songs of the Beatles are performed in a single 14 hour performance. In 2024, The Whiles booked time with legendary producer Steve Albini (Nirvana, Pixies, Breeders) to record a new album. Unfortunately, Alibini tragically passed away three months before the scheduled recording dates. The Whiles pivoted and finished two records on their own in their home studios: Hummingbird, a 10-song polyrhythmic meditation on being a middle aged parent in a post-Covid world, and Colors of the Year, a rerecording and 3D reimagining of the band's 2004 masterpiece. Both albums showcase the bands ability to incorporate Beach Boys harmonies, George Harrison-esque guitar composition, the 2000s indie aesthetics of bands like The Shins and The National and Dylan/Cohen inspired lyrical precision, and an emotional vulnerability that echoes The Smiths and Elliott Smith. The Whiles bring a uniquely earnest musical kaleidoscope of both records, records that hopefully will resonate in a fragmented world that craves beauty and truth, The Whiles are excited to be an active band again, looking back and celebrate the rerecording of a lost gem (Colors of the Year), while simultaneously looking forward with a batch of new songs (Hummingbird)."
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CD
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BB 447CD
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$16.50
PREORDER
RELEASE DATE: 8/7/2026
Released in 1974, Zuckerzeit marks a clear turning point in Cluster's work, introducing shorter formats and a more defined rhythmic framework. The increased use of drum machines and structured sequencing sets it apart from the duo's earlier, more diffuse recordings, while maintaining a focus on texture and tone. Developed in close proximity to Michael Rother and under increasingly independent production conditions, the album establishes a more direct and accessible approach without simplifying its underlying ideas. This standard edition makes the album available again on CD and vinyl following the previous limited anniversary release. A key recording in Cluster's catalogue, capturing a pivotal moment of transition and refinement. In 1974, Cluster entered the sugar era. Many a thing had changed for band members Moebius and Roedelius since Cluster II: They had moved from boisterous Berlin to this calm rural village, they had founded the band Harmonia, had set up their own studio and had bought new equipment. As a result of this and many other things, new impulses were noticeably spurring the evolution of their music. The album Zuckerzeit ("sugar era") launched a revolution for Cluster. Strictly speaking, Zuckerzeit is not really an album by Cluster. More precisely, the LP contains two mini solo albums by Moebius and Roedelius. Those who were familiar with the stylistic peculiarities of the two musicians could easily relate the solo pieces to either one of them. As Roedelius and Moebius had not yet released any solo works by the time, it was actually not possible to draw up any comparisons yet. Zuckerzeit is light and cheerful, freed from the Germanic gravity and the mystic incense fumes that were so fashionable at the time. Cluster managed to keep both feet on the ground without becoming plain or even sterile. The friendliness of the music is clearly due to the two personalities of Roedelius and Moebius; its down-to-earth character possibly comes from Michael Rother, the album's coproducer. When comparing Zuckerzeit to the works of other electronic combos produced at the same time, it is first of all the shortness of the tracks that seems most striking. The fact that Cluster worked in such a calm and collected way, that they concentrated on their musical ideas instead of losing themselves in long-windedness -- all this taken together gave way to the creation of electronic miniatures that sounded as extraordinary in the 1970s as they still do today.
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LP
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BB 447LP
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$26.00
PREORDER
RELEASE DATE: 8/7/2026
LP version. Released in 1974, Zuckerzeit marks a clear turning point in Cluster's work, introducing shorter formats and a more defined rhythmic framework. The increased use of drum machines and structured sequencing sets it apart from the duo's earlier, more diffuse recordings, while maintaining a focus on texture and tone. Developed in close proximity to Michael Rother and under increasingly independent production conditions, the album establishes a more direct and accessible approach without simplifying its underlying ideas. This standard edition makes the album available again on CD and vinyl following the previous limited anniversary release. A key recording in Cluster's catalogue, capturing a pivotal moment of transition and refinement. In 1974, Cluster entered the sugar era. Many a thing had changed for band members Moebius and Roedelius since Cluster II: They had moved from boisterous Berlin to this calm rural village, they had founded the band Harmonia, had set up their own studio and had bought new equipment. As a result of this and many other things, new impulses were noticeably spurring the evolution of their music. The album Zuckerzeit ("sugar era") launched a revolution for Cluster. Strictly speaking, Zuckerzeit is not really an album by Cluster. More precisely, the LP contains two mini solo albums by Moebius and Roedelius. Those who were familiar with the stylistic peculiarities of the two musicians could easily relate the solo pieces to either one of them. As Roedelius and Moebius had not yet released any solo works by the time, it was actually not possible to draw up any comparisons yet. Zuckerzeit is light and cheerful, freed from the Germanic gravity and the mystic incense fumes that were so fashionable at the time. Cluster managed to keep both feet on the ground without becoming plain or even sterile. The friendliness of the music is clearly due to the two personalities of Roedelius and Moebius; its down-to-earth character possibly comes from Michael Rother, the album's coproducer. When comparing Zuckerzeit to the works of other electronic combos produced at the same time, it is first of all the shortness of the tracks that seems most striking. The fact that Cluster worked in such a calm and collected way, that they concentrated on their musical ideas instead of losing themselves in long-windedness -- all this taken together gave way to the creation of electronic miniatures that sounded as extraordinary in the 1970s as they still do today.
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2LP
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BFR 051S-LP
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$19.00
PREORDER
RELEASE DATE: 8/7/2026
"Two decades into their existence, Elder remain an anomaly in the heavy underground -- a band with the ability to absorb and shed influences from a myriad of genres without falling into pastiche or losing their identity. New album Through Zero is a reaffirmation of their commitment to pushing boundaries and cements their status as leaders in heavy psychedelic rock. Elder has long since mastered crushing riffs, melodic jaunts, progressive patterns, hypnotic grooves and ethereal atmospherics. Recorded in Berlin between tours in 2025, Through Zero is possibly their most immediate and engaging record to date, allowing seeds from outside the sphere of rock music to take root and bloom within their progressive framework. Listeners will find new textures, sequences and sounds woven into Elder's endlessly bombastic take on heavy rock. Elder was formed in a small coastal town in Massachusetts around 2006 by three longtime friends with a passion for down-tuned heavy music. Over the years, the band has gained a guitarist, lost a drummer, relocated (mostly) from the United States to Germany, played hundreds of shows from small clubs to arenas across the world and released six full-length albums, four EPs and two live records. 'Through Zero' is a term borrowed from music engineering, which describes the property of a frequency being able to pass through the zero point and continue into the negative. While not a concept rooted in philosophy, it resonates on an existential level: the zero point is not an end, but a midpoint along a mostly unseeable path where the journey is the destination and reality is less linear than most of us understand."
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BKE 024CL-LP
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$33.00
PREORDER
RELEASE DATE: 8/7/2026
Clear vinyl version. In spring 2025, Abul Mogard and Rafael Anton Irisarri created the source material for their second album, Where Light Pauses in the Silence of the Sun, during a three-day residency at Morphine Raum in Berlin. Functioning as both recording studio and performance venue, the space has no stage, with the audience gathered around the performers. Working within an open framework, the duo reshaped the music each evening while recording the performances live to multitrack. Rotary speakers, modular synthesizers and bowed guitar formed the core of their sonic language, captured through a 1970s mixing console and microphones placed around the room. Back in Mogard's studio in Rome, the material was further crafted as motifs were stretched, fragments isolated, and tempos dissolved. Irisarri recorded additional guitar textures and treatments in New York, while passages recorded by Martina Bertoni and Andrea Burelli in Berlin reinforced the harmonic centers and brought breath, refinement and a new sensibility to their compositions. The process continued as Mogard's layering and subtraction reassembled everyone's parts into the final arrangement. The album opens with "In the Eastern Wild," building from a sparse outline into a monumental formation of low-frequency weight, its internal motion shaped by the rotating Leslie speaker. "Over the Domes" widens into a broader acoustic field, where sustained modular tones meet waves of softly plucked guitar. The music then turns inward with "A Blue Descent," centered on Bertoni's cello, whose growling timbre introduces a melancholic depth. At the album's center, "In a Quiet Radiance" unfolds around a slow guitar ostinato, its luminous stillness opening into a more expansive and reflective state. Across its ten-minute span, Burelli's violin lines and Bertoni's lower cello phrases gradually surface, weaving through the harmonic field. Mogard brings Burelli's processed voice to the fore, its emotive, operatic presence becoming one of the record's pivotal moments. "Of Blessed Ages" suspends the sonic flow, shifting between parallel major and minor chords as lingering, slowly decaying melodies shape the music's internal drift. The closing "Among Shadows" settles into a darker resonance as layered textures recede. Mogard and Irisarri's shared language balances restraint and maximalism.
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LP
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BKE 024LP
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$31.50
PREORDER
RELEASE DATE: 8/7/2026
In spring 2025, Abul Mogard and Rafael Anton Irisarri created the source material for their second album, Where Light Pauses in the Silence of the Sun, during a three-day residency at Morphine Raum in Berlin. Functioning as both recording studio and performance venue, the space has no stage, with the audience gathered around the performers. Working within an open framework, the duo reshaped the music each evening while recording the performances live to multitrack. Rotary speakers, modular synthesizers and bowed guitar formed the core of their sonic language, captured through a 1970s mixing console and microphones placed around the room. Back in Mogard's studio in Rome, the material was further crafted as motifs were stretched, fragments isolated, and tempos dissolved. Irisarri recorded additional guitar textures and treatments in New York, while passages recorded by Martina Bertoni and Andrea Burelli in Berlin reinforced the harmonic centers and brought breath, refinement and a new sensibility to their compositions. The process continued as Mogard's layering and subtraction reassembled everyone's parts into the final arrangement. The album opens with "In the Eastern Wild," building from a sparse outline into a monumental formation of low-frequency weight, its internal motion shaped by the rotating Leslie speaker. "Over the Domes" widens into a broader acoustic field, where sustained modular tones meet waves of softly plucked guitar. The music then turns inward with "A Blue Descent," centered on Bertoni's cello, whose growling timbre introduces a melancholic depth. At the album's center, "In a Quiet Radiance" unfolds around a slow guitar ostinato, its luminous stillness opening into a more expansive and reflective state. Across its ten-minute span, Burelli's violin lines and Bertoni's lower cello phrases gradually surface, weaving through the harmonic field. Mogard brings Burelli's processed voice to the fore, its emotive, operatic presence becoming one of the record's pivotal moments. "Of Blessed Ages" suspends the sonic flow, shifting between parallel major and minor chords as lingering, slowly decaying melodies shape the music's internal drift. The closing "Among Shadows" settles into a darker resonance as layered textures recede. Mogard and Irisarri's shared language balances restraint and maximalism. Also available on white (BKE 024WH-LP) and clear (BKE 024CL-LP) color vinyl.
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LP
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BKE 024WH-LP
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$33.00
PREORDER
RELEASE DATE: 8/7/2026
White vinyl version. In spring 2025, Abul Mogard and Rafael Anton Irisarri created the source material for their second album, Where Light Pauses in the Silence of the Sun, during a three-day residency at Morphine Raum in Berlin. Functioning as both recording studio and performance venue, the space has no stage, with the audience gathered around the performers. Working within an open framework, the duo reshaped the music each evening while recording the performances live to multitrack. Rotary speakers, modular synthesizers and bowed guitar formed the core of their sonic language, captured through a 1970s mixing console and microphones placed around the room. Back in Mogard's studio in Rome, the material was further crafted as motifs were stretched, fragments isolated, and tempos dissolved. Irisarri recorded additional guitar textures and treatments in New York, while passages recorded by Martina Bertoni and Andrea Burelli in Berlin reinforced the harmonic centers and brought breath, refinement and a new sensibility to their compositions. The process continued as Mogard's layering and subtraction reassembled everyone's parts into the final arrangement. The album opens with "In the Eastern Wild," building from a sparse outline into a monumental formation of low-frequency weight, its internal motion shaped by the rotating Leslie speaker. "Over the Domes" widens into a broader acoustic field, where sustained modular tones meet waves of softly plucked guitar. The music then turns inward with "A Blue Descent," centered on Bertoni's cello, whose growling timbre introduces a melancholic depth. At the album's center, "In a Quiet Radiance" unfolds around a slow guitar ostinato, its luminous stillness opening into a more expansive and reflective state. Across its ten-minute span, Burelli's violin lines and Bertoni's lower cello phrases gradually surface, weaving through the harmonic field. Mogard brings Burelli's processed voice to the fore, its emotive, operatic presence becoming one of the record's pivotal moments. "Of Blessed Ages" suspends the sonic flow, shifting between parallel major and minor chords as lingering, slowly decaying melodies shape the music's internal drift. The closing "Among Shadows" settles into a darker resonance as layered textures recede. Mogard and Irisarri's shared language balances restraint and maximalism.
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2LP
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BORNBAD 197LP
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$29.50
PREORDER
RELEASE DATE: 8/7/2026
Originally self-produced in 150 copies (on by Le Kiosque d'Orphée in 1977), Mar-Vista's only album is one of France's most strange and radical records.. The story of Mar-Vista begins in northern France, in Lille, in the early 1970s, with the meeting of two music enthusiasts: Claude Cuvelier and Jean Skowron. They connected through Claude's brother. At that time, Jean was already standing out at blues concerts for his singular sonic approach: he placed microphones inside suitcases that he struck to produce raw, primitive sounds -- an experimental process that immediately impressed Claude. A shared vision quickly took shape: to create repetitive, atmospheric music, freed from traditional formats. In 1973, they gave birth to Mar-Vista, with the desire to compose long, immersive works, sometimes built around a single chord, in the spirit of Balinese music. The duo gradually equipped themselves: a Mini Korg in 1972, a Yamaha synthesizer, a Farfisa organ, and even a drum machine discovered by chance during a television appearance by Henri Salvador. The home studio became their creative sanctuary. Jean worked on a 4-track Teac tape recorder, Claude on a Philips model. Each freely composed their own side of the future album, while collaborating on each other's ideas. Side A, led by Jean, is more rooted in the progressive electronic music of the time, influenced by Heldon, Amon Düül, and Soft Machine. Side B, bearing more of Claude's imprint and his influences (Terry Riley, La Monte Young), is far more experimental and consists of a 22-minute trippy instrumental piece. Despite its confidential release at the time, the album is now considered one of the most remarkable works of the genre ever released in France. A second album project inspired by the universe of H. P. Lovecraft was in progress, but family responsibilities slowed this creative momentum. The second vinyl of this reissue is composed of unreleased tracks, featuring improvised pieces without synthesizers, recorded live in August 1973 on a hill near Valence, in the garden of friends (Hervé and Martine). Psychedelic electronic music, experimental, and acid folk -- a collector's grail for fans of Klaus Schulze, Terry Riley, Neu, Heldon, and Silver Apples. Includes a previously unreleased second record from 1973.
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LP
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BSR 871PT-LP
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$29.00
PREORDER
RELEASE DATE: 8/7/2026
"Classic early '80s dancehall from one of the genre's most distinctive voices. Reggae Feelings captures Anthony Johnson at his peak, backed by the legendary Roots Radics Band and produced by Jah Thomas at Channel One and mixed at King Tubby's. Originally released in the early 1980s, this album stands at the crossroads of roots reggae and emerging dancehall, pairing heavyweight rhythms with Johnson's melodic, street wise vocal style. The Roots Radics' stripped down, driving grooves -- overseen by rhythm architects Errol 'Flabba' Holt and Lincoln 'Style' Scott -- provide the perfect foundation for timeless cuts such as 'Fussing & Fighting,' 'Reggae Feelings,' and 'Dread Locks.' A key sound system album that helped define the mid period dancehall sound, Reggae Feelings remains as powerful today as it was on release -- rough, raw and deeply authentic Jamaican music. This edition is pressed on 180gram heavyweight vinyl and features extensive sleeve notes, making it essential for reggae collectors, sound system devotees and fans of classic Channel One productions."
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LP
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BT 5069LP
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$29.00
PREORDER
RELEASE DATE: 8/7/2026
"Exiled is a remarkable 1980 space themed concept album crafted by songwriters Bob Mitchell and Steve Coe, blending melodic rock, progressive textures, and a richly cinematic sci-fi narrative. Recorded with an impressive lineup of renowned British musicians, the album features guest performances from Francis Rossi (Status Quo), Dan McCafferty (Nazareth), and Terry Cassidy, accompanied by backing vocals from Hudson Ford -- the partnership of Richard Hudson and John Ford, both formerly of Strawbs. Keyboardist Chris Parren adds further depth to the album's sound, while additional vocal contributions from Colin Blunstone (The Zombies) and Lesley Duncan. Originally released in 1980, Exiled stands today as an overlooked gem of British progressive rock: a meticulously produced studio project that combines strong songwriting with a stellar supporting cast drawn from some of the UK's most respected musicians of the era."
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7"
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CELNYP 005EP
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$15.50
PREORDER
RELEASE DATE: 8/7/2026
A major figure in Cameroonian makossa, Ngallé Jojo returns with Élo-Lodie/Caresse d'Amour, his first recording in over 30 years. A singer, songwriter, and producer born in Douala, he rose to fame in the late 1970s with tracks that have become classics, before settling in France and dedicating himself to his faith, like Al Green or Solomon Burke. Now rediscovered by collectors and new audiences alike, he makes a comeback that retains all the hallmarks of his style: a driving rhythm, layers of synthesizers, rich melodies, and his signature catchphrase: CHAUD (Hot). A must- see.
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LP + 7"
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CELPACK 001LP
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$42.00
PREORDER
RELEASE DATE: 8/7/2026
The cult album, fully remastered. Recorded in Paris with Jean-Yves Messan, Patrick Francfort, and François Corea, leading figures of the African diaspora, Na Bo Ndedi is one of the pinnacles of makossa's golden age. A classic by Ngallé Jojo, with a unique sound that blends traditional rhythms with modern arrangements, vibrant grooves, and a powerful rhythmic drive. Thirty years later, Celluloid Records is reissuing this essential album in a remastered version. For collectors who know it by heart, and for all those who are finally discovering it.
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LP
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CHKLP 047LP
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$34.00
PREORDER
RELEASE DATE: 8/7/2026
"Fortune favors the brave. And lordy, nobody has been more rewarded than I have by stumbling into the brilliantly crafted world of Ultra Lights. It started innocently enough when I witnessed their second show, appearing on a stacked bill that included locals Bizner and Arbor Labor Union and the Dutch phenom band Lewsberg. After their opening set, I went up to guitarist/vocalist John Robinson and asked if their closing song was a cover, because it sounded so dang familiar. An earworm for the ages, if you will. Yeah, it was that annoyingly catchy. Maybe was it a Fang song? That Sunday night signaled the beginning of my torrid love affair with Ultra Lights? Enter Pleasure's All Yours. A record that, by any reasonable metric, is a stone-cold masterpiece? Pleasure's All Yours is a record that came out of the forge perfectly cast. A prestige effort. This record is honest t'god special. Become properly acquainted with Pleasure's All Yours. Listen to it. Study it. And let me just get this out of the way: John Robinson is a songwriting genius with derisively brilliant nihilistic lyrics. He's a mindful postgrad of years upon years of studying the masters, from Australia's supreme trash rock to American buzz guitar pop and back again. Pleasure's All Yours is eleven songs of unrelenting perfection. Such laconically brilliant songcraft that you're gonna wonder, just like I did, if that last song's a cover. Let me tell ya somethin', cupcake, it's all original. Lyrical headscratchers abound? Pleasure's All Yours is an unstoppable pop juggernaut. John's wife, Leela, is on second guitar and backup vox. The rough-and-tumble rhythm section of Gus and Alex have stripped away the bullshit, leaving nothing but a sinewy platform for John's inarguably flawless jams. Listen to the album once and you'll agree. Recorded masterfully by Khris Sampson and mastered beautifully by Mikey Young. Pleasure's all yours, indeed. As with all things at Chunklet, the buck stops with me. Theoretically, if Pleasure's All Yours were the final release for the label, would I be proud? Not only am I proud, but I'd hazard to say it could be the best record the label has ever released. But hey, tell your friends. Mark your calendars. Heed my words. Pleasure's All Yours is the feel-good hit of not just this summer but every summer until the end of time. Blast it." -Chunklet Industries
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CD
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CVSD 129CD
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$13.50
PREORDER
RELEASE DATE: 8/7/2026
Corbett vs. Dempsey celebrates its first release featuring Nick Mazzarella. One of the critical figures in Chicago's creative music scene, alto saxophonist Nick Mazzarella has been a mainstay for over 25 years as a leader, composer, and player. This gorgeous recording was made at Shape Shoppe Paradiso, the Italian studio of former Chicagoan Griffin Rodriguez. Mazzarella was introduced to bassist Silvia Bolognesi by cellist Tomeka Reid, and he began informally playing with Silvia and drummer Christiano Calcangile in 2016. Seven years later, Bolognesi invited Mazzarella to play with her quartet at the Hyde Park Jazz Festival and to tour a bit with them; she then invited him to Italy, where they performed and recorded, and in 2025 they convened again, this time allowing time for a trio session focused on Mazzarella's original music, all of it previously unrecorded or written specifically for the occasion. Mazzarella, Bolognesi, and Calcagnile added trumpeter Emanuele Marsico for quartets on two pieces. Covering a breadth of stylistic terrain, from three open improvisations to piquant balladry and freebop heat, Siena Sessions presents Mazzarella's uncompromising vision with grace and precision. Molto bene, Mazzarella!
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2LP
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DE 350LP
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$36.00
PREORDER
RELEASE DATE: 8/7/2026
"Severed Heads reattach themselves to Dark Entries for an expanded reissue of their 1991 opus Cuisine (With Piscatorial). As originary Aussie industrial legends -- although founder Tom Ellard would balk at being branded as such -- Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and infectious nursery-rhyme-esque melodies. Cuisine (With Piscatorial) was the long-running project's ninth album, and is a commentary on the state of music. Ellard explains: 'The whole food joke is really about what music's about and how disposable it is; people have records like they have cups of coffee.' The album also presents a turn away from the dancefloor formalism of the era, which Ellard dismissed as already sufficiently explored. Cuisine brings listeners punchy pop kernels of the prime Heads variety, all clocking in around three minutes. Cuts like 'Pilot in Hell' and 'Ugly Twenties' rank among the band's best through their deadly skewering of synth pop tropes. But the album also offers a Piscatorial section, where Ellard felt free to 'go fishing for ideas.' Here listeners get a taste of the project's demented cut-up sensibilities, like on the 'Quest for Oom Pa Pa' suite, where vintage jazz records are collaged into an angular nightmare. This double-LP reissue is the first time that Cuisine (With Piscatorial) appears on vinyl, with a previously unreleased early version of 'Seven of Oceans.' Also included is a six-page booklet with liner notes, lyrics, and press clippings."
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12"
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DEFCLAS 032EP
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$20.50
PREORDER
RELEASE DATE: 8/7/2026
Definitive Recordings revisits one of its most iconic releases with a fresh reissue of Robotman feat. Marshall Jefferson -- "Do Da Doo," originally released in 1992. A cornerstone of the label's early catalogue, the track returns with newly re-recorded vocals by house legend Marshall Jefferson, bringing renewed energy to a timeless classic. Robotman, a moniker of Richie Hawtin (aka Plastikman), represents an essential chapter in the evolution of house and techno. On this release, the original Plastikman Acid House Mix stands as a true highlight. On the flipside, Detroit's DJ Minx brings a fresh perspective with a groove-heavy house interpretation.
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LP
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DG 010LP
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$26.00
PREORDER
RELEASE DATE: 8/7/2026
"I wanted to make a totally fried recording, quick and dirty. Sort of a cathartic expulsion. Clean the cobwebs. I recently bought a Vestax MR44 (the best sounding 4-track ever IMHO) -- the same 4-track I recorded some Coachwhips, early OCS etc. on. Now we had the tools we needed so I spent a week writing riffs and brought them to Tom Dolas and John Hodge. We ran them one time and then recorded them on the second go. Loosely improvised and unhinged. Everything turned all the way up. Hope you dig -- play loud." --John Dwyer
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2LP
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DM 007X-LP
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$42.00
PREORDER
RELEASE DATE: 8/7/2026
"Originally released in 1997, Jeffersonville is a hidden gem of late-'90s American indie rock, blending heartfelt songwriting, melodic guitars, and the raw charm of the DIY underground. Formed in Burlington, Vermont, Guppyboy served as an early creative home for musicians who would later go on to form The Sixth Great Lake and The Essex Green, making this album an important chapter in the story of American independent music. This deluxe double LP edition presents Jeffersonville in its most complete form to date, featuring previously unreleased and non-album tracks not included on the original release. Expanding on the original album while preserving its intimate, homespun spirit, this definitive edition shines a new light on a long-overlooked cult favorite. With its blend of indie rock, power pop, and timeless melodic songwriting, Jeffersonville offers strong appeal to fans of the Elephant 6 universe and the wider American indie underground."
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LP
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DM 008X-LP
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$34.00
PREORDER
RELEASE DATE: 8/7/2026
"Originally released in 2005, We're Already There is the acclaimed second album by Mazarin, the project led by Quentin Stoltzfus. Blending lush psychedelic textures, melodic indie rock, and intricate studio craftsmanship, the album occupies a unique space between dream pop, chamber pop, and neo-psychedelia, earning a devoted following among fans of adventurous independent music. Widely regarded as the band's defining statement, We're Already There showcases richly layered arrangements, warm analog production, and timeless songwriting that continues to resonate two decades after its original release. Long sought after on vinyl, the album remains a hidden gem of the mid-2000s indie landscape. This reissue is presented on rusty red vinyl and housed in a gatefold sleeve, offering the definitive vinyl edition of a modern cult favorite. Combining strong collector appeal with enduring musical relevance, We're Already There is an essential catalogue title for fans of indie, psychedelic, and alternative music in general."
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LP
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EGLP 003LP
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$33.00
PREORDER
RELEASE DATE: 8/7/2026
Following the solid showing of global love and support for the collective Point Winona Sound Library Vol 1, LA's Elbow Grease label runs it back with a sultry summer scene LP entry from one of the compilation's most promising new talents. Nashville-born/LA-bred Michael Griffin aka Gryph's aptly-titled debut album Nash Angeles is a rare and refreshing example of true musical worlds colliding, that never loses focus of keeping the big fun in funky. The Tennessee-raised rock and blues guitarist/singer-songwriter's newfound passion for dance music roots and devotion to the sonic feels of his current Cali home base are on full display here. Along with the studio-ace touches of co-producer Dave Aju and a cast of brilliant feature vocalists and live session musicians, the LP offers up only the most adventurous twists on contemporary genre fusion -- from disco to dub, modern soul to post-punk, Italo to r&b, and jazz-funk to classic house music, all while firing loved-up arrows straight through the hearts of any dance floors or fellow party animals.
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2LP
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EMEGO 322LP
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$40.00
PREORDER
RELEASE DATE: 8/7/2026
Pon is Tujiko Noriko's sixth album for Editions Mego and a further extension of her already significant body of work as both a solo and collaborative artist. Dedicated to her cat who she adopted as an infant and passed away due an accident having been born deaf, Pon is imbued with abstraction, tenderness and a deep emotional resonance. Noriko's palette of electronics, romantic melodies and surprising sonic details are all fully present here, and like her last full length, 2023's Crépuscule this is an epic work, released as a 2LP by Editions Mego. The unmistakable hue of Japan hovers throughout this emotional rich landscape. Subtle field recordings and fragile, abstract motifs drift through the album, all cloaked in a warmth and humanity that only Noriko seems able to conjure. Pon moves effortlessly between the childlike and the obscure. There are moments of deceptive simplicity where unexpected elements suddenly surface -- strange voices emerge on "Boku Wa Obaka." "Knife of Yonder" is a standout: a startling ten-minute unfolding that begins with a warm, almost Eno-esque drift before launching into a soaring mid-section and finally landing somewhere unexpectedly blues-adjacent. "Kikoeru Pon" is brimming with childlike wonder -- a heartfelt ballad that dissolves into domestic field recordings, including sounds of the feline for whom both the album and track are named. A quietly devastating ending that brings the personal nature of the record into sharp focus. There is a deep sense of the human in the way Noriko embraces technology. This is far from cold abstraction; rather, Pon feels like a colorful photo album, documenting Noriko's inner world and instincts with remarkable intimacy. Hovering in liminal states between pop, ambient and abstraction, this is a deeply affective and moving release that reveals new surprises with each listen. The emotional range of Noriko's latest offering inspires hope in a world in disarray. It is both gentle and epic and one which we feel embodies the work of an artist fully at the height of her powers.
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LP
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FASHION 001LP
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$36.50
PREORDER
RELEASE DATE: 8/7/2026
First LP release on Real Rock Records now repressed! Initially released on a small run pressing, this is a fine style dubwise selection from the Fashion Records catalogue. The rhythms contained in this album were recorded in the 1980s for various projects, some of which never saw an official release. The tracks were all mixed at the A-Class Studio by Chris "Dub Organiser" Lane, and were initially shared to a select circle of sound system operators to be played as exclusive dubs. Now the time is right for the music to be made available to all dub addicts and music lovers.
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12"
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HEIST 101EP
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$19.00
PREORDER
RELEASE DATE: 8/7/2026
Dam Swindle nail 2026 as the year of house music's glorious return with their new Call Me EP. 2026 is the year of house music. Festivals, clubs, bars and living rooms have been craving for more warmth and soul in electronic music and you know we're here for it. It's only been a few months since we celebrated the 100th release on Heist's House of House compilation (HEIST 100LP); a 19-track embodiment of everything the label loves about house music where label heads Dam Swindle teamed up with Detroit legend DJ Minx on their track "Back To The Old School". Now, the Amsterdam duo deliver a new EP filled with dancefloor energy across five original cuts and vocals courtesy of British-Bengali rapper Surya Sen. The title track "Call Me" is a stabby and string-heavy peak time jam, where chopped female vocals and offbeat cowbells deliver a simply irresistible groove. "5 to 9" features the vocals of London rapper Surya Sen whose deep voice add an instant vibe to Dam Swindle's deep and Detroit'esque production. This track sits somewhere between gritty dark rooms and sweaty dancefloors. Definitely not the stuff for your 9 to 5, but with plenty of funk for your after-work pleasures. The track comes in two versions; the vocal mix and a longer club-dub with some cleverly chopped vocals that comes in handy for the DJ sets. The B1 is saved for "I Like It". A track full of old school Swindle swing, Rhodes chords, a dash of electronics and soulful vocals chops for good measure. The EP closer is "A House Track"; a song dedicated to the old school New York house sound and an affirmation that great house music doesn't have to be complicated. It just needs to groove. This one has been road-tested all year and is now ready for your listening and playing pleasure.
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CD
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HPS 401CD
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$19.00
PREORDER
RELEASE DATE: 8/7/2026
Recorded during the band's first ever European tour in 2025. Twenty live tracks, recorded at their shows in Barcelona and Arnhem that prove this occult doom trio has become an incredible live band. Heavy as hell! Mixing and mastering by Luca Frizza. Album cover and live pictures by Ari Tinieblas. Also available on black vinyl (HPS 401LP), pink vinyl (HPS 401LTD-LP), and transparent black/green vinyl (HPS 401ULTRA-LP).
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2LP
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HPS 401LP
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$39.50
PREORDER
RELEASE DATE: 8/7/2026
Double LP version. Recorded during the band's first ever European tour in 2025. Twenty live tracks, recorded at their shows in Barcelona and Arnhem that prove this occult doom trio has become an incredible live band. Heavy as hell! Mixing and mastering by Luca Frizza. Album cover and live pictures by Ari Tinieblas.
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2LP
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HPS 401LTD-LP
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$48.00
PREORDER
RELEASE DATE: 8/7/2026
Double LP version. Pink color vinyl. Recorded during the band's first ever European tour in 2025. Twenty live tracks, recorded at their shows in Barcelona and Arnhem that prove this occult doom trio has become an incredible live band. Heavy as hell! Mixing and mastering by Luca Frizza. Album cover and live pictures by Ari Tinieblas.
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2LP
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HPS 401ULTRA-LP
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$56.00
PREORDER
RELEASE DATE: 8/7/2026
Double LP version. Pink color vinyl. Transparent black/green color vinyl. Recorded during the band's first ever European tour in 2025. Twenty live tracks, recorded at their shows in Barcelona and Arnhem that prove this occult doom trio has become an incredible live band. Heavy as hell! Mixing and mastering by Luca Frizza. Album cover and live pictures by Ari Tinieblas.
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LP
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IDA 167LP
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$23.00
PREORDER
RELEASE DATE: 8/7/2026
"Désiré Niamké, known to the avant-garde pantheon as Aho Ssan, stands as a titanic force at the nexus of experimental electronic music, sonic architecture, and contemporary composition. Over the past decade, the Paris-based visionary has dismantled and reconstructed the boundaries of sound, cementing his reputation with seminal works such as the harrowing Simulacrum (Subtext, 2020), the collaborative odyssey Limen with KMRU, and the sprawling, star-studded magnum opus Rhizomes (Other People, 2023), which features the incendiary talents of Moor Mother, Angel Bat Dawid, and clipping. His trajectory is a relentless ascent, marked by command performances at the hallowed halls of Lincoln Center, the Muziekgebouw, and the cutting-edge stages of Atonal Berlin, CTM, and Sonic Acts. His latest masterwork, The Sun Turned Black, is an evocative, visceral exploration of ancestry and atmosphere. Commissioned by the prestigious Maison de la Radio for the Hyperweekend festival, the album germinated from field recordings captured within the vibrant, rhythmic heart of Ghana -- Aho Ssan's ancestral cradle. By daringly exorcising all percussive artifice, the artist constructs a breathtaking sonic tapestry, defined by a transcendent dialogue with the internationally acclaimed violinist ASIA. This project occupies a rarefied, ethereal space where ambient introspection collides with the raw intensity of noise and the intricate precision of electroacoustic composition. Coproduced by the esteemed Subtext Recordings, The Sun Turned Black is not merely an album; it is a monumental, genre-defying statement that echoes through the corridors of modern sound, asserting Aho Ssan's position as a singular, epoch-defining composer."
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LP
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KEPLARREV 024LP
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$29.50
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RELEASE DATE: 8/7/2026
Originally released in 2008 on Ezekiel Honig's own Anticipate Recordings, Surfaces of a Broken Marching Band finds the artist refining a compositional language rooted in the methodologies of musique concrete, ambient, and beat research. Working from a palette of environmental recordings, instrumental fragments, and soft electronic treatments, Honig pushes the source material into an array of sympathetic forms ranging from pillow-soft, lowercase ambient to diffuse downtempo and minimal house. For its reissue on Keplar, the album has been remastered by Kassian Troyer (D&M), bringing a new clarity to its intricate, low-lit architectures. Throughout the record, serving almost as audiographic guideposts, are faint but insistent gestures toward propulsion, an abiding and recurrent 4/4 pulse that guides the music laterally and instantiates a slow negotiation between its various elements. This music invites close listening precisely by not revealing itself all at once, allowing small collisions of timbre and subtle shifts in emphasis to carry the weight. The traces of lived environments that remain embedded in the mix -- distant crowds, sounds of transit, the indistinct acoustics of interiors in flux -- expand the frame without breaking its intimacy, creating a potent dislocation between the nearness of the sound and the scale of its sources. Rather than foregrounding any single voice, this is music that distributes attention equally across its materials, allowing background details to assert their presence as much as melody or rhythm. Honig presents listeners with an astute practice that's concerned less with building from the ground up than with uncovering what happens when disparate textures and structures are brought into close contact with one another.
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LP
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KK 144LP
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$30.50
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RELEASE DATE: 8/7/2026
"When I first heard Yelka play I thought to myself: 'I'd like to play in that band.' In the meantime I have realized that it would not be as easy as I imagined. The fluffy easy sound that gets created is so particular that it would not be so easy to execute those exact sounds of the band. This is mostly due to the unconventional harmonies of the guitar. Daniel himself said he is content with the guitar and added an extra one on almost all of the songs. Which I, as a fan of Daniels anarchic approach to playing, love. Also Yelka's groovy smooth bass playing is in the forefront of the album once again. Her sound bounces through the guitar riffs as if it's the most common thing on earth. Once Yelka adds her vocals to the songs, that's when they almost become pop and reminiscent of Velvet Underground. Christian's drums hold these two together through the track list, with a fun Krautrock and jazz influenced style. Everything was recorded live and it sounds fantastic! The sixth track of the Yelka album Jeans is a highlight with the piano support from Federico Corazzini, who adds lush open jazz chords to the incredible intricate harmonies of the band. Arne Bergner (Studio Popschutz) who is once more responsible for the production of the album, also added a beautiful choir arrangement. The finishing touches completing Yelka´s wonderful sound as always added by Norman Nitzsches mastering (Mokik Studio). From top to bottom an amazing album: 'King of the World' (Steely Dan cover), a pop song with a fantastic keyboard solo from `the one and only Dan Ra´ alias Daniel Nentwig (The Whitest Boy Alive), 'Moon for Now,' an atmospheric jazz-ish tune, to 'Walking Whispering,' a strong nine-minute guitar heavy number. I think there are more than two guitars in this one. American indie rock/pop/jazz whatever -- school (after all, it's the third album in the band's America trilogy) and yet above all Berlin, in its most likeable and perhaps even coolest form." --Masha Qrella
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KSLP 035G-LP
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$20.00
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RELEASE DATE: 8/7/2026
Welcome to the roots reggae sound. A period in reggae's history that followed the two year supremacy of rocksteady, that began to tail off around the end of 1968. The reggae sound many say did not come initially from the chop of the guitar but from the stabs from the keyboard/organ that produced that jeggae/jerking feel. The roots element can be heard in the heartfelt lyrics and the stories told in the songs. So sit back and enjoy some roots reggae straight from the heart of Jamaica. Featuring Johnny Clarke, Barry Brown, Cornell Campbell, Leroy Smart, Horace Andy, Linval Thompson, and Delroy Wilson.
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CD
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LMS 1725758
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$16.00
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RELEASE DATE: 8/7/2026
Renascent marks the long-awaited return of legendary Manchester outfit The Durutti Column, their first new studio album in over fifteen years, produced by Keir Stewart. Around the guitar work of Vini Reilly, the album plays between sonic atmospherics and structure: warm ambient washes, piano, beats and guest vocal turns by a new generation (Caoilfhionn Rose on "Agonistes" and Lucas Elliot on CD bonus track "All they See is Fire"). Both contemporary and otherworldly, and with a swathe of new champions citing the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis), Renascent is a timely and vital rebirth for The Durutti Column. Artwork by long-time collaborators 8vo. CD features an exclusive additional bonus track "All They See is Fire." Also available on 1LP yellow standard edition (LMS 1725759) and 1LP coke bottle green deluxe edition (LMS 1725760) with exclusive alternative artwork, gatefold sleeve and large format 12-page booklet.
Video for "Scammer":
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LP
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LMS 1725759
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$31.50
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RELEASE DATE: 8/7/2026
LP version. Yellow vinyl. Renascent marks the long-awaited return of legendary Manchester outfit The Durutti Column, their first new studio album in over fifteen years, produced by Keir Stewart. Around the guitar work of Vini Reilly, the album plays between sonic atmospherics and structure: warm ambient washes, piano, beats and guest vocal turns by a new generation (Caoilfhionn Rose on "Agonistes" and Lucas Elliot on CD bonus track "All they See is Fire"). Both contemporary and otherworldly, and with a swathe of new champions citing the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis), Renascent is a timely and vital rebirth for The Durutti Column. Artwork by long-time collaborators 8vo.
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LP
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LMS 1725760
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$40.00
PREORDER
RELEASE DATE: 8/7/2026
Deluxe LP version. Coke-bottle green vinyl. Renascent marks the long-awaited return of legendary Manchester outfit The Durutti Column, their first new studio album in over fifteen years, produced by Keir Stewart. Around the guitar work of Vini Reilly, the album plays between sonic atmospherics and structure: warm ambient washes, piano, beats and guest vocal turns by a new generation (Caoilfhionn Rose on "Agonistes" and Lucas Elliot on CD bonus track "All they See is Fire"). Both contemporary and otherworldly, and with a swathe of new champions citing the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis), Renascent is a timely and vital rebirth for The Durutti Column. Artwork by long-time collaborators 8vo.
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LP
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LMS 1725862
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$31.50
PREORDER
RELEASE DATE: 8/7/2026
LP version. The Durutti Column's Vini Reilly album is available again to everyone. Produced by Stephen Street (The Smiths, Blur, The Cranberries, New Order). Many new champions cite the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis). Includes booklet.
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CD
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LMS 1725876
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$11.00
PREORDER
RELEASE DATE: 8/7/2026
The Durutti Column's Vini Reilly album is available again to everyone. Produced by Stephen Street (The Smiths, Blur, The Cranberries, New Order). Many new champions cite the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis). Includes booklet.
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LP
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LSSN 104Y-LP
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$30.00
PREORDER
RELEASE DATE: 8/7/2026
"Hannah Lew's debut, self-titled solo record is soaked in imperious, wide-eyed pop songwriting and a girl-group/post punk aesthetic that belies the artist's history in the U.S. underground. A towering, hook-laden album, it's infused with an optimism and surrealism that conversely deals with the times audiences find themselves in. Recorded at home in Richmond, CA and in The Best House studio with Maryam Qudus in Oakland CA, with the assistance of a crack team of West Coast musicians, this album sees Hannah Lew stepping out from behind the legacy of her two groups Grass Widow and Cold Beat. While musically bearing similarities with her previous work, Hannah Lew is a bold leap into direct pop territory, making ample use of a vocal style that teases out the inherent melancholy in her melodies. Mastered by Sarah Register, each song is a perfectly honed nugget that frequently pulls the heart in two directions at once. Themes of change, breaking up, shattering old ways of being are shot through the record. For the front cover, a photograph of the artist's face was printed, ripped up and re-assembled, resembling the creative process embarked upon by Lew for her first 'solo' material. The album feels instinctual, almost dream-like in its assemblage of sweeping synths and pulsating, propulsive drum machine beat patterns with Lew's vocal performances sensitive and caressing over the top. Increasingly relying on the subconscious and dreams to guide her creative process, Hannah Lew frequently abandons literal interpretations or linear narratives, the songs seeming to exist in a swooning, effortless flow-state while remaining emotionally hard hitting. In a departure from previous groups, her solo songs are guided by dreams and free association inspired by Dada and the Surrealist movement and sculpted afterwards. As such, the songs reveal themselves on repeated listens, revealing traces of heartbreak inspired by both personal and global elements -- Lew regards the album as 'a wartime album.'"
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LP
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LSSN 108LP
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$29.00
PREORDER
RELEASE DATE: 8/7/2026
"Key To World Peace is the third release by Prophetic Justice Ministry -- aka Australian musician Sam Perry. An atmospheric, cinematic album that belies a striking pop songwriting nous at its core, its conductor Prophetic Justice Ministry is at the center of a new wave of creative, rule-bending Melbourne artists. Romantic, smudged and hazy, Perry emerges from behind a wall of half-light with a clutch of earworms and affecting emotions. Recorded in home studios in Belgrade (Serbia), Christchurch (New Zealand) and Melbourne (Australia) over the course of three years, Key To World Peace offers a dichotomy in approach. Shifting on a dime between ambient, filmic washes of sound and more traditional song structures, the approach feels natural, casually acid-tipped and emotionally revealing. While Perry's distinctive keys and production melding with melody is evidenced in Melbourne group Who Cares?, as Prophetic Justice Ministry there's a heightened sense of mystery and space being used. Swirling in a psychedelic fog with dry iced chords falling down like melting stars, the album pulses with an ominous, distorted intro that sculpts air into blocks of sound before Psyop offers a glimpse through the gloom at the artist navigating through crushed, shoe-gazing chords, singing a consolation into an abandoned building. Key To World Peace flits between displaying a spectrum of blurred emotional resonance in its instrumental passages and vulnerability in the shape of raw, melodic songwriting. With his first release outside of Australia and vinyl debut, Sam Perry's Prophetic Justice Ministry is a beguiling dance in and out shadows."
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LP
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LTR 001LP
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$28.00
PREORDER
RELEASE DATE: 8/7/2026
Congolese musician and composer Fabe Beaurel Bambi presents Sala Sala, the debut album from Elikia, a five-piece Congolese Afro-jazz group from Paris, and the first release on Berlin-based Little Tone Records. Recorded live over three days in Paris, the album blends Congolese and pygmy musical traditions with rumba, jazz and spiritual grooves, creating a contemporary, funk-laced and highly danceable sound with plenty of variety across the record. Sung in Lingala, Lari and Kikongo, Sala Sala connects ancestral memory and modern Afro-jazz while carrying a message of hope, responsibility and transformation. For fans of Kokoroko, Ezra Collective, Nate Smith, Richard Bona.
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12"
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MTB 027EP
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$18.00
PREORDER
RELEASE DATE: 8/7/2026
Dubwise Detroit techno with crisp grooves and playful depth. Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin. Features remix by (Dying & Barakat.
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LP
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MVLP 014LP
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$35.00
PREORDER
RELEASE DATE: 8/7/2026
"Jim Van Bebber's 1988 psychedelic horror action masterpiece Deadbeat At Dawn soundtrack is now available for the first time ever on vinyl, pressed on 180 gram black vinyl, double sided insert with artwork included. Limited to 500 units. Score composed by Mike Pierry and Ned Folkerth. Deadbeat at Dawn depicts a street gang leader setting out for revenge against a rival street gang, filmed in Dayton, Ohio. Written by, directed by, and starring Van Bebber as gang leader 'Goose.' Nick Pinkerton of Sight & Sound described the film as an 'incredible no-budget mend-and-make ingenuity' that was as 'kinetic, visceral, and palpably dangerous as anything then coming out of Hong Kong.' Jason Buchanan of AllMovie referred to the film as a 'prime example of creativity and enthusiasm picking up where budget and other resources fall short,' calling the film a 'pleasantly surprising mini-masterpiece of gritty urban nightmares. Viewers may initially chuckle at how many times van Bebber's name appears in the credits, attached to virtually every component of the film's production from editing to special effects, but they will come to appreciate the sometimes subtle (and other times less so) creative touches that he lends to the various aspects of the film.' The review concluded that it was 'unclear at times whether the film is aiming to be completely serious and dramatic, or tongue in cheek and over the top, though the answer likely falls somewhere in between.'"
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2LP
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N 104LP
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$40.00
PREORDER
RELEASE DATE: 8/7/2026
On his new album, Micha Acher rearranged compositions for bands such as Tied & Tickled Trio and Ms. John Soda from previous years. None of the 15 pieces from Henry and the Ghost is really scary. On the contrary, they all feel strangely familiar. Like revenants or doppelgängers, which in fact they are. They have all been released before. But in a different form. In different line-ups. With different band projects such as Tied & Tickled Trio, The Notwist or the Alien Ensemble. With the Songbook, Micha Acher's aim was, as he says, to find out how the familiar pieces sound in a chamber music instrumentation. Therefore he met with Theresa Loibl (bass clarinet, piano), Timm Kornelius (bassoon), Markus Rom (guitar, banjo, electronics) and Simon Popp (drums, percussion) in his living room for a musical séance in the summer of 2022. The séance lasted two days. Afterwards, Markus Rom added some haunting electronical ideas. The mood of most of the pieces is melancholic. There are surprising twists and siren-like melodies. Just as ghost stories should be. However, most of the songs sound very light-footed. With their feet in pop, folk, jazz and classical music. The concluding "Nordlead" turns out to be a revenant of the instrumental "N.L." from The Notwist's legendary album Shrink from 1998. In the new version, the piece sounds like a distant echo. One that also brings to mind how Micha Acher's music has evolved. Which new worlds he explored and opened up since the nineties. And yet Acher's signature is recognizable in every single note of this fascinating Songbook.
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LP
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NMN 183LP
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$42.00
PREORDER
RELEASE DATE: 8/7/2026
Alga Marghen present Charlotte Moorman's Oeuvres Sonores LP, the missing chapter from the series of LPs issued in relation to the presentation done between 2008 and 2013 at Centre Pompidou. Side A features a collection of rare recordings by Charlotte Moorman, not included in the original edition of the Cello Anthology Boxset. The program includes John Cage "26' 1.1499 for a String Player"; Charlotte Moorman and Terry Jennings performing "Piece for Cello and Saxophone" recorded at Judson Hall during the 2nd Annual New York Festival of the Avant-Garde in August 30, 1964; three takes of Nam June Paik "TV Cello," the first as an excerpt from Nam June Paik's "Good Morning, Mr. Orwell," WNET TV New York - Centre Pompidou Paris in 1984, while the other two were recorded at the Art Gallery of New South Wales in Sydney in 1976 and at the Chicago, Museum of Contemporary Art in September 1982. The tracks are punctuated by recordings of Charlotte Morman's answering machine, giving listeners an insight of her everyday life and connections to John Cage, Nam June Paik, John Lennon and Yoko Ono, Jean Dupuy, and several other Fluxus artists, gallerists and friends. Side B features the famous TV Cello -- conceived by Paik for Moorman as a "living sculpture. This LP offers an in-situ recording realized on one of the three days inaugurating the Paik retrospective at the Museum of Contemporary Art in Chicago, on 11, 12 and 14 September 1982. This LP contains the "Concerto for TV Cello and Videotapes," largely improvised, including a tape collage by Ornette Coleman prepared for Charlotte. Final edition issued in a limited run of 150 copies only, also including 16 posters and concert programs (both in color and back-and-white), or the full documentation of Moorman's Avant Garde Festival Of New York. The record comes in a four-color sleeve with the image from the Oeuvres sonores series.
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LP
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ODA 007LP
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$30.50
PREORDER
RELEASE DATE: 8/7/2026
Bristol duo Pume Orenge unspool a world of spectral electronica from cassette loops and instrumental improvisation on their debut album Angel By Milo for Odda Recordings. It is a world that opens draped in ferric hiss. A fog of sound, dense and yet not quite there, catching the light in strange shades and ambient drifts. Looping and receding, looping and receding, as pucks of static burst like faraway fireworks on a cold winter's night. Sound sources obscured, ambiguous, not quite what they seem. Angel By Milo takes its lead from the analogue process and textures by which it was made. Percussive and melodic loops were established, manipulated and responded to with instrumental improvisation, in a give-and-take with the materiality of the medium. Across these seven intricately developed tracks, the sound fluctuates between the cinematic and the introspective, at times melancholy, at others verging on a kind of restrained anger, before the calm sets in once more. It is music for the small hours, awash with the grainy stuff of memory. Embedded within Bristol's independent scene, Pume Orenge's quiet debut also speaks to the duo's shared roots in the area, and like many of Odda's previous releases, contains a sensitivity to place and atmosphere, even when these are no more than implied. Angel By Milo builds on the DIY ethos of Pume Orenge's 2023 self-titled debut EP, whose tracks were recorded live in single takes, now honing a more intentional, purposeful approach to music making. It is one in which layers of meaning are allowed to reveal themselves, a way of composing that makes a virtue of its labor and the chance occurrences that can arise in the process. This is music in praise of shadows.
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LP
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ODA 008LP
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$30.50
PREORDER
RELEASE DATE: 8/7/2026
Church Andrews and Matt Davies return with Tilt, a pinpoint collection of skewed microtonal and discordant compositions for percussion and digital synth. Tones ascend but don't resolve, rhythms loop, collapse and reassemble, patterns wriggle with geometric precision, sounds tilt, the edges fray. Kinetic, elastic, wonky without being obtuse, Church Andrews (aka Kirk Barley) and Matt Davies new LP Tilt is the culmination of six years of creative collaboration, refining and redrawing the relationship between Davies' virtuoso percussive practice and Barley's off-kilter synthesis. Where their 2024 release, Yucca, took rhythmic cues from the Fibonacci sequence, Tilt explores a more intuitive approach, returning the duo to a minimal sound interrogating the interplay of chance and control, system and body, freedom and mechanization. Featuring prepared guitar, finely resonant muted percussion and a crisp palette of digital synths, it draws on the pair's long-standing interest in alternate time signatures. Here, a tripped-up 11/8 beat gives "Yokai" a disorientating quality, threading unusual paths through the playful, mysterious 5-note Hirajoshi scale -- a pentatonic scale from Japan hinted at in the track's playful reference to a supernatural spirit in the country's folklore. Using a simple on-off system between drum and synth to trigger a Shepard tone -- an auditory illusion of a sound that ascends or descends in pitch without actually changing -- "Shepherd" revels in the stripped-back simplicity of its sonic palette, where the nuance lies in what Barley calls "subtleties in the timbre of the sounds" as they dialogue with Davies' warped loops. It's these finely tuned melodic drum tones and an eerily abstracted prepared guitar that give "Debris" its uncanny feel, yet never feeling overly controlled. Like the album's meticulous, graphic artwork, Tilt seeks the shifting ground between the physical and the digital, as acoustic tones are tweaked and disambiguated into new and unexpected forms. Tilt represents Church Andrews and Matt Davies' ongoing collaboration in its purest form -- a hyper-defined evocation of gravitational potential in their live sound.
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2x12"
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PARYIA 009LP
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$41.00
PREORDER
RELEASE DATE: 8/7/2026
It's time to celebrate five years of Paryìa! From the heart of the label, this compilation brings together their two favorite genres, bridging house and techno. Showcasing different cultures and backgrounds, this compilation represents the many different shades the electronic music scene has to offer. Finding that sweet spot through diverse moods and tempos, each track reflects the individual vision of the artist while taking its place within a collective journey that embodies everything the label stands for. Featuring contributions from Cinthie, Fireground, Toobris, DJ Babatr, DJ Maria, Isabel Soto, Nesa Azadikhah, and Zombies in Miami.
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12"
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PERMVAC 380-3EP
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$20.50
PREORDER
RELEASE DATE: 8/7/2026
In order to celebrate their 20 years anniversary Permanent Vacation is releasing a series of EPs with some of their core artists and friends of the past two decades. First EP comes stacked with high quality tracks from Lauer, Midnight Magic, Pional, Curses, and PV's own Benjamin Fröhlich. The music is in a fabulously Permanent Vacation tradition and covers the spectrums from disco, Italo, beefy house and poppy electronic.
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CD
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R 144CD
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$16.00
PREORDER
RELEASE DATE: 8/7/2026
Kacper Krupa is one of the most distinctive saxophonists of the younger generation, a key collaborator of Skalpel and Łona x Konieczny x Krupa (whose album Taxi was certified Gold in Poland), and leader of Siema Ziemia, with whom he has performed at prestigious European festivals and concert venues such as the London Jazz Festival, Jazz Jamboree, Le Périscope, and Bimhuis. Sekwa marks another important step in Kacper Krupa's artistic journey. The album was created at the intersection of jazz, improvised music, contemporary chamber music, electronics, and ambient, forming a diverse yet coherent whole. The music on the album was recorded mainly using saxophones, flute, modular synthesizers, and drum machines. However, the sounds of acoustic instruments are largely processed electronically and sampled. The album's title refers to a skateboarding sequence of tricks -- a fluid chain of movements based on rhythm, intuition, and a willingness to take risks. The music itself operates in a similar way: structured forms meet openness, precision meets free improvisation. It is a record of movement, transition, and the search for new sonic trajectories.
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LP
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R 144LP
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$29.50
PREORDER
RELEASE DATE: 8/7/2026
LP version. Kacper Krupa is one of the most distinctive saxophonists of the younger generation, a key collaborator of Skalpel and Łona x Konieczny x Krupa (whose album Taxi was certified Gold in Poland), and leader of Siema Ziemia, with whom he has performed at prestigious European festivals and concert venues such as the London Jazz Festival, Jazz Jamboree, Le Périscope, and Bimhuis. Sekwa marks another important step in Kacper Krupa's artistic journey. The album was created at the intersection of jazz, improvised music, contemporary chamber music, electronics, and ambient, forming a diverse yet coherent whole. The music on the album was recorded mainly using saxophones, flute, modular synthesizers, and drum machines. However, the sounds of acoustic instruments are largely processed electronically and sampled. The album's title refers to a skateboarding sequence of tricks -- a fluid chain of movements based on rhythm, intuition, and a willingness to take risks. The music itself operates in a similar way: structured forms meet openness, precision meets free improvisation. It is a record of movement, transition, and the search for new sonic trajectories.
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12"
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RB 139EP
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$20.50
PREORDER
RELEASE DATE: 8/7/2026
Equal parts grit and glamour ITVLO finds Boys Noize channeling the spirit of late-night machine music through an unmistakably Italo-tinted lens. Tough enough for the peak-time push yet melodic enough to leave a lasting imprint long after the smoke clears.
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12"
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RB 147EP
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$20.50
PREORDER
RELEASE DATE: 8/7/2026
Roman Flügel returns to Running Back with another chapter in an ongoing love affair between machine funk and dancefloor euphoria. Following a string of releases stretching from Garden Party to the recent Dusty Jukebox EP, this offering continues a path that has become unmistakably his own. There are no dietary restrictions here. Just generous portions of basslines, rave signals, bleeps, and rhythm tracks, all layered with the kind of instinctive musicality that makes Roman's productions feel both immediate and timeless. The spirit of early rave culture remains a guiding force, not as nostalgia but as a living source of inspiration, feeding into House music's endless capacity for joy, surprise, and communal release. As ever, the objective is simple: celebrate the moment. Preferably loud, preferably together, and preferably with plenty of icing on top.
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CD
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RCD 2238CD
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$14.50
PREORDER
RELEASE DATE: 8/7/2026
"Weejuns is all about interplay," explains Mollestad, a former Young Jazz Talent of the Year and Artist in Residence in her native Norway. "Bitches Blues consists of six instrumental tracks, or stretches of music, with an extreme range of dynamics. Some are based around hefty beats, while other tracks are far more lyrical and rubato. It ranges from riff-based rock-ish stuff, to loud chaos, to melancholy ballads and even totally free improvisations." Taking a cultured yet refreshingly instinctive approach to intertwining instruments and influences, Bitches Blues (a wry play on Miles Davis album Bitches Brew) veers unpredictably from slow and soft, distinctly sectioned songs with disciplined chord progressions to explosive eruptions of cathartic and complex structures. Weejuns (a slang abbreviation of "Norwegians") introduced themselves in 2023 with a self-titled double live album. Originally assembled by Mollestad for the Kongsberg Jazz Festival, where she'd been awarded the prestigious Musicians Prize, Weejuns' collective chemistry has proven enduring and alluring, in part as a foil to the Hedvig Mollestad Trio's heaviest album to date, 2025's Bees in the Bonnet. A graduate of the Norwegian Academy of Music, Mollestad has released eight acclaimed albums with her eponymous Trio, toured across Europe and North America, and performed with the likes of Nels Cline, Colin Stetson, Ingrid Laubrock, Trevor Dunn, and Shahzad Ismaily. The signature of her 15-year career has been fusing serious chops with an overt focus on finding fun in sound. For years, Mollestad obsessed over music and little else. The daughter of a jazz musician, she lost herself in his record collection, studying classic works by Miles Davis, Charlie Parker, Joe Pass, and Jim Hall before discovering riff-raging titans like Led Zeppelin, Black Sabbath, and Mahavishnu Orchestra in her 20s. This led to the formation of Hedvig Mollestad Trio, whose relentless recording and touring schedule since the early '10s have earned the guitarist a stream of accolades, including two Norwegian Grammys (Spellemannprisen) and DownBeat magazine naming her one of the 25 artists who "could shape jazz for decades" in November of 2020. Ståle Storløkken is a founder and long serving member of Supersilent and Elephant9, has served as Terje Rypdal's "right hand" since the mid-90s, and collaborated with Motorpsycho on record and on stage... as well as countless others. Ole Mofjell is the youngest member, active with Krokofant, Signe Emmeluth's Amoeba and his own free jazz trio 3 Days Of Maceration. Hedvig Mollestad Thomassen - guitar; Ståle Storløkken - organ and synth; Ole Mofjell - drums.
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12"
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RCK 027EP
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$27.00
PREORDER
RELEASE DATE: 8/7/2026
The new African Beat label launch a 12" with two previously dubplate only, produced by TNT Roots. Each track has a second thunderous mix for serious heavyweight sound system business. Can't miss.
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LP
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RCKLP 006LP
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$35.00
PREORDER
RELEASE DATE: 8/7/2026
Under the name The 4th Street Orchestra, in the mid-'70s Dennis Bovell released a series of albums for the UK sound system scene, each pressed in limited quantities. Yuh Learn! stands as a fine example of Bovell's creativity and production skills, a record with a strong Jamaican roots appeal, loved by sound system selectors and capable of taking every listener on a deep journey through the many shades of dub music. This is a limited-edition vinyl only, first time reissue of one of the rarest and most sought-after albums from Dennis Bovell's legendary catalogue.
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LP
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RCKLP 010LP
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$35.00
PREORDER
RELEASE DATE: 8/7/2026
From 1993, a hallmark UK Dub album returns to the light. Pressed in small run and extremely hard to find. Produced at Earthquake Studio by TNT Roots and Winston Dread. Raw, undiluted music reflecting the evolution of Dub and contains the seeds of all their future work. Heavy sounds that stand the test of time. Back on the streets after 30 years, fully restored and remastered to honor the dubplate masters of UK Sound System culture.
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LP
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RECELESP 001LP
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$31.50
PREORDER
RELEASE DATE: 8/7/2026
The cult album, fully remastered. Recorded in Paris with Jean-Yves Messan, Patrick Francfort, and François Corea, leading figures of the African diaspora, Na Bo Ndedi is one of the pinnacles of makossa's golden age. A classic by Ngallé Jojo, with a unique sound that blends traditional rhythms with modern arrangements, vibrant grooves, and a powerful rhythmic drive. Thirty years later, Celluloid Records is reissuing this essential album in a remastered version. For collectors who know it by heart, and for all those who are finally discovering it. Also available with bonus 7" (CELPACK 001LP).
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LP
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RLP 3238LP
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$31.50
PREORDER
RELEASE DATE: 8/7/2026
LP version. "Weejuns is all about interplay," explains Mollestad, a former Young Jazz Talent of the Year and Artist in Residence in her native Norway. "Bitches Blues consists of six instrumental tracks, or stretches of music, with an extreme range of dynamics. Some are based around hefty beats, while other tracks are far more lyrical and rubato. It ranges from riff-based rock-ish stuff, to loud chaos, to melancholy ballads and even totally free improvisations." Taking a cultured yet refreshingly instinctive approach to intertwining instruments and influences, Bitches Blues (a wry play on Miles Davis album Bitches Brew) veers unpredictably from slow and soft, distinctly sectioned songs with disciplined chord progressions to explosive eruptions of cathartic and complex structures. Weejuns (a slang abbreviation of "Norwegians") introduced themselves in 2023 with a self-titled double live album. Originally assembled by Mollestad for the Kongsberg Jazz Festival, where she'd been awarded the prestigious Musicians Prize, Weejuns' collective chemistry has proven enduring and alluring, in part as a foil to the Hedvig Mollestad Trio's heaviest album to date, 2025's Bees in the Bonnet. A graduate of the Norwegian Academy of Music, Mollestad has released eight acclaimed albums with her eponymous Trio, toured across Europe and North America, and performed with the likes of Nels Cline, Colin Stetson, Ingrid Laubrock, Trevor Dunn, and Shahzad Ismaily. The signature of her 15-year career has been fusing serious chops with an overt focus on finding fun in sound. For years, Mollestad obsessed over music and little else. The daughter of a jazz musician, she lost herself in his record collection, studying classic works by Miles Davis, Charlie Parker, Joe Pass, and Jim Hall before discovering riff-raging titans like Led Zeppelin, Black Sabbath, and Mahavishnu Orchestra in her 20s. This led to the formation of Hedvig Mollestad Trio, whose relentless recording and touring schedule since the early '10s have earned the guitarist a stream of accolades, including two Norwegian Grammys (Spellemannprisen) and DownBeat magazine naming her one of the 25 artists who "could shape jazz for decades" in November of 2020. Ståle Storløkken is a founder and long serving member of Supersilent and Elephant9, has served as Terje Rypdal's "right hand" since the mid-90s, and collaborated with Motorpsycho on record and on stage... as well as countless others. Ole Mofjell is the youngest member, active with Krokofant, Signe Emmeluth's Amoeba and his own free jazz trio 3 Days Of Maceration. Hedvig Mollestad Thomassen - guitar; Ståle Storløkken - organ and synth; Ole Mofjell - drums.
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LP
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SB 002LP
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$35.50
PREORDER
RELEASE DATE: 8/7/2026
Knowsum is set to release his new album, Cherry Stone Pillow on his label Sugar Brain Records. A record that keeps swinging -- blurred at the edges, and gently surreal. Psychedelic rock pulses at its core, softened by the sweet touch of soul, the sway of bossa nova, and the sun-faded glow of '60s easy-listening. Each track feels like an afternoon stretched into midnight -- this is music for children of the moon, where drums riot like subway prophets and guitars drip human gasoline.
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LP
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SHAKE 002LP
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$29.50
PREORDER
RELEASE DATE: 8/7/2026
LP version. The new album by the French jazz guitarist recorded in the legendary Abbey Road studio. A soft album with pop and cinematic influences between Khruangbin, Bombay Bicycle Club, and Bill Frisell. With wild eyes and ash-gray fur, Loup(s) is an instrumental album where jazz and pop intertwine, led by guitarist Matthis Pascaud (Ayo, Erik Truffaz, Moonlight Benjamin, Marion Rampal, Hugh Coltman) and his pack of sonic alchemists. Once again, the album features the magnetic R (Cheick Tidiane Seck, Erik Truffaz, Tété, Albin de la Simone) on drums, composition, and co-production, alongside bassist Laurent Vernerey (Didier Lockwood, MC Solaar, Henri Salvador, Jane Birkin) and saxophonist-clarinetist Christophe Panzani (Carla Bley Big Band, Hocus Pocus, Anne Paceo). Four lone wolves, fluent in swamp blues and psychedelic incantations. After Night Trippin' and Good Grief, Matthis sets off into uncharted territory, tracing the footsteps of Pink Floyd while echoing the shimmering grooves of Khruangbin, Blake Mills, and Pino Palladino. The result, Loup(s), recorded at London's legendary Abbey Road Studios, is a record where atmosphere reigns supreme. Tempos stretch and breathe, basslines rumble, and saxophones murmur through a Leslie cabinet. Landscapes emerge, sculpted by rolling toms and the feline cry of a 1967 Gretsch Astrojet. Later, singer Célia Kameni and pianist Gaël Rakotondrabe lend their own mysterious enchantments. Together, Pascaud and his band of explorers chase textures as others might chase gold, dreaming aloud of a music made of a panoramic vision stretching from the plains of Gran Sasso to the far edges of the American West, in search of forgotten legends.
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CD
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SHAKE 002X-CD
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$18.00
PREORDER
RELEASE DATE: 8/7/2026
The new album by the French jazz guitarist recorded in the legendary Abbey Road studio. A soft album with pop and cinematic influences between Khruangbin, Bombay Bicycle Club, and Bill Frisell. With wild eyes and ash-gray fur, Loup(s) is an instrumental album where jazz and pop intertwine, led by guitarist Matthis Pascaud (Ayo, Erik Truffaz, Moonlight Benjamin, Marion Rampal, Hugh Coltman) and his pack of sonic alchemists. Once again, the album features the magnetic R (Cheick Tidiane Seck, Erik Truffaz, Tété, Albin de la Simone) on drums, composition, and co-production, alongside bassist Laurent Vernerey (Didier Lockwood, MC Solaar, Henri Salvador, Jane Birkin) and saxophonist-clarinetist Christophe Panzani (Carla Bley Big Band, Hocus Pocus, Anne Paceo). Four lone wolves, fluent in swamp blues and psychedelic incantations. After Night Trippin' and Good Grief, Matthis sets off into uncharted territory, tracing the footsteps of Pink Floyd while echoing the shimmering grooves of Khruangbin, Blake Mills, and Pino Palladino. The result, Loup(s), recorded at London's legendary Abbey Road Studios, is a record where atmosphere reigns supreme. Tempos stretch and breathe, basslines rumble, and saxophones murmur through a Leslie cabinet. Landscapes emerge, sculpted by rolling toms and the feline cry of a 1967 Gretsch Astrojet. Later, singer Célia Kameni and pianist Gaël Rakotondrabe lend their own mysterious enchantments. Together, Pascaud and his band of explorers chase textures as others might chase gold, dreaming aloud of a music made of a panoramic vision stretching from the plains of Gran Sasso to the far edges of the American West, in search of forgotten legends.
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6CD BOX
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SNS 028CD
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$51.50
PREORDER
RELEASE DATE: 8/7/2026
For more than thirty years, Kevin Drumm has developed a unique sonic language situated at the intersection of drone, electronics, improvisation and sound abstraction. Continuously evolving, his work has become one of the most distinctive voices in contemporary experimental music. Comprising more than six hours of music, The Mild Temper presents an extensive collection of pieces built from gradual transformations, micro-acoustic events and frequency-based structures characteristic of Drumm's practice. Across six discs, the music explores varying states of density, resonance and spatiality, reflecting a sustained interest in the physical properties of sound and their perception over extended durations. The title, The Mild Temper, suggests a quiet force rather than an overt gesture. Sonic materials often appear restrained, held in a delicate balance between stasis and motion. Small shifts gradually alter the acoustic landscape as layers of frequencies emerge, recede and recombine throughout the listening experience. Avoiding narrative and dramatic development, these works offer immersion in highly detailed sonic environments where every element contributes to the construction of a deeply absorbing listening space. Attention to texture, depth and duration forms the connective thread throughout the collection. With The Mild Temper, Kevin Drumm continues his exploration of sound as an autonomous phenomenon, presenting a body of work of remarkable coherence that reflects both the singularity and maturity of his artistic practice. Mastering by Jim O'Rourke.
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Cassette
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SOD 142CS
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$12.50
PREORDER
RELEASE DATE: 8/7/2026
Remnants is an album marked by the ambiguity of presence and absence. The pieces, recorded using minimal equipment in what Ayami Suzuki describes as a ritual-like atmosphere, began as a way of processing the loss of her father in 2019. But beyond this, they also come to speak to the ways in which loss changes peoples' relationship with someone, and their experiences of the world. Indeed, the experience of loss is not marked merely by a single event, but is instead a process that unfolds over time. Despite the other's absence, a particular location, the smell of a certain brand of tobacco, a look on a friend's face -- traces such as these are enough to bring about a renewed presence. It is through these subtle traces and remnants, encountered over time, that listeners come to understand loss as not only the acceptance of absence, but the recognition of a continued presence. As Suzuki says, "this is not a solo album." Its creation was instead shaped by an ongoing dialogue, the continued elaboration of a complex and ambivalent relationship. At once melancholic, warm, and embracing, it is this ambiguity, these subtle traces, that Suzuki's compositions speak to. These are not merely the sounds of mourning, but instead have been shaped by the evolving dialectic of presence and absence into something far more subtle and haunting.
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Cassette
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SOD 144CS
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$12.50
PREORDER
RELEASE DATE: 8/7/2026
Josh Mason's new collection, Wave Salt +7, emerges from an oblique origin. Unearthed from a dormant hard drive, it documents a set of work sessions only partially recoverable, their original continuity and intent fractured by time and technical failure. What remains is a constellation of mercurial gestures that proves, against all odds, to be entirely consonant with Mason's ongoing musical concerns. In a sense, the very condition of partiality proves generative, with elision operating on multiple levels -- structural, sonic, and archival -- shaping both the music itself and the circumstances of its (re)appearance. Phrases surface only to be truncated or displaced, hovering at the edge of resolution, and transitions are implied rather than fully enacted. Absence functions not as a deficit, but as an important compositional resource. Central to the album's sound is a distinctive use of vocoding. Deployed not to simulate vocal presence but as a tool for tonal sculpting, it yields a shifting lattice of smeared harmonics, angular melody, and attenuated noise. Sounds are pressed through one another, their edges softened, shifted, or selectively erased, producing surfaces simultaneously articulated and porous. Rather than reconstructing a lost whole, the album posits a mode of listening attuned to gaps, interruptions, and unstable forms. Even so, in keeping with Mason's broader practice, this music remains grounded in melodic logic and a distinctly human scale, ensuring that its fragmentary structures register not solely as experiments, but as expressions of proximity and feeling.
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2CD
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SR 584CD
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$20.00
PREORDER
RELEASE DATE: 8/7/2026
These recordings were made in the Empire of Ethiopia in 1971. The music recorded in Addis Ababa uses masenko fiddles, craar and bagana lyres, washint flutes and kabaro drums. There is folk music played in Addis Ababa tej beit bars with vocals, craar, masenko, washint and kabaro, Ethiopian Christian songs accompanied by the bagana large "Harp of David" and Mary Armede's craar accompanied Amharic sung poetry. There are Afar chants and flutes from the Danakil Desert, Anuak thumb piano, Nuer harp and dance drumming and a Fila Flute Dance from the Sudan and Kenya borderlands. A few words from the recordists: "The recordings that Ragnar Johnson and Ralph Harrisson made in Ethiopia in 1971 have preserved the skill of the musicians and the beauty of the music for posterity. After more than fifty years the music lives on for the listener."
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2LP
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SR 584LP
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$33.00
PREORDER
RELEASE DATE: 8/7/2026
Double LP version. These recordings were made in the Empire of Ethiopia in 1971. The music recorded in Addis Ababa uses masenko fiddles, craar and bagana lyres, washint flutes and kabaro drums. There is folk music played in Addis Ababa tej beit bars with vocals, craar, masenko, washint and kabaro, Ethiopian Christian songs accompanied by the bagana large "Harp of David" and Mary Armede's craar accompanied Amharic sung poetry. There are Afar chants and flutes from the Danakil Desert, Anuak thumb piano, Nuer harp and dance drumming and a Fila Flute Dance from the Sudan and Kenya borderlands. A few words from the recordists: "The recordings that Ragnar Johnson and Ralph Harrisson made in Ethiopia in 1971 have preserved the skill of the musicians and the beauty of the music for posterity. After more than fifty years the music lives on for the listener."
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12"
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SRWAX 028EP
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$15.50
PREORDER
RELEASE DATE: 8/7/2026
Pageant flexes his D&B production skills on this spatial themed four-track EP.
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12"
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SYNAPTIC 027EP
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$19.00
PREORDER
RELEASE DATE: 8/7/2026
Synaptic Cliffs welcomes Annie Hall for her label debut. With the Future Sports EP, she once again expands the boundaries between machine funk, speculative sound design, and forward-thinking club music. Delivering her signature fusion of IDM, electro, fractured breakbeats and experimental electronics, she sculpts a metallic, high-definition vision that feels as though it has been transmitted directly from centuries ahead. Future Sports imagines the sonic landscape of sport in the year 3024. In a future where society has paradoxically stripped itself back to the essentials, aesthetics has returned to the elegance and restraint of the 18th and 19th centuries. Amid this cultural shift, fencing has emerged as the defining global sport, elevated from historical discipline to mass obsession. Throughout the EP, the sounds of these future arenas become musical raw material: the sharp clash of advanced foils, the resonant impact of engineered protective gear, the tension of ritualized competition, and fragments of other, unnamed sports from a distant age. Annie Hall transforms these imagined athletic acoustics into intricate rhythmic structures and futuristic melodies, allowing the machinery and choreography of competition to shape the record's sonic identity. The result is a vivid soundtrack to a world yet to come -- precise, kinetic, and unmistakably futuristic, where sport, technology and sound merge into a singular vision. Future Sports is both a speculative narrative and a club-ready statement from one of electronic music's most distinctive voices. As a special bonus, the EP features an animated picture label. When played at 45 RPM and viewed under a stroboscopic light operating at 9 Hz, the artwork comes alive, revealing a hidden motion sequence. Blurring the boundaries between sound, design and optical illusion, this kinetic visual layer extends the EP's futuristic narrative into the physical realm, transforming the record itself into an artifact from the year 3024.
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12"
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SYNAPTIC 030EP
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$22.50
PREORDER
RELEASE DATE: 8/7/2026
Zeta-Kognition is a rarely documented perceptual phenomenon in which thoughts are no longer experienced in the order in which they are formed. The first reports appeared shortly after the promo release of this EP. Listeners described a strange effect while listening to pdqb's signature electro tracks: while the music was playing, memories, expectations, and present perceptions seemed to exchange places. Some felt they had already completed a thought before it had even occurred to them. Others reported that half an hour vanished in what felt like seconds, while a few minutes seemed to contain an unusual depth and density of experience. Intriguingly, those who experienced side effects after listening could restore their normal perception by playing the entire EP in reverse. It was said that the reverse playback would unwind the cognitive displacement caused by the original sequence, gradually returning memories, expectations, and present awareness to their natural alignment. Dr. Sascha Dornhöfer, who first documented the phenomenon, speculates that the remix by Carsten Nicolai (Alva Noto) may contain a unique balance of repetition and symmetry that survives both forward and reverse playback. This would explain why listeners experiencing the effects of Zeta Cognition consistently identify it as the point from which normal perception can be restored. In any case, dear listener, there is no cause for concern - the antidote is hidden in reverse. P.S. Then again, who knows. Persistent rumors suggest that Adam Pendleton's exclusive black-and-white artwork conceals a visual counterpart to the phenomenon, though no one has yet determined exactly what it reveals -- or to whom.
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12"
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TECH 041EP
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$19.00
PREORDER
RELEASE DATE: 8/7/2026
The 41st release on TECHNO Records marks a defining milestone: the first full-scale solo record by the label's founder, Nastia, in her music career. It opens up a new depth of detail within the character and identity of both the artist and the catalogue. Rather than making a loud statement, Nastia focuses on a restrained and functional approach to techno, shaped through subtle shifts in tension, texture, and rhythm. The tracks move with intention, avoiding obvious peaks in favor of gradual development and controlled energy a familiar methodology and a direct analogy to the evolution of the label itself. Crafted with dancefloor energy in mind but not bound by it, the release offers a fresh perspective on the author's persona, stripping away excess and over-explanation. "Indoctrinated" is a masterclass in rhythmic interplay used as a narrative device. "Ignorance Is Keelleeng" is a structured dancefloor powerhouse built on a precise understanding of peak-time energy. "True Majority" is the most forward-thinking cut on the record, providing a definitive blueprint for the hypnotic techno sound of summer. "Additive Integration" is best conceptualized within an extended set where the goal is to gradually establish the atmosphere and dictate the rules of the journey.
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LP
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TONTON 005EP
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$25.00
PREORDER
RELEASE DATE: 8/7/2026
The A side opens with two ambient pieces: "Inception," gritty and haunting, built from field recordings and layered chords, and the dreamier "Regulator Dial." "Air Lock" and "DFtB" turn breaky and lowtempo, evoking early electronica. The flip moves through "Waterproof's" downtempo electro and "Make Right," the LP's most club-ready cut. Title track "Bean Soup" channels early Four Tet: bleepy, minimal, emotional, while "Sunlight" closes with blissful, calming sounds, rounding out a beautifully balanced record. Tudor Gheorghe, aka Romansoff, is a Bucharest DJ, producer and vinyl collector with over 13 years on the capital's underground scene. Inspired by small local parties in the 2000s, he started collecting vinyl, then DJing, quickly becoming a key figure in the Bucharest club scene. Since founding his imprint Raw Tools in 2013, he's released on Lobster Theremin's Mork, Creme Organization, Les Yeux Orange and Solar Phenomena. In 2018 he co-founded venue Platforma Wolff, a full club by 2021, as booker and resident, hosting headliners like Prosumer, Paramida, and Tornado Wallace. Versatile and creative, he stays a fixture at Bucharest's best nights.
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CD
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TROST 249CD
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$16.50
PREORDER
RELEASE DATE: 8/7/2026
The debut recording from the generation spanning duo of Japanese legend Otomo Yoshihide, toggling between guitar and turntables, and rising saxophonist Kei Matsumaru, a native of Papua New Guinea, who moved to Tokyo after studying jazz at the Berkelee College of Music in Boston, where he's become a close collaborator of Eiko Ishibashi in addition to leading his own genre-defying solo projects. Both musicians casually ignore lines between jazz, experimental music, and noise, fashioning a bracing set of improvisations marked by visceral timbres, quicksilver gestural exchanges, and charged interactivity. Recorded live at Shinjuku PIT INN, Tokyo, Japan, April 13, 2024. Mixed by Otomo Yhoshihide, mastered by Lasse Marhaug. Photos by Kaoru Ashiwa. Artwork by Lasse Marhaug.
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CD
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TROST 258CD
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$16.50
PREORDER
RELEASE DATE: 8/7/2026
Trost Records presents Two Balls Are Enough, the debut album from the duo of Finnish accordionist Kimmo Pohjonen and Swedish reedist Mats Gustafsson. Both musicians have routinely blown past the rules of the traditions from which first emerged -- folk and free jazz, respectively -- to explore constantly expanding worlds. It was only a matter of time before these iconoclasts collided to create something wonderfully raw and unexpected. Recorded Feb 24-25th, 2026 by Martin Siewert, Vienna. Mixed May 18-19th, 2026 by Martin Siewert, Pohjonen and Gustafsson. Mastered June 2nd, 2026 by Martin Siewert. Photos by Olof Madsen and Ziga Koritnik.
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LP
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URXX CLXIII
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$34.00
PREORDER
RELEASE DATE: 8/7/2026
Originally released in 2014 on cassette and digital only, Till Human Voices Wake Us was the first album by the Iranian artist on Umor Rex. It became a key work in the label's catalog, and now it is available on vinyl for the first time. Till Human Voices Wake Us comprises ten tracks with a clear and carefully structured script, based on poems by T.S. Eliot, highlighting Siavash Amini's work as a composer for theater, film, and art exhibitions. His music deliberately leans toward ambient expressions, at times recalling Morricone's Western film scores. The interplay between synthetic and digital elements, together with multilayered, soul-healing electric guitar passages, creates an opulent sonic texture that moves between dramatic and melancholic moments with a finely constructed, fluid dynamism. There is an emotional depth in each piece, guided by tonal variations and shifting textures that turn the music into a mental journey, with landscapes, a sense of cold resolution, and the quiet inevitability of an ending. Till Human Voices Wake Us was Amini's first album on a non-Iranian label. Following this release, he has also published work, in addition to Umor Rex, on labels such as Room40, Hallow Ground, and Opal Tapes, among others, and is now considered one of the most prominent figures in Iran's experimental music scene. All music by Siavash Amini. Original master by Nicholas Szczepanik. Remastered for vinyl by Rafael Anton Irisarri. Artwork by Daniel Castrejón.
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LP
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URXX CLXIV
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$34.00
PREORDER
RELEASE DATE: 8/7/2026
Originally released on Umor Rex on cassette, El Sol de los Muertos deeply shaped the evolution and vision of Mexican producer Concepción Huerta's sonic work, becoming a reference point for a kind of experimental sound deeply connected to Latin American critical thought. Crafted entirely through subharmonic structures and tape manipulation, El Sol de los Muertos stands as Concepción Huerta's most abrasive and emotionally charged work to date, rooted in drone, musique concrète, and visceral textures. The album reflects on dispossession, extraction, and colonialism, while connecting deeply with Latin American critical thought and Indigenous resistance across the region. Inspired in part by Eduardo Galeano's work, it is not a manifesto, but an invitation to reflection, memory, and vigilance against the enduring forms of fascism and colonialism. Recorded by Concepción Huerta in 2024 between Berlin, The Hague, and Mexico City. Original master and remastered for vinyl by Rafael Anton Irisarri at Black Knoll Studio, New York. Volcano photography by Magaly Ugarte. Design by Daniel Castrejón in Mexico City.
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2LP
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VAR 001LP
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$50.00
PREORDER
RELEASE DATE: 8/7/2026
øjeRum is the moniker of Danish artist Paw Grabowski. Since 2007, his mostly tape-based works have unfolded like private diaries -- intimate, textural, often centered around a vintage pump organ Paw found left abandoned in a dilapidated Danish home, and to which he would return, sometimes in the dead of winter, to play and record on. The works featured on this release are centered around this pivotal engagement and collect some of his earliest releases from around 2014 to 2017. These were then carefully selected and released via Vaagner's sister label in 2018 via a double cassette release, which has since become a coveted collectors' item. Throughout the album, the organ breathes, sighs -- the moments of brief silence that follow are almost palpable, then like a sonorous echo, the sound rushes back into the foreground with gentle restraint, submerging the listener into an undulating current of emotional upheaval. In this ebb and flow, øjeRum shapes a space where memory seems to waver and dissolve, and where a fragile, lingering melancholy unfolds with a kind of hushed inevitability. With the newly minted Vaagner.Archive, this album is now reissued on vinyl for the first time -- carefully remastered and housed in a 2LP gatefold sleeve printed on special cardboard, its tactile presence echoing the material sensitivity that has always defined Paw Grabowski's practice. A love letter to repetition and restraint.
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LP
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WH 394LP
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$19.00
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RELEASE DATE: 8/7/2026
"Following the success of Itai Doshin is Kuon Ganjo, Mike Clark's third release for Wide Hive Records, which is simply fantastic! Featuring Patrice Rushen on Rhodes and piano, Essiet Odu Essiet on bass, Craig Handy on sax, and Eddie Henderson on trumpet. Mike really centers into the New York sound he fell in love with early on here; starting things off with a burning East Broadway Rundown. Amazing line-up with many accolades across the entire band performing a sort of up-tempo Jazz that will knock your socks off."
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CD
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WWSCD 115CD
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$18.00
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RELEASE DATE: 8/7/2026
Wewantsounds presents the first official reissue of the highly sought-after 1979 classic, Summer-Time Love Song by The Milky Way. Originally released on the Seven Seas label in Japan and produced by the legendary Makoto Matsushita -- the visionary behind the cult album First Light -- the album is a premier example of the sophisticated sound that defined the era. Featuring the cream of Japanese musicians, including Yasuaki Shimizu, the record offers a superb mix of AOR, jazz fusion, funk, and bossa nova. Remastered by Colorsound Studio, this deluxe reissue features the original artwork, an OBI strip, and a 4-page booklet with a new introduction by Paul Bowler. The album serves as a vital precursor to Matsushita's own 1981 cult masterpiece First Light. Here, he and Nobuta lead the cream of Japanese session musicians. From the sun-drenched bossa nova rhythms of the Jobim classic "Wave" to a sophisticated rendition of Boz Scaggs' classic "Harbor Lights," finishing with the dreamy rhythms of "Endless Summer," the record is a masterclass in elegant funky arrangements and relaxed harmonies. As music journalist Paul Bowler writes in the liner notes for this release: "Summer-Time Love Song represents a fascinating bridge in Japanese pop history; a moment where the breezy aspirations of the '70s met the meticulous studio perfectionism that would soon take over the world." This deluxe edition features the original artwork, showcasing classic photography by the cult photographer Shinpei Asai -- famed for his iconic work on the Pacific album by Haruomi Hosono, Shigeru Suzuki, and Tatsuro Yamashita. Newly remastered, this reissue finally makes one of the most coveted albums of the 70s Japanese scene accessible to Japanese music fans worldwide.
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LP
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WWSLP 115LP
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$33.00
PREORDER
RELEASE DATE: 8/7/2026
LP version. Wewantsounds presents the first official reissue of the highly sought-after 1979 classic, Summer-Time Love Song by The Milky Way. Originally released on the Seven Seas label in Japan and produced by the legendary Makoto Matsushita -- the visionary behind the cult album First Light -- the album is a premier example of the sophisticated sound that defined the era. Featuring the cream of Japanese musicians, including Yasuaki Shimizu, the record offers a superb mix of AOR, jazz fusion, funk, and bossa nova. Remastered by Colorsound Studio, this deluxe reissue features the original artwork, an OBI strip, and a 4-page booklet with a new introduction by Paul Bowler. The album serves as a vital precursor to Matsushita's own 1981 cult masterpiece First Light. Here, he and Nobuta lead the cream of Japanese session musicians. From the sun-drenched bossa nova rhythms of the Jobim classic "Wave" to a sophisticated rendition of Boz Scaggs' classic "Harbor Lights," finishing with the dreamy rhythms of "Endless Summer," the record is a masterclass in elegant funky arrangements and relaxed harmonies. As music journalist Paul Bowler writes in the liner notes for this release: "Summer-Time Love Song represents a fascinating bridge in Japanese pop history; a moment where the breezy aspirations of the '70s met the meticulous studio perfectionism that would soon take over the world." This deluxe edition features the original artwork, showcasing classic photography by the cult photographer Shinpei Asai -- famed for his iconic work on the Pacific album by Haruomi Hosono, Shigeru Suzuki, and Tatsuro Yamashita. Newly remastered, this reissue finally makes one of the most coveted albums of the 70s Japanese scene accessible to Japanese music fans worldwide.
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Book
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9781526191786
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$33.00
PREORDER
RELEASE DATE: 8/14/2026
Charting the history of punk and DIY scenes from the 1970s to the present day. Combines the life of a musician and a music journalist who tapped into the cutting edge of alternative music. Packed with stories of well-known figures from the rock music scene. John Robb's is a life of facing down outsider struggles, overcoming career disappointments and the DIY spirit that carried him through. The irresistible story of a one-man cultural phenomenon. Minister for the Counterculture, Mancunian mainstay and alternative national treasure John Robb has lived a life in music. In this book he charts his adventures on the cultural frontline, chronicling the making of a DIY icon. Robb's quest began in his hometown of Blackpool -- where punk was a battle against the odds -- and went international when he toured the world with his band. The first person to interview Nirvana, he also discovered The Stone Roses for weekly newspaper Sounds and did early interviews with The Jesus and Mary Chain and The Manics, before moving on to legends such as Mark E. Smith, Nick Cave and Patti Smith. Along the way, he became an on-screen commentator and author of bestselling books. Robb's memoir tells of deep friendships with figures from Poly Styrene to Chris Packham. Packed with riotous stories, it provides an alternative account of British musical and cultural history and a triumphant blueprint for a punk rock life. Hardback. 384 pages: 216x138mm. "A searcher and a true believer in the magic and power of music" --Noel Gallagher. "John Robb writes about music and culture with the insight of someone who loves it from the outside and lives it from the inside" --Johnny Marr.
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LP
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BT 144LP
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$38.50
PREORDER
RELEASE DATE: 8/14/2026
After the wild Afro-jazz fusion of Trancedance and the meditative solo Christer Bothén Donso n'goni, legendary Swedish multi-instrumentalist Christer Bothén returns to Black Truffle as part of a dream quartet completed by the three members of Ghosted: Oren Ambarchi (guitar), Johan Berthling (bass) and Andreas Werliin (drums). Recorded at a rustic studio built by Werliin and Hans Fredriksson in the sylvan surrounds of Hamburgsund, Sweden across a few days in September 2023, Serpentine offers up four generous slices of hypnotic repetition and shimmering resonance, cut through with wild bursts of Bothén's bass clarinet. The depth and ease of the quartet's rapport is evident from the first moments of the opening title-track. Berthling's resonant upright bass locks into a head-nodding ostinato that makes sensitive use of a prominent end-of-phrase rest, opening spaces through which Werliin's continually shifting statements of the pulse shine through. Having worked together in various groups for many years, Berthling and Werliin are masters at playing subtle games of difference and repetition, creating a driving rhythmic flow animated by perpetually changing details: here, you can never step in the same groove twice. Weaving through it all is Ambarchi's now-signature Leslie-cabinet guitar tone, sounding out long chords at times strikingly close to a Hammond, while also creating intricate cross-rhythms through the play of his tremolo modulations against the bass and drums. When Bothén enters five minutes in, the growl of his bass clarinet at first works deep in the collective brew, carving off brief staccato phrases and twisting them into fragmented melodies. Each of the four pieces explore different possibilities of a shared language. On the closing "Chrysotile," the bottom drops out, leaving a swampy, churning mass of wavering organ-like chords, roaming bass runs, and distant toms, over which Bothén floats bass clarinet figures by turns bluesy and abstract, the whole thing landing somewhere between classic ECM and the most blasted freeform moments of early Amon Düül II. Bearing a delicate calligraphic abstraction by Bothén on its cover and beautiful documentation of the recording sessions on its inner sleeve, Serpentine is a powerful reminder of the magic that can happen when inventive musicians just get together and play.
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7"
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BTR 045EP
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$17.50
PREORDER
RELEASE DATE: 8/14/2026
Sababa 5 and vocalist Yurika are back on the exclusive Middle Eastern grooves with their newest double-sided 7" collaboration titled Tokyo Midnight. A dazzling encounter of cultures, inspired by the funky and exotic melodies of Sababa 5 and the resplendent Japanese words of Yurika. Title track "Tokyo Midnight" opens with a groovy guitar riff and continues into an upbeat rhythmic workout, complete with a funky bassline and ululating keyboards. Yurika's enchanting voice ties things together in a soft yet hypnotic musical whirlwind. On the B-side, "Nasnusa", a beautiful guitar solo flows into a captivating rhythm inspired by traditional Mizrahi music. Yurika's delicate vocals evoke a love story: a couple watches the sunset as the gates to a new world begin to open. As Nasnusa fades into the light, her lover recalls her beauty and reflects fondly on the wonderful time they shared together.
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LP
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BTR 098PRPL-LP
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$29.50
PREORDER
RELEASE DATE: 8/14/2026
Purple color vinyl. Middle Eastern psych, funk, disco, and Japanese folk and pop, converge to create a mesmerizing new sound on Kokoro, Sababa 5 and Yurika's collaborative debut album for Batov Records, collecting four acclaimed singles and four brand new songs. Renowned for their innovative approach to merging Middle Eastern psych, funk and disco grooves, Sababa 5 found their perfect partner in Japanese singer and belly dancer Yurika Hanashima, who having graced stages dancing with Boom Pam and Ouzo Bazooka, found her own voice alongside the group, and together yielded hits "Tokyo Midnight," "Nasnusa," and "Crossroad of Love," earning accolades from tastemakers such as Gilles Peterson, Cerys Mathews, and Jeremy Sole. In Kokoro, Sababa 5 and Yurika present a collection of tracks that transcend cultural boundaries and delve into the depths of human emotion. Psychedelic soul, with touches of the Mediterranean coast and desert. Ilam Smilan's exceptional guitar playing stands out, as does the unwavering groove and rhythm of drummer Raz Man; recently heard among a coterie of feted studio musicians for Mr Bongo signing Project Gemini. The second half of the record collects Sababa 5 and Yurika's earlier and incredibly popular singles. The dance floor smashing "Tokyo Midnight" is an up-tempo psychedelic funk ripper, whilst "Nasnusa," with its walking bassline and nostalgic love story, is the biggest hit in Sababa 5's repertoire thus far. Love in the moment is a recurring theme as the "Crossroad Of Love" (Ai no Kousaten) delivers another timeless moment of Mediterranean meets Japanese soul. The attraction of Yurika's mesmerizing vocals over Sababa 5's infectious grooves is irresistible across Kokoro, and the album marks a significant milestone in both their musical journeys. As Sababa 5 continue to redefine their sound, and Yurika establishes herself as a vocalist of note, Kokoro stands as a testament to the power of collaboration and the timeless bonds of music, love and romance.
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LP
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CN 014LP
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$23.50
PREORDER
RELEASE DATE: 8/14/2026
.After Again (Remixes) is the remix album from After by CxBxT (Tujiko Noriko, Adrian Corker, and George Barton). DJ Trystero (Trilogy Tapes, Felt) takes the slow drum machine jam of "Toku No Minato" and turns it into a pair of deep, dark techno cuts, one "All Frills" the other stripped back with some old school Detroit drum programming. Koshiro Hino's YPY alter ego turns "Yasashii Sayanora" into a nearly nine minute industrial dub, taking Corker's bass, Barton's Thai gongs, and Tujiko's voice and twisting them into strange shapes. As counterpoint London's DJ ojo (Blank Mind) makes a blissful dubbed out groove around harp glissandi from a child's toy and Barton's metallic percussion. Shojiro Nakaoka bounces stereo versions as excerpts of his longer generative code-based work. The original work, released on digital art platform Objkt, takes the stems of Shakou, creating a browser-based work generating endless shifting tides of black and white image and abstracted sound again with a strong dub flavor. Finally, the album end with the only track that preserves the whole vocal performance from the original, as Tashi Wada takes "Aurora Sagashi" and reframes Tujiko's lilting vocals as a nocturne, rearranging and re-harmonizing the lullaby-like lines to the sway of his organ playing. The vinyl is released in an edition of 200 and comes with an insert. Design by Joji Koyama and mastered by Stephan Mathieu for Schwebung Mastering.
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LP
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COSMR 053LP
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$25.00
PREORDER
RELEASE DATE: 8/14/2026
The album St. John Green is the only release by the American band of the same name, and is regarded as a minor cult classic of 1960s psychedelia. It was released in 1968 by the small label Flick-disc. Released at the height of the flower power era, the record perfectly captures the musical and cultural atmosphere of the late 1960s. The album blends various elements typical of psychedelia with sonic experimentation, garage lysergic influences and a free-spirited approach to songwriting.
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LP
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COSMR 054LP
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$25.00
PREORDER
RELEASE DATE: 8/14/2026
The Above Ground Sound of Jake Holmes is the debut album by American singer-songwriter Jake Holmes, released in 1967, and stands as a significant example of psychedelic folk-rock from the second half of the 1960s. The album has a minimalist and unusual sound: the songs are built primarily around vocals, two electric guitars and bass, with no drums, creating an intimate, ethereal and almost hypnotic atmosphere. It includes the original "Dazed and Confused" song, best known in the Led Zeppelin's version.
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LP
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COSMR 055LP
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$25.00
PREORDER
RELEASE DATE: 8/14/2026
Stone Angel is the self-titled album by the English folk group Stone Angel, released in 1971 on Seashell record. The group hailed from the rural counties of Suffolk and Norfolk, and the album deeply reflects that setting: deeply rooted traditional English folk, but with a psychedelic touch typical of the era. Simple acoustic arrangements (guitar, dulcimer, female vocals), intimate and pastoral atmospheres, featuring ballads and ancient melodies, a slight "acid folk" vein, similar to bands such as Pentangle or Fairport Convention. A key feature is Barbara Burton's voice, delicate and almost ethereal, which helps to create a suspended, melancholic sound.
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CD
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DPROM 165CD
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$13.50
PREORDER
RELEASE DATE: 8/14/2026
On August 4, 2018 in the scorching Berlin sunshine, Faust performed a truly stunning and unique set, featuring iconic material rarely, if ever, performed live. What made this so special was hearing such pieces as "Why Don't You Eat Carrots?" played live, with the small choir perfecting that part of the song. For those lucky enough to have been there, they witnessed a Faust show never seen before, or ever to be repeated. This CD was recorded on a professional digital recorder (not a phone). It has been lovingly remastered by Amaury Cambuzat, possibly the only person capable of doing so, without compromising the nature of the show. Nothing has been added, so there will be imperfections. It comes packaged in a mini-LP gatefold wallet, with a gloss spot varnish.
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LP
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DRUNKEN 196LP
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$28.50
PREORDER
RELEASE DATE: 8/14/2026
Gimic finally release their debut album on Drunken Sailor after a demo and two 7" singles on Crew Cuts Records. Gimic are a band that take their time and deal in quality over quantity having released just 13 songs so far in their six-year life span. New Traditions is a 12-song album that plays and feels like a mission statement and a record that will be loved by the current generation but also will be discovered in years to come as one of 2026's masterpieces. It's urgent, energetic and twists and turns at every corner. The rhythm section is locked in and in perfect harmony whilst the guitar tone is clean and sharp but it's Harry's voice that give it that confrontational and emotional edge with her blood-curdlingly vocals. It's like a hardcore Minutemen mixed with an angry math rock band mixed with the musicanship of No Means No. This is a punk record by four people who live and breathe DIY Punk. Gimic have made an outstanding and inventive album that deserves your love and attention.
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LP
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EMV 006LP
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$38.50
PREORDER
RELEASE DATE: 8/14/2026
Originally released on the Vertigo label in 1974 in Australia and their homeland of New Zealand, Universal Radio was Dragon's debut recording. It was also a country mile -- musically speaking -- from the chart-topping anthemic pop they would later become famous for, but that's another story. They released one more album while stationed in NZ in 1975, Scented Gardens For The Blind (also to be reissued by Eminent), before transplanting themselves permanently in Australia and hitting it big with tracks like "April Sun In Cuba," "Get That Jive," "Rain" et al. Universal Radio features the lineup of Marc and Todd Hunter, Ivan Thompson, Ray Goodwin, and Neil Storey, six glorious tracks of elongated and ever-shifting progressive rock (elements of Pink Floyd, Cressida, and early Genesis in there) and the fantastical artwork of Dick Frizzel. The band had garnered a strong domestic following through festival and university concerts and came to record as a fully-evolved beast, mixing the whimsy of "Weetbix" with the darker tones of "Graves." Universal Radio is simply an excellent example of '70s progressive rock, New Zealand or not, and stands alongside Split Enz's debut, Mental Notes, as one of the best and most unique NZ recordings of its day. First ever vinyl reissue, fully authorized by the band, with royalties going directly to the band. Housed in a hi-gloss sleeve with four-page booklet featuring photos, artwork and liner notes penned by noted music historian and author, Ian McFarlane.
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LP
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ENCOLOR 714LP
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$29.50
PREORDER
RELEASE DATE: 8/14/2026
Colorize presents Higher Note, the highly anticipated new album from Sound Quelle, a defining sound in modern melodic electronic music. Across the album, Sound Quelle showcases his signature blend of beautiful harmonies, atmospheric melodies and driving basslines, crafting a richly detailed body of work that balances emotional depth with dancefloor energy. Building on a campaign already supported strongly by SiriusXM Chill, Vintage Culture, Diplo and Nora En Pure, Valery Lebedev continues to affirm his place as a leading voice in melodic electronic music. With over 50 million streams across DSPs, releases on Armada Music, Black Hole Recordings and Enhanced Music, and long-standing support from Above & Beyond, Ferry Corsten, Markus Schulz, and Paul van Dyk, Higher Note stands as a refined and deeply musical statement from an artist at the height of his creative powers.
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CD
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FARO 259CD
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$11.00
PREORDER
RELEASE DATE: 8/14/2026
Bruno Berle is a singer, songwriter, producer, multi-instrumentalist and figurehead of a contemporary Brazilian music movement. With a quiet mastery of songwriting and an astonishing voice, his music has won hearts around the world. Since the release of his debut album No Reino Dos Afetos (2022), Berle has performed across the UK, Europe, Japan, South Korea, and China, only leaving his home country for the first time in 2023. Shaped by these journeys, Berle's third studio album, Sem Fronteiras (Without Borders), reflects a utopian vision of a unified world. Recorded across London, São Paulo, Minas Gerais, Germany, and Maceió, the album -- co-produced alongside his longstanding musical partner Batata Boy -- is the most expansive canvas Berle has worked on to date. Shot through with the imagery that has always animated his songwriting: open skies, morning light, vivid colors and the magic of human connection, Berle's carefully crafted poetics and warm, delicate instrumentation drive this vivid body of work. On Sem Fronteiras, there is a similar duality at play. The album celebrates the collective joy and human connection that live touring brings, but it also sits with the darker realities of crossing borders. While music moves more freely around the world than ever before, our bodies are not granted the same privilege. Though he's never lacked self-belief, Berle recognizes that talent alone doesn't guarantee opportunity. Sem Fronteiras opens with "Você Já Sabe Que Eu Te Amo," just six beats of one nylon guitar chord ring out before changing key, paving the way for the gentle strike of Fender Rhodes and the arresting call & response duet between Berle and Higor. On "Amor Inteiro," the album reaches a celebratory burst of catharsis, with the punch-packing drums of Pedro Lacerda and Nina Maia's joyous backing vocals encapsulating the live energy that Berle and his band bring to the stage.
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LP
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FARO 259LP
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$28.00
PREORDER
RELEASE DATE: 8/14/2026
LP version. Bruno Berle is a singer, songwriter, producer, multi-instrumentalist and figurehead of a contemporary Brazilian music movement. With a quiet mastery of songwriting and an astonishing voice, his music has won hearts around the world. Since the release of his debut album No Reino Dos Afetos (2022), Berle has performed across the UK, Europe, Japan, South Korea, and China, only leaving his home country for the first time in 2023. Shaped by these journeys, Berle's third studio album, Sem Fronteiras (Without Borders), reflects a utopian vision of a unified world. Recorded across London, São Paulo, Minas Gerais, Germany, and Maceió, the album -- co-produced alongside his longstanding musical partner Batata Boy -- is the most expansive canvas Berle has worked on to date. Shot through with the imagery that has always animated his songwriting: open skies, morning light, vivid colors and the magic of human connection, Berle's carefully crafted poetics and warm, delicate instrumentation drive this vivid body of work. On Sem Fronteiras, there is a similar duality at play. The album celebrates the collective joy and human connection that live touring brings, but it also sits with the darker realities of crossing borders. While music moves more freely around the world than ever before, our bodies are not granted the same privilege. Though he's never lacked self-belief, Berle recognizes that talent alone doesn't guarantee opportunity. Sem Fronteiras opens with "Você Já Sabe Que Eu Te Amo," just six beats of one nylon guitar chord ring out before changing key, paving the way for the gentle strike of Fender Rhodes and the arresting call & response duet between Berle and Higor. On "Amor Inteiro," the album reaches a celebratory burst of catharsis, with the punch-packing drums of Pedro Lacerda and Nina Maia's joyous backing vocals encapsulating the live energy that Berle and his band bring to the stage.
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12"
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FEINES 076EP
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$27.00
PREORDER
RELEASE DATE: 8/14/2026
After the dissolution of his wave-making duo project Ameli Paul, Berlin based musician and producer Paul Valentin aims to venture down new roads and finds help from illustrious folks like Liv Lisa Fries, DJ Koze, Thomass Jackson and Philipp Fein along the way. Valentin's debut EP on Feines Tier marks his first solo release in 10 years and is a colorful journey through sonic worlds and emotions in the continuous search for his own sound. Opener "ELVAU" is a collaboration with actor Liv Lisa Fries built around their intimate voice recordings which are woven delicately into a dreamy web of shimmering synths atop pulsating break beats that would make Bicep proud. For his remix, His Kosiness, the Tripsitter Himself also known as DJ Koze follows the breakbeat path further down, gleefully taking all sorts of wonky and fun diversions on the way, which makes one hope that the ride never ends. Follow-up tune "Malfunction" is a more straightforward affair with its rolling synth arps and is -- in Valentin's own words -- "about personal failure, dissolution, and the distortion of the self." Equally dark under- and overtones are throwing shades over "WhatThe!", dealing with anger and transformations, resulting in a banger for the heavier moments on the dancefloor or the mind between your headphones. The EP closes on a more hopeful note with "Listen", which stands for "everything that could be, if we listened to each other." And it's never a bad idea to listen to chirping 303 basslines, especially when paired with melancholic synth pads and weird vocal samples, as is the case here. The rework of Thomass Jackson and FT-head honcho Philipp Fein feels beautifully anachronistic with its reduced tempo and could have been something Andrew Weatherall would have played when he was still playing our earthly dancefloors.
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CD
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GB 4002CD
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$17.50
PREORDER
RELEASE DATE: 8/14/2026
Wondrously uninhibited, and liberated from the added pressure of either a studio or a planned live recording, there is true magic, sparkling energy, and no lowering of intensity in this never-before-released unearthed gem. The night before Ella Fitzgerald walked into Konserthuset in Stockholm and recorded what became The Stockholm Concert, 1966, the Pablo Records live album now considered among the essential documents of her late career, she played two concerts at Falkoner Theatre in Copenhagen. Like many other Black American jazz musicians of her era, Denmark felt like home to Ella. It was a country where they found a degree of respect that the United States too often denied them. Ella's ease in her adopted home was palpable when she walked onto the Falkoner Theatre stage that Sunday. And, now the results are released on record for the first time, and with the full blessing of Ella's estate, listeners are treated to an irrepressible, unexpectedly vital addition to her canon.
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LP
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GB 4002LP
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$31.50
PREORDER
RELEASE DATE: 8/14/2026
LP version. Wondrously uninhibited, and liberated from the added pressure of either a studio or a planned live recording, there is true magic, sparkling energy, and no lowering of intensity in this never-before-released unearthed gem. The night before Ella Fitzgerald walked into Konserthuset in Stockholm and recorded what became The Stockholm Concert, 1966, the Pablo Records live album now considered among the essential documents of her late career, she played two concerts at Falkoner Theatre in Copenhagen. Like many other Black American jazz musicians of her era, Denmark felt like home to Ella. It was a country where they found a degree of respect that the United States too often denied them. Ella's ease in her adopted home was palpable when she walked onto the Falkoner Theatre stage that Sunday. And, now the results are released on record for the first time, and with the full blessing of Ella's estate, listeners are treated to an irrepressible, unexpectedly vital addition to her canon.
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12"
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LYAM 013EP
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$20.50
PREORDER
RELEASE DATE: 8/14/2026
On Last Night At Marienbad's latest, the imprint brings together three of the brightest souls found within the realms of jazz, namely Mauricesax, 9ick, and Milan93, with their collective talents synergizing effortlessly on A Garden Between Us, alongside a stellar cast of remixers who add even further delight between the grooves. As practitioners of blending electronica and jazz, few do it like the trio of Mauricesax, 9ick, and Milan93. All three are known for their distinctive soundscapes, yet share commonalities in terms of musical language, feel, and sense of progression.
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12"
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MPM 054EP
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$19.00
PREORDER
RELEASE DATE: 8/14/2026
Following the remastered reissue of Robert Hood's Invincible, M-Plant's Perpetual Masters series continues with The Metronome. The Metronome distils techno to its barest, most hypnotic pulse. Over the two tracks, Hood strips rhythm down to ticking hi-hats, lean kicks and looping motifs that feel mechanical yet human. The grooves are relentless but never cold, building tension through subtle shifts instead of excess. Originally released in 2002, it remains a masterclass in minimalism: precise, cerebral and intensely physical that still sounds futuristic more than two decades on.
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3LP
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OSTGUT 039LP
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$87.00
PREORDER
RELEASE DATE: 8/14/2026
Since Temporary Suspension brought its machine-tooled weight and alien feeling to the label in 2009, each Planetary Assault Systems release on Ostgut Ton has been its own quest for discovery, from The Messenger's search for sounds not yet present in club music to Arc Angel's focus on melody to the deep hypnosis of Plantae. His new album, Planetary People has the deliberate imagination and depth of a record that took its time, shaped as much by live rooms and crowds as by the studio. "Into The Night" creates a haunting, dystopic environment of corroded acid saturated in echo, absorbing from the first second. "Labyrinth" breaks into buoyant tribal percussion, modulated chirps trading off over propulsive drums. "Quadrant 10" is clean, delay-drenched techno, buzzing with noise splatters over saturated thuds. "Sermon Of The Light Tides" scrambles metallic bell sequences that distort and evolve throughout, reminiscent of a dial-up modem crossed with a game of Frogger, squelching between percussive bursts and stripped-back kicks. "Brave Cosmo" is tormentingly menacing, eerie synths panning around buried vocal fragments over frantic percussion. "Retina Burn" rolls on fierce, cement-mixer 909 cycles, rave stabs over a ride that locks you in, the whole track stuttering and repeating before stripping back to a bare echoing kick and building itself again. "Thunder Major" barrels on open hats and reverb-drenched claps ricocheting through twisting wreaths of delay, mesmeric and relentless. "Beton Brut" marches juggernaut percussion stamping through hall reverb so vast you can visualize the room, the darkest and most unrelenting track on the record. "No Ninja" crunches in metallic and immediate, a wiry plucked lead threading through glitch with the bass held low and deep, mixed so precisely you can see every layer stacked in your mind's eye. "Ha Jam" is danceable techno with plenty of funk and a sophisticated looseness, a vocal laugh bouncing off clanging metal blocks and rave stabs. "Lynx" lowpasses its rave stabs and crystalline beeps, chirpy hats ticking, cold metal repeats, old school and mesmeric. "Generation Slip" closes everything out, ominous and churning, skittering percussion and electrical sparks rattling through steel, a freight train barreling on into oblivion.
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10"
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OSTGUT 130EP
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$28.00
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RELEASE DATE: 8/14/2026
"A Love Letter is an interpretation of an intense attraction to a person, lots of fantasies and a feeling of a deep connection. You're under Cupid's spell! Be careful -- it might be an illusion." It's a love letter from Inox Traxx to all the beautiful souls out there who experienced this feeling at least once. A limited 10" vinyl release -- made for your heart and the moments you dance together.
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12"
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PLAYRJC 133EP
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$28.00
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RELEASE DATE: 8/14/2026
Jacques Bon and Pit Spector are a Paris based artist duo working with a clear and reduced understanding of club music. Their productions move within a state of controlled uncertainty. They are precisely constructed, formally defined, and at the same time emotionally open. Their shared approach develops a musical language that creates depth not through complexity, but through feeling, space, and time. The tracks unfold organically, moving between direction and drift. This openness can be understood as a musical reflection of Pascal's thinking. Truth here is not something fully accessible through reason alone, but something that appears in lived experience. Fragmented, intuitive, and without final certainty. Margaux Gazur translates these tensions into a condensed contemporary form. Her remix brings together intensity and clarity without losing the emotional openness of the original material. The result is a direct physical presence, a form of truth that does not need explanation, but is immediately felt. In this sense she continues the same idea. Emotion as a mode of understanding beyond pure logic. The visual concept by Konstantin Fürchtegott Kipfmüller extends this approach through a reduced and tension driven visual language. His work is not intended as an illustration of the music, but as its own space. A state of visual clarity that follows its own internal logic and does not require resolution.
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CD
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PRESH 024CD
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$16.00
PREORDER
RELEASE DATE: 8/14/2026
Ghost Dubs, real name Michael Fiedler, aka Jah Schulz, announces a rebirth with Damaged, his first album for The Bug's PRESSURE label. Having recently dropped two criminally overlooked, experimental dub LPs, with his Dub Over Science series, the German producer/bass specialist, now stretches his own parameters of outwardness still further, with these twelve fresh explorations of dub deviance. For those who feel the fusion of dub techno and ambient drone had creatively ended with the demise of the short lived, Berlin based Chain Reaction label. Ghost Dubs now upgrades, and extends that legendary blueprint's abstract methodology even further and deeper, floating away upon a wonderfully warm sea of hiss and static bliss. This is dub so atomized that it disintegrates within your eardrums. Its music, where the machines take over and virtually all traces of humanity are erased. But thankfully, the warmest soul still oozes seductively from the pores of Fiedler's robo riddims. Relentlessly hypnotic, seriously sedated, Damaged celebrates the point of departure within its mesmerizing low-end grooves. It's no surprise that PRESSURE would then turn to the great, Berlin based producer Stefan Betke, to master/cut this collection at his infamous Scape mastering room. And a fine job he did too, as high-quality sound and levels are definitely maintained throughout. If you like your melodies submerged, your dub narcotic, your basslines obese, and your beats evaporating, Damaged provides the perfect prescription and entry point into Ghost Dub's spectral soundworld.
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CD
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RA 044CD
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$16.50
PREORDER
RELEASE DATE: 8/14/2026
Laura Strobl is a Viennese, classically trained violist (and violinist), who focuses on featuring the viola as a contemporary solo instrument. She is a long-time member of German pianist and composer Georg Graewe's Sonic Fiction Orchestra, which is based in Vienna. Stroble has played with such innovative improvisers as Frank Gratkowski, François Houle, Gerry Hemingway, Martin Siewert, and Günter "Baby" Sommer. She initiated the free-improvising trio with her mentor Graewe and British master drummer Mark Sanders, who has worked with many greats in the British, European, and American free jazz and free improvised music scenes. Sanders first collaborated with Graewe in his quintet in the 1990s (Concert in Berlin 1996, Wobbly Rail, 1999), and continued to work with Graewe in the Frisque Concordance band. This trio first performed live at London's Cafe OTO in March 2026 during Sanders' three-day residency in the club. Actuance was recorded in Vienna in November 2025 and offers eleven chamber pieces for the uncommon instrumentation of viola, piano, and drums. The album's title refers to the abrupt transition from light to dark in a physical, objective measure of an image at the edges of objects. It defines the steepness of the tonal gradient across boundaries, directly influencing the human eye's perception of sharpness and clarity in a photograph. It is an apt description of how spontaneous, improvised ideas, a brief and evocative melody, or just an abstract sound gravitate organically into instant, coherent, and often complex and intense compositions.
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LP
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RPTD 079LP
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$32.00
PREORDER
RELEASE DATE: 8/14/2026
On It Will Take Forever, Beirut-based sound artist Jad Atoui constructs six immersive modular synthesis pieces shaped by instability, suspended time, and physical endurance. Developed through live performance between 2023 and 2025, the album stretches the force and physicality of club sound into abstract electronic environments built from distortion, feedback, saturation, and drifting tonal fragments. Drawing from ambient noise, power electronics, electro-acoustic composition, and free improvisation, the record explores release and collapse not as musical gestures but as bodily states. Loud, dense, and emotionally disorienting, these pieces move through pressure and fragmentation while maintaining a tactile sense of presence. Mixed by Anthony Sahyoun and mastered by Jesse Osborne-Lanthier, It Will Take Forever continues Atoui's singular trajectory within Beirut's experimental music landscape.
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12"
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SATLTD 008EP
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$20.00
PREORDER
RELEASE DATE: 8/14/2026
From the acclaimed remix of Francis Harris' single "You Can Always Leave (Curtains)" to her collaboration with Frank & Tony on the heavily sought after "Companion," DJ Sprinkles indelible touch has become legendary. "You Can Always Leave (Curtains)" feat. Gry Bagøien (DJ Sprinkles Remix) was originally released on the vinyl only single "You Can Always Leave" in 2013. The original appeared on Francis Harris album Minutes Of Sleep (2014) and features the vocals of Danish singer Gry Bagoien alongside Greg Paulus on trumpet.
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CD
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SSR 133CD
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$16.00
PREORDER
RELEASE DATE: 8/14/2026
"After moving to Sydney I had an overwhelming need to start a new band and sing again. Total Control and Straightjacket Nation would be difficult to gather any momentum with my living interstate, and also I wanted to settle here and start something new and try and obliterate some of the stasis that entered my veins from the lockdown. Low Life asked me to play a solo show with Iceage at the opera house, but I had no ambitions for solo performance and had no songs, so I formed a band called KX Aminal with Greta, Michael, and Micky from Den, and Josh from Diat. KX Aminal are an important part of the Station Model Violence story. KX Aminal went into stasis and I got the itch again. Buz had written a few demos that didn't work as RMFC songs and he asked me to have a listen to hear if I could sing something on it, and over the winter of 2024 I visited his home studio and we recorded some vocal ideas with his demos. We released a demo for 'Learn To Hate' 'recorded after eating mushrooms on fabulous winter evening' and formed a lineup for a one-off show in late 2024 with Micky (Den), Yuta (The Lewers) and Georgia (G2g). This was the final Idiota Civilisaaaztatatanini show, so a nice loop back with Josh. After this show, Yuta and Georgia left, and Michael (Den), Alan (RMFC) and Kuceli (Gaud) joined. Seeing as Micky, Michael, Kuceli and I played in KX Aminal and we never got to record those songs, we decided to absorb some of them into Station Model Violence. We combined some of those KX songs with the demos Buz wrote and wrote a couple of new songs together and played a couple of shows, and then recorded an LP with Mikey in Melbourne and Micky in Sydney at the start of 2025. The album was mixed over the course of the year as we had created this incredibly dense beast and much credit is due to the patience and persistence of Mikey Young." -- Station Model Violence
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LP
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SSR 174LP
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$28.00
PREORDER
RELEASE DATE: 8/14/2026
MINIPONY is an Ecuadorian experimental metal band known for blending mathcore, djent, and electronic elements into a highly technical and forward-thinking sound. Defined by complex rhythms, low-tuned guitars, and an intense live energy, the band pushes the boundaries of contemporary heavy music. DETACH is MINIPONY's third studio release, marking a bold sonic evolution driven by the band's pursuit of originality and exploration. The EP delivers a powerful auditory and mental jolt, taking the listener on a journey that moves from technical metal to Latin-infused textures, combining harsh guttural vocals, heavy guitars and complex rhythms. Recorded at Borgo 41 by Amadeus Galiano and mixed by Jamie Uertz (renowned for his work on Magma by Gojira), DETACH captures the band in its most defined, honest, and uncompromising form, powerfully revealing its true sonic identity. DETACH is sound evolution where MINIPONY confidently reveals its true artistic and musical identity.
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LP
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SSR 174LTD-LP
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$35.50
PREORDER
RELEASE DATE: 8/14/2026
LP version. Color in color + splatter transparent, black and yellow vinyl. MINIPONY is an Ecuadorian experimental metal band known for blending mathcore, djent, and electronic elements into a highly technical and forward-thinking sound. Defined by complex rhythms, low-tuned guitars, and an intense live energy, the band pushes the boundaries of contemporary heavy music. DETACH is MINIPONY's third studio release, marking a bold sonic evolution driven by the band's pursuit of originality and exploration. The EP delivers a powerful auditory and mental jolt, taking the listener on a journey that moves from technical metal to Latin-infused textures, combining harsh guttural vocals, heavy guitars and complex rhythms. Recorded at Borgo 41 by Amadeus Galiano and mixed by Jamie Uertz (renowned for his work on Magma by Gojira), DETACH captures the band in its most defined, honest, and uncompromising form, powerfully revealing its true sonic identity. DETACH is sound evolution where MINIPONY confidently reveals its true artistic and musical identity.
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7" FLEXI DISC
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SYNAPTIC 006EP
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$5.50
PREORDER
RELEASE DATE: 8/14/2026
Top-notch Synthwave/Italosynthhorror on a sexy flexy, reworked by Aipd Q41/B47. The two tracks were composed by pdqb while he worked for Silvio Berlusconi's Mediaset TV production company. The flexi was originally included in the November 1985 issue of the Italian Playboy Magazine and is extremely sought after. To recreate it as faithfully as possible, pdqb reconstructed the track from memory -- using a self-conducted cognitive interview, instructing AI exactly how it had to sound. The original conditions no longer exist: no broken synths, no absurdly long cables, no direct-to-tape chaos, no instant flexi pressings.
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MAG
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UT 072
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$11.95
PREORDER
RELEASE DATE: 8/14/2026
"This issue's cover story is an extraordinary interview with Jim 'Harpo' Valley who talks about his years on the early Northwest rock 'n' roll scene with the Viceroys and Don & the Goodtimes, his wildly eventful year with Paul Revere & the Raiders at their 1966-67 peak, a summer of love solo career that failed to launch, and the dramatic events that sent him to live alone in a cave in Big Sur. Then, from 'Louie Louie' to Fun House, Don Gallucci tells all about his adventures with the Kingsmen, Don & the Goodtimes, Touch, and producing the Stooges' seminal second album. Also, the wild ride of 1965-67 Sunset Strip garage band the New Generation, the continuing saga of '60s Canadian psych/rock legends the Collectors, and a short chat with writer/musician Michael Moorcock. Plus the life-sustaining reviews sections covering the latest reissues and music-related books."
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2LP
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VP 2773LP
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$43.00
PREORDER
RELEASE DATE: 8/14/2026
"Limited edition double LP set. For the first time together, the complete Torch Of Freedom sessions. The acclaimed follow up to the classic Pick A Dub And Flesh Of My Skin album. Original raw manmba label Jamaican mix, plus Keith's UK remix and re-sequence. Includes bonus dub crying previously only available on rare import 7" single. Features the classic 'Turn The Heater On' as cover by New Order. Extensive sleeve notes by Keith Hudson biographer Vincent Ellis."
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LP
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VP 2842LP
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$32.00
PREORDER
RELEASE DATE: 8/14/2026
LP version. "Gearing up for an unforgettable season, GRAMMY® Award-winning reggae icon Buju Banton proudly presents his thirteenth full-length studio album, Too Too Bad. It stands out as his sixth offering for VP Records following a newly minted deal which brought him home to the label after 23 years. Banton returns to his roots of hardcore dancehall reggae with a nod to his 2006 album Too Bad. The album features top name step-outs and producers and delivers the grit and grind that have made 'The Gargamel' and icon of the music."
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CD
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AES 013CD
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$13.50
PREORDER
RELEASE DATE: 8/21/2026
Following the acclaimed previous album Transcend, which seamlessly traversed experimental electronics and obscure techno-infused structures, Frederic Arbour returns with his most daring and transformative work to date. Leavings marks a decisive departure from established forms. Where its predecessor gradually evolved through recognizable rhythmic frameworks and narrative progression, this new album ventures into increasingly abstract territories, dissolving conventional structures in favor of fluid movement, instinctive composition, and perpetual transformation. Across nine expansive pieces, Arbour explores the threshold between rhythm and abstraction. Pulses emerge only to fragment. Patterns suggest direction before evaporating into vast textural environments. The result is a body of work that embraces ambiguity, inviting listeners into a space where certainty is abandoned and exploration becomes the guiding principle. The album's title carries multiple resonances. Leavings suggests remnants, traces, and fragments left behind after a process of transformation. It evokes both departure and residue, the echoes of former identities, structures, and creative languages that persist even as new forms emerge. Throughout the album, sounds appear as artifacts in motion, suspended between memory and reinvention. Textures drift between shadow and illumination, density and emptiness. Moments of fragile beauty emerge from complex layers of sound, only to recede again into abstraction. A quiet tension permeates the work, the sensation of crossing invisible thresholds while navigating territories that resist fixed definition. Neither a continuation nor a rejection of previous works, Leavings stands as a document of transition. It captures the fertile space between dissolution and creation, where familiar forms are relinquished and unforeseen possibilities begin to take shape. With Leavings, Purgate enters a new phase of artistic evolution, crafting an immersive and deeply evocative work that transcends genre boundaries while remaining rooted in the project's enduring fascination with atmosphere, depth, and transformation. A compelling journey through shifting sonic architectures, Leavings reveals Frederic Arbour at his most adventurous and uncompromising, embracing uncertainty not as an obstacle, but as a path toward discovery. CD edition of 200 copies in 4 panel Digipak.
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CD
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AES 014CD
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$13.50
PREORDER
RELEASE DATE: 8/21/2026
With Konstellationen, Camilla Pisani explores language as a fluid and universal force, extending beyond words into sound, gesture, symbols, and even the movements of the stars. At the heart of the work lies rhythm, the fundamental principle linking music, astronomy, and human perception, transforming disparate forms of expression into a unified creative language. Through layered arrangements, hypnotic pulses, and suspended atmospheric textures, Pisani creates a series of immersive sonic environments where rhythm becomes more than structure, evolving into a vehicle for emotion, transformation, and connection. Delicate yet powerful, the compositions unfold as dreamlike spaces suspended between intimacy and vastness. Expanding beyond the purely musical, Konstellationen embraces a multidimensional artistic approach in which sound, text, and imagery exist in constant dialogue. Each composition is accompanied by writings developed by the artist over several years, offering poetic entry points into the work and enriching its narrative depth. Conceived as both a personal reflection and a universal gesture, Konstellationen presents electronic music as a spiritual language, one capable of transcending cultural boundaries through shared sonic experience. Cyclical rhythms echo celestial movements, natural forces, and collective human experience, inviting listeners into a world where perception, imagination, and communication converge. CD edition of 200 copies in 4 panel Digipak with 16 pages booklet.
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LP
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AOF 490LP
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$30.00
PREORDER
RELEASE DATE: 8/21/2026
"Early recordings, demos, live tracks and other rarities from British industrial pioneers Portion Control."
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CD
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BCM 9628CD
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$24.00
PREORDER
RELEASE DATE: 8/21/2026
Beat Records reissues on CD the brilliant OST by Ennio Morricone for the romantic film La notte e il momento, directed in 1995 by Anna Maria Tatò with a screenplay by Anna Maria Tatò and Jean-Claude Carrière, photography by Giuseppe Rotunno, editing by Ruggero Mastroianni, music by Ennio Morricone. Morricone perfectly represented the eighteenth century in music with a fascinating orchestral soundtrack introduced by the cheerful and fast-paced baroque main theme. The composer always created atmospheres balanced between romanticism and comedy. The love theme emerges in "La notte e il momento," which listeners hear again in "The loving game" sung by Simona Patitucci. The purely eighteenth-century atmosphere is produced by the sound of "Un clavicembalo," the mysterious and suspended string tremolos acting as background in "Spiegazioni di torture," and a solemn march for wind instruments and strings in "Tromba e cavalli." In 1995, Sony published a CD prepared by the composer, and in 2011, GDM reissued this music on CD with the addition of six bonus tracks for which Ennio Morricone gave his approval. This presentation returns this OST to the market as a tribute to the musical brilliance of Ennio Morricone.
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CD
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BCM 9629CD
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$24.00
PREORDER
RELEASE DATE: 8/21/2026
Beat Records reissues on CD the OST by Ennio Morricone for the drama film Il pentito, directed in 1985 by Pasquale Squitieri with a screenplay by Pasquale Squitieri, Laura Toscano, Lino Jannuzzi, Orazio Barrese, and Franco Marotta. In 1985, Ennio Morricone prepared a twelve-track album that never saw the light of day at the time, but ten years later, in 1995, the material was released on GDM Point paired with "Corleone." In 2007, under Ennio Morricone's supervision, Il pentito was expanded on GDM CD with the addition of eight bonus tracks. Now, this presentation, taken from the stereo masters of the original sessions, is back on the market.
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LP
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BJR 125LP
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$29.50
PREORDER
RELEASE DATE: 8/21/2026
LP version. This compilation brings together eight tracks by Yassine Nana and his group, recorded between 1984 and 1989, during a key moment in Mauritania's musical history. A central figure of one of the country's most respected musical families, Yassine stands at the crossroads of a long-standing tradition and a period of deep transformation in form, sound and production. Recorded in Mauritania as well as during stays in Paris and Rabat, these songs integrate drum machines, synthesizers and electric guitars into Saharan musical structures. Influenced by reggae, soul and new wave, the group develops a sound that reflects the circulation of music and technology in the 1980s, while remaining firmly rooted in Mauritanian languages, themes and melodic systems. Love, travel, exile and music itself run through lyrics sung in Hassaniya and classical Arabic. Originally released on cassette and long confined to local circulation, these recordings offer a rare perspective on African popular music of the period, seen from Nouakchott. A body of work that documents a Mauritanian modernity, both popular and exploratory, now brought back into circulation by Les Disques Bongo Joe and Sofa Records.
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7"
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BJR 45040EP
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$17.50
PREORDER
RELEASE DATE: 8/21/2026
The first encounter between Felix Kubin and Bound By Endogamy dates back to March 7, 2024, during a Bongo Joe night at Petit Bain in Paris. BBE performed their debut LP, while Felix presented Cell with Hubert Zemler. Later that year, they reunited at Kalabalik på Tyrolen, realizing how much they shared musically. In 2025, invitations crossed paths: BBE performed at Papiripar Festival in Hamburg, then Felix spent time in Geneva. At Shlomo's studio, machines were synced, knobs twisted, natural wine poured, and improvisations recorded. Felix shaped the material into two instrumental drafts and sent them to Geneva. BBE reworked them, adding vocals. A series of tight exchanges between Hamburg and Geneva followed until the final form emerged. The 7" was then mastered by Gavin Weiss.
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12"
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BP 089EP
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$19.00
PREORDER
RELEASE DATE: 8/21/2026
Mark Broom returns to the label with a unique project, revisiting the work of techno pioneer Regis. Entitled Power Is Neutral, the release sees Broom rework a selection of seminal Regis recordings originally released on Downwards Records across the albums Gymnastics (1996), Delivered Into The Hands Of Indifference (1998) and Penetration (2001). Known as one of the key architects of the Birmingham techno sound, Regis (Karl O'Connor) helped shape British techno through his work as co-founder of Downwards Records and a catalogue that continues to influence generations of artists.
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12"
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COR 183EP
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$18.00
PREORDER
RELEASE DATE: 8/21/2026
Across four tracks, Robag Wruhme creates a world where rhythm and atmosphere constantly shape one another. The arrangements are rich with detail, yet nothing competes for attention. Even in the densest passages, every sound feels deliberate. 'Olahni' opens patiently, with ghostly textures and hypnotic vocal fragments setting the tone before the bassline slowly comes into focus. 'Ifthah' takes things into darker territory, driven by a heavy rolling bassline and a looping motif that never quite loosens its grip, adding weight without disrupting the flow. On 'Fumaxohn,' the groove remains tight while the mood shifts. 'Pentho' closes the EP in its most direct form. Stripped back and driving, it lands with quiet confidence, bringing the journey to a close while holding onto the hypnotic tension.
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CD
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CSR 373CD
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$15.50
PREORDER
RELEASE DATE: 8/21/2026
The third tape on the fledgling Cold Spring label, Shoot And Crucify was released back in 1988 in an edition of just 50 copies. It features some of the very earliest works of many now-influential and essential industrial/noise/experimental artists. Just a handful of these 19 tracks have since been reissued, but the vast majority have remained locked in this analogue time capsule for nearly 40 years. Compiled by Rob Maycock. Remastered by Martin Bowes (The Cage). CD in matt digipak with new artwork by Abby Helasdottir (and a nod to the original tape art). Featuring Ethnic Acid, Thu 20, Death Pact, Satori, Redemption Inc., Basquadeck Shelf, L.S.D., Radical Change, Well Crucial, Ethnic Acid, Dave Kirby, Kapotte Muziek, Psychopath, Merzdow Shek, Nostalgie Eternelle, and The State.
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LP
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DPROM 169LP
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$31.50
PREORDER
RELEASE DATE: 8/21/2026
At last Nurse With Wound's classic masterpiece Rock 'n' Roll Station gets it's timely and well-deserved VIP treatment. A much loved and firm favorite with fans and critics alike, this celebrated seminal work is here represented by four tracks, each unique with extended reworking and mixing. Featuring (alongside the usual suspects of Colin Potter, Matt Waldron, Andrew Liles, and Diarmuid MacDiarmada) French pioneer and trail blazer of the '70s, Jean Jacque Birge. Housed in stunning new full color artwork by acclaimed and award-winning artist and sleeve designer Babs Santini.
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LP
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DPROM 177LP
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$31.50
PREORDER
RELEASE DATE: 8/21/2026
Grey color vinyl. "War.Poem was recorded at The Rock Noir studio in 2025/2026 as a reaction to a piece I read on the Israeli military use of flechette shells in Gaza. This led to a much deeper study of the 20th/21st century history of war. The album was composed entirely using a Tape O Matic 710 reel to reel from 1958, a 1960s mayfaair JVC reel to reel, aa 1965 G.E. solid state portable reel to reel from 1965, a portable 1970's Panasonic cassette player, a ring modulator as well as various other effects and synths. The loop that is the basis for 'War Poem Zero' which takes up the whole of side one, happened by accident when I put a reel on the wrong way up, it produced aa sound of such great melancholy and beauty, I just let it play. This album owes a debt to 'Swansong' by Nurse With Wound from the album A Missing Sense where experimental sound is used as an anti-war protest." --Chris Connelly, 2026
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2LP
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EMV 004LP
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$54.00
PREORDER
RELEASE DATE: 8/21/2026
First time ever on vinyl for the 1999 debut album by cult Melbourne outfit, Hungry Ghosts. Originally released on CD on the Reliant label and produced by Rowland S. Howard (Birthday Party/Young Charlatans), it sounded like a band from another place and time. Nominally thrown into the "post-rock" sphere, the Hungry Ghosts brought so much more to the table than such restrictive terms may imply. Featuring an eclectic array of percussive and stringed instruments, with some brass thrown in for good measure, the band created its own world of expressive instrumental music that played like a lost European film soundtrack. Soon after its release, the group made their way to the US to record for Steve Shelley (Sonic Youth)'s Smells Like label, and the story continues from there. This 2LP edition features the debut full-length CD on vinyl for the very first time, as well as their debut self-released (and -titled) EP from two years earlier. Inside is an informative four-page booklet with extensive liner notes telling the Hungry Ghosts story. Highly recommended for fans of: Dirty Three, Low, Triffids.
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LP
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EMV 007LP
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$35.00
PREORDER
RELEASE DATE: 8/21/2026
The Melbourne trio from the early '80s known as The Invisible College were a bit of a mystery to those who knew of their sole cassette release, The Luxury Of Horns, released on the RASH (Decisions) label in 1982, and that was the point. The group was otherwise known as Laughing Hands, a crucial cog in the influential and highly creative experimental post-punk scene centered around the Clifton Hill Organ Factory in inner city Melbourne. The Laughing Hands released a series of exceptional LPs in the first half of the decade before splitting, with member Paul Schutze then beginning a successful solo career that has seen him based in the UK for the past 35 years. Since then, Schutze has scored soundtracks, collaborated with the likes of Brian Eno and Jah Wobble, and released many recordings on labels from Virgin to Extreme. The Invisible College used the alias for this release to dupe a critic who was always deriding the works of the Laughing Hands, to see if they could elicit a positive review without the baggage (they did!). It is a truly remarkable DIY release from the era, one that mixes electronics with a more organic feel. Over the course of seven tracks, the music slowly evolves and devolves, blending the sounds of Berlin-school electronics (Manuel Gottsching, Conrad Schnitzler) with the Fourth World sonics of Brian Eno and Jon Hassell. It also provides an excellent musical bridge between the more minimalist sounds of Laughing Hands and Schutze's adventurous and prolific solo career. The Luxury Of Horns is experimental yet imminently listenable, at times broaching on a kind of proto-techno, just as Manuel Gottsching's E2E4 did around the same time. This edition is the first time it's ever been released as a stand-alone LP, with all-new artwork and liner notes from Schutze himself.
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12"
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FIGURE X054EP
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$19.00
PREORDER
RELEASE DATE: 8/21/2026
Figure marks its latest chapter with X54, a gripping new EP from French production talent KUSS. Known for his meticulous work with hypnotic rhythms and tactile textures, his debut release for the label thrives in the darker, more introspective corners of the club. X54 is a perfect example of tension-building-balancing forward-thinking sound design with the kind of dancefloor efficiency that Figure is known for. The record also features two collaborations with Clotur. Together, they create a sound that feels both surgically clean and sonically massive. Built for the late-night hours and the depths of the club, X54 is an uncompromising addition to the Figure catalog.
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CD
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GME 936CD
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$20.00
PREORDER
RELEASE DATE: 8/21/2026
2026 repress forthcoming. Magma, is a French cross-genre, jazz-rock rooted, progressive rock and fusion band founded in 1969 by drummer Christian Vander. Magma have existed in two phases, the first was formed in the summer of 1969 and debuted on LP in 1970, continuing through to 1983. 1001 Centigrades was released April of 1971.
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2CD
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GME 938CD
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$20.00
PREORDER
RELEASE DATE: 8/21/2026
2026 repress forthcoming. Magma, is a French cross-genre, jazz-rock rooted, progressive rock and fusion band founded in 1969 by drummer Christian Vander. Magma have existed in two phases, the first was formed in the summer of 1969 and debuted on LP in 1970, continuing through to 1983. Kobaia was released in the spring of 1970.
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2LP
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GME 939LP
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$42.00
PREORDER
RELEASE DATE: 8/21/2026
2026 repress forthcoming; double LP version. Magma, is a French cross-genre, jazz-rock rooted, progressive rock and fusion band founded in 1969 by drummer Christian Vander. Magma have existed in two phases, the first was formed in the summer of 1969 and debuted on LP in 1970, continuing through to 1983. Kobaia was released in the spring of 1970.
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LP
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GN 079LP
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$24.00
PREORDER
RELEASE DATE: 8/21/2026
"High Cube is the beat-focused brainchild of Brian Foote (Peak Oil, Leech) and Paul Dickow (Strategy, Community Library), two legends of the US experimental underground. After some 30-odd years of making music separately and together, Foote and Dickow are collaborating in earnest for the first time as a duo. For this debut the pair enforced a simple, stringent set of rules: five instruments, a one-hour timer, and a total ban on overthinking. The result is the sound of two old friends unplugging the usual levers and letting the 'accident' of their chemistry take the wheel. It is drier, sparser, and decidedly 'chunky' -- a fictional band stepping into a suit to drive around for a while. It is neither dance nor chill-out, but a moody, complex trajectory defined not by the gear used to make it but by the narrative mood it compels. 'Volcano Snail' starts things off in a disheveled shuffle, locking into gear with blurred and bubbling effluence. The shimmering dimness is lit low, with a woozy gait that recalls the headiest highs and luminescent lows of Jan Jelinek. 'Underwater Welder' is a foggy, neon-lit cruise of skittering low-ends suspended in a permanent fall of color, while 'A Dragon's Treasure is its Soul' offers blown-apart, low-end city pop fragmented into an array of rhythmic detritus. Chordal textures hover in the air as a percussive loop takes its beguiling and frolicking shape. B-side opener 'Yonaguni' shapeshifts in real time, drifting with the grace of a glacier before bobbing in a frigid pool of vibrating clatter, static, and synth stabs. 'Ofid+wor' offers a tried and true blitz of braindance, nodding to an endless list of 20th and 21st-century electronic body music. Buoyant closer 'Mother of Thousands' holds a gravity-defying tenderness, pirouetting on a breeze with the elegance of effervescent longing. The six extended tracks of High Cube are tethered to nothing but the ether -- a giant sonic leap of peripheral absurdity from two artists with a lifetime of shared rhythm."
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LP
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GUESS 276LP
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$31.50
PREORDER
RELEASE DATE: 8/21/2026
Formed in Edinburgh in 1966 as The Jury, Writing On The Wall evolved from a fierce soul-based live act into one of the most powerful and theatrical hard psychedelic rock bands to emerge from the UK underground. Inspired first by American soul and R&B and later transformed by exposure to West Coast psychedelia through artists like Love and The Doors, the band developed a unique sound combining heavy organ-driven psych, proto-progressive experimentation, hard rock aggression and dramatic stagecraft. Fronted by the charismatic Linnie Paterson and powered by the dynamic interplay of Willy Finlayson, Bill Scott, Jake Scott and Jimmy Hush, Writing On The Wall quickly became notorious for their explosive concerts at legendary venues such as Middle Earth and The Marquee Club. Their intense performances earned support from BBC DJ John Peel, who invited the band to record multiple sessions for his influential Top Gear radio show. In 1969 the band released their sole album, The Power Of The Picts, on the short-lived Middle Earth label, linked to the hippie club with the same name. Today regarded as a cornerstone of British heavy psychedelic rock, the album fused dark Doors-inspired atmospheres, crushing Hammond organ, extended improvisation and proto-metal energy years ahead of its time. Despite critical praise, major live popularity and opportunities to break internationally -- including a triumphant appearance before 60,000 people at Brazil's Rio Song Festival -- the band's career became trapped in management disputes, failed label deals and bad luck. This reissue, sanctioned by original member Jimmy Hush, tells the full story of a band that should have stood alongside contemporaries such as Deep Purple, Family, Arthur Brown, or early Wishbone Ash. Remastered sound with original artwork in hard cardboard sleeve. Includes insert with liner notes by David Wells with input by drummer Jimmy Hush and rare photos/memorabilia.
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3CD
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IMPREC 543CD
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$29.00
PREORDER
RELEASE DATE: 8/21/2026
When Eliane Radigue departed this realm in February 2026, at age 94, she left behind a singular, inimitable body of work. Her focus on slowly changing, highly detailed drone music yielded numerous monoliths among which Adnos stands tall. Composed and recorded on tape between 1973-1982 using an Arp 2500 modular synthesizer, these astonishing pieces exemplify Radigue's quote about how slow changes, vibrations deep within her sounds, ultimately shape the textures of her sonic work: "If a stone in the river moves, the river is not changed, but after a long time it becomes something completely different." This 2026 repress preserves the 2013 package design; a thorough collaboration between Eliane Radigue and John Brien of Important Records. A 24-page booklet of Adnos-era archival material accompanies the three compact discs in a heavy-duty quad-fold, 8-panel cardboard jacket printed inside and out.
"Time is of no importance. All that counts is the duration necessary for a seamless development. My music evolves organically. It's like a plant. We never see a plant move, but it is growing continually. Like plants, immobile but always growing, my music is never stable. It is ever changing." --Eliane Radigue
"A steady stream of sonic activity taking place right at the edge of one's perception." --New York Times
"This piece represents the height of musical sensitivity." --Village Voice
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12"
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KOM 507EP
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$19.00
PREORDER
RELEASE DATE: 8/21/2026
Klaus Kotai, a Viennese who had made Berlin his home, found a receptive audience in Cologne as early as the mid-'90s with his records on Elektro Music Department. Then came the 2000s, an exciting era for club music, rich in innovation and characterized above all by the burgeoning genres of minimal and electro clash. In 2002, Kotai's Sucker DJ was released, featuring the brilliant remix by Marcin "Highfish" Kozlowski, on WMF Records. A true hit that struck a perfect balance between both worlds and was played across genres by virtually every DJ. Exactly 20 years after the last re-release on Elektro Music Department, it's now time for Sucker DJ to make a comeback.
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12"
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KYN 021EP
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$16.00
PREORDER
RELEASE DATE: 8/21/2026
Priori returns to Kynant Records for an EP of dubbed-out, eyes-down house and techno. The Montreal-based artist explores dense, patient grooves, assisted by singular Jamaican voice Gavsborg on the opening track.
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LP
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LANR 070LP
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$36.50
PREORDER
RELEASE DATE: 8/21/2026
Fully licensed, all tracks remastered! In 1982, at just 18 years old, Barrington Levy already held a solid reputation as a singer. Lantern Records appreciates his early work so much that it is a pleasure to reissue Poor Man Style, just as it was originally released by Trojan Records in 1982. The album features the golden era's finest musicians, the Roots Radics, in fine form and produced by Linval Thompson. Recorded at Channel One, the album features expert in-house mixing by Scientist. This is yet another essential Barrington Levy release from Lantern Records, you simply cannot miss these hot Jamaican sounds.
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LP
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LANR 071LP
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$36.50
PREORDER
RELEASE DATE: 8/21/2026
Fully licensed, all tracks remastered! Reissued here on vinyl for the first time this Cornell Campbell album was arranged and produced between 1981 and 1983 by Tappa Zukie at Dynamic Sound and King Tubby's in Jamaica. With, as engineers, Scientist and King Jammy, the legendary duo Sly & Robbie and Vin Gordon and Deadly Headly (horns). Front cover by the esteemed illustrator Limonious. Press Along Natty is a mature and varied album that showcases Cornell Campbell's vocal versatility and his ability to blend emotion and spirituality in an elegant and authentically Jamaican dancehall style.
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2CD
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LMS 1725733
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$20.00
PREORDER
RELEASE DATE: 8/21/2026
Originally released in 1990 by Happy Mondays, this album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music. Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fueled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike. This 2026 reissue of Pills 'n' Thrills and Bellyaches is presented in multiple formats, and marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era. Available as: 5LP Boxset (LMS 1725740), which includes 64-page hardback bound book with brand new essays from James Brown and Central Station, previously unseen photos and more, plus a Slipmat and folded tour poster. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 4CD Boxset (LMS 1725734), which includes 60-page booklet with brand new essays from James Brown and Central Station, as well as previously unseen photos and more. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 2CD version (LMS 1725733) , featuring the remasted album plus 12 remixes; red color LP version (LMS 1725739), featuring the remastered album; black LP version (LMS 1725740), featuring remastered album. All Audio fully remastered on all formats.
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4CD BOX
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LMS 1725734
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$82.50
PREORDER
RELEASE DATE: 8/21/2026
4CD box version. Originally released in 1990 by Happy Mondays, this album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music. Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fueled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike. This 2026 reissue of Pills 'n' Thrills and Bellyaches is presented in multiple formats, and marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era. Available as: 5LP Boxset (LMS 1725740), which includes 64-page hardback bound book with brand new essays from James Brown and Central Station, previously unseen photos and more, plus a Slipmat and folded tour poster. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 4CD Boxset (LMS 1725734), which includes 60-page booklet with brand new essays from James Brown and Central Station, as well as previously unseen photos and more. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 2CD version (LMS 1725733) , featuring the remasted album plus 12 remixes; red color LP version (LMS 1725739), featuring the remastered album; black LP version (LMS 1725740), featuring remastered album. All Audio fully remastered on all formats.
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LP
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LMS 1725735
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$30.50
PREORDER
RELEASE DATE: 8/21/2026
LP version. Originally released in 1990 by Happy Mondays, this album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music. Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fueled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike. This 2026 reissue of Pills 'n' Thrills and Bellyaches is presented in multiple formats, and marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era. Available as: 5LP Boxset (LMS 1725740), which includes 64-page hardback bound book with brand new essays from James Brown and Central Station, previously unseen photos and more, plus a Slipmat and folded tour poster. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 4CD Boxset (LMS 1725734), which includes 60-page booklet with brand new essays from James Brown and Central Station, as well as previously unseen photos and more. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 2CD version (LMS 1725733) , featuring the remasted album plus 12 remixes; red color LP version (LMS 1725739), featuring the remastered album; black LP version (LMS 1725740), featuring remastered album. All Audio fully remastered on all formats.
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LP
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LMS 1725739
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$32.00
PREORDER
RELEASE DATE: 8/21/2026
LP version. Red color vinyl. Originally released in 1990 by Happy Mondays, this album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music. Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fueled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike. This 2026 reissue of Pills 'n' Thrills and Bellyaches is presented in multiple formats, and marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era. Available as: 5LP Boxset (LMS 1725740), which includes 64-page hardback bound book with brand new essays from James Brown and Central Station, previously unseen photos and more, plus a Slipmat and folded tour poster. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 4CD Boxset (LMS 1725734), which includes 60-page booklet with brand new essays from James Brown and Central Station, as well as previously unseen photos and more. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 2CD version (LMS 1725733) , featuring the remasted album plus 12 remixes; red color LP version (LMS 1725739), featuring the remastered album; black LP version (LMS 1725740), featuring remastered album. All Audio fully remastered on all formats.
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5LP BOX
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LMS 1725740
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$191.50
PREORDER
RELEASE DATE: 8/21/2026
5LP box set version. Originally released in 1990 by Happy Mondays, this album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music. Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fueled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike. This 2026 reissue of Pills 'n' Thrills and Bellyaches is presented in multiple formats, and marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era. Available as: 5LP Boxset (LMS 1725740), which includes 64-page hardback bound book with brand new essays from James Brown and Central Station, previously unseen photos and more, plus a Slipmat and folded tour poster. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 4CD Boxset (LMS 1725734), which includes 60-page booklet with brand new essays from James Brown and Central Station, as well as previously unseen photos and more. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 2CD version (LMS 1725733) , featuring the remasted album plus 12 remixes; red color LP version (LMS 1725739), featuring the remastered album; black LP version (LMS 1725740), featuring remastered album. All Audio fully remastered on all formats.
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LP
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LPOST 077LP
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$43.00
PREORDER
RELEASE DATE: 8/21/2026
Cinevox Records, in collaboration with AMS and Beat Records Company, presents the first-ever vinyl release of Il Secondo Tragico Fantozzi's soundtrack, marking the 50th anniversary of the theatrical release of Fantozzi II. Fantozzi II, directed again by Luciano Salce, is the sequel to the highly successful first film, released just a year earlier. It picks up on the original plot, expanding it with numerous new situations involving Italy's most famous accountant, played by Paolo Villaggio. The soundtrack, composed by Franco Bixio, Fabio Frizzi, and Vince Tempera, draws inspiration from the previous album's mood and quickly becomes a true cultural marker for the Fantozzi film phenomenon. It shrugs off the idea of simply reworking the previous year's score and quickly stands on its own two feet. Available on vinyl for the first time, this 50th anniversary edition features the period poster photo on the cover, depicting Paolo Villaggio as a lightning rod. The 12-inch crystal white vinyl is available in 400 exclusive copies, mastered by Claudio Fuiano, and graphic design by Daniele De Gemini.
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12"
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MM 152EP
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$19.00
PREORDER
RELEASE DATE: 8/21/2026
The two Ben Klock remixes and the Steve Rachmad remix of the classic "Virton" get a long awaited 2026 repress.
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2x12"
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OSTGUT 131LP
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$39.50
PREORDER
RELEASE DATE: 8/21/2026
Paired Works is a double EP by Justine Perry and Paula Koski, developed in parallel within the same time and environment. Evolving through years of shared surroundings and creative exchange, the record emerges as a natural extension of that connection. Produced separately, the tracks document two distinct inner worlds shaped through proximity. Justine Perry leans into deep, hypnotic forms, while Paula Koski moves through dubby and spacious structures driven by texture. Across four sides, the record shifts between focused, forward-moving passages and more atmospheric moments, creating a subtle push and pull. Rather than settling into one singular moment on the dancefloor, it stretches across the shifting phases of a long club night. Timeless and elegant in its approach, Paired Works marks the debut release on Ostgut Ton for both artists.
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LP
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PCD 014LP
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$29.50
PREORDER
RELEASE DATE: 8/21/2026
A sequel to 2011's communication from our future selves on The Spectacle of Light Abductions, this new endeavor by restless netherzone traveller Spencer Clark envisions a space map towards the other side of human life. A meditation on the paintings of Vedran Kopljar, these two side-long pieces, recorded and performed at Kopljar's exhibition at Muhka Museum in Antwerp in 2024, tap into the barren world inhabited by Clark while wandering what he calls the "Abomination Plateaus." Searching for meaning amidst the landscape, "Abyssfields" turns Clark's keyboards, sampler and wha pedals into sentient beings, roaming a luminous sound field of low-res percussion, glistening keys and mangled voice-like transmissions. Featuring Athens-based John Also Bennet on flute, "Abomination Plateaus" layered misty pads hover above a recurring driving-pinging loop, unlocking new harmonic specters throughout each passage, suspended in the light. Always enveloping.
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2LP
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PLEXUS 003G-LP
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$40.00
PREORDER
RELEASE DATE: 8/21/2026
Gold vinyl. Deluxe reissue of the sole album by The Eighteenth Day Of May. Beginning life as a trio in London, 2003, the original line-up consisted of Allison Brice (vocals, flute), Richard Olson (acoustic guitar) and Ben Phillipson (guitar, mandolin) before expanding the following year to include the rhythm section of Mark Nicholas (bass) and Karl Sabino (drums, autoharp) and finally Alison Cotton (viola). This being the mid zeros, the independent music scene in the UK was reluctant to embrace a sun-dazed folk band but this, their sole album, has gradually feathered a bed of affection amongst international folk fans. Twenty years on, the album is now rightfully seen as a trailblazer for the myriad alternative/psych folk bands that emerged in its wake. Andy Childs who signed the band originally takes up the story. "I first heard their music on a cover mounted CD with the much missed Comes With A Smile magazine and as far as I could tell no-one was making music like this anymore, certainly not with such panache and confidence. To my jaded ears it all sounded so uninhibited -- old weird folk songs, Americana, original psych-folk, minimalist drones. Great melodies and all six of them could sing! A joyous, unfettered sound that could in one moment conjure up flashes of The Byrds and then effortlessly the spirit of Velvet Underground would drift through. They even covered a Spacemen 3 song. I loved the fact that they had the aplomb to tackle traditional folk songs like 'Lady Margaret' and 'Flowers In The Forest' and not be afraid to stamp their own identity on them. Signing them to the Hannibal label was straightforward. If anything the album somehow sounds fresh and undated, even better than it did in the day when perhaps eclecticism was out of synch with the times; its subtleties have become more apparent."
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12"
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QRV205DTON26
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$20.50
PREORDER
RELEASE DATE: 8/21/2026
K' Alexi Shelby is a prominent figure in electronic music with a career spanning decades. He makes a welcome return to COD3 QR with the jazzy house of opening track, "House Music de Chicago." Voltaire has built his career through passion and a perfectionist approach to music. He leans into the realms of house with a deep techy edge, for new track "Some House." Finder is the alias of Radial (Jeroen Liebregts). Here he goes in a new direction with "Team Dream". Benny Rodrigues a.k.a. ROD's other moniker, The Lost Souldancer returns with another emotional journey on "Magnolia". Squal G is a French artist who has been passionate about electronic music since the '90s. He's back with the intense techno of "Crackle". Electric Rescue is world renowned. He closes the vinyl with the electro-tech and wonderfully wonky machine funk of "Internet Was an Illusion".
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LP
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REPOSE 162LP
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$33.00
PREORDER
RELEASE DATE: 8/21/2026
Hailing from Osaka, Japan. Kevin blend elements of krautrock, post-punk, and improvisation, their music is built on hypnotic rhythms and minimal structures that gradually evolve into dense, immersive soundscapes. Kevin's second album It Is What It Is captures both the immediacy of live performance and the depth of layered studio recording. Driven by steady, grounded drumming and intuitive interaction between the two members, the record moves between control and collapse, structure and freedom. Dark, physical, and meditative, It Is What It Is reflects a commitment to groove, space, and the unpredictable flow of sound. Transparent red vinyl; housed in a gloss finished sleeve with wrap around OBI, polylined inner bag and hype sticker.
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7"
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RHFM 7003EP
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$18.00
PREORDER
RELEASE DATE: 8/21/2026
Rootz HiFi are the leading Dub Sound System out of Santiago, Chile. Their first two 7" releases sold out instantly and are now collectors' items. Here their thir release features a heavy UK style dub mixed by the original maestro Vibronics in his Dub Cupboard Studio in the UK. Music for lovers of OBF, Iration Steppas, and all sound system dub fans.
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CD
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RIV 006CD
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$16.00
PREORDER
RELEASE DATE: 8/21/2026
This album presents four jazz composers (the classics of jazz) and four 20th Century classical composers (whose music contains a strong element of jazz) in a new and contemporary dialogue. From Thelonius Monk to Igor Stravinsky, pianists Julian Joseph and Marcelo Bratke initiate a series of imaginative exchanges be-tween the pre-established structures of classical music and the improvisation of jazz. The "imaginary line" is the line that divides these two apparently antagonistic worlds, but which in this case becomes a line of communication, bringing the worlds of jazz and classical closer together and allowing the listener to see the music as a unit. Marcelo has very bravely taken on the challenge of jazz with its many unique requirements and has put his trust in me to direct his vast training and considerable musical talent to create the feeling of Jazz. Julian performs for the Classical side of this project which was born out of a mutual admiration between the two musicians and early discussions about doing a Gershwin recording. The principles of Imaginary Line finding parallels between composers from each idiom and unifying them in a statement about 20th Century music and its commonality by revealing the expansive quality of the two musicians' musical choices and how that limitless influence spreads beyond neat categorization. Compositions by George Gershwin, Darius Milhaud, Frances Poulenc, Igor Stavinsky, Thelonius Monk, Bill Evans, Chick Corea, and Duke Ellington.
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LP
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SC 064LP
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$29.00
PREORDER
RELEASE DATE: 8/21/2026
"The Odyssey Cult Vol. 3 ignites visceral fires of fuzz, pumped-up motorik, shimmering noise and hazy vocals, just in time to send up the last intoxicating smoke of summer. And for those still piecing their skulls back together after the ecstatic '90s-pummel of Ethan Miller's previous project (the zonked supergroup of Orcutt Shelley Miller), forgive yourselves for not anticipating this, a meltdown-psych re-fusion of Ethan and Ben Flashman, two of the principals in Comets On Fire, the premier purveyors of early-aughts American guitar mayhem. Featuring Ethan Miller (Howlin Rain, Heron Oblivion) on guitar, loops, vocals, Ben Flashman (Comets On Fire) on bass, Steve Shelley (Sonic Youth) on drums, Anthony Taibi (Carlton Melton/White Manna) on keys, Zoh Amba on sax and Brigid Dawson (OSEES), Paula Frazer (Tarnation), Inna Showalter (Magic Fig) on vocals. Miller and company layer psychedelic murk of the highest order into a neon rock monolith, its components spanning coasts and generations of musicians. Depending on what angle you look at it, Vol. 3 glitters with facets reflecting all corners of sonic psychedelia, fusing the best of all post-hippy/punk eras, complete with earworms that sound equally great by the pool, on headphones, or blasting in the sled cruising down the 5, the 10, or whatever freeway of your dreams. Whether or not you've heard Orcutt Shelley Miller, Comets On Fire, Tarnation, or the OSEES, this LP stands out like a life buoy (or, occasionally, a shark fin) in a sea of wax." --Tom Carter
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LP
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SC 064X-LP
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$34.00
PREORDER
RELEASE DATE: 8/21/2026
Color vinyl version. "The Odyssey Cult Vol. 3 ignites visceral fires of fuzz, pumped-up motorik, shimmering noise and hazy vocals, just in time to send up the last intoxicating smoke of summer. And for those still piecing their skulls back together after the ecstatic '90s-pummel of Ethan Miller's previous project (the zonked supergroup of Orcutt Shelley Miller), forgive yourselves for not anticipating this, a meltdown-psych re-fusion of Ethan and Ben Flashman, two of the principals in Comets On Fire, the premier purveyors of early-aughts American guitar mayhem. Featuring Ethan Miller (Howlin Rain, Heron Oblivion) on guitar, loops, vocals, Ben Flashman (Comets On Fire) on bass, Steve Shelley (Sonic Youth) on drums, Anthony Taibi (Carlton Melton/White Manna) on keys, Zoh Amba on sax and Brigid Dawson (OSEES), Paula Frazer (Tarnation), Inna Showalter (Magic Fig) on vocals. Miller and company layer psychedelic murk of the highest order into a neon rock monolith, its components spanning coasts and generations of musicians. Depending on what angle you look at it, Vol. 3 glitters with facets reflecting all corners of sonic psychedelia, fusing the best of all post-hippy/punk eras, complete with earworms that sound equally great by the pool, on headphones, or blasting in the sled cruising down the 5, the 10, or whatever freeway of your dreams. Whether or not you've heard Orcutt Shelley Miller, Comets On Fire, Tarnation, or the OSEES, this LP stands out like a life buoy (or, occasionally, a shark fin) in a sea of wax." --Tom Carter
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7"
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SCOOP 086EP
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$18.00
PREORDER
RELEASE DATE: 8/21/2026
UK sound system style DUB release from Vibronics and Nia Songbird. Two new tracks, one side featuring uplifting vocals from Nia Songbird, the other side is classic Vibronics style undiluted instrumental dub. This one is for all lovers of Iration Steppas, OBF, Channel One and all the bass-heavy sound systems out there. This presented in a full-color printed SCOOPS label sleeve, making it a collector's item as much as a sound system weapon. Vibronics is one of the most established names in UK dub/reggae music achieving millions of views on YouTube, millions of Spotify streams and many tens of thousands of vinyl record sales.
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LP
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SDBAN 021LP
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$33.00
PREORDER
RELEASE DATE: 8/21/2026
2026 repress. Sdban Records presents a reissue of the mythical Open Sky Unit (1974) by the eponymous jazz fusion group featuring Micheline and Jacques Pelzer, Steve Houben, Ron Wilson, Janot Buchem, and Michel Graillier. The album returns on vinyl, highlighting a pivotal moment in Belgian jazz history, where soul, funk, and free improvisation came together in a vibrant and family-driven project. Formed in the early 1970s as a homage to Dave Liebman's group Open Sky, Open Sky Unit grew out of informal jam sessions in Liège, Belgium, into a unique collective. One of the central figures was Jacques Pelzer, father of drummer and vocalist Micheline Pelzer, alongside his second cousin, saxophonist/flutist Steve Houben, bass player Janot Buchem, percussionist Michel Graillier and American pianist/composer Ron Wilson. Their 1974 debut album was released on the Duchesne classical music label, run by Pelzer's brother-in-law. The group's sound carefully balanced jazz and soul and was largely directed by Wilson, a Californian pianist and singer who settled in Liège and nearby Maastricht after his army service. Wilson composed the entire repertoire. Open Sky Unit was recorded live at Jazzland club in Liège, and the band made several short tours in Belgium and abroad (including Tunisia) until around 1975-1976, when Houben left for Boston to study at the Berklee College of Music. Although the original live recording from 1974 was not technically perfect, the group succeeded in capturing their heartfelt live energy. Years later, the album version of "Sunshine Star" found its way onto Funky Chicken (2014), the compilation that not only brought the track back into the spotlight but also marked the beginning of Sdban Records. Although the band never achieved a major international breakthrough, they were highly valued in progressive European jazz circles and later secured a place in anthologies such as Utopic Cities: Progressive Jazz in Belgium 1968-1979. The reissue of Open Sky Unit brings their music back into the spotlight and reaffirms their role as key figures in the Belgian jazz scene of the seventies.
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LP
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SWA 171LP
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$26.00
PREORDER
RELEASE DATE: 8/21/2026
"'Navajo White' is a color. It's the color of an off white, interior, house paint. Throughout his teens into adulthood, John Reis was as a house painter by trade. The soiled walls of evacuated apartments were his canvas. Here he would cover up the residue of life's stains with a fresh coat of the beige, human white-out that is Navajo White. Amongst the vacated, drywall chambers littered with the scant detritus of a fleeing existence is where this record began. It started as road noise, a repetitious hum of a fictional dialogue. A languageless, argument of noise that took shape as a disconnect between two people. They are both barricaded by an impenetrable surface tension that harbors the distortion of their prolonged isolation from the world beyond their self-imposed exile. For all that can't be solved or thrown away here's a thick coat of Navajo White to cover your tracks as if to say 'we were never here and this never happened.' This is the fifth Swami John Reis album and features Jason Kourkounis (Hot Snakes, Delta 72, Night Marchers) on drums as well as contributions from Rick Froberg (Hot Snakes, Drive Like Jehu, Obits) on guitar, Gar Wood (Hot Snakes, Tanner, Night Marchers) on bass, Joe Guevara (Jejune, Swami and the Bed Of Nails) on piano and keyboards and Rob Crow (Pinback, PLOSIVS) and Jacob Turnbloom (Mrs. Magician) on backing vocals. Taking musical cues from later period Wipers, the more low-key Saints songs, early recordings of The Church as well as The Damned on their Black Album, Navajo White pits sentiment vs the unsentimental. Recorded by John Reis at City of Refuge, San Diego with additional recording and mixing by Ben Moore at Singing Serpent and mastered by Dave Gardner at DSG Mastering. This record is dedicated to house painters everywhere."
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LP
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SWA 172LP
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$26.00
PREORDER
RELEASE DATE: 8/21/2026
"I Will Die In This Jean Jacket is a testimony of how the lines between commitment and attachments are often blurred. It is the new gloom-punk project from Jim Blaha (The Blind Shake, Green/Blue). Blaha has collaborated with luminaries including Michael Yonkers, John Reis, Shannon Selberg, Dale Flattum, and Zak Sally and has released records on Goner, Castle Face, Dirtnap, Hozac, Feel It, Slovenly and Swami. On Hang From A Cloud he concludes over three years of artistic solitude by heading back into the basement to create in an even deeper state of isolation. Formed in Minneapolis this past December, the late-night sessions gradually revealed a concept: capturing the feeling he had from the mixtapes a friend used to make during their teenage skateboarding years -- where late '70s post punk sat comfortably alongside the more exposed underground sounds of the '80s and '90s and every song seemed to come from the same hazy, imaginary city somewhere far, far away. Recording onto a 1/4" tape machine and mixing everything down to the all-important cassette, Blaha emerged with an indiffussable sound. Hang From A Cloud is a long-lost pirate radio transmission from an alternate 1980s universe. The album is entirely analog by design. Guitars, vocals, drums, drum machines and bass all captured on cobbled together equipment in a cinder block bunker on a frigid Midwest, winter night. There is a one-dimensional resonance with a sheen of distortion and rust that is betrayed by the direct and simplistic beauty of the songwriting. Hang From A Cloud is a no-fi, DIY treasure that transports the listener to a parallel dimension where The Go Betweens, The Clean, The Jesus And Mary Chain, New Order, Guided By Voices, and Flip Your Wig-era Hüsker Dü are cherished and celebrated the same."
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CD
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TR 620CD
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$16.50
PREORDER
RELEASE DATE: 8/21/2026
To mark 50 years of punk, Ventil Verlag is publishing a song comic featuring outstanding tracks from the German punk scene. Tapete Records is accompanying this release with a compilation of early German-language punk, focusing on the years between 1979 and 1986 -- the years when the world was still coming to an end. With a total of 14 tracks, the compilation showcases just how exciting and diverse early German punk sounded. By the late seventies, punk had arrived in Germany, and more and more cities saw the emergence of bands, record stores, fanzines, labels, clubs, and scenes. Self-criticism followed close behind: as early as 1981, the liner notes to the compilation Paranoia in der Straßenbahn observed "negative tendencies" caused by punk's popularity and resulting dilution, and regarding 1983 they stated: "This year must be regarded as the end of the first great phase of punk in Germany. With few exceptions, fanzines, records, and concerts are no longer bringing anything new." Whether such sweeping criticism holds up in light of bands like Angeschissen, Die Goldenen Zitronen, EA80, or Mutter is another question, but this compilation nevertheless focuses on the early years of German-language punk. Featuring Der KFc, Fehlfarben, Östro 430, Slime, Rotzkotz, Bärchen und die Milchbubis, Brausepöter, Male, Schleim-Keim, S.Y.P.H., Hans-A-Plast, Torpedo Moskau, Der Moderne Man, and The Wirtschaftswunder.
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LP
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TR 620LP
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$26.00
PREORDER
RELEASE DATE: 8/21/2026
LP version. To mark 50 years of punk, Ventil Verlag is publishing a song comic featuring outstanding tracks from the German punk scene. Tapete Records is accompanying this release with a compilation of early German-language punk, focusing on the years between 1979 and 1986 -- the years when the world was still coming to an end. With a total of 14 tracks, the compilation showcases just how exciting and diverse early German punk sounded. By the late seventies, punk had arrived in Germany, and more and more cities saw the emergence of bands, record stores, fanzines, labels, clubs, and scenes. Self-criticism followed close behind: as early as 1981, the liner notes to the compilation Paranoia in der Straßenbahn observed "negative tendencies" caused by punk's popularity and resulting dilution, and regarding 1983 they stated: "This year must be regarded as the end of the first great phase of punk in Germany. With few exceptions, fanzines, records, and concerts are no longer bringing anything new." Whether such sweeping criticism holds up in light of bands like Angeschissen, Die Goldenen Zitronen, EA80, or Mutter is another question, but this compilation nevertheless focuses on the early years of German-language punk. Featuring Der KFc, Fehlfarben, Östro 430, Slime, Rotzkotz, Bärchen und die Milchbubis, Brausepöter, Male, Schleim-Keim, S.Y.P.H., Hans-A-Plast, Torpedo Moskau, Der Moderne Man, and The Wirtschaftswunder.
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CD
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UOH 021CD
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$20.00
PREORDER
RELEASE DATE: 8/21/2026
Delayed... "Mabe Fratti is a Guatemalan cellist, vocalist, and composer based in Mexico City, celebrated for her experimental yet deeply melodic work. Blending cello, voice, synthesizers, and electroacoustic textures, she builds songs that move between improvisation, ambient soundscapes, and off-kilter pop forms. Emerging from Mexico City's improvisational and experimental scene, she has become a key voice in contemporary avant-pop. Bill Orcutt is an American guitarist and composer known for his raw, highly individual approach to improvisation. A co-founder of the 1990s noise-rock duo Harry Pussy, he helped shape a fiercely abrasive aesthetic that drew from no wave, hardcore punk, and free jazz. Often playing a four-string guitar in unconventional tunings, he combines shards of melody, sudden silences, and surging rhythmic bursts, creating music that feels both primitive and structurally intricate. In parallel with his work as a guitarist, he runs the Palilalia and Fake Estates imprints and develops his own audio software, continuing to blur lines between avant-garde experimentation, song form, and DIY practice. Almost Waking: 'I had known about Bill's music for a while: since his 2017 release under his own name. I connected a lot with his music and I had no idea that years later we would be collaborating! It was a total surprise that we started chatting on the internet of collaborating! We bounced ideas back and forth, all starting with a series of guitar solo stuff that Bill sent me.' Guitar by Bill Orcutt, Cello and vocals by Mabe Fratti, Except tracks 1,3,4 and 6 that were written by Bill Orcutt & Mabe Fratti with contributions on the cello arrangement by I.La Católica. Recorded at Tinho Studios in CDMX and in the Living Room in San Francisco. Mixed by Santiago Parra. Mastered by James Plotkin. Special thanks to I.La Católoica who contributed with great aura, ideas and feedback at Tinho Studios."
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LP
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UOH 021LP
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$36.00
PREORDER
RELEASE DATE: 8/21/2026
LP version. "Mabe Fratti is a Guatemalan cellist, vocalist, and composer based in Mexico City, celebrated for her experimental yet deeply melodic work. Blending cello, voice, synthesizers, and electroacoustic textures, she builds songs that move between improvisation, ambient soundscapes, and off-kilter pop forms. Emerging from Mexico City's improvisational and experimental scene, she has become a key voice in contemporary avant-pop. Bill Orcutt is an American guitarist and composer known for his raw, highly individual approach to improvisation. A co-founder of the 1990s noise-rock duo Harry Pussy, he helped shape a fiercely abrasive aesthetic that drew from no wave, hardcore punk, and free jazz. Often playing a four-string guitar in unconventional tunings, he combines shards of melody, sudden silences, and surging rhythmic bursts, creating music that feels both primitive and structurally intricate. In parallel with his work as a guitarist, he runs the Palilalia and Fake Estates imprints and develops his own audio software, continuing to blur lines between avant-garde experimentation, song form, and DIY practice. Almost Waking: 'I had known about Bill's music for a while: since his 2017 release under his own name. I connected a lot with his music and I had no idea that years later we would be collaborating! It was a total surprise that we started chatting on the internet of collaborating! We bounced ideas back and forth, all starting with a series of guitar solo stuff that Bill sent me.' Guitar by Bill Orcutt, Cello and vocals by Mabe Fratti, Except tracks 1,3,4 and 6 that were written by Bill Orcutt & Mabe Fratti with contributions on the cello arrangement by I.La Católica. Recorded at Tinho Studios in CDMX and in the Living Room in San Francisco. Mixed by Santiago Parra. Mastered by James Plotkin. Special thanks to I.La Católoica who contributed with great aura, ideas and feedback at Tinho Studios."
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CD
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VEN 678CD
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$16.00
PREORDER
RELEASE DATE: 8/21/2026
"In October 1977, the Cramps ventured into Ardent Studios in Memphis, Tennessee with producer and Cramps translator extraordinaire, Alex Chilton. The band had planned on recording their song 'TV Set,' as an A side, along with another track or tracks. Mr. Chilton told them the way he liked to work was to have a band record a lot of songs and from that they would pick the best of the bunch. Luckily for Cramps fans everywhere, the band did just that. The first evidence of these sessions was unleashed upon an 'unsuspecting human world' in April 1978 on the band's own Vengeance Records label. It was a two song 7-inch with a version of the Trashmen's 1963 classic 'Surfin' Bird,' pushed well beyond its breaking point, forcing it to mutate into a much higher form of lowdown, and Jack Scott's 1959 cool burning 'The Way I Walk,' dragged back into the Stone Age. After one listen, it was clear the Cramps had absolutely tapped into rock 'n' roll's mainline. In November of the same year, and again from the October 1977 sessions came another two-song lesson in how it's done, or undone, with easily one of the greatest A sides of all time: 'Human Fly.' The B side was held hostage by 'Domino,' originally sung by Roy Orbison. The Cramps' version swaggers with infinite confidence and is an absolute thrill to listen to. In the summer of 1979, young degenerates in England were treated to a 12-inch by the Cramps called Gravest Hits, which featured not only the aforementioned four tracks, but also a fifth, again from the October 1977 sessions. This release features the legendary band's unreleased sessions with producer Alex Chilton from 1977. Liner Notes by Henry Rollins."
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LP
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VEN 678LP
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$27.00
PREORDER
RELEASE DATE: 8/21/2026
LP version. "In October 1977, the Cramps ventured into Ardent Studios in Memphis, Tennessee with producer and Cramps translator extraordinaire, Alex Chilton. The band had planned on recording their song 'TV Set,' as an A side, along with another track or tracks. Mr. Chilton told them the way he liked to work was to have a band record a lot of songs and from that they would pick the best of the bunch. Luckily for Cramps fans everywhere, the band did just that. The first evidence of these sessions was unleashed upon an 'unsuspecting human world' in April 1978 on the band's own Vengeance Records label. It was a two song 7-inch with a version of the Trashmen's 1963 classic 'Surfin' Bird,' pushed well beyond its breaking point, forcing it to mutate into a much higher form of lowdown, and Jack Scott's 1959 cool burning 'The Way I Walk,' dragged back into the Stone Age. After one listen, it was clear the Cramps had absolutely tapped into rock 'n' roll's mainline. In November of the same year, and again from the October 1977 sessions came another two-song lesson in how it's done, or undone, with easily one of the greatest A sides of all time: 'Human Fly.' The B side was held hostage by 'Domino,' originally sung by Roy Orbison. The Cramps' version swaggers with infinite confidence and is an absolute thrill to listen to. In the summer of 1979, young degenerates in England were treated to a 12-inch by the Cramps called Gravest Hits, which featured not only the aforementioned four tracks, but also a fifth, again from the October 1977 sessions. This release features the legendary band's unreleased sessions with producer Alex Chilton from 1977. Liner Notes by Henry Rollins."
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LP
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VEN 678X-LP
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$29.00
PREORDER
RELEASE DATE: 8/21/2026
LP version. Glow in the dark color vinyl. "In October 1977, the Cramps ventured into Ardent Studios in Memphis, Tennessee with producer and Cramps translator extraordinaire, Alex Chilton. The band had planned on recording their song 'TV Set,' as an A side, along with another track or tracks. Mr. Chilton told them the way he liked to work was to have a band record a lot of songs and from that they would pick the best of the bunch. Luckily for Cramps fans everywhere, the band did just that. The first evidence of these sessions was unleashed upon an 'unsuspecting human world' in April 1978 on the band's own Vengeance Records label. It was a two song 7-inch with a version of the Trashmen's 1963 classic 'Surfin' Bird,' pushed well beyond its breaking point, forcing it to mutate into a much higher form of lowdown, and Jack Scott's 1959 cool burning 'The Way I Walk,' dragged back into the Stone Age. After one listen, it was clear the Cramps had absolutely tapped into rock 'n' roll's mainline. In November of the same year, and again from the October 1977 sessions came another two-song lesson in how it's done, or undone, with easily one of the greatest A sides of all time: 'Human Fly.' The B side was held hostage by 'Domino,' originally sung by Roy Orbison. The Cramps' version swaggers with infinite confidence and is an absolute thrill to listen to. In the summer of 1979, young degenerates in England were treated to a 12-inch by the Cramps called Gravest Hits, which featured not only the aforementioned four tracks, but also a fifth, again from the October 1977 sessions. This release features the legendary band's unreleased sessions with producer Alex Chilton from 1977. Liner Notes by Henry Rollins."
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LP
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VPRL 4243LP
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$43.00
PREORDER
RELEASE DATE: 8/21/2026
"20 Massive Hits from Horace Andy on one beautifully packaged essential double album. Includes hit after hit including 'Skylarking,' 'Just Say Who,' 'Money Money,' 'Zion Gate' and many more. Features the original 'You Are My Angel' as later re-imagined with Massive Attack on their multi-million selling Mezzanine album. Produced by Bunny Lee at Channel One, Dynamics, Harry J's, Joe Gibbs & Randy's. Mixed at King Tubby's by King Tubby, Prince Jammy & Phillip Smart. Horace Andy's work with Massive Attack has made him an international star and his work at Studio One has become an essential of the Great Jamaican Songbook. However it is Horace Andy's work with Bunny Lee that is considered to be his 'most successful association with a producer' and in the 1970's they would create a broad catalogue composed of nothing but certified classics."
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LP
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VPRL 4267LP
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$27.00
PREORDER
RELEASE DATE: 8/21/2026
"Classic Johnny Clarke album from 1980, restored and re-mastered for the best-ever sound. Features the hit singles 'Every Knee Shall Bow,' 'Can't Keep A Good Man Down,' along with the Jah Shaka sound system anthem 'Bad Days Are Going.' Produced by Bunny Lee, Brad Osbourne, and Johnny Clarke. Recorded at Channel One, King Tubby's, Aircraft Studio & Shep Studio. Mixed at King Tubby's, Shep Studio & Blanktape Studios. Jamaican artist of the year in both '75 & '76, Johnny signed to Virgin Records and released two highly acclaimed albums for Virgin's Front Line label. Still performing and recording today, Johnny also tasted crossover success when his 'Everyday Wondering' hit made number 2 on the UK Charts with its Rupie Edwards 'Irie Feelings' dub deconstruction. Johnathan Richman also turned Johnny's Earl Zero penned 'None Shal Escape The Judgement' hit into the international chart topper 'Egyptian Reggae' in 1977."
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LP
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WERF 278LP
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$30.50
PREORDER
RELEASE DATE: 8/21/2026
Three musicians, three worlds: raga, jazz, and their own imagination. East, West, and the fusion in between. Rhythm, melody, and harmony. Past, present, and future. With 3, Ragini Trio experiences a rebirth -- after years of deep exploration into long-form ragas, South Indian Carnatic traditions, konnakkol, and Western jazz. Thirteen years after their debut, this album stands as an homage to both worlds. By refusing to play things "as they should be played," Ragini Trio finds the in-between space -- that magnetic tension where jazz and Indian classical music meet and transform each other. Inspired by the traditional Indian trio of tabla, flute, and tanpura, Ragini offers its mirrored jazz response: drums, saxophone, and double bass. The result unites jazz, which seeks freedom within structure, with raga, which seeks structure within freedom. Far from purism or imitation, Ragini Trio crafts a living dialogue between rhythm, melody, and tone color. And it's a statement. Bursting with energy, depth, and self-irony, 3 is a vibrant antidote to the algorithmic recycle-music of today and tomorrow -- born from the chemistry of three exceptional artists: saxophonist Nathan Daems, drummer Lander Gyselinck, and double bassist Marco Bardoscia.
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2LP
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WRWTFWW 078LTD
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$45.50
PREORDER
RELEASE DATE: 8/21/2026
[this is oversold and additional copies not going to be available] Special limited edition of 500. 180g coke bottle green transparent vinyl in heavyweight sleeve with Obi. WRWTFWW Records presents the deluxe vinyl release for Pizza Hotline's brilliant 2022 full-length Level Select. The liquid drum and bass meets Y2K era video gaming aesthetics game changer is now available in a limited-edition coke bottle green transparent 180g vinyl double LP with a glorious 45rpm cut, packaged in a heavyweight 350gsm sleeve with obi. Entirely written and composed by UK producer Pizza Hotline (apart from "GLACIER ZONE," a collaboration between Pizza Hotline and DJ Total 90), the stellar 8-song album was initially released as a limited cassette in January 2022 and quickly gained cult status -- making a full-on vinyl release quite the necessity. It's here now with the previously unreleased track "POLYGON DREAMSCAPE" (which sounds as magical as its title) and 45rpm cut for louder, bigger, deeper bass rumbling. Spellbinding, atmospheric, and beautifully melodic, Level Select is a large scope dreamy adventure of liquid DnB filled with ambient escapades, ethereal jungle, high vibe breaks, and a heavy loving dose of late '90s/early 2000s video game influences. Hypnotic late-night hype and pensive chill moods mesh with ease in a cinematic soundscape that re-contextualizes and gives a new life to a beloved music genre -- LTJ Bukem, Peshay, the Wipeout OST or Soichi Terada's Ape Escape come to mind, and sounds and soundtracks from the Sony Playstation, the Nintendo 64, and the Sega Saturn resonate from the speakers. It's all fresh with a subtle nostalgia and so much heart. An instant classic. Press start.
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LP
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GB 4002ACELP
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$54.00
PREORDER
RELEASE DATE: 8/24/2026
LP version. Audiophile collector's edition. Transparent vinyl. Wondrously uninhibited, and liberated from the added pressure of either a studio or a planned live recording, there is true magic, sparkling energy, and no lowering of intensity in this never-before-released unearthed gem. The night before Ella Fitzgerald walked into Konserthuset in Stockholm and recorded what became The Stockholm Concert, 1966, the Pablo Records live album now considered among the essential documents of her late career, she played two concerts at Falkoner Theatre in Copenhagen. Like many other Black American jazz musicians of her era, Denmark felt like home to Ella. It was a country where they found a degree of respect that the United States too often denied them. Ella's ease in her adopted home was palpable when she walked onto the Falkoner Theatre stage that Sunday. And, now the results are released on record for the first time, and with the full blessing of Ella's estate, listeners are treated to an irrepressible, unexpectedly vital addition to her canon.
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LP
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PBRED 952LP
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$38.00
PREORDER
RELEASE DATE: 8/26/2026
"Formed in 1984, Dinosaur Jr carved a singular path through the latter half of the 1980s, issuing three highly-influential albums in the process before finding a home with Sire Records, who issued Green Mind in 1991 as the alternative American rock scene the band had long been part of exploded globally. Produced by a stripped-down line-up of the group (in fact, J Mascis himself plays almost everything), the album and Sire's international reach took Dinosaur Jr's reputation to a new level. This '90s masterpiece hasn't been available on picture disc since its original release and is a must for fans and collectors around the world."
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LP
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A 043LP
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$31.50
PREORDER
RELEASE DATE: 8/28/2026
Following the first two singles by Freiwillige Selbstkontrolle from 1980 and 1981, as well as their debut LP Stürmer and the 1982 EP Magic Moments, a-Musik is now releasing Ça c'est le Blues, another of their early works, all of which were released on Alfred Hilsberg's legendary Zickzack label and have long since become rarities. Ça c'est le Blues was originally released in 1984 and marks nothing less than a milestone in F.S.K.'s already impressive discography. While numerous bands from the West German underground of the early 1980s, following the Summer of Pop of 1982 and the associated breakthrough of the Neue Deutsche Welle, either moved toward the mainstream or began singing in English, Justin Hoffmann, Thomas Meinecke, Michaela Melián, and Wilfried Petzi took a different path. The songs became more elaborate, the production -- influenced by bands like Gang of Four and Dexys Midnight Runners -- more opulent, and the instrumentation now included wind instruments for the first time, which have since become an integral part of F.S.K.'s sound. At the same time, the Munich-based band's music-historically motivated focus was directed more toward the US than was typical of the bands in the West German scene of that era. To their signature blend of post-punk and experimental music, as already evident on Stürmer, they now incorporated funk (on the opener "Faire Le Chicken") and jazz (on the heartbreaking cover version of "My Funny Valentine"). From then on, this "transatlantic feedback" was an essential component of F.S.K.'s musical practice. The discursive twists and turns, the incorporation of references, and the insistence on German lyrics would influence bands in the coming decades, not just those of the "Hamburg School." At the same time, the album features legendary hits by Freiwillige Selbstkontrolle which are still played at every concert to this day. With this reissue of Ça c'est le Blues, one of the most impressive releases in 20th-century German avant-pop history is finally available again. The reissue includes a comprehensive booklet featuring an in-depth interview about the album with all band members, as well as numerous previously unpublished photos.
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LP
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BANG 191LP
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$27.00
PREORDER
RELEASE DATE: 8/28/2026
First time ever on vinyl, Twilight Curtains presents a long-overlooked chapter in the legacy of Truly, the acclaimed Seattle band formed by songwriter Robert Roth alongside Hiro Yamamoto, co-founder of Soundgarden, and Mark Pickerel, founding drummer of Screaming Trees. Originally released in 2000 as a CD-only collection, Twilight Curtains gathers rare, unreleased and alternate recordings captured between 1991 and 1997, documenting the band during its most creative and exploratory period. More than simply another Seattle group, Truly forged a singular sound that blended heavy psychedelic rock, grunge-era intensity, damaged pop and expansive melodic textures. Featuring the contributions of three key figures from the Pacific Northwest underground, this collection offers a fascinating glimpse into the band's evolution through alternate versions, lost recordings and previously unavailable material. Twilight Curtains finally makes this missing piece of the Truly catalogue available on vinyl.
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CD
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BJR 122CD
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$18.00
PREORDER
RELEASE DATE: 8/28/2026
Based in Cornwall, Blind Yeo emerged from the isolation of lockdown. Built as an open collective, the project brings together musicians, visual artists and performers, developing a practice rooted in improvisation, live energy and shared creation. The Lemoine Point, their debut album, was recorded on a disused airfield near St Agnes. The title refers to a hidden geometric center where lines converge, a metaphor that runs through the record as past, present and future meet within a single moment. Much of the album was captured live by a core ensemble including Sam Pert, Phil Self, Henry Greenham, Philippa Blum, Jake Sheridan, Will Greenham, and Anouska Helm. These recordings are balanced by more intimate sessions, shaping a sound that moves between reworked folk traditions, electronic textures and raw, organic energy. Across the album, fragments of stories and emotions intertwine, exploring themes of love, duality and disorientation in time. Rooted in the Cornish landscape yet open in form, The Lemoine Point unfolds as a space where place, people and memory converge into a fluid and immersive whole.
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LP
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BJR 122LP
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$29.50
PREORDER
RELEASE DATE: 8/28/2026
LP version. Based in Cornwall, Blind Yeo emerged from the isolation of lockdown. Built as an open collective, the project brings together musicians, visual artists and performers, developing a practice rooted in improvisation, live energy and shared creation. The Lemoine Point, their debut album, was recorded on a disused airfield near St Agnes. The title refers to a hidden geometric center where lines converge, a metaphor that runs through the record as past, present and future meet within a single moment. Much of the album was captured live by a core ensemble including Sam Pert, Phil Self, Henry Greenham, Philippa Blum, Jake Sheridan, Will Greenham, and Anouska Helm. These recordings are balanced by more intimate sessions, shaping a sound that moves between reworked folk traditions, electronic textures and raw, organic energy. Across the album, fragments of stories and emotions intertwine, exploring themes of love, duality and disorientation in time. Rooted in the Cornish landscape yet open in form, The Lemoine Point unfolds as a space where place, people and memory converge into a fluid and immersive whole.
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LP
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BT 145LP
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$39.50
PREORDER
RELEASE DATE: 8/28/2026
Black Truffle presents Even Colder Spring, the latest release from the mysterious and wildly prolific Cities Aviv (a.k.a. Wilbert Gavin Mays, who also records as African-American Sound Recordings), a rare appearance from the artist outside his own D.O.T. Audio Arts label. For over a decade, Cities Aviv has twisted hip-hop conventions into the most skewed and splayed forms, layering and lacerating twitching loops, extreme production techniques and his mercurial vocal stylings into hermetic décollage. Across 16 tracks, Even Colder Spring charts Mays' restlessly experimental approach: what sound like fully formed productions are interrupted suddenly after seconds; interjections of field recordings cue unexpected shifts; details drown under layers of fuzz. His vocal delivery takes in rhythmically intricate rap, barely articulate murmurs and freely melodic song, the latter often with a disorientating lack of connection to the track's harmonies. The lyrical shifts are as paratactical as the musical movements. Apocalyptic visions of social and cultural uniformity alternate with reflections on mortality, glimpses of everyday life and head-scratching one-liners: "Maybe Mars is bougie?" His reference points are as surprising as ever, the Dante quotes of previous releases joined here by a tracked named after Henri Bergson's idea of the élan vital. Australian listeners, in particular, might be especially taken aback to hear "Closing Door" open with the phrase "the tyranny of distance." While Mays' work can sometimes be claustrophobically bleak, the productions here are often sparkling, at times touching on the shimmer of private-issue New Age sounds and the more playful end of krautrock. The instrumental "Martine Drift" could almost be a snatch of Cluster's Zuckerzeit caught through dial-up internet. The distant echoing drums of "L_area" cross Persona's Som with lo-fi IDM, while closer "Final Heaven" dissolves a cloud of loops across almost seven minutes into ecstatic, rippling distortion. The graphic design, at the artist's request closely modelled on the format of Corwood Industries, offers as good a clue as any to what awaits the listener on Even Colder Spring: a world at once impossibly opaque and intensely personal.
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LP
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CREP 123LP
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$29.50
PREORDER
RELEASE DATE: 8/28/2026
Discrepant presents the LP edition of Tales from the Source, the original film soundtrack by Bear Bones, Lay Low, and Laszlo Umbreit. Originally composed for Belgian-Congolese artist Léonard Pongo's 2024 film of the same name, this release reworks the film's audio into a continuous, fluid listening experience. The album is built on a direct contrast between heavy electronic manipulation and raw environmental audio. Laszlo Umbreit captured the foundation of the record through field recordings and additional electronics, focusing on the quiet, tactile sounds of water, riverbeds, and natural spaces. These recordings were then processed and expanded by Bear Bones, Lay Low, who layered the tracks using synthesizers, samplers and various effects processors. Rather than acting as a standard background score, the music functions as a detailed piece of environmental sound art. The tracks are edited to blend into one another without distinct gaps, mirroring the slow pace and visual flow of the film. Through the use of tape loops, filtering, and electronic processing, the natural landscapes are systematically distorted and rearranged. The result is a dark, slow-moving suite of electroacoustic music that strips away traditional melody to focus entirely on texture, resonance, and the changing dynamics of the recorded environments.
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2LP
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DC 314LP
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$32.00
PREORDER
RELEASE DATE: 8/28/2026
"Arriving right on time for its 20th anniversary, Faun Fables' musical theater work The Transit Rider returns in a lovely 2LP vinyl edition that dimensionally burnishes the bristling performances and elevated chamber/cabaret folk sounds of the original CD-only release. At once a work of theatre, allegory and autobiography, The Transit Rider amplifies Faun Fables' distinctive electroacoustic wash of Anglo-European folk sounds, shimmering allusively from traditional to Kurt Weill to folk-rock and back again. The route that led to The Transit Rider goes back even further than 2006; it was first embarked upon in the early '90s, when Dawn McCarthy moved to NYC and was introduced to the transient and constant glories of its subway system, a massive world unto itself. As she rode the trains, the subterranean, singing landscape suggested a journey in song: a rider aboard a ubiquitous transit system, a network of rails, roads, corridors and trails extending in all directions, meeting itself again on the far side of the world. Upon this endless circuitous path, she encounters characters that may or may not help her search to find a clearing amid this mass of machinery and humanity in which to stop and have a picnic. In 2001, The Transit Rider took the form of a full-length theater production in San Francisco, with a cast of thirteen aided by the inspiring work of director/lighting designer Allen Willner. Its music was further developed/recorded/adapted into a touring show by Dawn and her stalwart co-conspirator Nils Frykdahl, joined by multi-instrumentalists Jenya Chernoff and Matt Lebofsky. The album features contributions by Dawn's mother Michelina Tyrie and father Will McCarthy, with thematically related songs by Zygmunt Konieczny, Soeur Sourire, and the Anglo Saxon traditional 'House Carpenter' added to the mix. For the LP release, the artwork has been revamped, featuring previously unseen photos of the original stage show and the touring cast that followed. As with all Faun Fables music, the sweep of history and the voices of the people thrillingly coincide in the songs and singing of The Transit Rider. The project's conceptual/theatrical properties give it a special pride of place in Faun Fables lore. Fortunately, all capricious mists of time have parted just in time for The Transit Rider's 20th anniversary celebration. The Transit Rider combines Faun Fables' distinctive song-telling style with their full-hearted/throated thespian energies, rumbling trippily past flashing lights and strangers in thirteen exquisite folk-cabaret urban anthems, a pungent masterpiece of 21st century folk rock."
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CD
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DC 980CD
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$13.50
PREORDER
RELEASE DATE: 8/28/2026
"In the spring of 2025, right around the release of Possession, Ty Segall started hearing voices, calmly at first, but soon screaming: 'Get the band back together!!!' Immediately, his mind began working, creating, collecting and collating riffs for songs, an album that he and the band -- Ben Boye, Evan Burrows, Mikal Cronin, Emmett Kelly -- will come to all call Chrome. Chrome -- the element, not the album -- is shiny, reflective, resistant to corrosion. Chrome the album's got that too: in hard-springing rock strung with lyrically allusive passages moving furtive and bleak through labyrinthine paths in the darkness. Joining social phenomena and autobiographical dream imagery in song-sequenced, head-snapping flashes, hitting left/right hemispheres fast and furiously. In massive riffs and thudding power in the rhythm core, twin-guitar attack and parry, tightly arrayed lines of fuzz distortion, keyboard textures of bright and thickness. All mixed immediate and flexible, colorful and clean, spicy-sweet, with Ty's vocals of vinegar and sand, wine and grains of silver nitrate, pointing the way. That's Chrome. The band came together fast and hard, their five heads writing half the songs here, with others featuring Ty and Evan collabing, Matt Yoka and Denée Segall writing some too. Accounting for its high-performing social nature and hot rocks. Its guitars slammed immaculate, big waves and dark apocolypto energy bonfires on the beach, from proto to punk to grunch, projected from the crowd-sourced energy of their mind-meld to shake the cages of the larger collective beyond. RIYL: Television, Blue Oyster Cult, The Adolescents, Pink Fairies, Iggy, Crazy Horse, Nirvana."
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Cassette
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DC 980CS
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$12.00
PREORDER
RELEASE DATE: 8/28/2026
Cassette version. "In the spring of 2025, right around the release of Possession, Ty Segall started hearing voices, calmly at first, but soon screaming: 'Get the band back together!!!' Immediately, his mind began working, creating, collecting and collating riffs for songs, an album that he and the band -- Ben Boye, Evan Burrows, Mikal Cronin, Emmett Kelly -- will come to all call Chrome. Chrome -- the element, not the album -- is shiny, reflective, resistant to corrosion. Chrome the album's got that too: in hard-springing rock strung with lyrically allusive passages moving furtive and bleak through labyrinthine paths in the darkness. Joining social phenomena and autobiographical dream imagery in song-sequenced, head-snapping flashes, hitting left/right hemispheres fast and furiously. In massive riffs and thudding power in the rhythm core, twin-guitar attack and parry, tightly arrayed lines of fuzz distortion, keyboard textures of bright and thickness. All mixed immediate and flexible, colorful and clean, spicy-sweet, with Ty's vocals of vinegar and sand, wine and grains of silver nitrate, pointing the way. That's Chrome. The band came together fast and hard, their five heads writing half the songs here, with others featuring Ty and Evan collabing, Matt Yoka and Denée Segall writing some too. Accounting for its high-performing social nature and hot rocks. Its guitars slammed immaculate, big waves and dark apocolypto energy bonfires on the beach, from proto to punk to grunch, projected from the crowd-sourced energy of their mind-meld to shake the cages of the larger collective beyond. RIYL: Television, Blue Oyster Cult, The Adolescents, Pink Fairies, Iggy, Crazy Horse, Nirvana."
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LP
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DC 980LP
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$27.00
PREORDER
RELEASE DATE: 8/28/2026
LP version. "In the spring of 2025, right around the release of Possession, Ty Segall started hearing voices, calmly at first, but soon screaming: 'Get the band back together!!!' Immediately, his mind began working, creating, collecting and collating riffs for songs, an album that he and the band -- Ben Boye, Evan Burrows, Mikal Cronin, Emmett Kelly -- will come to all call Chrome. Chrome -- the element, not the album -- is shiny, reflective, resistant to corrosion. Chrome the album's got that too: in hard-springing rock strung with lyrically allusive passages moving furtive and bleak through labyrinthine paths in the darkness. Joining social phenomena and autobiographical dream imagery in song-sequenced, head-snapping flashes, hitting left/right hemispheres fast and furiously. In massive riffs and thudding power in the rhythm core, twin-guitar attack and parry, tightly arrayed lines of fuzz distortion, keyboard textures of bright and thickness. All mixed immediate and flexible, colorful and clean, spicy-sweet, with Ty's vocals of vinegar and sand, wine and grains of silver nitrate, pointing the way. That's Chrome. The band came together fast and hard, their five heads writing half the songs here, with others featuring Ty and Evan collabing, Matt Yoka and Denée Segall writing some too. Accounting for its high-performing social nature and hot rocks. Its guitars slammed immaculate, big waves and dark apocolypto energy bonfires on the beach, from proto to punk to grunch, projected from the crowd-sourced energy of their mind-meld to shake the cages of the larger collective beyond. RIYL: Television, Blue Oyster Cult, The Adolescents, Pink Fairies, Iggy, Crazy Horse, Nirvana."
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CD
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HPS 402CD
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$17.50
PREORDER
RELEASE DATE: 8/28/2026
This is Mephistofeles at their druggiest best -- you can practically hear the sizzle of something brown cooking on its grooves -- and thankfully, they've kept their doom locked in the garage. Mephistofeles continue to maximize the ROCK aspect of their sound over the doom here, with their swagger truly something to behold as those solos just soar downward into the abyss and the rhythm section push and pull right behind. If anything, Violent Theatre is a sterling example of true ensemble playing. Mephistofeles are nothing if not dependable, but just check out the 14-minute epic "Communion of the Vile" for the band really going for it. No other words needed: Mephistofeles are cult for a reason, and Violent Theatre simply proves it further. Also available on black vinyl (HPS 402LP), violet vinyl (HPS 402LTD-LP), and magenta/blue transparent color vinyl (HPS 402ULTRA-LP).
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LP
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HPS 402LP
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$29.50
PREORDER
RELEASE DATE: 8/28/2026
LP version. This is Mephistofeles at their druggiest best -- you can practically hear the sizzle of something brown cooking on its grooves -- and thankfully, they've kept their doom locked in the garage. Mephistofeles continue to maximize the ROCK aspect of their sound over the doom here, with their swagger truly something to behold as those solos just soar downward into the abyss and the rhythm section push and pull right behind. If anything, Violent Theatre is a sterling example of true ensemble playing. Mephistofeles are nothing if not dependable, but just check out the 14-minute epic "Communion of the Vile" for the band really going for it. No other words needed: Mephistofeles are cult for a reason, and Violent Theatre simply proves it further.
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LP
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HPS 402LTD-LP
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$34.00
PREORDER
RELEASE DATE: 8/28/2026
LP version. Violet color vinyl. This is Mephistofeles at their druggiest best -- you can practically hear the sizzle of something brown cooking on its grooves -- and thankfully, they've kept their doom locked in the garage. Mephistofeles continue to maximize the ROCK aspect of their sound over the doom here, with their swagger truly something to behold as those solos just soar downward into the abyss and the rhythm section push and pull right behind. If anything, Violent Theatre is a sterling example of true ensemble playing. Mephistofeles are nothing if not dependable, but just check out the 14-minute epic "Communion of the Vile" for the band really going for it. No other words needed: Mephistofeles are cult for a reason, and Violent Theatre simply proves it further.
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LP
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HPS 402ULTRA-LP
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$44.50
PREORDER
RELEASE DATE: 8/28/2026
LP version. Magenta/blue transparent color vinyl. This is Mephistofeles at their druggiest best -- you can practically hear the sizzle of something brown cooking on its grooves -- and thankfully, they've kept their doom locked in the garage. Mephistofeles continue to maximize the ROCK aspect of their sound over the doom here, with their swagger truly something to behold as those solos just soar downward into the abyss and the rhythm section push and pull right behind. If anything, Violent Theatre is a sterling example of true ensemble playing. Mephistofeles are nothing if not dependable, but just check out the 14-minute epic "Communion of the Vile" for the band really going for it. No other words needed: Mephistofeles are cult for a reason, and Violent Theatre simply proves it further.
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LP
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OATH 030LP
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$20.50
PREORDER
RELEASE DATE: 8/28/2026
Oath presents Honey Tangerine, the newest mini-album from producer extraordinaire Olsvangèr, who serves up his signature blend of hyper-kinetic, ever-shifting dance music. Olsvangèr's sound and musical journey are forever rooted in the liminal spaces that make up the broad-reaching and ever-shifting electronic music landscape, with his records consistently channeling that in-betweenness that imprints lasting impressions. A classically trained musician with a profound passion for house and techno, Olsvangèr's sonic palette is one of both broad and delicate brush strokes, applying an array of compelling motifs within amorphous arrangements that blend and blur perspectives. His records seek out the faraway fringes as much as focusing on the intensity found in the detail, creating cavernous soundscapes that are impeccably tuned and effortlessly free-flowing. Seemingly genreless, his records are anchored in all that is known and loved, yet due to the music's perspective situated at the intersectionality of electronica, a beautiful anticipation resides within every stanza of his tracks at what may come next. Honey Tangerine touches upon the classic motifs of Olsvangèr's sound, and as always, the room for growth within the record's parameters remains truly endless. Over six tracks, Olsvangèr lays bare the directions of travel, with paths unravelling that feel well-trodden yet with some that branch out towards new horizons. Whether softly undulating or boundlessly expressive, Olsvangèr's music remains a beautiful enigma that serves up both the glorious knowns and the captivating unknowns -- Honey Tangerine is yet another chapter in his glorious discography.
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LP
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RM 4273LP
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$30.50
PREORDER
RELEASE DATE: 8/28/2026
A note from David Grubbs: "Somewhere in the Wind is the third record that Loren Connors and I have made together. Of the three, it's the first that consists exclusively of electric guitar duos and it's the first that was recorded live. To me it feels very much like a live record; this music happened in crowded rooms in Brooklyn on two dates in 2025 and there's an urgency to connect with others and a pleasure in doing so that can be heard on both of these tracks. On the first of our duo records (Arborvitae, 2003) I primarily play piano, and on the second (Evening Air, 2024) we switch off on piano and guitar. Both of those albums bespeak the privacy of the recording studio, where time is suspended and one can explore the quietest of sounds. By contrast, Somewhere in the Wind is the noisiest, most raucous and most free of our duo records. It's the sound of us taking it to the stage. I became a fan of Loren's playing from the moment that I first heard it, after happening upon a beat-up copy of In Pittsburgh circa 1992 in a used bin in the Dr. Wax record store in Chicago where my then-bandmate Bundy K. Brown worked. Everyone has taken a chance on a record because it looked interesting and wouldn't set you back too much. In that regard In Pittsburgh was the find of a lifetime. I had just switched from playing in a postpunk power trio (Bastro) to making mostly drummerless respect-your-neighbors music (Gastr del Sol), and Loren's pacing and touch and his lovely, unaffected compositions had me from the first listen. Not long after that, Jim O'Rourke and I reissued In Pittsburgh on our Dexter's Cigar label, and I fondly remember first meeting Loren in New York's Grand Central Station -- so glamorous for this country mouse -- and taking the train upstate with him where he shared a bill with Gastr del Sol. During soundcheck, Jim, Loren, and I played together for a bit and Loren's approach to the instrument was something that one could instantly sink into, the kind of situation where there are no mistakes. I still feel that when we play together."
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LP
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SODA 019LP
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$29.50
PREORDER
RELEASE DATE: 8/28/2026
Keith Freund's music occupies a space where careful musicianship and homebrewed experimentation meet and shake hands. On Window Left Open, spacious melodies drift through dense fields of electronic activity: saxophone lines rise above buzzing circuitry, percussion flickers at the edges of the frame, and clustered glitch textures dart through the music like insects in tall summer grass. Every sound feels vividly animated, a charged part of the same mercurial ecosystem. Freund's talent lies in balancing warmth and unpredictability with remarkable ease. Patient motifs recall the exploratory spirit of early folktronica, while bit-reduced textures, degraded loops, and idiosyncratic synthesis techniques continually reshape the terrain beneath them. Rather than treating acoustic and electronic elements as opposing forces, Freund allows them to intermingle until distinctions dissolve, creating compositions that reward close listening while retaining immediate warmth. This record finds Freund working with a fully formed vocabulary that is truly his own, transforming glitch, melody, improvisation, and atmosphere into songs that are both fundamentally curious and disarmingly engaging.
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12"
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SW 066EP
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$20.50
PREORDER
RELEASE DATE: 8/28/2026
One can only see clearly with the heart. Essence is invisible to the naked eye. Two South-Hessian music legends, Roland Leesker and Ricardo Villalobos, aka R+R, joined forces in 1995, long before they had the slightest idea what life had in store for them. Unreleased, mysterious, rough and old-school rave adventures, preserved on a dusty, long-forgotten DAT and later remastered by Lopazz in 2015. Now finding a new home on Secret Weapon Records as a limited white label vinyl release, the original is joined by a futuristic 2026 remix from Mr. Ho, who propels the track into new territory with razor-sharp electro rhythms, machine funk and forward-facing synth work.
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CD
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TR 613CD
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$16.50
PREORDER
RELEASE DATE: 8/28/2026
"Bandmates Wanted" posters may be old school, but when songwriter Oisean Burnett moved to London from Glasgow in 2024 the homemade approach was what worked. Fast forward to now and Starter Car have established themselves as darlings of the South London music scene with their unique brand of country-influenced indie. Now comes the release of their debut album, Afterlight, a hooky collection reflecting on life's beauty and struggles. Recorded and produced by Joe Futák (lilo, Piglet, Baggio), the album's sound grew organically through the core band plus collaboration with fellow scenesters, including vocals from Christie Gardner (lilo), fiddle from Sophia Bartlett (Tugboat Captain) and banjo from Michael Rhea (Symbol Soup). The result is a warm and nostalgic sonic world, clearly a natural progression from Burnett's childhood surrounded by Sparklehorse, Sufjan Stevens, and Wilco. Despite this glow of familial comfort, Afterlight doesn't shy away from dark themes of anxiety, death and drugs. "If you're experiencing a little discomfort while writing something, it's probably good," says Burnett. "Music has that ability to elevate the cringey into something meaningful and pretty." Throughout the album, songs born of introspection unfold with lush harmonies offering hope and a contrast to moments where Burnett's vocals are honest and exposed. Opening track and lead single "Throwing Down" is a blunt examination of spiraling out when you find yourself alone for the weekend. The recklessness of going out drinking is anchored by steady drums and laid-back licks akin to MJ Lenderman, with Burnett singing "I drink double when I'm not around you." This reflective approach continues in "Avert," which addresses the feeling of not wanting to socialize, before the high-octane "Safety Net" captures Sparklehorse's driven side and references the late Mark Linkous. Death is covered again in "Watered Down," a loving reflection of Burnett's grandfather following both grandparents' passings in a short period. Burnett's father Seori sings backing vocals on the track, while a melancholic backdrop is set by interwoven fiddle and guitar. The album wraps with "Kicking," a barnstorming rallying cry for forward movement in the face of life's obstacles. There's a raw, driving energy, with cranked guitars nodding to Teenage Fanclub and a rousing fiddle solo by Sophia Bartlett. Afterlight is sticking your head out the car window: exhilarating but breath-taking. It's the cusp of anxiety and excitement, the nauseating sense of something beautiful coming.
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LP
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TR 613LP
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$26.00
PREORDER
RELEASE DATE: 8/28/2026
LP version. "Bandmates Wanted" posters may be old school, but when songwriter Oisean Burnett moved to London from Glasgow in 2024 the homemade approach was what worked. Fast forward to now and Starter Car have established themselves as darlings of the South London music scene with their unique brand of country-influenced indie. Now comes the release of their debut album, Afterlight, a hooky collection reflecting on life's beauty and struggles. Recorded and produced by Joe Futák (lilo, Piglet, Baggio), the album's sound grew organically through the core band plus collaboration with fellow scenesters, including vocals from Christie Gardner (lilo), fiddle from Sophia Bartlett (Tugboat Captain) and banjo from Michael Rhea (Symbol Soup). The result is a warm and nostalgic sonic world, clearly a natural progression from Burnett's childhood surrounded by Sparklehorse, Sufjan Stevens, and Wilco. Despite this glow of familial comfort, Afterlight doesn't shy away from dark themes of anxiety, death and drugs. "If you're experiencing a little discomfort while writing something, it's probably good," says Burnett. "Music has that ability to elevate the cringey into something meaningful and pretty." Throughout the album, songs born of introspection unfold with lush harmonies offering hope and a contrast to moments where Burnett's vocals are honest and exposed. Opening track and lead single "Throwing Down" is a blunt examination of spiraling out when you find yourself alone for the weekend. The recklessness of going out drinking is anchored by steady drums and laid-back licks akin to MJ Lenderman, with Burnett singing "I drink double when I'm not around you." This reflective approach continues in "Avert," which addresses the feeling of not wanting to socialize, before the high-octane "Safety Net" captures Sparklehorse's driven side and references the late Mark Linkous. Death is covered again in "Watered Down," a loving reflection of Burnett's grandfather following both grandparents' passings in a short period. Burnett's father Seori sings backing vocals on the track, while a melancholic backdrop is set by interwoven fiddle and guitar. The album wraps with "Kicking," a barnstorming rallying cry for forward movement in the face of life's obstacles. There's a raw, driving energy, with cranked guitars nodding to Teenage Fanclub and a rousing fiddle solo by Sophia Bartlett. Afterlight is sticking your head out the car window: exhilarating but breath-taking. It's the cusp of anxiety and excitement, the nauseating sense of something beautiful coming.
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LP
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US 001LP
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$35.50
PREORDER
RELEASE DATE: 8/28/2026
Argentinian artist Juan Hansen presents his debut album Ultrasonido; twelve tracks spanning indie dance, tech house, and soft melodic house, released on his own newly founded label Ultrasonido. After his breakthrough Boiler Room appearance in 2019, Juan has been on a relentless quest to push the boundaries, playing major stages around the globe, becoming one of the figureheads of the Argentinian electronic music world. As an exceptional live artist, multi-instrumentalist and vocalist, Juan brings a real sense of groove to the stage, merging two worlds effortlessly: deeply emotional songwriting and direct, dancefloor-focused club tracks. Ultrasonido brings both sides together. The album is a clear evolution of Juan Hansen, presenting a wider range of his sound, which he also presents in his live performances. A journey through the musical world of Juan Hansen. Across twelve tracks, with contributions from Clér Letiv, Santi Portillo, Franco BA, Rocio Giorgi, Miko Franconi, Brigado Crew, and Marley Waters, Juan shifts between club-focused tracks and more intimate, song-driven moments, moving naturally between Spanish and English. It's a debut album that captures both his roots and the direction he's evolving toward. Juan Hansen's story doesn't start on the dancefloor, it starts with acoustic instruments. He built his foundation in the indie and rock scenes of Argentina before crossing into electronic music, a journey that's still audible in every track he makes. After years of building his profile with live performances, mesmerizing audiences from Cosquín Rock and Ultra in Argentina to Watergate in Berlin, Burning Man in the Nevada desert, and Grand Factory in Beirut. His search is real and visceral; a search for the different, mixing genres without prejudice, with a seriously playful attitude. Positioned within a new generation of artists dedicated to improvising on stage, Juan fuses electronic sounds with analog instruments and organic soundscapes. There's no genre cage. Ultrasonido is his debut album and the launch of his own label, also named Ultrasonido.
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12"
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WD 004EP
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$20.00
PREORDER
RELEASE DATE: 8/28/2026
Ciapame, amor (chyah-PAH-meh, ah-MOR).
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CD
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WRWTFWW 094CD
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$27.00
PREORDER
RELEASE DATE: 8/28/2026
WRWTFWW Records presents the first ever release for the Cyberpunk 2077: Future Sound of Night City soundtrack -- atmospheric music from one of the most celebrated video games of the decade! The compilation showcases a who's who of Polish electronic underground. Dive deep into the pulsating world of Cyberpunk 2077 with an immersive soundscape perfectly capturing the gritty and neon-soaked streets of Night City. Curated by Rafał Grobel and Wojtek Sokół of Most Records, the epic 15-track compilation features a diverse offering of electrifying Polish beats, cohesively flowing between techno, ambient, synthwave, bass music, industrial, and IDM. Ominous, powerful, evocative, and filled with futuristic nostalgia, the music of Night City is a thrill ride in a dystopian urban landscape, heavy hearts riding through the night, menacing streets surrounded by infinite skyscrapers. The music transports you, soul-stirring, cinematic, and timeless, the most beautiful kind of escapism. The award-winning Cyberpunk 2077 action role-playing game was developed by CD Projekt Red and published in 2020 and has since become one of the most recognized and best-selling video games of all time. With a cast including Keanu Reeves and Idris Elba, unmistakable visuals, music, and atmosphere, CP77 has earned a spot in the pantheon of 2020s pop culture. Featuring Lutto Lento, Chino, Hatti Vatti, Private Press, Earth Trax, SLG, Poly Face, FOQL, Mchy i Porosty, and Eltron.
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3LP
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WRWTFWW 094LP
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$54.00
PREORDER
RELEASE DATE: 8/28/2026
3LP version. Limited yellow color vinyl. 45rpm cut, triple gatefold sleeve. WRWTFWW Records presents the first ever release for the Cyberpunk 2077: Future Sound of Night City soundtrack -- atmospheric music from one of the most celebrated video games of the decade! The compilation showcases a who's who of Polish electronic underground. Dive deep into the pulsating world of Cyberpunk 2077 with an immersive soundscape perfectly capturing the gritty and neon-soaked streets of Night City. Curated by Rafał Grobel and Wojtek Sokół of Most Records, the epic 15-track compilation features a diverse offering of electrifying Polish beats, cohesively flowing between techno, ambient, synthwave, bass music, industrial, and IDM. Ominous, powerful, evocative, and filled with futuristic nostalgia, the music of Night City is a thrill ride in a dystopian urban landscape, heavy hearts riding through the night, menacing streets surrounded by infinite skyscrapers. The music transports you, soul-stirring, cinematic, and timeless, the most beautiful kind of escapism. The award-winning Cyberpunk 2077 action role-playing game was developed by CD Projekt Red and published in 2020 and has since become one of the most recognized and best-selling video games of all time. With a cast including Keanu Reeves and Idris Elba, unmistakable visuals, music, and atmosphere, CP77 has earned a spot in the pantheon of 2020s pop culture. Featuring Lutto Lento, Chino, Hatti Vatti, Private Press, Earth Trax, SLG, Poly Face, FOQL, Mchy i Porosty, and Eltron.
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2LP
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BEWITH 201LP
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$47.50
PREORDER
RELEASE DATE: 9/4/2026
It is virtually impossible to describe with mere words how emotionally powerful this work of art is. Just listen. A blissed-out 80-minute epic, Hatchback's Phaser For The Ocean, Chorus For The Moon is his magnum opus, a sprawling masterwork that encompasses ambient, new age and environmental music to wondrous effect. Moving, hypnotic and deeply meditative, it's FFO Mike Brooks, Deuter, Klaus Weiss, Innovative Communication, Harmonia, Cluster, Ashra's New Age of Earth, Stomu Yamashta, Haruka Nakamura, Yoshimura, Hosono, the works. A record truly deserving of the deluxe Be With treatment, the vinyl was specially cut at Abbey Road Studios whilst the original stunning artwork has been pleasingly expanded. Now, an eye-catching holographic-foil layer moon is set against the original tones, wrapped up in a sumptuous double-gatefold jacket. Soaked in Californian consciousness and limited to a run of just 500 copies for the world, this release is a treasured balm like no other for these troubled times. Hatchback is the atmospheric, melodious ambient alias of California-based artist Samuel Milton Grawe. Sam creates music that sings of the Cosmos, full of deep resonant tones, glistening arpeggios, lush pads and harmonic motifs. "When I first was getting into the creative side of music making in my teens, I was heavily influenced by concept albums like Quadrophenia and The Lamb Lies Down on Broadway, as well as epic pieces that took up an entire side of a record: Pink Floyd's 'Echoes', Yes' 'Close To The Edge,' Klaus Schulze's 'Nowhere Now Here,' Miles Davis' 'Shhh/Peaceful' and 'He Loved Him Madly.' In the extreme, these ideas coalesced in double albums where each side of each record is occupied by a single title -- Yes' 'Tales From Topographic Oceans' and Tangerine Dream's 'Zeit' being primary examples. When I returned to making music after moving back to Northern California in 2020, the first piece I recorded landed around the 20-minute mark, and the idea of creating three other long pieces to realize a full album felt like a natural -- if indulgent -- goal. From there, each new piece followed sequentially. Four songs. My fourth album.' Phaser For The Ocean, Chorus For The Moon is a pure expression, informed by a lifetime of deep listening unbound by algorithms or AI. These are songs for the sunrise and the sunset -- and every color in between.
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LP
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DMR 001LP
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$37.50
PREORDER
RELEASE DATE: 9/4/2026
Nido de Espinas is the fourteenth studio album by Buitres. Uruguayan punk rock band formed in 1989, heirs to the legacy of the iconic post punk band Los Estómagos. It began to be composed in 2022 and was recorded in early 2024. The texts are inspired by the Diary of a Desperate Heart, an arbitrary overflow of feelings written disorderedly with an improvised rein, which demanded exhaustive work from the band to reach maximum expression in each track. Artistic production was handled by Ale Vázquez (Spinetta, Intoxicados, and more) and Sebastián Teysera (La Vela Puerca), who landed the runaway chariot set on fire. Buitres formed in late 1989, following the dissolution of the group Los Estómagos, a band that sparked a new era of Uruguayan rock in 1983. José "Pepe" Rambao, a close friend since childhood, joined the Parodi-Peluffo duo. Buitres has toured extensively throughout the entire Uruguayan territory and has participated in massive international shows both in Uruguay and abroad. Additionally, they have completed six tours across Spain, where the album En la Vuelta was released. Their discography features 14 studio albums. They have released three live albums, two documentary DVDs, and three live DVDs. Three books have been published about the band. The band has received numerous acolytes and awards, but most importantly, after more than thirty years, they continue to maintain a close and emotional relationship with their audience -- one that has endured throughout their history and grows over time. For this reason, the band dedicates their absolute best effort to every new work and every performance Nido de Espinas is their new studio album. These are wild and excessive times. Perhaps this statement applies to our life history just as it did to ordinary people in bygone eras. However, we assimilate the changes, adapt, and move forward. Nothing new under the sun. We grew up assuming static realities without trying to understand that they were newborn and would not last forever. The "forever" was declining into premature obsolescence. Every accessory is fleeting in the dizzying change of language.
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LP
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EMEGO 325LP
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$30.50
PREORDER
RELEASE DATE: 9/4/2026
Klara Lewis' distinctive talent for disfiguring sound into forms that remain recognizably song-like reaches a new peak here. Her new album Opening is a deceptive recording with veiled melodies and clandestine bangers. Lewis, creator of worlds, treats music as a mirror that reflects a perspective misaligned with the real image. Her music moves in unusual and often startling ways. Acoustic instruments such as ukulele and piano are subjected to processes of deconstruction and reconstruction, their original forms continually reshaped. The tracks within Opening offer an array of disorientating tactics; damaged field recordings are suddenly sliced into ominous rhythmical patterns whilst deceptively simple tactics provide foreboding dread. Often alien on entry, the progression of a piece can land in a surprising tenderness, or the other way around. The momentum grows as a physical state but also one which is questioning, desiring, encapsulating a feeling, to explore a further way of expression and ultimately connecting: A new closeness, a new perspective. Opening is an album in which the protagonist's manipulation of sonic matter seems to extend beyond the music itself, resulting in a corresponding manipulation of the active listener. Sounds shift, dissolve, and re-emerge in altered forms, creating an experience that feels both intimate and disorienting. Lewis maintains a delicate balance between abstraction and emotional immediacy, drawing the listener into a world where familiar musical gestures are constantly reconfigured in surprising ways. The works on Opening are refracted through an exploratory and transformative lens, suggesting an artist continuing to redefine the possibilities of musical language as a space where the instantaneous and the eternal come together. Music by Klara Lewis. Mastered by Stephan Mathieu. Cut by Andreas Kauffelt at Schnittstelle, Berlin. Artwork by Klara Lewis.
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2LP
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ENCOLOR 720LP
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$39.50
PREORDER
RELEASE DATE: 9/4/2026
PRAANA unveil their highly anticipated album Insight Out on Colorize, a deeply immersive body of work that explores reflection, connection and emotional growth through the duo's signature cinematic lens. Built around themes of reflection, presence and human connection, Insight Out creates a rich sonic landscape where atmospheric textures, subtle rhythms and emotive songwriting coexist with effortless grace. Featuring collaborations with Susie Ledge, Tina Parol, Freddie Elmberg and Courtney Storm, the album showcases PRAANA's ability to create music that feels both intimate and expansive. An alias of Tritonal, PRAANA have amassed over 30 million streams, earned sustained support on SiriusXM Chill and recently completed U.S. tour dates in Chicago, Denver and a sold-out Elsewhere Rooftop show in Brooklyn. Insight Out stands as a fully realized artistic statement, offering a space for stillness, reflection and meaningful escape through sound.
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2LP
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EXH 022LP
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$48.00
PREORDER
RELEASE DATE: 9/4/2026
Limited-edition sunburst color vinyl, housed in gatefold jacket with UV spot varnish with printed innersleeves and exterior screen-printed PVC bag. Amelie Lens' debut album Aura is the first full-length studio album to come from the Belgian artist despite being one of the most respected and sought-after acts in electronic music today. Of the album, Amelie says: "Aura is my story. Aura is about the connection between the crowd and me. Music has always been my escape, my way of turning my emotions and energy into something new. When I was younger, I would disappear into nightclubs and create my own world in my head. Being in the nightclubs gave me this feeling of belonging somewhere, I felt connection and freedom I had never experienced before. That feeling changed my life completely. So this album really reflects that whole journey. From playing tiny local clubs and driving myself through the night for gigs, to standing on huge festival stages, becoming a mother, building EXHALE and learning how to balance it all in life. I wanted Aura to feel emotional but still powerful, uplifting but raw. From big festival tracks to the trippy tracks I'd play at 4am at RSO. Although making this album is one of the biggest things I have ever done in my life, I wanted to keep it light and somehow playful. Because that is also how I am as a person. This is the most honest version of myself I've ever shared. I hope it brings some light, happiness and connection to others as it does to me. Because Aura is and always will be about my connection to you." The album consists of 11 brand new tracks, all produced by Lens.
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CD
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FLENSER 200CD
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$16.00
PREORDER
RELEASE DATE: 9/4/2026
"In a world increasingly shaped by disposable content, Chat Pile answer with something defiantly real and organic, a mentality that permeates Who Loves The Sun, their third full-length record. Since the band's formation, the Oklahoma City-based quartet Chat Pile has grown from a scrappy passion project into one of the defining heavy acts to emerge from the 2020s underground. Ray B. (vocals), L. Manhole (guitar), Stin (bass), and Cap'n Ron (drums) create a crushing, crass, and cathartic take on noise rock that captures a raw, undeniably human essence in an age marked by technological overreach and the cold state of society. Nothing about Who Loves The Sun feels synthetic. Whereas their debut album God's Country depicted a particularly American flavor of dread, and the follow up Cool World showed a cruel planet defined by global systemic violence, Who Loves The Sun peels the skin back on how collective indifference defines this new century. Spanning imagery of coastlines devouring cities, dead-end jobs, and submission to data-driven inauthenticity, the album dissects the apathy-bloated state of 21st-century existence as a slow-motion apocalypse. As with much of Chat Pile's work, Oklahoma City itself looms over the album like a character, its sprawling isolation, economic contradictions, and underlying sense of decay embedded in the fabric of the record. The perfect allegory for the thematic essence of Who Loves The Sun is the photo embossed on the record's cover, where Devon Tower, a glassy, largely vacant monolith, looms high above the Oklahoma City skyline while a burnt-out home or storefront envelops the foreground. The album remains lyrically and sonically confrontational, but Chat Pile approached the songwriting with hooks in mind, drawing on melodic tones of pre-2000s indie rock, alt-rock, and new wave. From the blood-soaked vocal passages of 'Christabel '26' to the eerie trip-hop pulse of 'Same Rules,' Who Loves The Sun is deeply human despite its allusions to a dying, divided."
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Cassette
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FLENSER 200CS
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$15.00
PREORDER
RELEASE DATE: 9/4/2026
Cassette version. "In a world increasingly shaped by disposable content, Chat Pile answer with something defiantly real and organic, a mentality that permeates Who Loves The Sun, their third full-length record. Since the band's formation, the Oklahoma City-based quartet Chat Pile has grown from a scrappy passion project into one of the defining heavy acts to emerge from the 2020s underground. Ray B. (vocals), L. Manhole (guitar), Stin (bass), and Cap'n Ron (drums) create a crushing, crass, and cathartic take on noise rock that captures a raw, undeniably human essence in an age marked by technological overreach and the cold state of society. Nothing about Who Loves The Sun feels synthetic. Whereas their debut album God's Country depicted a particularly American flavor of dread, and the follow up Cool World showed a cruel planet defined by global systemic violence, Who Loves The Sun peels the skin back on how collective indifference defines this new century. Spanning imagery of coastlines devouring cities, dead-end jobs, and submission to data-driven inauthenticity, the album dissects the apathy-bloated state of 21st-century existence as a slow-motion apocalypse. As with much of Chat Pile's work, Oklahoma City itself looms over the album like a character, its sprawling isolation, economic contradictions, and underlying sense of decay embedded in the fabric of the record. The perfect allegory for the thematic essence of Who Loves The Sun is the photo embossed on the record's cover, where Devon Tower, a glassy, largely vacant monolith, looms high above the Oklahoma City skyline while a burnt-out home or storefront envelops the foreground. The album remains lyrically and sonically confrontational, but Chat Pile approached the songwriting with hooks in mind, drawing on melodic tones of pre-2000s indie rock, alt-rock, and new wave. From the blood-soaked vocal passages of 'Christabel '26' to the eerie trip-hop pulse of 'Same Rules,' Who Loves The Sun is deeply human despite its allusions to a dying, divided."
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LP
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FLENSER 200LP
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$26.00
PREORDER
RELEASE DATE: 9/4/2026
LP version. "In a world increasingly shaped by disposable content, Chat Pile answer with something defiantly real and organic, a mentality that permeates Who Loves The Sun, their third full-length record. Since the band's formation, the Oklahoma City-based quartet Chat Pile has grown from a scrappy passion project into one of the defining heavy acts to emerge from the 2020s underground. Ray B. (vocals), L. Manhole (guitar), Stin (bass), and Cap'n Ron (drums) create a crushing, crass, and cathartic take on noise rock that captures a raw, undeniably human essence in an age marked by technological overreach and the cold state of society. Nothing about Who Loves The Sun feels synthetic. Whereas their debut album God's Country depicted a particularly American flavor of dread, and the follow up Cool World showed a cruel planet defined by global systemic violence, Who Loves The Sun peels the skin back on how collective indifference defines this new century. Spanning imagery of coastlines devouring cities, dead-end jobs, and submission to data-driven inauthenticity, the album dissects the apathy-bloated state of 21st-century existence as a slow-motion apocalypse. As with much of Chat Pile's work, Oklahoma City itself looms over the album like a character, its sprawling isolation, economic contradictions, and underlying sense of decay embedded in the fabric of the record. The perfect allegory for the thematic essence of Who Loves The Sun is the photo embossed on the record's cover, where Devon Tower, a glassy, largely vacant monolith, looms high above the Oklahoma City skyline while a burnt-out home or storefront envelops the foreground. The album remains lyrically and sonically confrontational, but Chat Pile approached the songwriting with hooks in mind, drawing on melodic tones of pre-2000s indie rock, alt-rock, and new wave. From the blood-soaked vocal passages of 'Christabel '26' to the eerie trip-hop pulse of 'Same Rules,' Who Loves The Sun is deeply human despite its allusions to a dying, divided."
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LP
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FLENSER 200X-LP
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$29.00
PREORDER
RELEASE DATE: 9/4/2026
LP version. Color vinyl. "In a world increasingly shaped by disposable content, Chat Pile answer with something defiantly real and organic, a mentality that permeates Who Loves The Sun, their third full-length record. Since the band's formation, the Oklahoma City-based quartet Chat Pile has grown from a scrappy passion project into one of the defining heavy acts to emerge from the 2020s underground. Ray B. (vocals), L. Manhole (guitar), Stin (bass), and Cap'n Ron (drums) create a crushing, crass, and cathartic take on noise rock that captures a raw, undeniably human essence in an age marked by technological overreach and the cold state of society. Nothing about Who Loves The Sun feels synthetic. Whereas their debut album God's Country depicted a particularly American flavor of dread, and the follow up Cool World showed a cruel planet defined by global systemic violence, Who Loves The Sun peels the skin back on how collective indifference defines this new century. Spanning imagery of coastlines devouring cities, dead-end jobs, and submission to data-driven inauthenticity, the album dissects the apathy-bloated state of 21st-century existence as a slow-motion apocalypse. As with much of Chat Pile's work, Oklahoma City itself looms over the album like a character, its sprawling isolation, economic contradictions, and underlying sense of decay embedded in the fabric of the record. The perfect allegory for the thematic essence of Who Loves The Sun is the photo embossed on the record's cover, where Devon Tower, a glassy, largely vacant monolith, looms high above the Oklahoma City skyline while a burnt-out home or storefront envelops the foreground. The album remains lyrically and sonically confrontational, but Chat Pile approached the songwriting with hooks in mind, drawing on melodic tones of pre-2000s indie rock, alt-rock, and new wave. From the blood-soaked vocal passages of 'Christabel '26' to the eerie trip-hop pulse of 'Same Rules,' Who Loves The Sun is deeply human despite its allusions to a dying, divided."
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CD
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KRANK 250CD
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$18.00
PREORDER
RELEASE DATE: 9/4/2026
"Windy & Carl Meet Optigan Conservatory is a purposefully misleading title for the first collaborative work from four friends who met close to thirty years prior. All active participants in Michigan independent music circles since the early '90s, Windy & Carl are well-known for their foundational contributions to drift and guitar-born ambient sounds, with songs characterized by deep connections to the natural world and a hard to pin down yet impossible to miss emotional vulnerability. Optigan Conservatory is another duo, made up of Frank Rotondo (leader of Detroit area free music ensemble Laughing Gas) and Fred Thomas (songwriter and producer most often associated with his band Saturday Looks Good To Me), who have been making minimalistic and time-defiant electroacoustic sounds since 2016. The album came together almost effortlessly in a very short timeframe, but the idea had been building steam for many a year. In the last days of 2024, Windy & Carl and Optigan Conservatory got together, falling into a mode of sound creation that was almost hyper-natural. Without any discussion outside of the usual stream of jokes and chatter, the quartet set up and started communicating. Added to Windy & Carl's hovering augmented chord voicings and vaporous guitar drones were electric piano and synth bedding from Frank & Fred. After the initial sessions, all involved parties took time to consider what they'd made, adding new layers and editing the pieces into more definitive articulations. A beautiful and hermetic energy larger than the sum of its parts is captured in the process. There are echoes of the earliest releases from Windy & Carl as well as refractions of the same opacity that surfaced in the early Kranky catalog."
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LP
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KRANK 250LP
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$29.00
PREORDER
RELEASE DATE: 9/4/2026
"Windy & Carl Meet Optigan Conservatory is a purposefully misleading title for the first collaborative work from four friends who met close to thirty years prior. All active participants in Michigan independent music circles since the early '90s, Windy & Carl are well-known for their foundational contributions to drift and guitar-born ambient sounds, with songs characterized by deep connections to the natural world and a hard to pin down yet impossible to miss emotional vulnerability. Optigan Conservatory is another duo, made up of Frank Rotondo (leader of Detroit area free music ensemble Laughing Gas) and Fred Thomas (songwriter and producer most often associated with his band Saturday Looks Good To Me), who have been making minimalistic and time-defiant electroacoustic sounds since 2016. The album came together almost effortlessly in a very short timeframe, but the idea had been building steam for many a year. In the last days of 2024, Windy & Carl and Optigan Conservatory got together, falling into a mode of sound creation that was almost hyper-natural. Without any discussion outside of the usual stream of jokes and chatter, the quartet set up and started communicating. Added to Windy & Carl's hovering augmented chord voicings and vaporous guitar drones were electric piano and synth bedding from Frank & Fred. After the initial sessions, all involved parties took time to consider what they'd made, adding new layers and editing the pieces into more definitive articulations. A beautiful and hermetic energy larger than the sum of its parts is captured in the process. There are echoes of the earliest releases from Windy & Carl as well as refractions of the same opacity that surfaced in the early Kranky catalog."
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LP
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LAPSUS 045LP
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$29.50
PREORDER
RELEASE DATE: 9/4/2026
Eden Samara grew up in the mountains of western Canada, writing folk songs and performing in the theatre. Following a trip to Europe where she had her first formative clubbing experiences, she relocated to London in 2019 where she's become a consistent presence and voice in the city's underground, collaborating with artists like Parris, Ciel, and Loraine James and earning praise from The Guardian, Pitchfork, Rolling Stone, Crack, and DJ Mag. 2022 saw Eden release her debut album Rough Night on Local Action, blending freaky club-pop, introspective R&B and more while collaborating with leading scene figures TSVI, Call Super, and Shanti Celeste. Described by Dazed as "an embarrassment of riches" and by Mixmag as one of the best albums of the year, in Eden's words it was simply "a tragicomedy in seven scenes and an interlude." On her second album Odyssey, Eden brings more elements into her ensemble (jungle, choral singing, live harp) while honing her song-writing -- it's an expansion and a tightening at the same time. Inspired by epic literary works like Homer's Odyssey, The Alchemist and The Picture of Dorian Gray, the album reimagines the archetypal quest through a personal lens: a healing journey amid the collapse of close relationships to addiction, mental illness, and the weight of codependency disguised as love. In Eden's words: "This work is a narrative and sonic expedition -- part myth, part memoir -- that traces my path through the emotional aftermath of watching loved ones struggle with drug addiction and mental health crises, and the impact it had on my own mental wellbeing. The album addresses substance abuse, toxic relationships, and the internalized belief that love must come through sacrifice, even at the cost of one's selfhood." For this special release, Barcelona's Lapsus and London's Local Action join forces for the first time in their respective journeys, reflecting the affinity between both platforms and their shared vision of contemporary electronic music.
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LP
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MIA 064LP
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$33.00
PREORDER
RELEASE DATE: 9/4/2026
Layered guitars, synths and wordless vocals set the scenery in this epic, beautiful and introspective solo debut by musical wanderer Lynn Wright. Wright, who has mostly eschewed developing a fixed artistic identity throughout his already long career, has preferred to remain on the periphery of collaborative projects and behind the scenes. It took until recent times for him to make Before The Sinking Plains, which arrives as his first solo recording after decades of traversing underground scenes in New York and beyond. Wright defines the album as "a collection of atmospheric compositions structured as songs or songs masking as atmospheric compositions." The album began during a long neurological illness as guitar loops Wright would make each morning in his apartment and let play quietly in the background. At some point he began recording the ones he liked and adding layers of treated guitars, vocals, and synths, and then, eventually, giving them defined structures. The album features none of the aggression of his louder bands and improvisatory projects, but retains the dark hues. Before The Sinking Plains lives on the familiar peripheries of the post-everything sound world, with elements of everything from washed-out dream pop and atmospheric drone works to sparse noir folk and minimalist vocal composition moving within the linings of Wright's subtle yet grand pieces, creating a perfect backdrop for watching the sky merge with the vast open fields. Since relocating to Berlin some years ago from New York, he has worked closely with composer Simon Goff, who mixed his current album, as an editor, engineer and composer on various film and recording projects. He also plays lap steel guitar in Swans bassist Dana Schechter's band Insect Ark. This is just the top of the iceberg when it comes to Wright's collaborations and projects throughout the years.
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REPOSE 164LP
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$33.00
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RELEASE DATE: 9/4/2026
Limited 300 worldwide on transparent sky-blue LP, housed in a matt finish outer sleeve with double sided insert. Eagerly awaited follow up to 2024's Creep Call, for fans of Brainbombs, Unsane, scum rock, noise rock, The Shits. Scum rock low-lives Louse return with their sophomore LP, Buyer's Remorse -- an unrefined but levelled-up dip back into the murk, keeping it in the family one more time on Riot Season records (a label which now, fittingly, features genre luminaries Brainbombs). More cohesive, more negative but no less disgusting than debut record Creep Call, the band have further enhanced their pummeling, single-riff ritual M.O. with even more strop-razor guitars, crank-fueled slide-bass, strangled sax and sinister missives from the void. Buyer's Remorse includes unspeakable meditations on an unmatched litany of losers, including: inept hitmen/serial killers, snuff-flick refund naivety, disturbing fellatio lessons, burying yourself alive to escape the law and having a damn good time being chopped into luncheon. Snubbed from all but the best festivals, Louse continue to eke out a steady stream of shows, with highlights such as glorious sweat-boxes in beloved Torino, Monza and beyond in the EU with BRAK, being the first band to play Mickey Zogg's Basement in Bristol with Beau Wanzer and multiple distinguished appearances at Café Oto with legend and fellow RS label-mate Shit & Shine. Right-thinking taste-makers have decreed that Louse "exist in an alternate reality where The Fall and The Birthday Party are one and the same band," and that their songs are "all at once unsettling, loose, filthy, untamed, distorted and fucked up, but most of all rocking, creative and unique." Buyer's Remorse is no exception, having been wrangled into perfection by long-time collaborator James Atkinson (The Stationhouse Studio) and none other than Rectal Hygienics' Matt Ibarra (STR Mastering) this is truly scum rock at its finest -- all at once punishing, ugly and brutal; but listen to that groove.
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2LP
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SDBANU 049LP
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$43.00
PREORDER
RELEASE DATE: 9/4/2026
The acclaimed compilation series returns with Volume 4! Fourteen tracks showcasing the most exciting emerging voices in Belgian jazz, ready to claim a permanent spot on your turntable. The latest instalment in the celebrated compilation series once again shines a spotlight on the most adventurous and forward-thinking artists emerging from Belgium's jazz scene. Curated by Belgian tastemaker, DJ and broadcaster Lefto Early Bird, the collection continues a tradition of uncovering hidden gems and introducing them to a wider audience of dedicated diggers. Over the years, the Jazz Cats series has become a trusted barometer of Belgium's ever-evolving jazz landscape. Long before many artists gained international recognition, they first appeared on these compilations, making the series both a discovery platform and a snapshot of one of Europe's most exciting musical ecosystems. Jazz Cats Volume 4 captures a scene bursting with creativity, diversity and ambition. Across fourteen carefully selected tracks, the compilation explores the many directions contemporary Belgian jazz is taking today. Jazz, hip-hop, electronic music, afrobeat, spiritual jazz and experimental sounds coexist effortlessly throughout the collection. The result is a body of work that feels remarkably cohesive despite its diversity: a portrait of a scene that continues to evolve through curiosity, collaboration and constant reinvention. Featuring Aquiles Navarro, Ola Tunji, Helena Casella, Lupo Spaccaro, KVR, GAIKO, Lucid Lucia, Kunde, Fred Gata, Foutloos, BREAD FOR PIGEONS, VLIEGWERK, Ragini Trio, SLAGADER, and Kuna Maze.
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LP
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SOD 143LP
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$28.50
PREORDER
RELEASE DATE: 9/4/2026
Over the course of more than four decades, Andrew Chalk has created one of ambient and experimental music's most distinctive, influential, and enduring bodies of work. Though his recordings have taken many forms -- from the raw, post-Industrial sounds of Ferial Confine in the 1980s to the fragile guitar meditations, blurred keyboard studies, and richly textured collages that populate the Faraway Press catalog -- they remain united by a singular sensibility: an uncommon attentiveness to atmosphere, nostalgia, and the power of restraint. Mystical Obscurant offers a rare opportunity to encounter the expansive character of that oeuvre in miniature. Rather than documenting a single period or methodology, it functions almost like a survey of Chalk's musical language -- a collection of new music that illuminates the breadth of his practice while distilling the singular vision that unites it. "The Sea of Sorrow" and "Peacemaker" feel cut from the same cloth as the sacred guitar minimalism of The River That Flows Into the Sands, while "Against the Tide" would sit naturally alongside the smudged and distant keys of Blue Eyes of the March. Other pieces draw upon environmental sound and loop-based constructions, hallmarks of Chalk's more recent, vignette-like compositions. Though these recordings emerge from different moments in his long creative journey, each inhabits a recognizable world: one where melodies drift in diffuse, unhurried forms and sound gathers with painterly grace. What is most striking when these pieces are heard together is not their difference but their coherence. Across changing instruments, collaborators, and approaches, Chalk has consistently pursued a subjunctive music of suggestion rather than declaration, creating spaces where memory and imagination are allowed to unfold at their own pace.
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CD
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TR 618CD
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$16.50
PREORDER
RELEASE DATE: 9/4/2026
After a two decades of making albums, Downpilot's Paul Hiraga wonders: why would a songwriter write songs if not to make sense of the oddest or most difficult situations they may find themselves in? With this latest release, Strange Horses, he attempts to address the challenges of living in a time of such rapid and mystifying change and its effects upon relationships, the physical world itself, and the unfathomable terrain of the psyche. His eighth LP is an expertly crafted and truly affecting collection of musical meditations with soundscapes ranging from luscious guitar pop, to intimate, studied Americana. Things kick off with a decisive twang in the compelling and existential opener, "Primitive Skin," and thus begins a sonic exploration of varied moods, themes, and subjects. Whether in the territory of interpersonal complexity ("Rose Paranoia"), changing landscapes ("Playground"), or the destructive and redemptive force of nature ("September Street"), listeners are on a ride to an undisclosed but intriguing destination. Each song is its own individual odyssey, and there is not a B-side in the bunch. "In the Air", one of the album's highlights, is a heartbreaking vignette about broken connections with a tender keyboard part that goes straight from the ear to the emotional core. The quirky rhythms and swirling synths of "You Never Fly" suggest the aftermath of a skyborne mystery, and the breezy dreaminess of "Loose Change" serves up a tinge of Latin-laced sunshine pop. Violinist Melinda Rice adds an appropriate "strangeness" to the closing track, in a soaring and expansive finale. Strange Horses was written, recorded and mixed by Hiraga himself (vocals, guitar, keyboards, bass and drums) in Seattle and Whidbey Island WA, and features appearances by longtime collaborators Anne Marie Ruljancich (Walkabouts), Lars Plogschties, Terry de Castro (Wedding Present), Jeff Brown, and Melinda Rice, with newcomer Will Thomas (Dive Index) providing synth textures.
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LP
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TR 618LP
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$26.00
PREORDER
RELEASE DATE: 9/4/2026
LP version. After a two decades of making albums, Downpilot's Paul Hiraga wonders: why would a songwriter write songs if not to make sense of the oddest or most difficult situations they may find themselves in? With this latest release, Strange Horses, he attempts to address the challenges of living in a time of such rapid and mystifying change and its effects upon relationships, the physical world itself, and the unfathomable terrain of the psyche. His eighth LP is an expertly crafted and truly affecting collection of musical meditations with soundscapes ranging from luscious guitar pop, to intimate, studied Americana. Things kick off with a decisive twang in the compelling and existential opener, "Primitive Skin," and thus begins a sonic exploration of varied moods, themes, and subjects. Whether in the territory of interpersonal complexity ("Rose Paranoia"), changing landscapes ("Playground"), or the destructive and redemptive force of nature ("September Street"), listeners are on a ride to an undisclosed but intriguing destination. Each song is its own individual odyssey, and there is not a B-side in the bunch. "In the Air", one of the album's highlights, is a heartbreaking vignette about broken connections with a tender keyboard part that goes straight from the ear to the emotional core. The quirky rhythms and swirling synths of "You Never Fly" suggest the aftermath of a skyborne mystery, and the breezy dreaminess of "Loose Change" serves up a tinge of Latin-laced sunshine pop. Violinist Melinda Rice adds an appropriate "strangeness" to the closing track, in a soaring and expansive finale. Strange Horses was written, recorded and mixed by Hiraga himself (vocals, guitar, keyboards, bass and drums) in Seattle and Whidbey Island WA, and features appearances by longtime collaborators Anne Marie Ruljancich (Walkabouts), Lars Plogschties, Terry de Castro (Wedding Present), Jeff Brown, and Melinda Rice, with newcomer Will Thomas (Dive Index) providing synth textures.
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VHF 171LP
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$24.00
PREORDER
RELEASE DATE: 9/4/2026
"More than 25 years after the start of collaboration with Acid Mothers Temple mastermind Makoto Kawabata (including the INUI series and the classic Kawabata/Youngs release) comes the first proper VHF LP by the prolific quintet. One of an occasional series of 'minimalism' inspired LPs by the group, In A Not C is a not a barely changing drone, but a wild ride with the band in full flight, rushing along in a glorious swirl of psychedelic madness. Like the band's well-known 2001 version of Terry Riley's 'In C,' the group uses a small cell of repeating sound as a jumping off point and then gradually revs up to maximum velocity. The current AMT lineup has produced a series of fun and unique variants on the band's longstanding signatures, with the addition of vocalist/guitarist Jyonson Tsu and drummer Satoshima Nani providing a lightness and nimbleness of touch that resets the context of the band's usual blazing electric guitar and burbling synth. Both sides here build to a multi-layered crescendo, with loops of Tsu's gentle vocals competing with frenetic drums, whistling electronics, and guitar that alternates trebly feedback and soft arpeggios. Cut by Golden, pressed in Chicago at Smashed, first pressing on clear vinyl."
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LBR 173LP
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$37.50
PREORDER
RELEASE DATE: 9/8/2026
Un Plan Perfecto is the fourth studio album by Mandrake y los Druidas, exploring the restless tension between light and darkness. Moving through contrasting musical landscapes, its thirteen songs all bear Alberto "Mandrake" Wolf's unmistakable songwriting signature. Human, existential, and sharply observant, they delve into stories that are both monumental and deeply intimate. For the first time in the band's history, a guest musician joins the journey: the legendary Walter "Nego" Haedo. His contribution not only brings an effortless swing to the Druidas sound but also becomes a driving force behind the band's musical exploration, where rock 'n' roll meets African-rooted rhythms in an irresistible blend. Conceived as an album to be experienced from beginning to end, Un Plan Perfecto brings together and consolidates the decade-long journey of a band that continues to expand its musical universe. Born in Montevideo in 1962, Alberto "Mandrake" Wolf has been one of the defining figures of Uruguayan popular music since the early 1980s. After three decades leading his former band, Los Terapeutas, he returned to the local music scene in 2017 with Mandrake y los Druidas, a supergroup formed alongside a younger generation of musicians and built around a powerful, high-energy take on classic rock 'n' roll. Their self-titled debut album, Mandrake y los Druidas (2017), was warmly received by critics and audiences alike, earning three major Graffiti Awards in 2018: Best Band, Best Album, and Best Rock & Blues Album. In 2020, they released Sortilegio, further developing the band's sound while broadening its musical horizons. Three years later came La Suite de Raymundo, an immersive and uncompromising work built around a 16-minute-and-30-second musical suite, earning two Graffiti Awards in 2024 for Best Songwriter and Best Artwork.
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2LP
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KEPLARREV 005X
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$31.50
PREORDER
RELEASE DATE: 9/11/2026
The story of each re-release begins with the original. In the late '90s, Uwe Zahn (Arovane), along with Robert Henke (Monolake) and Stefan Betke (Pole), began releasing music on Torsten Pröfrock's (Dynamo) newly launched DIN label. This was a very inconspicuous undertaking, but fans of the flourishing IDM, glitch, and constantly evolving abstract techno genres quickly picked up on the quality of sound coming out of Germany. After a few successful EPs, Zahn began working on his debut full-length, Atol Scrap. The release was a success, at least in the underground circles, where followers of the melodic harmonies, stuttering off-beat rhythms, and, most importantly, advanced sound design feverishly consumed the imprint's output. There was only one thing missing -- the album was never pressed on vinyl, and for decades remained in the digital domain. The fans, of course, inquired. There were multiple offers on the table, but Zahn retained control until he was assured that it was properly attained. Listening to Atol Scrap over twenty years later it is inane not to admit how well it has held up. Where other genres clearly aged, becoming stale, bland, and dull, the music on eleven tasty tracks still keeps the neurons tickled with each note. More than an echo of the past, the bottled sound truly has matured. Many of the newly evolving techniques are recognizable on the album. From this debut to the most recent output, Arovane's sound has evolved to become more intricate, detailed, and pronounced. And just as Atol Scrap reminds Zahn of the past, retaining charm preserved in a container traveling through time, it also jitters memories of long ago. Remastered and cut to vinyl by Kassian Troyer at D&M. Cover art by Jim Kühnel based on a photograph by Uwe Zahn.
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CD
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LY 010CD
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$18.00
PREORDER
RELEASE DATE: 9/11/2026
Named after a now-shuttered nightspot that overlooked the beach on Italy's picturesque Tuscan coast, Maxime Denuc's Club Imperiale is a work of speculative historical fiction, a record that imagines a point of creative symbiosis between the Catholic church and the ecstatic dancefloors of the early '90s. Using a MIDI-controlled pipe organ, Denuc creates dense clouds of impossible-to-play notes that ricochet backwards and forwards through history, from Rome's reverberant cathedrals to the white, sandy beaches of the Balearic Islands. Two years ago, the Brussels-based French composer was forwarded a surprising video by a Belgian fan. It was shot during a wedding at a church in Menorca, where the organist was playing "Infinite End," the lead track from 2022's Nachthorn. Immediately, Denuc knew that this was the thematic backdrop he'd been waiting for; he imagined the aftermath of the event, wandering through small villages and teetering on a cliff's edge, finding a provincial nightclub and retracing his steps back to the beach to witness the sunrise. This time around, Denuc was gifted the time and the access he needed to fully refine his concept. The technical side of the process had already been solved; after recording Nachthorn, he was now very confident with his system, able to control the pipe organ's keyboards, stops and pedals incredibly precisely using Max/MSP and OpenSoundControl, or OSC. And his relationship with the St. Antonius Church in Düsseldorf had deepened significantly. The cantor offered him three- or four-days each month for a year to record the project and Denuc jumped at the chance. He moved into a small apartment nearby and spent every available hour behind the organ, working from 9AM until 5PM, stopping for mass and then returning for another long session, heading back to his studio on the off days to listen back to the recordings and plan fresh approaches. This allowed him to sculpt the experience meticulously, thinking about the history of sacred music and considering the real reasons that its compositions have lingered in the secular consciousness for so long. He wanted to concentrate on the visceral acoustic qualities of the church itself, so used a spatial multi-microphone setup to situate listeners between the concrete walls, fabricating an acoustic experience that's multi-dimensional and cinematic.
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2LP
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LY 010LP
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$35.50
PREORDER
RELEASE DATE: 9/11/2026
LP version. Named after a now-shuttered nightspot that overlooked the beach on Italy's picturesque Tuscan coast, Maxime Denuc's Club Imperiale is a work of speculative historical fiction, a record that imagines a point of creative symbiosis between the Catholic church and the ecstatic dancefloors of the early '90s. Using a MIDI-controlled pipe organ, Denuc creates dense clouds of impossible-to-play notes that ricochet backwards and forwards through history, from Rome's reverberant cathedrals to the white, sandy beaches of the Balearic Islands. Two years ago, the Brussels-based French composer was forwarded a surprising video by a Belgian fan. It was shot during a wedding at a church in Menorca, where the organist was playing "Infinite End," the lead track from 2022's Nachthorn. Immediately, Denuc knew that this was the thematic backdrop he'd been waiting for; he imagined the aftermath of the event, wandering through small villages and teetering on a cliff's edge, finding a provincial nightclub and retracing his steps back to the beach to witness the sunrise. This time around, Denuc was gifted the time and the access he needed to fully refine his concept. The technical side of the process had already been solved; after recording Nachthorn, he was now very confident with his system, able to control the pipe organ's keyboards, stops and pedals incredibly precisely using Max/MSP and OpenSoundControl, or OSC. And his relationship with the St. Antonius Church in Düsseldorf had deepened significantly. The cantor offered him three- or four-days each month for a year to record the project and Denuc jumped at the chance. He moved into a small apartment nearby and spent every available hour behind the organ, working from 9AM until 5PM, stopping for mass and then returning for another long session, heading back to his studio on the off days to listen back to the recordings and plan fresh approaches. This allowed him to sculpt the experience meticulously, thinking about the history of sacred music and considering the real reasons that its compositions have lingered in the secular consciousness for so long. He wanted to concentrate on the visceral acoustic qualities of the church itself, so used a spatial multi-microphone setup to situate listeners between the concrete walls, fabricating an acoustic experience that's multi-dimensional and cinematic.
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LP
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ODA 009LP
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$30.50
PREORDER
RELEASE DATE: 9/11/2026
Fohn conjures a dreamlike landscape of introspective beauty, loneliness and transience from analogue tape and field recordings on new album, Porcelain. A late summer evening in southern France. The dry mistral wind billows the washing that hangs outside the windows on narrow streets, bringing with it the first whispers of autumn. In the distance children are playing in the square, their shouts caught in the dust whipped up by their feet. A bell tolls, the light dies, and a rich, compelling solitude descends. Violinist and multi-instrumentalist Fohn, aka Tom Connolly, describes the act of making music as "building fictional environments that become places of solace," and a process of translation and projection that bridges his internal and external worlds. While musicians like John Also Bennett, Oren Ambarchi, and Connolly's own group Quade drift behind his sound, Porcelain draws its temperamental inspiration from films like Call Me My Your Name and Andrei Tarkovsky's The Mirror, as well as the sculptures of Anthony Gormley, whose solitary figures stand isolated in expanses of water along the UK coastline. How does Connolly describe the atmosphere he wants the music to evoke? "It's the feeling of the inevitability of something having to pass," he answers. "It's compelling because it's fundamentally unattainable. You're searching and grasping for something that you can never fully hold." A moving, intimate and deeply personal album, Porcelain shimmers in the illusive light of melancholy. For Connolly it provided the release of catharsis, but it's a feeling that will mean something different to everyone who listens.
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TEXT 059LP
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$34.00
PREORDER
RELEASE DATE: 9/11/2026
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WE 024LP
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$42.00
PREORDER
RELEASE DATE: 9/11/2026
Available again for the first time since 1970, Edu Lobo's melancholy masterpiece epitomizes the experimental evolution of MPB. With new liner notes by Edu Lobo. Released in 1970, Cantiga de Longe is a defining record in the career of Brazilian singer, composer, and guitarist Edu Lobo and a significant contribution to Música Popular Brasileira (MPB). Created during Brazil's military dictatorship, the album reflects the subtle, poetic strategies that artists use to convey meaning while subject to censorship. Rather than overt protest, Lobo expresses longing and introspection through refined musical language and evocative lyrics. Musically, the album captures the sophistication of MPB at the turn of the decade. A foundation of acoustic guitar blends with jazz-influenced harmonies and elegant arrangements. The sound is both intimate and expansive: delicate vocal lines unfold over complex progressions, supported by understated rhythms, rooted in Brazilian traditions. Lobo's controlled yet expressive vocal delivery keeps the lyrical nuance at the forefront. A key element of the album's texture is the involvement of Hermeto Pascoal. His imaginative instrumental contributions add subtle harmonic color and atmospheric depth, enriching the refined arrangements and enhancing the sense of openness. Thematically, the album explores memory, distance, solitude, and time -- personal reflections that resonate with the broader climate of uncertainty that dominated Brazil in 1970. This remains one of Lobo's most mature recordings, exemplifying the emotional depth and artistic subtlety of Brazilian popular music in a creatively fertile era.
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WWSCD 125CD
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$18.00
PREORDER
RELEASE DATE: 9/11/2026
Wewantsounds presents the first-ever international release of the legendary collaboration between Abdullah Ibrahim (Dollar Brand) and Don Cherry, featuring Carlos Ward. Recorded live in 1972 at Jazzhus Montmartre in Copenhagen, this highly sought-after album was originally released exclusively in Japan in 1974 on the cult jazz label Trio Records via its revered Nadja imprint. An essential chapter in the musicians' discographies, the performance masterfully blends jazz with rich South African rhythms and global influences. This long-awaited edition features fully remastered audio, the original Japanese artwork, and a four-page booklet with new bilingual liner notes (English/French) by Jacques Denis. The Third World-Underground captures a rare convergence of three singular musical voices: Don Cherry's nomadic imagination, Abdullah Ibrahim's deeply rooted South African lyricism, and Carlos Ward's muscular alto saxophone. By 1972 when this magical album was recorded, Cherry and Ibrahim had already spent a decade redefining jazz by pushing beyond its foundations and embracing a broader, global musical language. Cherry was in constant search of new musical pathways. Drawing inspiration from the traditional sounds of Turkey, India, Africa, and beyond, he cultivated a fluid, borderless approach that expanded far beyond the trumpet, incorporating voice, percussion, and communal improvisation into his work. Ibrahim brought an equally profound sensibility. A spiritual heir to Duke Ellington, shaped by Cape Town gospel, township jive, and the emotional weight of exile, he transformed the piano into an instrument capable of both celebration and lament. Having first crossed paths in the mid-1960s, the musicians shared a deep mutual affinity that culminated in this performance. Recording under a name that reflected the era's growing decolonization movements, the trio created a fearless, boundary-defying statement across seven hypnotic pieces. The music unfolds as a continuous conversation: Ibrahim's cyclical piano figures provide an emotional foundation while Cherry and Ward drift, soar, and chant in ecstatic unison, searching collectively for new ground. Originally released in Japan in 1974 on Trio Records, the album was never reissued on vinyl, gradually attaining cult status among collectors and fans of Don Cherry and Dollar Brand alike. Freed from convention, The Third World-Underground remains a restless and deeply human work of collective discovery whose resonance continues to unfold with every listen.
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WWSLP 125LP
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$33.00
PREORDER
RELEASE DATE: 9/11/2026
LP version. Wewantsounds presents the first-ever international release of the legendary collaboration between Abdullah Ibrahim (Dollar Brand) and Don Cherry, featuring Carlos Ward. Recorded live in 1972 at Jazzhus Montmartre in Copenhagen, this highly sought-after album was originally released exclusively in Japan in 1974 on the cult jazz label Trio Records via its revered Nadja imprint. An essential chapter in the musicians' discographies, the performance masterfully blends jazz with rich South African rhythms and global influences. This long-awaited edition features fully remastered audio, the original Japanese artwork, and a four-page booklet with new bilingual liner notes (English/French) by Jacques Denis. The Third World-Underground captures a rare convergence of three singular musical voices: Don Cherry's nomadic imagination, Abdullah Ibrahim's deeply rooted South African lyricism, and Carlos Ward's muscular alto saxophone. By 1972 when this magical album was recorded, Cherry and Ibrahim had already spent a decade redefining jazz by pushing beyond its foundations and embracing a broader, global musical language. Cherry was in constant search of new musical pathways. Drawing inspiration from the traditional sounds of Turkey, India, Africa, and beyond, he cultivated a fluid, borderless approach that expanded far beyond the trumpet, incorporating voice, percussion, and communal improvisation into his work. Ibrahim brought an equally profound sensibility. A spiritual heir to Duke Ellington, shaped by Cape Town gospel, township jive, and the emotional weight of exile, he transformed the piano into an instrument capable of both celebration and lament. Having first crossed paths in the mid-1960s, the musicians shared a deep mutual affinity that culminated in this performance. Recording under a name that reflected the era's growing decolonization movements, the trio created a fearless, boundary-defying statement across seven hypnotic pieces. The music unfolds as a continuous conversation: Ibrahim's cyclical piano figures provide an emotional foundation while Cherry and Ward drift, soar, and chant in ecstatic unison, searching collectively for new ground. Originally released in Japan in 1974 on Trio Records, the album was never reissued on vinyl, gradually attaining cult status among collectors and fans of Don Cherry and Dollar Brand alike. Freed from convention, The Third World-Underground remains a restless and deeply human work of collective discovery whose resonance continues to unfold with every listen.
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AGIT 076CD
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$18.00
PREORDER
RELEASE DATE: 9/18/2026
"Time to turn on and turn it up, there's a brand new Carlton Melton in the offing. It's been a good couple of years since the West Coast space/sike travelers have dropped new music. With Anthony Taibi fully ensconced in the metaphorical Melton Dome, this four piece is ready to soar, go deeper and wider into the sike psyche than on previous recordings, now fully recording live with drums, bass, guitars and keys -- recorded at 3D Light in Freshwater, CA by Anthony Tiabi in 2025, and mastered by the inimitable John McBain in 2026. The single LP of 40+ minutes spans four tracks, that have textures, and waves and patterns to lull you into some fever dream of motorik psych! Touchstones like Träd, Gräs Och Stenar/Kandodo/Guru Guru/Eno & Fripp/Birds of Maya/Parson Sound come into view. There are moments of gentle ambience bordered by speaker shredding guitar soloing, whole passages of Krautrock inspired jams that have form and focus -- you blink and your live flashes before you, the record ends, you want more. Carlton Melton masterfully blend hypnotic, long-form psychedelic jams with drone and Krautrock influences."
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AGIT 076LP
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$29.00
PREORDER
RELEASE DATE: 9/18/2026
LP version. "Time to turn on and turn it up, there's a brand new Carlton Melton in the offing. It's been a good couple of years since the West Coast space/sike travelers have dropped new music. With Anthony Taibi fully ensconced in the metaphorical Melton Dome, this four piece is ready to soar, go deeper and wider into the sike psyche than on previous recordings, now fully recording live with drums, bass, guitars and keys -- recorded at 3D Light in Freshwater, CA by Anthony Tiabi in 2025, and mastered by the inimitable John McBain in 2026. The single LP of 40+ minutes spans four tracks, that have textures, and waves and patterns to lull you into some fever dream of motorik psych! Touchstones like Träd, Gräs Och Stenar/Kandodo/Guru Guru/Eno & Fripp/Birds of Maya/Parson Sound come into view. There are moments of gentle ambience bordered by speaker shredding guitar soloing, whole passages of Krautrock inspired jams that have form and focus -- you blink and your live flashes before you, the record ends, you want more. Carlton Melton masterfully blend hypnotic, long-form psychedelic jams with drone and Krautrock influences."
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2LP
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CDZ 001LTD-LP
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$53.50
PREORDER
RELEASE DATE: 9/18/2026
Released in 2005, OK Cowboy is the debut studio album by Vitalic, a major figure in the French electronic music scene. It made a significant impact on the European electronic music scene and laid the foundations for Vitalic's distinctive style. Highly acclaimed by both national and international press, this album has become a classic of French electro and techno from the 2000s. Among its cult tracks are "La Rock 01," "My Friend Dario," and "Poney Part 1," played by some of the biggest names in electronic music. It was certified gold in France.
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CD
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CDZ 026CD
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$20.00
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RELEASE DATE: 9/18/2026
Flashmob is Vitalic's second studio album, released in 2009. This album confirms Vitalic as a major figure in the electronic music scene, proving his ability to reinvent himself while maintaining his signature power. The rock energy of his first album gives way to a more disco-influenced sound, featuring the now-iconic track "Poison Lips."
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2LP
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CDZ 026LTD-LP
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$53.50
PREORDER
RELEASE DATE: 9/18/2026
Double LP version. Flashmob is Vitalic's second studio album, released in 2009. This album confirms Vitalic as a major figure in the electronic music scene, proving his ability to reinvent himself while maintaining his signature power. The rock energy of his first album gives way to a more disco-influenced sound, featuring the now-iconic track "Poison Lips."
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CD
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CDZ 036CD
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$20.00
PREORDER
RELEASE DATE: 9/18/2026
Released in 2012, Rave Age is Vitalic's third studio album. With this album, the French producer returns to a more direct, club-oriented sound with some pop influences. Among the standout tracks are "Stamina" and "La Mort sur le Dancefloor," featuring Rebeka Warrior. Rave Age is an album that pays homage to rave culture while retaining Vitalic's powerful signature sound. Also features Mickaël Karkousse, Joe Reeves, and Owlle.
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5CD BOX
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CSR 366CD
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$50.00
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RELEASE DATE: 9/18/2026
This boxset contains the original soundtracks to the five core works of Andrei Tarkovsky, the master of Soviet cinema: Ivan's Childhood, Andrei Roublev, Solaris, Mirror, and Stalker. The works by Eduard Artemyev and Vyacheslav Ovchinnikov may sound imperfect to the modern ear, but have been sympathetically remastered and presented as close as possible to how striking they would have sounded to audiences at the original film presentations. Deluxe matt-laminate boxset containing 5 CDs in individually-printed card sleeves. Each album is accompanied by an artcard featuring the original Soviet/Japanese cinema posters on its release. The haunting soundtrack for Tarkovsky's 1962 film Ivan's Childhood was composed by the prolific Soviet composer Vyacheslav Ovchinnikov. It features a deeply romantic yet sorrowful 5-note leitmotif that captures the poignancy of innocence lost in war. Ovchinnikov's sweeping score relies on romantic idioms to contrast the harsh realities of the Eastern Front with Ivan's nostalgic, dream-like flashbacks. The soundtrack for the 1966 masterpiece Andrei Roublev was also composed by Vyacheslav Ovchinnikov. The sweeping, evocative score is deeply intertwined with the film's religious and historical themes, with its profound, choral-heavy resonance that perfectly accompanies the film's exploration of faith, art, and Russian history. The composer collaborated closely with Tarkovsky to create a score that captures the raw, earthy reality of 15th-century Russia while elevating the film's stunning visual language. Eduard Artemyev's score for Tarkovsky's 1972 sci-fi masterpiece Solaris is a ground-breaking work of early electronic music. With Tarkovsky envisioning an ambient / mechanical soundscape, Artemyev's futuristic takes on Bach's organ works are combined with haunting, abstract synthesizer drones and environmental noise, all crafted on the famed ANS synthesizer. At atmospheric, dreamlike score that perfectly mirrors the psychological themes of the film. Eduard Artemyev's magnificent soundtrack to Tarkovsky's 1975 film Mirror is the natural follow-up to Solaris. Dense, slow-moving, and often disorienting mood pieces with Baroque sensibilities resonate beyond the film's dream-like images. A combination of monolithic scale and pastoral melody makes the music so intriguing, lush and unique. For Stalker, the third part of Tarkovsky's science fiction trilogy, Eduard Artemyev was inspired by Indian classical music and employed eerie layers of synth tones, flute, harpsichord, and tar (Iranian stringed instrument), as well as choirs, to create a central theme as spellbinding as The Zone, a setting in the film where laws of physics no longer apply. Achingly beautiful.
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2LP
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CTZ 043LTD-LP
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$53.50
PREORDER
RELEASE DATE: 9/18/2026
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LP
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DE 399LP
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$25.00
PREORDER
RELEASE DATE: 9/18/2026
"Wet is the fifth full length album by Black Meteoric Star and the tenth release. Black Meteoric Star is a project Rayna started in 2006 when she was living in Berlin that brought together her life-long love of dance music culture with spiritual themes, drag, and her formative experiences of S/M culture. Black Meteoric Star has always had an avenger quality in Rayna's life and creative work, and this iteration plays that role in response to the current political landscape. Wet celebrates the long-standing shared history of electronic music and queer leather/SM culture and imagines a future where these two cultural expressions are re-connected. Electronic music and leather/SM are both ways that queer people have historically built community, created and shared knowledge, and kept each other safe. The current administration demonizes and villainizes queer people on the basis of a false moral framework of respectability, and it's a trick. Revitalizing the connection between electronic music and queer leather/SM is a way to affirm the cultural power of both during a time when it has never been clearer that people keep each other safe. Rayna, a transgender woman with a deep commitment to all of these cultural forms, has a strong message to deliver with this album. She has been a DJ and producer of electronic music for over thirty years and has been producing community cultural events for as long. She has also been involved in kink and BDSM for decades and is a well-known and respected DJ in the New York leatherdyke scene. Rayna made international headlines in 2017 when she came out as transgender while touring with LCD Soundsystem. In 2018 she left the Grammy-winning band to pursue projects that were more connected with her queer experience, including founding Voluminous Arts, a cultural organization that supports trans artists. Black Meteoric Star is a continuation of a thread in Rayna's work that runs through her Paper Eyes project and her role in Black Leotard Front. This thread has a comic book or X-rated graphic novel component based around her experiences of being a sad lonely lesbian trans girl who was bullied a lot and found escape and the possibility of being avenged through X-Men comics and Dungeons and Dragons books."
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LP
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GRLP 480LP
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$33.00
PREORDER
RELEASE DATE: 9/18/2026
Vinyl re-press of the 2000 album. Black vinyl. Secret South captures 16 Horsepower at their most intense: a brooding blend of gothic Americana, folk roots, country shadows and ritualistic undertones. Bandoneon, banjo, hurdy-gurdy and David Eugene Edwards' unmistakable vocals create a sound both ancient and timeless -- stark, feverish and deeply immersive. The album shifts between sparse minimalism and wide, cinematic arrangements, revealing one of the group's most accomplished and emotionally charged recordings.
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LP
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GRLP 560LP
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$33.00
PREORDER
RELEASE DATE: 9/18/2026
Vinyl re-press of the 2002 album. Black vinyl. With Folklore, 16 Horsepower deepen their distinctive dark and spiritual interpretation of American and Eastern European traditional music. The album combines original compositions with radically reimagined classics, transforming them into ritualistic, minimalist yet powerfully charged soundscapes. Instruments such as banjo, cello, hurdy-gurdy and bandoneon create an archaic foundation that perfectly supports the intense and haunting voice of David Eugene Edwards. Folklore remains one of the band's most defining and immersive works-dark, otherworldly and hypnotic. An album that dissolves the boundaries between tradition, myth and contemporary alternative culture.
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2LP
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GRLP 582LP
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$51.00
PREORDER
RELEASE DATE: 9/18/2026
Vinyl re-press of the 2000 album. Black vinyl. Secret South captures the band at their most intense: a brooding blend of gothic Americana, folk roots, country shadows and ritualistic undertones. Bandoneon, banjo, hurdy-gurdy and David Eugene Edwards' unmistakable vocals create a sound both ancient and timeless - stark, feverish and deeply immersive. The album shifts between sparse minimalism and wide, cinematic arrangements, revealing one of the group's most accomplished and emotionally charged recordings.
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2LP
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GRLP 716LP
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$51.00
PREORDER
RELEASE DATE: 9/18/2026
Vinyl re-press of the 2011 compilation album. Double black vinyl LP. Yours, Truly consists of two LPs. The first is a classic "best-of" album, compiled via the internet by fans and music lovers around the world, each of whom submitted their ten favorite songs by the U.S. alternative country band for a vote. The second LP, on the other hand, contains 13 songs that never before appeared on an official album: B-sides from singles, demo versions, radio sessions -- all recordings that even the band's die-hard fans don't have in their collections.
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2LP
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GRLP 820X-LP
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$51.00
PREORDER
RELEASE DATE: 9/18/2026
Vinyl re-press of the 2000 live album. Double black vinyl LP. The eleven songs, recorded in 1998 in Denver and Paris, showcase the band at the height of their creative powers; what's more, the versions of the songs from their studio classics "Low Estate," "Sackloth," and "Ashes" featured here are close to perfection. What power, what force! From the intro to the opener "American Wheeze" -- dominated by David Eugene Edwards' accordion -- it takes less than two minutes for the band to let all hell break loose. In 1998, 16 Horsepower was a machine that steamrolled everything in its path -- not brutally, but always with immense power. Yet they always remained delicate, mastering the quiet moments (just listen to "Bad Moon Risin") with the same confidence as their full-throttle tracks. In addition to the CCR cover, the album features the Gun Club's "Fire Spirit" as well as a brilliant version of Joy Division's "Day of the Lords." Anyone who has ever seen the band live knows the magic of such moments.
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LP
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HOLY 001X-LP
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$29.50
PREORDER
RELEASE DATE: 9/18/2026
Re-release of Holy Fuck's fifth album originally released in 2020, now on clear vinyl limited to 500 copies. This record features collaborations with Alexis Taylor (Hot Chip) Angus Andrew (Liars) and Nicholas Allbrook (Pond). Polyrhythmic and pleasure-focused, Deleter sees Brian Borcherdt, Graham Walsh, Matt Schulz, and Matt "Punchy" McQuaid utilizes their signature sound -- seamlessly fusing the gauzy drive of krautrock and deep house's dreamy ineffability, expertly blending purring motorik percussion with the sort of fuggy synthetic fizz and tang they are renowned for. From the thrusting minimalism of opener "Luxe" through to the triumphant chug of closing track "Ruby," via club-ready rollocker "Free Gloss" and the cosmic clatter of "San Sebastian," Deleter is a record that joins the Holy Fuck dots within their widescreen, technicolor, crescendo- heavy sound. The first single was A listed on Radio 6 and since then their streaming audience has grown by 1 million.
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LP
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MR 511LP
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$31.50
PREORDER
RELEASE DATE: 9/18/2026
Originally released in 1971, Satori is Flower Travellin' Band's groundbreaking masterpiece and one of the most visionary albums of the early heavy rock era. It fused hard rock, psychedelia, progressive music and traditional Eastern influences into a sound unlike anything heard before. Unlike many rock albums of the era, Satori is structured as a continuous musical journey, with its five tracks presented as interconnected movements rather than conventional songs. The band's powerful rhythm section, extended guitar passages, and the commanding vocals of Joe Yamanaka create an atmosphere that feels both intense and hypnotic. Recorded during a period when Japanese rock was developing its own identity, Satori drew inspiration from Western hard rock and psychedelia while incorporating a unique sense of space, improvisation, and spiritual exploration. Over the decades, the album has gained international recognition among collectors, musicians, and fans of vintage heavy rock, often cited as an overlooked classic that anticipated elements of later hard rock, stoner rock, and heavy metal. More than fifty years after its release, Satori remains as one of the most influential and forward-thinking records in Japanese rock history. Includes an insert.
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LP
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MR 512LP
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$28.50
PREORDER
RELEASE DATE: 9/18/2026
By late 1981, the San Sebastián-based group La Banda sin Futuro had already transformed into Derribos Arias. Initially, the band was a duo consisting of Poch and Alejo Alberdi, two seemingly opposite personalities who complemented each other perfectly, forming an almost inseparable partnership. Poch handled the guitar with a highly distinctive style -- his technique was not especially polished, but his imagination was boundless. Alejo got to work with a Korg MS-10 synthesizer and a Korg KR55 drum machine, modest tools that ensured their self-sufficiency while connecting them to the more adventurous side of post-punk. Both absorbed music from past and present in a natural and original way. Derribos Arias' first two singles dazzled critics eager for new ideas capable of placing Spanish pop alongside the contemporary music increasingly arriving from abroad in real time. "Branquias bajo el agua," the standout track from the band's debut single, topped the list of Best Songs of 1982 as voted by listeners of Diario Pop on Radio 3 (Spanish National Radio). With an expanded four-piece lineup and a larger budget than they had enjoyed for their earlier singles, the band entered the prestigious Kirios Studios to record their album, with Paco Trinidad serving as producer. The electric intensity of "Íntima decoración" and "Crematorio" -- angular, off-kilter reinterpretations of a strain of rock descended from The Velvet Underground and The Stooges, a style with virtually no precedent in Spain -- are excellent examples of the band's sound. To aberrate was the key term Poch used to describe his ineffable working method: a fearless creative freedom without which songs such as "Lo que hay" could never have existed. The track stands as a leftfield proto-hip-hop number, later reworked as "Disco pocho," demonstrating both his admirable lack of prejudice and his complete disregard for any commercial ambitions the album might have had. Unfortunately, this album would never have a follow-up. Released in 1983, En la guía, en el listín ("In the Directory, In the Phone Book") remains a permanent anomaly in the history of Spanish pop music, with few clear predecessors and even fewer descendants. It is an imperfect yet fascinating catalog of the many faces Derribos Arias could reveal a promise of greatness left unfulfilled when their career was cut short before reaching its full potential. This edition includes liner notes and the artwork of the original insert.
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2LP
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MR 513LP
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$44.50
PREORDER
RELEASE DATE: 9/18/2026
After a brief period during which they recorded only a couple of 7" singles for the Orfeón label that had a very limited distribution, Mexican rockers Antorcha fully embraced a DIY approach to managing their own career. They had evolved into a heavy psychedelic rock group, with no metaphors and no compromises. Anarchists in a country that could barely utter the word without trembling. It was the final years of the 1960s. Their influences came from Iron Butterfly, Black Sabbath, Blue Cheer, Vanilla Fudge, and others. At times they also sounded like MC5, the Detroit band they already knew through their records and with whom they shared an anarchist and anti-establishment spirit. Through their original music, they challenged a scene crowded with cover bands. They recorded five self-produced EPs, sold exclusively at their live performances, passed from hand to hand as if each record were a clandestine act. While MC5 stirred the streets of Detroit alongside the White Panthers, Antorcha was doing much the same in a Mexico that preferred to look the other way. The band operated as a cooperative: agreements were reached collectively, and income was shared equally. Antorcha became a forgotten band in their own country, overlooked even by Mexican rock experts. Yet their legacy proved influential on an organizational level for later groups in the independent scene, which followed Antorcha's model of self-releasing and self-managing their work. This compilation brings together the best of their discography, collecting self-released 7" records originally issued between 1971 and 1976, along with material that never appeared on their EPs. Includes an insert featuring liner notes by Carlos Icaza "Tropicaza" and photographs of the band.
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7"
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MR 7403EP
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$15.50
PREORDER
RELEASE DATE: 9/18/2026
Canarios, the band led by Teddy Bautista, was one of the first Spanish groups to incorporate the sounds of emerging musical trends -- primarily from the English-speaking world -- into its repertoire. In 1968, "Get On Your Knees" was released, a stunning soul track recorded by Swiss producer Alain Milhaud that quickly climbed the charts in numerous countries. "To Be A Man" is something of a rarity in the discography of Spanish singer Camilo Sesto, whose songs typically lean toward straightforward melodic pop and ballads. Surrounded by an international team of collaborators under the direction of former Brincos member Juan Pardo as producer, he recorded this psychedelic-tinged pop song.
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7"
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MR 7404EP
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$15.50
PREORDER
RELEASE DATE: 9/18/2026
Originally released on the Bolivian Psicofásico label, this exceptionally rare EP pairs The Seeds' garage anthem "Pushing Too Hard" with the ferocious, immortal "You're Gonna Miss Me" by Roky Erickson and the 13th Floor Elevators. The raw power of the original songs is pushed even further here by the rudimentary recording techniques and the limited instrumental skills of the very young members of The Silver Pumpkins. The result is a one-of-a-kind document -- virtually impossible to find in its original pressing -- that helps complete the picture of Bolivia's fascinating '60s rock scene. First-ever reissue.
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CD
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NOTON 068CD
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$20.50
PREORDER
RELEASE DATE: 9/18/2026
NOTON presents 12 Conversations, a collaborative album by Ryuichi Sakamoto and Alva Noto. The partnership between the legendary musician and composer Ryuichi Sakamoto and the German artist Carsten Nicolai (aka Alva Noto) has produced some of the most distinctive and enduring works in contemporary electroacoustic music. Beginning with Vrioon in 2002, the artists spent more than two decades fusing and expanding their disciplines, with Sakamoto's evocative, sustain-drenched piano compositions finding their counterpart in Nicolai's skillful and sensitive electronic detailing. Their distinct approaches achieved a rare synthesis, a brilliantly sustained dialogue between piano and electronics, Sakamoto's warmth and melodic finesse meeting Nicolai's abstract electronic formalism to invoke a mesmeric quietude as deeply satisfying in its melodic resolutions as in the merger of its filmic romanticism and meditative subtlety. 12 Conversations brings together musical exchanges recorded in November and December 2022. Rooted in the same creative period that gave rise to Sakamoto's final solo album 12, these recordings were not originally intended as a standalone release. It was only after the completion of 12 that Sakamoto and Nicolai decided to present these exchanges as a work in their own right. The album reflects the vitality and curiosity that defined more than two decades of shared inspiration: fluid, exploratory, and forward-looking. Created with openness and trust, it captures a creative process in constant transformation -- sounds expanding, altering, and evolving through attentive listening. Conceived as the continuation of an artistic dialogue extending beyond the physical, 12 Conversations honous Sakamoto's wish that these encounters should exist beyond the archive, offering an enduring testament to one of contemporary music's most revered collaborations.
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2LP
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NOTON 068LP
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$44.50
PREORDER
RELEASE DATE: 9/18/2026
Double LP version. NOTON presents 12 Conversations, a collaborative album by Ryuichi Sakamoto and Alva Noto. The partnership between the legendary musician and composer Ryuichi Sakamoto and the German artist Carsten Nicolai (aka Alva Noto) has produced some of the most distinctive and enduring works in contemporary electroacoustic music. Beginning with Vrioon in 2002, the artists spent more than two decades fusing and expanding their disciplines, with Sakamoto's evocative, sustain-drenched piano compositions finding their counterpart in Nicolai's skillful and sensitive electronic detailing. Their distinct approaches achieved a rare synthesis, a brilliantly sustained dialogue between piano and electronics, Sakamoto's warmth and melodic finesse meeting Nicolai's abstract electronic formalism to invoke a mesmeric quietude as deeply satisfying in its melodic resolutions as in the merger of its filmic romanticism and meditative subtlety. 12 Conversations brings together musical exchanges recorded in November and December 2022. Rooted in the same creative period that gave rise to Sakamoto's final solo album 12, these recordings were not originally intended as a standalone release. It was only after the completion of 12 that Sakamoto and Nicolai decided to present these exchanges as a work in their own right. The album reflects the vitality and curiosity that defined more than two decades of shared inspiration: fluid, exploratory, and forward-looking. Created with openness and trust, it captures a creative process in constant transformation -- sounds expanding, altering, and evolving through attentive listening. Conceived as the continuation of an artistic dialogue extending beyond the physical, 12 Conversations honous Sakamoto's wish that these encounters should exist beyond the archive, offering an enduring testament to one of contemporary music's most revered collaborations.
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12"
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SPORTIV 006EP
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$20.50
PREORDER
RELEASE DATE: 9/18/2026
Ten years after defining the early sound of his own label, Berlin-based electronic explorer Cosmin TRG revisits a cornerstone of his discography. In Your Body (Twentysix Mix) sees the Romanian-born producer breathe new life into the 2016 underground anthem that helped cement the Sportiv label's reputation for high-end, functional techno. This updated iteration retains the propulsive, hypnotic spirit of the original while sharpening the edges for a contemporary club environment. The package is rounded out by the driving, industrial-tinged cuts "Erodat" and "Iradiat." Delivered as a classic hand-stamped white label.
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LP
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SQM 043LP
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$33.00
PREORDER
RELEASE DATE: 9/18/2026
Berlin-based trio Roomer weave noise, melody, and memory into expansive guitar-driven songs. Formed by long-time friends and collaborators Ronja Schößler, Ludwig Wandinger, and Luka Aron, the band brings together distinct voices from across Europe's avant-garde, folk, and electronic scenes, folding these lineages into a sound that moves between shoegaze density, diaristic songwriting, and sonic exploration. Their music often holds opposites in suspension: clarity and blur, structure and drift, intimacy and collapse. Their debut album Leaving It All to Chance (SQM 032LP, 2025,) introduced this language in full, pairing emotionally direct songs with shifting textures and dense layers of distortion. With Staircase Made of Rope, their second album on Squama, Roomer widen the frame further. Built largely from improvisations and first takes, the record embraces instability as method, moving between density and silence while allowing melodies to surface and dissolve in unexpected ways.
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LP
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VAMPI 372LP
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$28.50
PREORDER
RELEASE DATE: 9/18/2026
"La Balsa" was the first Argentine massive rock hit. In 1967 Los Gatos became the most famous local rock band with this song. At the front, as composer and singer, was Litto Nebbia. Although this milestone has remained eternally linked to Nebbia's name, almost eclipsing the rest of his work, it is really his solo career that unveils the artist's overwhelming talent and his determination to create music freely, regardless of commercial considerations. Fuera del cielo (1975) is an art rock/space jazz masterpiece infused with prog scents from one of the true legends of Argentinian rock. The sounds of floating acoustic pianos, organ and harpsichord, basslines and even bandoneon combine with Litto's own voice and create a unique blend of deep and delicate beauty. It is an album to be filed next to the highly acclaimed Bazar de los milagros and Cosas que no quieren morir, released the following year, creating an outstanding body of work that represents Nebbia's talent at its best. Nebbia's genius transcends beyond the Southern Hemisphere. The international scene of DJs and vinyl collectors shows signs of its taste for Litto Nebbia recordings, now highly sought after in their original editions, probably as part of a rediscovery of little-explored global sounds, within a journey through music always hungry for exciting new sounds. First time vinyl reissue, remastered sound.
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LP
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VAMPI 373LP
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$28.50
PREORDER
RELEASE DATE: 9/18/2026
Kingo Hamada's iconic fourth album, and acclaimed 1982 masterpiece, is a timeless blend of sophisticated urban grooves, mellow soul and city pop elegance originally released during his time with the label Alfa Moon. Featuring a lineup of skilled musicians, including his close friend and ace guitarist Makoto Matsushita, who has been enjoying a surge of international popularity in recent years. Includes the fan-favorite "Midnight Cruisin'." Essential for fans of Japanese city pop and yacht rock.
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LP
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VAMPI 374LP
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$28.50
PREORDER
RELEASE DATE: 9/18/2026
Bloque 6 (1968), by Juan Carlos Calderón, is a landmark recording in the history of modern jazz in Spain, markedly different from the albums Calderón would record just a few years later under the influence of funk, disco music, and even flamenco. Juan Carlos Calderón enjoyed a long and successful career, composing and arranging some of the most iconic songs by Spanish artists such as Joan Manuel Serrat, Mocedades, and Ana Belén, among many others. However, his musical beginnings were closely tied to the world of jazz. His training as a pianist and the restless, adventurous spirit he shared with his brothers -- alongside whom he opened one of Spain's first jazz clubs, a venue that welcomed many of the world's leading jazz figures -- shaped the early stages of his career and led him into the jazz scene. His recording debut came in 1968 with the release of Juan Carlos Calderón presenta a Juan Carlos Calderón, followed a few months later by Bloque 6. For the recording of this album, he assembled a group of prominent Spanish jazz musicians, including Pedro Iturralde, Vlady Bas, and Pepe Nieto. The repertoire combines original compositions, such as the outstanding "Sambando," with interpretations of works by Miles Davis, Thelonious Monk, and Oliver Nelson. The album's sound invites comparison with Nelson's celebrated "The Blues and the Abstract Truth" period, reflecting strong hard bop and modal jazz influences. In 1969, the album was awarded Best International Jazz Album of the Year in the United States, and years later it was reissued on CD by the prestigious Blue Note label. First time vinyl reissue.
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7"
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VAMPI 45128EP
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$15.50
PREORDER
RELEASE DATE: 9/18/2026
Eliseo Pech was a saxophonist born into a family from Yucatán, Mexico, with deep musical roots. He later settled in Quintana Roo, in southern Mexico, close to the border with Belize. From there came the strong influence of ska and reggae. In the early 1970s, he formed the band Ely Combo, which was soon joined by Belizean singer Anthony Jones. Together they recorded only a couple of albums, packed with covers of reggae and funk hits. This single brings together two of those tracks: Isaac Hayes' classic "Shaft," and the dancefloor favorite "Express Yourself," originally recorded by Charles Wright & The Watts 103rd St. Rhythm Band.
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CD
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BB 455CD
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$16.50
PREORDER
RELEASE DATE: 9/25/2026
Over the years, Faust has become many things, distinct as fingers, yet united as the hand that forms the fist. This series of new LPs on Bureau B sees each living member of the legendary 1971-1974 line up present their own interpretation of the Faustian myth, working alone or with collaborators to create new material that reflects their contemporary vision of what Faust can be. For Wüsthoff, music began long before Faust. As a child he watched his father lose himself in music, playing accordion renditions of operettas, film themes and folk songs with complete absorption. At eleven he discovered jazz through a radio program tracing its history, then taught himself guitar and piano as a teenager, developing an instinctive relationship with sound driven by curiosity rather than convention. Produced by Onnen Bock alongside Bureau B's Gunther Buskies, Fliegen Lernen continues that philosophy. Drawn from decades of archived recordings, new studio experiments and collaborations with musicians in Hamburg, it is a living extension of Faust's open-ended creative spirit. Ideas emerge through chance as much as intention, with sounds, words and stories setting one another in motion until they gradually find their own form. Its title, simultaneously suggesting "flies are learning" and "learning to fly," perfectly captures the playful shifts in perspective that have long defined Wüsthoff's work. Throughout Fliegen Lernen, Wüsthoff revisits and reimagines ideas that have animated his career for more than half a century. Much of the material grew from electronic sequences discovered in his archive, some echoing the patterns behind the homemade "Spieluhr" frequency-divider and sequencer he built during his Faust years. By turns humorous, reflective, cinematic and groove-driven, Fliegen Lernen demonstrates that Wüsthoff's creative imagination remains as restless as ever. Rather than recreating the past, it embodies the same openness that made Faust so singular in the first place: a belief that any sound, object or passing observation can become the spark for something unexpected. More than fifty years after those formative experiments, Wüsthoff continues to approach music as an act of curiosity, collaboration and continual discovery.
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Artist |
Title |
Format |
Label |
Catalog # |
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LP
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BB 455LP
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$26.00
PREORDER
RELEASE DATE: 9/25/2026
LP version. Over the years, Faust has become many things, distinct as fingers, yet united as the hand that forms the fist. This series of new LPs on Bureau B sees each living member of the legendary 1971-1974 line up present their own interpretation of the Faustian myth, working alone or with collaborators to create new material that reflects their contemporary vision of what Faust can be. For Wüsthoff, music began long before Faust. As a child he watched his father lose himself in music, playing accordion renditions of operettas, film themes and folk songs with complete absorption. At eleven he discovered jazz through a radio program tracing its history, then taught himself guitar and piano as a teenager, developing an instinctive relationship with sound driven by curiosity rather than convention. Produced by Onnen Bock alongside Bureau B's Gunther Buskies, Fliegen Lernen continues that philosophy. Drawn from decades of archived recordings, new studio experiments and collaborations with musicians in Hamburg, it is a living extension of Faust's open-ended creative spirit. Ideas emerge through chance as much as intention, with sounds, words and stories setting one another in motion until they gradually find their own form. Its title, simultaneously suggesting "flies are learning" and "learning to fly," perfectly captures the playful shifts in perspective that have long defined Wüsthoff's work. Throughout Fliegen Lernen, Wüsthoff revisits and reimagines ideas that have animated his career for more than half a century. Much of the material grew from electronic sequences discovered in his archive, some echoing the patterns behind the homemade "Spieluhr" frequency-divider and sequencer he built during his Faust years. By turns humorous, reflective, cinematic and groove-driven, Fliegen Lernen demonstrates that Wüsthoff's creative imagination remains as restless as ever. Rather than recreating the past, it embodies the same openness that made Faust so singular in the first place: a belief that any sound, object or passing observation can become the spark for something unexpected. More than fifty years after those formative experiments, Wüsthoff continues to approach music as an act of curiosity, collaboration and continual discovery.
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Artist |
Title |
Format |
Label |
Catalog # |
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LP
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BB 455LTD-LP
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$28.00
PREORDER
RELEASE DATE: 9/25/2026
LP version. Indie exclusive. Over the years, Faust has become many things, distinct as fingers, yet united as the hand that forms the fist. This series of new LPs on Bureau B sees each living member of the legendary 1971-1974 line up present their own interpretation of the Faustian myth, working alone or with collaborators to create new material that reflects their contemporary vision of what Faust can be. For Wüsthoff, music began long before Faust. As a child he watched his father lose himself in music, playing accordion renditions of operettas, film themes and folk songs with complete absorption. At eleven he discovered jazz through a radio program tracing its history, then taught himself guitar and piano as a teenager, developing an instinctive relationship with sound driven by curiosity rather than convention. Produced by Onnen Bock alongside Bureau B's Gunther Buskies, Fliegen Lernen continues that philosophy. Drawn from decades of archived recordings, new studio experiments and collaborations with musicians in Hamburg, it is a living extension of Faust's open-ended creative spirit. Ideas emerge through chance as much as intention, with sounds, words and stories setting one another in motion until they gradually find their own form. Its title, simultaneously suggesting "flies are learning" and "learning to fly," perfectly captures the playful shifts in perspective that have long defined Wüsthoff's work. Throughout Fliegen Lernen, Wüsthoff revisits and reimagines ideas that have animated his career for more than half a century. Much of the material grew from electronic sequences discovered in his archive, some echoing the patterns behind the homemade "Spieluhr" frequency-divider and sequencer he built during his Faust years. By turns humorous, reflective, cinematic and groove-driven, Fliegen Lernen demonstrates that Wüsthoff's creative imagination remains as restless as ever. Rather than recreating the past, it embodies the same openness that made Faust so singular in the first place: a belief that any sound, object or passing observation can become the spark for something unexpected. More than fifty years after those formative experiments, Wüsthoff continues to approach music as an act of curiosity, collaboration and continual discovery.
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Artist |
Title |
Format |
Label |
Catalog # |
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CD
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BB 486CD
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$16.50
PREORDER
RELEASE DATE: 9/25/2026
Over the years, Faust has become many things, distinct as fingers, yet united as the hand that forms the fist. This series of new LPs on Bureau B sees each living member of the legendary 1971-1974 line up present their own interpretation of the Faustian myth, working alone or with collaborators to create new material that reflects their contemporary vision of what Faust can be. Werner "Zappi" Diermaier has spent decades channeling spontaneity into a unique rhythmic language; a direct, instinctive and vital beat born from the creative freedom which has long defined the spirit of Faust. This same intuitive approach is at the heart of his new LP Gugaruz, created in collaboration with Dirk Dresselhaus (Schneider TM) and Elke Drapatz, a record which grew organically from shared experiences, chance encounters and the energy of collective interaction. The project's unlikely starting point came in a Vietnamese restaurant, when Diermaier pointed to a piece of pickled baby corn and exclaimed "Gugaruz", an Austrian dialect word for maize. That small moment triggered a chain reaction of ideas that would eventually shape the album's imagery, titles and sound world. Popcorn cooking in a kitchen both became the source material for field recordings used on the opening track and inspired the cover artwork, establishing a process in which everyday sounds and environments became integral musical elements. Throughout the album, Diermaier's percussion serves as both foundation and driving force. His playing is entirely intuitive, developed in real time through improvisation and close interaction with the other musicians. Initial sessions as a trio, with Elke Drapatz operating the drum effects and trigger module and Dirk Dresselhaus on bass, were recorded in the latter's ZONE studio in Berlin over a day and a half, before Uwe Bastiansen and Ilpo Väisänen added overdubs in Hamburg and Kuopio, Finland. Shaped by the dialogue between Diermaier's intuitive rhythmic approach, the interplay between Dresselhaus, Drapatz, Bastiansen and Väisänen and the use of the studio as an instrument, the album captures inspiration at its source, preserving the immediacy, energy and unpredictability of the moment in which it was created.
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Artist |
Title |
Format |
Label |
Catalog # |
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LP
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BB 486LP
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$26.00
PREORDER
RELEASE DATE: 9/25/2026
LP version. Over the years, Faust has become many things, distinct as fingers, yet united as the hand that forms the fist. This series of new LPs on Bureau B sees each living member of the legendary 1971-1974 line up present their own interpretation of the Faustian myth, working alone or with collaborators to create new material that reflects their contemporary vision of what Faust can be. Werner "Zappi" Diermaier has spent decades channeling spontaneity into a unique rhythmic language; a direct, instinctive and vital beat born from the creative freedom which has long defined the spirit of Faust. This same intuitive approach is at the heart of his new LP Gugaruz, created in collaboration with Dirk Dresselhaus (Schneider TM) and Elke Drapatz, a record which grew organically from shared experiences, chance encounters and the energy of collective interaction. The project's unlikely starting point came in a Vietnamese restaurant, when Diermaier pointed to a piece of pickled baby corn and exclaimed "Gugaruz", an Austrian dialect word for maize. That small moment triggered a chain reaction of ideas that would eventually shape the album's imagery, titles and sound world. Popcorn cooking in a kitchen both became the source material for field recordings used on the opening track and inspired the cover artwork, establishing a process in which everyday sounds and environments became integral musical elements. Throughout the album, Diermaier's percussion serves as both foundation and driving force. His playing is entirely intuitive, developed in real time through improvisation and close interaction with the other musicians. Initial sessions as a trio, with Elke Drapatz operating the drum effects and trigger module and Dirk Dresselhaus on bass, were recorded in the latter's ZONE studio in Berlin over a day and a half, before Uwe Bastiansen and Ilpo Väisänen added overdubs in Hamburg and Kuopio, Finland. Shaped by the dialogue between Diermaier's intuitive rhythmic approach, the interplay between Dresselhaus, Drapatz, Bastiansen and Väisänen and the use of the studio as an instrument, the album captures inspiration at its source, preserving the immediacy, energy and unpredictability of the moment in which it was created.
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Artist |
Title |
Format |
Label |
Catalog # |
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LP
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BB 486LTD-LP
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$28.00
PREORDER
RELEASE DATE: 9/25/2026
LP version. Indie exclusive. Over the years, Faust has become many things, distinct as fingers, yet united as the hand that forms the fist. This series of new LPs on Bureau B sees each living member of the legendary 1971-1974 line up present their own interpretation of the Faustian myth, working alone or with collaborators to create new material that reflects their contemporary vision of what Faust can be. Werner "Zappi" Diermaier has spent decades channeling spontaneity into a unique rhythmic language; a direct, instinctive and vital beat born from the creative freedom which has long defined the spirit of Faust. This same intuitive approach is at the heart of his new LP Gugaruz, created in collaboration with Dirk Dresselhaus (Schneider TM) and Elke Drapatz, a record which grew organically from shared experiences, chance encounters and the energy of collective interaction. The project's unlikely starting point came in a Vietnamese restaurant, when Diermaier pointed to a piece of pickled baby corn and exclaimed "Gugaruz", an Austrian dialect word for maize. That small moment triggered a chain reaction of ideas that would eventually shape the album's imagery, titles and sound world. Popcorn cooking in a kitchen both became the source material for field recordings used on the opening track and inspired the cover artwork, establishing a process in which everyday sounds and environments became integral musical elements. Throughout the album, Diermaier's percussion serves as both foundation and driving force. His playing is entirely intuitive, developed in real time through improvisation and close interaction with the other musicians. Initial sessions as a trio, with Elke Drapatz operating the drum effects and trigger module and Dirk Dresselhaus on bass, were recorded in the latter's ZONE studio in Berlin over a day and a half, before Uwe Bastiansen and Ilpo Väisänen added overdubs in Hamburg and Kuopio, Finland. Shaped by the dialogue between Diermaier's intuitive rhythmic approach, the interplay between Dresselhaus, Drapatz, Bastiansen and Väisänen and the use of the studio as an instrument, the album captures inspiration at its source, preserving the immediacy, energy and unpredictability of the moment in which it was created.
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Artist |
Title |
Format |
Label |
Catalog # |
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CD
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BB 488CD
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$16.50
PREORDER
RELEASE DATE: 9/25/2026
Over the years, Faust has become many things, distinct as fingers, yet united as the hand that forms the fist. This series of new LPs on Bureau B sees each living member of the legendary 1971-1974 line up present their own interpretation of the Faustian myth, working alone or with collaborators to create new material that reflects their contemporary vision of what Faust can be. Since childhood, Jean-Hervé Peron has embraced creativity wherever he finds it. Whether duetting with the sound of his footsteps, collaborating with cement mixers or experimenting with whatever instrument he can get his hands on, play is at the heart of everything he does. This new album gathers ideas, memories and unfinished projects accumulated across his whole lifetime. Its tongue-in-cheek subtitle, "Maybe Of Interest," offers a typically Peronian joke: MOI can suggest a certain self-confidence or egocentrism, yet the subtitle gently undercuts it, revealing the vulnerability, humor and self-awareness that run throughout the record. In fact, MOI is anything but solitary. Credited to FaUSt, with the "US" deliberately capitalized, the record reflects Péron's belief in collaboration, friendship and collective creativity, bringing together a wide network of musicians, engineers, writers and performers from across the extended Faust family. In fact, more than twenty people contributed to the recording sessions, making MOI as much a collective endeavor as a personal statement. Recorded over two winter weeks at Schiphorst studio in northern Germany and deftly combining the contradictory forces of meticulous planning, free improvisation and chance discovery, MOI draws equally from childhood memories, Fluxus principles, dadaist humor and deeply personal experiences. The resulting album moves effortlessly between musique concrète, avant-pop, jazz, spoken word and experimental electronics, united by Péron's curiosity and irrepressible sense of play. Throughout the record, Jean-Hervé Péron presents FaUSt as a living network of friendships, ideas and creative exchanges.
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Artist |
Title |
Format |
Label |
Catalog # |
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LP
|
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BB 488LP
|
$26.00
PREORDER
RELEASE DATE: 9/25/2026
LP version. Over the years, Faust has become many things, distinct as fingers, yet united as the hand that forms the fist. This series of new LPs on Bureau B sees each living member of the legendary 1971-1974 line up present their own interpretation of the Faustian myth, working alone or with collaborators to create new material that reflects their contemporary vision of what Faust can be. Since childhood, Jean-Hervé Peron has embraced creativity wherever he finds it. Whether duetting with the sound of his footsteps, collaborating with cement mixers or experimenting with whatever instrument he can get his hands on, play is at the heart of everything he does. This new album gathers ideas, memories and unfinished projects accumulated across his whole lifetime. Its tongue-in-cheek subtitle, "Maybe Of Interest," offers a typically Peronian joke: MOI can suggest a certain self-confidence or egocentrism, yet the subtitle gently undercuts it, revealing the vulnerability, humor and self-awareness that run throughout the record. In fact, MOI is anything but solitary. Credited to FaUSt, with the "US" deliberately capitalized, the record reflects Péron's belief in collaboration, friendship and collective creativity, bringing together a wide network of musicians, engineers, writers and performers from across the extended Faust family. In fact, more than twenty people contributed to the recording sessions, making MOI as much a collective endeavor as a personal statement. Recorded over two winter weeks at Schiphorst studio in northern Germany and deftly combining the contradictory forces of meticulous planning, free improvisation and chance discovery, MOI draws equally from childhood memories, Fluxus principles, dadaist humor and deeply personal experiences. The resulting album moves effortlessly between musique concrète, avant-pop, jazz, spoken word and experimental electronics, united by Péron's curiosity and irrepressible sense of play. Throughout the record, Jean-Hervé Péron presents FaUSt as a living network of friendships, ideas and creative exchanges.
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Artist |
Title |
Format |
Label |
Catalog # |
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LP
|
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BB 488LTD-LP
|
$28.00
PREORDER
RELEASE DATE: 9/25/2026
LP version. Indie exclusive. Over the years, Faust has become many things, distinct as fingers, yet united as the hand that forms the fist. This series of new LPs on Bureau B sees each living member of the legendary 1971-1974 line up present their own interpretation of the Faustian myth, working alone or with collaborators to create new material that reflects their contemporary vision of what Faust can be. Since childhood, Jean-Hervé Peron has embraced creativity wherever he finds it. Whether duetting with the sound of his footsteps, collaborating with cement mixers or experimenting with whatever instrument he can get his hands on, play is at the heart of everything he does. This new album gathers ideas, memories and unfinished projects accumulated across his whole lifetime. Its tongue-in-cheek subtitle, "Maybe Of Interest," offers a typically Peronian joke: MOI can suggest a certain self-confidence or egocentrism, yet the subtitle gently undercuts it, revealing the vulnerability, humor and self-awareness that run throughout the record. In fact, MOI is anything but solitary. Credited to FaUSt, with the "US" deliberately capitalized, the record reflects Péron's belief in collaboration, friendship and collective creativity, bringing together a wide network of musicians, engineers, writers and performers from across the extended Faust family. In fact, more than twenty people contributed to the recording sessions, making MOI as much a collective endeavor as a personal statement. Recorded over two winter weeks at Schiphorst studio in northern Germany and deftly combining the contradictory forces of meticulous planning, free improvisation and chance discovery, MOI draws equally from childhood memories, Fluxus principles, dadaist humor and deeply personal experiences. The resulting album moves effortlessly between musique concrète, avant-pop, jazz, spoken word and experimental electronics, united by Péron's curiosity and irrepressible sense of play. Throughout the record, Jean-Hervé Péron presents FaUSt as a living network of friendships, ideas and creative exchanges.
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Artist |
Title |
Format |
Label |
Catalog # |
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CD
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BB 509CD
|
$16.50
PREORDER
RELEASE DATE: 9/25/2026
Over the years, Faust has become many things, distinct as fingers, yet united as the hand that forms the fist. This series of new LPs on Bureau B sees each living member of the legendary 1971-1974 line up present their own interpretation of the Faustian myth, working alone or with collaborators to create new material that reflects their contemporary vision of what Faust can be. For over half a century, Hans Joachim Irmler has pursued the outer limits of sound. As a child, he would neglect his flute to pluck at the strings of his grandmother's zither, cutting his fingers in search of greater resonance and volume. Drawn from an early age to the physical power of sound, he eventually found his instrument in the organ, whose vast sonic range offered seemingly endless possibilities; he still performs on the first organ he built himself. Expanding his sonic palette with synthesizers, tape manipulation and self-modified electronics, Irmler has relentlessly treated music less as composition than as a force of nature, capable of overwhelming, disorienting, destabilizing and transforming both performer and listener alike. Ungebunden continues this trajectory. Recorded alone in the Faust studio in Scheer over the course of just three weeks, the album does not revisit Faust as a repertoire or a historical artefact, but as a continuous vessel for pure creativity. Working largely through improvisation, Irmler begins with little more than a direction or impulse, allowing the material to reveal its own logic as it unfolds. Massive synthesizer figures advance through roaring distortion while pulsing waveforms, whistles and electronic chatter orbit around them. At once oppressive and playful, structured and chaotic, this album embodies the tension at the heart of Irmler's process. Through Ungebunden, Hans Joachim Irmler poses Faust as a question, its sound a force capable of unsettling assumptions, disrupting perception and opening unforeseen possibilities.
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Artist |
Title |
Format |
Label |
Catalog # |
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LP
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BB 509LP
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$26.00
PREORDER
RELEASE DATE: 9/25/2026
LP version. Over the years, Faust has become many things, distinct as fingers, yet united as the hand that forms the fist. This series of new LPs on Bureau B sees each living member of the legendary 1971-1974 line up present their own interpretation of the Faustian myth, working alone or with collaborators to create new material that reflects their contemporary vision of what Faust can be. For over half a century, Hans Joachim Irmler has pursued the outer limits of sound. As a child, he would neglect his flute to pluck at the strings of his grandmother's zither, cutting his fingers in search of greater resonance and volume. Drawn from an early age to the physical power of sound, he eventually found his instrument in the organ, whose vast sonic range offered seemingly endless possibilities; he still performs on the first organ he built himself. Expanding his sonic palette with synthesizers, tape manipulation and self-modified electronics, Irmler has relentlessly treated music less as composition than as a force of nature, capable of overwhelming, disorienting, destabilizing and transforming both performer and listener alike. Ungebunden continues this trajectory. Recorded alone in the Faust studio in Scheer over the course of just three weeks, the album does not revisit Faust as a repertoire or a historical artefact, but as a continuous vessel for pure creativity. Working largely through improvisation, Irmler begins with little more than a direction or impulse, allowing the material to reveal its own logic as it unfolds. Massive synthesizer figures advance through roaring distortion while pulsing waveforms, whistles and electronic chatter orbit around them. At once oppressive and playful, structured and chaotic, this album embodies the tension at the heart of Irmler's process. Through Ungebunden, Hans Joachim Irmler poses Faust as a question, its sound a force capable of unsettling assumptions, disrupting perception and opening unforeseen possibilities.
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Artist |
Title |
Format |
Label |
Catalog # |
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LP
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BB 509LTD-LP
|
$28.00
PREORDER
RELEASE DATE: 9/25/2026
LP version. Indie exclusive. Over the years, Faust has become many things, distinct as fingers, yet united as the hand that forms the fist. This series of new LPs on Bureau B sees each living member of the legendary 1971-1974 line up present their own interpretation of the Faustian myth, working alone or with collaborators to create new material that reflects their contemporary vision of what Faust can be. For over half a century, Hans Joachim Irmler has pursued the outer limits of sound. As a child, he would neglect his flute to pluck at the strings of his grandmother's zither, cutting his fingers in search of greater resonance and volume. Drawn from an early age to the physical power of sound, he eventually found his instrument in the organ, whose vast sonic range offered seemingly endless possibilities; he still performs on the first organ he built himself. Expanding his sonic palette with synthesizers, tape manipulation and self-modified electronics, Irmler has relentlessly treated music less as composition than as a force of nature, capable of overwhelming, disorienting, destabilizing and transforming both performer and listener alike. Ungebunden continues this trajectory. Recorded alone in the Faust studio in Scheer over the course of just three weeks, the album does not revisit Faust as a repertoire or a historical artefact, but as a continuous vessel for pure creativity. Working largely through improvisation, Irmler begins with little more than a direction or impulse, allowing the material to reveal its own logic as it unfolds. Massive synthesizer figures advance through roaring distortion while pulsing waveforms, whistles and electronic chatter orbit around them. At once oppressive and playful, structured and chaotic, this album embodies the tension at the heart of Irmler's process. Through Ungebunden, Hans Joachim Irmler poses Faust as a question, its sound a force capable of unsettling assumptions, disrupting perception and opening unforeseen possibilities.
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Artist |
Title |
Format |
Label |
Catalog # |
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CD
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DC 994CD
|
$13.50
PREORDER
RELEASE DATE: 9/25/2026
"Keen listeners who have dug below the surface of Oren Ambarchi's triple-digit discography know that alongside hypnotic minimalism, veins of irreverent and joyously wayward exploration run deep. Cooked is something of a landmark in Oren's work, bringing this gloriously cuckoo sensibility right into the heart of his most high-profile solo work. Carrying on the grand Ambarchi tradition of meticulously constructed all-star studio jams, Cooked brings together collaborators from Australia, Germany, Japan and Sweden for two side-long epics where the foot keeps tapping even as the mind boggles. Beginning with piano ripples from Eiko Ishibashi, after only a few seconds 'Hidden Tableau' takes an unexpected turn with the entrance of a groaning synthetic voice. The first half of the piece develops as an oddly moving concerto for this moaning and growling ghost in the machine and a delicate backdrop of piano, organ-like tones, and Oren's signature shimmering Leslie guitar. As the beautifully flexible swing of Joe Talia's drums enters, the harmonies fill out into woozy clouds and the synthetic voice seems to morph into something approaching a mutant trumpet. In a left turn that seems to come out of nowhere yet make an inexplicable kind of sense, the piece is then overtaken by patterns of intricate guitar and synthetic arpeggios. These might be Jim O'Rourke on synth, but who knows? Cooked is a long way from the spacious, light-dappled grooves of Ghosted, but Oren's Swedish bandmates play starring roles here, with Johan Berthling's double bass anchoring both sides, and drummer Andreas Werliin lending his delicate touch to the second piece, 'Sleight of Hand.' Beginning with glistening layers of electric 12-string guitar, 'Sleight of Hand' takes some key cues from electric Miles touchstones like 'Feio' or his epic take on David Crosby's 'Guinnevere,' with Berthling's sparse basslines punctuating an almost weightless cornucopia of shifting detail, glimmering with subtle contributions from Michiko Ogawa on sho and James Rushford on a panoply of acoustic keyboards. Suddenly, everything is overwhelmed by a knotty, hyper-complex 'solo' from Marcus Pal on digital synthesis, teleporting us to an alternate history where Allan Holdsworth traded the SynthAxe for Xenakis' UPIC. Building with additional drums and percussion from Will Guthrie to a peak of sizzling intensity, the music then goes sideways into a gently surreal coda, where some distinctly Zawinul-esque chords and Fredrik Rasten's guitar float over a sprightly rhythm box, the avian inventions of Swedish virtuoso whistler Isak Hedtjärn wafting atop the sunlit stew. It's certainly Cooked, but not overcooked."
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Artist |
Title |
Format |
Label |
Catalog # |
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LP
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DC 994LP
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$25.00
PREORDER
RELEASE DATE: 9/25/2026
LP version. "Keen listeners who have dug below the surface of Oren Ambarchi's triple-digit discography know that alongside hypnotic minimalism, veins of irreverent and joyously wayward exploration run deep. Cooked is something of a landmark in Oren's work, bringing this gloriously cuckoo sensibility right into the heart of his most high-profile solo work. Carrying on the grand Ambarchi tradition of meticulously constructed all-star studio jams, Cooked brings together collaborators from Australia, Germany, Japan and Sweden for two side-long epics where the foot keeps tapping even as the mind boggles. Beginning with piano ripples from Eiko Ishibashi, after only a few seconds 'Hidden Tableau' takes an unexpected turn with the entrance of a groaning synthetic voice. The first half of the piece develops as an oddly moving concerto for this moaning and growling ghost in the machine and a delicate backdrop of piano, organ-like tones, and Oren's signature shimmering Leslie guitar. As the beautifully flexible swing of Joe Talia's drums enters, the harmonies fill out into woozy clouds and the synthetic voice seems to morph into something approaching a mutant trumpet. In a left turn that seems to come out of nowhere yet make an inexplicable kind of sense, the piece is then overtaken by patterns of intricate guitar and synthetic arpeggios. These might be Jim O'Rourke on synth, but who knows? Cooked is a long way from the spacious, light-dappled grooves of Ghosted, but Oren's Swedish bandmates play starring roles here, with Johan Berthling's double bass anchoring both sides, and drummer Andreas Werliin lending his delicate touch to the second piece, 'Sleight of Hand.' Beginning with glistening layers of electric 12-string guitar, 'Sleight of Hand' takes some key cues from electric Miles touchstones like 'Feio' or his epic take on David Crosby's 'Guinnevere,' with Berthling's sparse basslines punctuating an almost weightless cornucopia of shifting detail, glimmering with subtle contributions from Michiko Ogawa on sho and James Rushford on a panoply of acoustic keyboards. Suddenly, everything is overwhelmed by a knotty, hyper-complex 'solo' from Marcus Pal on digital synthesis, teleporting us to an alternate history where Allan Holdsworth traded the SynthAxe for Xenakis' UPIC. Building with additional drums and percussion from Will Guthrie to a peak of sizzling intensity, the music then goes sideways into a gently surreal coda, where some distinctly Zawinul-esque chords and Fredrik Rasten's guitar float over a sprightly rhythm box, the avian inventions of Swedish virtuoso whistler Isak Hedtjärn wafting atop the sunlit stew. It's certainly Cooked, but not overcooked."
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Artist |
Title |
Format |
Label |
Catalog # |
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CD
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DG 011CD
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$15.00
PREORDER
RELEASE DATE: 9/25/2026
"We went back to an older method of writing for this one. We jammed and jammed and jammed. I took the tapes home and ironed out some mutant tunes. We went back into the studio and burned them to tape live and then I took it home to Stu-Stu-Studio and did the vocals and bought in Tom Dolas and Brigid Dawson to put the finish on. Spice is always nice. Mixed it all up in the cauldron and thus we have a strange brew indeed. Floating in the smoke we have: A couple long jams, a couple short jams and a finale that'll dump a bucket of ear worms on you (reminiscent of 'the axis'). Dip your toe in organ rock and roll. So without further ado we present to you Off Course. An album wondering where the fuck are we and how did we get here. A signal dispatched out into the darkness. We are here. We are alive. And we are together."
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Artist |
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Label |
Catalog # |
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LP
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DG 011LP
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$26.00
PREORDER
RELEASE DATE: 9/25/2026
LP version. "We went back to an older method of writing for this one. We jammed and jammed and jammed. I took the tapes home and ironed out some mutant tunes. We went back into the studio and burned them to tape live and then I took it home to Stu-Stu-Studio and did the vocals and bought in Tom Dolas and Brigid Dawson to put the finish on. Spice is always nice. Mixed it all up in the cauldron and thus we have a strange brew indeed. Floating in the smoke we have: A couple long jams, a couple short jams and a finale that'll dump a bucket of ear worms on you (reminiscent of 'the axis'). Dip your toe in organ rock and roll. So without further ado we present to you Off Course. An album wondering where the fuck are we and how did we get here. A signal dispatched out into the darkness. We are here. We are alive. And we are together."
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LP
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DG 011X-LP
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$29.00
PREORDER
RELEASE DATE: 9/25/2026
LP version. Blue color vinyl. "We went back to an older method of writing for this one. We jammed and jammed and jammed. I took the tapes home and ironed out some mutant tunes. We went back into the studio and burned them to tape live and then I took it home to Stu-Stu-Studio and did the vocals and bought in Tom Dolas and Brigid Dawson to put the finish on. Spice is always nice. Mixed it all up in the cauldron and thus we have a strange brew indeed. Floating in the smoke we have: A couple long jams, a couple short jams and a finale that'll dump a bucket of ear worms on you (reminiscent of 'the axis'). Dip your toe in organ rock and roll. So without further ado we present to you Off Course. An album wondering where the fuck are we and how did we get here. A signal dispatched out into the darkness. We are here. We are alive. And we are together."
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CD
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DNCD 913CD
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$18.00
PREORDER
RELEASE DATE: 9/25/2026
The Wolfgang Press present their ninth studio album, Asylum Variations. The album, the follow up to 2024's acclaimed album, A 2nd Shape -- the band's first in nearly thirty years -- continues the return of one of post-punk's most singular and restlessly inventive groups. With Asylum Variations, The Wolfgang Press continue their tradition of never making the same album twice. Although the sonic DNA of A 2nd Shape is intact, the band ramp up the tension and dread while also creating a coherent and accessible set of songs. Recorded at Metway Studio in Brighton, UK, they utilized the method of recording directly onto ADAT and taking the results into the studio to use as the basis for the record. The resulting album is yet another step forward for a band who's only constant is the fact that every album will sound different to the last. Opener "Speakers Don't Speak" is driven by a Can-like beat, Roxy VCS3-style processed guitars, and gurgling analogue synths, over which singer/bassist Michael Allen's seemingly stream-of-consciousness lyrics evoke unease without specifying its source. Elsewhere on the album, wheezing synths and haunted harmonies underpin "Blood On The Leaves," with Allen's bass melodically meandering before collapsing into a dubby breakdown, while "Sail By" again references the dub influence that marked the band out from their early '80s post-punk peers. With Allen in his best crooner mode, "Bind Us" is ushered in on Andrew Gray's undulating guitar, while his brother Stephen picks out the prettiest of keyboard melodies. Penultimate track "Embrace The Light" is a sparse and downtempo ballad, which allows Allen to show off his yearning vocal to full effect and finale "Man Made Heaven" crawls slowly to the album's end, a nimble bassline darting around dirge-like guitars and a synthetic choir. Allen is joined by his daughters for a coda of "it's a lie, it's a lie," finishing the album in a crescendo of industrial noise that manages to be both bleak yet strangely uplifting. Maintaining such a dichotomy is not an easy thing to do, and it's part of what made The Wolfgang Press so unique first time around. If Asylum Variations is anything to go by, the 21st century iteration of the band is more than capable of channeling this duality, their fractured music making them perfect for the fragmented times we find ourselves in.
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LP
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DNLP 913LP
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$35.00
PREORDER
RELEASE DATE: 9/25/2026
LP version. The Wolfgang Press present their ninth studio album, Asylum Variations. The album, the follow up to 2024's acclaimed album, A 2nd Shape -- the band's first in nearly thirty years -- continues the return of one of post-punk's most singular and restlessly inventive groups. With Asylum Variations, The Wolfgang Press continue their tradition of never making the same album twice. Although the sonic DNA of A 2nd Shape is intact, the band ramp up the tension and dread while also creating a coherent and accessible set of songs. Recorded at Metway Studio in Brighton, UK, they utilized the method of recording directly onto ADAT and taking the results into the studio to use as the basis for the record. The resulting album is yet another step forward for a band who's only constant is the fact that every album will sound different to the last. Opener "Speakers Don't Speak" is driven by a Can-like beat, Roxy VCS3-style processed guitars, and gurgling analogue synths, over which singer/bassist Michael Allen's seemingly stream-of-consciousness lyrics evoke unease without specifying its source. Elsewhere on the album, wheezing synths and haunted harmonies underpin "Blood On The Leaves," with Allen's bass melodically meandering before collapsing into a dubby breakdown, while "Sail By" again references the dub influence that marked the band out from their early '80s post-punk peers. With Allen in his best crooner mode, "Bind Us" is ushered in on Andrew Gray's undulating guitar, while his brother Stephen picks out the prettiest of keyboard melodies. Penultimate track "Embrace The Light" is a sparse and downtempo ballad, which allows Allen to show off his yearning vocal to full effect and finale "Man Made Heaven" crawls slowly to the album's end, a nimble bassline darting around dirge-like guitars and a synthetic choir. Allen is joined by his daughters for a coda of "it's a lie, it's a lie," finishing the album in a crescendo of industrial noise that manages to be both bleak yet strangely uplifting. Maintaining such a dichotomy is not an easy thing to do, and it's part of what made The Wolfgang Press so unique first time around. If Asylum Variations is anything to go by, the 21st century iteration of the band is more than capable of channeling this duality, their fractured music making them perfect for the fragmented times we find ourselves in.
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LP
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HEG 017LP
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$30.50
PREORDER
RELEASE DATE: 9/25/2026
La Proyección, the debut LP by Jose María Lluch, an architect and musician from San Sebastián, emerges as a transition -- a gradual shift that unfolded over time. Intimate and innocent, disconnected and erratic at times, the 11 compositions presented here are drawn from recordings spanning nine years, between 2015 and 2024. Humbly assembled in his home studio, the music invites listeners to let their minds drift as the processes of composition, recording, and editing intertwine. Field recordings from everyday life, fingerpicked guitar, soothing harmonics, tape manipulation, and ethereal soundscapes are combined with a naïve openness. The album reveals the joy found in imperfection. Rarely do audiences have the chance to glimpse someone's work in its most unguarded form, without a specific context, after years spent making music simply as a way to break away -- not for anyone else, but for oneself. The songs on La Proyección reveal that very essence, shaped by a shared memory.
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CD
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IF 1105CD
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$20.50
PREORDER
RELEASE DATE: 9/25/2026
Following the sensory adventure of Tancade, in which Gaspar Claus led his listeners to a secret beach, somewhere between friends' parties and summer sun, a new territory opens up. With Cells, he offers an even more expansive journey: an inner journey as much as a cosmic shift, a plunge to the point of origin, where life is invented. True to his sole instrument, the cello, Gaspar multiplies its sound to the point of abstraction. This new work seeks to reach the primordial moment of the first cell division: a tiny, infinite moment when everything was still possible. On stage, he has built a shelter, a refuge-cell, a porous space where the visible and the invisible respond to one another. Lights, electronic breath, uncertain presences -- everything conspires to confront the audience with its own dizzying presence in the world. On the album, this architecture unfolds across ten "musical cells." Each piece observes the same phenomenon: the cello allows itself to be absorbed, dissolved, stretched, or replicated by the machines. Sometimes preserved, often transformed, the instrument becomes living matter, an unstable organism, capable of emitting both electronic landscapes and archaic beats. A rich, luminous album, imbued with an almost healing energy, Cells might seem more electronic than Tancade. Yet every sound that makes it up comes from the cello -- transformed, filtered, and reworked through a series of successive transformations. This is music that doesn't merely describe life: it re-enacts it, cell by cell.
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LP
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IF 1105LP
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$41.00
PREORDER
RELEASE DATE: 9/25/2026
LP version. Following the sensory adventure of Tancade, in which Gaspar Claus led his listeners to a secret beach, somewhere between friends' parties and summer sun, a new territory opens up. With Cells, he offers an even more expansive journey: an inner journey as much as a cosmic shift, a plunge to the point of origin, where life is invented. True to his sole instrument, the cello, Gaspar multiplies its sound to the point of abstraction. This new work seeks to reach the primordial moment of the first cell division: a tiny, infinite moment when everything was still possible. On stage, he has built a shelter, a refuge-cell, a porous space where the visible and the invisible respond to one another. Lights, electronic breath, uncertain presences -- everything conspires to confront the audience with its own dizzying presence in the world. On the album, this architecture unfolds across ten "musical cells." Each piece observes the same phenomenon: the cello allows itself to be absorbed, dissolved, stretched, or replicated by the machines. Sometimes preserved, often transformed, the instrument becomes living matter, an unstable organism, capable of emitting both electronic landscapes and archaic beats. A rich, luminous album, imbued with an almost healing energy, Cells might seem more electronic than Tancade. Yet every sound that makes it up comes from the cello -- transformed, filtered, and reworked through a series of successive transformations. This is music that doesn't merely describe life: it re-enacts it, cell by cell.
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LP
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LBR 156LP
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$35.50
PREORDER
RELEASE DATE: 9/25/2026
Blending Afro-Uruguayan rhythms with rock, soul, jazz, and funk, Ruben Rada has left an indelible mark on the musical landscapes of Uruguay and Argentina from the 1960s to the present. In the '60s, alongside Eduardo Mateo, he helped pioneer candombe beat with the legendary band El Kinto. In the early 1970s, Rada broke new ground again with Totem, fusing Afrobeat and rock into a sound well ahead of its time. He later joined the Fattoruso brothers and Airto Moreira in Opa, contributing to the band's now-iconic jazz fusion sound during his time in the United States. In the 1980s, Rada relocated to Buenos Aires, where he formed a powerhouse ensemble featuring top musicians from both sides of the Río de la Plata. Together, they created a string of acclaimed albums blending candombe with jazz and rock -- marking one of the most celebrated periods of his career. La Yapla Mata (1985) stands out as one of the finest records Rada produced during that era -- a vibrant fusion of candombe rhythms with rock, jazz fusion, and soul, all anchored by his extraordinary voice. The album includes some of his most iconic songs, such as "Candombe para Gardel." Once a well-kept secret in Uruguay and Argentina, La Yapla Mata is now being released internationally for the first time -- forty years later.
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7"
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REP 065EP
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$15.50
PREORDER
RELEASE DATE: 9/25/2026
BBC Paris Studio was the location for the recording of the tracks for the second and third Pop Go The Beatles radio show on June 1st 1963. All except for "Twist And Shout", which was cut on June 17th at BBC's Maida Vale Studios. It was at the Paris Studios session that magazine publisher Sean O'Mahony met Brian Epstein and suggested that the Beatles should have their own monthly magazine. Mono recording.
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7"
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SME 094EP
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$18.00
PREORDER
RELEASE DATE: 9/25/2026
Parbleu returns with the new single "Elegua," backed by "Peut-être Fous," offering a first glimpse into the music that the Naples-based five-piece collective, with Andres Balbucea and Andrea De Fazio at the creative helm, has been crafting over the past several years. Together, the two tracks distill the band's distinctive blend of Mediterranean futurism and equatorial groove into irresistible dancefloor excursions.
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LP
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GME 937LP
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$35.00
PREORDER
RELEASE DATE: 10/2/2026
2026 repress forthcoming; LP version. Magma, is a French cross-genre, jazz-rock rooted, progressive rock and fusion band founded in 1969 by drummer Christian Vander. Magma have existed in two phases, the first was formed in the summer of 1969 and debuted on LP in 1970, continuing through to 1983. 1001 Centigrades was released April of 1971.
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CD
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HPS 404CD
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$17.50
PREORDER
RELEASE DATE: 10/2/2026
Two years after their debut, Hijss are back with a self-titled second album. Synth-punk crashes headfirst into industrial krautrock and no wave. Throbbing basslines, blown-out fuzz guitars, and relentless drums, drive the whole thing forward without mercy -- topped off with synth arpeggios to make sure you won't stand still. The record was produced, engineered, and mastered by Maurizio Baggio, mixed by Paolo Canaglia.
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LP
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HPS 404LP
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$29.50
PREORDER
RELEASE DATE: 10/2/2026
LP version. Two years after their debut, Hijss are back with a self-titled second album. Synth-punk crashes headfirst into industrial krautrock and no wave. Throbbing basslines, blown-out fuzz guitars, and relentless drums, drive the whole thing forward without mercy -- topped off with synth arpeggios to make sure you won't stand still. The record was produced, engineered, and mastered by Maurizio Baggio, mixed by Paolo Canaglia.
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LP
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HPS 404LTD-LP
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$34.00
PREORDER
RELEASE DATE: 10/2/2026
LP version. Yellow vinyl, Two years after their debut, Hijss are back with a self-titled second album. Synth-punk crashes headfirst into industrial krautrock and no wave. Throbbing basslines, blown-out fuzz guitars, and relentless drums, drive the whole thing forward without mercy -- topped off with synth arpeggios to make sure you won't stand still. The record was produced, engineered, and mastered by Maurizio Baggio, mixed by Paolo Canaglia.
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LP
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HPS 404ULTRA-LP
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$44.50
PREORDER
RELEASE DATE: 10/2/2026
LP version. White/double mint/magenta vinyl. Two years after their debut, Hijss are back with a self-titled second album. Synth-punk crashes headfirst into industrial krautrock and no wave. Throbbing basslines, blown-out fuzz guitars, and relentless drums, drive the whole thing forward without mercy -- topped off with synth arpeggios to make sure you won't stand still. The record was produced, engineered, and mastered by Maurizio Baggio, mixed by Paolo Canaglia.
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CD
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MH 001CD
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$18.00
PREORDER
RELEASE DATE: 10/2/2026
Marina Herlop's Dja Dja opens like a held breath finally released: a violent celebration of life, though not the hedonist's easy yes. The exultation here is hard-won, arrived at rather than assumed, an affirmation drawn up from reflection and a long inward descent, stripped of every naïveté. What animates it is a kind of undirected anger, rage reimagined as a creative force that spends itself in catharsis, and a gratitude so overwhelming it can no longer be contained by the body. This is a music of struggle, but the struggle is not for conquest or ruin; it is for self-affirmation, for the quiet authority of someone defending her principles without ever needing to name them. Conceived as a single, unbroken body of work in which every track answers to the others, Dja Dja is the most architecturally ambitious thing Herlop has made, a giant sudoku built out of smaller sudokus, where the whole had to cohere even as each piece kept its own internal logic. Beneath that design lies a borrowed scaffolding, a structure used at first for purely architectural reasons and then, once the music had taken its shape, allowed to fall away. The frame is gone; the music stands without it. Across these movements the Catalan composer -- classically trained, equally at home in the avant-garde -- sets herself a double standard she refused to relax: more open and intelligible than her earlier records, yet venturing onto ground she had never walked before. Voice and bass, so central to her past work, are held deliberately in reserve, withheld until their arrival some ten minutes in lands with real force. For the first time she lets orchestral brass into her palette, scored not by formal training but by intuition, feeling her way toward timbres that conjure whole worlds without ever tipping into excess. Almost everything was made by hand, at home, in a process that could take exactly as long as the music demanded. Throughout, Herlop describes subordinating herself to the music rather than commanding it, following its instructions for as long as it needed her. It is fitting, then, that Dja Dja is her first self-released album, a record made with this much autonomy seemed to ask for it, and the slow pace of its making left no room for a label's calendar. The release is austere by design, almost without imagery.
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LP
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MH 001LP
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$31.50
PREORDER
RELEASE DATE: 10/2/2026
LP version. Marina Herlop's Dja Dja opens like a held breath finally released: a violent celebration of life, though not the hedonist's easy yes. The exultation here is hard-won, arrived at rather than assumed, an affirmation drawn up from reflection and a long inward descent, stripped of every naïveté. What animates it is a kind of undirected anger, rage reimagined as a creative force that spends itself in catharsis, and a gratitude so overwhelming it can no longer be contained by the body. This is a music of struggle, but the struggle is not for conquest or ruin; it is for self-affirmation, for the quiet authority of someone defending her principles without ever needing to name them. Conceived as a single, unbroken body of work in which every track answers to the others, Dja Dja is the most architecturally ambitious thing Herlop has made, a giant sudoku built out of smaller sudokus, where the whole had to cohere even as each piece kept its own internal logic. Beneath that design lies a borrowed scaffolding, a structure used at first for purely architectural reasons and then, once the music had taken its shape, allowed to fall away. The frame is gone; the music stands without it. Across these movements the Catalan composer -- classically trained, equally at home in the avant-garde -- sets herself a double standard she refused to relax: more open and intelligible than her earlier records, yet venturing onto ground she had never walked before. Voice and bass, so central to her past work, are held deliberately in reserve, withheld until their arrival some ten minutes in lands with real force. For the first time she lets orchestral brass into her palette, scored not by formal training but by intuition, feeling her way toward timbres that conjure whole worlds without ever tipping into excess. Almost everything was made by hand, at home, in a process that could take exactly as long as the music demanded. Throughout, Herlop describes subordinating herself to the music rather than commanding it, following its instructions for as long as it needed her. It is fitting, then, that Dja Dja is her first self-released album, a record made with this much autonomy seemed to ask for it, and the slow pace of its making left no room for a label's calendar. The release is austere by design, almost without imagery.
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CD
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VIERNULV 019CD
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$20.00
PREORDER
RELEASE DATE: 10/2/2026
While composing the music for The Juniper Tree, Midori Hirano drew on her own memories of touring Iceland, which included a stop at a waterfall featured in the film and rendered in sound on "Mother's Path." Folktales, like the origins of The Juniper Tree, are often attempts to contend with humans' place in the natural world, with all its mysteries and intricacies, and both the film and Hirano's soundtrack draw their sense of breathless wonder in part from the sensation of being engulfed by one's environment. Margit, played by Björk, possesses a sublime sensitivity to her environment that allows her to receive messages from her mother, who was murdered for their shared inheritance of witchcraft. Hirano captures the relationship between the transcendental awe that is felt as supernatural and the private feelings of being immersed in that experience, creating a musical dialogue between the self and what lies beyond. In the final sentences of her liner notes describing the film's philosophical and feminist throughlines, Anna Bogutskaya says, "what we call Margit's witchcraft is maybe just her willingness to listen." This is the magic of music, and Hirano composes with an alchemist's pen. Just as Keene seems to break down barriers between binary poles, Hirano uses both electronic and acoustic means to communicate the film's emotive cues, uniting approaches she has explored under her own name and the alias MimiCof. There is an understanding that stillness can be understood as peaceful or foreboding, that dissonance and consonance are contextual, that efforts to protect one's own kin can lead to tragic ends. At the film's end the audience sees Margit enthralled with birdsong, understanding it as something deeper, a connection to those she has lost. Through sound, listeners understand what lies beyond sight, beyond convention, and with this new soundtrack they hear the story anew.
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LP
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VIERNULV 019LP
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$31.50
PREORDER
RELEASE DATE: 10/2/2026
LP version. While composing the music for The Juniper Tree, Midori Hirano drew on her own memories of touring Iceland, which included a stop at a waterfall featured in the film and rendered in sound on "Mother's Path." Folktales, like the origins of The Juniper Tree, are often attempts to contend with humans' place in the natural world, with all its mysteries and intricacies, and both the film and Hirano's soundtrack draw their sense of breathless wonder in part from the sensation of being engulfed by one's environment. Margit, played by Björk, possesses a sublime sensitivity to her environment that allows her to receive messages from her mother, who was murdered for their shared inheritance of witchcraft. Hirano captures the relationship between the transcendental awe that is felt as supernatural and the private feelings of being immersed in that experience, creating a musical dialogue between the self and what lies beyond. In the final sentences of her liner notes describing the film's philosophical and feminist throughlines, Anna Bogutskaya says, "what we call Margit's witchcraft is maybe just her willingness to listen." This is the magic of music, and Hirano composes with an alchemist's pen. Just as Keene seems to break down barriers between binary poles, Hirano uses both electronic and acoustic means to communicate the film's emotive cues, uniting approaches she has explored under her own name and the alias MimiCof. There is an understanding that stillness can be understood as peaceful or foreboding, that dissonance and consonance are contextual, that efforts to protect one's own kin can lead to tragic ends. At the film's end the audience sees Margit enthralled with birdsong, understanding it as something deeper, a connection to those she has lost. Through sound, listeners understand what lies beyond sight, beyond convention, and with this new soundtrack they hear the story anew.
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CD
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BJR 126CD
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$14.50
PREORDER
RELEASE DATE: 10/9/2026
viragezero was born on a cold Sunday evening in December, on the way home from a Chris Cohen concert at Geneva's Face Z festival. In the winter night emerged the desire to create a new collective space, nourished by the long drifting journeys of kosmische musik. Initially conceived as a parallel playground bringing together the duo Citron Citron, former members of L'Éclair and musicians from Magic & Naked, the project quickly developed its own gravity. This self-titled debut album sketches a world both familiar and distorted, where everyday landscapes slowly slip into stranger territories. Driven by nervous synths, hazy guitars, shifting electronic textures and rhythms drawing from 1990s trip hop and abstract hip hop, viragezero builds a suspended and immersive music. A music guided as much by sensation as by structure, where repetition becomes a moving force and tensions evolve without ever fully resolving. At the center of the album are Zoé Sjollema's lyrics, drawn from fragments of dreams collected over several years. Her instinctive writing blurs the boundaries between reality and imagination, tracing recurring themes of solitude, wandering, exhaustion and disconnection. Rather than telling stories, the songs unfold as emotional states, inhabited by shifting landscapes, distorted memories and fleeting impressions. Somewhere between dream pop, electronica, IDM and spectral songwriting, viragezero delivers a dense and instinctive debut album. A nocturnal and hypnotic record that transforms fragments of reality into constantly shifting sonic matter.
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LP
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BJR 126LP
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$28.00
PREORDER
RELEASE DATE: 10/9/2026
LP version. viragezero was born on a cold Sunday evening in December, on the way home from a Chris Cohen concert at Geneva's Face Z festival. In the winter night emerged the desire to create a new collective space, nourished by the long drifting journeys of kosmische musik. Initially conceived as a parallel playground bringing together the duo Citron Citron, former members of L'Éclair and musicians from Magic & Naked, the project quickly developed its own gravity. This self-titled debut album sketches a world both familiar and distorted, where everyday landscapes slowly slip into stranger territories. Driven by nervous synths, hazy guitars, shifting electronic textures and rhythms drawing from 1990s trip hop and abstract hip hop, viragezero builds a suspended and immersive music. A music guided as much by sensation as by structure, where repetition becomes a moving force and tensions evolve without ever fully resolving. At the center of the album are Zoé Sjollema's lyrics, drawn from fragments of dreams collected over several years. Her instinctive writing blurs the boundaries between reality and imagination, tracing recurring themes of solitude, wandering, exhaustion and disconnection. Rather than telling stories, the songs unfold as emotional states, inhabited by shifting landscapes, distorted memories and fleeting impressions. Somewhere between dream pop, electronica, IDM and spectral songwriting, viragezero delivers a dense and instinctive debut album. A nocturnal and hypnotic record that transforms fragments of reality into constantly shifting sonic matter.
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CD
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HPS 405CD
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$17.50
PREORDER
RELEASE DATE: 10/9/2026
The Garden Of Forgotten Dreams was produced and recorded by the guitarist Mat Barsacchi, mixed by Richard Beherens (Elder/Kadavar/Samsara Blues Experiment) at Big Snuff Studio in Berlin, and mastered by Carl Saff in Chicago and Adam Ayan (Foo Fighters/Pearl Jam/Rolling Stone) in Portland. "The Garden, a magical place where lost dreams don't fade, but grow like silent flowers. Each petal holds an unfulfilled wish, each scent a memory left behind. In this garden, those who enter rediscover parts of themselves they thought lost and understand that nothing should be forgotten if it has touched their heart. The garden is the image that recurs most frequently throughout the album. We chose it as a metaphor for 'refuge,' a place where we can choose to nurture our natural inclinations, let them grow and blossom, but where we can also keep our shadows and our lights hidden. Where our secrets, our most authentic truths, our aspirations and our dreams, can therefore remain guarded until we are ready to reveal them to those who can contain and appreciate them." Also available on black vinyl (HPS 405LP), violet vinyl (HPS LTD-LP), and magenta/blue splatter vinyl (HPS ULTRA-LP).
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LP
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HPS 405LP
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$29.50
PREORDER
RELEASE DATE: 10/9/2026
LP version. The Garden Of Forgotten Dreams was produced and recorded by the guitarist Mat Barsacchi, mixed by Richard Beherens (Elder/Kadavar/Samsara Blues Experiment) at Big Snuff Studio in Berlin, and mastered by Carl Saff in Chicago and Adam Ayan (Foo Fighters/Pearl Jam/Rolling Stone) in Portland. "The Garden, a magical place where lost dreams don't fade, but grow like silent flowers. Each petal holds an unfulfilled wish, each scent a memory left behind. In this garden, those who enter rediscover parts of themselves they thought lost and understand that nothing should be forgotten if it has touched their heart. The garden is the image that recurs most frequently throughout the album. We chose it as a metaphor for 'refuge,' a place where we can choose to nurture our natural inclinations, let them grow and blossom, but where we can also keep our shadows and our lights hidden. Where our secrets, our most authentic truths, our aspirations and our dreams, can therefore remain guarded until we are ready to reveal them to those who can contain and appreciate them."
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LP
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HPS 405LTD-LP
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$34.00
PREORDER
RELEASE DATE: 10/9/2026
LP version. Violet color vinyl. The Garden Of Forgotten Dreams was produced and recorded by the guitarist Mat Barsacchi, mixed by Richard Beherens (Elder/Kadavar/Samsara Blues Experiment) at Big Snuff Studio in Berlin, and mastered by Carl Saff in Chicago and Adam Ayan (Foo Fighters/Pearl Jam/Rolling Stone) in Portland. "The Garden, a magical place where lost dreams don't fade, but grow like silent flowers. Each petal holds an unfulfilled wish, each scent a memory left behind. In this garden, those who enter rediscover parts of themselves they thought lost and understand that nothing should be forgotten if it has touched their heart. The garden is the image that recurs most frequently throughout the album. We chose it as a metaphor for 'refuge,' a place where we can choose to nurture our natural inclinations, let them grow and blossom, but where we can also keep our shadows and our lights hidden. Where our secrets, our most authentic truths, our aspirations and our dreams, can therefore remain guarded until we are ready to reveal them to those who can contain and appreciate them."
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LP
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HPS 405ULTRA-LP
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$44.50
PREORDER
RELEASE DATE: 10/9/2026
LP version. Magenta/blue splatter color vinyl. The Garden Of Forgotten Dreams was produced and recorded by the guitarist Mat Barsacchi, mixed by Richard Beherens (Elder/Kadavar/Samsara Blues Experiment) at Big Snuff Studio in Berlin, and mastered by Carl Saff in Chicago and Adam Ayan (Foo Fighters/Pearl Jam/Rolling Stone) in Portland. "The Garden, a magical place where lost dreams don't fade, but grow like silent flowers. Each petal holds an unfulfilled wish, each scent a memory left behind. In this garden, those who enter rediscover parts of themselves they thought lost and understand that nothing should be forgotten if it has touched their heart. The garden is the image that recurs most frequently throughout the album. We chose it as a metaphor for 'refuge,' a place where we can choose to nurture our natural inclinations, let them grow and blossom, but where we can also keep our shadows and our lights hidden. Where our secrets, our most authentic truths, our aspirations and our dreams, can therefore remain guarded until we are ready to reveal them to those who can contain and appreciate them."
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LP
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LEC 001LP
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$43.00
PREORDER
RELEASE DATE: 10/9/2026
Circling a mountain until disappearing into the dance: this is the starting point of 10LEC6's new album. Several years after Bone Bame, released on Ed Banger, 10LEC6 returns with an album that is both digital and organic, conceived as a euphoric journey where language is manipulated, repeated, stretched like a sentence that spins on itself until it becomes rhythm. The title, Ako Akas, is the name of a peak in southern Cameroon, whose legend tells of those who attempt to circle it disappearing in an endless dance. A perfect image for this immersive, fluid music where each loop propels the next. Featuring Superpitcher.
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LP
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UTR 178BS-LP
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$25.00
PREORDER
RELEASE DATE: 10/9/2026
LP version. 180 gram "blue sunshine" vinyl (transparent light blue and transparent yellow vinyl). "The Yummy Fur's first album of new material in over 25 years is seductive and ambiguous; a fast-paced flip through scenes from art, myth, life and fantasy; a witty whole made from glittering scraps. The band's original incarnation -- fronted by singer, songwriter and guitarist John McKeown from 1992 to 1999 -- morphed from making quick-hit cartoon-art songs to Eno and Cale-influenced creepers, populated by characters from McKeown's life in Glasgow and the films, books and poetry that he lived a parallel life through. Everybody Talks About The Weather delights in using every past iteration of the band as potent collage material: a melee of sounds and ideas existing at once, revealing themselves then dipping back into hiding. Recorded by the original core trio of McKeown, Brian MacDougall (guitar) and Paul Thomson (drums), Everybody Talks About The Weather comes 17 years after the band reformed for sporadic live shows, and seven years after the release of their sorta-greatest hits compilation Piggy Wings (Rock Action). Ten tracks long with nothing to spare, it is as condensed and vital as their best songs, with a new clarity of sound that allows their ambiguities to come into the light . . . Everybody Talks About The Weather is an unpredictable album from an unpredictable group, but ending on a moment of almost uncomplicated light is maybe its biggest surprise." --Claire Biddles (2026)
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CD
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UTR 178CD
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$13.50
PREORDER
RELEASE DATE: 10/9/2026
"The Yummy Fur's first album of new material in over 25 years is seductive and ambiguous; a fast-paced flip through scenes from art, myth, life and fantasy; a witty whole made from glittering scraps. The band's original incarnation -- fronted by singer, songwriter and guitarist John McKeown from 1992 to 1999 -- morphed from making quick-hit cartoon-art songs to Eno and Cale-influenced creepers, populated by characters from McKeown's life in Glasgow and the films, books and poetry that he lived a parallel life through. Everybody Talks About The Weather delights in using every past iteration of the band as potent collage material: a melee of sounds and ideas existing at once, revealing themselves then dipping back into hiding. Recorded by the original core trio of McKeown, Brian MacDougall (guitar) and Paul Thomson (drums), Everybody Talks About The Weather comes 17 years after the band reformed for sporadic live shows, and seven years after the release of their sorta-greatest hits compilation Piggy Wings (Rock Action). Ten tracks long with nothing to spare, it is as condensed and vital as their best songs, with a new clarity of sound that allows their ambiguities to come into the light . . . Everybody Talks About The Weather is an unpredictable album from an unpredictable group, but ending on a moment of almost uncomplicated light is maybe its biggest surprise." --Claire Biddles (2026)
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LP
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UTR 178LP
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$23.50
PREORDER
RELEASE DATE: 10/9/2026
LP version. "The Yummy Fur's first album of new material in over 25 years is seductive and ambiguous; a fast-paced flip through scenes from art, myth, life and fantasy; a witty whole made from glittering scraps. The band's original incarnation -- fronted by singer, songwriter and guitarist John McKeown from 1992 to 1999 -- morphed from making quick-hit cartoon-art songs to Eno and Cale-influenced creepers, populated by characters from McKeown's life in Glasgow and the films, books and poetry that he lived a parallel life through. Everybody Talks About The Weather delights in using every past iteration of the band as potent collage material: a melee of sounds and ideas existing at once, revealing themselves then dipping back into hiding. Recorded by the original core trio of McKeown, Brian MacDougall (guitar) and Paul Thomson (drums), Everybody Talks About The Weather comes 17 years after the band reformed for sporadic live shows, and seven years after the release of their sorta-greatest hits compilation Piggy Wings (Rock Action). Ten tracks long with nothing to spare, it is as condensed and vital as their best songs, with a new clarity of sound that allows their ambiguities to come into the light . . . Everybody Talks About The Weather is an unpredictable album from an unpredictable group, but ending on a moment of almost uncomplicated light is maybe its biggest surprise." --Claire Biddles (2026)
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LP
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WWSLP 126LP
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$33.00
PREORDER
RELEASE DATE: 10/9/2026
Wewantsounds continues its Ziad Rahbani reissue program with Ana Moush Kafer, a classic album by the Lebanese legend Ziad Rahbani, recorded at his By-Pass Studio in Beirut during the height of the Lebanese Civil War in 1985. Showcasing Rahbani's signature blend of Arabic music infused with touches of jazz-funk and bossa nova, the album has attained cult status over the years. Originally released on cassette, it has never before been available on vinyl. Newly remastered, this edition features the original Relax-In cassette artwork from 1985 and includes new liner notes by Mario Choueiry of the Institut du Monde Arabe in Paris. Ziad Rahbani, who passed away in 2025, remains one of the most influential figures in modern Arabic music and a cultural icon in Lebanon. A musician, composer, pianist, producer and playwright, he helped modernize Arabic music over five decades. The son of composer Assi Rahbani and singer Fairuz, he shaped her late '70s-'80s recordings producing Wahdon and Maarifti Feek, while building a major solo career with classics such as Abu Ali and Houdou Nisbi, which have become cult favorites for a new generation of DJs and music lovers. Released in 1985 in Lebanon, Ana Moush Kafer stands as one of Rahbani's key achievements. It blends Arabic melodic traditions with jazz-funk, bossa nova and Western arrangements. Originally cassette-only, it became one of his most revered releases. Throughout the album, Rahbani's writing reflects the turbulence of wartime Beirut with a blend of sharp social observation, political satire and melancholy. It captures a moment in Lebanese cultural history where experimentation, satire and popular song intersected, giving the album its enduring influence among music lovers. Sung by Rahbani and Sami Hawat, alongside Beirut-based musicians, the album features both Western and traditional Arabic instruments. It balances refined arrangements with lyrical irony, social commentary and political reflection, which remain deeply resonant in today's context in Lebanon. One of the highlights of the album is the song "Shou A'ada Ma Bada," with lyrics by Joseph Harb, which reveals a clear bossa nova influence, while the closing track, "Al Mokawama Al Watania Al Lobnani," offers a deeply human view of war, avoiding patriotic cliché in favor of a nuanced perspective rooted in lived experience. Forty years on, Ana Moush Kafer remains a landmark of Arab music. Wewantsounds presents it on vinyl for the first time, newly remastered and featuring original artwork.
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12"
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AS 1316EP
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$20.00
PREORDER
RELEASE DATE: 10/16/2026
Ashanti Selah -- musician and dub producer hailing from the UK -- is the eldest son of the world-renowned soundman, Aba Shanti-I. Ashanti's musical journey began at a tender young age, during his formative years of soundsystem exposure through his father's musical infrastructure he learned the art of the dub. His education continued as he attended his father's long-standing annual sessions at the Notting Hill Carnival and traveled the globe as a crew member and diligent student. Via his Steppas Records imprint, Alpha Steppa, son and nephew of pioneering dub-duo Alpha & Omega presents a unique collaboration between two second generation dub/reggae producers. Ashanti Selah Meets Alpha Steppa is a testament to their teachers and the product of a life spent in dub. Steppas Records delivers four unique cuts of the long-time Aba Shanti-I exclusive "Violin Step", featuring the uplifting and transcendental strings of Ras Divarius. New generation soundsystem music with a deep roots foundation.
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12"
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AS 914EP
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$20.00
PREORDER
RELEASE DATE: 10/16/2026
Handed to the legendary Channel One Soundsystem in exclusivity over a year ago, Don Fe's "Jericho" has been on constant rotation around the globe ever since. Cut to dubplate by Mikey Dread, this tune has been securely locked down and spun exclusively as Channel One's last tune at places such as Notting Hill Carnival and many of the soundsystem's international sessions and festival appearances. Steppas Records are extremely pleased to be able to offer this plate to the world, pressed to 12" vinyl.
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LP
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BEAT 124LP
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$28.50
PREORDER
RELEASE DATE: 10/16/2026
Reissue with bonus tracks of the legendary debut album by Madrid's hardcore punk legends TDK, born from the ashes of the almighty Espasmódicos. Originally released in 1984, this is a pivotal and pioneering record for enthusiasts of Spanish punk. An explosive, powerful outburst of pure, unfiltered, nasty punk delivered with fierce energy and precision. Includes two bonus tracks, one from their split 7" with Panadería Bollería Nuestra Señora del Karmen from 1984 and one from La Movida Madrileña compilation from the same year and two inserts.
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LP
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BEAT 125LP
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$28.50
PREORDER
RELEASE DATE: 10/16/2026
Reissue of the second album by the almighty TDK, an absolute classic and one of the very best and most important Spanish hardcore punk records ever, originally released in 1986. An even more focused and destructive effort than their legendary debut, Esto es Una Empresa Capitalista (1984), with the band in top, killer shape, rips through 13 nasty, explosive and unforgettable songs. A memorable, ugly and fierce milestone of Spanish punk and hardcore created by an infamous band, absolutely essential! Includes two inserts.
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12"
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MM 117EP
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$19.00
PREORDER
RELEASE DATE: 10/16/2026
2026 remastered versions. Highly sought after Steve Rachmad classic finally gets a repress.
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CD
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SPECIAL 001CD
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$13.50
PREORDER
RELEASE DATE: 10/16/2026
Kaitlyn Aurelia Smith returns with Ruin: It's Not Just Music, a new studio album that marks one of the most decisive statements in her creative trajectory. Across the past decade, KAS has established herself as a unique voice in experimental electronic music, a composer and synthesist whose work dissolves the boundaries between ambient electronica, contemporary classical, composition, and immersive sound design. Her new album arrives with a distinctive gravitational pull. The record moves with greater physical force, placing rhythm and impact at the center of its architecture, revealing a more confrontational and embodied dimension of KAS's musical language. Where much of KAS's earlier work explored harmonic environments, the forthcoming album is built around tension and release. Inspired by the sound of drum and bass, breakbeats fracture through dense fields of synthesis, percussive patterns and her signature melodic fragments -- motions that feel closer to the kinetic language of club music than the meditative spaces often associated with her past catalogue. The result is a body of work that feels both recognizably hers and newly charged, music that moves through the body as insistently as it engages the mind. KAS's practice has steadily expanded beyond the expectations placed upon experimental electronic artists, moving between orchestral composition, audiovisual installations, film scoring, and large-scale commissions while retaining the unmistakable sonic signature that defines her work. Her prolific collaborators and creative partners have ranged from Patti Smith and Suzanne Ciani to Danny Elfman, Tycho, Glass Beams, RY X, Caribou, Four Tet, Reggie Watts, and Max Richter, while her compositions have appeared in projects with Apple, Chanel, Meow Wolf, the BBC Orchestra, and major film and television productions. On Ruin: It's Not Just Music, that vocabulary becomes more kinetic than ever before. The record draws energy from jungle, drum and bass, and dance-floor focused electronic music while retaining the intricate synthesis and tonal curiosity that have defined KAS's work from the beginning. The result is a record that feels equally at home within club culture, contemporary composition, and the experimental spaces that have long championed her artistry.
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LP
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SPECIAL 001LP
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$34.00
PREORDER
RELEASE DATE: 10/16/2026
LP version. Kaitlyn Aurelia Smith returns with Ruin: It's Not Just Music, a new studio album that marks one of the most decisive statements in her creative trajectory. Across the past decade, KAS has established herself as a unique voice in experimental electronic music, a composer and synthesist whose work dissolves the boundaries between ambient electronica, contemporary classical, composition, and immersive sound design. Her new album arrives with a distinctive gravitational pull. The record moves with greater physical force, placing rhythm and impact at the center of its architecture, revealing a more confrontational and embodied dimension of KAS's musical language. Where much of KAS's earlier work explored harmonic environments, the forthcoming album is built around tension and release. Inspired by the sound of drum and bass, breakbeats fracture through dense fields of synthesis, percussive patterns and her signature melodic fragments -- motions that feel closer to the kinetic language of club music than the meditative spaces often associated with her past catalogue. The result is a body of work that feels both recognizably hers and newly charged, music that moves through the body as insistently as it engages the mind. KAS's practice has steadily expanded beyond the expectations placed upon experimental electronic artists, moving between orchestral composition, audiovisual installations, film scoring, and large-scale commissions while retaining the unmistakable sonic signature that defines her work. Her prolific collaborators and creative partners have ranged from Patti Smith and Suzanne Ciani to Danny Elfman, Tycho, Glass Beams, RY X, Caribou, Four Tet, Reggie Watts, and Max Richter, while her compositions have appeared in projects with Apple, Chanel, Meow Wolf, the BBC Orchestra, and major film and television productions. On Ruin: It's Not Just Music, that vocabulary becomes more kinetic than ever before. The record draws energy from jungle, drum and bass, and dance-floor focused electronic music while retaining the intricate synthesis and tonal curiosity that have defined KAS's work from the beginning. The result is a record that feels equally at home within club culture, contemporary composition, and the experimental spaces that have long championed her artistry.
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CD
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HPS 406CD
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$17.50
PREORDER
RELEASE DATE: 10/23/2026
Valley of the Sun's sixth studio LP, The Blacklight Sessions, is a deep dive into the sonic roots of the band who continues to defy genre norms. With tracks ranging from blues jam to psychedelic desert trip to driving stoner riffage, the band continues to demonstrate that their music knows no bounds, nor should. Valley of the Sun is a three-piece consisting of Ryan Ferrier (guitar, lead vocals), the band's founder and sole remaining original member (2010-present); Chris Sweeney (bass), who joined in 2018; and Johnny Kathman (drums), who joined during the band's transition back to a power trio for the Quintessence era in 2023. Also available on black vinyl (HPS 406LP), pink vinyl (HPS 406LTD-LP), and green/pink splatter vinyl (HPS 406ULTRA-LP).
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LP
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HPS 406LP
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$29.50
PREORDER
RELEASE DATE: 10/23/2026
LP version. Valley of the Sun's sixth studio LP, The Blacklight Sessions, is a deep dive into the sonic roots of the band who continues to defy genre norms. With tracks ranging from blues jam to psychedelic desert trip to driving stoner riffage, the band continues to demonstrate that their music knows no bounds, nor should. Valley of the Sun is a three-piece consisting of Ryan Ferrier (guitar, lead vocals), the band's founder and sole remaining original member (2010-present); Chris Sweeney (bass), who joined in 2018; and Johnny Kathman (drums), who joined during the band's transition back to a power trio for the Quintessence era in 2023.
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Catalog # |
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LP
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HPS 406LTD-LP
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$34.00
PREORDER
RELEASE DATE: 10/23/2026
LP version. Pink color vinyl. Valley of the Sun's sixth studio LP, The Blacklight Sessions, is a deep dive into the sonic roots of the band who continues to defy genre norms. With tracks ranging from blues jam to psychedelic desert trip to driving stoner riffage, the band continues to demonstrate that their music knows no bounds, nor should. Valley of the Sun is a three-piece consisting of Ryan Ferrier (guitar, lead vocals), the band's founder and sole remaining original member (2010-present); Chris Sweeney (bass), who joined in 2018; and Johnny Kathman (drums), who joined during the band's transition back to a power trio for the Quintessence era in 2023.
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LP
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HPS 406ULTRA-LP
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$44.50
PREORDER
RELEASE DATE: 10/23/2026
LP version. Green/pink splatter color vinyl. Valley of the Sun's sixth studio LP, The Blacklight Sessions, is a deep dive into the sonic roots of the band who continues to defy genre norms. With tracks ranging from blues jam to psychedelic desert trip to driving stoner riffage, the band continues to demonstrate that their music knows no bounds, nor should. Valley of the Sun is a three-piece consisting of Ryan Ferrier (guitar, lead vocals), the band's founder and sole remaining original member (2010-present); Chris Sweeney (bass), who joined in 2018; and Johnny Kathman (drums), who joined during the band's transition back to a power trio for the Quintessence era in 2023.
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2LP
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MUZLP 005LP
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$43.00
PREORDER
RELEASE DATE: 10/23/2026
Muzikawi presents the first reissue of Teodros Makonnen With His Organ, released in collaboration with Teodros Makonnen under exclusive license. The album has been carefully restored and remastered, and is presented across a double LP, pressed at Optimal Media, and housed in a gatefold sleeve replicating the original sleeve artwork, accompanied by extensive liner notes in English and Amharic, as well as previously unpublished photographs from the archives of Teodros' friend and long-time collaborator Teferi "Bibisha" Mengesha. Some recordings herald the future in ways that are impossible to see in real time. Teodros Makonnen With His Organ, by the artist Teodros Makonnen, also known as Teddy Mak, is one of those. Today, electronic sounds, synthesizers, and digital production are taken for granted in Ethiopian music, but in the early 1980s, they were novelties that polarized opinion. Teodros Makonnen With His Organ is a cornerstone of the early digital sounds of Ethiopian music, originally released on cassette only, and has remained more or less unknown outside of Ethiopia until now. It is a pioneering home recording made in Ethiopia, recorded directly to tape in a single take on a Yamaha double-deck keyboard at the residence of a Saudi Arabian diplomat in Addis Ababa, recasting traditional songs in a wholly electronic style of atmospheric drum machines and hypnotic synth organs, opening new paths for musical dreaming. Even to this day, the story of Teodros Makonnen's legacy has never been properly told. As a keyboardist, producer, arranger, and sound designer, he helped define the digital sound of Ethiopian music in the 1980s and beyond, collaborating with iconic artists such as Mulatu Astatke, Aster Aweke, and Mahmoud Ahmed, among many others. Today's revived global interest in Ethiopian music from the seventies and eighties, alongside a broader resurgence, has changed the reasons for using digital means of music production. They have become tools for musical dreaming. This is where the dreaming began.
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2LP
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OOS 005LP
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$43.00
PREORDER
RELEASE DATE: 10/23/2026
XAMAN is the collaborative project of Dino Sabatini and Luigi Tozzi, where two distinct artistic paths converge into a shared musical language shaped through years of independent research and mutual exchange. Across eight compositions, XAMAN takes shape through gradual transformation. Every element is introduced with intention, allowing subtle shifts in density, tension and space to shape the music over time, revealing its full form through uninterrupted listening. Released as a double vinyl on Outis Opera Series, the curated imprint of Outis Music, XAMAN reflects a process shaped through listening, exchange and time.
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2LP
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PNC 010LP
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$44.50
PREORDER
RELEASE DATE: 10/23/2026
Pont Neuf mark 10 years with an all-star cast and a masterclass in club music -- timeless, tasteful, and built for the dance floor. Featuring Black Loops, Tour-Maubourg, Demuja, Marina Trench, Mad Rey, Maison Blanche, THEOS, Mira Ló, KX9000, Naajet, Dylan Dylan, and Goldie B.
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CD
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WWSCD 118CD
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$16.00
PREORDER
RELEASE DATE: 10/23/2026
Wewantsounds reissues Brigitte Fontaine's landmark 1970 Saravah album Comme à la Radio, recorded with Areski Belkacem, Wadada Leo Smith, and the Art Ensemble of Chicago. This new edition pairs the original album with rare bonus material. The release is accompanied by a lavish 24-page bilingual booklet featuring an introduction by journalist Andy Beta, essays by Wadada Leo Smith, Brigitte Fontaine biographer Benoît Mouchart, and Benjamin Barouh, plus a recent interview with Brigitte Fontaine and the late Areski Belkacem. The booklet also includes complete lyrics and a selection of rare archival photographs by Jean-Pierre Leloir and Philippe Gras. Comme à la Radio was originally released in 1970 on Pierre Barouh's cult Saravah label, fusing Fontaine's radical lyricism with Areski Belkacem's minimalist compositions and the fearless improvisations of the Art Ensemble of Chicago and Wadada Leo Smith. Its title track has since become a cult classic in jazz and groove circles. The album has been newly remastered from the original tapes and is reissued featuring 11 bonus tracks. The original album is presented in restored clarity, while the bonus tracks gather rare non-album singles, English-language takes, alternate versions and previously unreleased instrumental recordings showcasing the Art Ensemble's artistry, including the elusive English version of Comme à la Radio, and a striking early version of "L'été L'été." Comme à la Radio stands as a visionary landmark of French music and a defining statement in Brigitte Fontaine's career. This expanded edition confirms its enduring influence more than fifty years after its original release. The reissue is announced alongside its companion Comme à la Radio On Air, a deluxe 2-LP set presenting previously unreleased ORTF live recordings and additional studio rarities.
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2LP
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WWSLP 118LP
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$42.00
PREORDER
RELEASE DATE: 10/23/2026
Double LP version. Wewantsounds reissues Brigitte Fontaine's landmark 1970 Saravah album Comme à la Radio, recorded with Areski Belkacem, Wadada Leo Smith, and the Art Ensemble of Chicago. This new edition pairs the original album with rare bonus material. The release is accompanied by a lavish 24-page bilingual booklet featuring an introduction by journalist Andy Beta, essays by Wadada Leo Smith, Brigitte Fontaine biographer Benoît Mouchart, and Benjamin Barouh, plus a recent interview with Brigitte Fontaine and the late Areski Belkacem. The booklet also includes complete lyrics and a selection of rare archival photographs by Jean-Pierre Leloir and Philippe Gras. Comme à la Radio was originally released in 1970 on Pierre Barouh's cult Saravah label, fusing Fontaine's radical lyricism with Areski Belkacem's minimalist compositions and the fearless improvisations of the Art Ensemble of Chicago and Wadada Leo Smith. Its title track has since become a cult classic in jazz and groove circles. The album has been newly remastered from the original tapes and is reissued featuring 11 bonus tracks. The original album is presented in restored clarity, while the bonus tracks gather rare non-album singles, English-language takes, alternate versions and previously unreleased instrumental recordings showcasing the Art Ensemble's artistry, including the elusive English version of Comme à la Radio, and a striking early version of "L'été L'été." Comme à la Radio stands as a visionary landmark of French music and a defining statement in Brigitte Fontaine's career. This expanded edition confirms its enduring influence more than fifty years after its original release. The reissue is announced alongside its companion Comme à la Radio On Air, a deluxe 2-LP set presenting previously unreleased ORTF live recordings and additional studio rarities.
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LP
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AKENAT 008LP
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$27.00
PREORDER
RELEASE DATE: 10/30/2026
A selection of artists -- ranging from big names to obscure and mysterious gems -- from the '60s and '70s, the golden years of modern Persian music. A trip to a time when western sounds mixed with traditional Iranian music to create a new, unique and magical sound, full of soul, personality and emotion. 13 mind-blowing tracks of pure, unaltered, Persian bliss. Includes notes on the artists. Featuring Mehrpouya, Bijan, The Rebels, The Golden Ring, Tak Khal Ha, The Littles, Zangoleah, Fereshteh, Shahram Shabpareh, Googoosh, Kourosh Yaghmaei, Betti, and Mahasti.
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LP
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AKENAT 009LP
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$27.00
PREORDER
RELEASE DATE: 10/30/2026
A look at a time, just before the Islamic Revolution of 1978, when Tehran was buzzing with the vibrant sounds of Western funk and soul blended with the rich traditions of Persian music, creating an exciting new sound that has to be heard to be believed. Featuring a selection of artists ranging from the era's biggest names to more obscure gems. Get ready to be blown away by 10 ultra-groovy tracks of incredible Persian funk. Includes notes on the artists. Featuring Hamid Shabkhiz, Kourosh Yaghmaei, Mehrpouya, Googoosh, Neli, Shamaizadeh, Nooshafarin, Zia, Taherzadeh, and Morteza.
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12"
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MM 077EP
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$19.00
PREORDER
RELEASE DATE: 10/30/2026
Long awaited repress of this Steve Rachmad classic, including Chris Liebing remix, both remastered.
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12"
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TENA 130EP
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$21.50
PREORDER
RELEASE DATE: 10/30/2026
Tenampa now turns to French sonic storyteller YokoO, who makes his debut on the Mexican imprint with a three-track workout that perfectly captures his signature sound: deep, refined and effortlessly effective. Rich in groove, subtle textures and immersive atmospheres, the release unfolds with the unmistakable sense of depth and emotional detail that has become synonymous with YokoO's productions. Strictly limited to 300 copies worldwide and available exclusively on vinyl, this release further cements its status as a true collector's piece. The artwork once again comes courtesy of the ever-outstanding Manuel Cetina, aka El_Stitch, whose distinctive visual language adds another layer of identity and lasting value to the release.
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