|
forthcoming releases available for pre-order
|
How preorders work: FAQ
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
ANDOTHERS 001CD
|
$18.00
PREORDER
RELEASE DATE: 9/26/2025
With Elsewhere, Grandbrothers open a bold new chapter. Known for crafting all their music from a single grand piano, the duo now expand their sonic palette with analog synths, drum machines, and a new sense of rhythm and physicality. It's their most transformative album to date -- a reinvention that ventures into unfamiliar territory while staying rooted in emotional depth and detail. Released via their own newly founded label __and__others.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
AO 097R-LP
|
$32.00
PREORDER
RELEASE DATE: 9/26/2025
Alpha & Omega, the legendary pioneers of UK Dub, have shaped the sound of modern roots and dub since the 1980s, building a vast catalogue of over 40 studio albums. Their deep, meditative sound is foundational to the evolution of soundsystem culture and the global spread of bass music from Jamaica to the UK and beyond. Now, as part of the acclaimed A&O reissue series by Steppas Records, the label presents the long-awaited reissue of Voice in the Wilderness. Originally released in 1994, this classic LP is one of the rarest in the Alpha & Omega catalogue -- original pressings are almost impossible to find and regularly fetch extremely high prices on Discogs. Lovingly re-mastered and housed in the original sleeve with iconic A&O artwork, Voice in the Wilderness is a powerful statement in dub and a true collector's treasure. This is UK dub history, revived.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
Cassette
|
|
BARN 116CS
|
$20.00
PREORDER
RELEASE DATE: 9/26/2025
Superstar Silvestre strikes strong on Studio Barnhus, bringing moronic dance music and stupendously haunting ambient ditties to the forefront once again, following his highly reputable It's 2024!! EP, released in 2024. On his most expansive and accomplished work yet, tensions between Silvestre's many expressions -- bass-faced rave maker, hazy lo-fi crooner, absurdist beat poet, etc. -- reach catastrophic levels, resulting in an album that shimmers and convulses with both inviting warmth and that rare, essential hint of danger at the core of club music's spirit. There's just never a dull moment with this Silvestre guy, whether he's out blessing club crowds with electroid techno sets or effortlessly delivering instant classic albums like this one. Delivered via 16 tracks on cassette designed by Stefan Fält, Silvestre's Fantasma arrives on Studio Barnhus. Featuring Oneofunderworld.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
6LP BOX
|
|
BEC 5615942
|
$167.00
PREORDER
RELEASE DATE: 9/26/2025
This ultimate 6LP boxset presents the works of Pascal Comelade from 1984 to 2024 and his 40 years producing instrumental music. Each vinyl has been thought as an album in itself, with its own identity, that could be listened as it is. According to the artist, Improperies: compositions et enregistrements magnétiques (1984-2024) is a music puzzle which doesn't obey to any rule with the exception of Pascal Comelade's creation and art thoughts that kept moving over the years. Limited numbered to 500 copies ? 6LP Black Vinyl in spineless sleeve, heawyweight cardboard slipcase/custom numbered at the back, includes an insert-photo signed by the artist. The boxset artwork is an original creation by Miquel Barceló.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BPR 050LP
|
$28.50
PREORDER
RELEASE DATE: 9/26/2025
Friends since the age of six, most of this album was written and recorded by the pair when they were nineteen. The songs possess all the singular magic of a duo writing and playing together while sounding like a full, sonically charged band. Their debut E.P. track "Two Monkeys," included here, has a level of shoegazey dirt that will leave many distortion freaks reeling. "Every Word Said" is prog-pop perfection. The title track is as moody as anything by Flying Saucer Attack. "Another One Making Clouds" evolves over 35 minutes and doesn't stop elevating and surprising. A founding notion of our label was to release recordings made as the musicians' first intended. No "notes" and no re-recording with a "proper" producer in a "real" studio. This album captures something you can't fake. A young band finding an epic, emotional, cinematic sound in their bedroom. Using it in that peculiarly British way to express the wonder, confusion and heartache of being nineteen. Of wanting to be seen and not seen. It's a kind of British "soul" music with ancestors like The Cure, Echo & The Bunnymen, The Jesus & Mary Chain, and the original shoegaze bands. Progressive guitar music, channeling deep emotion, a desire to hear something that sounds like how you feel inside. The stuff nobody talks about. Everything Else.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BPR 050T-LP
|
$30.50
PREORDER
RELEASE DATE: 9/26/2025
Blue vinyl version. Friends since the age of six, most of this album was written and recorded by the pair when they were nineteen. The songs possess all the singular magic of a duo writing and playing together while sounding like a full, sonically charged band. Their debut E.P. track "Two Monkeys," included here, has a level of shoegazey dirt that will leave many distortion freaks reeling. "Every Word Said" is prog-pop perfection. The title track is as moody as anything by Flying Saucer Attack. "Another One Making Clouds" evolves over 35 minutes and doesn't stop elevating and surprising. A founding notion of our label was to release recordings made as the musicians' first intended. No "notes" and no re-recording with a "proper" producer in a "real" studio. This album captures something you can't fake. A young band finding an epic, emotional, cinematic sound in their bedroom. Using it in that peculiarly British way to express the wonder, confusion and heartache of being nineteen. Of wanting to be seen and not seen. It's a kind of British "soul" music with ancestors like The Cure, Echo & The Bunnymen, The Jesus & Mary Chain, and the original shoegaze bands. Progressive guitar music, channeling deep emotion, a desire to hear something that sounds like how you feel inside. The stuff nobody talks about. Everything Else.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BR 194LP
|
$33.00
PREORDER
RELEASE DATE: 9/26/2025
Marina Mello presents Deságua, her debut solo album for experimental harp, via Buh Records. Mello blends classical harp training with experimental techniques, creating a rich sonic journey that pushes the boundaries of the instrument. Recorded in Switzerland and mastered in Madrid, Deságua is available as a very limited-edition vinyl. Based in Zurich, Mello has developed a unique and expressive approach to the harp, combining her classical training with a deep exploration of the instrument's sonic possibilities. Deságua is the result of this process: an intimate and expansive work that traverses sonic landscapes rich in contrast and texture. In the artist's own words, this album is a synthesis of material developed through her musical practice. The title refers to the Portuguese word that describes the moment a river flows into the sea. This concept guides the album's sonic narrative, in which each piece functions as a tributary flowing into an immersive and unexpected listening experience. From bittersweet whale-like sounds to destructive, unsettling, and shattering noise provocations, she explores, senses, and transcends the musical boundaries of her instrument. Recorded by Beat Keller at Lager Studio (Winterthur, Switzerland) and mastered by Alberto Cendra in Madrid, the album presents a wide range of sounds and styles, yet maintains a strong internal coherence through its technical and conceptual exploration of the harp. Mello performs on both lever and pedal harps, employing a range of non-traditional techniques: preparing the instrument with objects, using guitar effects pedals, detuning the strings, and using close mic recording to capture the subtlest sounds and the shifts that lie between them. The result is a collection of pieces that move between the melodic and the dissonant. Deságua does not shy away from repetition, noise, or raw textures. Instead, it embraces them fully, situating the album at the crossroads of contemporary music, improvisation, and electronic experimentation. The physical edition features graphic design by Chhandak Pradhan, photography by Philip Frowein, and a poetic text by Yana Eva Thönnes. The album was made possible with support from Cassinelli-Vogel-Stiftung, C. und A. Kupper-Stiftung, and Kulturförderung Stadt Zürich.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BRD 007LP
|
$26.00
PREORDER
RELEASE DATE: 9/26/2025
Spot The Difference invites you to explore the Balcony's Paradise project through a new lens of chiaroscuro. Psychedelia alters perception, and from the first track, listeners journey through a timeless sonic space filled with echoes, mysterious atmospheres, and spherical guitar melodies. Lorenz O'Tool initially returned to Australia to work on some new stuff with his partner on drums and co-founder of the project, Jeremy Tayler. The album also features some covers of Television Personalities, two tracks by M.O.T.O., and one by Jeff Clarke of the Black Lips, three influential bands for O'Tool, who is also the guitarist and co singer of the Berlin post-punk Band Die Verlierer.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BT 134LP
|
$32.00
PREORDER
RELEASE DATE: 9/26/2025
Black Truffle presents Melopea, two new pieces highlighting the incredible voice of Amelia Cuni (1958-2024), the great Italian singer, based in Berlin in later life, whose mastery of the classical Indian dhrupad developed in parallel with a commitment to contemporary experimental approaches. After two stunning archival releases documenting traditional dhrupad performances in India in the 1990s, the two side-long pieces here embody the freedom with which Cuni explored new contexts and settings for her singing. Both make use of a long recording of Cuni singing the pentatonic Raag Bhoop (or Bhopali) made in 2012 by her partner Werner Durand in Berlin. Melopea began from Cuni and Durand's superimposition of this recording with violinist Silvia Tarozzi and cellist Deborah Walker's performance of Éliane Radigue's Occam River II. Inspired by the beauty of this chance encounter (and other experiments with non-synchronous collaboration during the pandemic years), Tarozzi and Walker recorded independently, without hearing Cuni's voice but "having her present in memory." Tarozzi and Walker's bowed strings places Cuni's magisterial performance in a new context, emphasizing, as Radigue commented upon hearing the initial layering of her piece with Cuni's voice, a shared "searching toward the partials, overtones, these natural constituents of acoustical sounds in their richness." Primarily focusing on her lower register, Cuni's performance demonstrates her mastery of microtonal pitch subtleties, elegant sweeping glissandi and meditatively unhurried pacing. The continuation of the same recording by Cuni forms the foundation of "Bhoop-Murchana," with Anthea Caddy on cello and Werner Durand on soprano saxophone. In contrast to the randomized layering of the first piece, here Durand and Caddy have carefully selected pitches based on the raag Cuni sings, using the "Murchana" form, which uses the constituent notes of the raag as tonics of new raags, retaining the same interval structure. Both players who have developed tones of striking depth and harmonic purity on their instruments, Caddy and Durand's patient long tones are simultaneously rigorously grounded in the physical properties of sound and possessed of an immaterial, floating quality. Combined with Cuni's voice and, near the piece's end, her contributions on hammered and plucked tanpura, the effect borders on miraculous. Accompanied by liner notes from Durand, Tarozzi and Walker, Melopea is both a moving tribute to the profound art of Amelia Cuni and, for the uninitiated, a perfect introduction to it.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
CRO 003LP
|
$28.50
PREORDER
RELEASE DATE: 9/26/2025
Long overdue reissue of the first album by The Hanging Stars. Initial 300 copies come with 12"x12" print. London-based psych-folk outfit The Hanging Stars re-release their much-loved debut album Over the Silvery Lake on Crimson Crow. Blending folk pastoralism with swampy '60s Americana, they sound like the missing link between the California desert sun and the grey skies of London Town. The album was recorded between LA, Nashville and Walthamstow, with each of these vastly different places leaving an indelible mark on the songs. Now signed to the Loose Records label and fronted by London-based songwriter, singer and guitarist Richard Olson (The See See, Eighteenth Day of May), The Hanging Stars are essentially a loose collective of people who weave together a blissed-out psychedelic tapestry. The rest of the core band is made up of Sam Ferman on bass and Paulie Cobra on drums, Horse on pedal steel and Patrick Ralla on banjo, guitar. They jam rather than write and hang out rather than rehearse, harnessing a kind of tipsy euphoria resplendent with luscious arrangements and glorious vocal harmonies. There are a number of allusions to nature and the weather on the album, borne in part out of the contrasting surroundings in which it was produced. The band's fascination with Americana led them to record some of the material Stateside, laying down some of the parts at Battle Tapes Studios in Nashville, as well as at Vision Quest Studios in Los Angeles with Rob Campanella. Following the LA recordings, a trip to the Californian desert provided the core notion of what they wanted to produce -- a shard of light that they clung on to whilst recording the rest of the album in the significantly more rain-soaked atmosphere of Walthamstow, London, under the watchful eye of Brian O'Shaughnessy at Bark Studios. The Hanging Stars place themselves firmly as part of a long folk tradition encompassing European and North American influences -- as a continuation rather than a pastiche of these styles. This is the sound of a band really coming in to their own, fully formed and in no doubt of their vision. With Over the Silvery Lake they succeeded in producing a record, which has the country, blues and folk traditions at its heart.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DC 943LP
|
$23.00
PREORDER
RELEASE DATE: 9/26/2025
"Drag City presents the reissue of hypnotic syncretic guitar duo Bill MacKay & Ryley Walker's recorded debut, Land of Plenty. And just in time for the 10th anniversary of the original release! Now, who remembers where they were in January 2015? Bill and Ryley don't need to, they've got Land of Plenty to remind 'em. That's when they made the record, but a scant year before, they barely knew each other! Once they met, though, they hit it off over mutual influences, like Albert King, Laura Nyro, Nick Drake, Bert Jansch, Ali Akbar Khan and Jimi Hendrix. They got to work. And play. A year later, they were loaded into The Whistler every single Friday night on the calendar in January 2015. A residency, so called, but these resident players had designed not simply to entertain each night, but also to record the pool of material they'd woodshedded together in the recent months. A record, of all new originals, recorded live. Then when they went back to review the tapes, they were reliving the dream! While the two of them are generally divided up by speakers, which is a groovy old-school way to have stereo sound, their shared headspace is a constant flow of ever-melding play, ranging across all sorts of genres and geographies from east to west and folding them immaculately into each other, whether in moments of transition or extended meditation. Listening out for each other as they're picking, these boys dance together and never land a foot wrong. Whether head-to-head with six-strings or with Bill picking up his Requinto, or Ryley picking up his 12-string, these performances sound rich. The live capture seems to enhance the sound in all sorts of unpredictable ways that activates with the chemistry in their playing, and ultimately serves to elevate Land of Plenty in its field!"
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
Cassette
|
|
DC 949CS
|
$11.00
PREORDER
RELEASE DATE: 9/26/2025
Cassette version. "The successor to 2022's Bajascillators glides easily into frame, but once there, Inland See is deceptively immediate. It's so dialed in, you hardly even feel how present the music (and you the listener) is. Time wharping's always been a resident magic for Bitchin Bajas, as is flow, which is translucent like water here. That's the Inland See vibe, unique unto itself. In turn, each of the four songs here are entirely within themselves, all together forming an essential whole. The coincision'll cause yer breath to shorten, like an exciting and non-fatal kind of exercise! New freedoms, yet more molecular structure in each one. With every successive Bitchin Bajas release, we see that the real key for them is a sense of discovery, that tingle that comes when you feel something breaking through. The sky opening up. The stuff that fills this Inland See holds you up powerfully, as if you're floating, saltwater or helium-wise -- effervescent, effortless, elemental. An increasing sense of the Bajas' physicality -- what's ephemeral, what's mercurial, and what sits inside us after it's all over. This music was mostly written on the road. It's an unusual happening for Bitchin Bajas! They were open for it, though -- the landmarked Bajascillators kept them out there for a while, and when inspiration struck, there they rolling. When it was time to render it to tape and find the record there, they did the whole thing at Electrical Audio. Recording all together in the room there lent a sense of space, which they dug and captured as natural as possible. No reverb at all added after the fact. Everything that's there was in system, directed through the interconnects with cool hands. And once Inland See is flowing toward you, through the hi-fi, you feel it all in the air."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DC 949LP
|
$23.00
PREORDER
RELEASE DATE: 9/26/2025
"The successor to 2022's Bajascillators glides easily into frame, but once there, Inland See is deceptively immediate. It's so dialed in, you hardly even feel how present the music (and you the listener) is. Time wharping's always been a resident magic for Bitchin Bajas, as is flow, which is translucent like water here. That's the Inland See vibe, unique unto itself. In turn, each of the four songs here are entirely within themselves, all together forming an essential whole. The coincision'll cause yer breath to shorten, like an exciting and non-fatal kind of exercise! New freedoms, yet more molecular structure in each one. With every successive Bitchin Bajas release, we see that the real key for them is a sense of discovery, that tingle that comes when you feel something breaking through. The sky opening up. The stuff that fills this Inland See holds you up powerfully, as if you're floating, saltwater or helium-wise -- effervescent, effortless, elemental. An increasing sense of the Bajas' physicality -- what's ephemeral, what's mercurial, and what sits inside us after it's all over. This music was mostly written on the road. It's an unusual happening for Bitchin Bajas! They were open for it, though -- the landmarked Bajascillators kept them out there for a while, and when inspiration struck, there they rolling. When it was time to render it to tape and find the record there, they did the whole thing at Electrical Audio. Recording all together in the room there lent a sense of space, which they dug and captured as natural as possible. No reverb at all added after the fact. Everything that's there was in system, directed through the interconnects with cool hands. And once Inland See is flowing toward you, through the hi-fi, you feel it all in the air."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DC 952LP
|
$23.00
PREORDER
RELEASE DATE: 9/26/2025
"Actor/comedian/musician/producer/author/all-round good guy Fred Armisen has long been known as one of the most curious entertainers in the business, creating a wild variety of things for television, film, stage, records and other media. The latest proof of his inquiring imagination is here: 100 Sound Effects! The goal was to create a number of specific and evocative sounds, but in addition to being a fun listen -- pure and simple -- 100 Sound Effects has great value as an industrial tool, with sound effects ready to be used in any number of entertainment projects. Some follow the basic blueprint, like doors shutting and glass breaking. Others are more abstract scenarios, but with a track like 'Campfire Breakfast Conversation.' The majority of the album was done at recording studios, but occasionally ambient sounds were needed. Rather than rely on OTHER sound effects records, Fred went outside and got these himself on a portable digital recorder, pointing it at the sky or a car or whatever was needed. Additionally, Fred wanted to recreate other specific moments not always covered on sound effects records, like 'Music Venue Employee Kicking Everyone Out While Throwing Away Bottles,' while also executing versions of his personal favorite sound effects, which resulted in tracks like 'Small Theater Booing.' With additional help and inspiration from Bill Hader, Mary Lynn Rajskub, Amber Coffman, Tim Heidecker, Riki Lindhome, and Alice Carbone Tench, Fred had a lot of fun making the album. And now, Fred Armisen's 100 Sound Effects is a sound effects album like no other, a fantastic contemporary entry in a classic album category that can be used as a library or just for brain-stimulating deep listening. Lastly, a personal note from Fred: 'I was thinking about haunted house sound effects albums and how fun those seemed to record. I wanted to do it at Steve Albini's studio in Chicago, Electrical Audio, but since this wasn't a collection of songs and I didn't know how long it was going to take, I needed to do this where I live, in Los Angeles. I told Steve what I was doing and asked if he knew of any engineers I could work with in L.A. He was very excited about the idea and asked Dave Grohl who might be available to help. Dave recommended Darrell Thorp and we started working at Studio 606, and then later Sunset Sound. Darrell was really inventive and a lot of fun to work with. Because Steve was so instrumental in making this happen, I dedicate the album to his memory. I miss him every day."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
DC 956CD
|
$13.50
PREORDER
RELEASE DATE: 9/26/2025
"The shaman of the six-string is back. Waving his axe of choice, Sir Richard Bishop once again summons forth damnable truth and beauty on an all-new musical kamikaze run through histories both written and -- as of yet -- not commonly known. Since the dying days of the 20th century, the composer/player of spirited polytheistic guitar recitals including Salvador Kali, Improvika, The Freak of Araby, Tangier Sessions, and most recently, Oneiric Formulary has worked feverishly to wrench and wrangle all the music that has and can possibly fall out of the guitar from east to west. With Hillbilly Ragas, Sir Rick stretches his callused hands across the waters to draw diverse musics back to his shack with the gladiatorial bloodthirst and balance of gravitas and jocosity listeners can expect from him in every hot little moment of play. But there's more to be said than these merely glib rantings as to what happens when traditional music heads for the hillbillies:"
"There were a few different approaches I utilized for this release. First and foremost, I wanted to go back to basics, to strip away any excesses and keep it as simple as possible: one man, one acoustic guitar, no overdubs, no effects, no electricity. Taking several cues from the sounds most often associated with the so-called American Primitive guitar style, I wanted to avoid any traditional approaches and instead try something more-raw and aggressive, concentrating more on rhythm and movement as opposed to anything predictable or overly melodic, while also keeping my particular interpretive ideas about East Indian Raga in the mix. I've always felt that the majority of what is considered to be American Primitive music, while certainly based on historical American musical traditions, never really had any sounds that I personally thought of as being primitive -- it always seemed too orderly, too developed, and too safe? During the recording process I was envisioning an undiscovered mountain man or "hillbilly" who had remained hidden in his own private backwoods; one who never learned, or even heard about, any traditional musical canon that he was expected to work within. So what we have here with Hillbilly Ragas are nine pieces for solo acoustic guitar, each one representing a different excursion into the dark woods -- the untamed explorations of a musical loner, an outsider, maybe even an undesirable, embodying a peculiar folklore and turning it into sound -- creating his own folk music in the process. He's still out there, fueled by moonshine, his supernatural surroundings, and a fuck-all attitude!" --Richard Bishop, 2025
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
Cassette
|
|
DC 956CS
|
$12.00
PREORDER
RELEASE DATE: 9/26/2025
Cassette version. "The shaman of the six-string is back. Waving his axe of choice, Sir Richard Bishop once again summons forth damnable truth and beauty on an all-new musical kamikaze run through histories both written and -- as of yet -- not commonly known. Since the dying days of the 20th century, the composer/player of spirited polytheistic guitar recitals including Salvador Kali, Improvika, The Freak of Araby, Tangier Sessions, and most recently, Oneiric Formulary has worked feverishly to wrench and wrangle all the music that has and can possibly fall out of the guitar from east to west. With Hillbilly Ragas, Sir Rick stretches his callused hands across the waters to draw diverse musics back to his shack with the gladiatorial bloodthirst and balance of gravitas and jocosity listeners can expect from him in every hot little moment of play. But there's more to be said than these merely glib rantings as to what happens when traditional music heads for the hillbillies:"
"There were a few different approaches I utilized for this release. First and foremost, I wanted to go back to basics, to strip away any excesses and keep it as simple as possible: one man, one acoustic guitar, no overdubs, no effects, no electricity. Taking several cues from the sounds most often associated with the so-called American Primitive guitar style, I wanted to avoid any traditional approaches and instead try something more-raw and aggressive, concentrating more on rhythm and movement as opposed to anything predictable or overly melodic, while also keeping my particular interpretive ideas about East Indian Raga in the mix. I've always felt that the majority of what is considered to be American Primitive music, while certainly based on historical American musical traditions, never really had any sounds that I personally thought of as being primitive -- it always seemed too orderly, too developed, and too safe? During the recording process I was envisioning an undiscovered mountain man or "hillbilly" who had remained hidden in his own private backwoods; one who never learned, or even heard about, any traditional musical canon that he was expected to work within. So what we have here with Hillbilly Ragas are nine pieces for solo acoustic guitar, each one representing a different excursion into the dark woods -- the untamed explorations of a musical loner, an outsider, maybe even an undesirable, embodying a peculiar folklore and turning it into sound -- creating his own folk music in the process. He's still out there, fueled by moonshine, his supernatural surroundings, and a fuck-all attitude!" --Richard Bishop, 2025
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DC 956LP
|
$20.00
PREORDER
RELEASE DATE: 9/26/2025
LP version. "The shaman of the six-string is back. Waving his axe of choice, Sir Richard Bishop once again summons forth damnable truth and beauty on an all-new musical kamikaze run through histories both written and -- as of yet -- not commonly known. Since the dying days of the 20th century, the composer/player of spirited polytheistic guitar recitals including Salvador Kali, Improvika, The Freak of Araby, Tangier Sessions, and most recently, Oneiric Formulary has worked feverishly to wrench and wrangle all the music that has and can possibly fall out of the guitar from east to west. With Hillbilly Ragas, Sir Rick stretches his callused hands across the waters to draw diverse musics back to his shack with the gladiatorial bloodthirst and balance of gravitas and jocosity listeners can expect from him in every hot little moment of play. But there's more to be said than these merely glib rantings as to what happens when traditional music heads for the hillbillies:"
"There were a few different approaches I utilized for this release. First and foremost, I wanted to go back to basics, to strip away any excesses and keep it as simple as possible: one man, one acoustic guitar, no overdubs, no effects, no electricity. Taking several cues from the sounds most often associated with the so-called American Primitive guitar style, I wanted to avoid any traditional approaches and instead try something more-raw and aggressive, concentrating more on rhythm and movement as opposed to anything predictable or overly melodic, while also keeping my particular interpretive ideas about East Indian Raga in the mix. I've always felt that the majority of what is considered to be American Primitive music, while certainly based on historical American musical traditions, never really had any sounds that I personally thought of as being primitive -- it always seemed too orderly, too developed, and too safe? During the recording process I was envisioning an undiscovered mountain man or "hillbilly" who had remained hidden in his own private backwoods; one who never learned, or even heard about, any traditional musical canon that he was expected to work within. So what we have here with Hillbilly Ragas are nine pieces for solo acoustic guitar, each one representing a different excursion into the dark woods -- the untamed explorations of a musical loner, an outsider, maybe even an undesirable, embodying a peculiar folklore and turning it into sound -- creating his own folk music in the process. He's still out there, fueled by moonshine, his supernatural surroundings, and a fuck-all attitude!" --Richard Bishop, 2025
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
ECHO 096EP
|
$22.50
PREORDER
RELEASE DATE: 9/26/2025
Echocord welcomes Deepchord co-founder Mike Schommer onto its roster with Heirloom Signal, featuring remixes from Mathimidori, TM Shuffle and Another Channel. Mike Schommer co-founded Deepchord alongside Rod Modell and was considered by many to be at the forefront of the second wave of dub techno in the early 2000s following on from the legacy left by Basic Channel in the '90s. Here the musical story continues with a new project for the equally beloved dub techno powerhouse, Echocord.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
EDGE 036EP
|
$19.00
PREORDER
RELEASE DATE: 9/26/2025
Following the success of the 12" Trip To Your Mind (The Reworks), Hudson People are back with a fresh twist: DJ Friction steps in for an official 7" rework, breathing new life into this cult classic in his own unmistakable style. Where the 12" reworks stretched out the groove with extended intros and club-friendly builds, Friction's version keeps things tight and energetic. He adds his own drums, claps, synth touches, and some new vocal layers -- combining the standout parts from both the original mix and the classic UK remix. The result is a punchy new take that's perfect for DJs who want maximum impact in a short format.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ESK 025LP
|
$38.50
PREORDER
RELEASE DATE: 9/26/2025
MOLA -- fierce gutter pop, bittersweet ballads and roaring indie anthems oscillating between heartbreak, chaos and radical connection. On Liebe Brutal, raw emotion meets sharp irony, Italo-drama meets pogo energy. Isabella Streifeneder and producer Markus Harbauer deliver their most direct, dynamic and vulnerable record to date -- brutally honest, brutally beautiful. Also featuring Saló, Resi Reiner, MC Windhund, and Fatoni.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FRB 013LP
|
$33.00
PREORDER
RELEASE DATE: 9/26/2025
Emerging from the depths of private-press obscurity, The People's People Present The Spirit of David is a remarkable testament to the ambition and discipline of its creators. This singular album, originally recorded in 1974 and released in 1976, marks the first original work by tenor saxophonist Jeff Jones, who also arranged, wrote, and conceptualized the project. That same year, Jones founded The People's People collective and The Voice of the People Publishing Company, using music and the arts as a platform to give voice to the voiceless. Performed in one continuous take, The Spirit of David weaves spiritual jazz with elements of soul, world music, and electric funk, producing a hypnotic, emotive soundscape that resonates with the era's social unrest and a longing for unity and transcendence. The band -- featuring Emmons Porter on bass vocals, Jack Spinovich on drums, Leonard Franklin on guitar, Ray Vega on percussion and congas (not the trumpeter of the same name), and Steve Espanosa on piano -- delivers a deeply cohesive and textured performance that transcends its time. Now reissued by Frederiksberg Records -- a label founded in 2013 by Danish video journalist Andreas Vingaard in New York -- the album's elusive history only deepens its mystique, inviting renewed exploration. That mystique is further illuminated in the extensive story found on the album insert, written by guitarist and composer Karl Evangelista, whose detailed liner notes provide essential context and insight into the album's creation and cultural significance. From the liner notes by Karl Alfonso Defensor Evangelista: "(Jeff) Jones had musicians commit to three years of preparation, and he was a harsh taskmaster; music was drilled -- 'like the army,' as Jones describes it. Participants were more or less forbidden from taking paying gigs in the interim, and the bandleader, saving most of his capital for studio time, could not afford to feed or pay the band. The ensemble was so thoroughly rehearsed by the time of the session that the entire record was performed in one take, and the album's myriad breaks and deft orchestration changes were accomplished without visual cues."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
HPS 359CD
|
$16.00
PREORDER
RELEASE DATE: 9/26/2025
Incorporating dusty, doom metal elements with a hint of California sunshine added for good measure. Dusted Angel's doom falls in line with traditional acts like '70s era Pentagram and Saint Vitus' more rockin' moments. Dusted Angel is a band that likes to keep it in the family. Made up of a group of close friends that have known each since the early '80s, stemming from playing in various intertwined bands engraved in the extended Santa Cruz family of friends. Featuring Ed Gregor on guitar, Eric "Dog" Fieber on guitar, Steve Ilse on drums, Clifford Dinsmore on vocals, and Eliot Young on bass. Formed in 2009, Dusted Angel is a sleeping giant that awakens from time to time to enlighten people with their unique brand of heavy, heavy groove laden music. Now it's time for a new album via Heavy Psych Sounds Records! Also available on black vinyl (HPS 359LP), orange vinyl (HPS 359LTD-LP), and red/yellow/purple color vinyl (HPS 359ULTRA-LP).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 359LP
|
$28.00
PREORDER
RELEASE DATE: 9/26/2025
LP version. Incorporating dusty, doom metal elements with a hint of California sunshine added for good measure. Dusted Angel's doom falls in line with traditional acts like '70s era Pentagram and Saint Vitus' more rockin' moments. Dusted Angel is a band that likes to keep it in the family. Made up of a group of close friends that have known each since the early '80s, stemming from playing in various intertwined bands engraved in the extended Santa Cruz family of friends. Featuring Ed Gregor on guitar, Eric "Dog" Fieber on guitar, Steve Ilse on drums, Clifford Dinsmore on vocals, and Eliot Young on bass. Formed in 2009, Dusted Angel is a sleeping giant that awakens from time to time to enlighten people with their unique brand of heavy, heavy groove laden music. Now it's time for a new album via Heavy Psych Sounds Records!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 359LTD-LP
|
$31.50
PREORDER
RELEASE DATE: 9/26/2025
LP version. Orange color vinyl. Incorporating dusty, doom metal elements with a hint of California sunshine added for good measure. Dusted Angel's doom falls in line with traditional acts like '70s era Pentagram and Saint Vitus' more rockin' moments. Dusted Angel is a band that likes to keep it in the family. Made up of a group of close friends that have known each since the early '80s, stemming from playing in various intertwined bands engraved in the extended Santa Cruz family of friends. Featuring Ed Gregor on guitar, Eric "Dog" Fieber on guitar, Steve Ilse on drums, Clifford Dinsmore on vocals, and Eliot Young on bass. Formed in 2009, Dusted Angel is a sleeping giant that awakens from time to time to enlighten people with their unique brand of heavy, heavy groove laden music. Now it's time for a new album via Heavy Psych Sounds Records!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 359ULTRA-LP
|
$41.00
PREORDER
RELEASE DATE: 9/26/2025
LP version. Red/yellow/purple color vinyl. Incorporating dusty, doom metal elements with a hint of California sunshine added for good measure. Dusted Angel's doom falls in line with traditional acts like '70s era Pentagram and Saint Vitus' more rockin' moments. Dusted Angel is a band that likes to keep it in the family. Made up of a group of close friends that have known each since the early '80s, stemming from playing in various intertwined bands engraved in the extended Santa Cruz family of friends. Featuring Ed Gregor on guitar, Eric "Dog" Fieber on guitar, Steve Ilse on drums, Clifford Dinsmore on vocals, and Eliot Young on bass. Formed in 2009, Dusted Angel is a sleeping giant that awakens from time to time to enlighten people with their unique brand of heavy, heavy groove laden music. Now it's time for a new album via Heavy Psych Sounds Records!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
KOM 502EP
|
$18.00
PREORDER
RELEASE DATE: 9/26/2025
Michael Mayer, aka Mr. Lava Lava asked a bunch of his absolute favorite artists to have a go at some of the tracks from his recent album The Floor Is Lava. First up is Barcelona's brightest flame, RAXON, who is melting "Brainwave 2.0" into a stompin fun-filled primetime banger. Longtime collaborator DAVE DK is a masterful producer and remixer that appears regularly on Pampa and Kompakt. His take on "The Solution" feels like a road trip to paradise and back. Montreal's PRIORI is one of the hottest names in showbiz right now. His ability to bridge genres and create pristine sound designs is fully on display in his remix for "The Solution." Last but not least, the legend that is SEBASTIAN MULLAERT took a moment off from his revered Circle Of Life jams to transform the albums deepest cut "Ardor" into an extraordinary musical journey.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
KYNEX 005LP
|
$44.50
PREORDER
RELEASE DATE: 9/26/2025
Legendary dub techno artist Paul St. Hilaire (AKA Tikiman) presents this new collaborative album, marking ten years of Kynant Records. Building on the success of Paul St. Hilaire's landmark solo album for Richard Akingbehin's label Kynant in 2023, w/ The Producers switches up the formula to pair St. Hilaire's with a different producer on each track. Referencing fellow dub techno pioneers Mark Ernestus & Moritz von Oswald's acclaimed album w/ The Artists as Rhythm & Sound, St. Hilaire flips the concept to feature as the lone vocalist. Over the album's nine tracks, St. Hilaire offers a range of conscious song-writing and headtop musings, such as the spoken-word dread of "What's This" or the sparse call-to-action of "Send Them On." The record weaves through all shades of contemporary dub evolutions, showing the vocal range and versatility of St. Hilaire. w/ The Producers is yet another essential record in St. Hilaire's unmatched discography. w/ The Producers finds Kynant Records bridging the original voice of dub techno with the genre's new wave. It's a statement of intent from the label, which began with deep, hypnotic techno and has veered gradually towards more dubwise sounds.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
LIVITY 069EP
|
$21.50
PREORDER
RELEASE DATE: 9/26/2025
Livity Sound welcomes Joe Milli to the fold with an assured EP of crisp club workouts that land between techno's evocative depth and UK funky's offbeat, drum-focused functionality. Over the past few years Milli has been establishing his sound across a swathe of radio shows, guest mixes and releases, and he lands on Livity with a timeless take on the label's commitment to stripped back, atmospheric soundsystem music. There's variety across the Deep Forest EP, ranging from the balmy bassweight house of the title track to the deep-diving dub pulses of "Look Again." In line with past releases from the likes of Bakongo, DJ Polo and Tribal Brothers, Milli's strength lies in his ability to bend the UK funky formula to different styles, all precision-tooled for the club.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
MAR 104EP
|
$19.00
PREORDER
RELEASE DATE: 9/26/2025
Among the vast underworld of 1970s jazz-funk rarities, one name quietly resonates with collectors and rare groove DJs: Fire Water. With just one known, self-titled 7" -- independently released in the early 1980s, the group remains shrouded in mystery. Musically, Fire Water's "Twilight" sits at the crossroads of spiritual jazz, soul jazz, and atmospheric funk. The instrumentation leans heavily on Fender Rhodes, warm and hypnotic basslines, subtle horn sections, and Afro- Latin percussion. Likely pressed in limited quantities and distributed locally, the original 7" has become a cult item over the decades, circulating among aficionados of obscure American independent music.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MR 486LP
|
$30.50
PREORDER
RELEASE DATE: 9/26/2025
Released exclusively in Germany in March 1966, Black Monk Time by The Monks has become a cult classic -- praised as a groundbreaking forerunner to punk and krautrock. From the explosive opener "Monk Time" to the fierce "Complication," Black Monk Time rejected flower power for something more urgent -- anger, humor, and innovation developing a confrontational, rhythm heavy sound. Though the album was overlooked at the time, its bold sound and sharp lyrics have earned it lasting influence and critical acclaim. The Monks were five American G.I.s stationed near Heidelberg, West Germany. Originally performing as a typical beat group under the name the 5 Torquays, they evolved into something far more radical. After discovering guitar feedback by accident and embracing a raw, percussive approach, they caught the attention of two German ad men -- Walther Niemann and Karl Remy -- who became their managers and helped reinvent their identity. Dressed in monks' robes with tonsured hair and noose neckties, the band developed a confrontational, rhythm heavy sound. Their sole studio album, produced by Jimmy Bowien and recorded in Cologne in late 1965, defied musical norms. At the time, Polydor Records deemed the music too radical for American audiences, delaying its U.S. release. Despite its initial commercial failure, the album is now seen as a pivotal moment in rock history -- loud, strange, and unapologetically ahead of its time. The Monks' story is as unlikely as their sound: five ex-soldiers and two ad executives creating one of the most daring records of the '60s. The band never sparked the revolution they hinted at, but decades later, Black Monk Time still resonates. This is your chance to experience the album that dared to be different -- don't miss it. Remastered sound from the tapes, pressed on 180g vinyl.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MUSIQ 301LP
|
$20.00
PREORDER
RELEASE DATE: 9/26/2025
Kito Jempere, a producer hailing from Saint Petersburg and now based in Dubai, makes his debut on Mule Musiq with a high-quality four-track album. Opening with an aptly titled, anthemic dancefloor track -- bouncy breakbeat house layered with spoken word and an uplifting, lyrical piano riff -- the record moves into "Infinite Azure," a jazzy deep house cut reminiscent of late-'90s releases on Guidance. "Mid 0000s" follows with an abstract deep house vibe that recalls the work of Isolée, before closing with "Teaser," a beautifully melancholic blend of piano and vocals, perfect for the end of the night.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
4CD
|
|
NYAHH 021CD
|
$48.00
PREORDER
RELEASE DATE: 9/26/2025
4CD set separated into four categories: Drones and Tapes, Ensembles, Synthesizers and Vocals. This wild and wonderful set came about from a meeting between Nyahh Records boss Willie Stewart and Bill Perrine, author of Alien Territory: Radical, Experimental and Irrelevant Music From 1970's San Diego. The two were chatting over email when Bill happened to mention that he had access to the archive at the University of California, San Diego which contained a large collection of unreleased work by many of the artists and musicians mentioned in his book. They decided to collaborate on a compilation album, which soon turned into a 4-disc set. Featuring Robert Turman, David Dunn, Warren Burt, Ernie Morgan, Harry Partch, Allen Strange, Pauline Oliveros, Reinhard Berg, Citizen's Band, Joseph Julian, KIVA, Dary John Mizelle, Diamanda Galás, Joji Yuasa, Alexina Louie, Kenneth Gaburo, Peter Gordon, Kathy Acker, David Gamper, Robert MacDougall, and Frank McCarty.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OSR 116LP
|
$31.50
PREORDER
RELEASE DATE: 9/26/2025
LP version. First ever release of post-Children Of The Mushroom heavy prog studio/live recordings from 1971. Formed in California in 1967, Children of the Mushroom were the quintessential garage-psych band. As the times evolved, the band hardened their sound, shortening their name to Mushroom. By 1970, Mushroom became Lady, incorporating prog-rock influences and instruments like flute to their hard-pych organ/guitar dominated sound, drawing inspiration from bands like Jethro Tull, Steamhammer, Gypsy, or Bloodrock. In 1971 the band recorded a few studio demos at Village Recorders in Los Angeles, which are presented here in top sound quality along with a couple of raw, lo-fi but killer live tracks from the same year. Long tracks, heavy fuzz guitar, Hammond organ, flute, and powerful vocals. Remastered sound. Includes insert with liner notes by Klemen Breznikar (It's Psychedelic Baby) and rare photos. Also includes download card with three live bonus tracks.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
REYLP 007LP
|
$32.00
PREORDER
RELEASE DATE: 9/26/2025
Peruvian cumbia has captured hearts and dance floors around the world thanks to its contagious rhythm and rich history. This genre reflects Peru's ethnic diversity, the result of a fusion of cultural influences from the coast, mountains, and jungle. Today, cumbia has evolved to become not only a symbol of national identity but also a unique cultural expression of the country. Therefore, Rey Records present this collector's edition, printed on 140-gram translucent green vinyl and available in limited quantities. A special selection featuring emerging artists from Lima, Tarapoto, and Huánuco, designed for DJs and music lovers alike. This exclusive piece invites you to rediscover the new Peruvian cumbia: the sound that brings the heart of Peru to the ears of the world. Pressed and made in Peru. Featuring Bareto, Hit La Rosa, Olaya Sound System, Paradero Angamos, Los Protones, Kozmic Cumbia, La Merfi, Flora Masato, Tribilin Sound, MC Black Joker, Los Kelkas, and Oriente Trio.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
RLV 003EP
|
$30.00
PREORDER
RELEASE DATE: 9/26/2025
"The latest installment in the Reloved series brings together producer extraordinaire Clap! Clap! (Cristiano Crisci) and the rich catalog of library music from Four Flies Records. A lifelong enthusiast of Italian soundtracks and library music, the acclaimed Florence-born producer continues to refine his unique vision, this time delving into original tracks by Giuliano Sorgini, Oscar Rocchi, Fabio Fabor, and Enzo Minuti. By engaging in a creative dialogue with these masters, he expands his compositional approach, seamlessly blending jazz, funk, boom bap, electronica, and vocal elements to create an imaginative and experimental groove. This bold and exciting project not only reimagines the library music masters for today -- the essence of the Reloved series -- but also takes things a step further. Thanks to Clap! Clap!'s brilliance, select gems from Four Flies' catalog are transformed into a new sonic art form."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
RRS 277LP
|
$22.50
PREORDER
RELEASE DATE: 9/26/2025
Absurd-Ditties is the seventh album from UK punk rockers Toy Dolls, recorded in September 1992 and hitting shelves in January 1993 via Receiver Records. Often hailed as one of their standout releases -- both by fans and frontman Olga -- it delivers the band's trademark mix of fast-paced punk and witty lyricism. The title is a playful mash-up of "absurd" (meaning bizarre or illogical) and "ditties" (short, catchy tunes), perfectly summing up the album's collection of eccentric and energetic songs.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
RRS 277O-LP
|
$24.00
PREORDER
RELEASE DATE: 9/26/2025
Color vinyl version. Absurd-Ditties is the seventh album from UK punk rockers Toy Dolls, recorded in September 1992 and hitting shelves in January 1993 via Receiver Records. Often hailed as one of their standout releases -- both by fans and frontman Olga -- it delivers the band's trademark mix of fast-paced punk and witty lyricism. The title is a playful mash-up of "absurd" (meaning bizarre or illogical) and "ditties" (short, catchy tunes), perfectly summing up the album's collection of eccentric and energetic songs.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
RRS 278LP
|
$22.50
PREORDER
RELEASE DATE: 9/26/2025
One More Megabyte is the ninth studio album by English punk rock band Toy Dolls, packed with their signature humor and high-energy punk rock. Embracing the rise of computers, the album blends witty social commentary with themes of love, eccentric characters, and playful jabs at pop culture. Featuring several covers, including The Proclaimers' 'I'm Gonna Be (500 Miles),' and punctuated by comedic skits, it's a must-have for fans of fast, fun, and unapologetically quirky punk.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
RRS 278W-LP
|
$24.00
PREORDER
RELEASE DATE: 9/26/2025
Color vinyl version. One More Megabyte is the ninth studio album by English punk rock band Toy Dolls, packed with their signature humor and high-energy punk rock. Embracing the rise of computers, the album blends witty social commentary with themes of love, eccentric characters, and playful jabs at pop culture. Featuring several covers, including The Proclaimers' 'I'm Gonna Be (500 Miles),' and punctuated by comedic skits, it's a must-have for fans of fast, fun, and unapologetically quirky punk.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SDBAN 020LP
|
$29.50
PREORDER
RELEASE DATE: 9/26/2025
Sdban Records presents the first official reissue of Coal Mining, the 1978 debut album by Dutch jazz pianist René van Helsdingen. This album marks a significant milestone -- the beginning of van Helsdingen's decades-spanning career as an innovative and independent musician. Born in 1957 in Jakarta, Indonesia, but holding Dutch nationality, René van Helsdingen began classical piano studies in the Netherlands in the early 1960s. Coal Mining was originally released on Munich Records, a respected Dutch jazz and roots label founded by music producer and musician Job Zomer. The album features a blend of jazz influences from giants such as Oscar Peterson, McCoy Tyner, and Bill Evans, and showcases van Helsdingen's distinctive voice as a composer and pianist at the very start of his professional journey. The record includes contributions from a rich ensemble of musicians, including Wim Essed (bass), Klaus Flenter (guitar), Børge Ring (double bass), Henk Zomer (drums), Martijn Nesenberend (drums), Dick Pluim (bass), and even a student orchestra formed during van Helsdingen's time at Delft University. Coal Mining is both a literal and symbolic title. It alludes not only to van Helsdingen's brief academic past, but to the depth and labor of jazz creation itself: layered, gritty, and forged under pressure. A year after the album's release, van Helsdingen moved to Los Angeles to continue his jazz studies. While living in Hollywood, he shared a house with future musical collaborators including Kent Brinkley, Essiet Okon Essiet, Brian Batie, John Rigby, Edmond Allmond, David Best and John Butler. Even in the early stages of his career, van Helsdingen displayed the entrepreneurial spirit that would define his path, self-releasing albums and even pioneering an early form of crowdfunding by selling 400 ad spaces on a record sleeve to finance an LP project. After his jazz studies in Los Angeles, he performed extensively in Europe, Canada, the U.S. Australia and Asia, often traveling with his own "Stage bus," which housed both a stage and instruments. In August 2018, van Helsdingen was diagnosed with Parkinson's disease. Despite the physical challenges brought on by the condition, he continues to perform and compose music. His openness about the diagnosis -- shared publicly in a 2019 documentary -- has helped raise awareness of Parkinson's and the role of creativity and improvisation as tools for resilience. Now, nearly five decades after its initial release, Coal Mining is finally receiving a well-deserved reissue. Introducing a new generation of listeners to the raw talent and visionary beginnings of a true European jazz original.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SOMM 114LP
|
$31.50
PREORDER
RELEASE DATE: 9/26/2025
Heavy UK progressive monster rarity from 1973; only one acetate copy known to exist. During their brief existence, Cargo -- a band that supported the likes of Sam Apple Pie, Stray, East of Eden, and Greenslade -- certainly delivered the goods with their powerful blend of hard-rock, psychedelic and progressive/jazz-rock sounds, full of screaming vocals, hard guitar, furious sax attacks, and heavy drums. Formed in Burton on Trent by guitarist/songwriter Andrew Perrins with members from the band Helter Skelter, they included killer lead guitarist Neillian 'Sped' Spedding, saxophonist Alan 'Nala' Wright, drummer Graham Hair, bassist Dave Kent, and a charismatic vocalist modeled after Robert Plant named Terence 'Ticker' Davies. Influenced by bands like Gentle Giant, ELP, and Yes, Cargo gained attention through strong live performances, supporting major acts like Queen and East of Eden. In 1973, they recorded a demo acetate titled Delivering The Goods at Zella Studios. Although they nearly signed with Island Records, they turned down the offer when it was only extended to the singer and drummer. This is without doubt a major find for any hard-rock/heavy-prog fan. Gatefold sleeve in the best early '70s style. Remastered sound. Includes insert with detailed liner notes by Austin Matthews (Shindig!/Flashback) and rare photos Also includes download card.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
TO 127CD
|
$14.50
PREORDER
RELEASE DATE: 9/26/2025
Idylla is the third of part of a trilogy of nature-based recordings that Polish composer Michał Jacaszek has recorded for Touch. The first, Catalogue des Arbres, was a collaboration with Kwartludium that celebrated the earlier inspiration of French composer Olivier Messiaen's Catalogue des Oiseaux (1958). Gardenia was a response to a field recording workshop organized by Francisco Lopez in Limpopo province in South Africa, on the border with Botswana, the participants living in a subtropical nature reserve in the middle of nowhere. Idylla takes Jacaszek's unique approach to field recording a step further. Faced with the specter of AI and the progressive blur between digital simulation and the natural world, Jacaszek has made a series of source recordings and then used MIDI technology to isolate key sounds before scoring them for classical instruments and the vocal treatments performed by the 441Hz Choir from Gdańsk, under the direction of Anna Borkowicz. It is said that there is nothing new under the sun. Here is a collection of recordings that are poised between a lamentation for a disappearing world and a joyous reflection upon the beauty of being sat by a river, listening to birdsong amidst the movement of trees in a soft wind. Idylla consolidates Jacaszek's work as being amongst the most essential of any contemporary composer, its symphonic quality matched by its beauty and detail above and beneath.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
VAMPI 45114EP
|
$17.50
PREORDER
RELEASE DATE: 9/26/2025
A longtime favorite among Brazilian music collectors! Trio Ternura's "A Gira," originally released in 1973, blends mid-tempo grooves with percussive funk and soul in a way that feels effortlessly timeless. Vampisoul now make this incredible single available once again, cut at 45 RPM and remastered from the original tapes. The track was written by the group's father and uncle as a heartfelt homage to the Candomblé deity -- celebrating nature and spirituality. Trio Ternura was a true family project, made up of three siblings with deep musical roots. According to them "A Gira" captures "the dancing, the expression, the lyrics and musical relaxation -- something very Brazilian." The B-side features the trio's soulful interpretation of Gato Barbieri's "Last Tango in Paris," adding a mellow cinematic touch to this sought-after release.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
ACRE 018CD
|
$17.50
PREORDER
RELEASE DATE: 10/3/2025
Scaler are the electrifying Bristol-based band hailed as the city's "next national breakthrough" thanks to their pulverizing live show and meticulous, mind- warping sound. Now they're back with Endlessly, a sublime and stylistically expansive new album. Ten potent tracks written and recorded more collaboratively than ever before, as Scaler explore what it means to make music with no ceiling. Building on what they know and taking it in new directions has been a constant throughout the three-year journey behind Endlessly, which came together in the studio beneath Bristol's legendary The Louisiana. Inspired by time apart, the album finds them reconnecting with their diverse sonic touchpoints -- many tangled in their city's much-mused-on musical heritage -- and the creative energy of collaborators around them. Close friends and long-admired peers, including Akiko Haruna, Art School Girlfriend, Tlya X An, Shadow Stevie, Thomas Ridley and Cold Light's ELDON add color to Scaler's darkened palette and point to the left-turns they're leaning into.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ACRE 018LP
|
$29.50
PREORDER
RELEASE DATE: 10/3/2025
LP version. Scaler are the electrifying Bristol-based band hailed as the city's "next national breakthrough" thanks to their pulverizing live show and meticulous, mind- warping sound. Now they're back with Endlessly, a sublime and stylistically expansive new album. Ten potent tracks written and recorded more collaboratively than ever before, as Scaler explore what it means to make music with no ceiling. Building on what they know and taking it in new directions has been a constant throughout the three-year journey behind Endlessly, which came together in the studio beneath Bristol's legendary The Louisiana. Inspired by time apart, the album finds them reconnecting with their diverse sonic touchpoints -- many tangled in their city's much-mused-on musical heritage -- and the creative energy of collaborators around them. Close friends and long-admired peers, including Akiko Haruna, Art School Girlfriend, Tlya X An, Shadow Stevie, Thomas Ridley and Cold Light's ELDON add color to Scaler's darkened palette and point to the left-turns they're leaning into.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ACRSLP 1686LP
|
$26.00
PREORDER
RELEASE DATE: 10/3/2025
"There are perhaps few characters in the history of popular music who were as mysterious, as they were brazen than Aleck Ford, AKA Sonny Boy Williamson II. The true story of Sonny Boy Williamson II remains shrouded in mystery and uncertainty, and it seems this was Ford's intention, but to what ends, nobody can say. One thing is certain though -- he was one of the all-time greats of the harmonica, a bone fide bluesman, talented and charismatic in equal measure. His influence cannot be overstated. The first incarnation of the band that would become the Rolling Stones was named after him: Little Boy Blue and the Blue Boys; B.B King described him as 'the King of the harmonica;' and maybe there would have been no Howlin' Wolf, or Elmore James without Williamson's mentorship and support. The British Blues explosion of the late 1960s certainly owed much to Williamson and his compatriots. This carefully curated collection of this colorful and charismatic performer's work showcases just why he was one of the true legends of blues music. Interestingly, he was inducted into the Blues Hall of Fame in 1980, the same year as Sonny Boy Williamson I. It seems fitting that even in death and in honors they were inextricably linked. This collection hones in on his work that took the world by storm during his tenure with Trumpet and Checker in the 1950's and early '60s from his iconic 'Eyesight For The Blind' through to 'One Way Out.' It is a true celebration of one of the most mysterious characters in music."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ACRSLP 1687LP
|
$26.00
PREORDER
RELEASE DATE: 10/3/2025
"They called him the Originator for a very good reason. Bo Diddley was the foremost bridge between blues and rock 'n' roll, facilitated in no small part by his 'Bomp ba-bomp bomp, bomp bomp' sound, the famous 'Bo Diddley beat.' He was a master of invention too, inventing his name, his persona and style, and his own guitar. Put simply, he was one of those artists whose importance and influence as a pioneer of popular music far outweighed the commercial and chart success he enjoyed during his career. With just nine U.S. R&B and two Pop chart successes across a career spanning five decades, Diddley was not exactly a hit-making machine. But his legacy is such that echoes of his music pervade rock, pop and hip-hop to this day. This LP revels in Diddley's guitar genius and features 16 of his greatest and most iconic tracks including 'I'm A Man,' 'Diddley Daddy,' 'Pretty Thing,' 'Mona,' 'Say Man' and 'Road Runner.' Once he had scored his first No. 1 with 'Bo Diddley' the shape of popular music changed forever. His influence is clear to see, through some of the work of artists -- and Diddley devotees -- like Buddy Holly, the Rolling Stones, Johnny Otis, Cliff Richard, The Who, Bruce Springsteen, U2, and George Michael. Every time a song uses the 'Bomp ba-bomp bomp, bomp bomp' motif, Diddley's legacy lives on."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ACRSLP 1689LP
|
$26.00
PREORDER
RELEASE DATE: 10/3/2025
"John Lee Hooker, known as 'The King of the Boogie' and 'the Boogie Man,' was a true blues icon. Quality rather than quantity is the key to Hooker's singular success. He did not have a huge number of hits in the R&B chart, but those that did make a major impact would provide some of the key musical architecture for future blues and rock artists. When he came to prominence in the late '40s, he was playing blues in a way that was regarded as somewhat spare, his dark repetitive vocals supported only by his amplified guitar and his stamping foot. His was no overnight stardom. Having paid his dues over many years, once he started recording, he did so prolifically. This fine collection of his earlier songs demonstrates Hooker's blues virtuosity while at the same time establishing his work as a signpost to a deeper understanding of the British Blues explosion. It features a host of early hits including the iconic No. 1's 'Boogie Chillen'' and 'I'm In The Mood,' alongside 'Hoogie Boogie,' 'Hobo Blues,' 'Crawlin' King Snake,' 'Dimples,' 'No Shoes,' and, naturally, the timeless 'Boom Boom.'"
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ACRSLP 1690LP
|
$26.00
PREORDER
RELEASE DATE: 10/3/2025
"The life and career of Billie Holiday was underscored by triumphs and tragedies. One of the greatest artists of her generation, no-one conveys deep emotion better than 'Lady Day.' Hers was a new jazz voice, influenced by jazz instrumentalists, with its ability to manipulate tempo and phrasing in bold and enthralling ways. The great Frank Sinatra was both a friend and a fan of her music. He said of her in 1958, 'With few exceptions, every major pop singer in the U.S. during her generation has been touched in some way by her genius. It is Billie who was, and still remains, the greatest single musical influence on me.' In fact, her legacy carries across the generations, with artists such as Nina Simone, Joni Mitchell, and Amy Winehouse citing her as an influence. This collection traces an important six years of her early recording career which built the platform for the huge commercial success she enjoyed during the mid to late '40s, before she began to succumb to the lifestyle which eventually destroyed her. It features iconic and beautifully harrowing recordings such as 'Summertime,' 'Strange Fruit,' 'Night & Day,' 'God Bless The Child,' and 'Solitude,' demonstrating her unique and unmistakable way of interpreting the songs. It is a fascinating and beguiling musical journey."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
AGIT 074LP
|
$30.00
PREORDER
RELEASE DATE: 10/3/2025
"If Goodbye, Asshole was the wild night -- tequila-sharp riffs, sticky floors, and last-call chaos howled into the void of a disappearing city -- then Boone is the merciless morning after. The sun cracks the blinds. The brain throbs. Every bad decision gleams in the hard light, raw and undeniable. Fuckwolf's second album pares their scuzz-wave blitz down to exposed nerves: Eric Park's basslines stalk like a hangover pulse, Simon Phillips' drums land like a palm slapping the alarm into silence, and Tomo Yasuda's guitar wirings spit like diner coffee left to burn on the hotplate. The fog has lifted; the damage is inventoried. These ten tracks are crime scene polaroids, tales of longing and woe, fresh mystery bruises and eulogies. There's no wallowing here, just the tight, terrible beauty of a band that's stared down the void and come back swinging. The party's dead. Long live the reckoning."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
AGIT 074X-LP
|
$34.00
PREORDER
RELEASE DATE: 10/3/2025
Color vinyl version. "If Goodbye, Asshole was the wild night -- tequila-sharp riffs, sticky floors, and last-call chaos howled into the void of a disappearing city -- then Boone is the merciless morning after. The sun cracks the blinds. The brain throbs. Every bad decision gleams in the hard light, raw and undeniable. Fuckwolf's second album pares their scuzz-wave blitz down to exposed nerves: Eric Park's basslines stalk like a hangover pulse, Simon Phillips' drums land like a palm slapping the alarm into silence, and Tomo Yasuda's guitar wirings spit like diner coffee left to burn on the hotplate. The fog has lifted; the damage is inventoried. These ten tracks are crime scene polaroids, tales of longing and woe, fresh mystery bruises and eulogies. There's no wallowing here, just the tight, terrible beauty of a band that's stared down the void and come back swinging. The party's dead. Long live the reckoning."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
AW 139LP
|
$22.00
PREORDER
RELEASE DATE: 10/3/2025
LP version. "Kyle Sowash has had it. I mean, he's not alone. Things are getting tough out there. People are on these streets selling their Built to Spill records just to make rent. It's not okay. Start Making Sense is an appeal to sanity for all dads and phantom dads. A celebration of the tired and a strong cry for another beer. In case of emergency, raise glass. We've come so far from simply filing things under 'what's important' and 'what's not;' on this record, Sowash deals with fragile men, Cleveland football and justice for classic rock drummers. That coffee-colored telecaster still gets beat to hell, just for the healing. Look at the guitar up close if you can. Or just listen closer. The band is locked in. La Russo bumps. You could marinate meat in Hemminger's tone. Bandman has arms like a government clock. There's a universal yuck on us. You wake up to a world advancing and aging and cracking apart. Put this record on, man. Start Making Sense is a modern life survival kit, replete with horn arrangements and hot dog hooks. You're gonna be okay. Or you're gonna get the dishes done, at the very least. Turn it around, my guy. Start making sense." --Lee Keeler
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BAN 002CD
|
$21.50
PREORDER
RELEASE DATE: 10/3/2025
Siècle, the fourth album by Superpoze (Gabriel Legeleux, born in 1992), stands as the culmination of what the composer of Opening, For We the Living, and Nova Cardinale, also a producer and performer, has been meticulously crafting for the past ten years, with both precision and sensitivity. A striking and melancholic electronic music, where instruments and machines collide, blending synthetic textures, strings, and spectral voices. The result is an album of eight expansive and sharp-edged tracks, where life pulses, burns, and soothes.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BAN 002LP
|
$38.50
PREORDER
RELEASE DATE: 10/3/2025
LP version. Siècle, the fourth album by Superpoze (Gabriel Legeleux, born in 1992), stands as the culmination of what the composer of Opening, For We the Living, and Nova Cardinale, also a producer and performer, has been meticulously crafting for the past ten years, with both precision and sensitivity. A striking and melancholic electronic music, where instruments and machines collide, blending synthetic textures, strings, and spectral voices. The result is an album of eight expansive and sharp-edged tracks, where life pulses, burns, and soothes.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BB 489CD
|
$16.50
PREORDER
RELEASE DATE: 10/3/2025
Schnitzler's collaborations with Wolf Sequenza aka Wolfgang Seidel occupy a special place in his vast musical output. They brought him closer to pop music than ever before or since, with the possible exception of Berlin Express and Auf dem schwarzen Kanal. Following Consequenz and Con 3, Consequenz III is now the third album to be released from this phase of his work.
"Consequenz III follows on directly from the two previous albums. Once again, the pieces sound almost like pop music, once again they are rhythmically and harmoniously structured, once again they are between three and four minutes long. And once again, they are not 100% pop music, but rather a balancing act between strict, abstract seriality and contemporary electronics: no melodies, no vocals, and it's up to each listener to decide whether the pieces are danceable. Rather, the eleven pieces are rhythmic études or finger exercises, especially for Seidel, who once again plays with incredible precision, as if he were a sequencer himself. It is not for nothing that Schnitzler gave him the pseudonym Wolf Sequenza for their joint productions. Musicians such as Wolfgang Seidel continue to lend Schnitzler's sonic universe additional radiance. The fact that the pieces on Consequenz III have already been released in 2006 by the Japanese label Captain Trip under the title Consequenz 2 + was probably only noticed by very few Schnitzler fans outside Japan. Only a small number of the limited edition ever reached Europe, and sold out in no time. Consequenz III therefore reissues material that was previously known only to a few. And there's no end to it: Schnitzler left behind music that was either only released in very small editions (e.g. on cassettes or CDRs) or has never been released at all. There is still plenty to discover in the various archives. Will we ever get to know the 'whole Schnitzler'? I don't think so." --Asmus Tietchens, 2025
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BB 489LP
|
$26.00
PREORDER
RELEASE DATE: 10/3/2025
LP version. Schnitzler's collaborations with Wolf Sequenza aka Wolfgang Seidel occupy a special place in his vast musical output. They brought him closer to pop music than ever before or since, with the possible exception of Berlin Express and Auf dem schwarzen Kanal. Following Consequenz and Con 3, Consequenz III is now the third album to be released from this phase of his work.
"Consequenz III follows on directly from the two previous albums. Once again, the pieces sound almost like pop music, once again they are rhythmically and harmoniously structured, once again they are between three and four minutes long. And once again, they are not 100% pop music, but rather a balancing act between strict, abstract seriality and contemporary electronics: no melodies, no vocals, and it's up to each listener to decide whether the pieces are danceable. Rather, the eleven pieces are rhythmic études or finger exercises, especially for Seidel, who once again plays with incredible precision, as if he were a sequencer himself. It is not for nothing that Schnitzler gave him the pseudonym Wolf Sequenza for their joint productions. Musicians such as Wolfgang Seidel continue to lend Schnitzler's sonic universe additional radiance. The fact that the pieces on Consequenz III have already been released in 2006 by the Japanese label Captain Trip under the title Consequenz 2 + was probably only noticed by very few Schnitzler fans outside Japan. Only a small number of the limited edition ever reached Europe, and sold out in no time. Consequenz III therefore reissues material that was previously known only to a few. And there's no end to it: Schnitzler left behind music that was either only released in very small editions (e.g. on cassettes or CDRs) or has never been released at all. There is still plenty to discover in the various archives. Will we ever get to know the 'whole Schnitzler'? I don't think so." --Asmus Tietchens, 2025
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BEWITH 132LP
|
$43.50
PREORDER
RELEASE DATE: 10/3/2025
The Keith Tippett Group's Dedicated to You, But You Weren't Listening is a landmark in cutting edge fusion/avant-jazz. A vital and profoundly adventurous jazz-rock record that still swings hard, it was first released on Vertigo in 1971. Original copies are now very tricky to score and, as most of you really should know, it's aged ridiculously well. The stunning gatefold jacket fully restores Roger and Martyn Dean's original, arresting album artwork to complete this must-have reissue. Alive and bursting with a joyful energy that has to be heard to be believed, Dedicated to You, But You Weren't Listening flirts with perfection. It's truly magical and forever essential. A brilliant jazz pianist, composer, arranger and bandleader "who could make the outlands of modern music feel like the most hospitable of places" (The Guardian), Keith Tippett's second album is oft-regarded as his Canterbury album. Indeed, not only does he draw heavily on Soft Machine members past, present and future but the album title itself archly references a Soft Machine composition. Ray Babbington handles bass alongside Neville Whitehead and the drums are shared between Brian Spring, Robert Wyatt, and Phil Howard. Gary Boyle is on guitar whilst the great percussionist Tony Uter is enlisted for his conga and cow bell expertise. Elton Dean on alto saxello, cornetist Marc Charig and Nick Evans on trombone round out this quite stunning ensemble. Dedicated to You, But You Weren't Listening presents a collective of superhuman musicians enjoying themselves in the studio. The sheer exuberance of the performance is totally infectious. It's wild, energetic, atmospheric and, bluntly, bordering on chaotic at points. In a word, it's beautiful. This Be With edition of Dedicated to You, But You Weren't Listening has been re-mastered from the original Vertigo master tapes, Simon Francis' mastering working together with Cicely Balston's cut at Abbey Road Studios to weave their usual magic with these wonderful recordings.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
BFR 045LP
|
$33.00
PREORDER
RELEASE DATE: 10/3/2025
"Commemorating the 25th anniversary of its original release on September 19, 2000, this special edition of the desert rock classic on gorgeous silver/black/white color merge double LP features previously unpublished photos, essays, notes from the band, and magnificently updated silver-infused design to pay homage to one of the founding pillars of desert rock on its milestone silver anniversary."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BTR 127LP
|
$28.00
PREORDER
RELEASE DATE: 10/3/2025
Eje Eje, the orbiting side project of Şatellites founder and multi-instrumentalist Itamar Kluger, shares Primordial Soup, his second album on Batov Records, stirring an even wider pot of influences from East to West that defies genre. Kluger launched his solo project, Eje Eje, with the 2023 Five Seasons LP (BTR 073LP), playing the majority of instruments himself and refining his production chops. Kluger's blend of traditional Mediterranean and Middle Eastern music with psych, funk, dub, and beat production, culminated in strong support from BBC Radio 6 Music, BBC Radio 2, and Songlines. Much like its predecessor, Primordial Soup was largely self-recorded by Kluger, blending meticulous studio work, recalling DJ Shadow or early Four Tet, with raw, expressive performances -- mainly himself on strings, bass guitar, percussion, and keys, including a new recently acquired microtonal keyboard -- perfect for exploring Eastern musical scales, plus musical friends such as drummer Raz Man of Sababa 5, Şatellites, and Project Gemini fame. Taking its name from the scientific theory on the origins of life, Primordial Soup is as much about sonic experimentation as it is a metaphor for existence itself. For Kluger, the title represents both a philosophical question and a creative mission. Kluger began work on Primordial Soup in October 2023, though many ideas had been gestating long before. The process was shaped by both creative compulsion and emotional necessity. Album opener, "Oyun Çorbası" is a playful fusion of Turkish folk and indie rock textures. Its title is a wordplay on "Oyun Havaları" (traditional dance tunes) and "çorba" (soup), reflecting the track's mix of influences. A tight, marshy groove from drummer Raz Man drives the rhythm, while a phased baglama riff leads, layered with swirling keys into a hazy, cymbal-driven bridge. "The Bride" is a collaboration between Eje Eje and rising flautist, percussionist and multi-instrumentalist Elad Kimhi. Inspired by Lebanese weddings, the track blends tradition with dancefloor energy. Known for his work with Firqat El Nur Orchestra, Sharif, among others, Kimhi brings a deep understanding of Mediterranean music, from Andalusian to Moroccan and Turkish. From brooding cinematic rides to joyous wedding bangers, Primordial Soup explores what it means to be alive, connected, and creative in turbulent times and cements Eje Eje as one of the most exciting voices fusing Middle Eastern traditions with cutting-edge beat culture. For fans of: Sven Wunder, The Gaslamp Killer, Şatellites.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
CHEF 001CD
|
$16.00
PREORDER
RELEASE DATE: 10/3/2025
"The long-awaited follow-up to the Wu-Tang Clan classic, Only Built 4 Cuban Linx? Pt. II arrived in 2009 as a triumphant return to the mafioso rap blueprint Raekwon helped pioneer. More than a sequel, this album cemented Rae's legacy as one of hip-hop's sharpest storytellers, pairing his vivid narratives with cinematic production from legends like J Dilla, Dr. Dre, RZA, Pete Rock, and The Alchemist. A spiritual continuation of the Purple Tape legacy, OB4CL2 showcases gritty crime tales, street wisdom, and Wu-Tang brotherhood, with appearances by Ghostface Killah, Method Man, Inspectah Deck, GZA, and more. Critically acclaimed and hailed as one of the best hip-hop albums of the 2000s, the album blends nostalgia and evolution -- connecting the past with the present."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
CHEF 001LP
|
$32.00
PREORDER
RELEASE DATE: 10/3/2025
Double LP version. "The long-awaited follow-up to the Wu-Tang Clan classic, Only Built 4 Cuban Linx? Pt. II arrived in 2009 as a triumphant return to the mafioso rap blueprint Raekwon helped pioneer. More than a sequel, this album cemented Rae's legacy as one of hip-hop's sharpest storytellers, pairing his vivid narratives with cinematic production from legends like J Dilla, Dr. Dre, RZA, Pete Rock, and The Alchemist. A spiritual continuation of the Purple Tape legacy, OB4CL2 showcases gritty crime tales, street wisdom, and Wu-Tang brotherhood, with appearances by Ghostface Killah, Method Man, Inspectah Deck, GZA, and more. Critically acclaimed and hailed as one of the best hip-hop albums of the 2000s, the album blends nostalgia and evolution -- connecting the past with the present."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
CHEF 001VAR-LP
|
$38.00
PREORDER
RELEASE DATE: 10/3/2025
Double LP version. Color vinyl. "The long-awaited follow-up to the Wu-Tang Clan classic, Only Built 4 Cuban Linx? Pt. II arrived in 2009 as a triumphant return to the mafioso rap blueprint Raekwon helped pioneer. More than a sequel, this album cemented Rae's legacy as one of hip-hop's sharpest storytellers, pairing his vivid narratives with cinematic production from legends like J Dilla, Dr. Dre, RZA, Pete Rock, and The Alchemist. A spiritual continuation of the Purple Tape legacy, OB4CL2 showcases gritty crime tales, street wisdom, and Wu-Tang brotherhood, with appearances by Ghostface Killah, Method Man, Inspectah Deck, GZA, and more. Critically acclaimed and hailed as one of the best hip-hop albums of the 2000s, the album blends nostalgia and evolution -- connecting the past with the present."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
4CD
|
|
CLUE 1985CD
|
$72.00
PREORDER
RELEASE DATE: 10/3/2025
After Leeds alt-rock band The Lost Pandas disintegrated around them in the early 1980s, singer/guitarist David Gedge and bassist Keith Gregory decided to form a new group. In 1985, beguiled by pop radio, punk brashness, The Velvet Underground and David's erstwhile schoolmates, The Chameleons -- they launched The Wedding Present. That band was -- and remains -- uncompromising and unwaveringly authentic in every way and, as a result, Gedge, without intention, has become a legendary figure in alternative music. He has become one of the chief architects and originators of modern guitar rock and the mastermind behind one of the richest, catchiest and most consistently enthralling catalogues in pop history. Four decades on, and with 13 studio albums, 20 compilation albums and a whole host of singles, EPs, live albums and radio sessions The Wedding Present 40 is a commemorative reflection of this complex and fascinating catalogue. Available as four vinyl and four CD box sets, this is not your usual collection of "most popular" songs, but rather a chronological, aural journey of album tracks, singles and B-sides. The stunning artwork has been put together by Jonathan Hitchen -- who designed many of the band's original record covers -- and there are extensive sleeve notes by David Gedge himself along with esteemed music writer Mark Beaumont. Gedge's commentary provides a unique insight into the workings of the band and an absorbing track- by-track guide to the compilation.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
4LP
|
|
CLUE 1985LP
|
$190.50
PREORDER
RELEASE DATE: 10/3/2025
4LP version. After Leeds alt-rock band The Lost Pandas disintegrated around them in the early 1980s, singer/guitarist David Gedge and bassist Keith Gregory decided to form a new group. In 1985, beguiled by pop radio, punk brashness, The Velvet Underground and David's erstwhile schoolmates, The Chameleons -- they launched The Wedding Present. That band was -- and remains -- uncompromising and unwaveringly authentic in every way and, as a result, Gedge, without intention, has become a legendary figure in alternative music. He has become one of the chief architects and originators of modern guitar rock and the mastermind behind one of the richest, catchiest and most consistently enthralling catalogues in pop history. Four decades on, and with 13 studio albums, 20 compilation albums and a whole host of singles, EPs, live albums and radio sessions The Wedding Present 40 is a commemorative reflection of this complex and fascinating catalogue. Available as four vinyl and four CD box sets, this is not your usual collection of "most popular" songs, but rather a chronological, aural journey of album tracks, singles and B-sides. The stunning artwork has been put together by Jonathan Hitchen -- who designed many of the band's original record covers -- and there are extensive sleeve notes by David Gedge himself along with esteemed music writer Mark Beaumont. Gedge's commentary provides a unique insight into the workings of the band and an absorbing track- by-track guide to the compilation.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
CREEPY 007LP
|
$34.00
PREORDER
RELEASE DATE: 10/3/2025
Limited clear yellow vinyl. "It has been a long time since Creepy Crawl released any music -- the return to the fray was not something the label had had thought about -- times have changed, the world of underground music is almost unrecognizable -- however things came back into focus when the underground legend that is Mike Vest came calling. Mike Vest is a one man musical tour de force known for his extensive work with such bands as Bong, Drunk in Hell, 11 Paranoias, Blown Out, and Mienakunaru to name a few, releasing records on many underground labels such as Riot Season, Ritual Productions and Cardinal Fuzz etc. For Brain Pills, Vest has teamed up with Adam Stone from the excellent Poundland on vocals and Nick Raybould from Thought Bubble on drums and art. The result is very impressive indeed -- primitive but deadly drums, pulverizingly heavy riffs, lots of fuzz and distortion going on, coupled with Adam Stones demented and haunting vocal style all topped off by the excellent and disturbing artwork courtesy of Nick Raybould. The LP Goatshead is homage to Vest's hometown of Gateshead -- Goatshead being the ancient pagan name. The record has been mastered for this vinyl release by crust punk legend Bri Doom, known for his work with Sore Throat, Doom, Lazarus Blackstar, and most recently with the excellent Disciple BC. The sound is massive, just what you would expect. Released on clear yellow vinyl with OBI strip and limited to just 300 copies."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
CSR 356CD
|
$15.50
PREORDER
RELEASE DATE: 10/3/2025
Released on standalone CD for the first time in 33 years, this now-complete edition of the ground-breaking cult soundtrack is finally here. A cult classic of sci-fi dystopia, Decoder (1984) saw Einstürzende Neubauten's members working alongside Genesis P-Orridge (Throbbing Gristle/Psychic TV) and William S. Burroughs. It's one of the strangest (and most prescient) films of the decade. The film was made in Hamburg and Berlin, and directed by Klaus Maeck 'Muscha' (who directed several punk films). The lead roles are played by Christiane F and FM Einheit from Neubauten, who also contributed to the film's score. Genesis P-Orridge, the kingpin of the English industrial scene, also appears as a priest of the Black Noise faith. Author William S. Burroughs portrays an insurrectionist salesman of audio equipment (and contributes spoken word to the soundtrack), and American cult actor Bill Rice plays a detective. Soft Cell contributed their classic "Seedy Films," while Matt Johnson from The The wrote a frenetic, deformed song for the film that is both fantastic and painful to listen to, and Einstürzende Neubauten's "Compressed Metal" is sublime. Dave Ball (Soft Cell), Jon Caffery, and Genesis P-Orridge composed the rest of the soundtrack. A futuristic film, and a joyous application of William S. Burroughs' "The Electronic Revolution," which proposes a seditious and rather poetic method of subverting the masses and inciting them to rise up against the forces of order. CD in matt-laminate digipak with ten-page foldout booklet.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DBL 010LP
|
$25.00
PREORDER
RELEASE DATE: 10/3/2025
Cheb Terro vs DJ Die Soon features Cheb Terro's posthumous vocals on Die Soon's beats; a work that was finished one day before Terro's tragic passing. Starting somewhere in the last quarter of 2020, having approached Daisuke Imamura aka DJ Die Soon for a release, and just heard about Cheb Terro's work with his Toxic Club, Drowned By Locals made the hook up that would result in a match made in the Underplanet, as Terro would describe it. Hailing from the city of Sousse in Tunisia, the site of the worst of several Jihadist attacks in recent years, Cheb Terro's writings and delivery embody the violence stemming from the frustration shared by Tunisia's new generation; and reflect sadness, rebellion and an obsession with death.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
DBL 014CD
|
$14.50
PREORDER
RELEASE DATE: 10/3/2025
The album artwork reproduces the strands woven through the album's emotional core. The hazy image has the soft, pliant edges of a memory. You're delivered to a dappled glade in the Legend of Zelda game that you played as a child, a glowing 16-bit respite from danger. And danger is present - just as darkness circles the sun-kissed lakeside, threatening noises rattle at the periphery of even the most vulnerable, blissed-out tracks. Machines gurgle with hydraulic glee, swords ring out as they are unsheathed, and indistinct voices mutter as they stomp just past your bedroom door. Balconi's use of tension is masterful -- glowing chords ripple outwards, and technicolor harmonies shiver before drifting leftwards to an unsettling discordance. Opening track "Rideau Perle" is a defining statement. Its wrought melancholy and driving arrangement drop you off at an entirely different location from where you started. Deft percussion, such as on "Dame De Pique," drags you along by the scruff off the neck for a hyperreal Bildungsroman. When a gruff narrator calls for the layers of glistening and grinding noise to drop out, just a pearlescent melody remains. It's a deep breath within a deep breath.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DBL 019LP
|
$25.00
PREORDER
RELEASE DATE: 10/3/2025
In Kasimyn's own words, the phrase Bunyi Bunyi Tumbal signifies a "Synthetic Feeling for Anonymous Sacrifice," encompassing the emotions born out of a deep dive into the Indonesian war archives. These archives include a trove of photographs documenting the era of Dutch rule, captured through the lens of the colonizers themselves. It is from this point of departure that the project Hulubalang was born. Hulubalang's gaze is drawn to the peripheral figures populating these historical records. These secondary characters, devoid of individual significance, bear no names, receive no recognition, and serve as props in the broader narrative of history. Simultaneously, they become indispensable instruments in acquiring "lessons learned" from the perspectives of both the victors and the vanquished. Within this framework, the notion of Tumbal, the non-belligerent "sacrifice," assumes a weight surpassing its translation. Tumbal neither acts as a victim nor martyrs itself for its cause. It hauntingly reminds listeners of the systemic curse perpetually engendering disillusionment. Bunyi Bunyi Tumbal is a personal act of catharsis stemming from a long lineage of anger. It stands as a tribute to a village whose ritualistic dance, one night, was disrupted by external forces, causing the tune to shatter and leaving the dance caught in a space between innocence and pain. Featuring SaintMary.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DBL 131LP
|
$12.00
PREORDER
RELEASE DATE: 10/3/2025
Rathauz is a cybernetic media ritual from Veneto's paranoid hinterlands -- a clandestine A‑zienda founded by masked brothers, mythologizing techno as direct action. Ciccio Bomba Cannoniere is a gateway drug, a gateway into the cybernetic multimedia cult of Rathauz. And while a physical release might run counter to the insanely futuristic drive of the Rathauz, it's probably the album of the year so buckle up. For the uninitiated the A side might play out like merely the best goddam side of actually fun techno you've heard in 2020s. Rollicking acidic galompers. The most techno can get in the bin these days but this swinging evil continuum championed by Acidic Male/Giant Swan/Missterspoon is more than right. Rathauz add internet dial up noises, reggaeton shuffle, distorted screams and frayed EBM arps into this heady heady mix, showing they're about twice as interesting as the top 10 techno on Bandcamp already. Then side B gets rolling with boom baps and distorted guitars in a kinda frat-trap circle pit. This is the sound online Rathauz disciples know and love; electro-punk-trap-pop twisted genius. Their scifi vision and demented humor reminds listeners most closely of the beloved Kinlaw & Franco Franco if Franco had spent more time living in Milanese squats. Vinyl with printed sleeve.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
DKR 177EP
|
$9.00
PREORDER
RELEASE DATE: 10/3/2025
2025 repress. "A mythical tune for all serious digital reggae collectors, finally reissued. The obscure Junior Khadaffy (various spellings!) released only a handful of tunes in the mid-late '80s, but all are fantastic. This one was cut for E&F Studios in the Bronx, ran by the late artist I-Plee. Stereo Fletcher happens to be family to I-Plee, producing several records by the artist for his own labels. But the works went both ways, and Stereo produced this one for release on E&F's in-house label. Slick but killer digital reggae, this one is reminiscent of the production style of Little Kirk's 'Weed Them Out,' a fantastic arrangement, great vocals and a complex head-nodding rhythm. The original press is extremely rare and the tune is simply too good to remain that way, so here it is, top top top shelf '80s digital, now available for all."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
DKR 305EP
|
$9.00
PREORDER
RELEASE DATE: 10/3/2025
"An all-time favorite New York dancehall tune, finally back again. 20+ years ago, in a different era of reggae record collecting where there was little to no information to be found about so many '80s reggae records, the original 12" single of this one was a mythical tune. In fact, this one was on the earliest DKR wish lists, but all good things take time. Most followers know Junior's digital masterpiece 'Rampers Music.' But this one is his earliest and first tune, a heavy piece of a rub a dub cut at Munchie Jackson's Sunshine Studio in the Bronx, with Jackie Mittoo at the helm of the session. The original 12" was self-released by Junior on his own label in 1985. The lyrics are a great snapshot of mid '80s New York, a nod to all those making their way, for better or worse, thru the posses and cliques of the Jamaican scene of the day."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
DKR 306EP
|
$9.00
PREORDER
RELEASE DATE: 10/3/2025
"Clement 'Minkie' Moore's introduction to the music business came via his friend the great deejay U Roy. Back in the mid-1970s, Minkie and U Roy were both living in the Tower Hill area of Kingston, and U Roy was resident deejay on King Tubby's sound system. Minkie followed his friend and the sound, and occasionally U Roy let him hold the mic and deejay on Tubby's set. U Roy encouraged Minkie to take music more seriously, and with that encouragement, his first record Wickedness was made. Minkie got a cut of a rhythm from his friend the late Sydney Wilson, and voiced and mixed the rugged deejay tune 'Wickedness' at King Tubby's studio. In 1980, Clement revisited the great rhythm of 'Wickedness,' deciding to this time sing rather than deejay on the rhythm."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
DKR 307EP
|
$9.00
PREORDER
RELEASE DATE: 10/3/2025
"Clement 'Minkie' Moore's introduction to the music business came via his friend the great deejay U Roy. Back in the mid-1970s, Minkie and U Roy were both living in the Tower Hill area of Kingston, and U Roy was resident deejay on King Tubby's sound system. Minkie followed his friend and the sound, and occasionally U Roy let him hold the mic and deejay on Tubby's set. U Roy encouraged Minkie to take music more seriously, and with that encouragement, his first record Wickedness was made. He returned to Harry J studio, adding some choice new instrumental overdubs on the rhythm for this new cut, 'Every Time I Do My Thing.' In the decades since, astute roots collectors have honed in on this excellent rhythm and its several cuts, not least of all this pair of them by Mr. Clement "Minkie" Moore. It should be noted that in the manner of the day, other associates of Tubby's studio, Prophets Yabby You and Alric Forbes, also utilized this rhythm."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
DKR 313EP
|
$15.00
PREORDER
RELEASE DATE: 10/3/2025
"Previously unreleased. Both sides with dub. A-side is mastertape mixes, B-side is the original early 1980s dubplate mixes. Comes in Bond Export company sleeve. Killer previously unreleased early 1980s Mighty Diamonds straight from producer Gussie Clarke, tuff steppers cut of the Heptones classic. This tune made the rounds on dubplate back at the time, but never ended up seeing release. On the A-side comes the mastertape mix, a hard but spare mix of this canon JA tune, that recalls the dry and heavy 1980 Taxi style. On the B-side comes the original dubplate mixes which were around on plate at the time, mixed down in proper plate style like you would have gotten from Slipe Road if you had the juice."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
DKR 314EP
|
$9.00
PREORDER
RELEASE DATE: 10/3/2025
"After their epic run with Channel One beginning in the mid 1970s, the Mighty Diamonds moved to producer Gussie Clarke for a string of albums starting in 1979 and running thru the 1980s. Among the many great tunes from this run, the title track of their 1982 album The Roots Is There is simply one of the Diamond's best ever, and probably the most lyrically militant tune they ever made. This tune was never released as a single at the time, though new mixes were released as a single in 2017. Now, this release is presented on Music Works' original early 1980s dubplate label design, just like the original slate would have been adorned with."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
DKR 318EP
|
$15.00
PREORDER
RELEASE DATE: 10/3/2025
"Better-than-before new edition of the long out of press previous 10" from 2014, now with something extra. This release corrals three excellent vocals that originally appeared on a couple different compilations. For this new 12" release, with 'Home To Africa,' instead of the cut from Wackie's Selective Showcase Vol. 1 LP as before, the tune comes in a different mix straight from the original session tape, plus a nice raw rhythm version, newly mastered by Bullwackie himself just for this re-release."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DRUNKEN 190LP
|
$28.00
PREORDER
RELEASE DATE: 10/3/2025
While it's been six years since Dark Thoughts since last released a record, the world has gone to shit but for 16 minutes, Dark Thoughts drag you back into the sun. Highway to the End is their fourth LP. This is punk with one boot in 1978 and the other in tomorrow. They have the perfect knack of writing perfect two-minute punk gems. Whilst Jim's lyrics can be deeply personal, there is always hope, things are gonna get better aren't they? The songs touch on friendship, love, loyalty, dealing with grief. But more importantly hope. They blitz through 11 songs on Highway to the End in 16 minutes, but hey, you can just lift the needle and start again. Like all the best records.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ENCH 075LP
|
$31.50
PREORDER
RELEASE DATE: 10/3/2025
Emerging from the house scene of the 2000s with his label Place Blanche, Greg Kozo has been a bartender in naughty bars, music director at Galeries Lafayette, bassist in funk bands, and legendary producer and DJ with his former band Make The Girl Dance. Far from settling down, he returns to the arena with a sharp sound. Several catchy tracks such as "Reviens" and "After" are sultry and subversive electro-pop songs, reminiscent of the sensuality of French touch house or '80s synth pop. These tracks are performed by La Montespan, a mysterious creature and poetess of carnal desires, who gives them a gently erotic tone. In the dead of night, "Flamingos," "The Room," "Who Take Me Higher," and "Club Melancholia" take listeners to the depths of Paris' hottest clubs, where the beats pound like bodies on fire. "Magnolia" featuring Coeur (from the punk-rock band Schlasss) is a return to raw electro-rock, like a total experience of letting go. Finally, to climb the stairs out of the club, "Amour Fou" and "Turbulences" are hymns celebrating pure love in a couple who have weathered all the dangers of the night together.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FLENSER 181LP
|
$25.00
PREORDER
RELEASE DATE: 10/3/2025
LP version. "There's a kind of quiet violence in how music is consumed today -- flattened into background noise, sonic perfume fed into algorithms, sold as lifestyle. It's entertainment as anesthesia. Sound without the weight. The Spiritual Sound, the new full-length from Los Angeles?based band Agriculture, stands as a pointed refusal of this condition. This is not a playlist. This is not a vibe. It is a demand. Across its runtime, The Spiritual Sound traces a narrative arc through extremes: searing, sky-cracking catharsis on side A; a slow-burning, devotional undercurrent on side B. The album is largely a fusing of the visions of its two principal songwriters, Dan Meyer and Leah Levinson: distinct voices, deeply complementary. Meyer writes like someone clawing toward the divine through noise, channeling Zen Buddhism, historical collapse, ecstatic grief. Levinson's songs move differently: grounded in queer history and AIDS-era literature, amid the suffocating fog of the present, they carry the weight of survival as daily ritual. Her writing asks how to honor queer community and collective struggle without turning it into identity branding or personal mythmaking: how to stay honest, how to stay present. Though distinct, their voices converge in a singular spiritual grammar -- one that defines the totality of The Spiritual Sound, not as separate parts, but as one unified expression. Agriculture's formation mirrors this duality. What began as a loose collaboration between Kern Haug and Dan Meyer in the Los Angeles noise scene evolved into a shared pursuit of the sublime through heavy music. With the additions of Richard Chowenhill and Leah Levinson, the project solidified into the band's current form. The ecstatic black metal foundation was laid on 2022's The Circle Chant, expanded into something more precise and far-reaching on their 2023 self-titled full-length, and deepened further with 2024's Living Is Easy: a record that embraced devotional intensity and radiant heaviness in equal measure. Agriculture doesn't offer salvation. The Spiritual Sound isn't a map out of the fire. What it offers instead is presence: a confrontation with the moment, however unbearable, however divine. It insists that meaning is still possible, even in a world hell-bent on reducing everything to content, and where suffering itself can be conducive to recovery. As the Buddhist saying goes 'the only way out is in.'"
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FLENSER 181X-LP
|
$27.00
PREORDER
RELEASE DATE: 10/3/2025
LP version. Color vinyl. "There's a kind of quiet violence in how music is consumed today -- flattened into background noise, sonic perfume fed into algorithms, sold as lifestyle. It's entertainment as anesthesia. Sound without the weight. The Spiritual Sound, the new full-length from Los Angeles?based band Agriculture, stands as a pointed refusal of this condition. This is not a playlist. This is not a vibe. It is a demand. Across its runtime, The Spiritual Sound traces a narrative arc through extremes: searing, sky-cracking catharsis on side A; a slow-burning, devotional undercurrent on side B. The album is largely a fusing of the visions of its two principal songwriters, Dan Meyer and Leah Levinson: distinct voices, deeply complementary. Meyer writes like someone clawing toward the divine through noise, channeling Zen Buddhism, historical collapse, ecstatic grief. Levinson's songs move differently: grounded in queer history and AIDS-era literature, amid the suffocating fog of the present, they carry the weight of survival as daily ritual. Her writing asks how to honor queer community and collective struggle without turning it into identity branding or personal mythmaking: how to stay honest, how to stay present. Though distinct, their voices converge in a singular spiritual grammar -- one that defines the totality of The Spiritual Sound, not as separate parts, but as one unified expression. Agriculture's formation mirrors this duality. What began as a loose collaboration between Kern Haug and Dan Meyer in the Los Angeles noise scene evolved into a shared pursuit of the sublime through heavy music. With the additions of Richard Chowenhill and Leah Levinson, the project solidified into the band's current form. The ecstatic black metal foundation was laid on 2022's The Circle Chant, expanded into something more precise and far-reaching on their 2023 self-titled full-length, and deepened further with 2024's Living Is Easy: a record that embraced devotional intensity and radiant heaviness in equal measure. Agriculture doesn't offer salvation. The Spiritual Sound isn't a map out of the fire. What it offers instead is presence: a confrontation with the moment, however unbearable, however divine. It insists that meaning is still possible, even in a world hell-bent on reducing everything to content, and where suffering itself can be conducive to recovery. As the Buddhist saying goes 'the only way out is in.'"
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
FR 040LP
|
$40.00
PREORDER
RELEASE DATE: 10/3/2025
Frozen Reeds presents Mark Fell's Psychic Resynthesis, an instrumental work performed by Explore Ensemble. This double LP, with included digital download, is the label's eighth release, arriving 13 years after its foundation. Fell is a multidisciplinary artist, composer, and theorist based in Rotherham, UK. Renowned for his rigorous and conceptual approach to electronic music and sound art, his work explores the limits of structure, rhythm, and perception through a blend of computational systems, philosophical inquiry, and cultural critique. Over the last decade, Fell's practice has visibly shifted from a world of technical intricacy and myopic microdetail to one of collaboration and community. He has purposefully sought out diverse musical partners from a wide variety of traditions and disciplines and found equally diverse ways to work and create together -- not to integrate their playing into a musical fusion, but rather to discover how such combinations of approaches and experience can stimulate unique and heretofore unheard results. The music here emerges from a commission for contemporary chamber group Explore Ensemble, situating Fell's work in a new context entirely. Having been a notable critic of classical music's slavish adherence to traditional musical notation, "the score," and its associated issues of control and hierarchy, one might expect a provocative or abrasive approach. Instead, a work of deep, tonal introspection unfolds -- an elegant structure navigating the artist's trepidatious relationship with linear or timeline-based musical approaches. In Fell's selection of timbres and events, the dynamic of composer and performer is interrupted by his twin adoption of system and flexibility. Mathematical determination and sonic fixation vie for dominance. The conflict governing combinations. Upsetting preconceived strategies. Published in an edition of 777 double LPs, with included digital download, the result, Psychic Resynthesis, represents both a prismatic object for repeated examination and an abstruse table of musical correspondences. Artwork and design by Mark Fell. Mastering by Jim O'Rourke.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FTR 809LP
|
$27.50
PREORDER
RELEASE DATE: 10/3/2025
"Although it was the lead track on the Stones's eighth studio LP, Let it Bleed, the song 'Gimmie Shelter' was not released as a single. Indeed, the single 'from' that album was the countrified non-LP track, 'HonkyTonk Women' backed with the corny chorale sluice of 'You Can't Always Get What You Want.' It was as though the Stones, knowing they would soon be pilloried on the cross of Altamont, wanted to have a way to try and dodge those nails by being able to claim they weren't even a rock band. Well, fuck them. 55 long years after the Stones's shameful retreat from their true identity, Jackie O Motherfucker has decided to try them in the court of public opinion, both for their jaundiced world view as well as the sheer cowardice of their presentation of facts. The simplest way for JOMF to proceed would have been to illuminate the ridiculous musical and philosophical inconsistencies inside their trademark song of 1968/9, 'Sympathy for the Devil,' but they chose to leave child's play to children. Instead, they took the four minutes and thirty seconds of 'Shelter,' divided it into thirds and created a set of music that explores the mathematical relationships between those segments and the three parts of a song which it reportedly inspired, The Stooges's 'Gimme Danger.' I've had the Calculus of the equation explained to me a couple of times by Tom Greenwood, the founding member of JOMF, but I get sorta lost in most number stuff more evolved than Trigonometry. My sense is that three improvised pieces on this album are musical meditations about the possible existence of a tripartite equivalent of Aristotle's Golden Mean. And while I totally believe in his as a concept, it doesn't really help to explain what the music sounds like, y'know? The three tracks are drawn from two live shows and one studio session, using a line-up resembling that on 2023's Manual of the Bayonet, the music here is largely-instrumental, reed-laced, and filled with the same glowing sense of direction this listener gets when I'm several acid sheets to the wind. Some parts collect themselves and repeat like small bursts of energy trapped inside a pyramid. When vocals do pop up, they sound like out-takes from the soundtrack to Kenneth Anger's Invocation of My Demon Brother, and submerge themselves in a murk of Egyptian dust. Some might compare JOMF's sound to the more abstruse out-takes from the Dead's Gizan shows of '78. But its commentary on the nature of musical forms reaches back further than that. I mean, remember -- the Dead pulled out of playing Altamont. I'm not sure JOMF would have done the same, but I'm sure they would have done something if they found themselves in the same situation. And it might well have sounded like this. As Bear always said, 'A trip in time saves nine.' Good thought, and as diggable today as it was back then. Hop on. This shelter is rolling. --Byron Coley, 2025
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
GB 179CD
|
$16.00
PREORDER
RELEASE DATE: 10/3/2025
The Slovenian avant-folk trio Sirom are back with a sonically and thematically expansive fifth album; a thrilling follow-up to their widely praised 2022 release The Liquified Throne of Simplicity (GB 120CD/LP). Navigating almost two dozen instruments (some of which they've handcrafted), and hypnotic compositions that often exceed ten minutes in length, Ana Kravanja, Iztok Koren, and Samo Kutin court patient, deep-dive listeners via intricately woven atmospheres, rhythms and sonics. In the Wind of Night, Hard-Fallen Incantations Whisper is arguably the sharpest evocation yet of the group's highly collective music process, enveloping rustic melodic folklore, outernational textures, non-linear song structures and dissonance, and a buzzing ambiance that can at times feel like an ecstatic ritual. Few experimental ensembles from the last decade have created an ouevre as singular and unmistakable as that of this far-sighted trio from the disparate landscapes of Slovenia. Sirom truly sounds like no one else. The band are more melodic and accessible here than they have ever been. The insistent grooves and trademark texture are still present, but there's a new-found sense of linearity that largely replaces the stacks of sound and detailed collages that have characterized their work to date. There is suddenly more air, allowing a string of sublime melodies, in "Curls Upon the Neck, Ribs Upon the Mountain" and "Hope in an All-Sufficient Space of Calm" in particular, to flourish. Everyone's still speaking, just not at the same time, but the drama level remains high. The resulting sense of space, of emergence and arrival, is certainly something a Tim Hecker or indeed Park Jiha fan would instantly recognize. This is as close as Sirom have ever got to a state-of-the-world, state-of-their-lives record. "We don't want to play something that sounds like it already exists," said Samo, and they still don't. File this under contemporary classical, imaginary folk or rural underground, file it under Slovenian, file it under anything you want. People will find this wonderful album regardless. Or perhaps, more probably, it will find them.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GB 179LP
|
$40.00
PREORDER
RELEASE DATE: 10/3/2025
Double LP version. The Slovenian avant-folk trio Sirom are back with a sonically and thematically expansive fifth album; a thrilling follow-up to their widely praised 2022 release The Liquified Throne of Simplicity (GB 120CD/LP). Navigating almost two dozen instruments (some of which they've handcrafted), and hypnotic compositions that often exceed ten minutes in length, Ana Kravanja, Iztok Koren, and Samo Kutin court patient, deep-dive listeners via intricately woven atmospheres, rhythms and sonics. In the Wind of Night, Hard-Fallen Incantations Whisper is arguably the sharpest evocation yet of the group's highly collective music process, enveloping rustic melodic folklore, outernational textures, non-linear song structures and dissonance, and a buzzing ambiance that can at times feel like an ecstatic ritual. Few experimental ensembles from the last decade have created an ouevre as singular and unmistakable as that of this far-sighted trio from the disparate landscapes of Slovenia. Sirom truly sounds like no one else. The band are more melodic and accessible here than they have ever been. The insistent grooves and trademark texture are still present, but there's a new-found sense of linearity that largely replaces the stacks of sound and detailed collages that have characterized their work to date. There is suddenly more air, allowing a string of sublime melodies, in "Curls Upon the Neck, Ribs Upon the Mountain" and "Hope in an All-Sufficient Space of Calm" in particular, to flourish. Everyone's still speaking, just not at the same time, but the drama level remains high. The resulting sense of space, of emergence and arrival, is certainly something a Tim Hecker or indeed Park Jiha fan would instantly recognize. This is as close as Sirom have ever got to a state-of-the-world, state-of-their-lives record. "We don't want to play something that sounds like it already exists," said Samo, and they still don't. File this under contemporary classical, imaginary folk or rural underground, file it under Slovenian, file it under anything you want. People will find this wonderful album regardless. Or perhaps, more probably, it will find them.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HEG 015LP
|
$30.50
PREORDER
RELEASE DATE: 10/3/2025
Hekura are a Barcelona-based duo that create expansive soundscapes anchored in ritual minimalism. With influences ranging from the ethereal mysticism of Alice Coltrane to the hypnotic pulse of Steve Reich, their music explores the boundary between introspection and bold sonic exploration. Inspired by ethnographic traditions and the raw energy of Julius Eastman, their compositions fuse scattered percussion, shimmering textures, and hypnotic saxophone rhythms for moments of solitude and profound reflection. Hekura's work invites listeners to immerse themselves into a spectral world where tradition meets the avant-garde, offering a unique and evocative listening experience. Ernest and Edu met during their jazz studies at Taller de Musics in Barcelona. Their first conversation was about Charlie Haden Liberation Orchestra's "free jazz" version of the South African anthem, "Nkosi Sikelele." That bond quickly translated into a shared world of listening, respect, experimentation, and sound that crystallized in Hekura. Edu Pons is a saxophonist and a music teacher at Taller de Mùsics in Barcelona. His music ranges from jazz to folk or from classical to free improvisation yet with his own distinctive voice. Ernest Pipó is a guitarist and composer from a small town in La Garrotxa. Currently based in Barcelona, he primarily focuses on music production and soundtrack composition. His influences range from jazz, electronica, noise, pop, and, although he dares to admit it, also ambient. For fans of: John Tchicai (with strings), Steve Reich, Arv & Miljö.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HOS 749LP
|
$43.00
PREORDER
RELEASE DATE: 10/3/2025
G.R. is the definitive true crime album classic initiated during the hunt for the Green River killer and completed after the capture of Gary Ridgway. Using criminal psychology techniques now a household name via Mindhunter, the artist entered the mind of the killer delivering a timeline of the slayings, motives and fantasies with a first-person ferocity so convincing to the point of crossing over into pop culture -- alongside books, databases, documentaries and films as a sonic reference point of America's most prolific serial murder case. The obsessive recording and research process spanning over several years from the perspective of the UNSUB successfully theorized his psyche with uncanny and accurate predictions prior to the suspect's apprehension with an almost supernatural foreshadowing, later proven during the trial in evidence and footage of Gary Ridgway's confessions. G.R. achieved such a level of believability that the mental toll took on the artist effectively ended the band. G.R. is a confrontational cautionary tale of "art imitates crime." Deathpile's G.R. contains devastating dense and flowing electronic synthesis mastery with naked vocals depicting graphic and disturbing lyrics not suitable for society whose authenticity has yet to be surpassed in power electronics two decades on. Originally appearing as a co-release between Hospital Productions and Force Of Nature in the first 100 releases on the label, as Hospital now approaches its thousandth release -- this 20+ year edition is presented with an expanded layout and unseen photos from the G.R. era when Deathpile was Jonathan Canady and David E. Williams. Black vinyl with interior print, lyrics insert, and massive poster with unseen photos from the time. Digital download included.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
HPS 369CD
|
$16.00
PREORDER
RELEASE DATE: 10/3/2025
Litania is a doom/Hindustan psych band from Italy and Serbia. The sound is based on drones, heavy riffing and inspired by ancient Hindustan singing and playing (with instruments such as Sitar, Dilruba and Harmonium). Litania is also the title of their first album. Featuring Elisa De Munari (vocals, harmonium, sitar, Dilruba), Marco Degli Esposti (electric guitar and drones), Enrico Baraldi (bass guitar), and Vladimir Marikoski (drums and percussions). Also available on black vinyl (HPS 369LP), red vinyl (HPS 369LTD-LP), and purple/black vinyl (HPS 369ULTRA-LP).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 369LP
|
$28.00
PREORDER
RELEASE DATE: 10/3/2025
LP version. Litania is a doom/Hindustan psych band from Italy and Serbia. The sound is based on drones, heavy riffing and inspired by ancient Hindustan singing and playing (with instruments such as Sitar, Dilruba and Harmonium). Litania is also the title of their first album. Featuring Elisa De Munari (vocals, harmonium, sitar, Dilruba), Marco Degli Esposti (electric guitar and drones), Enrico Baraldi (bass guitar), and Vladimir Marikoski (drums and percussions).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 369LTD-LP
|
$31.50
PREORDER
RELEASE DATE: 10/3/2025
LP version. Red color vinyl. Litania is a doom/Hindustan psych band from Italy and Serbia. The sound is based on drones, heavy riffing and inspired by ancient Hindustan singing and playing (with instruments such as Sitar, Dilruba and Harmonium). Litania is also the title of their first album. Featuring Elisa De Munari (vocals, harmonium, sitar, Dilruba), Marco Degli Esposti (electric guitar and drones), Enrico Baraldi (bass guitar), and Vladimir Marikoski (drums and percussions).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 369ULTRA-LP
|
$41.00
PREORDER
RELEASE DATE: 10/3/2025
LP version. Purple/black color vinyl. Litania is a doom/Hindustan psych band from Italy and Serbia. The sound is based on drones, heavy riffing and inspired by ancient Hindustan singing and playing (with instruments such as Sitar, Dilruba and Harmonium). Litania is also the title of their first album. Featuring Elisa De Munari (vocals, harmonium, sitar, Dilruba), Marco Degli Esposti (electric guitar and drones), Enrico Baraldi (bass guitar), and Vladimir Marikoski (drums and percussions).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
JL 066EP
|
$15.00
PREORDER
RELEASE DATE: 10/3/2025
"One of the most requested Jah Life releases, finally here. Killer 1983 Barrington Levy single, only ever released once on a UK 12 inch. These tunes also appeared on the Teach Me Culture album, sans dubs of course. Perfect new pressing from the original mothers, identical to the original. Play loud."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LSSN 101LP
|
$42.00
PREORDER
RELEASE DATE: 10/3/2025
"Greatest Heads is the fourth album by the radical Basque-Berlinesque group Al Karpenter. A deconstruction of structured 'rock' music, here Al Karpenter re-imagine 'the band' to explore the intersection between free music, Afro-beat, the avant garde and gonzo rock. Álvaro Matilla, Marta Sainz, Enrique Zaccagnini, and Mattin's response to the planet's slipping into a vortex of hate is to create a music ecstatic, a music of protest bursting with multiple musical languages and glossaries, full of overlapping histories and thrilling tensions. Greatest Heads posits a plurality of musics both in opposition and intertwined: Al Karpenter play rock instruments pulled apart in the studio in post-production. Distorted rhythm chunks bit-crushed and dissipated, segments of freedom oppressed by waves of sound invading from every direction. The interplay between the chief instrumentalists and renowned, storied sound artist Mattin creates something akin to ESP freedom-seekers Cro Magnon playing in Miles Davis' early '70s groups, The Los Angeles Free Music Society tightening up into a clenched fist of plunderphonics and runaway percussion. The modulating synth sound soon sucks the band into its wake to create a spine-chilling climax of distorted sound, made fully orgasmic with mastering engineer Rashad Becker's attention to detail. The band's cascading layers of references and polyglottal musics attempt to create the perfect lover, alive with rage and disorientating ecstasy: Al Karpenter."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LTNC 033LP
|
$28.00
PREORDER
RELEASE DATE: 10/3/2025
Flur is the meeting of Austrian-Ethiopian harpist Miriam Adefris, British saxophonist Isaac Robertson, and percussionist Dillon Harrison. The trio met when studying separate music courses at Goldsmiths, University of London. Immersed in the explorative music scene surrounding the university, they have played in various formations over the past few years and collaborated with acclaimed artists (Ganavya, Floating Points, Gal Go, Shabaka), but it wasn't until now that they formed Flur. Shaped between Riverside Recording Studios and a South Bermondsey warehouse, Plunge captures the trio's first steps, moving between written passages and intuitive improvisation with equal clarity. Drawing on contemporary classical, free jazz, and ambient influences -- think Alice Coltrane, Ambrose Akinmusire, Kaija Saariaho, Azimuth, and Angel Bat Dawid -- the trio's instrumentation creates a sound that is both expansive and intimate. Plunge follows Latency's acclaimed releases with Nidia & Valentina, Emahoy Tsege-Mariam Gebru, goat (jp), Tarta Relena, and Moritz Von Oswald, expanding the label's commitment to boundary-pushing music. The album features cover artwork by Julie Mehretu, the renowned New York-based, Ethiopian-American artist whose layered, abstract cartographies explore the entanglements of history, place, and collective memory.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
LYAM 010EP
|
$21.50
PREORDER
RELEASE DATE: 10/3/2025
Enigmatic artist Grant, a longtime figure in the deep house and techno underground, collaborates with Alex Albrechton the title track "Tangible Dreams." The EP is a textured homage to late '90s dub techno, echoing Basic Channel and Chain Reaction, while retaining a modern touch. The tracks are timeless, groove-focused, and sonically deep.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
NECH 032EP
|
$20.00
PREORDER
RELEASE DATE: 10/3/2025
NECHTO returns with its second 12" vinyl compilation, continuing the mission of presenting forward-thinking techno from both rising talents and trusted names. Each of the six tracks adds a unique voice to the raw and honest collection. Mecha opens the record with "All My Love", a hypnotic debut techno track shaped by years in drum and bass. Contakt follows with "Peak Jam", a one-take hardware jam built around the warmth of a signature synth. "16th Symphony" by Human Safari is a jazz-influenced cut intended for special moments in a DJ set. Unspent delivers "Moog Gorning", a track that shifts from percussive 4x4 to broken rhythm, carrying deep personal emotion. ARGIE's "Strangers" captures the tension of connection and distance with layered percussion and melody. Franz Jäger closes with "Get Simon to sync", a rave-influenced hybrid track designed for peak-time impact.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
OATH 026EP
|
$25.00
PREORDER
RELEASE DATE: 10/3/2025
London-based DJ duo, producers, and curators Earthly Measures present their debut EP From Earth. The six-track release is a statement of rhythm, collaboration, and borderless sound. Across From Earth, Earthly Measures move through deep grooves, organic instrumentation, and global club culture. The EP also includes three remixes: Olsvanger's dubbed-out "QUE," Sun Sone's bright "Third Try," and Jinje's euphoric "Earth Groove."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OG 003LP
|
$29.00
PREORDER
RELEASE DATE: 10/3/2025
"With their boldest release to date, Orchestra Gold unveils Dakan -- a transcendent new album exploring the intertwined forces of destiny and passion. Guided by the visionary vocals of Malian singer Mariam Diakité, Dakan is a sonic and spiritual journey: rooted in tradition, driven by intuition, and lit ablaze with psychedelic energy. Mariam's lyrics draw deeply from her devotion to the baye fall tradition -- a mystical branch of West African Sufism that favors direct experience of the divine over doctrine. Her voice doesn't just sing -- it 'channels.' Psychedelic rock collides with Malian soul in a sonic ritual where fate dances with free will."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OJO 25001LP
|
$22.50
PREORDER
RELEASE DATE: 10/3/2025
Color vinyl. Milton Nascimento's 1969 Courage blends Brazilian music with jazz, marking his international debut. Featuring Herbie Hancock and arranged by Eumir Deodato, the album highlights Nascimento's emotive vocals and lush arrangements. A timeless introduction to one of Brazil's most unique voices.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OJO 25002LP
|
$22.50
PREORDER
RELEASE DATE: 10/3/2025
Color vinyl. Released in 1972 on Kama Sutra, Hard Attack is a heavy rock burner from New York trio Dust. Packed with searing riffs, wild energy, and the powerhouse drumming of Marc Bell (later Marky Ramone), it's a raw, intense listen that still hits with full force. A true cult classic.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OJO 25003LP
|
$22.50
PREORDER
RELEASE DATE: 10/3/2025
Color vinyl. Groundbreaking Tropicália album that fuses Brazilian rhythms with psychedelic rock. Backed by the experimental band Os Mutantes, Gil blends tradition and rebellion in a bold, genre-defying sound. A vibrant snapshot of Brazil's musical revolution.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OJO 25004LP
|
$22.50
PREORDER
RELEASE DATE: 10/3/2025
Color vinyl. Sleek, soulful hard bop from Duke Pearson at the top of his game. Hush! glides with understated swing and tight chemistry, driven by Donald Byrd's smooth, melodic lines. Cool, refined, and quietly captivating. An essential slice of early '60s jazz.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OJO 25006LP
|
$22.50
PREORDER
RELEASE DATE: 10/3/2025
Color vinyl. Legendary Egyptian vocalist and cultural icon, Umm Kulthum was known as "the voice of Egypt" and "Egypt's fourth pyramid." Released in 1961 on Parlophone, this is a stunning showcase of her unmatched vocal power and a cornerstone of 20th-century Arabic music. A national treasure with fans ranging from Bob Dylan to Youssou N'Dour -- essential listening.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
PC 042WORST-LP
|
$44.50
PREORDER
RELEASE DATE: 10/3/2025
The worst of A. G. Cook's debut album on limited-edition 140g silver vinyl. No secret tracks. Includes full-color Inner Sleeves. Art Direction by Supermodel. Packaging and layout by Timothy Luke.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
PFMI 105CD
|
$15.50
PREORDER
RELEASE DATE: 10/3/2025
Perhaps it was a cold winter day or a warm summer night in Finland -- but it was around 2010. Someone came up with an idea to combine bluegrass, Finnish folk and rock/metal music. The outcome was and has since been Steve 'n' Seagulls. The kind of band you've never heard before but you do want to hear again. Hailing from Finland in Northern Europe -- this flock of musical energy keeps on going and flying faster than ever. Now, the sun lays its rays on the long-awaited fifth Steve 'n' Seagulls album -- The Dark Side of the Moo! Recorded and produced with the same crew as the previous one, Steve 'n' Seagulls have again found and torn down the limits of progressive bluegrass and newgrass. The album combines elements from genres that are hard to imagine together. Yet they meet and shake hands like old friends.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
PFMILP 105LP
|
$29.50
PREORDER
RELEASE DATE: 10/3/2025
LP version. Perhaps it was a cold winter day or a warm summer night in Finland -- but it was around 2010. Someone came up with an idea to combine bluegrass, Finnish folk and rock/metal music. The outcome was and has since been Steve 'n' Seagulls. The kind of band you've never heard before but you do want to hear again. Hailing from Finland in Northern Europe -- this flock of musical energy keeps on going and flying faster than ever. Now, the sun lays its rays on the long-awaited fifth Steve 'n' Seagulls album -- The Dark Side of the Moo! Recorded and produced with the same crew as the previous one, Steve 'n' Seagulls have again found and torn down the limits of progressive bluegrass and newgrass. The album combines elements from genres that are hard to imagine together. Yet they meet and shake hands like old friends.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
PP 1005CD
|
$16.00
PREORDER
RELEASE DATE: 10/3/2025
"At daybreak, as sunlight travels through the atmosphere and begins to reach Earth's surface, daylight gradually emerges. This marks the transition from night to the beginning of a brand-new day. As the temperature rises -- especially after clear, calm nights -- relative humidity decreases, and mist, formed of tiny suspended droplets, begins to evaporate. Warm air rises and cool air sinks, creating an interplay of temperature, humidity and sunlight that gives way to a soft, diffuse glow. The sea breeze slowly clears the morning mist, setting life in motion once again as the world wakes up. Daybreak is Sven Wunder's fifth full-length album, seamlessly continuing the progression of his musical oeuvre. It takes the listener on a vivid maritime expedition, beginning the moment the first rays of light break the darkness of the night and embarking on a lush journey through the early hours of the day and far beyond, until the light slowly fades and night falls once again. True to Wunder's now distinctive artistry, Daybreak is marked by elaborately crafted compositions and elegant pop-jazz arrangements for flute, percussion, brass and strings -- supported by a decisive rhythm section, all of which add depth and build on his body of work, continuing to unfold his creative path."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
4LP
|
|
RALP 324LP
|
$98.50
PREORDER
RELEASE DATE: 10/3/2025
4 LP deluxe box set. Salad Days Vol. 1 includes the following titles, with all artwork recreated from the very best available original sources and the music remastered from the original tapes where these were available. They are all placed in a sturdy slipcase. Lobotom/izer: Not repressed on vinyl since the initial release in 1991. Comes with the original gatefold and inner sleeve. Soothe: Not repressed on vinyl since the initial release in 1992. Comes with the original outer and inner sleeve. Becoming Motorpsycho: Juvenilia, Oddities and Artefacts from the Vaults, 1990-1993: Newly compiled 2LP vinyl-only collection of early singles, rarities, outtakes and never before released early-versions of music recorded during Motorpsycho's early days. Includes the full 3 Songs For Rut 7", as well as the complete 1992 Rut-sessions: the first versions of the music that eventually became Demon Box. Everything remastered from the original mixes. For the first time ever on LP! Comes in a striking die-cut gatefold sleeve!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
5LP BOX
|
|
RALP 325LP
|
$74.50
PREORDER
RELEASE DATE: 10/3/2025
3 LP + 2 EP box set. Salad Days Vol. 2 includes the following titles, with all artwork recreated by from the very best available original sources and the music remastered from the original tapes where these were available. They are all placed in a sturdy slipcase. Mountain EP and Another Ugly EP: First time ever on vinyl! Sleeves and innersleeves recreated and redesigned from the CD editions. Live at Blitz '93: "Totally insane show," first time on vinyl, and exclusive to this box set. Demon Box: Classic double album! The previous pressing is still available, but included in this box set simply because it's essential for the period and the collection wouldn't be complete without it.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SBH 003X-LP
|
$21.50
PREORDER
RELEASE DATE: 10/3/2025
Opaque is a collection of eight tracks that delves deep into the layered, introspective nature of being. Marked by atmospheric textures, warm grooves, and emotionally rich soundscapes, Opaque is arguably Jon Gravy's most honest and personal work to date. The album drifts between subtle melancholy and moments of light, inviting listeners into a space of quiet reflection and sonic depth.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SUBURBIA 055LP
|
$24.00
PREORDER
RELEASE DATE: 10/3/2025
The game-changing second album from the clown princes of Midwestern cheese-punk, back on vinyl for the first time this century! Featuring hits from the soundtrack to the pop-punk summer of 1995 like "I Wanna Get To Third Base With You" and "Screamin' Demon Martians Ridin' Go-Karts in My Head," as well as the band's magnum opus, "(Do You Wanna) Grilled Cheese!" Also features songs about worms, eyeballs, and rollerbladers, as part of a balanced breakfast.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SVVRCH 102LP
|
$20.50
PREORDER
RELEASE DATE: 10/3/2025
My Boy Lollipop is the debut album by Jamaican singer Millie Small, capturing the infectious energy of the early ska movement. Driven by the global success of the title track, a genre-defining hit, the album delivers a lively mix of upbeat rhythms, playful melodies, and Millie's unmistakable high-pitched vocals. With a blend of ska, pop, and R&B influences, it's a vibrant showcase of the sound that helped bring Jamaican music to international audiences. A must-have for fans of classic ska and timeless feel-good tunes.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SVVRCH 104LP
|
$20.50
PREORDER
RELEASE DATE: 10/3/2025
Originally released in 1970, Tone Float is the only album by German rock band Organisation, a pioneering work that blends experimental rock with avant-garde soundscapes. Driven by hypnotic rhythms, unconventional instrumentation, and a freeform approach, the album explores the boundaries of sound with a mix of electronic textures and organic improvisation. A cult classic, Tone Float remains a fascinating snapshot of an era defined by musical innovation and fearless creativity.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SVVRCH 107LP
|
$20.50
PREORDER
RELEASE DATE: 10/3/2025
Live at Kōkumeikan, Tokyo 1987 captures the raw, immersive power of Les Rallizes Dénudés at their peak. Blending droning psychedelia, ear-shattering noise, and hypnotic melodies, this recording is a testament to the band's uncompromising approach to sound.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TU 014LP
|
$27.00
PREORDER
RELEASE DATE: 10/3/2025
"Blue Lake reveals his most ambitious album yet, which finds its visionary creator Jason Dungan harnessing the collective alchemy of his band, with ten spirited tracks that resonate with a powerful directness, evoking an ecological connection to the wider world. On The Animal, Dungan introduces the use of voice as an instrument, as a way of unlocking song-like characteristics. On the gracious album opener 'Circles,' which sees the group embrace in choral unison, like in birdsong, voices echo as a part of the surrounding sonic environment. The band are fore grounded and formidable in their delivery, forming a rich, acoustic accompaniment to Dungan's zither strokes, earthy guitars and percussive patterns. The soundworld is noticeably bolder and livelier, as evidenced on 'Cut Paper,' with now regular mixing collaborator Jeff Zeigler capturing the fullness of the new band sound. Dungan also enlisted the help of Danish producer Aske Zidore who encouraged him toward new working strategies, a liberating intervention which allowed the element of surprise and discovery. The center ground is never fully consumed by Dungan as we find him consciously orchestrating from a respectful distance, giving generous space for the musician's spontaneous performance and improvisation, allowing their musical intuition to give rise to beguiling, holistic synchronicity. 'The Animal' is a form of musical metamorphosis, still acoustic, yet more amplified, elevating it to new dimensions. The Blue Lake project takes on a new lease of life to encompass collaboration with Jason Dungan bound in a universal connectivity, resulting in his most ambitious album to date. A harmonious rejoicing that cements his reputation as a transformative presence in contemporary music."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TU 014X-LP
|
$39.00
PREORDER
RELEASE DATE: 10/3/2025
Color vinyl version. "Blue Lake reveals his most ambitious album yet, which finds its visionary creator Jason Dungan harnessing the collective alchemy of his band, with ten spirited tracks that resonate with a powerful directness, evoking an ecological connection to the wider world. On The Animal, Dungan introduces the use of voice as an instrument, as a way of unlocking song-like characteristics. On the gracious album opener 'Circles,' which sees the group embrace in choral unison, like in birdsong, voices echo as a part of the surrounding sonic environment. The band are fore grounded and formidable in their delivery, forming a rich, acoustic accompaniment to Dungan's zither strokes, earthy guitars and percussive patterns. The soundworld is noticeably bolder and livelier, as evidenced on 'Cut Paper,' with now regular mixing collaborator Jeff Zeigler capturing the fullness of the new band sound. Dungan also enlisted the help of Danish producer Aske Zidore who encouraged him toward new working strategies, a liberating intervention which allowed the element of surprise and discovery. The center ground is never fully consumed by Dungan as we find him consciously orchestrating from a respectful distance, giving generous space for the musician's spontaneous performance and improvisation, allowing their musical intuition to give rise to beguiling, holistic synchronicity. 'The Animal' is a form of musical metamorphosis, still acoustic, yet more amplified, elevating it to new dimensions. The Blue Lake project takes on a new lease of life to encompass collaboration with Jason Dungan bound in a universal connectivity, resulting in his most ambitious album to date. A harmonious rejoicing that cements his reputation as a transformative presence in contemporary music."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
VWM 060LP
|
$26.00
PREORDER
RELEASE DATE: 10/3/2025
LP version. What the fuck?? What the fucking fuck?? It's the only realistic response to these dark, divisive and dangerous times. How do you react? How do you feel? How do you soundtrack? Immersion is the project of post punk musical architects Colin Newman (Wire) and Malka Spigel (Minimal Compact) and Matt Schulz (Holy Fuck, Savak & Lake Ruth). Since the pandemic, Immersion has been mainly working on their Nanocluster collaborations, but they have now re-engaged with the core project after a UK and USA tour gave them a shot of musical urgency and lyrical immediacy. If the Nanocluster project is about collaboration, then Immersion in 2025 is a response to where humanity finds itself in the second decade of the 21st century. It reacts to not only that relentless rhetoric of these times but also how listeners as humans should respond. Music is the message, the medium, the massage and the moment. This song collection manages to combine the unease with hope, minimally hypnotic songwriting with taut melodies and inventiveness with groove. The words are so direct they need no explanation. Anyone could join in with the chanting!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
WHYT 083CD
|
$20.00
PREORDER
RELEASE DATE: 10/3/2025
New York-based artist James K returns with Friend. This album is full of electric pop anthems that blends ear-worming melodies with peak-time breaks, buzzing powerpunk guitars and a classic rave pulse, with K's signature enchanting vocals playfully spitting emotion. It's a hallucinatory pleasure, tearing through your body and mind. "Play" rushes with a rebellion of friends -- an electro fever daydream waking up everywhere you go. Hot off extensive tours worldwide, playing the likes of Pitchfork Festival, Dekmantel, iii Points, and Mutek, following in the footsteps of her last two critically acclaimed singles Friend comes on AD 93. RIYL: Cocteau Twins, Yves Tumor, Prodigy, Oklou, Grimes. Also available on black (WHYT 083LP) and transparent vinyl (WHYT 083TR-LP).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
MAG
|
|
WJMAG 016
|
$26.00
PREORDER
RELEASE DATE: 10/3/2025
We Jazz Magazine, Thembi for Pharoah Sanders. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. 50 pages of Pharoah Sanders by Henry Boon, Pierre Crépon, Tony Higgins, Arsi Keva, Patrick Preziosi, Andy Thomas and Seymour Wright, Tomoki Sanders by Tej Adeleye, Don Cherry by Magnus Nygren, Jameszoo by Rob Garratt, Discaholic column by Mats Gustafsson, album reviews, live reviews, photo essay and more.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
WM 060CD
|
$14.50
PREORDER
RELEASE DATE: 10/3/2025
What the fuck?? What the fucking fuck?? It's the only realistic response to these dark, divisive and dangerous times. How do you react? How do you feel? How do you soundtrack? Immersion is the project of post punk musical architects Colin Newman (Wire) and Malka Spigel (Minimal Compact) and Matt Schulz (Holy Fuck, Savak & Lake Ruth). Since the pandemic, Immersion has been mainly working on their Nanocluster collaborations, but they have now re-engaged with the core project after a UK and USA tour gave them a shot of musical urgency and lyrical immediacy. If the Nanocluster project is about collaboration, then Immersion in 2025 is a response to where humanity finds itself in the second decade of the 21st century. It reacts to not only that relentless rhetoric of these times but also how listeners as humans should respond. Music is the message, the medium, the massage and the moment. This song collection manages to combine the unease with hope, minimally hypnotic songwriting with taut melodies and inventiveness with groove. The words are so direct they need no explanation. Anyone could join in with the chanting!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
PP 1005LP
|
$26.00
PREORDER
RELEASE DATE: 10/5/2025
LP version. "At daybreak, as sunlight travels through the atmosphere and begins to reach Earth's surface, daylight gradually emerges. This marks the transition from night to the beginning of a brand-new day. As the temperature rises -- especially after clear, calm nights -- relative humidity decreases, and mist, formed of tiny suspended droplets, begins to evaporate. Warm air rises and cool air sinks, creating an interplay of temperature, humidity and sunlight that gives way to a soft, diffuse glow. The sea breeze slowly clears the morning mist, setting life in motion once again as the world wakes up. Daybreak is Sven Wunder's fifth full-length album, seamlessly continuing the progression of his musical oeuvre. It takes the listener on a vivid maritime expedition, beginning the moment the first rays of light break the darkness of the night and embarking on a lush journey through the early hours of the day and far beyond, until the light slowly fades and night falls once again. True to Wunder's now distinctive artistry, Daybreak is marked by elaborately crafted compositions and elegant pop-jazz arrangements for flute, percussion, brass and strings -- supported by a decisive rhythm section, all of which add depth and build on his body of work, continuing to unfold his creative path."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
Book
|
|
9780956999177
|
$28.00
PREORDER
RELEASE DATE: 10/10/2025
Hardcover. 232 pages. Roxy Music - Then Out Of the Blue tells the story of the bands career, giving dates and a timeline to their events. The birth of Roxy Music just before 1971 up to 1976 including Bryan Ferry's early solo career. A Who? What? Why? Where? When? chronology of all their dates, places and times.
"I've got a favorite songwriter and band in England called Roxy Music with a character called Bryan Ferry who I think is probably spearheading some of the best music that has come out of England in years." -- David Bowie
"That was a band that broke so many barriers. They were poncy, pontificating, absurd, over melodramatic and absolutely adorably excellent." -- John Lydon (Sex Pistols/Public Image Limited)
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
ACR 015EP
|
$19.00
PREORDER
RELEASE DATE: 10/10/2025
Recursivity is a reflection on inspiration, derivations, cycles of life, environments, and the consequence of time.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ASVN 071LP
|
$33.00
PREORDER
RELEASE DATE: 10/10/2025
"Experience the profound legacy of The Last Poets with their new release, Africanism. Abiodun Oyewole and Umar Bin Hassan revisit and re-energize some of their seminal works such as 'When The Revolution Comes,' 'Gash Man' and 'Niggers Are Scared of Revolution,' infusing them with fresh and potent new soundscapes. Joining the Poets are the late, great Tony Allen (Fela Kuti) -- laying the album's foundations with legendary Afrobeat rhythms -- Egypt 80 guitarist and bassist Akinola Adio Oyebola and Kunle Justice, jazz keyboardist Kaidi Tatham (dubbed as 'The UK's Herbie Hancock') and saxophonist Courtney Pine. Africanism is the result of vibrant live sessions in Brooklyn and London, recorded and mixed by producer Prince Fatty. The album bridges spoken-word poetry with a bold fusion of Afrobeat and contemporary jazz, where live instruments amplify the Poets' raw and unflinching verses."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
AVE66 020-2EP
|
$20.00
PREORDER
RELEASE DATE: 10/10/2025
Avenue 66 opens Series 33 with a Düsseldorf/Lyon connection. Jonquera first encountered Tolouse Low Trax a decade ago in a small Lyon club. The Düsseldorf artist's mechanical psychedelia, and the influence of the Salon collective have been a constant touchstone for Jonquera. After several LPs, Jonquera returns to the EP format with "Cause & Utility"/"Tales of Decay." Built from improvised drum, bass, and vocal recordings, the tracks are reworked through heavy looping and acoustic treatment, a method inspired by his recent live shows. The MPC sorcerer Tolouse Low Trax, aka Detlef Weinrich, brings his Düsseldorf circuitry and autobahn funk with two tracks of pure rhythm apparition. "Amp" is a quintessential Tolouse Low Trax cut, built on concealed rhythmic structures, swampy bass lines, and fragments of radio and voice samples. "Solid Rock" echoes this idea, first conceived as a variation on Amp where particles repeat themselves.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BAF 18044LP
|
$29.00
PREORDER
RELEASE DATE: 10/10/2025
"After multiple highly successful horror and Halloween releases on CD, Bear Family Records now offers the first vinyl LP on the subject. Teutonic or Slavic accents, screams, shrieks, chain rattles, howls, and a variety of terrifying rockers and shockers! Including Screamin' Jay Hawkins, Virgil Holmes, Rod Willis, Casey Jones & The Governors, The Monotones, Jack & Jim, and other. Extensive liner notes by horror expert Roland Heinrich and careful re-mastering round off the first shocking experience on vinyl. The label compiled ten tracks from the already haunting house-party-hot tracks and dug-up four other long-lost but longing-for-life limb shakers. This record exploits it all -- everything your warped brain desires! So, invite your friends, let your hair down, and get charged by the electrical spirit of the 'man' himself."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
BMV 771514LP
|
$36.50
PREORDER
RELEASE DATE: 10/10/2025
2LP version. The creative visionary behind a remarkable catalogue of widely celebrated releases and two critically acclaimed albums, Monolink returns with his most thought-provoking and introspective project to date, The Beauty Of It All. Marking a bold new chapter in Monolink's artistic evolution, The Beauty Of It All dives deep into themes of beauty, impermanence and human connection, blending his signature fusion of live instrumentation, soulful song-writing and electronic innovation. With The Beauty Of It All, he builds on the foundations laid by his first two long players, pushing his sound into new, uncharted territory while staying rooted in the organic, humanistic qualities that have defined his career. The album is poised to be his most revealing and boundary-defying release yet; a sonic statement from an artist who continues to redefine what it means to be a modern musician.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
BMV 771515LP
|
$42.00
PREORDER
RELEASE DATE: 10/10/2025
2LP version. Splatter color vinyl. The creative visionary behind a remarkable catalogue of widely celebrated releases and two critically acclaimed albums, Monolink returns with his most thought-provoking and introspective project to date, The Beauty Of It All. Marking a bold new chapter in Monolink's artistic evolution, The Beauty Of It All dives deep into themes of beauty, impermanence and human connection, blending his signature fusion of live instrumentation, soulful song-writing and electronic innovation. With The Beauty Of It All, he builds on the foundations laid by his first two long players, pushing his sound into new, uncharted territory while staying rooted in the organic, humanistic qualities that have defined his career. The album is poised to be his most revealing and boundary-defying release yet; a sonic statement from an artist who continues to redefine what it means to be a modern musician.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BMV 771516CD
|
$18.00
PREORDER
RELEASE DATE: 10/10/2025
The creative visionary behind a remarkable catalogue of widely celebrated releases and two critically acclaimed albums, Monolink returns with his most thought-provoking and introspective project to date, The Beauty Of It All. Marking a bold new chapter in Monolink's artistic evolution, The Beauty Of It All dives deep into themes of beauty, impermanence and human connection, blending his signature fusion of live instrumentation, soulful song-writing and electronic innovation. With The Beauty Of It All, he builds on the foundations laid by his first two long players, pushing his sound into new, uncharted territory while staying rooted in the organic, humanistic qualities that have defined his career. The album is poised to be his most revealing and boundary-defying release yet; a sonic statement from an artist who continues to redefine what it means to be a modern musician.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BNSD 095LP
|
$25.50
PREORDER
RELEASE DATE: 10/10/2025
This is the third volume in the Corrosion Series, a collaborative effort by Beacon Sound and Ruptured. "This time there's no escape," goes Snakeskin's "October Sun," the lead single from their third album We Live In Sand. A looped vocal motif and elegiac organ circle around Julia Sabra's otherworldly voice as she sings of ringing drones and ominous echoes. Since their inception, the Lebanese duo's music has served as a kind of real-time archive of their country's turmoil. We Live In Sand is their darkest, rawest release yet -- written in October 2024, just as the Israeli war on Gaza fully spread to Lebanon and finally reached Beirut. The band's 2022 self-titled debut was shaped by the aftermath of the Beirut port explosion. They Kept Our Photographs (2024) was written in the early months of the war on Gaza. But on We Live In Sand, the violence is no longer at a distance. It is here, now. The war has reached their doorstep. There is no soft entry point this time. Opener "Ready" begins mid-collapse: fractured, glitchy, elemental. Fadi Tabbal's production cracks and rumbles like tectonic plates, while Sabra sings through autotune -- ethereal, almost post-human: "There's life inside my bones." It's a stunning paradox -- a song about birth, caught in the middle of destruction. Hope, fragile and flickering, seeps through the rubble. Snakeskin has always thrived in extremes, but here the contrast is sharpened to a knife's edge. The record's second half moves into deeper, darker waters. "Olive Groves" and "Black Water" are sparse, mournful incantations -- too haunted for full sentences. Sabra has grown increasingly adept at squeezing vivid imagery and meaning from succinct lines. Tabbal's production is equally evocative, from the '80s-melancholic-pop of "The Fear" to piano dirge "In The Pines." The title track recalls the duo's earliest collaborations: minimal, nursery-rhyme-like, haunting. Where They Kept Our Photographs ended on a hopeful note, We Live In Sand is resolute in its realism. It's Snakeskin at their most urgent, and their most essential -- bearing witness to impossible events. What it feels like to wait, to love, to grieve, and to keep living while the world falls apart. Thankfully, Snakeskin persevere, sending listeners ever more affecting transmissions from the archive.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
BOND 12080EP
|
$19.00
PREORDER
RELEASE DATE: 10/10/2025
Bondage-Music presents the new vinyl EP from Markus Homm, titled Twingo. Homm delivers four tracks that epitomize his deep, grooving sound. Homm blends influences from classic house with techno textures, continually evolving his sound across releases and DJ sets. Twingo showcases Homm's signature sonic palette, balancing uplifting grooves with a precise edge. The EP highlights his ability to fuse organic house vibes with driving techno energy, creating a cohesive journey for both dancers and listeners. Two of the tracks on the EP are vinyl-only, reinforcing Bondage-Music's commitment to offering exclusive material for vinyl enthusiasts.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BR 187CD
|
$18.00
PREORDER
RELEASE DATE: 10/10/2025
Buh Records presents the release of Cello in My Life, the new album by the renowned Ecuadorian composer Mesías Maiguashca. This deeply personal work reflects an intimate exploration of the relationship between the cello and the artist's life, realized in collaboration with celebrated cellist Gaby Schumacher. The album features six remarkable compositions spanning Maiguashca's career from 1972 to 2015. Each piece offers a unique perspective on his groundbreaking approach to music, blending acoustic and electronic elements to create an immersive sound experience. Highlights include: "Übungen" (1972-73): A fascinating dialogue between cello and synthesizer, performed by Gaby Schumacher and Maiguashca himself. "Lindgren" (1973): A haunting composition for cello and magnetic tape. "El Oro" (1992): A meditation on cultural collisions between the Old and New Worlds, featuring flute, cello, and spoken word. "The Spirit Catcher" (1993): An evocative piece inspired by the writings of Carlos Castañeda, combining cello and electronics. "unvermindert weiter" (1993): A duet for cello and accordion that highlights the interplay between the two instruments. "por el yasuní" (2015): A poignant commentary on the protests to protect Ecuador's Yasuní National Park, featuring violin, cello, and electronic textures. This release also marks the second collaboration between Maiguashca and Buh Records, following the critically acclaimed 2021 collection Música para cinta magnética (+) instrumentos (1967?1989). Cello in My Life stands as a testament to Maiguashca's enduring legacy as one of the most significant voices in contemporary and experimental music from Latin America. The album's intricate soundscapes and profound themes promise to captivate both long-time admirers and new listeners alike. Set for release on February 28, 2025, the album will be available on digital platforms and as a physical CD edition. This milestone in Maiguashca's discography further cements his reputation as a pivotal figure in the realm of contemporary and experimental music from Latin America.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BSR 931R-LP
|
$24.00
PREORDER
RELEASE DATE: 10/10/2025
"Vinyl reissue of the Maytones' 1977 album, back in print since the original issue! Now on red vinyl."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BT 5011R-LP
|
$24.00
PREORDER
RELEASE DATE: 10/10/2025
"The Beatles, Pink Floyd, David Bowie -- cousins Francesca Garnett and Lisa Bankoff rubbed shoulders with them all in the late 1960s, and perhaps it should come as no surprise that a little stardust rubbed off on the two girls. Musically ambitious, they came close to being signed to the Beatles' Apple label (although John, Paul, and Ringo were in favor, George passed, thus vetoing the deal) before being taken under the wing of Pink Floyd drummer Nick Mason and signing to Monty Babson's fledgling Morgan Bluetown label. Morgan Bluetown was a side project to the Morgan Music studio, which in the late 1960s was one of the UK's top studios. Wil Malone, who has gone on to be one of the world's most highly regarded arrangers, having worked on the Verve's Bitter Sweet Symphony and Adele's 19 album amongst many others, and Mal Luker, who went on to engineer for the likes of the Kinks, Amon Duul, and Placido Domingo. Chimera was in the wonderful position of being able to draw on the studio's home-grown talent and to augment this with established stars such as their manager Nick Mason, who not only produced many of their recordings, but played drums on 'The Grail' and brought along his Pink Floyd colleague, Rick Wright, to play harpsichord on 'Lady With Bullets In Her Hair.' Future Fleetwood Mac guitarist Bob Weston also played on a number of tracks. Due to a variety of mishaps, the album wasn't released at the time, although apparently Hipgnosis, designers of Pink Floyd (and many other) album sleeves, had prepared a front cover for it, and the musical underground was rife with rumors of this legendary lost masterpiece of acid folk/baroque psychedelia. But now, at last, the album is out on its originally intended label."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BT 5012SP-LP
|
$24.00
PREORDER
RELEASE DATE: 10/10/2025
"Sam Gopal took up the tabla in Malaysia at the age of 7, before coming to study music in Britain in 1962. Sam Gopal put together his first group, Sam Gopal's Dream in 1966. They quickly became a feature of the psychedelic scene, playing at the 14 Hour Technicolour Dream at Alexandra Palace in 1967 and sharing stages with such giants as Pink Floyd, the Move and Jimi Hendrix. Indeed, Jimi jammed with them during a gig at the Speakeasy in January 1968. However, whilst successful live, the band went unrecorded, and disbanded shortly after, only to be reconstituted under the 'Sam Gopal' moniker, Sam being joined by Roger D'Elia on guitar, Phil Duke on bass and most famously, ex Jimi Hendrix roadie Ian 'Lemmy' Willis on vocals and guitar. Signed to the short-lived Stable label, songs for an album were quickly written, most of them by Lemmy, and the album was released in March 1969, beautifully packaged in a gatefold sleeve. Something of a classic of psychedelic acid rock, complete with fuzzed guitars, but rooted by its Eastern percussion, the album included one cover, a rocked up version of Donovan's 'Season Of The Witch,' whilst a projected single release included a version of Willie Dixon's 'Back Door Man,' which managed to be even heavier than the interpretation by the Doors on their first album, released two years earlier. 'You're Alone Now,' one of the Lemmy-written songs on the album, became quietly influential, acting not only as a forerunner of Hawkwind's seminal 'The Watcher', but having an intro that brings to mind Black Sabbath's 1970 smash 'Paranoid.' The album ends with undoubtedly the gentlest song of Lemmy's career, the rather lovely 'Yesterlove,' which has Lemmy's vocal floating gently over a backing of tabla and acoustic guitar. Sadly, despite apparently having all the ingredients in place for success, this incarnation of 'Sam Gopal' proved to be no longer-lived than 'Sam Gopal's Dream', and broke up not long after the release of this album."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BYR 052LP
|
$28.00
PREORDER
RELEASE DATE: 10/10/2025
Joanna Duda Trio's new album, Delighted, weaves a hypnotic tapestry of sound that immediately captivates the listener. From the very first note, the track invites you into a world where inventive rhythms and melodies dance with a mesmerizing intensity. The crispness of the percussion and the looming intensity of the double bass create a vivid sonic landscape that feels both fresh and accessible, while undeniably complex. Duda's composition is one of her strengths, having been sought out to compose the music for the first Polish film for Netflix Originals, Erotica (2022), and she again demonstrates her uncanny ability to blend subtle complexity with melodic piano hooks that ooze playfulness. Beneath the surface a darker, more menacing undertone that keeps the listener on edge.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BYT 002LP
|
$28.50
PREORDER
RELEASE DATE: 10/10/2025
Born from a profound devotion to the piano and a reverence for the organic flow of life, byt' surprises listeners by presenting Paths Of Sand, a remarkable creation by Amsterdam-based composer xico, offering sound and soul to those willing to listen beyond the surface. Through the magic of experimentation, xico captured the fleeting beauty of the muse of improvisation, as described by Nachmakovich, transforming the ephemeral into something lasting. Performances recorded on the same old piano during the 2023 Kaalstaart Festival in the Netherlands have since evolved into a fully realized work. A journey of nearly three years of dedicated silence that began with Telva's intuitive recognition of xico's voice, starting with an invitation to her radio show and blossoming into a captivating fascination with what unfolded. This process led to the art of shaping the selected live recordings into a collector's item, now materialized as a limited edition of 200 pressed vinyl copies, forever remaining as an artistic memento. Perfectly attuned to the energy of the autumn equinox, Paths Of Sand unfolds as an intimate reflection of music's ability to hold what cannot be held, to speak what cannot be said, and to embody what can never be described. xico is a sound artist and improviser from Ibiza whose work explores the merging point between disruptive and post-natural soundscapes, crafting immersive sonic environments through compositions that unfold like ecosystems. Encouraged by an understanding of chance as nature's and awareness' most accessible voice, he focuses on creating generative live-sets with varying degrees of unpredictability. For him, subordinating human intention to nature's order is a conscious choice, and making art through this lens becomes a statement and a spiritual practice. With his distinctive touch, his compositions resonate with the world in unexpected and profound ways, offering experiences you may never have heard before.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DELI 032LP
|
$36.50
PREORDER
RELEASE DATE: 10/10/2025
London-based producer Tar Blanche, also known as a member of the dreampop band Yumi Zouma, unveils How to Dance Freely Without Social Anxiety, a seven-track journey through jazz-house, deep house, and chill-out lounge. With a sound that resonates alongside artists like dublon, Table, and Berlioz, the English producer blends ambient textures, refined guitar riffs, and emotive productions, crafting an intimate yet hypnotic atmosphere. Signed to Délicieuse Records, Tar Blanche continues to push boundaries, cementing his place as one of the most exciting producers in modern electronic music.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DIS 199LP
|
$28.00
PREORDER
RELEASE DATE: 10/10/2025
"More than 20 years after recording their last record, Cough, Black Eyes returns with Hostile Design. The album is comprised of six all-new songs, written directly in the wake of the band's April 2023 reunion shows. Hostile Design was recorded at Tonal Park studios over three days, with Ian MacKaye resuming his role as producer and Don Godwin engineering. The instrumentation returns to Cough's two drums, bass, guitar and sax lineup, but adds some fresh elements. Live multichannel dubbing, now a standard of their shows, has been integrated into the performances, as have electronic drum triggers and samples as well as the occasional bass clarinet passage. In the years since their initial dissolution, each member has pursued their own creative paths, including drone rock, avant techno, ambient, sonic collage, visual art, video work and more. In coming back together, the breadth of their collective practices are all integrated into the music."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DKOLP 009LP
|
$38.50
PREORDER
RELEASE DATE: 10/10/2025
Sélavy is Prosper's debut album. It features 13 tracks that range from fairly traditional French chanson to more techno, rap, rock, punk, and even pop styles. Wordplay and stylistic devices play a central role in the lyrics. Much like his work as a visual artist -- where he cuts and assembles elements that seem to have little in common at first glance -- Prosper uses the French language as a tool to express his emotions and reflections on life, with all its sorrows and joys. In doing so, he dissolves the boundaries between poetry, song, and artwork. Featuring Jwles.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DSTN 003LP
|
$27.00
PREORDER
RELEASE DATE: 10/10/2025
Discostan presents the first vinyl release by young legends Sireesha and Sreeusha -- better known to both classical Indian fans and to musical fans of improvisation around the world as the Mandolin Sisters. On their first album released to a global audience, the Sisters showcase an upstart energy, revitalizing centuries-old songs with a fast and furious playing on electrified mandolin. Mandolin Sisters: Odysseys in Electric Carnatic is a deep immersion into the Sisters' virtuosic playing style, weaving intricate lines and sophisticated harmonies that will appeal to fans of genre-expanding experimental guitar sounds and improvised music. But the pair is also deeply steeped in historical tradition and spent years dedicated to study and practice of these sonorities. Even before the two sisters could read, the duo were singularly devoted to the expression of Carnatic music through an instrument that is still relatively new to South Indian classical music. Over their career, they have played more than 3,500 shows. The mandolin is only a recent addition to the world of Carnatic music. However, there is no disputing the role that Uppalapu Srinivas (more widely known as simply U. Srinivas) played in bringing the instrument to wider acclaim and as a respected part of South Indian classical music. Today, the Mandolin Sisters are carrying on the legacy of Srinivas. Across the seven songs in this album, the Mandolin Sisters imbue their signature sound onto raga compositions drawn from the deep well of the Carnatic tradition. Because of the amount of improvisation in Carnatic music, no song is ever played the same twice. Each person adjusts the song every time to create an all-new version, even playing them for years. While they are inspired by deep tradition and the mastery of Srinivas and others, their search for new paths is unrelenting. In the words of Sireesha: "In Carnatic music there's no end to learning, it keeps going. It's like a sea. No matter how deep you go, there is always more depth." Discostan is a relatively young record label dedicated to documenting innovative sounds from South and West Asia and North Africa from the past, present and future. The long-running party, radio show and label has previously released reissues of Urdu-language synth pop and Palestine's first English-language folk songs. This album is a unique entry point into contemporary Carnatic music as well as a gift (or revelation) for fans of adventurous music from new voices.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
EDNLP 1281LP
|
$36.00
PREORDER
RELEASE DATE: 10/10/2025
"Norwegian trumpeter and sonic architect Nils Petter Molvaer presents Khmer Live in Bergen -- a charged reinvention of his era-defining 1997 ECM release Khmer -- recorded in concert in 2023. Fused with live trip-hop beats, ambient haze and Nordic lyricism, Khmer Live in Bergen amplifies a new energy with deeper grooves, sharper edges and greater dynamic intensity, pushing the music into a rawer, driven by experience, control and creative vision. Performed with a newly expanded band and released on Edition Records, Khmer Live in Bergen captures the volatile electricity of Molvaer's live sound -- fluid, restless and saturated with feeling. The album is a powerful reminder that his sound remains vital, forceful and fully alive -- constantly evolving with greater clarity, depth and intent."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
ER 2003CD
|
$15.00
PREORDER
RELEASE DATE: 10/10/2025
"After a five-year hiatus, Chuck D & Flavor Flav return to the scene with a new Public Enemy album, bringing their always insightful commentary over rugged and shapeshifting beats. From the opening diagnosis of 'Siick' all the way to the insanity of school shootings during 'March Madness,' the red, black, and green machine is back to clean up the scene."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ER 2003LP
|
$29.00
PREORDER
RELEASE DATE: 10/10/2025
LP version. "After a five-year hiatus, Chuck D & Flavor Flav return to the scene with a new Public Enemy album, bringing their always insightful commentary over rugged and shapeshifting beats. From the opening diagnosis of 'Siick' all the way to the insanity of school shootings during 'March Madness,' the red, black, and green machine is back to clean up the scene."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
ESPDISK 5101CD
|
$12.00
PREORDER
RELEASE DATE: 10/10/2025
Written, produced, recorded, and mixed by Buck Curran at Via Paleocapa, Bergamo, Italy between April 2024 and January 2025. Mastered by Harris Newman, Grey Market Mastering, Montreal, Canada. Curran's ninth solo album finds an elemental, full-form return to his musical roots: a deep love for the ambient and resonant nature of the acoustic steel-string guitar in alternate tunings. In company and reunited (after an 18-year separation) with a rare "Butterfly" Model 1 acoustic guitar made by Stefan Sobell in Northumberland, England in 1990 (previously used to record the first two albums made by his duo Arborea), Curran creates idiosyncratic and ethereal soundscapes through the use of its sonorous fundamental voice, incredible sustain, shimmering overtones and harmonics, and the additional use of a brass slide and EBow. The compositions and improvisations that are presented in this album are intricate and subtly powerful throughout, yet plaintive and mystical sounding. The notes contained within Far Driven Sun are further defined with plentiful space and tonal colors. Far Driven Sun finds Buck Curran ever-evolving on his musical path -- a joyful and creative exploration of aural color and resonance -- reflections and ruminations on the eternal cosmos and life.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FAITICHE 039LP
|
$30.50
PREORDER
RELEASE DATE: 10/10/2025
Off The Record, the new album by French collagist Roméo Poirier, is an amusing romp through the discarded history of recording studios. It contains fourteen miniatures based on accidental recordings of studio talk, revealing things that were never meant for the public: listeners hear instructions from studio staff, scraps of talk between musicians, or just microphones being adjusted, as well as false notes, false starts: everyone stops. Start again: 1, 2, 3, 4! Poirier's approach recalls "Accumulation," an artform practiced by Arman, Jean Tinguely and Daniel Spoerri that involved piling up everyday items into assemblages. The objects themselves often remained unaltered, the artistic gesture consisting in the careful curating of a distinctive selection. Poirier's audio collages explore similar terrain. The fourteen pieces on Off the Record combine more than a thousand found sounds from studio archives into complex miniatures. The audio content of these outtakes is twisted, stretched, cut, reassembled, slowed down and accelerated. Voices cut into a microgroove, from a very old recording, intertwine with digital voices gleaned from YouTube. All of them in dialogue, engaging the listener with the impression of being part of a new music group. Poirier uses the mundane routine of setting up before the actual recording gets underway to tell a universal story about working in a recording studio. And he manages something few achieve, transforming specialist knowledge into a narrative whose beauty goes far beyond its immediate subject. It speaks to everyone, because the story is told in a musical language that is open and accessible, evoking magical images reminiscent of Oz -- a world consisting less of events than of camp hallucinations, captured in grainy black-and-white photographs. En passant, Poirier shows listeners how the notion of material accumulation can produce great art. Written and produced by Roméo Poirier, mastered by Stephan Mathieu, photos by Roméo Poirier, graphic design by Tim Tetzner.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
GG 501CD
|
$19.00
PREORDER
RELEASE DATE: 10/10/2025
"Asmus Tietchens is a sound artist and composer from Hamburg, Germany. He got interested in Musique Concrete by listening to a German radio program when he was 10 years old. In 1965, at the age of 18, Asmus started experimenting with tape loops and turned them into musical collages. Soon, the use of synthesizers was added. In 1980 his debut album Nachtstücke, was released, produced by Peter Baumann of Tangerine Dream. This was soon followed by a series of albums of electronic pop music for the Sky label, home of many Krautrock bands. Tietchens often uses special source materials for his compositions such as water ('Seuchengebiete'), human voices ('Von Mund zu Mund'), paper ('Papier ist geduldig'). He is associated with the Industrial music scene through his collaborations and releases on labels such as United Dairies, Esplendor Geometrico or Dom Records. Tietchens never studied composition, he has no academic background, everything he does is self-taught or learning by doing. Achim Wollscheid is a media artist whose work over the past 20 years has been at the forefront of experimental music. He has performed and presented installation projects internationally. His work in sound has led to an interest in the relation between sound, light and architectural space, which he pursues through public, interactive and electronic projects. He is a founding member of Selektion, an organisation for the production and distribution of information systems. Achim also forms the collective S.B.O.T.H.I., derivated from research from the '40s: Sexual Behaviour Of The Human Infant, later renamed to Swimming Behaviour Of The Human Infant. Recently, when Asmus Tietchens needed space in his Hamburg flat, he went through boxes in his cupboard and found a recording credited to himself and Achim Wollscheid. It turned out to be an album originally recorded 20 years ago for the Ritornell label (Mille Plateaux) that was, for reasons unknown now, shelved and forgotten."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
GG 507CD
|
$19.00
PREORDER
RELEASE DATE: 10/10/2025
"Zahgurim formed in 1983 and were early contributors to the industrial music scene associating with the Temple Ov Psychick Youth. They were invited by Konnex Records Manfred Schiek to record an album for his Berlin Atonal label resulting in Moral Rearmament produced at Julian Gilbert and Simon Crab's studio at the Old Ambulance Station on Londons Old Kent Road. It became Berlin Atonal's fifth release. Live performances at Dimitri Hegemanns pioneering Berlin Atonal festival with Psychic TV, Test Dept., Laibach et al were followed by appearances at TOPYs early rave Thee Fabulous Feast ov Flowering Light at Londons Hammersmith Palais in May 1985 and the ICAs Drastic Classicism season. Shortly afterwards Zahgurim members Paul Ackerley and William Vince co-founded the percussion group Left Hand Right Hand. In 2018 Klanggalerie re-issued Moral Rearmament and Zahgurim played their first live show in 32 years in Vienna. A live document of the performance Live at Klang 25 was released on Klanggalerie. It included a new recording: 'The Living Room.' That was picked up by Olf van Eldens' Rush Hour label for the interstellar funk compilation Artificial Dancers -- Waves of Synth curated alongside Chris and Cosey, The Human League and Clan of Xymox. I Can Feel The Fun came out first as a download only release on Nostalgia De La Boue as a response to Tristan Koreya's curiosity. He rightly suspected that years of musical shrapnel lay scattered on tapes and digital folders. Recordings continued to be made with the original analogue equipment in spontaneous takes, channeling the early period musical fascinations and featured original band members, associates and new ones who are at the age now that the original ones were in 1984. As the world is still in chaos, their ruthless take on it was necessary to retain the projects authenticity. Recordings were created in coastal Sussex between 2013 and 2023. All songs were created, mixed and performed by the Ackerleys."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
GG 518CD
|
$19.00
PREORDER
RELEASE DATE: 10/10/2025
"Etant Donnes is a French duo named after Marcel Duchamp's last major work. The group consists of brothers Marc and Eric Hurtado, born in Morocco and working mainly as performance artists and musicians. Their sound can be described as a mix of field recordings, found sounds and sometimes whispered, sometimes violent vocals. They describe their sounds like this: 'Through Marc and Eric, it is the volume of each word that becomes an object-sculpture, together with the power of their bodies expressing their voices. Each event is a scream -- indeed even the glissando -- of the strength of the word that sometimes abruptly becomes a rock, a solid surface, not in the least fluvial, as is the narrative of a tale, novel or poetic epic. With both of them, there is no more trace of ancient prosodies, no more trace of the incomprehensible Sainte-Beuve who could claim: 'I have to collect a volume of prose.' The word, the voice, the volume take shape with each other, unveiling a theatre that theatre usually ignores, which has given it such things as a Samuel Beckett's Fin de Partie.' Over the years Etant Donnes have collaborated with people like Lydia Lunch, Michael Gira, Alan Vega, and Genesis P-Orridge. Les Cent Jours Clairs was the group's sixth album and was originally released on Bain Total in 1984."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
GG 520CD
|
$19.00
PREORDER
RELEASE DATE: 10/10/2025
"By inevitable coincidence, a street vendor in Buenos Aires became an instrument of providence, when he compelled attention of Christof Kurzmann, sitting outside a coffeehouse. His merchandise were small books of Hispanic writers, and the chosen one that ended up in the buyer's pocket some eighteen years ago was a collection of poems by Argentinean poet Alejandra Pizarnik. Her works abound with music and sounds or absence of it, appreciating silence. For Kurzmann, this served as a sufficient reason to dive into her writings, which resulted in releasing El Infierno Musical: a tribute to Alejandra Pizarnik in the fall of 2011. El Infierno Musical was a quintet started back in 2008 thanks to a wild card given to Kurzmann as a birthday present by the organizers of Music Unlimited festival in Wels, Austria, which hosted its official premiere. For the 50th day of death of Alejandra Pizarnik Kurzmann brought El Infierno Musical back to life again, worked on new material and changed the line-up of the band in which only he himself and Ken Vandermark are left from the founding formation. Dave Rempis -- long-time friend on saxophone, as well as Chicago Symphony Orchestra member Katinka Kleijn who together with another great Chicago-Scene musician Lia Kohl share the role of the cellists in the band. And to round the fresh line-up off, young drummer, percussionist Lily Finnegan completes the newly created Sextet. The music brings a clear structure filled with improvised parts, masterly played by perfectly coordinated musicians, who take advantage of their miscellaneous musical histories and styles."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HHBTM 232LP
|
$23.00
PREORDER
RELEASE DATE: 10/10/2025
"Originally released in 1999 on Merge Records, The Albemarle Sound, the third full-length LP by Brooklyn, New York's The Ladybug Transistor, exists just outside its fixed point in time and space. Perhaps the last great pop album of the 20th century, The Albemarle Sound is like few records from the turn of the millennium, its attention turned to the intricate arrangements of late 1960s pop and the strange and familiar environs of home. The notion of home is important to The Albemarle Sound, not just lyrically and thematically, but in the fact that the album was recorded, mixed and produced in a Victorian house in Flatbush named Marlborough Farms. The Ladybug Transistor was formed in 1995 as the home recording project of singer and trumpeter Gary Olson, and by 1999 the group had swelled to include siblings Jeff Baron (guitar) and Jennifer Baron (bass), Sasha Bell (keyboards and flute), San Fadyl (drums), and Julia Rydholm (violin), who lived together at Marlborough Farms, a home filled with instruments, recording equipment and a piano room where the group made demos. For the 25th anniversary of The Albemarle Sound, the record has been lovingly reissued on silver vinyl by Happy Happy Birthday to Me Records."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
IAGCD 010CD
|
$14.50
PREORDER
RELEASE DATE: 10/10/2025
After over a decade of psychedelic odysseys, cult acclaim, and international touring, Dresden's beloved psych collective, The Roaring 420s return with We're All In It Together -- a long-awaited third album and a triumphant swan song for the band's original line-up. These songs shimmer with '60s guitars, swirling organs, reverse fuzzes, and radiant vocal harmonies. Whether you call it garage rock, surf, psych, or exotica, one thing is clear: this ride is going to be wild -- and we're all in it together.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
IAGLP 010LP
|
$34.00
PREORDER
RELEASE DATE: 10/10/2025
LP version. After over a decade of psychedelic odysseys, cult acclaim, and international touring, Dresden's beloved psych collective, The Roaring 420s return with We're All In It Together -- a long-awaited third album and a triumphant swan song for the band's original line-up. These songs shimmer with '60s guitars, swirling organs, reverse fuzzes, and radiant vocal harmonies. Whether you call it garage rock, surf, psych, or exotica, one thing is clear: this ride is going to be wild -- and we're all in it together.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
IF 1099CD
|
$24.00
PREORDER
RELEASE DATE: 10/10/2025
"After more than thirty years of working with and performing the great repertoire, the music of Philip Glass has, in a way, almost revolutionized my life as a musician," confides Vanessa Wagner. An emblematic artist on the French music scene, winner of a Victoire de la musique award and director of the Chambord and Giverny festivals, Vanessa Wagner is as inspired in her interpretation of Mozart, Debussy, Tchaikovsky, and Dusapin as she is alongside Murcof and Rone. With her innovative and daring approach, she has established herself as a major influence on the classical music landscape, crossing boundaries and blazing inspiring trails. For InFiné, she has dedicated four albums to the major figures of this movement, John Adams, Meredith Monk, Brian Eno, and Ryūichi Sakamoto, as well as to the new generation Caroline Shaw, Bryce Dessner, and Nico Muhly. After giving numerous concerts based on these works, she felt the need to record in their entirety this essential monument in the history of music, which bridges the gap between the 20th and 21st centuries: Philip Glass's 20 Etudes for piano by Philip Glass. His approach helps to place these two books in the great repertoire, alongside the great cycles of studies by Ligeti, Debussy, Dusapin, and before them, Chopin and Liszt. The thread linking Philip Glass to Vanessa Wagner may be as simple as a detail: a moment, a pedagogy, a way of looking at the piano. In Words Without Music, Glass recalls his apprenticeship with Nadia Boulanger in Paris -- a lesson in rigorous received just as the Nouvelle Vague was about to shatter the conventions of cinema the conventions of cinema, just as the composers of the minimalist movement had done with the language of music. Nurtured by Ravel and Debussy, the great French pedagogue disciplined yet inquisitive minds, capable of embracing modernity without denying modernity without denying their heritage. The Complete Piano Etudes of Philip Glass is also available for the first time on vinyl, housed in a 4LP Box set (IF 1099LP).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
4LP BOX
|
|
IF 1099LP
|
$180.00
PREORDER
RELEASE DATE: 10/10/2025
4LP box set version. "After more than thirty years of working with and performing the great repertoire, the music of Philip Glass has, in a way, almost revolutionized my life as a musician," confides Vanessa Wagner. An emblematic artist on the French music scene, winner of a Victoire de la musique award and director of the Chambord and Giverny festivals, Vanessa Wagner is as inspired in her interpretation of Mozart, Debussy, Tchaikovsky, and Dusapin as she is alongside Murcof and Rone. With her innovative and daring approach, she has established herself as a major influence on the classical music landscape, crossing boundaries and blazing inspiring trails. For InFiné, she has dedicated four albums to the major figures of this movement, John Adams, Meredith Monk, Brian Eno, and Ryūichi Sakamoto, as well as to the new generation Caroline Shaw, Bryce Dessner, and Nico Muhly. After giving numerous concerts based on these works, she felt the need to record in their entirety this essential monument in the history of music, which bridges the gap between the 20th and 21st centuries: Philip Glass's 20 Etudes for piano by Philip Glass. His approach helps to place these two books in the great repertoire, alongside the great cycles of studies by Ligeti, Debussy, Dusapin, and before them, Chopin and Liszt. The thread linking Philip Glass to Vanessa Wagner may be as simple as a detail: a moment, a pedagogy, a way of looking at the piano. In Words Without Music, Glass recalls his apprenticeship with Nadia Boulanger in Paris -- a lesson in rigorous received just as the Nouvelle Vague was about to shatter the conventions of cinema the conventions of cinema, just as the composers of the minimalist movement had done with the language of music. Nurtured by Ravel and Debussy, the great French pedagogue disciplined yet inquisitive minds, capable of embracing modernity without denying modernity without denying their heritage.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JACK 083CV-LP
|
$26.00
PREORDER
RELEASE DATE: 10/10/2025
Color vinyl version. A fascinating glimpse into the creative mind of Pink Floyd's enigmatic founder, Madcap Cries compiles rare demos and outtakes from Syd Barrett's solo sessions.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JACK 083LP
|
$22.50
PREORDER
RELEASE DATE: 10/10/2025
A fascinating glimpse into the creative mind of Pink Floyd's enigmatic founder, Madcap Cries compiles rare demos and outtakes from Syd Barrett's solo sessions.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JACK 084CV-LP
|
$26.00
PREORDER
RELEASE DATE: 10/10/2025
Color vinyl version. The Jam, recorded live at Paris Theater, Regent Street, Paris, June 1st, 1978.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JACK 084LP
|
$22.50
PREORDER
RELEASE DATE: 10/10/2025
The Jam, recorded live at Paris Theater, Regent Street, Paris, June 1st, 1978.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
KMDONE 025CD
|
$16.50
PREORDER
RELEASE DATE: 10/10/2025
Kasse Mady Diabate, a key figure in Malian music, left his mark on history with his gentle yet powerful voice, earning him the nickname "the golden voice of Mali." A respected Mandingo artist, he was known for his ability to touch souls with melodies and texts steeped in depth and tradition. As a griot, he carried the musical heritage of his people with dignity and talent. The album title song, "Toumaro (A bientôt)," written by his daughter Hawa Kasse Mady Diabate, is part of this heritage, celebrating love and gratitude. After Kasse Mady's sudden death in 2018, Hawa continued the album her father had started, offering a poignant tribute to his legacy and a beautiful way to connect with him spiritually through music. Hawa herself is an iconic figure on the Malian music scene, particularly as a member of Trio Da Kali, the griot "super-group" whose album Ladilikan with the Kronos Quartet was a true masterpiece. Toumaro is a testament to the richness of the griot tradition, carried on by artists such as Hawa as well as Lassana Diabate and Madou Kouyate. Their collaboration on Toumaro with renowned musicians underlines the importance of passing on cultural and musical values, while renewing the genre through contemporary arrangements.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
KMDONE 025LP
|
$34.00
PREORDER
RELEASE DATE: 10/10/2025
LP version. Kasse Mady Diabate, a key figure in Malian music, left his mark on history with his gentle yet powerful voice, earning him the nickname "the golden voice of Mali." A respected Mandingo artist, he was known for his ability to touch souls with melodies and texts steeped in depth and tradition. As a griot, he carried the musical heritage of his people with dignity and talent. The album title song, "Toumaro (A bientôt)," written by his daughter Hawa Kasse Mady Diabate, is part of this heritage, celebrating love and gratitude. After Kasse Mady's sudden death in 2018, Hawa continued the album her father had started, offering a poignant tribute to his legacy and a beautiful way to connect with him spiritually through music. Hawa herself is an iconic figure on the Malian music scene, particularly as a member of Trio Da Kali, the griot "super-group" whose album Ladilikan with the Kronos Quartet was a true masterpiece. Toumaro is a testament to the richness of the griot tradition, carried on by artists such as Hawa as well as Lassana Diabate and Madou Kouyate. Their collaboration on Toumaro with renowned musicians underlines the importance of passing on cultural and musical values, while renewing the genre through contemporary arrangements.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
KOMP 186CD
|
$16.00
PREORDER
RELEASE DATE: 10/10/2025
Kompakt's Total 25! Another anniversary in a year that is already rich in anniversaries. For the 25th time, the Kompakt family is gathering for its annual rendezvous. The latest boy band in town, Pop Vampires Cologne, opens the party with the enigmatic "Karianne." Superpitcher knows how to make a grand appearance, accompanied by high-caliber guests. His electro-pop treat "Pandora's Box" features Hot Chip's Alexis Taylor on vocals. Jürgen Paape isn't coming alone either, but with newcomer Hella in tow. "Grace (A Tale)" once again shows the resident hit maker at his best. Jörg Burger also has a table companion, the extremely talented Irene Kalisvaart, and remixes himself on top of that. Reinhard Voigt points out that money never sleeps and proceeds according to the motto: "Zahl an einem anderen Tag (Pay another day)." Brazilian whirlwind Gui Boratto returns after a long absence with the banger "Panorama X-Press." After careful consideration, Robag Wruhme has named his new track "Total" and sings in the chorus with his family for the first time. Wassermann contributes an ultra-fat remix of Mayer's "Brainwave Technology," while Michael Mayer himself marvels at the rare "Erdbeermond." Hardt Antoine's "Let Me Go" really gets the party going again before Wassermann orders a large taxi and skips out on the bill.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
KOMP 501LP
|
$31.50
PREORDER
RELEASE DATE: 10/10/2025
Double LP version. Kompakt's Total 25! Another anniversary in a year that is already rich in anniversaries. For the 25th time, the Kompakt family is gathering for its annual rendezvous. The latest boy band in town, Pop Vampires Cologne, opens the party with the enigmatic "Karianne." Superpitcher knows how to make a grand appearance, accompanied by high-caliber guests. His electro-pop treat "Pandora's Box" features Hot Chip's Alexis Taylor on vocals. Jürgen Paape isn't coming alone either, but with newcomer Hella in tow. "Grace (A Tale)" once again shows the resident hit maker at his best. Jörg Burger also has a table companion, the extremely talented Irene Kalisvaart, and remixes himself on top of that. Reinhard Voigt points out that money never sleeps and proceeds according to the motto: "Zahl an einem anderen Tag (Pay another day)." Brazilian whirlwind Gui Boratto returns after a long absence with the banger "Panorama X-Press." After careful consideration, Robag Wruhme has named his new track "Total" and sings in the chorus with his family for the first time. Wassermann contributes an ultra-fat remix of Mayer's "Brainwave Technology," while Michael Mayer himself marvels at the rare "Erdbeermond." Hardt Antoine's "Let Me Go" really gets the party going again before Wassermann orders a large taxi and skips out on the bill.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
LAD 092EP
|
$20.00
PREORDER
RELEASE DATE: 10/10/2025
Toronto/Berlin producer and Big Trouble Records founder Andre Zimmer has emerged as one of house and techno's hottest commodities. Now he joins DJ Tennis's Life and Death label with his four-track Kwon's Anthem EP. The EP features the standout track "That's Right," which has already been making waves across clubs worldwide. With early support from Peggy Gou, Jennifer Loveless, Massimilliano Pagliara, Alinka, Jorkes, Luigi Di Venere, and more, it's quickly becoming one of Zimmer's most in-demand productions.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
LPS PS018LP
|
$35.00
PREORDER
RELEASE DATE: 10/10/2025
Originally recorded in the Dutch towns of Ureterp and Groningen between 2003 and 2005, Through Friendly Waters marks a pivotal moment in Reimer Eising's -- better known as Kettel -- journey through melodic braindance and ambient electronica. With his classical training on piano and a refined sensibility for gentle electronic textures, Kettel weaves together shimmering piano motifs, warm ambient textures, playful breakbeats, and pastoral atmospheres that shimmer with emotional resonance. First released in 2005 via his own label Sending Orbs, the album soon achieved cult status among IDM fans, celebrated for balancing playful compositional elegance with heartfelt sonic depth. TFW still remains as a timeless soundtrack that perfectly encapsulates why Kettel remains a key figure of electronic music enthusiasts two decades on. To honor its twentieth anniversary, Lapsus Records presents Through Friendly Waters (20th Anniversary Edition), marking the album's debut on vinyl within the Perennial Series. This edition has been remastered by Alex Ferrer and redesigned by Basora, resulting in a deluxe version that also includes the tracks "Unistar" and "Toen," which were originally released only on CD by the Timothy Really label back in 2007.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LTNC 034LP
|
$28.00
PREORDER
RELEASE DATE: 10/10/2025
Latency presents Nexus, the new solo album by virtuoso Iranian percussionist Mohammad Reza Mortazavi. Covert art by Jordan Belson. Mohammad Reza Mortazavi (b. 1979, Iran) is known for his groundbreaking work with the tombak and daf, traditional Persian drums that he has radically redefined through new playing techniques and extended vocabulary. Mortazavi began playing the tombak at the age of six. By nine, he had already outpaced his teacher and won Iran's national tombak competition -- a distinction he would earn six more times. By his early twenties, he was widely regarded as one of the foremost players of the instrument. Since then, his music has continued to evolve, embracing new forms and vocabularies beyond tradition. Following his acclaimed 2019 release Ritme Jaavdanegi, Nexus marks Mortazavi's return to Latency with a full-length album recorded entirely in Berlin. The record introduces new elements into his sound: voice, effects, and treatments never before used in his discography. These experiments serve not as departures but as further extensions of his ongoing exploration of rhythm, resonance, and transformation. Nexus refers to a point of connection or intersection, a meeting place where different energies, times, and spaces converge and transform. The cover artwork features an image by American visual artist and filmmaker Jordan Belson (1926 -- 2011). Belson's work, often referred to as "cosmic cinema" or "visual music", explores themes of consciousness, transcendence, and the infinite nature of the universe. The pairing with Mortazavi's percussive, trance-induced musical language feels immediate: two approaches to rhythm and energy, balance and harmony, coming together at a single point. Mortazavi's hypnotic live performances have been featured at renowned venues including the Berlin Philharmonie, Paris Pantheon and the Sydney Opera House. In recent years, Mortazavi's rhythmic explorations have resonated deeply with the experimental electronic music scene, leading to collaborations with artists such as Burnt Friedman and Mark Fell.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
MACROM 081CD
|
$15.50
PREORDER
RELEASE DATE: 10/10/2025
Stefan Goldmann's Input translates electronic music into performance formats for human players of acoustic instruments. The standard remix process is thus inverted, by providing the electronics first. Then composers backwards-engineer what they hear into scores for ensemble. The original, synthesized version isn't available for the audience: Its hidden shape can only be guessed at through its acoustic translations. By collaborating with multiple composers, the process of direct auditory comparison allows for multidimensional insights. It reveals common traits in unlikely places and highlights differences between individual approaches. Ambiguities of sound/score relations, emergent parallelisms and unexpected congruencies become part of the sensory and cognitive experience. The three versions in this release -- by Daniel Chernov, Adrian Pavlov, and Lukas Tobiassen -- were recorded at Sofia's 180 Degrees Festival and performed by the stellar group of musicians from Bulgaria, France and Switzerland which came together in Ensemble 180°. The live recordings were further processed by Stefan Goldmann and now represent a stunning sonic hall of mirrors, with multiple vectors of transformation embedded in this dialogue.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MALONE 006LP
|
$20.00
PREORDER
RELEASE DATE: 10/10/2025
500 Copies only. For Mal-One's second dub album he pulled the dub versions of these tracks, as they seemed to work together as an album. The cover of the album is a collage of various mementos culled together over a target painted canvas. The style and objects seemed to suit the cut-up style of the tracks. To add another dub layer to the project he also took the lyrics to these tracks and cut and reworked them into a Punk Art Poem for the back side of the record sleeve. A dub reworking of words, music and image. Hope you enjoy the indulgence.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
MIG 3032CD
|
$18.00
PREORDER
RELEASE DATE: 10/10/2025
"My Solid Ground was a German progressive rock band that was founded in Rüsselsheim in 1968. Several lineup changes in its early years led to a change in the band's musical direction. In the summer of 1970, the band entered the studio for the first time and recorded the nearly 25-minute opus 'Flash.' The five musicians submitted this track to a band competition organized by Südwestfunk as part of the popular program Pop Shop. They came in second, attracting the interest of the record industry and landing a contract with the progressive Bacillus label of the Frankfurt-based Bellaphon record company. In spring 1971, they recorded the LP My Solid Ground in Dieter Dierks' studios in Cologne, which was released in October of that year. My Solid Ground toured, played at festivals, and made television appearances. In the summer of 1971, they were invited to record another studio album with their own songs at Südwestfunk in Baden-Baden. This album is available as bonus tracks on the re-release. In 1972, the band's lineup changed again, resulting in a complete reorientation of the personnel. Plans for a second My Solid Ground LP were made but never realized. The band broke up for good in 1974 after releasing only one album."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
MIG 3502CD
|
$21.00
PREORDER
RELEASE DATE: 10/10/2025
"The debut album by Cologne-based psychedelic rock band Gomorrha was released in 1970 on the Cornet label, which was distributed by BASF. However, the band rejected the original German-language version and re-recorded the album with English lyrics and a new singer, Peter Otten. A year later, it was released under the title Trauma. In 1972, I Turned to See Whose Voice It Was followed on Brain, after which the four musicians went their separate ways. For example, Ali Claudi enjoyed worldwide success as a jazz and blues guitarist, working with artists such as Bill Coleman and Big Joe Turner. Composer and guitarist Ad Ochel became a successful architect and is delighted about the re-release of the three albums produced by Conny Plank on CD and in digital format. He recalls: 'Many critics wrote about the apocalyptic mood of our last LP. But when I look at the state of the world today, I am overcome by an uneasy feeling that often keeps me awake at night.'"
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
3CD
|
|
MIG 3522CD
|
$23.00
PREORDER
RELEASE DATE: 10/10/2025
"Nine Days' Wonder was founded back in 1966, when singer and frontman Walter Seyffer gave his band The Graves a new name. Like so many 'beat groups' in the mid-1960s, NDW started out as a cover band. The line-up changed constantly until the early 1970s, when the first more stable formation emerged with Walter Seyffer (vocals), Rolf Henning (guitar), Karl Mutschlechner (bass), John Earle (saxophone, flute, guitar) and Martin Roscoe (drums). In 1971, the quintet recorded their self-titled debut album, which was released in Germany on Bellaphon and in England on Harvest in the same year. In the summer of 1972, Nine Days' Wonder broke up at short notice; Walter Seyffer joined the psychedelic rock band Medusa, where he met bassist Michael Bundt. Since the quintet had only released one single on CBS, Nine Days' Wonder was reformed in December 1972. The new line-up consisted of four Medusa members (Seyffer, Bundt, guitarist Hans Frauenschuh and keyboardist/saxophonist Freddie Münster) as well as drummer Karl-Heinz 'Hyanzintus' Weiler. In the summer of 1973, the second Nine Days' Wonder album, We Never Lost Control, was released on Bacillus/Bellaphon. In 1974, Rolf Henning returned. Sid Gautama replaced 'Hyanzintus' Weiler on drums. The third NDW album, Only The Dancers, was recorded at Chipping Norton Studios in the UK by Mike and Richard Vernon, with Dave Jackson from Van der Graaf Generator, among others. A year later, the personnel carousel spun again. With a new line-up, the last album Sonnet To Billy Frost was released in 1976, after which the band finally split up. Now, all four albums are being re-released under the title The Bacillus Years, remastered and including bonus tracks (the Maternal Joy aka NDW single 'Ticket to the North Pole / Fat,' 1971)."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
MTB 021EP
|
$18.00
PREORDER
RELEASE DATE: 10/10/2025
High effective big room optimized dub techno workouts. Mastering and lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
MTY 013LP
|
$49.00
PREORDER
RELEASE DATE: 10/10/2025
Mac Declos presents his second album Nothing Stands Still, on Mama Told Ya. Following the acclaimed Hard Work Always Pays Off and a trilogy of striking EPs, as well as countless DJ sets and All Night Longs around the globe, Mac is now ready to unveil a bold new chapter in his musical journey. Nothing Stands Still is a sonic artefact: a double-vinyl album composed of 12 timeless tracks. Eleven pieces are produced solely by Mac Declos, with one co-produced alongside Anetha. The album also features unique contributions from Mac's mother, Doona Rolls, and Mac's dad, Eric Declosmenil, adding emotional depth to the project. While music is often elusive and ephemeral, with Nothing Stands Still, Mac Declos set out to create an archive of the future that transcends time and trend, an echo meant to endure.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OJO 25001BL-LP
|
$20.50
PREORDER
RELEASE DATE: 10/10/2025
Black vinyl version. Milton Nascimento's 1969 Courage blends Brazilian music with jazz, marking his international debut. Featuring Herbie Hancock and arranged by Eumir Deodato, the album highlights Nascimento's emotive vocals and lush arrangements. A timeless introduction to one of Brazil's most unique voices.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OSMO 002LP
|
$32.00
PREORDER
RELEASE DATE: 10/10/2025
Embark on a sonic journey through the rich tapestry of Ian Lampel's multicultural heritage with his debut solo album, The Parque Rodó Tapes. From the echoes of his grandparents' wartime exodus from Europe's tumultuous past to the rhythms of daily life in Parque Rodó, Lampel's artistic vision was shaped by a kaleidoscope of influences: Science fiction and fantasy books, graphic design annuals, comics, films, early computers and videogames as well as music; the haunting melodies of Russian and Polish classical composers hummed by his grandmother while cooking, the choir and Hammond music of the synagogue, his early explorations in club music and dub or the syncopated drumming of candombe and carnaval echoing in the streets of Montevideo. The composer, producer and bass player, wrote, sequenced and recorded practically everything that is heard throughout the album. With meticulous attention to detail, he has crafted a sonic landscape that seamlessly blends elements of jazz and Uruguayan music with the innovative spirit of dub, hip-hop and electronica; from the infectious rhythms of candombe and the raw energy of murga, to breakbeats, moog's and samples. Drawing from a treasure trove of samples collected over two decades, The Parque Rodó Tapes weaves together a tapestry of sound that is both nostalgic and forward-thinking, from the haunting voice of Marosa Di Giorgio and the vibrant cacophony of a carnival field recording by Lauro Ayestaran, to the guest contributions from notable musicians including Lampel's wife, singer/songwriter Eco Lopez, multi-instrumentalist Luciana Giovinazzo on flute, and Ferna Nunez on repique drum. Each track is a testament to Lampel's eclectic vision. A debut album with a certain degree of melancholy that works as a soundtrack to the world in which the artist grew up, a world now gone, without cellphones or social networks, in which everything had to be proactively pursued "in the streets."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
PCRCD 075CD
|
$15.50
PREORDER
RELEASE DATE: 10/10/2025
For three days in September 2024, Kacimi locked himself away in Christian Hierro's Back To Mono studio in Lyon for a live session. Accompanied by his band, La Mécréance, this new opus was recorded on an 8-track tape recorder under concert conditions, with one microphone per musician and a couple of ambient speakers to capture the energy and intensity of the combo. Using exceptional Telefunken V71, V72 and V76 tube preamps and old-fashioned ribbon mics to get as close to reality as possible, Kacimi's new nine-track album, Mauvaise, takes the form of a sonic garage epic in which fuzz guitars take center stage. Kacimi offers here a selection of new tracks as well as a few familiar ones from his live repertoire.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
PCRLP 075LP
|
$34.00
PREORDER
RELEASE DATE: 10/10/2025
LP version. For three days in September 2024, Kacimi locked himself away in Christian Hierro's Back To Mono studio in Lyon for a live session. Accompanied by his band, La Mécréance, this new opus was recorded on an 8-track tape recorder under concert conditions, with one microphone per musician and a couple of ambient speakers to capture the energy and intensity of the combo. Using exceptional Telefunken V71, V72 and V76 tube preamps and old-fashioned ribbon mics to get as close to reality as possible, Kacimi's new nine-track album, Mauvaise, takes the form of a sonic garage epic in which fuzz guitars take center stage. Kacimi offers here a selection of new tracks as well as a few familiar ones from his live repertoire.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
PERMVAC 349-2EP
|
$20.00
PREORDER
RELEASE DATE: 10/10/2025
Sam Goku returns to Permanent Vacation with his second part of his Explorations series. The four tracks bring listeners through the portal to the world of trippy club music, where Sam Goku is exploring the edges of otherworldly house music. He combines known elements of the genre with his own magic twist to create something unique and beautiful.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
PING 092EP
|
$12.50
PREORDER
RELEASE DATE: 10/10/2025
Pingipung introduces Iko Chérie, the experimental pop project of French multi-instrumentalist Marie Merlet. The 7" single Ghosted Ghosters of the Holy G features a hypnotic blend of dub-infused songwriting and blissful noise. On the flipside, French electro-dub visionaries Froid Dub unravel the track into a shadowy, slow- motion version, with a solid sub-bass, flickering delays and half-heard whispers.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
POTFLP 009LP
|
$39.50
PREORDER
RELEASE DATE: 10/10/2025
For the first time on vinyl! The third Poets Of The Fall album (2008) and the first one that has been produced in the bands own professional studio and not in Markus Kaarlonen's living room. It was certified gold two weeks after its release.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
PP 075LP
|
$38.50
PREORDER
RELEASE DATE: 10/10/2025
This performance was first presented at The Fruitmarket Gallery, Edinburgh in November and December 1999 and subsequently repeated. The present audio recordings document the action at Kunstverein Langenhagen. Performer: Petra Tutschke, Hanover. Posters announce a daily action: A professional marksman shoots daily at 12 o'clock from a distance of approximately 15 meters at a paper flower. The number of shots is limited to a maximum of three per day. Upon a hit, the flower is replaced by a new one, the action ends and is continued the next day with a new flower. The bullet holes in the wall are not removed. The flowers remain lying on the floor until the end of the exhibition or event and are then given away. Posters are produced in color variants (yellow, orange, red, violet, light blue, green) to advertise the action: Every day at noon a professional marksman will shot at a paper flower (place of action to be filled in).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
RAS 007EP
|
$25.00
PREORDER
RELEASE DATE: 10/10/2025
The German-Swiss friendship is further established with BiGOTT, the collaborative project between Berlin-based Sneaker and Zurich's Scannoir. After their previous releases as ½GOTT and GOTT on Uncanny Valley and some remixes, the duo returns with a third solo EP, marking their first appearance on the Berlin-Basel-based label Reach Another System. Their passion for EBM, synth pop, and new beat comes to life with a fine array of classic drum machines and FM-synths, topped with Teutonic lyrics and archival samples.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
RB 142EP
|
$18.00
PREORDER
RELEASE DATE: 10/10/2025
Butch's unmistakable music has always worn the influence of disco proudly on its sleeve. Equipped with the genre's signature sounds and arranged like a lost disco edit from the late '70s, Butch applies the lotions and potions that today's dancers demand, creating one of those peak-time sensations that make him unique -- complete with confetti, a firecracker breakdown on top, and an extra rhythm section bonus tool included. Here are a couple of tracks that work on almost any floor and at any time. Or, to quote Giorgio Moroder: "Disco is music for dancing, and people will always want to dance."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
RBINC 011LP
|
$23.50
PREORDER
RELEASE DATE: 10/10/2025
Welcome to Pfefferkorn: a countryside studio hidden inside a former 1950s café. The stylish interior stayed, the cake display is gone, but the mountain panorama is still very much in place. Out of this unlikely combination came Obsolescence, Feater's new album and a record that wasn't supposed to happen, but insisted on doing so anyway. Originally, Pfefferkorn hosted a merry-go-round of guests and genres: jazz, kraut, pop, experiments, even the occasional field recording. Among the many, Mara Oldofredi aka Mietze Conte became the most frequent and inspiring visitor. Their sessions set sparks, and one of them, "Trio," landed directly on the album. The method? Call it instant archaeology: live jams on two-track tape, then pushed through edits, resampling, Fairlight IIX sorcery, and endless tape-laptop relays. Quick, raw, and without too much overthinking, more sketch than sculpture, more instinct than intent. The result is Obsolescence, a record born out of detours, made for personal delight, and proof that side products can be main courses if you let them.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
REPOSE 149LP
|
$39.50
PREORDER
RELEASE DATE: 10/10/2025
Silver-color double vinyl set. First time on vinyl with bonus previously unreleased, period correct live side. Housed in gatefold sleeve with black/metallic silver ink artwork. Riot Season has purged the Acid Mothers Temple archives once again, resurrecting another classic album: Electric Heavyland. Originally released in 2002 on CD only (via Alien 8 Recordings), Electric Heavyland is presented here for the first time on vinyl, remastered and with a whole bonus live side! Housed in a beautiful gatefold sleeve with heavy use of the original black and metallic silver ink artwork. Side D was recorded live at the second Acid Mothers Temple Festival on December 13th 2003 with Yamazaki Maso (Masonna) as a guest. Makoto says "we have played this song, 'Atomic Rotary Grinding God' live only once, and this is that recording." Produced, engineered and mixed by Kawabata Makoto. Live recorded by Takayama Manabu (original source is VHS video tape). Remastered by John McBain.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
RM 403-20LP
|
$24.50
PREORDER
RELEASE DATE: 10/10/2025
A note from Lawrence English: "If I'm not mistaken, Ben Frost and I first talked about the ideas of what would become Steel Wound sometime in mid-2002. In the early '00s, Ben had been working on cut-up electronics, spilling over with floating rhythms, humming string samples and piano splices. It was a sound realized in part through the subversion of fruity loops and also owes a debt to Ableton Live which arrived in late 2001. His works to that point, gently saturated and bristling with a fizzy distortion at times, hinted at another sound world which would become his focused in the summer of 2002 and into 2003. Locking himself away at Johanna's Beach, a remote southern vantage along the Great Ocean Road in Victoria, he was able to record for the first time without a sense of constraint. This opening up of the sound palette brought with it an entirely new harmonic language that had been hinted at, but not realized, on previous recordings. With a simple restriction of instrumentation, the guitar as the palette, Frost unlocked a certain verticality to his working methods that holds light to this day. Steel Wound is, by design, a singular record in Ben Frost's discography. It's a recording born of particular conditions, but also of particular interests. It was the first time Ben had set himself up with a situation where saturation, volume and density were all something that could be realized in a space and a time, not as a process of post-production. To have sound operating in space is a thing of true beauty and moreover it allows for a certain unpredictability that is central to new discoveries. Working with a Fender Twin, often with the reverb dialed in at maximum, he found a language of shimmer and saturation, of compression and collision, that set the stage for a prolonged interest in how sound performs and is perceived at volume. It also is the first time that many of the tonal and melodic inflections that have come to be recognized as his compositional language are on display. Steel Wound, in my opinion, is a map to the future for Ben. It is a portal, a chance for new understandings to emerge and also to take hold and it's these learnings that have guided Ben's work in the subsequent years. Steel Wound remains a pulsing beacon in an ocean of noise that has been flickering for two decades now."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
RM 4247CD
|
$17.50
PREORDER
RELEASE DATE: 10/10/2025
Elemental View is a work in six movements by pioneering composer Ellen Fullman for her "Long String Instrument" and The Living Earth Show. The expansive installation inhabits an industrial sized space with 136 strings, precisely tuned and configured for this multi-movement piece. Listening to the music of Fullman's singular creation is akin to standing inside a giant musical instrument. The result is a music at once ancient and utterly new, environmental, and folk-like yet orchestral; immersing the listener in a transportive glistening atmosphere. Elemental View invites the listener to discover, as if with a magnifying glass, the details of the physics of string vibration itself. Fullman bows the instrument lengthwise with her fingertips while walking, playing multiple strings at once. As she walks, upper partial tones unfold at different rates, in proportion to differences in string length, imparting an undulating wave of continually shifting overtones. The notation for the "Long String Instrument" contains both temporal indications and spatial choreography, as specific harmonies emerge at distinct locations along the string length. Invention and discovery are at the core of Fullman's work. To produce percussive sounds on the otherwise drone-based instrument, Fullman designed and fabricated the box bow, shovelette, and shoveler, which play three, six, or nine strings at once. Varying techniques with these tools produce either open ringing tones or closed dampened ones. With their laser focused precision and virtuosic ensemble playing, The Living Earth Show brilliantly executes the rhythmic and harmonic complexity of Fullman's composition. In the movements "Environmental Memory" and "Concentrated Merry-Go-Round," Fullman incorporates Travis Andrew's primary instrument, the guitar. Andy Meyerson and Fullman accompany the guitar in duo playing box bow and shoveler. For "Surface Narrative in Four Parts," Meyerson also applies his percussion mastery to the santur, a Persian hammered dulcimer. The santur's unique tuning is derived from the extended microtonal partials of the sequence played by Fullman on The Long String Instrument.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
ROG 145CD
|
$17.00
PREORDER
RELEASE DATE: 10/10/2025
"If you listen to nature, all the sounds are done in a confident way. I'm trying to do that. In these turbulent times, it may be worth reconsidering the few solutions offered by the art and know-how of improvisation, of the activity of improvisation. To do so, it may be necessary to start by deconstructing common sense; to start by taking improvisation not as an 'approximation' but as a method, a method of working collectively par excellence, for building situations in dialogue, in responsiveness and interactivity, in inclusiveness and, at the end, creativity. Improvisation is an articulated and articulatory knowledge, which coordinates orders and disorders more than it imposes an order. Improvisation is the art of conversation, of listening to each other, through all the particular languages of the forces at play, and through a common language that is always in the making. The air that comes out of a wind instrument, the one that comes out of the holes in a drum, the idea of this breath that expands, unravels, overlaps, becomes continuous, until it fades away. Roscoe Mitchell and Michele Rabia are made for each other, because they've always made everything audible in their respective music and improvisations. You can hear everything on the percussion of one, the slightest contact, the slightest clash, the slightest impact, and meteor showers on the resonant skins, on the resonant metals. The other's saxophones are like horns of plenty: the slightest breath, the slightest murmur, the slightest clamor, the scratches and welts. Together, they redefine the form and content of duets and dialogue, what exactly is a network connection and a disconnection; they rethink all forms of communication in music."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
RR 123143LP
|
$31.00
PREORDER
RELEASE DATE: 10/10/2025
"Red Records, a prime example of how small, independent labels capitalize on unique opportunities, thrived due to its streamlined structure and emotionally driven decisions. Founded by promoter Alberto Alberti and jazz aficionado Sergio Veschi, the label built its reputation by capturing pivotal moments in Italian jazz and recording international artists like Sam Rivers, whose album The Quest became a classic. Their credibility and passion were key to earning artists' trust. The album Duo 'Bones', recorded on November 17, 1978, is a product of such seizing-the-moment intuition. Trombonists Kai Winding, a Danish-American on tour, and Dino Piana, an accomplished RAI Orchestra member, reunited in Rome after years apart. Their collaboration echoed Winding's earlier work with J.J. Johnson. The rhythm section -- Enrico Pieranunzi on piano, Giovanni Tommaso on bass, and Tullio De Piscopo on drums -- added youthful energy and groove to the session. Recorded at Emmequattro studio, the atmosphere was relaxed and spontaneous, leading to quick, joy-filled takes, mostly first attempts. The album's tracklist blends classics with originals: Winding's 'Duo 'Bones',' 'Lady H,' and 'Stop Following Me'; Piana's 'Kai and Dino'; Pieranunzi's 'Soul Dance.' The result is spirited jazz rich in swing, fast phrasing, and effortless counterpoints, delivering pure musical joy free of political overlays common at the time. Winding's affection for the project was clear. Months later, during a televised concert in Rome with the RAI Orchestra, he proudly mentioned the album and performed a big band arrangement of 'Duo 'Bones'' with Piana on stage -- an enduring nod to their serendipitous session."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
RR 123173CD
|
$17.00
PREORDER
RELEASE DATE: 10/10/2025
('Oleo') and John Coltrane ('Mr. P.C.'). His alto and soprano lines remain faithful to bop's core, yet each track brims with modern twists: a playful siren-like motif, a free soprano/drums duet, polytonal shifts in 'Oleo.' At its center, the title piece is a solo-sax tour de force: 'perpetual' via circular breathing, 'groove' from deep African-American roots, and echoes of Roland Kirk, Roscoe Mitchell, minimalism, and industrial sonorities. Watson's parallel work with Sam Rivers and the 29th Street Saxophone Quartet underscores his experimental drive. Joining Watson are three Italian talents -- Piero Bassini, Attilio Zanchi, and Giampiero Prina -- whose provincial origins belie their cosmopolitan artistry. Together, they embody jazz's global, boundary-crossing spirit. Though Watson reconvened them on later Red Records projects, Perpetual Groove remains singular in its vibrant blend of tradition, innovation, and international collaboration."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
SCHRNZ 002EP
|
$20.00
PREORDER
RELEASE DATE: 10/10/2025
Raw and primal Techno on the run!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
SGLD 007EP
|
$20.50
PREORDER
RELEASE DATE: 10/10/2025
After turning heads with their much-loved Monaco EP on Roy Davis Jr.'s legendary Undaground Therapy Muzik, the duo is back with a release that bridges deep-rooted house sensibilities and forward-thinking production. To mark their 10-year anniversary, the boys return to their label roots with a five-track vinyl-only EP -- full of dusty samples, deep grooves and nods to early French house.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2x12"
|
|
SO 002LP
|
$43.50
PREORDER
RELEASE DATE: 10/10/2025
The second release on Ben Kaczor and LB Honne's new imprint St. Odes features Ben Oyefeso from Hamburg with a deep, glitchy 2x12" vinyl-only LP. Ben Kaczor: "After a gig at the Golden Pudel in Hamburg last year, I stopped by Remoto Records the next day. The music playing in the shop struck me immediately -- delicate, unusual, and soothing all at once. As I kept listening, I even noticed my headache fading away. Behind the counter was Ben Oyefeso, quietly playing his unreleased tracks. Since that moment, the rest is history."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
SPITTLEJ 507LP
|
$38.50
PREORDER
RELEASE DATE: 10/10/2025
At the dawn of the '80s, Osaka based band Dendo Marionette were part of Japan's legendary early synth-wave explosion. This essential album consists of their sole 7" release from 1981, plus a previously unreleased EP from 1982, plus lots of extra tracks from various demos. A double LP full of glorious, intoxicating, sounds from one of the most fascinating acts of the Japanese post-punk era. Contains printed insert.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
SPITTLEJ 508LP
|
$38.50
PREORDER
RELEASE DATE: 10/10/2025
Originally released on CD-R and then on tape, and now reissued on vinyl, Juvenile Rock comes as an essential collection of unreleased recordings from the legendary post-punk band Dendo Marionette. An entire double album full of demos, studio experiments and live performances. An essential document from the 1980s Japanese underground.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SPITTLEJ 509LP
|
$29.50
PREORDER
RELEASE DATE: 10/10/2025
Dance Till You Die is a loud and clear order and warning from one of the most uncompromising Japanese post-punk bands of the early '80s. A raw, esoteric yet infectiously groovy gem for all No-Wave freaks out there! Contains insert with lyrics.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
SPITTLEJ 510LP
|
$38.50
PREORDER
RELEASE DATE: 10/10/2025
If punk culture and aesthetics have a poet, it's undoubtedly Kō Machida. Eleven years after his 1981 masterpiece Inu, the artist -- now a celebrated writer and distinguished professor -- repeats that success with this album, updating its sound for the modern era with the support of the band Kitazawagumi. Here, the power and expressiveness of the music perfectly elevate the weight and meaning of his words. Reissued for the first time with meticulously retranslated English lyrics included, this is a chance to share a universal literary and musical masterpiece with the world. Contains printed inner sleeve.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SPITTLEJ 511LP
|
$29.50
PREORDER
RELEASE DATE: 10/10/2025
Originally released in 1985 on Japan Records, this is Chiko Hige's second solo effort. Hige digs deep in the no-wave idiom to come out with a powerful, hypnotic sound trip full of hyper-cinetic grooves, clipping guitars and twisting saxophones. A snapshot of controlled chaos that still sounds relevant today! Contains printed inner sleeve.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SPITTLEJ 512LP
|
$29.50
PREORDER
RELEASE DATE: 10/10/2025
Formed in Hakata, before moving to Tokyo in 1984, Akebonojirushi were a six-piece band who played a wild mix of new-wave and funk-jazz elements condensed into unconventional pop songs. Originally released on DIW in 1987, Paradise Mambo stands as a great example of pure '80s Japanese post-modern sound! Contains printed inner sleeve with lyrics.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
STUDIOMUL 051EP
|
$20.00
PREORDER
RELEASE DATE: 10/10/2025
A long-awaited reissue of an ultra-rare 7-inch single, originally released as a promo-only item from handsome boy, the 1990 masterpiece by Inoue Yosui -- widely regarded as one of the greatest singer-songwriters in Japanese music history. "Pi Po Pa," arranged by Haruomi Hosono was featured on Heisei No Oto, a compilation released by music from memory. The album's standout track, "Shonen Jidai," remains one of Japan's most iconic and beloved songs. Also included on this 7-inch is "Yume Migokochi," a pinnacle of Japanese Balearic sound, arranged by Yuji Kawashima -- keyboardist of EP-4. Exclusive to this release is also "Kurenai Suberi," an overlooked gem that might best be described as Inoue's take on cold-funk.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
SWOB 003EP
|
$21.50
PREORDER
RELEASE DATE: 10/10/2025
Several years after his Unrelatable 12", Marco Passarani returns with F.F.O.M., a project that bridges the raw spirit of his early Nature Records work with a more abstract, narrative approach. Blending digital and analog textures until boundaries dissolve, Passarani channels the pure techno pulse of the Roman school into stories of alien landscapes, fierce struggles, and fleeting moments of beauty, from shadowy promised lands to love songs for the unknown.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
THROT 009CLR-LP
|
$29.50
PREORDER
RELEASE DATE: 10/10/2025
Clear vinyl version. Since his first composition credit in 2016 with The Last Panthers (Warp) Clark has built a reputation for expanding film and TV scores into intricate, exhilarating soundworlds of their own. Here Clark has expanded his score for Naqqash Khalid's award-winning debut feature In Camera stretching out the film's surreal "modern fairy tale" atmosphere with reversed vocals and gauzy synthpop-esque chords. Of the recording process Clark says: "Using my vocals but abstracted in a way that totally matched the film was the most unique challenge. I was going to just include the cues but got far too into recording new stuff that fitted the tone and emotion of the film. The record has a very distinct color/feel. It's drenched in muted joy/dark euphoria." This includes a gnarly cover of the Carpenters' "Superstar" that burns closer to the frazzled Sonic Youth version.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
THROT 009LP
|
$29.50
PREORDER
RELEASE DATE: 10/10/2025
Since his first composition credit in 2016 with The Last Panthers (Warp) Clark has built a reputation for expanding film and TV scores into intricate, exhilarating soundworlds of their own. Here Clark has expanded his score for Naqqash Khalid's award-winning debut feature In Camera stretching out the film's surreal "modern fairy tale" atmosphere with reversed vocals and gauzy synthpop-esque chords. Of the recording process Clark says: "Using my vocals but abstracted in a way that totally matched the film was the most unique challenge. I was going to just include the cues but got far too into recording new stuff that fitted the tone and emotion of the film. The record has a very distinct color/feel. It's drenched in muted joy/dark euphoria." This includes a gnarly cover of the Carpenters' "Superstar" that burns closer to the frazzled Sonic Youth version.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TOC 030CV-LP
|
$43.50
PREORDER
RELEASE DATE: 10/10/2025
Translucent/clear color vinyl, gatefold jacket (rainbow laminate/glossy) with emboss/texture. Printed inner sleeve. Includes also a postcard with a personal note from the artist. Universo Vives presents the 30th Anniversary Special Edition of La Tierra del Olvido (1995), the groundbreaking album by global icon and multiple Grammy-winner Carlos Vives. This collector's edition is available in limited quantities, a must have for fans and vinyl lovers alike. Carlos Vives, the legendary Colombian singer, producer, and actor, revolutionized the sound of Latin music by bringing vallenato to the world stage. With 2 Grammy Awards, 18 Latin Grammys, and the title of Latin Grammy Person of the Year 2024, Vives is one of the most celebrated artists of all time. His legacy has also been recognized by Billboard, the Latin Songwriters Hall of Fame, and major institutions across Spain and Latin America. Celebrate the 30th anniversary of La Tierra del Olvido with this special remastered vinyl edition -- a timeless tribute to the album that redefined Latin music on the global stage. Originally released in 1995, Carlos Vives created a new sound by reimagining Colombian vallenato with pop and rock influences, inventing a groundbreaking sound that reshaped Latin music and inspired a new generation of artists worldwide. Now, beautifully remastered for vinyl, this collector's edition invites music lovers around the world to rediscover a landmark recording that brought the heart of Colombia to the ears of the world.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TOYT 157LP
|
$30.50
PREORDER
RELEASE DATE: 10/10/2025
Italian producer, musician, DJ, and groove architect Sam Ruffillo presents his long-awaited debut album Tipo Così on Toy Tonics -- a sun-drenched, genre-blurring statement that blends classic house with Mediterranean flair, romantic funk, and tongue-in-cheek Italo vibes. Over 11 expertly crafted tracks, Ruffillo delivers a dancefloor-ready, emotionally rich LP that connects deep musicality with irresistible rhythm and light-hearted elegance. After three acclaimed EPs and collaborations with revered artists such as Barbara Boeing, Kapote, and Fimiani, Ruffillo has firmly cemented himself as a core artist on the Berlin-based label. Known for his unmistakable signature sound -- a warm mix of vintage disco, '90s house, and Italian vocals -- Sam's music has garnered widespread DJ support from tastemakers like Gerd Janson, Palms Trax, Seth Troxler, and DJ Tennis, while becoming a staple on Italian airwaves. Tipo Così is the natural culmination of a musical journey that's both playful and profound -- a travel diary written in grooves, synth stabs, and melodies that feel like postcards from a parallel Mediterranean universe. The album expands and deepens Ruffillo's world into a fully immersive experience: lush emotional chords meet tight syncopated grooves, vintage synth textures collide with irresistibly catchy pop refrains, and the boundary between sincerity and playful irony is exquisitely blurred. Entirely written, produced, and recorded in Italy, in his beloved hometown of Bologna, the album finds Ruffillo at the helm on keys, drum machines, and production, supported by a talented cast of musicians contributing live bass, guitar, and other organic elements -- further enriching his trademark fusion of electronic grooves and natural instrumentation. Collaborations with close friends, especially vocalists like Ninfa, add warmth and authenticity, exemplified in tracks like "House Tipo Così." For Sam, music is honest self-expression -- crafted for listeners who crave memorable melodies and rhythms imbued with genuine feeling. While technical perfection is tempting, Sam prioritizes emotion, knowing that what truly resonates is the soul behind the sounds. His long-standing partnership with Toy Tonics has been key in nurturing his vision, offering a blend of creative freedom and professional support.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
VIO 084LP
|
$36.50
PREORDER
RELEASE DATE: 10/10/2025
Essential Liverpool psychedelic folk collective mapping their territory with a record rooted in place and memory. Professor Yaffle have created their most focused and expansive work yet. Following acclaimed previous releases, Everyone Wants to Dream finds the band at their creative peak. The album turns on Everton Brow -- an unremarkable Liverpool hill offering the city's finest view. Rogers returns to this vantage point throughout eight tracks, using it as both setting and metaphor for looking back on life without nostalgia. From here, you can see the Mersey stretch toward Snowdonia, the city spread below like a living map. "Lost in a Dream (On Everton Brow)" weaves Lee Roger's lyrics as an eighteen-year-old lyrics with newly composed music. "Everyone Wants to Dream" confronts the disorientation when your children grow and your role shifts. "On Top of the World" becomes what Rogers calls "a stoned love letter to Liverpool." This is Professor Yaffle's first release with Violette Records, marking the beginning of a partnership between two Liverpool entities who've circled each other for years before finding their moment. Featuring a 1979 Karl Hughes photograph of a policeman surveying Liverpool from Everton Brow, capturing something essential about the record: that those who maintain order might dream the biggest dreams of all. For fans of: CSNY, Tim Buckley, Talk Talk, The Byrds, Sufjan Stevens, Love, Tame Impala, Nick Drake.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
WAT 006LP
|
$29.50
PREORDER
RELEASE DATE: 10/10/2025
Originally released on Ben Chasny's own Pavilion imprint in 2011. "I was invited by the Incubate Festival and the city of Tilburg to participate in an artist residency where I would explore the region's unique chapels built for the Virgin Mary. After writing the music for about six months by drawing on memories of the encounters with the chapels and using techniques inspired by Gaston Bachelard's Poetics Of Reverie, I flew back to Tilburg to perform the music at the Incubate Festival. We recorded the evening and I released the result on my Pavilion label. Each cover was hand painted white on white in the old Pavilion style. I created a stencil and used graphite powder to make the design that is inspired by the sun imagery in Athanasius Kircher diagrams. In 2010 I was approached by the organization of the Incubate Festival in the North Brabant town of Tilburg. Their request was for me to lead the American composer and guitarist Ben Chasny around a number of chapels in the province devoted to Mary. He had been invited to North Brabant to write some new compositions. Ben Chasny then chose to be inspired by these chapels and that's how we met. I was especially curious how an American would react to something as specific and small as a roadside chapel in North Brabant, since we tend to think here of (people in) America in terms of 'big-bigger-biggest'. Would an inhabitant of this enormous country with this prevailing culture be able to grasp and respect the identity of some 2.5 million people in North Brabant with their chapels? The answer to this question lies hidden in the compositions he made and that can be listened to on this album. Yes, Ben Chasny has been able to convert the phenomenon of a simple chapel devoted to Mary into music. The physical and the spiritual have found each other. What a beautiful world -- just listen!" --Paul Spapens
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
WH 389CD
|
$15.00
PREORDER
RELEASE DATE: 10/10/2025
"Mike Clark returns to Wide Hive with an amazing ensemble. Eddie Henderson on trumpet, Henry Franklin on bass, Craig Handy on saxophone, and esteemed artist and educator Patrice Rushen on piano. On nine new recording Mike again shows his versatility easily leading compositions that span straight ahead to funk and beyond."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
WH 390LP
|
$16.00
PREORDER
RELEASE DATE: 10/10/2025
LP version. "Mike Clark returns to Wide Hive with an amazing ensemble. Eddie Henderson on trumpet, Henry Franklin on bass, Craig Handy on saxophone, and esteemed artist and educator Patrice Rushen on piano. On nine new recording Mike again shows his versatility easily leading compositions that span straight ahead to funk and beyond."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
WHO 025LP
|
$24.00
PREORDER
RELEASE DATE: 10/10/2025
Simon Pomery is a queer Irish composer living in Fish Island. On Skin String Sine, Pomery found his "figures," a term he uses to describe the blend of musical hook with muscle memory. Skin String Sine originates in the happiness of Pomery listening and being with his people at clubs, at turf sheds, at the beaches, at the outer reaches. It was written and recorded at Blood Music Studios, and finished up at EMS, Stockholm, where Pomery was Halldorophone-Composer-in-Residence. Pomery funded that residency with the last paycheck from an educational company that fired him for speaking out against students who were racist, homophobic and sexist. One significant change in Pomery's musical direction is that, with Skin String Sine, the project is dedicated to sound as it is appearing for the first time, and, within this, is designed to cultivate a state of wonder in player and listener. "A String Stretched Between Stars and We Pluck It" was written for strings and voices in 2022, so that each iteration might have different instrumentation. When he played "A String Stretched?" at Cafe Oto, there were eleven figures played. After playing one iteration of "A String Stretched?" at KET, Athens, audience members approached Pomery while touching their chests and speaking about the effects of the sounds on their hearts. This performance marked Pomery's shift from Blood Music to "heart music," exploring the effects of harmonics on the listener. The name "A String Stretched Between Stars and We Pluck It" has origins in a poem Pomery wrote called "To an Innocent Prisoner," written during the UK/USA aggressions against Middle Eastern peoples in the years 2003-2010. The OG "A String Stretched?" was titled "RAVE BANGER." It still is that, in a sense: in the sense of suspended melodic sequences made to induce ecstasy. Side A is as much techno, only techno where the pianos are the drums, as much as 88 tuned drums are what could be classified as a piano. Indeed, Pomery made "A String Stretched Between Stars and We Pluck It" specifically to be played on club sound systems.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
WWSCD 106CD
|
$18.00
PREORDER
RELEASE DATE: 10/10/2025
Wewantsounds reissues French pop icon Brigitte Fontaine's landmark 1968 album Brigitte Fontaine Est Folle, originally released on the cult label Saravah and arranged by Jean-Claude Vannier. This special, approved by the artist, features the original album, newly remastered from the original tapes, along with demos, instrumentals, and a live rendition of "Il Pleut" recorded for France Inter/ORTF. The release also includes a 20-page bilingual booklet with introductions by journalist Jeremy Allen and Stereolab's Laetitia Sadier, essays by Brigitte Fontaine's biographer Benoît Mouchart and Benjamin Barouh, plus full lyrics and rare archival photos. Brigitte Fontaine needs no introduction. An inspiring figure in French music since the 1960s, she has long been revered by a wide array of musicians -- from Stereolab to Sonic Youth, Beck, and Jarvis Cocker. Originally released in 1968 on Pierre Barouh's cult Saravah label, Brigitte Fontaine Est Folle shattered conventions. Fusing Fontaine's lyrical brilliance -- tackling themes like death, social revolt, and female desire -- with Vannier's lush, funky arrangements, the pair created a work that was ahead of its time. The release offers a selection of rare and previously unreleased recordings, including demos -- recently unearthed by the album's composer, Olivier Bloch-Lainé -- instrumentals showcasing Vannier's skills, and a groundbreaking 1969 live rendition of "Il Pleut" recorded for France Inter/ORTF. This version features Malachi Favors on bass, forming a direct link to her next LP, Comme à la Radio, recorded with the Art Ensemble of Chicago. Rebellious, witty and timeless, Brigitte Fontaine Est Folle is a landmark work by an artist who not only redefined French pop but also expanded its boundaries on the international scene. This deluxe edition stands as a vital document of her enduring legacy and one of the most original voices in modern music.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
WWSLP 106LP
|
$42.00
PREORDER
RELEASE DATE: 10/10/2025
Double LP version. Wewantsounds reissues French pop icon Brigitte Fontaine's landmark 1968 album Brigitte Fontaine Est Folle, originally released on the cult label Saravah and arranged by Jean-Claude Vannier. This special, approved by the artist, features the original album, newly remastered from the original tapes, along with demos, instrumentals, and a live rendition of "Il Pleut" recorded for France Inter/ORTF. The release also includes a 20-page bilingual booklet with introductions by journalist Jeremy Allen and Stereolab's Laetitia Sadier, essays by Brigitte Fontaine's biographer Benoît Mouchart and Benjamin Barouh, plus full lyrics and rare archival photos. Brigitte Fontaine needs no introduction. An inspiring figure in French music since the 1960s, she has long been revered by a wide array of musicians -- from Stereolab to Sonic Youth, Beck, and Jarvis Cocker. Originally released in 1968 on Pierre Barouh's cult Saravah label, Brigitte Fontaine Est Folle shattered conventions. Fusing Fontaine's lyrical brilliance -- tackling themes like death, social revolt, and female desire -- with Vannier's lush, funky arrangements, the pair created a work that was ahead of its time. The release offers a selection of rare and previously unreleased recordings, including demos -- recently unearthed by the album's composer, Olivier Bloch-Lainé -- instrumentals showcasing Vannier's skills, and a groundbreaking 1969 live rendition of "Il Pleut" recorded for France Inter/ORTF. This version features Malachi Favors on bass, forming a direct link to her next LP, Comme à la Radio, recorded with the Art Ensemble of Chicago. Rebellious, witty and timeless, Brigitte Fontaine Est Folle is a landmark work by an artist who not only redefined French pop but also expanded its boundaries on the international scene. This deluxe edition stands as a vital document of her enduring legacy and one of the most original voices in modern music.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
YEB 7853CD
|
$15.00
PREORDER
RELEASE DATE: 10/10/2025
"A central figure in the avant-garde and experimental music scene in New York City for over 30 years, Elliott Sharp has released over eighty-five recordings ranging from orchestral music to blues, jazz, noise, no wave rock, and techno music. His collaborators have included Radio-Sinfonie Frankfurt; pop singer Debbie Harry; Ensemble Modern; Qawwali singer Nusrat Fateh Ali Khan; Kronos String Quartet; Ensemble Resonanz; cello innovator Frances Marie Uitti; blues legends Hubert Sumlin and Pops Staples; pipa virtuoso Min-Xiao Feng; jazz greats Jack deJohnette, Oliver Lake, and Sonny Sharrock; multimedia artists Christian Marclay and Pierre Huyghe; and Bachir Attar, leader of the Master Musicians Of Jajouka. Elliott Sharp's Terraplane synthesizes the intersection of country and urban blues with Mississippi fife and drum bands, post-Mingus/Ayler jazz and the rhythmic force of the groove, from the shuffle to contemporary dance music. Up until I heard Sharp's original Terraplane, I had no clue that he could also play the blues. With his electric power trio, the original Terraplane incarnation, he blew through the generations, sliding like Robert Johnson in his kitchen, doing the Texas blues shuffle a la Stevie Ray Vaughan, and so forth. Sharp has an encyclopedic understanding of the blues guitar, including its voice-like phrasing, its elastic intonation, its tension and release, and the all-important 'cry.' He approaches improvisation from a jazz perspective without making the exercise the least bit academic." ----Nils Jacobson, Pop Matters
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
AHA 002CD
|
$22.50
PREORDER
RELEASE DATE: 10/17/2025
This is the first-ever compilation bringing together Nigel Ayersʼ solo work and his long-running project Nocturnal Emissions. Covering recordings from the early 1980s up to 2024, it spans more than four decades of experimental sound. Nocturnal Emissions is recognized as one of the earliest and most uncompromising industrial/noise groups, standing alongside Throbbing Gristle, SPK, and Cabaret Voltaire. Their sound sits at the intersection of raw industrial electronics, noise, and electronic Dada, fusing harsh textures, tape collage, and rhythm in a constantly evolving hybrid form. The compilation, fully remastered in Tokyo, traces the major phases of Nocturnal Emissions and Nigel Ayersʼ work, spanning raw, confrontational noise rooted in the squatting scene and anti-capitalist protest of the early 1980s; the rhythm-driven period that brought dancefloor energy to industrial grit; and Ayersʼ later solo "Neotantric" phase of ambient, ritualistic sound exploring magick, ancient beliefs and altered states while carrying forward a spirit of subversion and transcendence that remains entirely intact decades later. Across these eras, the collection captures the full breadth of Ayersʼ creative journey and moves between intense, layered noise and quiet, atmospheric soundscapes blending field recordings, spoken word, electronics, and collage.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
AW 139CD
|
$16.00
PREORDER
RELEASE DATE: 10/17/2025
"Kyle Sowash has had it. I mean, he's not alone. Things are getting tough out there. People are on these streets selling their Built to Spill records just to make rent. It's not okay. Start Making Sense is an appeal to sanity for all dads and phantom dads. A celebration of the tired and a strong cry for another beer. In case of emergency, raise glass. We've come so far from simply filing things under 'what's important' and 'what's not;' on this record, Sowash deals with fragile men, Cleveland football and justice for classic rock drummers. That coffee-colored telecaster still gets beat to hell, just for the healing. Look at the guitar up close if you can. Or just listen closer. The band is locked in. La Russo bumps. You could marinate meat in Hemminger's tone. Bandman has arms like a government clock. There's a universal yuck on us. You wake up to a world advancing and aging and cracking apart. Put this record on, man. Start Making Sense is a modern life survival kit, replete with horn arrangements and hot dog hooks. You're gonna be okay. Or you're gonna get the dishes done, at the very least. Turn it around, my guy. Start making sense." --Lee Keeler
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BANG 186LP
|
$27.00
PREORDER
RELEASE DATE: 10/17/2025
Attention all lovers of raw, unfiltered rock'n'roll! Bang! Records presents the vinyl reissue of Dubrovnik Blues, the celebrated debut LP from The Dubrovniks -- the Australian super-group born straight from the beating heart of the country's punk underground. Formed in Sydney in 1986 (originally as The Adorable Ones), The Dubrovniks brought together true icons of the Aussie scene: James Baker, legendary drummer for Beasts of Bourbon, founding member of Hoodoo Gurus, and a driving force in The Scientists; Roddy Radalj, co-founder of Hoodoo Gurus and veteran of The Scientists; and Boris Sujdovic, who also played with both The Scientists and Beasts of Bourbon. Far from being "just another debut," Dubrovnik Blues was an instant statement of intent -- a wild blend of garage rock grit, glam swagger, punk attitude and classic rock'n'roll hooks. Think The Troggs and T. Rex colliding with the spirit of the New York Dolls. Originally released in August 1989 on Timberyard Records, the album went on to earn a nomination for Best Independent Release at the ARIA Awards in 1990. Now, Bang! Records brings this cult gem back to life on vinyl -- a must-have for collectors, vintage-sound purists, and anyone ready to relive (or discover) the raw, electric energy of late-'80s Australian rock at its finest.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BB 498CD
|
$16.50
PREORDER
RELEASE DATE: 10/17/2025
While working in Berlin Wedding at andereBaustelle studio on their upcoming album, Kreidler found also time to dig deep into the vaults of their Düsseldorf and Berlin archives. Thirty years ago, Kreidler's eponymous mini-album was released on Cologne-based label Finlayson; and RIVA, their first outing, on cassette tape, was released a year before that. Both released in limited physical formats and long unavailable. This edition documents the band's beginnings, with threads that can be followed throughout their whole history to their current work. Still, they are straight out of a certain scene, at a certain place, at a certain time. Kreidler -- formed from the encounter of the band Deux Baleines Blanches (Thomas Klein, Andreas Reihse, and Stefan Schneider) with DJ Sport (Detlef Weinrich) -- already in its initial years, and in those that followed, managed to hold seemingly contradictory strands, becoming a fluid form that could equally accommodate the various strengths and interests of its members. This ability has remained intact up to the present lineup of Thomas Klein, Alex Paulick, and Andreas Reihse. Oliver Tepel wrote of their mini-album in 1995 in Spex magazine: "On the basis of calm grooves from andante to moderato -- comparable to the dissolution of object and background in analytical cubism -- the contours of the instruments disappear in favor of mysteriously meandering waves of sound." In 1994, RIVA, the beginning: circuitous somehow, a spatial presence in the restraint, strangely physical in its beauty. Mounting with Das Wilde Heinefeld, with voice and bass clarinet by Fritz Sitterle. Produced for an unreleased Monarchie und Alltag cover version album, conceived by Joerg "Zappo" Zboralski as a follow-up to his Brücke Kaufen album The journey ends in a heated but once again taut textual space, familiar ground for Kreidler, after various gigs with spoken word artists. The photography incorporated on the front cover of this release depicts Kreidler in 1995 in the artists' club WP8.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BB 498LP
|
$26.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. While working in Berlin Wedding at andereBaustelle studio on their upcoming album, Kreidler found also time to dig deep into the vaults of their Düsseldorf and Berlin archives. Thirty years ago, Kreidler's eponymous mini-album was released on Cologne-based label Finlayson; and RIVA, their first outing, on cassette tape, was released a year before that. Both released in limited physical formats and long unavailable. This edition documents the band's beginnings, with threads that can be followed throughout their whole history to their current work. Still, they are straight out of a certain scene, at a certain place, at a certain time. Kreidler -- formed from the encounter of the band Deux Baleines Blanches (Thomas Klein, Andreas Reihse, and Stefan Schneider) with DJ Sport (Detlef Weinrich) -- already in its initial years, and in those that followed, managed to hold seemingly contradictory strands, becoming a fluid form that could equally accommodate the various strengths and interests of its members. This ability has remained intact up to the present lineup of Thomas Klein, Alex Paulick, and Andreas Reihse. Oliver Tepel wrote of their mini-album in 1995 in Spex magazine: "On the basis of calm grooves from andante to moderato -- comparable to the dissolution of object and background in analytical cubism -- the contours of the instruments disappear in favor of mysteriously meandering waves of sound." In 1994, RIVA, the beginning: circuitous somehow, a spatial presence in the restraint, strangely physical in its beauty. Mounting with Das Wilde Heinefeld, with voice and bass clarinet by Fritz Sitterle. Produced for an unreleased Monarchie und Alltag cover version album, conceived by Joerg "Zappo" Zboralski as a follow-up to his Brücke Kaufen album The journey ends in a heated but once again taut textual space, familiar ground for Kreidler, after various gigs with spoken word artists. The photography incorporated on the front cover of this release depicts Kreidler in 1995 in the artists' club WP8.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BBI 621LP
|
$30.50
PREORDER
RELEASE DATE: 10/17/2025
Brooklyn-based artists Leslie Graves and Toby Goodshank have joined creative forces on their album Between Worlds. Toby Goodshank (The Moldy Peaches, The Pizza Underground) of the OG New York Antifolk scene, is known for his precise and acrobatic vocals over nuanced acoustic guitar in songs that have been described as "a zesty thumb of the nose at domesticated bullshit." Leslie Graves (GOLD, Endless Arrows) is a performing songwriter and recording artist who takes folk subgenres into evocative and intriguing directions, including "sounding like something you could hear Donna Hayward dancing to at the Bang Bang Bar." Her voice has been described as "darkwave- meets-folk" with comparisons to Lana Del Rey, Cat Powers, Mazzy Star, and Julee Cruise. Acoustic guitar and vocal harmonies make up the core of their music. a slightly psychedelic, at times dream pop-like folkrock. It just draws from a variety of folk and rock. You might hear hints of Sybil Baer, Judee Sill, REM, Linda Perhacs, and Jessica Pratt, but the intersection of Toby and Leslie is truly a place of its own, warm and enchanting, or perhaps a glimmer from the spaces in between worlds. Many instrumental threads are interwoven throughout with the invaluable skills of Jake Nicoll (The Burning Hell) who lovingly engineered and embellished the recordings. Ariel Sharrat of The Burning Hell assisted him and is also featured on saxophone or bass or on some songs here. Speaking to their process, Leslie writes, "Toby is great at composing song structures quickly. It was fun to feel into the emotion of the chords and write from there. The process was like chiseling away at a stone to reveal the sculpture underneath. I like when songs come like that -- when it feels that they are teaching us as they are revealed."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BFR 046LP
|
$25.00
PREORDER
RELEASE DATE: 10/17/2025
"Formed by Juan Montoya (ex-Torche) and drummer Evan Diprima (ex-Royal Thunder), Moon Destroys released their first EP Maiden Voyage in 2020. The five-song debut featured contributions from Troy Sanders (Mastodon) and Bryan Richie (The Sword), and laid an early foundation which came fully into focus when vocalist/guitarist Charlie Suárez (MonstrO) and bassist Arnold Nese completed the band in 2024. April 2025 found Moon Destroys thrust into the limelight, securing support slots on tour with Elder that month and Dozer during the summer, and the band self-released debut full-length She Walks By Moonlight in limited form just in time to have something new to sell on the road. Instantly, the new record showed their rapid evolution beyond the members' connections to their former bands. Gritty and distorted yet hazy and hypnotic, She Walks By Moonlight shifts from shimmering post-rock to driving riff-doom and back to shoegazy psychedelia. It's a cinematic and otherworldly journey from a band who breeze easily into the environs of Floor, Mother Love Bone, The Jesus and Mary Chain, Russian Circles and Ride, ultimately collapsing all efforts at categorization into an effervescent, compulsive, sparkling haze."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
BTR 128EP
|
$17.50
PREORDER
RELEASE DATE: 10/17/2025
Kutiman joins Batov Records' Middle Eastern Grooves series with explosive double-sider. The release features two essential, souk-fueled, psych-funk heaters: "Haraka" and "Khamsin." A prolific musical force, Kutiman delivers the goods on "Haraka" ("movement"), layering neck-snapping rock drums, irresistible psychedelic basslines, and haunting organ riffs, with microtonal-bending synths and tablainspired percussion. On the B-side, "Khamsin" ("heatwave") continues the trip with another heavy dose of Middle Eastern psych and funk, culminating in a blistering guitar solo in his signature Middle Eastern style by longtime collaborator Uri Brauner Kinrot (Ouzo Bazooka, Boom Pam), who also contributes beguilingly languid bass guitar riffs.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
COSMR 041LP
|
$23.50
PREORDER
RELEASE DATE: 10/17/2025
Featuring a young Don Henley (of future stars The Eagles) on drums, alternative-country band Shiloh formed while they were still at college in the late sixties. In 1969 they met Kenny Rogers, who encouraged them to go to Los Angeles to record their self-titled debut. Album highlights are found in three magnetic roots-rock numbers reminiscent of The Band: "Swamp River Country", "Left My Gal In The Mountains" and "Simple Little Down Home Rock & Roll Love Song For Rosie". While the three Henley-penned tracks -- "I'm Gone", "Same Old Story", "God Is Where You Find Him" -- would bear obvious resemblance to future Eagles material. A proto-Americana masterpiece finally resurfaced!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
COSMR 042LP
|
$23.50
PREORDER
RELEASE DATE: 10/17/2025
Definition was the only album by the American psych folk band Chrysalis, released in 1968 on MGM Records. Together with their Velvet Underground label mates, Chrysalis, were considered pioneers of the art rock movement, thanks to their sublime vocal melodies and baroque arrangements -- ageless psych acid folk gems!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
CVSDLP 014LP
|
$27.00
PREORDER
RELEASE DATE: 10/17/2025
Corbett vs. Dempsey presents Horizon, featuring music by Joseph Shabason and Thom Gill as a score for artist David Hartt's film. This vinyl-only project is co-released with Hartt's new imprint, Actualité. It is the label's maiden voyage and exists in a strictly limited edition of 300 copies. Horizon features soundtrack music composed by Canadian multi-instrumentalist and composer Shabason and Toronto-based musician Gill, also featuring vibraphonist/marimbist Michael Davidson. It includes a breathtaking interpretation of the song "Quiet Life," written by David Sylvian and featured on Japan's 1979 record of the same name. Hartt drew the cover image, of a concrete panel used in the curtain wall of the Chateau Champlain, based on archival materials from the Fonds Roger D'Astous, housed at the Canadian Center for Architecture in Montréal. He commissioned the British comics artist Lando to make speculative drawings of a future city, specifically with Montréal as its starting point, featuring his nephews. In notes from the exhibition at the Musée d'art contemporain de Montréal, where the work was originally shown, curator François LeTourneux writes: "While steering clear of a strictly autobiographical approach, Horizon draws on his personal experience to examine the complex relationship between identity, design, architecture, and urban planning within a specific cultural context and temporal framework. The filmic component of the work explores the daily life of his sister Sue's family, a culturally mixed household like the one in which David and Sue themselves grew up, in Beaconsfield, a suburb of Montréal (of Caribbean descent, they were adopted by English-speaking, Jewish, and white parents). Hartt has described his youth and the socio-cultural context of the time as having been the source of a 'profound sense of alienation,' against which the modernist buildings of the downtown landscape offered a kind of imaginary refuge." Immaculately and painstakingly engineered, mastered, and plated, and pressed on 180-gram vinyl, Horizon plays at 45 rpm, giving the tracks room to breathe and the music space to shine. Impossible to adequately describe, it is as captivating as it is rigorously thought through. A cool, shimmering atmosphere suggesting a utopian soundscape that might be at home in the remade architecture of some near future.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
DEF 2508EP
|
$21.50
PREORDER
RELEASE DATE: 10/17/2025
St. David unleashes Deep House Damage on Definitive Recordings. St. David now steps forward with a full EP that delivers nothing less than pure old-school house fire. The release opens with "Touch Me (Sexy Hard Dub)," a shuffling house cut with a vintage edge, driven by a rolling bassline and a sensual spoken-word female vocal. "I Like It Deep" heads into deep house territory, pairing organ stabs and a steady old-school beat with both male and female spoken-word phrases. On "Dub Swagin'", the energy kicks back up with stomping drums, chopped samples, and filtered percussion. Closing things out, "Gonna Work It" is a peak-time smasher stacked with classic vocal samples and grooving organ chords that lift the track into euphoric territory.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
EB 207LP
|
$29.50
PREORDER
RELEASE DATE: 10/17/2025
LP version. The Ramones were punks before punk rock was even invented. With their catchy, sing-along tunes, iconic hair styles and outfits, Joey, Dee Dee, Johnny and Tommy rewrote rock history and are now, as part of the first wave of US punk, firmly considered part of the subcultural world heritage. In the DUB-cultural world, on the other hand, their footprint has been pretty slim, particularly if one considers their stomping, three-chord songs, instantly recognizable chants and laconic humor. There are a few reggae and Latin versions of their songs online, but never before have the Ramones been honored with an entire album in early reggae style -- until now. The label Echo Beach, a bit of a specialist for missions such as these, got together with André Meyer (production, bass) and Manougazou (production, guitar). Also back in the team is keyboarder and DubXanne mastermind Guido Craveiro, who plays Hammond organ and piano on half of the tracks. The other two additions to the core team are singer and all-round instrumentalist Sebastian Sturm and drummer Raul Pfeffer. Together they homed in on some of the most iconic Ramones three-minute-singalongs, including "Blitzkrieg Bop", "I Wanna Be Sedated", "Pet Sematary" and "Rock'n'Roll Highschool", and treated them to a reggae make-over. From up-and-coming youngsters to living legends, everyone is included, albeit with a focus on the elder statemen and stateswomen: the vast majority of the guests are over 60 and look back on deeply impressive careers! The artists come from Jamaica, the USA, the UK and Germany. All contributed one or two songs, and all of them tackle the songs in pairs with infectiously good humor, transforming legendary punk rock bangers into unpredictable dub tracks. It almost goes without saying that the lyrics have been adapted to everyday Jamaican life with a great deal of fun and creativity.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
EB 215CD
|
$15.50
PREORDER
RELEASE DATE: 10/17/2025
Dub Spencer & Trance Hill once again realize their musical vision with their new release Synchronos. The perfect hybrid of dub and trance -- analog, danceable and at the forefront of sound technology. With Synchronos, Dub Spencer & Trance Hill present an album that defies conventional categories. The new tracks surprise and guide the listener into a colorful world of sound -- an acoustic kaleidoscope in which diversity becomes a principle. Musical components -- dub, trance, dance, techno, rock, jazz -- are put together by the musicians in new and unexpected ways. Experimental, multi-layered and always good for surprises, yet inevitably club- ready: That's Dub Spencer & Trance Hill.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
EB 215LP
|
$34.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. Dub Spencer & Trance Hill once again realize their musical vision with their new release Synchronos. The perfect hybrid of dub and trance -- analog, danceable and at the forefront of sound technology. With Synchronos, Dub Spencer & Trance Hill present an album that defies conventional categories. The new tracks surprise and guide the listener into a colorful world of sound -- an acoustic kaleidoscope in which diversity becomes a principle. Musical components -- dub, trance, dance, techno, rock, jazz -- are put together by the musicians in new and unexpected ways. Experimental, multi-layered and always good for surprises, yet inevitably club- ready: That's Dub Spencer & Trance Hill.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
EB 223CD
|
$15.50
PREORDER
RELEASE DATE: 10/17/2025
Echo Beach presents: Don Letts: The Rebel Dread -- legendary film and video director, disc jockey and musician. Don Letts, in his capacity as a selector (it's not for nothing that he hosts his own show on BBC6 radio), enthusiastically accepted the invitation to create a compilation from Echo Beach's extensive catalog to mark its 30th anniversary. A splendid and crisp selection. Featuring Dubinator, Martha And The Muffins, Dubmones, Earl 16 & Oku Onuora, Dubblestandart, Dubxanne, Claire Parsons, Dub Stax, Don Letts Dub Cartel, Aaron, Dubblestandart, Marcia Griffiths, Toogah, Fila Brazillia, Ari Up, Lee Scratch Perry, Noiseshaper, Kid Loco, Soul Sugar, RSD, Ammoye, and Dub Spencer & Trance Hill.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
EB 223LP
|
$34.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. Echo Beach presents: Don Letts: The Rebel Dread -- legendary film and video director, disc jockey and musician. Don Letts, in his capacity as a selector (it's not for nothing that he hosts his own show on BBC6 radio), enthusiastically accepted the invitation to create a compilation from Echo Beach's extensive catalog to mark its 30th anniversary. A splendid and crisp selection. Featuring Dubinator, Martha And The Muffins, Dubmones, Earl 16 & Oku Onuora, Dubblestandart, Dubxanne, Claire Parsons, Dub Stax, Don Letts Dub Cartel, Aaron, Dubblestandart, Marcia Griffiths, Toogah, Fila Brazillia, Ari Up, Lee Scratch Perry, Noiseshaper, Kid Loco, Soul Sugar, RSD, Ammoye, and Dub Spencer & Trance Hill.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
EGR 26015LP
|
$39.50
PREORDER
RELEASE DATE: 10/17/2025
The Album Leaf shares his new ambient LP, Rotations. The record is a mediative experiment into atmospheric sound. Creator Jimmy LaValle explains, "This collection of music is a true reflection of my creative process -- rooted in sound exploration, experimentation, and spontaneous response. Each track captures a moment of creative discovery, free from the pressure of achieving a polished result. Throughout my career, I've often placed significant weight on what an album should be. With this release, I've let go of those expectations to share a body of work that feels genuine and authentic." The Album Leaf began as the solo project of Jimmy LaValle, who came up in the San Diego music scene playing in hardcore bands and the instrumental rock band Tristeza. He had inked a deal to release his next solo album through the indie label Tigerstyle Records, so he put the modest advance towards a self-recording starter setup, building out the sound with occasional studio access. The music that emerged -- vivid, rhythmic, soaring instrumentals guided by lines of guitar and Rhodes -- not only set the path for The Album Leaf over the next two decades of acclaimed releases (for Sub Pop, City Slang, and others), it became a touchstone for the next generation's wave of melodic and meditative electro-organic music. Featuring Six Missing.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
FLENSER 181CD
|
$16.00
PREORDER
RELEASE DATE: 10/17/2025
"There's a kind of quiet violence in how music is consumed today -- flattened into background noise, sonic perfume fed into algorithms, sold as lifestyle. It's entertainment as anesthesia. Sound without the weight. The Spiritual Sound, the new full-length from Los Angeles?based band Agriculture, stands as a pointed refusal of this condition. This is not a playlist. This is not a vibe. It is a demand. Across its runtime, The Spiritual Sound traces a narrative arc through extremes: searing, sky-cracking catharsis on side A; a slow-burning, devotional undercurrent on side B. The album is largely a fusing of the visions of its two principal songwriters, Dan Meyer and Leah Levinson: distinct voices, deeply complementary. Meyer writes like someone clawing toward the divine through noise, channeling Zen Buddhism, historical collapse, ecstatic grief. Levinson's songs move differently: grounded in queer history and AIDS-era literature, amid the suffocating fog of the present, they carry the weight of survival as daily ritual. Her writing asks how to honor queer community and collective struggle without turning it into identity branding or personal mythmaking: how to stay honest, how to stay present. Though distinct, their voices converge in a singular spiritual grammar -- one that defines the totality of The Spiritual Sound, not as separate parts, but as one unified expression. Agriculture's formation mirrors this duality. What began as a loose collaboration between Kern Haug and Dan Meyer in the Los Angeles noise scene evolved into a shared pursuit of the sublime through heavy music. With the additions of Richard Chowenhill and Leah Levinson, the project solidified into the band's current form. The ecstatic black metal foundation was laid on 2022's The Circle Chant, expanded into something more precise and far-reaching on their 2023 self-titled full-length, and deepened further with 2024's Living Is Easy: a record that embraced devotional intensity and radiant heaviness in equal measure. Agriculture doesn't offer salvation. The Spiritual Sound isn't a map out of the fire. What it offers instead is presence: a confrontation with the moment, however unbearable, however divine. It insists that meaning is still possible, even in a world hell-bent on reducing everything to content, and where suffering itself can be conducive to recovery. As the Buddhist saying goes 'the only way out is in.'"
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
GLP 001LP
|
$27.00
PREORDER
RELEASE DATE: 10/17/2025
Interplanetary Affair is the third album from electronic music producer Omri Smadar. The electronic music producer returns to his songwriting roots with a kaleidoscopic new album, featuring collaborations across genres and generations. Featuring Sefi Zisling, Nona Choir, and Sun Tailor.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
HPS 365CD
|
$16.00
PREORDER
RELEASE DATE: 10/17/2025
Repress of Mephistofeles' debut album. This debut release offers catchy grooves and melodies, complemented by a gritty, lo-fi production. The tracks delve into themes of self-destruction and drug addiction, presenting a raw and unfiltered stoner doom experience. A must have! Also available on black vinyl (HPS 365LP), magenta vinyl (HPS 365LTD-LP), and splatter vinyl (HPS 365ULTRA-LP).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 365LP
|
$28.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. Repress of Mephistofeles' debut album. This debut release offers catchy grooves and melodies, complemented by a gritty, lo-fi production. The tracks delve into themes of self-destruction and drug addiction, presenting a raw and unfiltered stoner doom experience. A must have!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 365LTD-LP
|
$31.50
PREORDER
RELEASE DATE: 10/17/2025
LP version. Magenta color vinyl. Repress of Mephistofeles' debut album. This debut release offers catchy grooves and melodies, complemented by a gritty, lo-fi production. The tracks delve into themes of self-destruction and drug addiction, presenting a raw and unfiltered stoner doom experience. A must have!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 365ULTRA-LP
|
$41.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. Splatter color vinyl. Repress of Mephistofeles' debut album. This debut release offers catchy grooves and melodies, complemented by a gritty, lo-fi production. The tracks delve into themes of self-destruction and drug addiction, presenting a raw and unfiltered stoner doom experience. A must have!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
HPS 366CD
|
$16.00
PREORDER
RELEASE DATE: 10/17/2025
Repress of Mephistofeles' sophomore album. I'm Heroin in its original incarnation conveys the sense of delirium and madness written large across the grooves of this nearly 47-minute work. Indeed, Mephistofeles' second long-player goes all in on getting gone -- hypnotic yet loose, jammy yet locked-in, devilishly drugged-out and above all FUN in its freedom. Minutes turn into hours, hours turn into days, days turn into weeks, ad infinitum -- being stuck inside I'm Heroin is like being stuck inside a jellied coma you never wanna come out of! Also available on black vinyl (HPS 366LP), blue vinyl (HPS 366LTD-LP), and splatter vinyl (HPS 366ULTRA-LP).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 366LP
|
$28.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. Repress of Mephistofeles' sophomore album. I'm Heroin in its original incarnation conveys the sense of delirium and madness written large across the grooves of this nearly 47-minute work. Indeed, Mephistofeles' second long-player goes all in on getting gone -- hypnotic yet loose, jammy yet locked-in, devilishly drugged-out and above all FUN in its freedom. Minutes turn into hours, hours turn into days, days turn into weeks, ad infinitum -- being stuck inside I'm Heroin is like being stuck inside a jellied coma you never wanna come out of!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 366LTD-LP
|
$31.50
PREORDER
RELEASE DATE: 10/17/2025
LP version. Blue color vinyl. Repress of Mephistofeles' sophomore album. I'm Heroin in its original incarnation conveys the sense of delirium and madness written large across the grooves of this nearly 47-minute work. Indeed, Mephistofeles' second long-player goes all in on getting gone -- hypnotic yet loose, jammy yet locked-in, devilishly drugged-out and above all FUN in its freedom. Minutes turn into hours, hours turn into days, days turn into weeks, ad infinitum -- being stuck inside I'm Heroin is like being stuck inside a jellied coma you never wanna come out of!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 366ULTRA-LP
|
$41.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. Splatter color vinyl. Repress of Mephistofeles' sophomore album. I'm Heroin in its original incarnation conveys the sense of delirium and madness written large across the grooves of this nearly 47-minute work. Indeed, Mephistofeles' second long-player goes all in on getting gone -- hypnotic yet loose, jammy yet locked-in, devilishly drugged-out and above all FUN in its freedom. Minutes turn into hours, hours turn into days, days turn into weeks, ad infinitum -- being stuck inside I'm Heroin is like being stuck inside a jellied coma you never wanna come out of!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
HPS 367CD
|
$16.00
PREORDER
RELEASE DATE: 10/17/2025
Repress of Mephistofeles' third album. This album is a slowly bubbling cauldron of eerie atmospheres and drugged-out sonics; amidst the ever-present haze of hashish and sulfur, it's by far one of the band's most authentically DOOM recordings. And at 47 minutes, the simmering slime Mephistofeles here dole out so effortlessly sounds more like 47 hours, so ensnared by addiction you'll be. Also available on black vinyl (HPS 367LP), yellow vinyl (HPS 367LTD-LP), and splatter vinyl (HPS 367 ULTRA-LP).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 367LP
|
$28.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. Repress of Mephistofeles' third album. This album is a slowly bubbling cauldron of eerie atmospheres and drugged-out sonics; amidst the ever-present haze of hashish and sulfur, it's by far one of the band's most authentically DOOM recordings. And at 47 minutes, the simmering slime Mephistofeles here dole out so effortlessly sounds more like 47 hours, so ensnared by addiction you'll be.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 367LTD-LP
|
$31.50
PREORDER
RELEASE DATE: 10/17/2025
LP version. Yellow color vinyl. Repress of Mephistofeles' third album. This album is a slowly bubbling cauldron of eerie atmospheres and drugged-out sonics; amidst the ever-present haze of hashish and sulfur, it's by far one of the band's most authentically DOOM recordings. And at 47 minutes, the simmering slime Mephistofeles here dole out so effortlessly sounds more like 47 hours, so ensnared by addiction you'll be.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 367ULTRA-LP
|
$41.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. Splatter color vinyl. Repress of Mephistofeles' third album. This album is a slowly bubbling cauldron of eerie atmospheres and drugged-out sonics; amidst the ever-present haze of hashish and sulfur, it's by far one of the band's most authentically DOOM recordings. And at 47 minutes, the simmering slime Mephistofeles here dole out so effortlessly sounds more like 47 hours, so ensnared by addiction you'll be.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
HPS 370CD
|
$16.00
PREORDER
RELEASE DATE: 10/17/2025
Repress of the Belzebong's sophomore album. Greenferno is the second studio album by the Polish stoner doom band Belzebong. Recorded in early 2015, it was the first release to feature second drummer Hexy Dude. Also available on black vinyl (HPS 370LP), green color vinyl (HPS 370LTD-LP), and splatter color vinyl (HPS 370ULTRA-LP).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 370LP
|
$28.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. Repress of the Belzebong's sophomore album. Greenferno is the second studio album by the Polish stoner doom band Belzebong. Recorded in early 2015, it was the first release to feature second drummer Hexy Dude. Also available on black vinyl (HPS 370LP), green color vinyl (HPS 370LTD-LP), and splatter color vinyl (HPS 370ULTRA-LP).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 370LTD-LP
|
$31.50
PREORDER
RELEASE DATE: 10/17/2025
LP version. Green color vinyl. Repress of the Belzebong's sophomore album. Greenferno is the second studio album by the Polish stoner doom band Belzebong. Recorded in early 2015, it was the first release to feature second drummer Hexy Dude. Also available on black vinyl (HPS 370LP), green color vinyl (HPS 370LTD-LP), and splatter color vinyl (HPS 370ULTRA-LP).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 370ULTRA-LP
|
$41.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. Splatter color vinyl. Repress of the Belzebong's sophomore album. Greenferno is the second studio album by the Polish stoner doom band Belzebong. Recorded in early 2015, it was the first release to feature second drummer Hexy Dude. Also available on black vinyl (HPS 370LP), green color vinyl (HPS 370LTD-LP), and splatter color vinyl (HPS 370ULTRA-LP).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
HPS 373CD
|
$16.00
PREORDER
RELEASE DATE: 10/17/2025
Re-issue of the legendary debut album. Delmar is the debut album of Argentine stoner rock band, Los Natas, released in 1998 under the legendary Man's Ruin Records. This material was first released in 1996, on cassette, an independent edition the band put out containing eight tracks. It's a highly regarded stoner rock album, a masterpiece within the genre. It's praised for its heavy riffs, beautiful melodies, and overall atmosphere. Fans appreciate its calming, meditative qualities, making it a great choice for relaxation and reflection. Also available on black vinyl (HPS 373LP), orange vinyl(HPS 373LTD-LP), and splatter color vinyl (HPS 373ULTRA-LP).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 373LP
|
$28.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. Re-issue of the legendary debut album. Delmar is the debut album of Argentine stoner rock band, Los Natas, released in 1998 under the legendary Man's Ruin Records. This material was first released in 1996, on cassette, an independent edition the band put out containing eight tracks. It's a highly regarded stoner rock album, a masterpiece within the genre. It's praised for its heavy riffs, beautiful melodies, and overall atmosphere. Fans appreciate its calming, meditative qualities, making it a great choice for relaxation and reflection.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 373LTD-LP
|
$31.50
PREORDER
RELEASE DATE: 10/17/2025
LP version. Orange color vinyl. Re-issue of the legendary debut album. Delmar is the debut album of Argentine stoner rock band, Los Natas, released in 1998 under the legendary Man's Ruin Records. This material was first released in 1996, on cassette, an independent edition the band put out containing eight tracks. It's a highly regarded stoner rock album, a masterpiece within the genre. It's praised for its heavy riffs, beautiful melodies, and overall atmosphere. Fans appreciate its calming, meditative qualities, making it a great choice for relaxation and reflection.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 373ULTRA-LP
|
$41.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. Splatter color vinyl. Re-issue of the legendary debut album. Delmar is the debut album of Argentine stoner rock band, Los Natas, released in 1998 under the legendary Man's Ruin Records. This material was first released in 1996, on cassette, an independent edition the band put out containing eight tracks. It's a highly regarded stoner rock album, a masterpiece within the genre. It's praised for its heavy riffs, beautiful melodies, and overall atmosphere. Fans appreciate its calming, meditative qualities, making it a great choice for relaxation and reflection.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
HPS 374CD
|
$16.00
PREORDER
RELEASE DATE: 10/17/2025
Reissue of the band's sophomore album. Ciudad de Brahman is the second album by Argentinian stoner rock band Los Natas, released in 1999. It's considered a landmark album in their discography and a key release in the South American stoner rock scene. The album is praised for its blend of stoner rock with psychedelic, progressive, and space rock elements. Reviews often highlight the album's instrumental passages, trippy atmosphere, and the band's unique sound.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 374LP
|
$28.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. Reissue of the band's sophomore album. Ciudad de Brahman is the second album by Argentinian stoner rock band Los Natas, released in 1999. It's considered a landmark album in their discography and a key release in the South American stoner rock scene. The album is praised for its blend of stoner rock with psychedelic, progressive, and space rock elements. Reviews often highlight the album's instrumental passages, trippy atmosphere, and the band's unique sound.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 374LTD-LP
|
$31.50
PREORDER
RELEASE DATE: 10/17/2025
LP version. Yellow color vinyl. Reissue of the band's sophomore album. Ciudad de Brahman is the second album by Argentinian stoner rock band Los Natas, released in 1999. It's considered a landmark album in their discography and a key release in the South American stoner rock scene. The album is praised for its blend of stoner rock with psychedelic, progressive, and space rock elements. Reviews often highlight the album's instrumental passages, trippy atmosphere, and the band's unique sound.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 374ULTRA-LP
|
$41.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. Splatter color vinyl. Reissue of the band's sophomore album. Ciudad de Brahman is the second album by Argentinian stoner rock band Los Natas, released in 1999. It's considered a landmark album in their discography and a key release in the South American stoner rock scene. The album is praised for its blend of stoner rock with psychedelic, progressive, and space rock elements. Reviews often highlight the album's instrumental passages, trippy atmosphere, and the band's unique sound.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ITR 386LP
|
$24.00
PREORDER
RELEASE DATE: 10/17/2025
"Naïm Amor and Kid Congo Powers met shortly before the pandemic in Tucson, Arizona. When the complete lockdowns hit everybody, Amor, like lots of other musicians, reclused himself in his studio and started experimenting with longtime ideas that were on the shelf. The initial idea was to combine rockabilly/garage-electric guitars with electronic drum machines and bass synthesizers, a vague intuition inspired by Link Wray's guitar tones on one hand and the electronic rawness of the band Suicide on the other. After recording a couple tracks, Amor got the idea of inviting Kid Congo to collaborate in the making of some electric guitar 'dialogs.' The tracks of Tucson Safari display the two different personalities and approaches of Amor and Kid Congo, both passionate electric guitar players, in the form of an exploration through composition and tone. The interwoven layers of guitars reveal the particular harmonic and melodic sense of Amor's sound 'dancing' with the unmistakable slide and fuzzy tones of Kid Congo Powers."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JB 007LP
|
$33.00
PREORDER
RELEASE DATE: 10/17/2025
20th Anniversary Reissue. Remastered. Groundbreaking MPB/downtempo classic. Originally released in 2005, Céu introduced the world to a bold new voice in Brazilian music. Seamlessly blending samba, MPB, soul, and downtempo grooves, Céu delivered a debut that felt both deeply rooted and strikingly contemporary. With her smoky, understated vocal tone, she evoked echoes of classic bossa nova while pushing into new sonic territory -- covering Bob Marley's "Concrete Jungle" with Afro-Brazilian swing and layering in dub and electronica accents. Hailed for its elegance and quiet innovation, the album hit No. 1 on Billboard's World and Heatseekers charts, earned a Grammy nomination, and became the highest U.S. chart debut for a Brazilian female artist since Astrud Gilberto. Now celebrating its 20th anniversary, Céu returns remastered for vinyl -- a modern Brazilian classic reissued for a new generation of listeners. Includes classics: "Lenda," "Malemolencia," and "Concrete Jungle." Mastering by Colorsounds Paris.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JB 008LP
|
$33.00
PREORDER
RELEASE DATE: 10/17/2025
Originally released in 2009, Céu's Vagarosa is a landmark of 21st-century Brazilian music -- a lush, genre-blurring journey that weaves samba, dub, psychedelic soul, and electronic textures into a sound both timeless and futuristic. Now reissued on vinyl, this essential album invites listeners to rediscover its warm, analog charm. From the opening track "Sobre o Amor e Seu Trabalho Silencioso," with its cavaquinho and vinyl crackle, to the dub-infused "Cangote," where organ swells and basslines intertwine, Vagarosa showcases Céu's ability to blend traditional Brazilian rhythms with global influences. Her reinterpretation of Jorge Ben's "Rosa Menina Rosa" transforms into a psychedelic swirl of reverb and phasing effects, maintaining its breezy essence. The album's closing track,"Espaçonave," features rainforest sounds and multi-tracked vocals layered over fuzzed-out guitar, reminiscent of the art-pop sensibilities of artists like Natalia Lafourcade. Critically acclaimed upon release, Vagarosa reached No. 2 on the US Billboard World Music chart and was nominated for a Latin Grammy Award for Best Brazilian Contemporary Pop Album in 2010. Its innovative production and Céu's ethereal vocals have cemented its status as a modern classic in Brazilian music. This vinyl reissue captures the album's rich textures and sonic depth, offering both longtime fans and new listeners an opportunity to experience Vagarosa in its full analog glory. Remastered by Colorsounds Paris.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LANR 059LP
|
$34.00
PREORDER
RELEASE DATE: 10/17/2025
Fully licensed, all tracks remastered! When you name Barrington Levy, Roots Radics, and Scientist at King Tubby's studio, you can't go wrong. Produced by Hyman "Jah Life" Wright, Bounty Hunter captures the transition from roots reggae to early dancehall, blending deep rhythms with Levy's distinctive vocal style. A landmark album that defines an era and showcases the evolution of Jamaican music.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LANR 060LP
|
$34.00
PREORDER
RELEASE DATE: 10/17/2025
Fully licensed, all tracks remastered! Ken Boothe and Lloyd Charmers -- two soul-driven innovators -- deliver a bold statement. Each vocal cut is paired with a raw version: stripped to drum and bass -- raw, unfiltered. It's a format that would shape reggae's future. This is where it starts -- no filler, just foundation. Includes two bonus tracks.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
LSSN 105CD
|
$20.00
PREORDER
RELEASE DATE: 10/17/2025
"Amateur is the 12th studio album by Molly Nilsson. Deep in the teeth of a career that threatens to tip into something resembling a 'legacy,' Nilsson celebrates with an album recorded instinctively, quickly and bursting with so many moments of emotional brilliance and clarity it may be her greatest yet. Hers has been a career spent reaching out, perennially powerful in her earnestness, a warrior ridiculously defenseless and armed with a glittering sincerity. Shearing herself of the machinations of the music industry, recording at home, writing direct to the heart. Amateur is a jubilee for losers. A treatise in thirteen songs, it states clearly that one should live their life with eternal curiosity, offering one an open hand of comradeship out of the rat race. The songs on the album are both some of the most personal of Nilsson's career and the most anthemic. First single 'How Much Is The World' asks to re-evaluate value in the face of a neoliberal system squeezing the life out of love. Pulsing opener 'Die Cry Lie' satirizes the commercialization of emotion in the form of a shout-along diss-track. With a pounding rhythm track held down by gorgeous chord changes, heartbreaker 'Valhalla' carries the torch for the main themes of the album: never growing up, making mistakes with kindness, moving on. There are moments on Amateur shrouded in reverb, slightly out of focus, forcing the listener to step deeper into the Mollyverse. Nilsson's open-armed beseeching to the world permeates every beat, every chord. These are songs exploding with life: the chunky, aggressive bassline on the punker 'Get A Life' can't hide its massive, catchy chorus. The sweeping 'Swedish Nightmare' might be a tongue-in-cheek self-reference, but at its heart it's a song about the duality of living life large -- what is a dream, what is a nightmare? Molly Nilsson says you can't have one without the other, and why would you want to? Here's to making mistakes."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LSSN 105LP
|
$34.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. "Amateur is the 12th studio album by Molly Nilsson. Deep in the teeth of a career that threatens to tip into something resembling a 'legacy,' Nilsson celebrates with an album recorded instinctively, quickly and bursting with so many moments of emotional brilliance and clarity it may be her greatest yet. Hers has been a career spent reaching out, perennially powerful in her earnestness, a warrior ridiculously defenseless and armed with a glittering sincerity. Shearing herself of the machinations of the music industry, recording at home, writing direct to the heart. Amateur is a jubilee for losers. A treatise in thirteen songs, it states clearly that one should live their life with eternal curiosity, offering one an open hand of comradeship out of the rat race. The songs on the album are both some of the most personal of Nilsson's career and the most anthemic. First single 'How Much Is The World' asks to re-evaluate value in the face of a neoliberal system squeezing the life out of love. Pulsing opener 'Die Cry Lie' satirizes the commercialization of emotion in the form of a shout-along diss-track. With a pounding rhythm track held down by gorgeous chord changes, heartbreaker 'Valhalla' carries the torch for the main themes of the album: never growing up, making mistakes with kindness, moving on. There are moments on Amateur shrouded in reverb, slightly out of focus, forcing the listener to step deeper into the Mollyverse. Nilsson's open-armed beseeching to the world permeates every beat, every chord. These are songs exploding with life: the chunky, aggressive bassline on the punker 'Get A Life' can't hide its massive, catchy chorus. The sweeping 'Swedish Nightmare' might be a tongue-in-cheek self-reference, but at its heart it's a song about the duality of living life large -- what is a dream, what is a nightmare? Molly Nilsson says you can't have one without the other, and why would you want to? Here's to making mistakes."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LTR 029LP
|
$28.00
PREORDER
RELEASE DATE: 10/17/2025
Having built an impressive following on the back of live performances and social media, Berlin's Moses Yoofee Trio shared their impatiently awaited debut mini-album Ocean in November 2023. Released by Nils Frahm's LEITER label, it contains five tracks and was praised by the press and audiences alike. The trio -- awarded the German Jazz Prize for Live Act of the Year in 2024 -- responded to constant demand by releasing their acclaimed debut as a limited-edition vinyl. After the first pressing sold out in no time, the three are now following up: Ocean is once again available on vinyl. The trio -- pianist/keyboardist/producer Moses Yoofee, bassist Roman Klobe-Baranga and drummer Noah Fürbringer -- has lit up Europe's clubs and venues over recent years with astonishing, almost obscenely tight live shows. Turning as much to RnB, hip hop and soul as more traditional jazz sources, the tunes on Ocean reflect the spontaneity, inspiration and instinctive refinement of their performances. The deliciously frantic title track and increasingly ecstatic "Minor Issues" stand in stark contrast to "At Ease's" restrained complexity, while "Fragile's" hypnotic rhythm betrays their love of hip-hop and the lush "Richmond" is driven by a deliciously low-strung groove before shifting up a gear for its climax. "Everybody loves fusion," the band agree, "even if they don't admit it," but that's only one element of the trio's sophisticated style, with Moses' exceptional keyboard skills illuminated by Roman's fluid bass lines and Noah's eloquent drum patterns.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LULLP 009LP
|
$33.00
PREORDER
RELEASE DATE: 10/17/2025
Psychedelic Krautwave wrapped in analog warmth, raw guitar bursts, and machine-driven pulse, carried by a mesmerizing voice. Songs that stretch time, reject convenience, and crave the real. A romantic revolt against the daily noises that numb and distract -- slow, honest, and widely aware. For those who still long to long and refuse to get comfortable. Changing Rules is the third studio album by Berlin-based duo AFAR -- a sonic manifesto of presence, eruption, and resistance.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MER 001LP
|
$27.00
PREORDER
RELEASE DATE: 10/17/2025
Wrong Filament embodies Robert Piotrowicz's creation of fictional traditional music -- not studied but invented, a utopian and oniric construct that becomes tangible in sound. These imagined traditions act as communal forces of music-making, resisting dominant structures of power. The album unfolds in six dense compositions built on rhythm, repetition and minimal melodic gestures that draw on archetypal patterns of Eastern European traditions. Entirely synthetic yet strikingly instrumental in character, they develop as autonomous sound events, expanding into multi-part forms that evoke the physicality of ensemble performance -- as if played by an imagined community of musicians. Rather than reconstruction, Piotrowicz invents forged dances -- a pre-techno of sorts, where complex meters and dense textures point to a parallel history of collective sound beyond industrial uniformity. They imagine a utopian and fictional genealogy of collective sound: one where industrial modernity yields to more unstable, communal energies. This is celebratory music with invocatory charge: calls to dance, echoes of ceremony, microtonal melodies shaped by emotional weight, and traces of Eastern ornamentation stretched through synthetic means. Wrong Filament sacralizes performance through sound alone, spinning a world where specters of collective experience vibrate against the limits of rupture and resistance. These pieces confront the traces of violence inscribed in body and memory, yet also affirm freedom, emancipation and integration. They manifest celebration, identity and resistance while opening a path toward liberation and shared needs that exceed social, private and intimate categories.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
PP 117LP
|
$28.50
PREORDER
RELEASE DATE: 10/17/2025
Eden Burns presents his debut album Eden Burns & The Makebelievers. The dance music prophet, notorious for his ingenious string of club tracks, is gifting the world with yet another cult-creating musical adventure. Ecstatic beats, melodies that cast a spell on you, if there ever was something to truly, blindly believe in: it's the power of music. Be free, set foot into the garden of Eden. All apples are to be bitten, the snake's venom is mildly hallucinogenic. Get your eyes opened for everything that is true enough and beyond. Bless.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2x12"
|
|
PRINCESS 003LP
|
$33.00
PREORDER
RELEASE DATE: 10/17/2025
Indulge in a delicious audiophile epilogue to Princess P's Infinite Sonore compilation (PRINCESS 002LP) with this 2x12" musical offering. Swiss DJ Princess P, known for her wide-ranging selections, that resonates equally on the dancefloor and in immersive listening spaces, has been a dynamic presence in the Swiss electronic scene since the mid '90s and has cultivated a genre-defying style. Her sets have become staples at clubs like Zukunft and festivals such as Watching Trees and Convenanza, where she showcases her iconoclastic musical knowledge and maverick flair. Featuring Fortran 5, Renegade Soundwave, Saint Etienne, and S.Y.T. (Shave Your Tongue).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
PURR 003LP
|
$35.00
PREORDER
RELEASE DATE: 10/17/2025
Vel, recognized for her striking presence in the contemporary techno scene, initiates the Cuddle Protocol, her first ambient album and the third outing on her own label PURR. The nine-track record is a personal and intimate statement. With Cuddle Protocol, Vel explores the paradox of intimacy in a coded world. "I like the idea of a protocol for softness," she explains, "of codifying something that should be intimate and spontaneous." This tension runs through the album: fragile voices and soft layers unfold against serious, carefully structured arrangements, balancing tenderness with rigor. Ambient music has always been Vel's "first love." Before producing techno, she composed ambient exclusively, and this album marks a return to the form in its most sincere expression. "I know this music will follow me all my life. It's not a phase. It's how I express myself most truthfully." Cuddle Protocol is about slowing down, embracing sincerity, and reaching for deeper connection. "When I listen to ambient, I access another world. It's charged with emotion, it makes me drift and forget everything. That's the feeling I wanted to share." Mastering by Sixbitdeep. Artwork by Adone Giuntini.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ROKU 045LP
|
$31.50
PREORDER
RELEASE DATE: 10/17/2025
Learning, Sophie Agnel's first solo LP, feels like the dark, physical inversion of her excellent Song which came out on Relative Pitch. Sinking her unique sound into vinyl for the first time, the LP arrives as Agnel recovers from a brain tumor -- a shocking discovery that requires her to start again with the piano. It's a terrifying prospect, but Agnel has been here before, having reorientated herself almost entirely away from her early classical training over the last four decades of her work. Born in Paris in the '60s and playing her parents piano as soon as she could stand up, Agnel quickly grew tired of the classical world. What frustrated her was the strange disconnect between the frame of the piano and its keyboard - a weird boundary that seemed to form some hushed code of etiquette. If you see Agnel play now, the body of her piano is littered with fish tins, ping pong balls, wooden blocks -- not that you'd recognize their sounds. Having absorbed the language of the European avant-garde, Agnel is known for pulling the piano's interior outside of itself by tipping her handbag into it. But these "strange sounds" don't just come from Cage -- they also share the poetic force of Cecil Taylor and Learning demonstrates that Agnel's work on the piano's keyboard is just as important as what she's littered on its strings. The record lets loose her ability to unleash a formidable sound mass and then rope it back to one single, clarifying note. With one hand, Agnel plays 88 tuned drums and on the other an enormous guitar -- with the LP rotating through oncoming trains, and blues harmonica and feedback. It's single-minded stuff, borne out of a dedication to a wholly personal language of gesture, accumulation and deft reduction. Learning arrives in a reverse board sleeve designed by Jereon Wille. Recorded live at Cafe OTO by Billy Steiger on 6th June 2023 and 4th June 2024. Mixed by James Dunn and Benjamin Pagier. Side B edited by Benjamin Pagier. Mastered and cut by Loop-O. Front photograph by Aimé Agnel. Typography and layout by Jeroen Wille.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
SAT 071EP
|
$20.00
PREORDER
RELEASE DATE: 10/17/2025
Up next on Brooklyn's Scissor & Thread is the latest EP from Snad, aka Shyam Anand (also known as Spandrel). A trusted selector and producer in the underground, Snad has steadily built a reputation for deeply considered productions that balance classic inspiration with his own forward-thinking edge. The AM Yard EP opens with its title track, a warm, hazy cut rooted in the kind of bassline architecture that recalls Chez n Trent's Morning Factory but reshaped with Snad's signature dreamlike touch. Rounding things out, label heads Francis Harris and Anthony Collins, under their Frank & Tony alias, reimagine "The Pursuit" with their "Housebeat Remix," extending its atmospherics into an even deeper headspace that glides effortlessly into late-night territory.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
SLOMO 055DISC1
|
$22.50
PREORDER
RELEASE DATE: 10/17/2025
Disc 1 of Slow Motion Records founder Franz Scala's infectious, ground-moving LP Cafe Futuro, a follow-up to his highly acclaimed debut Mondo Della Notte. Homage to the influential Neukolln bar and meeting point for Italo and cosmic disco heads, Cafe Futuro builds upon a bold and innovative sound, showcasing fellow creators and genre-defining artists, solidifying the Italo aficionados sound, synonymous with the pioneering greats. Featuring Furotica.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
SLOMO 055DISC2
|
$22.50
PREORDER
RELEASE DATE: 10/17/2025
Disc 2 of Slow Motion Records founder Franz Scala's infectious, ground-moving Cafe Futuro, a follow-up to his highly acclaimed debut Mondo Della Notte. Homage to the influential Neukolln bar and meeting point for Italo and cosmic disco heads, Cafe Futuro builds upon a bold and innovative sound, showcasing fellow creators and genre-defining artists, solidifying the Italo aficionados sound, synonymous with the pioneering greats. Featuring Local Suicide, Charlie, and Acid Gymnastics.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
SLOMO 055LP
|
$42.00
PREORDER
RELEASE DATE: 10/17/2025
Slow Motion Records founder Franz Scala presents the infectious, ground-moving LP Cafe Futuro, a follow-up to his highly acclaimed debut Mondo Della Notte. Homage to the influential Neukolln bar and meeting point for Italo and cosmic disco heads, Cafe Futuro builds upon a bold and innovative sound, showcasing fellow creators and genre-defining artists, solidifying the Italo aficionados sound, synonymous with the pioneering greats. Featuring Furotica, Local Suicide, Charlie, and Acid Gymnastics.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SME 091LP
|
$38.50
PREORDER
RELEASE DATE: 10/17/2025
A Milan-born multi-instrumentalist of Venetian heritage, Alberto Baldan Bembo was a gifted vibraphonist, organist, pianist, arranger, and composer whose work bridged jazz, pop, and film music. By the early 1960s, he was performing with Italy's leading ensembles, including I Menestrelli del Jazz and Bruno De Filippi's group, and soon became an in-demand session musician. For several years, he toured with the legendary Mina, providing the piano and organ backbone to her live shows -- a role that sharpened the cinematic sensibility and refined musicianship that would later define his soundtrack work. In the years to come, he would be celebrated for his scores to films such as L'Amica Di Mia Madre (1975) and Lingua Argento (1976), earning a place alongside Piero Umiliani, Alessandro Alessandroni, Berto Pisano, and other luminaries of Italy's golden age of soundtrack and library music. Io E Mara is the soundtrack to a film that was never made. Originally released on the CGD label in 1969, this debut album from the brilliant Maestro Baldan Bembo is a sophisticated concept-album tracing 24 hours in the life of two young lovers. Told entirely through music, the record unfolds as a continuous suite of ten tracks, where cinematic lounge, bossa, and jazz flavors mingle to create a dreamlike atmosphere. Baldan Bembo's signature piano and organ are masterfully complemented by Mara's ethereal vocals, while immersive soundscapes of crashing waves, seagulls, and rain showers enhance the feeling of a deeply personal and intimate journey. A cast of exceptional musicians brings this vision to life, including Bruno De Filippi on electric guitar and sitar, Carlo Milano on electric bass, Rolando Ceragioli on drums, and Pasquale Liguori on sound effects. This singular work not only showcases the burgeoning talent of a future soundtrack master but also features the original pop art front cover by Italian cult illustrator Guido Crepax.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SML 001X-LP
|
$31.50
PREORDER
RELEASE DATE: 10/17/2025
Steve Hauschildt returns after six years with a new album titled Aeropsia. After a transcontinental relocation from the US to Tbilisi, Georgia, the electronic composer emerges from a personal and global transformation to explore themes of perceptual distortion, disconnection, and renewal. Aeropsia (which roughly translates as "seeing the air") refers to a visual phenomenon in which objects appear to float or shimmer, often due to changes in pressure, perception, atmospheric shifts or neurological disturbance. This becomes a metaphor for the liminality that informs the record: blurry visions, dreamlike displacements, and the fragile membrane separating what is seen from what is felt. In the years since his last solo release, Hauschildt's world has been marked by relocation and a growing sense of global turbulence. These experiences became the raw material for a work that navigates institutional haze and uncertainty itself. The result is music that employs decay as method, structure as entropy, and mutation as expression. While Aeropsia remains subjective in its vision, Hauschildt invited two previous collaborators to expand the album's gravitational pull. Cellist Lia Kohl, who previously performed on Nonlin, returns and brings a tactile warmth to select tracks, while guitarist Michael Vallera threads spectral harmonics into the mix. The album's electronic foundation and its tactile elements meet in a state of luminous suspension to navigate the shifting in physical and psychological terrain.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SOW 060LP
|
$23.50
PREORDER
RELEASE DATE: 10/17/2025
Recorded at the Van Gelder studio in September 1965 and subsequently released on Blue Note, these five original tracks see the great alto saxophonist Jackie Mclean at the head of a stellar quintet featuring Charles Tolliver or Lee Morgan on trumpet, Larry Willis on piano, Larry Riddle on bass and the marvelous Jack De Johnette on drums. This is highly energetic, hard swinging post-bop jazz at its best.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SOW 061LP
|
$23.50
PREORDER
RELEASE DATE: 10/17/2025
The killer tandem of Lee Morgan and Clifford Jordan caught in full flight during these 1960 studio sessions. Here the two bop masters are backed by various rhythm sections featuring Barry Harris or Winton Kelly on piano, Bob Cranshaw or Paul Chambers on bass, Louis Hayes or Art Blakey on drums. A bunch of heavyweights for a solid Hard Bop album including compositions by Wayne Shorter, Milt Jackson, Elmo Hope and others.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
SQM 036CD
|
$18.00
PREORDER
RELEASE DATE: 10/17/2025
Simon Popp is back on Squama with his fourth album Trio. At its heart, Trio is a work about collaboration, playfulness and unification. It is music as a means of coming together, a sonic equivalent to the Japanese philosophy of Kintsugi, in which broken ceramics are repaired with a visible golden lacquer. Rather than hiding the breaks, Kintsugi embraces them, making them part of the story, a form of delicate transformation. Popp and his collaborators Flurin Mück and Sebastian Wolfgruber take a similar approach: three distinct drummers, three different temperaments, three personal styles. Fused together into a single expressive instrument. The album is a celebration of timbre, texture, and touch, its sound palette drawn from across continents and traditions. Human beings at all points of time, across all cultures and continents have used music to celebrate, mourn, worship and bond. Along with voices, creating rhythm with our bodies. Clapping, stomping, hitting with sticks. A celebration of rhythm as both a shared human memory and an audible expression of close bonds. Trio is a reflection of the beauty of imperfection and the timeless pull of rhythm as a shared human force. The cracks are not hidden. They are filled with gold.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SQM 036G-LP
|
$36.50
PREORDER
RELEASE DATE: 10/17/2025
LP version. Color vinyl. Simon Popp is back on Squama with his fourth album Trio. At its heart, Trio is a work about collaboration, playfulness and unification. It is music as a means of coming together, a sonic equivalent to the Japanese philosophy of Kintsugi, in which broken ceramics are repaired with a visible golden lacquer. Rather than hiding the breaks, Kintsugi embraces them, making them part of the story, a form of delicate transformation. Popp and his collaborators Flurin Mück and Sebastian Wolfgruber take a similar approach: three distinct drummers, three different temperaments, three personal styles. Fused together into a single expressive instrument. The album is a celebration of timbre, texture, and touch, its sound palette drawn from across continents and traditions. Human beings at all points of time, across all cultures and continents have used music to celebrate, mourn, worship and bond. Along with voices, creating rhythm with our bodies. Clapping, stomping, hitting with sticks. A celebration of rhythm as both a shared human memory and an audible expression of close bonds. Trio is a reflection of the beauty of imperfection and the timeless pull of rhythm as a shared human force. The cracks are not hidden. They are filled with gold.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SQM 036LP
|
$34.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. Simon Popp is back on Squama with his fourth album Trio. At its heart, Trio is a work about collaboration, playfulness and unification. It is music as a means of coming together, a sonic equivalent to the Japanese philosophy of Kintsugi, in which broken ceramics are repaired with a visible golden lacquer. Rather than hiding the breaks, Kintsugi embraces them, making them part of the story, a form of delicate transformation. Popp and his collaborators Flurin Mück and Sebastian Wolfgruber take a similar approach: three distinct drummers, three different temperaments, three personal styles. Fused together into a single expressive instrument. The album is a celebration of timbre, texture, and touch, its sound palette drawn from across continents and traditions. Human beings at all points of time, across all cultures and continents have used music to celebrate, mourn, worship and bond. Along with voices, creating rhythm with our bodies. Clapping, stomping, hitting with sticks. A celebration of rhythm as both a shared human memory and an audible expression of close bonds. Trio is a reflection of the beauty of imperfection and the timeless pull of rhythm as a shared human force. The cracks are not hidden. They are filled with gold.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
STAR 4381LP
|
$28.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. Songs To Fan The Flames Of Discontent was first released in 1996 and catapulted the band Refused from Umea in northern Sweden into the hardcore punk premier league. The Scandinavians, who were known for their hard, uncompromising and irreverent lyrics, followed the album with extensive tours all over the world, for example with Kristofer Aström's Fireside, Madball and Entombed.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
10"
|
|
SYNAPTIC 013EP
|
$20.00
PREORDER
RELEASE DATE: 10/17/2025
pdqb and DMX Krew gift you with six minutes of pure, unadulterated pleasure. You'll feel like you're locked inside an '80s mall with your best friend, free to do whatever you want. And you'll never want to leave.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
TRILPFR 069CD
|
$20.50
PREORDER
RELEASE DATE: 10/17/2025
Catastrophe are back in the spotlight with La proie et l'ombre. In the forest of the world, on the lookout, Catastrophe stalks the light. Born in 2016, the group has never stopped reinventing itself: now with four voices (Carol, Pierre, Arthur and Blandine), it presents a chiseled, delicate and restless record, which is as much contemporary pop as it is cinematic fresco. Distributed by their long-time label Tricatel, it is released with a 16-page booklet.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TRILPFR 069LP
|
$30.50
PREORDER
RELEASE DATE: 10/17/2025
LP version. Catastrophe are back in the spotlight with La proie et l'ombre. In the forest of the world, on the lookout, Catastrophe stalks the light. Born in 2016, the group has never stopped reinventing itself: now with four voices (Carol, Pierre, Arthur and Blandine), it presents a chiseled, delicate and restless record, which is as much contemporary pop as it is cinematic fresco. Distributed by their long-time label Tricatel, it is released with a 16-page booklet.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
UOH 018LP
|
$36.00
PREORDER
RELEASE DATE: 10/17/2025
"Titanic, the project spearheaded by Mabe Fratti and Hector Tosta (aka I. la Católica), return with a sumptuous and life-affirming new album. With Hagen, and their previous release, Vidrio, (2023), the pair are creating a distinctive signature sound in modern alternative pop music. Nobody else sounds quite like them. Both records have an open-hearted nature and simple, winning melodies that play off against a taste for drama, spectacular orchestration and a feeling of otherworldly mystery. Hagen is the more ambitious, sometimes more mystical effort. From the opening handclaps of 'Lágrima del Sol', (a wonderfully uptempo playground chant translating as a tear from the sun but, surely, not referencing the brand of pineapple wine), the record dances its way through various mid-to-late-eighties inspirations, lush and widescreen passages of melancholy and vertiginous contrasts. On Hagen, singer and cellist Mabe Fratti once again displays her brilliant knack of speaking to us directly. There is never the suspicion of her playing to the gallery, and the directness of many of the lyrics don't allow it. Parallel to this, Fratti has an almost magical ability to give Hector Tosta's melodies, and her and Tosta's lyrics ones imbued with an insight and meaning that feels otherworldly. Tosta admitted it was 'pretty wild to hear Mabe take the interpretations to a different place' and the listener can pick up on the delight Fratti takes in (literally) adding a voice to the many narratives. Like Vidrio, Hagen was partially and additionally recorded at Fratti and Tosta's house, aka Tinho Studios in Mexico City, as well as Golden Girl Studios & Circular Ruin Studios in New York City. Mixing was done by Santiago Parra in Pedro y el Lobo Studios, Mexico City and mastered by Rafael Anton Irisarri at Black Knoll Studios, New York City. The recording engineer was Nate Salon. Hagen featured Mabe Fratti on cello, vocals and backing vocals, I. la Católica on guitar, keyboards, prepared piano, bass and backing vocals, drums by Eli Keszler and synths in 'Pájaro de Fuego' from Daniel Lopatin and Nate Salon."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
UOH 018X-LP
|
$36.00
PREORDER
RELEASE DATE: 10/17/2025
Color vinyl version. "Titanic, the project spearheaded by Mabe Fratti and Hector Tosta (aka I. la Católica), return with a sumptuous and life-affirming new album. With Hagen, and their previous release, Vidrio, (2023), the pair are creating a distinctive signature sound in modern alternative pop music. Nobody else sounds quite like them. Both records have an open-hearted nature and simple, winning melodies that play off against a taste for drama, spectacular orchestration and a feeling of otherworldly mystery. Hagen is the more ambitious, sometimes more mystical effort. From the opening handclaps of 'Lágrima del Sol', (a wonderfully uptempo playground chant translating as a tear from the sun but, surely, not referencing the brand of pineapple wine), the record dances its way through various mid-to-late-eighties inspirations, lush and widescreen passages of melancholy and vertiginous contrasts. On Hagen, singer and cellist Mabe Fratti once again displays her brilliant knack of speaking to us directly. There is never the suspicion of her playing to the gallery, and the directness of many of the lyrics don't allow it. Parallel to this, Fratti has an almost magical ability to give Hector Tosta's melodies, and her and Tosta's lyrics ones imbued with an insight and meaning that feels otherworldly. Tosta admitted it was 'pretty wild to hear Mabe take the interpretations to a different place' and the listener can pick up on the delight Fratti takes in (literally) adding a voice to the many narratives. Like Vidrio, Hagen was partially and additionally recorded at Fratti and Tosta's house, aka Tinho Studios in Mexico City, as well as Golden Girl Studios & Circular Ruin Studios in New York City. Mixing was done by Santiago Parra in Pedro y el Lobo Studios, Mexico City and mastered by Rafael Anton Irisarri at Black Knoll Studios, New York City. The recording engineer was Nate Salon. Hagen featured Mabe Fratti on cello, vocals and backing vocals, I. la Católica on guitar, keyboards, prepared piano, bass and backing vocals, drums by Eli Keszler and synths in 'Pájaro de Fuego' from Daniel Lopatin and Nate Salon."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
VAMPI 321LP
|
$30.50
PREORDER
RELEASE DATE: 10/17/2025
An essential Roy Ayers album blending soulful jazz roots with crisp 1970s funk. Featuring Ayers' signature vibes, tight arrangements, and standout tracks like "The Boogie Back" (sampled by the likes of NWA, 2Pac, and De La Soul) and "Change Up the Groove," this LP is a must-have for any fan of jazz-funk and vintage grooves. Step into the vibrant soundscape of the 1970s with Change Up the Groove, a hidden gem from Roy Ayers Ubiquity's early Polygram years. Often overlooked in favor of Ayers' bigger hits, this soulful album is a masterclass in jazz-funk fusion, capturing the essence of Ayers' evolving style as he bridged the gap between his jazz roots and the rhythmic snap of the '70s funk revolution. From the very first track, Ayers' signature vibes take center stage, shimmering with emotion and groove. The album leans heavily into instrumental richness, with standout contributions from jazz greats like the legendary Bernard Purdie on drums. Strings weave in and out subtly, enhancing Ayers' already deep and textured arrangements. Change Up the Groove isn't just an album -- it's a snapshot of Roy Ayers' artistic evolution, full of rhythm, heart, and timeless groove. Whether you're a longtime fan or just discovering his legacy, this record is essential listening.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
VAMPI 327LP
|
$30.50
PREORDER
RELEASE DATE: 10/17/2025
A samba funk essential. This debut album from Jorge Ben's iconic backing band blends Brazilian rhythms, soulful vocals, and American funk energy into one unforgettable groove. Includes the hit single "Coqueiro Verde" along with standout tracks like "Meu País," 'Aleluia, Aleluia," and "O Canto da Ema." A timeless gem for fans of Brazilian soul, vintage funk, or global grooves. First time official reissue. Trio Mocotó is best known for being the powerhouse backing band behind Brazilian legend Jorge Ben during the height of his creative explosion in the early 1970s. But their contribution to music goes far beyond the supporting role -- they were instrumental in shaping what would become known as samba funk, a vibrant fusion of traditional Brazilian rhythms with the groove and energy of American soul and funk music. Formed in São Paulo's iconic Jogral nightclub, Trio Mocotó -- featuring Fritz Escovão, Joãozinho Parahyba, and Nereu Gargalo -- began their musical journey as resident musicians, providing live accompaniment for a rotating cast of performers. It was here that Jorge Ben first encountered their raw talent and unmistakable chemistry, ultimately inviting them to join his band. The collaboration would go on to define an era. In 1971, Trio Mocotó stepped into the spotlight with their debut solo album, Muita Zorra! (São Coisas Que Glorificam a Sensibilidade Atual). The record made an immediate impact, climbing the charts with the infectious single "Coqueiro Verde" and marking the start of a prolific period in the group's career. Muita Zorra! is a dazzling blend of styles -- mixing the baroque funk and melodic sophistication of artists like Marcos Valle with the soulful spirit of Jorge Ben. Layered with elements of American funk, the album delivers a dynamic, rhythm-driven sound that still feels fresh today. The trio's vocal harmonies are front and center, weaving through each track with warmth and richness, creating a captivating sonic tapestry that energizes every beat. This album isn't just a snapshot of a musical moment -- it's a cornerstone of Brazilian soul. A must-listen for fans of global grooves, vintage funk, and timeless Brazilian music, Muita Zorra! is once again available and ready to take its well-deserved place in your collection.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
MAG
|
|
WIRE 501
|
$12.00
PREORDER
RELEASE DATE: 10/17/2025
"On the cover - claire rousay: The Winnipeg born, Texas raised composer found her footing as a drummer before branching out into a practice of multi-instrumental sonic journaling that incorporates ambient collage and found sound. She'll release her new album, a little death, via Thrill Jockey in late October. By Lucy Thraves; Features and regular sections - Rafael Toral: Following up on last year's celebrated Spectral Evolution, the Lisbon based guitarist, improvisor and engineer of DIY electronics delves into a sort of tradition with the October release of Travelling Light, his idiosyncratic take on a set of jazz standards made famous by the likes of Billie Holiday and Chet Baker. By Peter Margasak; Once Upon A Time In New York: Giorno Poetry Systems: New York poet and performance artist John Giorno founded the non-profit organization and label Giorno Poetry Systems to bring verse into dynamic engagement with pop artists and new music composers. The cultural context and legacy of GPS is examined by Alan Licht; Yusuf Mumin: The Black Unity Trio saxophonist discusses an expansive new collection of previously unreleased spiritual jazz explorations entitled Journey To The Ancient courtesy of archive label WeWantSounds. By Phil Freeman; Susu Laroche: The dark, liturgical style of the French-Egyptian interdisciplinary sonic and visual and artist has been showcased on a wide array of collaborations in recent years, as well as her latest solo release War Against The Lie. By Misha Farrant; Invisible Jukebox: Lord Spikeheart: The anti-genre metal vocalist and one half of Ugandan duo Duma takes on The Wire's mystery listening test. Tested by Claire Biddles; Unlimited Editions: Fused Arrow; Global Ear: Rotterdam; Plus, one-page profiles of Chupame El Dedo, Alister Spence, Kinlaw & Franco Franco and more."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
XBITXS 005EP
|
$21.50
PREORDER
RELEASE DATE: 10/17/2025
Hot psychedelic jazz groover and hand-drawn artwork strictly limited and only on vinyl!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
AIA 001EP
|
$20.00
PREORDER
RELEASE DATE: 10/24/2025
For Martin Gretschmann, the ever-evolving Berlin artist known as both Acid Pauli and Console, music has always been a deeply personal journey. His new imprint, All Is Acid, is the destination, a creative home for his uncompromising and experimental sound. Breaking from the cycle of trends, the label is a return to the essential, offering just a few curated releases a year. Each is intended as a timeless artifact for deep listening, primarily showcasing Acid Pauli's own intricate and intimate productions. This release is given a powerful new dimension by a standout remix from Italian artist Adiel. Her bold, reverent reinterpretation honors the original's spirit while imprinting it with her own unique signature.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
AKU 1053LP
|
$26.00
PREORDER
RELEASE DATE: 10/24/2025
Deluxe laminated sleeve and high-quality vinyl made in France. Includes: A3 poster, 2x 12'' inserts, 1x 4-panels flyer. Limited edition of 700. Akuphone and The Cambodian Vintage Music Archive present the first-ever retrospective dedicated to So Savoeun -- one of the radiant voices that defined Phnom Penh's golden age of sound in the 1960s and 1970s. In those vibrant years, the city pulsed with music: rock bands, crooners, and traditional ensembles blended East and West, shaping a uniquely Cambodian pop that shimmered with hope and modernity. Amid this flourishing scene, So Savoeun's voice stood out -- silken yet powerful, intimate yet expansive, carrying with it the promise of a new era. This collection brings together rare and long-unheard recordings, including luminous duets with legendary contemporaries Meas Saman, Lek Savath, and Sinn Sisamouth. Each track is more than just a song -- it is a fragment of memory, a preserved echo of nights when Phnom Penh's dance halls and radios overflowed with rhythm and possibility. In her own words, hearing these songs resurface is like opening a long-buried chest of jewels, hidden beneath the dust of history and now gleaming again after half a century. Her voice, once thought lost to time, reemerges like the cicada whose chant reverberates endlessly through the forest -- an eternal call that bridges silence and remembrance. Her music is more than nostalgia; it is testament and rebirth. It continues to resonate, not only with those who lived through that golden era, but with new generations discovering its beauty for the first time. Through this release, the past breathes again -- tender, luminous, and unforgettably alive.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
AMI 065LP
|
$26.00
PREORDER
RELEASE DATE: 10/24/2025
"Amish Records is excited to announce wet glass, the stately sophomore album from Carrboro, NC-based Verity Den. This eagerly awaited new record follows their 2024 debut, which was built from early demo recordings and quickly attracted a passionate following despite the raw origins. The energy and innovative sound of that album earned praise for its originality and musicianship. Sun13 Music praised the debut as 'a scuzzy, blissed-out torrent of sound that stands completely on its own two feet.' Heathen Disco, naming it 2024's Album of The Year, wrote, 'this thing is just perfect, patient, and pretty revelatory for any band playing in this puddle decades after the fact, and the little-recognized high card they're playing with is texture -- reminds that the best bands don't fall into a stylistic trap so much they rebuild the trap altogether, and let others do the falling.' The new album was self-recorded and self-produced and is built upon the same foundational elements as their first album, noise, texture, ambience and simple songcraft, but wet glass has a wider ranging landscape. A bigger frame brings a bigger picture, but fear not, Verity Den has not forgotten what we've come to love about their sound. Just because it's groomed doesn't mean it's 'clear.' It's 2025, clarity is downright embarrassing and Verity Den has expertly mastered the skill of translating the current mind-fuck zeitgeist into a sonic snapshot. They are equally inner-political journalists as they are musicians. Casey Proctor, Trevor Reece, Mike Wallace, and Reed Benjamin's musical simpatico is natural. wet glass flows between multiple zones including, but not limited to, the melodic Yo La Tengo 'Painful' era drive of 'wet glass' and 'green drag,' the loopy Flying Saucer Attack haze of 'unsolved mystery' and 'highway fifty four' or the loner neo-Fred Neil devotional 'to trees.' Impressionistic lyrics, effective songs and jams that sound warm and familiar. The make-up of wet glass is dense, yet simply beautiful. Unintentionally cinematic. Verity Den conjure a sound that soaks in like an Epsom salt bath after a long day of being pummeled by your 9 to 5. SWEET RELIEF." --David Kenneth Nance
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
ATA 042CD
|
$16.00
PREORDER
RELEASE DATE: 10/24/2025
ATA Records presents the fourth volume of their regular soundtrack series, the Library Archives. An honest and forthright homage to the golden age of library recording, this new release is no exception -- with nods to David Shire, Roger Webb, '60s/'70s Hollywood, early anime and golden era video games. Hammond & Farfisa organ, soul flute and vibraphone are joined by the Baldwin electric harpsichord, alto flute and trumpet, all coloring the usual high-end rhythm section of drums and bongos, electric bass, piano and guitars. Moods range from the dynamic "The Galata Extraction" to the whimsical "Travers" and the romantic "Redford in Sheepskin," from the brooding "Tatsuya," the "Sword" to the sensual "Dunaway's Eyes." Walter in Gabardine and Sutherland fly the ATA library flag of '70s-era NYC soundtracks -- and both "A Dilemma for Holbrook" and "Roundtree" are drenched in soul flute so funky, it should be on the cheese counter. Now four volumes (and a couple of singles) in, The Library Archive will eventually stand as a testament to the love the ATA producers and artists have for the original composers and performers of the great music libraries of the past.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ATA 042LP
|
$29.50
PREORDER
RELEASE DATE: 10/24/2025
LP version. ATA Records presents the fourth volume of their regular soundtrack series, the Library Archives. An honest and forthright homage to the golden age of library recording, this new release is no exception -- with nods to David Shire, Roger Webb, '60s/'70s Hollywood, early anime and golden era video games. Hammond & Farfisa organ, soul flute and vibraphone are joined by the Baldwin electric harpsichord, alto flute and trumpet, all coloring the usual high-end rhythm section of drums and bongos, electric bass, piano and guitars. Moods range from the dynamic "The Galata Extraction" to the whimsical "Travers" and the romantic "Redford in Sheepskin," from the brooding "Tatsuya," the "Sword" to the sensual "Dunaway's Eyes." Walter in Gabardine and Sutherland fly the ATA library flag of '70s-era NYC soundtracks -- and both "A Dilemma for Holbrook" and "Roundtree" are drenched in soul flute so funky, it should be on the cheese counter. Now four volumes (and a couple of singles) in, The Library Archive will eventually stand as a testament to the love the ATA producers and artists have for the original composers and performers of the great music libraries of the past.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BB 483CD
|
$16.50
PREORDER
RELEASE DATE: 10/24/2025
CV Vision returns with the follow-up to his last opus Im Tal der Stutzer and delivers his sixth studio album Release The Beast -- where he finds the sweet spot between psych rock, Detroit techno, fried synths, black metal and library music. Teaming up again with Swedish drummer Uno Bruniusson, CV Vision switched up the last production approach and opted for a return to previous studio methodologies. "I wanted to get a rougher sound on this record," he says. "I dug out my two broken reel-to-reel tape machines, and patched them together, like Frankenstein. That's what gels everything really -- there's different musical styles, but it's the tape machine that brings it all together, sound-wise." Release The Beast does indeed fly off in several directions over the course of fourteen tracks, and gives listeners an insight into the full spectrum of the CV Vision musical universe. Fuzzed-out backbeats and psych progressions establish the opening tracks, as the sweet harmonies of "RTB" and "The Rhythm" are offset by raw magnetic hiss. "Dungeon Drums I, II, III" draws on acid and early Detroit techno experiments, tapping into the cosmic elements of the Motor City's beatdown grooves (and even mediaeval black metal melodies) to bring out a krautrock twist. The second half of Release The Beast takes another turn with instrumental jams, like "Nikita's Tune" and "It's K-Jazz," that nod towards the psychedelic soul of David Axelrod and Rotary Connection, and the trippy DIY experiments of L.G. Mair, Jr. Closing out the album, CV Vision lays down the bluesy stomper "Town Talk" and distorted motorik workout "The Jam" next to the folky incantation of "Brickwall Symphony" and stacked layers of heavy guitars on "Go Your Way." While Release The Beast is a varied tapestry of sounds and styles, there's a common thread running through it all. The cover art depicts the boarded-up entrance of a Berlin stairwell, surrounded by the burnt-out debris of a long-forgotten party.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BB 483LP
|
$26.00
PREORDER
RELEASE DATE: 10/24/2025
LP version. CV Vision returns with the follow-up to his last opus Im Tal der Stutzer and delivers his sixth studio album Release The Beast -- where he finds the sweet spot between psych rock, Detroit techno, fried synths, black metal and library music. Teaming up again with Swedish drummer Uno Bruniusson, CV Vision switched up the last production approach and opted for a return to previous studio methodologies. "I wanted to get a rougher sound on this record," he says. "I dug out my two broken reel-to-reel tape machines, and patched them together, like Frankenstein. That's what gels everything really -- there's different musical styles, but it's the tape machine that brings it all together, sound-wise." Release The Beast does indeed fly off in several directions over the course of fourteen tracks, and gives listeners an insight into the full spectrum of the CV Vision musical universe. Fuzzed-out backbeats and psych progressions establish the opening tracks, as the sweet harmonies of "RTB" and "The Rhythm" are offset by raw magnetic hiss. "Dungeon Drums I, II, III" draws on acid and early Detroit techno experiments, tapping into the cosmic elements of the Motor City's beatdown grooves (and even mediaeval black metal melodies) to bring out a krautrock twist. The second half of Release The Beast takes another turn with instrumental jams, like "Nikita's Tune" and "It's K-Jazz," that nod towards the psychedelic soul of David Axelrod and Rotary Connection, and the trippy DIY experiments of L.G. Mair, Jr. Closing out the album, CV Vision lays down the bluesy stomper "Town Talk" and distorted motorik workout "The Jam" next to the folky incantation of "Brickwall Symphony" and stacked layers of heavy guitars on "Go Your Way." While Release The Beast is a varied tapestry of sounds and styles, there's a common thread running through it all. The cover art depicts the boarded-up entrance of a Berlin stairwell, surrounded by the burnt-out debris of a long-forgotten party.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BEAT 115LP
|
$25.00
PREORDER
RELEASE DATE: 10/24/2025
Astonishing debut LP by Jerry A's (Poison Idea) new band with members of HHH, Rouse, 25th Coming Fire, Disaster Jacks, and Ira et Decessus, an instant hardcore-punk classic. The first, brutal LP by supergroup Black Bacon, Every Action Has Reaction, is a kick ass and punishing barrage of pure punk. They produce eight murderous tracks of frantic hardcore punk sure to satisfy anybody even slightly interested in furious music. Includes fold out insert.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BEWITH 179LP
|
$38.50
PREORDER
RELEASE DATE: 10/24/2025
Steve Moore reprises his beloved Lovelock guise by presenting his unique riff on the library breaks genre. Business And Pleasure contains grimy groove and sleazy funk-laden lounge music, oscillating between dark and light flashes. It's nothing short of astounding! This vinyl release is hyper-limited, with just 500 pressed for the world. The LP is ushered in by the spacey synth-funk of the sleazy, woozy title track. This is that serious slo-mo cosmic-balearic head-nod shit. Laidback bass, heavy funk with dreamy synth and electric guitars. An outstanding opener. Heaven-sent synth flourishes and a laidback bassline over smooth drums cement its simple, vivacious grace. This collection was written and recorded in Spring and Summer of '24. Everything was tracked at Steve's home studio in Albany, NY except the drums and percussion, which were recorded by Jeff Gretz at his space in NYC. The whole collection is basically a rhythm section feature, so Steve's Rickenbacker 4003 and Fender Jazz Bass play very prominently. The bass guitar serves as lead instrument in a lot of these tracks. Also, lots of Rhodes and stringers and guitar. He even dusted off my sax for this one, which he doesn't do as often as he'd like! This type of groove-oriented library music has been a steady part of Steve's diet since the late '90s. Lovelock started as a dedicated Italo-disco project, but over the years Steve expanded it to include anything directly informed by the commercial/pop side of the music of his childhood ('70s/'80s). Writing and recording this album was, like a lot of Steve's music these days, basically a test to see whether or not he could do it. The album's cover was designed by Chris Stevenson, with no little direction from Steve. He knew that he wanted to go with something photography-based for this cover so, in true DIY/cheapskate spirit, Steve started by looking through his own photos. He found the cover image on his phone, taken through an almost empty bottle of beer, and it clicked. The whole album has a very boozy vibe, so this shot seemed appropriate. Mastering for this vinyl edition was overseen by Be With regular Simon Francis, and it was cut by the esteemed Cicely Balston at Abbey Road Studios to be pressed in the Netherlands by Record Industry.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BEWITH 187LP
|
$38.50
PREORDER
RELEASE DATE: 10/24/2025
Wally Badarou is a synth pioneer and musical polymath. But rarely does he sing over his sumptuous tracks. The six songs that comprise new record Simple Things finally realize Wally's vision for select backing tracks from his beloved Colors Of Silence. The tracks were originally developed back in 2001 for the release of the original CD; here, Wally has "simply" added overdubs and vocals to their mastered mixes with some discerning edits. Simply put, Simple Things is another slice of simply stunning Wally Badarou genius. Simple Things has been decades in the making. Indeed, Wally struggled not only with the idea of singing these wonderful songs himself but singing them in English and writing his own lyrics, while wrestling with the sensational backing tracks, which themselves seemed to have taken on a life of their own. As Wally explains: "In addition to the instrumental artist I have been known as, so far, there has always been a singer who simply was not sure he was, up until now. Even though Back To Scales Tonight, my very first album, was, indeed, a song album." The guide vocal Wally had laid for Colors Of Silence -- with an organ sound -- seemed striving for words in Linguala, a Congolese language he could not speak. Therefore the decision to do it himself was not an easy one, for it had to be in English to fit his singing. A synth specialist, there can be few artists more under-appreciated given their vast influence than Wally Badarou. His solo work practically defined the sound of the Balearic DJs of the 1980s, and thus the more sophisticated sound of dance culture thereafter. He was one of the Compass Point All Stars (with Sly and Robbie, Barry Reynolds, Mikey Chung and Uziah "Sticky" Thompson), the in-house recording team of Compass Point Studios responsible for a series of albums in the 1980s recorded by Grace Jones, Tom Tom Club, Mick Jagger, Black Uhuru, Gwen Guthrie, Jimmy Cliff and Gregory Isaacs. Badarou's keyboard playing could also be heard on albums by Robert Palmer, Marianne Faithfull, Herbie Hancock, M (Pop Muzik), Talking Heads, Manu Dibango, and Miriam Makeba. Wally's sophisticated synth textures and expressive keyboard runs are so full of character, so full of life, that this work of art transcends any easy genre categorization. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possible quality at Record Industry in Holland.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
BSF 021EP
|
$20.00
PREORDER
RELEASE DATE: 10/24/2025
Renowned for his rich, soulful voice and heartfelt songwriting, Wellington, New Zealand's Louis Baker blends neo-soul, R&B, and folk into a sound that feels both timeless and fresh. His single "Keep On" is an uplifting anthem of perseverance, now reimagined by a hand-picked selection of acclaimed producers, each bringing their unique touch to the track.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BTR 065GRN-LP
|
$28.00
PREORDER
RELEASE DATE: 10/24/2025
Green color vinyl version. Sababa 5 finally delivers their long-promised, and self-titled album of original instrumentals, built around the band's distinct mix of Middle Eastern psych, funk, and disco groove. Sababa 5's knack for intricate grooves and catchy melodies have led to a series of acclaimed singles, from fresh takes on classic melodies to vocal collaborations, championed by the BBC's Gilles Peterson, Cerys Mathews, and Gideon Coe in the UK, and Radio Nova and FIP, in France, whilst they gradually found their own contemporary sound, creating original music together that could stand up on its own across a whole album. Across these eight songs, the group blends the Afro disco, reggae, jazz, funk, and a plethora of Middle Eastern traditions, whilst traveling time and space, drawing a musical, cultural and geographical line from Somalia to Iran, via Ethiopia, Sudan, Egypt and Turkey, from the late '70s and early '80s to today. Thus, Sababa 5 creates a unique psychedelic groove that builds on the approach that the likes of the Daptones have taken to working independently, writing, producing, and recording original music, with their own modern take on '70s soul and funk. Standouts include "Malca" (a girl's name that means "queen"). Built around broken synth lines, a languid East Africa meets Anadolu psych groove and vintage organ licks, the instrumental peaks a transformative chord change, shooting it into the stratosphere. The carnivalesque "Lizarb" ("Brazil" backwards), raises the tempo and temperature. The piece kicks off with a guitar-led call-and-response before a synth-led melody lifts everything to another level. Topped off before the end by a beautiful wah-wah meets psychedelic Mizrahi style guitar solo over a pulsating drum and groove line, demanding a physical response. "Habedil" ("the idiot" in Hebrew), is named for the innocent, child-like synths that lead off towards the start, whilst the bass and guitar riff repetitively, crafting an irresistible groove before dovetailing into an epic disco synth vamp. With this, their debut, self-titled album, Sababa 5 is ready to take a seat among the most exciting and original instrumental-based groups across the globe, with an exciting and distinct approach to groove, sound, and melody. For fans of: Surprise Chef, Sven Wunder, Yin Yin, The Soul Surfers, ATA Records.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
DC 948CD
|
$13.50
PREORDER
RELEASE DATE: 10/24/2025
"From out of the dark, the crackle of feedback birdsong signals a return to the land of sound environments exclusive to the music of Rafael Toral. A year and a half after his epochal electric guitar album, Spectral Evolution, Traveling Light finds him sharpening his focus, moving boldly from abstract forms to concrete compositions in the form of a set of jazz standards. Based on Toral's discography, this may seem an unlikely endeavor, but happily, Traveling Light transpires to be one of the major accomplishments in his long history, expressing these songs on their own terms through the unique listening lens of his music. Toral sidesteps the traditional logic of how to play a song, moving outside the framework with which one would expect a standard to be treated. Three decades ago, in the early years of his practice, Toral used the guitar as a generator, to create discreet texture and droning tones. Later, he abandoned the guitar entirely, focusing on self-made electronics to render his music, and the silence from which it came, with a post-free jazz perspective. For the music of Spectral Evolution and Traveling Light, Toral has combined his methodologies, radically expanding the space within their harmonies with his self-made machines, while engaging directly with his instrument and the chords of the material. The result is a listening experience of these standards, that remains 'in the tradition,' even as the elongated harmonies seem to alter time such that, as Toral notes, 'the chords become events on their own.' At points, the long tones animate the sacred ennui of liturgic music, the choir or the organ standing in for silent contemplation while rumbling the ground beneath our feet. Another echo of the concentric circling of music in time. In addition to Toral's proxy orchestra of guitars, sine wave, feedback and bass guitar, Traveling Light features the sounds of clarinetist José Bruno Parrinha, tenor saxophonist Rodrigo Amado, flügelhorn player Yaw Tembe, and flautist Clara Saleiro, who each guest on one song. One of Toral's self-made devices incorporates a theremin -- another near-century old innovation in electronics conceived for use in classical music -- to modulate feedback melodies here. In every contour of Traveling Light's path -- arrangement, improvisation and production -- the spring of the old pours through the new in an unstoppable flow."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DC 948LP
|
$33.00
PREORDER
RELEASE DATE: 10/24/2025
LP version. "From out of the dark, the crackle of feedback birdsong signals a return to the land of sound environments exclusive to the music of Rafael Toral. A year and a half after his epochal electric guitar album, Spectral Evolution, Traveling Light finds him sharpening his focus, moving boldly from abstract forms to concrete compositions in the form of a set of jazz standards. Based on Toral's discography, this may seem an unlikely endeavor, but happily, Traveling Light transpires to be one of the major accomplishments in his long history, expressing these songs on their own terms through the unique listening lens of his music. Toral sidesteps the traditional logic of how to play a song, moving outside the framework with which one would expect a standard to be treated. Three decades ago, in the early years of his practice, Toral used the guitar as a generator, to create discreet texture and droning tones. Later, he abandoned the guitar entirely, focusing on self-made electronics to render his music, and the silence from which it came, with a post-free jazz perspective. For the music of Spectral Evolution and Traveling Light, Toral has combined his methodologies, radically expanding the space within their harmonies with his self-made machines, while engaging directly with his instrument and the chords of the material. The result is a listening experience of these standards, that remains 'in the tradition,' even as the elongated harmonies seem to alter time such that, as Toral notes, 'the chords become events on their own.' At points, the long tones animate the sacred ennui of liturgic music, the choir or the organ standing in for silent contemplation while rumbling the ground beneath our feet. Another echo of the concentric circling of music in time. In addition to Toral's proxy orchestra of guitars, sine wave, feedback and bass guitar, Traveling Light features the sounds of clarinetist José Bruno Parrinha, tenor saxophonist Rodrigo Amado, flügelhorn player Yaw Tembe, and flautist Clara Saleiro, who each guest on one song. One of Toral's self-made devices incorporates a theremin -- another near-century old innovation in electronics conceived for use in classical music -- to modulate feedback melodies here. In every contour of Traveling Light's path -- arrangement, improvisation and production -- the spring of the old pours through the new in an unstoppable flow."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DC 963LP
|
$23.00
PREORDER
RELEASE DATE: 10/24/2025
"Out of the roiling miasma of timeless time comes a long-promised delivery from one of the constants of this era: Major Stars, and their new LP, More Colors of Sound. Fueled by overdriven guitars and gut-punching rhythm, these veteran rockers are stalwart in their delivery of trippy, psyched-out extremes. Over the 27 years since The Rock Revival (their Twisted Village debut), they can be counted on to come back around every three or four years or so, with something heavy picked up on their journey. This time, it's been since 2019's Roots of Confusion Seeds of Joy -- but what's a few years in the larger scheme of things? It's been since the late '90s that Major Stars have been transmitting their signal. But even eternity wasn't built in such an arc of time: Wayne Rogers and Kate Biggar have been crossing necks dating back to the '80s, with Crystallized Movements' screaming psychpunk hybrids. Tom Leonard, Major Stars' current third axeman, has been in the mix almost as long: Luxurious Bags' amorphous low-fi was released on Twisted Village too, and Kate and Wayne and him all played together in Vermonster. The More Colors of Sound lineup is as-was for Roots of Confusion Seeds of Joy: Kate, Tom, Wayne, Dave Dougan on bass, Casey Keenan on drums and Noell Dorsey singing lead. More Colors of Sound had been earmarked as a title for nearly twenty years when they started work on the album that would finally bear its name. For the first ten Major Stars releases, Wayne wrote everything, but due to the way things were in 2020 and 2021, Tom and Noell wrote a bunch of things together, along with Wayne's stuff. By the time they got to Gloucester's Bang-A Song Studios, there was enough music for a double LP. As ever, the crush of the three guitars as they riff with the rhythm defines Major Stars' sound. The work of two writing camps has produced a song-centric focus on More Colors of Sound -- one, of course, shot through with distorted tones, fevered neck-wringing solos and several extended jammers -- but the production overall has a cleaner sound than its predecessor. On More Colors of Sound, Major Stars find new hues inside the incendiary approach that's launched them so ecstatically since early times; another jar of infinity captured with a quality all its own -- and it's all in the grooves!"
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
DC 967CD
|
$13.50
PREORDER
RELEASE DATE: 10/24/2025
"In March 2024, Jim White released his first-ever solo album, All Hits: Memories. Coming forty years into his career, it felt like some kind of breakthrough happening. His second solo album confirms it: Jim's deep percussive intuition is fueling a new musical vehicle in his life. Inner Day finds him dancing ever more deftly with himself on an expressionistic set of drum kit and keyboard duets. Developing meditations on his personal arcana into expressive keyboard feels, he crafts parts as he would on the kit, further interacting with them on drums as well. Jim takes another big step on Inner Day, singing on two standout tracks, 'Inner Day' and 'I Don't Do / Grand Central,' his words and voice in the mix for the first time. A drummer of exquisite powers, great and small -- his Dirty Three compatriot Warren Ellis contends his playing long ago 'split the atom' -- Jim's capable of driving a band one minute, then slipping past accompaniment and into the cracks of the subliminal in the next breath. Inner Day is a state of nature: peace and tension, rest and disquiet aloft on the wind of Jim's inspiration. Working in conversation with his long-time collaborator Guy Picciotto on Inner Day, Jim travels further into the hypnotic relationships that they captured on All Hits: Memories. Here's another old friend, filmmaker Jem Cohen: 'I drove around listening to Jim's new record. It fit so well, even when the things themselves didn't: the straights and turns of the road, fields and houses and industrial parks, the possible rain, deep spring greens and the greys of a parking lot, the rain when it finally came. It goes where it will, quite fearlessly but never demonstrative or showy about its risk-taking. I'd say the record's a conversation Jim's having with the world, one that isn't about drums or being a drummer but, more expansively, about music as the spillway for feeling and experience.' Jim himself adds: 'On my first album All Hits: Memories, I wanted to have a keyboard sound to keep the drums company as together they celebrated why some things just 'hit' the psyche, why some memories stick. Later, I found the notes wanted to move more and so on my second album Inner Day, that is what they do.'"
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DC 967LP
|
$23.00
PREORDER
RELEASE DATE: 10/24/2025
LP version. "In March 2024, Jim White released his first-ever solo album, All Hits: Memories. Coming forty years into his career, it felt like some kind of breakthrough happening. His second solo album confirms it: Jim's deep percussive intuition is fueling a new musical vehicle in his life. Inner Day finds him dancing ever more deftly with himself on an expressionistic set of drum kit and keyboard duets. Developing meditations on his personal arcana into expressive keyboard feels, he crafts parts as he would on the kit, further interacting with them on drums as well. Jim takes another big step on Inner Day, singing on two standout tracks, 'Inner Day' and 'I Don't Do / Grand Central,' his words and voice in the mix for the first time. A drummer of exquisite powers, great and small -- his Dirty Three compatriot Warren Ellis contends his playing long ago 'split the atom' -- Jim's capable of driving a band one minute, then slipping past accompaniment and into the cracks of the subliminal in the next breath. Inner Day is a state of nature: peace and tension, rest and disquiet aloft on the wind of Jim's inspiration. Working in conversation with his long-time collaborator Guy Picciotto on Inner Day, Jim travels further into the hypnotic relationships that they captured on All Hits: Memories. Here's another old friend, filmmaker Jem Cohen: 'I drove around listening to Jim's new record. It fit so well, even when the things themselves didn't: the straights and turns of the road, fields and houses and industrial parks, the possible rain, deep spring greens and the greys of a parking lot, the rain when it finally came. It goes where it will, quite fearlessly but never demonstrative or showy about its risk-taking. I'd say the record's a conversation Jim's having with the world, one that isn't about drums or being a drummer but, more expansively, about music as the spillway for feeling and experience.' Jim himself adds: 'On my first album All Hits: Memories, I wanted to have a keyboard sound to keep the drums company as together they celebrated why some things just 'hit' the psyche, why some memories stick. Later, I found the notes wanted to move more and so on my second album Inner Day, that is what they do.'"
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ENLP 073X-LP
|
$28.00
PREORDER
RELEASE DATE: 10/24/2025
A decade after the release of his debut solo album Atlas, Lisbon-born producer Branko celebrates the anniversary with a special vinyl reissue. Released in 2015, Atlas was the result of an ambitious journey across five cities -- New York, São Paulo, Amsterdam, Cape Town and Lisbon -- where Branko collaborated with more than 20 musicians and producers. From Afro-house and gqom to baile funk and bubbling, the album captured the emergence of a new global sound, seen through the lens of local scenes and shaped by discovery and mutual exchange. To mark its 10-year anniversary, the vinyl reissue includes the expanded edition highlight "Reserva Pra Dois" with Mayra Andrade. Atlas opened a new chapter in the producer's career, while helping show the world how local sounds drive global club music. It's time to rediscover it. Featuring The CLERK, Nonku Phiri, Mr. Carmack, Alex Rita, Bison, Zanillya, Capadose, The Ruffest, Rodes, Princess Nokia, Okmalumkoolkat, Lewis CanCut, Cachupa Psicadelica, SKIP&DIE, Fellow, and Mayra Andrade.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
3x12"
|
|
FIELD 038LP
|
$59.00
PREORDER
RELEASE DATE: 10/24/2025
Following the reissue of his debut album Dispatches (FIELD 034LP), Field Records returns to the seminal work of Mike Parker with an overview of his releases on Prologue -- a truly original strain of steely, hypnotic techno that has touched upon many different waves within the wider scene. Having pioneered a hard-edged, reductionist style via his Geophone label since the mid-'90s, around 2010 Mike Parker found himself at the vanguard of an emergent sound alongside artists like Donato Dozzy and Cio D'or exploring the possibilities of immersive, profoundly transcendental club music. The Prologue label came to define this cult zeitgeist, where reduction and repetition took on a truly psychedelic quality and the subtle details made all the difference. It ran from 2008 to 2015, laying the foundations for the deep techno sound that remains a vital, evolving subculture in the present moment. From Parker's first appearance on Prologue with the Subterranean Liquid EP in 2011 through to the Lustrations LP in 2013, he delivered some of the most incisive music of his accomplished career -- teased-out rhythms carrying exquisitely engineered textures veering from the subliminal to the visceral, locked into endless, cyclical oblivion and maintaining a stern, machinist veneer. This collection on Field Records combs through Parker's Prologue output and makes a considered selection, gathering key pieces from the first two EPs alongside six of the album tracks on a triple vinyl pressing, alongside a further eight cuts on the expanded digital edition. Not just a straight-forward reissue, consider Epilogue a thoughtful reframing of a key point in Mike Parker's stellar career. In every exacting pulse, every inch of tacit spatial design, it's the work of an expert sculpting a sound which remains influential in the here and now.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
FREUD 129P-LP
|
$38.00
PREORDER
RELEASE DATE: 10/24/2025
"Limited edition in pink vinyl. 40th Anniversary Edition of the 1985 studio album, completely remixed and revamped -- as it should have sounded. Expanded with two unreleased tracks left off the original album, plus a bonus album with six previously unheard outtakes and six live versions. Remixed by The Vibrators' Pat Collier (RIP), who has brought the guitar properly up in the mix. Johnny missed the original mixing sessions, but now it can be heard as he originally intended. Features Mike Monroe, Wilko Johnson, Stiv Bators & Glen Matlock. Gatefold sleeve notes by Thunders biographer Nina Antonia with interviews of participants, including Mike Monroe."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JIAOLONG 005CD
|
$10.00
PREORDER
RELEASE DATE: 10/24/2025
2025 repress. Daphni's classic debut gatefold 2LP from 2012 finally repressed! Dan Snaith has fallen deeper into his love affair with the dancefloor to bring a full-length release as Daphni. The first Daphni album of shape-shifting works is titled Jiaolong (pronounced JOW-long) and is released on Dan's own imprint (also called Jiaolong). Inspired to work in a completely different way -- setting aside the meticulous compositional rigors and musical layers that underpin Caribou songs -- Dan Snaith-as-Daphni reaches out for a more feminine, fluid energy and seeks instant gratification.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
JIAOLONG 005LP
|
$37.50
PREORDER
RELEASE DATE: 10/24/2025
Double LP version. 2025 repress. Daphni's classic debut gatefold 2LP from 2012 finally repressed! Dan Snaith has fallen deeper into his love affair with the dancefloor to bring a full-length release as Daphni. The first Daphni album of shape-shifting works is titled Jiaolong (pronounced JOW-long) and is released on Dan's own imprint (also called Jiaolong). Inspired to work in a completely different way -- setting aside the meticulous compositional rigors and musical layers that underpin Caribou songs -- Dan Snaith-as-Daphni reaches out for a more feminine, fluid energy and seeks instant gratification.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
JIAOLONG 022LP
|
$20.00
PREORDER
RELEASE DATE: 10/24/2025
2025 repress. Double LP version. In 2017, Daphni (aka Caribou, aka Dan Snaith) released a very special FabricLive mix (FABRIC 186CD) made up of 23 original, unreleased Daphni tracks and four new Daphni edits to widespread critical acclaim. He follows up this mix with the new full-length album, Joli Mai, comprised of extended versions of the tracks from the mix as well as the unreleased track "Vulture".
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LBR 133LP
|
$33.00
PREORDER
RELEASE DATE: 10/24/2025
Argentine pianist Hernán Jacinto and Uruguayan drummer Mateo Ottonello come together in this boundary-pushing duo album recorded in New York. Blending acoustic and electronic textures, tradition and innovation, this project reimagines South American jazz through a contemporary lens -- offering a powerful journey into the evolving sound of the Rio de la Plata. The two shores of the Río de la Plata -- Buenos Aires and Montevideo -- share a deep and vibrant jazz tradition, one that merges global influences with the region's rich musical heritage. For over half a century, rhythms like tango, candombe, and milonga have intertwined with jazz and other instrumental forms, continually exploring new directions and pushing creative boundaries. Argentine pianist and composer Hernán Jacinto and Uruguayan drummer and percussionist Mateo Ottonello embody this spirit of exploration. Though from different generations, both are among the most innovative voices in the Río de la Plata music scene -- artists unafraid to blend past and present in pursuit of something new.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIB 2110LP
|
$24.00
PREORDER
RELEASE DATE: 10/24/2025
"The legendary Americana band's 1983 album re-released with brand new liner notes and band interviews written by Chris Morris with rare photos and memorabilia images. The release recreates the band's third studio album complete with a replica of the inner sleeve with songwriter Dave Alvin's lyrics. The 11-track set features the four core band members -- Phil Alvin, Dave Alvin, John Bazz, and Bill Bateman accompanied by Gene Taylor, Lee Allen, and Steve Berlin. Includes band classic cuts ? 'Long White Cadillac' (a hit for Dwight Yoakum in 1989), 'Jubilee Train,' 'Red Rose,' along with deep track covers of 'Barefoot Rock' and 'Tag Along,' sung by piano player Gene Taylor. The album was critically acclaimed with positive reviews from The New York Times, Washington Post, Los Angeles Times, Boston Globe, Philadelphia Inquirer, Trouser Press, The Village Voice, Goldmine, and many others. The San Diego Union named it the eighth best album of the 1980s. The album marked a shift in their sound as the band incorporated more diverse influences, blending rock, rockabilly, blues, and country elements. While still maintaining the energetic roots rock style they were known for, Non Fiction also explored a more polished and mature production compared to their earlier albums. The album stands out for its mix of upbeat tracks with thoughtful lyrics and a more reflective tone than their earlier, more raw recordings. The album is praised for its strong songwriting, and although it didn't achieve major commercial success, it remains a beloved album among fans."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LIVITY 070LP
|
$26.00
PREORDER
RELEASE DATE: 10/24/2025
Best known for his cinematic jungle excursions, Seb Uncles returns to Livity Sound for a second extended release of introspective electronics with a strong influence from mystical sources. As Eusebeia, Uncles has developed a strong, independent presence in modern electronic music defined by a prolific run of deep-diving, breakbeat-driven albums and EPs. In 2022 he released Cosmos on Livity Sound, a mini-album that zoomed out to a more reflective strain of electronica shaped by atmospheric synth lines in the hauntological vein of Ghost Box, Pye Corner Audio et al. The Wyrding Way finds Uncles delving even deeper into this area of his output, keeping drums to a bare minimum and focusing instead on powerful melodic lines. There are still considered soundsystem moments that connect with Livity's long-standing sonic focus, not least the subtle dub inflection of centerpiece "By The Light Of The Moon" Elsewhere Uncles leaves the melodic parts unaccompanied, letting the phrasing and emotional pull of the title track tell its own story. Balancing light and dark elements and drawing inspiration from personal experiences and perspectives, combined with spiritual and existential observations, Uncles capitalizes on the evocative streak in his studio practice to deliver a timeless, immersive experience unlike anything else in his considerable back catalogue. Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LN 060LP
|
$26.00
PREORDER
RELEASE DATE: 10/24/2025
Five years after the enigmatic Phylax Society, the ever-sonic wanderer Sutja Gutierrez returns with Asystole Flatline, a new full-length odyssey. Asystole Flatline, an album shaped between studios in Barcelona in a process as tactile as it was instinctive, explores naked masculine vulnerability and the complex emotions that surround the irrationality behind every heartbreak with raw honesty. There's a certain violence woven throughout the album, an energy that emerges from the frustration of the fatherless man -- insecure, searching through different relationships for something unnamed. The work unfolds in dreamlike scenes with unexpected turns, revealing voices that range from raw and saturated to gentle whispers. Gutierrez delivers a work that slips between worlds -- part reverie, part vertigo -- haunting the threshold between what's ending and what's yet to come. With Asystole Flatline, Lumière Noire reaffirms its commitment to fearless, genre-defying voices that challenge conventional boundaries.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MR 286LP
|
$28.50
PREORDER
RELEASE DATE: 10/24/2025
Valencia-based band Wau y Los Arrrghs!!! is made up of five punk rock hooligans as raw and real as chaos itself -- led by one of the wildest frontmen around, Juanito Wau. After many years unavailable, Munster now reissues their second album ¡¡¡Viven!!! (2009) featuring new artwork by Mik Baro. It includes their classic originals "Copa, raya, paliza" and "Viva Link Wray!!!" as well as a bunch of wild cover versions of Los Mockers, The Lyrics, The Troyes, The Hatfields, Jonah & The Whales, and more. Yes, there's garage rock here, no doubt -- but you'll also find blasts of punk, rock 'n' roll, pop, and even a splash of surf. The album was produced by Jorge Explosion (Dr. Explosion) and Mike Mariconda (Raunch Hands, Devil Dogs), and recorded at the celebrated Circo Perrotti Studios in Gijón.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MR 490LP
|
$28.50
PREORDER
RELEASE DATE: 10/24/2025
Punk pioneer/Eater main-man, Andy Blade's seventh solo album and follow up to 2024's critically acclaimed and heavily rotated Being Alive Is Fun. Featuring Quick Romance's Matilda Scotland, Dinosaur Jr collaborator Tiffany Anders, Generation X guitarist Bob Derwood Andrews, Madness' brass section Smith & Elms, PseudoPomp's Katerina Sharkova, Myura Amara, and more. It is imbued with the usual left-of-center Blade-ism's and themes: star maps, UFO's and a slightly twisted nod to tragic '70s heroine Karen Carpenter. You get what you deserve with Blade, and with Tiny Specks you are rewarded with a rich code to decipher at your leisure. Most of all, however, it is all about the quality of his songwriting. Opening track "Karen Is The Drummer" (featuring Blade's regular singing collaborator -- PseudoPomp's Katerina Sharkova) seems unsettlingly self-explanatory, but all does not seem well in the Carpenter M.O.R world. Occasional Dinosaur Jr vocalist Tiffany Anders gives "I'm Not Myself" a poppy but eerie nuance. PollyPikPocketz's Myura Amara pops up on the short but very sweet "About That." Matilda Scotland, Quick Romance's uber-cool punky-chanteuse adds her Gen Z aura to the summery "I Like It When You're Happy." Former Generation X guitarist Bob 'Derwood' Andrews, with whom Blade has worked with consistently of late, once again features heavily on "Tiny Specks." Like with Katerina Sharkova's voice, Derwood guitar lines interweave with Blade's honeyed vocal as though they made for each other. "This Place" is another key track, capturing the claustrophobic-genocidal mood of the events in Gaza/Palestine.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
MR 7393EP
|
$15.50
PREORDER
RELEASE DATE: 10/24/2025
Dharmacide is a Spanish band known for their eclectic fusion of genres, blending elements of shoegaze and dreampop music. Their sound is marked by intricate guitar riffs, powerful drumming, and deep, emotive vocals that create a unique atmosphere under the influence of today's bands like Diiv, Warpaint, or Beach House but also by classic artists like Cocteau Twins, Nick Cave and the Bad Seeds or Tom Waits. The band, with members of Alcalá Norte and Depresión Sonora, has made a huge impact on various stages. Their latest singles have been produced, mixed and mastered by Mark Gardener from Ride. "The Cigs, The Light, The Coffee and Crying" is the first single taken from their awaited second album.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
Book
|
|
MRBK 001BK
|
$31.50
PREORDER
RELEASE DATE: 10/24/2025
Punk was one of the first photobooks that came out about the punk movement not just in Spain but in Europe. Originally published in late 1977, the book achieved a significant international projection, acquiring a pseudo-mythical status as it disappeared from the catalogue. Almost half a century later the book is now available again. This updated edition includes unpublished photos from Salvador Costa's own archives, preserved by his wife and children after his passing on 30 October 2008, and also short texts and comments by members of Gen X, Eater, The Models, and more. Salvador Costa's black and white photos show his awareness that monochrome is the best way to portray individual punk spirit as well as the atmosphere of beer, music, and sex at the clubs in London, April '77. This book contains an insider vision depicting the city of London and the inclusive ambience at these venues; shot close-up and with a naturalness that shows there were no barriers between players and crowds. Scattered among the public, kids, smoke, and shadows, you will be able to find faces of the Sex Pistols, Chelsea, the Nips, the Slits, Eater, and many more, encapsulated in the space-time of a golden age of youth empowerment where everything was possible and nothing was impossible. The book was originally published in Spain in late 1977 by Star Magazine. It was one of the first books that came out about the punk movement in Europe. His images resembled those of a war correspondent, he was like a photojournalist in the improvised trenches of the early days of the London punk assault. Faces, attitudes and looks that tell as much about the time they lived in as any song or book. Punk achieved a significant international projection, selling out continuously at central London stockists as prestigious as the Photographers Gallery and the avant-garde bookstore Compendium Books. In Spain, it would also sell out, acquiring a pseudo-mythical status as it disappeared from the catalogue.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MTE 083LP
|
$37.50
PREORDER
RELEASE DATE: 10/24/2025
Announcing Perseverance Flow, the latest album from acclaimed Chicago-based ensemble Natural Information Society (NIS). After a trilogy of double LPs by expanded manifestations of the band that began in 2018 with Mandatory Reality & continued through Since Time Is Gravity (a Pitchfork Best Jazz & Experimental Album of the Year selection & Mojo's #1 Underground Album of 2023), NIS returns to its core formation of Lisa Alvarado on harmonium, Mikel Patrick Avery on drums, Jason Stein on bass clarinet, & composer/multi-instrumentalist Joshua Abrams on guimbri for one continuous 37 minute composition across a single LP. As the rocket boosters on spaceship earth sputter closer to burnout, lower your stylus into a soundfield that grows stronger the deeper you travel into it; a dose of the medicine many of us look to music to deliver awaits you inside. One of the deep contemplations of this natural information (thanks Bill Callahan) is the wide range of source materials Abrams draws from over the band's more than 15 year history: Ideas from minimalism, modal jazz & traditional musics are regularly reimagined in these compositions. The 2021 double LP descension (Out of Our Constrictions), with guest soloist Evan Parker, reflected aspects of Abrams' love of party music, Chicago house, & John Coltrane. *But even veteran travelers with the NIS best brace themselves for the Perseverance Flow. Speaking to the history & the inspirations behind the album, Abrams offers: "We played the piece for a year in concert before the recording. At Electrical (Audio Studios, Chicago) we went in at 11 & were done in time to pick our kids up from school." Abrams continues: "In a reference world, I imagine Perseverance Flow like a live extended realization of a Jaylib lost instrumental as remixed by Kevin Shields. Or vice versa. I also think it has sympathies to some of the more rhythmically intricate dance musics out of Chicago & Lisbon." The core NIS ensemble heard on Perseverance Flow always address Abrams' writing with the discipline of orchestra musicians & the creativity of improvisers. But this time around, instead of inviting living legend status musicians Evan or William Parker or Ari Brown as honored guests to solo freely over the composed materials, Abrams' invited guest collaborator was the medium of the recording studio itself. Situated at the board with engineer Greg Norman, Abrams pushed post production techniques found only sporadically on earlier NIS records deep into the heart of the music, distorting & reshaping instruments to subtly &, at times, aggressively mutate timbre & texture, color & time. Refracting the band's signature mesmerizing chains of overlapping rhythmic patterns through the sonic funhouse of dub makes Perseverance Flow the most formally experimental NIS album to date. Now a soundworld fully unique to itself is listening to itself, consoling & humoring itself, & consoling & humoring you. A destruction myth & a creation myth of a soundworld together at once -- "energetically nutritious" (October 2025 Issue 500 The Wire) supernatural information society.
"Perseverance Flow is skipping rope in slo-mo. A dance of co-operation to rally guts & humors & keep marching through pouring tears" (Abrams).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
PALAZZO 012LP
|
$33.00
PREORDER
RELEASE DATE: 10/24/2025
Elektro Guzzi return with their 11th studio album, Liquid Center -- more focused than ever, yet more sonically open. The album presents the trio on a new level: their sense of precision and structure meets an unexpected depth and warmth. The sound is more restrained, more subtle -- and in this way, it gains even more presence. What stands out: this album sounds different. And it feels different too. Over the course of a year, the band developed a recording technique that translates their analog live energy into a sonic image that captures both the physicality of a band in space and the cool abstraction of techno. The result is a sound that doesn't seek loudness, but detail -- clear, warm, deep, and with an almost artificial precision. Liquid Center is not a loose collection of tracks but a coherent album experience. With every listen, it opens up a little more: a new texture, a shifted perspective, another layer emerging from the space between groove and sound. Maybe it's the music that's changing. Or maybe it's just the way you hear it.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
REBREC 005LP
|
$28.00
PREORDER
RELEASE DATE: 10/24/2025
Berlin-based Swedish singer-songwriter Nadya Albertsson returns with her most personal work to date. Half Silk Half Blade blends diaristic storytelling with lush, layered instrumentation, the capturing a fleeting, transformative moment of queer self-discovery. A Scottish Young Jazz Musician finalist in 2018, her sound has been described as evoking Alice Coltrane, with a blend of Ella Fitzgerald, Esperanza Spalding, and Erykah Badu. Her versatile and expansive vocal range has already been showcased on Rebecca Vasmant's Blessed and Broken Biscuits and Amanda Whiting's After Dark -- projects championed by the likes of Gilles Peterson, Jamie Cullum, Jamz Supernova, BBC Radio 6 Music, BBC Radio 1, and BBC Radio Scotland. For fans of Olivia Dean and Cleo Soul.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
REPOSE 154LP
|
$30.50
PREORDER
RELEASE DATE: 10/24/2025
The Swedish underground legends return with a brand-new album. Let this reddit user take over: "Listening to Brainbombs has been one of my weirdest experiences with music. Brainbombs are most definitely a band. I guess at the core they're a hardcore punk/noise rock hybrid I guess? But? It's so unlike anything I've ever heard and I still don't know if it's good or bad. I saw the edgelord Ed Gein album cover, and it intrigued me, so I listened to their biggest song and it was easily THE WORST thing I had EVER FUCKING HEARD. I shut it off as soon as it got to the vocals. I was shocked by the fact that it had almost a half million streams. But, a few hours later, I clicked on it again and didn't know why. Over the past few days, I've listened to all of their discography and looped a lot of it. And I don't even think I like them. The music is abysmal, it's the same single riff and verse repeating for 5 minutes. To make it worse, the vocals are just a guy with a Swedish accent awkwardly talking about murder and rape. That sounds awful right? It is awful. But at the same time I want to keep listening? It's so childishly edgy and obnoxiously repetitive but so intriguing? Catchy? I'm not even sure. It's one of if not the weirdest experience I've ever had with music and I don't know how to feel about it."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
RM 4255CD
|
$17.50
PREORDER
RELEASE DATE: 10/24/2025
"The field recordings on this album contain the common theme of water in different states: snow, ice, hail, streams, creeks, in the Puget Sound passing under a ferry boat, pouring from a leaking sea wall, in frozen ponds, as it turns a water wheel, rain in thunder storms, in a pool during winter swimming. These were recorded between 2017-2024. They were usually made quickly while out with my son, and later edited to preserve the sounds of our voices while obscuring the specific content of what was said. In contrast, when Daniel records, he has a predetermined place in mind, and sets off on whole day adventures to document through both photography and audio. Working together melds his high fidelity, pre-meditated recordings with my spur-of-the-moment low-fi recordings... When we decided to work together on Smelter, I gave him five recordings of my piano compositions which he treated and added his own elements to -- turning them into long drone formations. These were then combined with the various water-based field recordings we'd made individually. Making records this way creates an aural archive of place/time and environment -- in the same way a film photograph holds onto a vision in time: the single moment when light is suspended in microscopic halide crystals which can then be recreated and reinterpreted: a form of time travel, where the past is both fixed and also accessible in the present. With Smelter perhaps we have created a time capsule, an index in which to place our combined story telling for listeners to share." --Faith Coloccia
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SF 130LP
|
$26.50
PREORDER
RELEASE DATE: 10/24/2025
West Virginia Snake Handler Revival "They Shall Take Up Serpents" marks the arrival of a landmark record, documenting the last, snake handling church in Appalachia. Featuring hillbilly rock guitars, trance-like rhythms, and howling vocals, this album was recorded 100% live and without overdubs by Grammy-award winning producer and author, Ian Brennan (Tinariwen, Ramblin' Jack Elliott, Zomba Prison Project). The first release of American music ever by Sublime Frequencies, Brennan states, "As much as I've traveled around the globe to remote areas such as Comoros, the southeast Sahara or up-river in Suriname, few places have felt more foreign or 'exotic' than this part of Appalachia. The recording represents in many ways a companion and counterpoint -- the other side of the Deep South, so to speak -- to the music that was explored on the Parchman Prison Prayer albums. The Snake Handler album was an attempt to listen across that divide -- a divide that's never fully healed and continues to haunt and imperil the USA to this day." The recording took place during a two-plus hour Sunday service in the West Virginia mountains. Brennan states, "I'd sworn to stay far away from the snakes at the service, but instead they were waved in my face as they coiled in the preachers' hands, and I crouched down at the foot of the altar tending to the equipment. The pastor soon was bitten and blood splattered, pooling on the floor. The female parishioners hurriedly came to wipe up the mess, and it instantly became clear just what the rolls of paper towels stacked on the pulpit had been for. You can actually hear this moment transpire towards the end of the track 'Don't Worry It's Just a Snakebite (What Has Happened to This Generation?)'. The congregation leapt to its feet and a mini mosh-pit formed. The tag-team preachers huffed handkerchiefs soaked in strychnine, as they circled like aggro frontmen and an elderly worshiper held the flame of a candle to her throat, closing her eyes and swaying. The church PA blew out from the screams as a bonnet-wearing senior whacked away at a trap kit that dwarfed her. It was the most metal thing I'd ever seen, rendering Slayer mere kids play." The flock claim to be the first church that merged Rock and Roll with firebrand preaching -- that the music was stolen from them by Satan, that they are the originators. Given that snake handling ministries can be traced back to at least 1910, there might even be a faint something to the claim. The pastor's father and brother both died after being bitten by timber rattlesnakes, and the pastor himself suffered greatly from one a few years back -- his forearm swelling to twice its size and turning slime green. As a result, he fell unconscious and his forearm had to be sliced open from wrist to bicep to relieve the pressure. Nonetheless, Pastor Chris steadfastly claims that "Jesus is our anti-venom." "Some people think we're Devil worshippers, that we're a cult. But snake handling is only a small part of what we do." In the 1970s there were reportedly five-hundred snake churches throughout Appalachia, but now there is only one -- in West Virginia, the only state where serpent handling remains legal. It's estimated that in the past century more than one-hundred preachers have died from poisonous snakebites inflicted while leading these services. This includes the founder of the first snake handling flock, George Went Hensley, who was illiterate and once convicted of selling moonshine during the Prohibition era. His death was officially ruled a suicide due to his refusing medical treatment. The local county's population has dropped by more than 80% in the wake of the West Virginia coal industry's globalization gutting, and the area now leads the USA in drug-related deaths per capita while also being the poorest in the state. Within minutes of launching into trance-like states during the service featured on this album, both preachers became drenched in sweat. More than strict scripture, the preachers are gifted improvisers able to vent for hours at a time. Brennan states, "Pastor Chris joked, 'You definitely don't want to hear me sing.' But, in fact, he is a gifted vocalist with singular phrasing." Like so much of the most classic music ever made, it sounds as if it is emanating from the past and the future simultaneously -- some parallel universe where instead of discovering amphetamines, The Damned found God (or maybe both) and became born again. The vinyl edition includes a long 13-minute bonus track and features a four-page booklet sporting stunning photos of the congregation's rituals in action.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
SR 575CD
|
$16.00
PREORDER
RELEASE DATE: 10/24/2025
That Wolf At The Door is a collaborative 2CD between Henry Kaiser (Califonia, USA; guitar) and P.ST (Prague, Czechia; electronics). The first CD That Wolf At The Door is a solo baritone guitar disc that pays a heartfelt tribute to the late science fiction author Gene Wolfe (May 7, 1931 -- April 14, 2019). The album is a testament to the decades-long friendship and mutual appreciation between Wolfe and Kaiser, two creative minds who shared a passion for pushing the boundaries of their respective art forms. With novels often as complex and extraordinary as Cecil Taylor's best piano playing, Wolfe is one of Kaiser's favorite writers of all time. On this disc, Kaiser's guitar storytelling and narratives were consciously and intentionally influenced by Wolfe's writing. The baritone guitar, with its longer scale length, typically larger body, and lower tuning than a regular guitar, is an intriguing instrument. It is often pitched halfway between the lowest note of a bass of a regular guitar, adding a unique depth and resonance to the sound. Henry Kaiser has been playing baritone guitars for over 30 years, and this is his second CD, after 2024's The Lost Chord, which is all baritone. The solos here are free-improvised, live, in real time, with no overdubbing. Various extended techniques, both manual and electronic, were employed to create polyphonic and orchestral textures. Many of Kaiser's musical heroes -- Terry Riley, Cecil Taylor, Derek Bailey, Iannis Xenakis, Rockette Morton, Conlon Nancarrow, Barry Guy, Rakotozafy, D'Gary, Evan Parker, and György Ligeti -- inspired the solos on this disc. The second CD Sea Of Memories is a solo electronic disc by P.ST, created exclusively from Henry Kaiser's guitar playing. P.ST is a performer/composer based in Prague. The first fifty minutes of Sea Of Memories are sourced from Henry Kaiser's solo guitar playing, which P.ST digitally decomposed and deconstructed. The second piece, "Pattern Of Joy," is an eight-minute guitar improvisation from Henry Kaiser processed by P.ST through thirty-two periodically delayed overlays that grew the piece into twenty-two minutes duration.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SSR 160LP
|
$26.00
PREORDER
RELEASE DATE: 10/24/2025
Introducing The Citadel to international audiences means re-introducing retro '60s aestheticism with a fresh touch of modern energy. The young quintet formed in the South German city of Erlangen in 2022 and built up their material through jams and experimentations. They have developed an almost two-hour live set of their own songs which evoke psychedelic rock, folk and an overall vintage flair transported by their warm charisma on stage. Touring all around the Nuremberg metropolitan region, The Citadel have now achieved several festival gigs all over the country while mixing their second studio album. Their 2024 debut album, The Foundation Cycle is now repressed by Subsound Records. With their roots in the psychedelic and progressive rock scene of the 1960s and '70s, The Citadel recorded their first complete musical statement in their drummer's studio, self-producing it and providing their own cover art. It is a fully self-made joint effort in transmitting vintage style sounds over new compositions. Blending psychedelic rock with folk and blues elements, narrative lyricism, electronic organ and flowing guitar solos, the result is unpolished, direct music: melodic, naïve, strange, full of groove and atmosphere -- take some time to listen in and enjoy! Also available on orange color vinyl (SSR 160LTD).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SSR 160LTD
|
$31.50
PREORDER
RELEASE DATE: 10/24/2025
Orange color vinyl version. Introducing The Citadel to international audiences means re-introducing retro '60s aestheticism with a fresh touch of modern energy. The young quintet formed in the South German city of Erlangen in 2022 and built up their material through jams and experimentations. They have developed an almost two-hour live set of their own songs which evoke psychedelic rock, folk and an overall vintage flair transported by their warm charisma on stage. Touring all around the Nuremberg metropolitan region, The Citadel have now achieved several festival gigs all over the country while mixing their second studio album. Their 2024 debut album, The Foundation Cycle is now repressed by Subsound Records. With their roots in the psychedelic and progressive rock scene of the 1960s and '70s, The Citadel recorded their first complete musical statement in their drummer's studio, self-producing it and providing their own cover art. It is a fully self-made joint effort in transmitting vintage style sounds over new compositions. Blending psychedelic rock with folk and blues elements, narrative lyricism, electronic organ and flowing guitar solos, the result is unpolished, direct music: melodic, naïve, strange, full of groove and atmosphere -- take some time to listen in and enjoy!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
SSR 163CD
|
$18.00
PREORDER
RELEASE DATE: 10/24/2025
For the Love, the Death and the Poetry is the fourth studio album by songwriter, singer, and guitarist Nero Kane. A folk liturgy that oscillates between yearnings for eternal love, fascination with death, and spectral poetry. Psychomagic mysticism, stripped-down blues, apocalyptic drones, guitar arpeggios, twilight ballads, shamanic rites, solemn organ, and string notes traverse the dark expanses of skeletal American deserts in an extended and obsessive ritual. Echoes of a romantic past evoke the eternal power of art and love in contrast to the ephemeral vanity of existence, in a journey of redemption through the blinding and dark lands of good and evil. Kane's dark folk-tinged vocals and guitars are accompanied by the mellotron and the voice of long-time collaborator and multi-talented artist Samantha Stella, creating a unique and personal style defined as cathartic, desert-like, disturbing, ritualistic, and psychedelic. References to the apocalyptic folk of Michael Gira/Jarboe/Swans, the gospel spirituality of Nick Cave, the perdition of Johnny Cash, the tragic poems of Nico -- evoked in Stella's icy spoken word, as highlighted by critics -- the visionary nature of Jodorowsky and the sick sound of Italian occult psychedelia, the latter being an element that characterizes. Also available on black (SSR 163LP) and white color vinyl (SSR 163LTD).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SSR 163LP
|
$26.00
PREORDER
RELEASE DATE: 10/24/2025
LP version. For the Love, the Death and the Poetry is the fourth studio album by songwriter, singer, and guitarist Nero Kane. A folk liturgy that oscillates between yearnings for eternal love, fascination with death, and spectral poetry. Psychomagic mysticism, stripped-down blues, apocalyptic drones, guitar arpeggios, twilight ballads, shamanic rites, solemn organ, and string notes traverse the dark expanses of skeletal American deserts in an extended and obsessive ritual. Echoes of a romantic past evoke the eternal power of art and love in contrast to the ephemeral vanity of existence, in a journey of redemption through the blinding and dark lands of good and evil. Kane's dark folk-tinged vocals and guitars are accompanied by the mellotron and the voice of long-time collaborator and multi-talented artist Samantha Stella, creating a unique and personal style defined as cathartic, desert-like, disturbing, ritualistic, and psychedelic. References to the apocalyptic folk of Michael Gira/Jarboe/Swans, the gospel spirituality of Nick Cave, the perdition of Johnny Cash, the tragic poems of Nico -- evoked in Stella's icy spoken word, as highlighted by critics -- the visionary nature of Jodorowsky and the sick sound of Italian occult psychedelia, the latter being an element that characterizes.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SSR 163LTD
|
$34.00
PREORDER
RELEASE DATE: 10/24/2025
LP version. Gatefold white vinyl. For the Love, the Death and the Poetry is the fourth studio album by songwriter, singer, and guitarist Nero Kane. A folk liturgy that oscillates between yearnings for eternal love, fascination with death, and spectral poetry. Psychomagic mysticism, stripped-down blues, apocalyptic drones, guitar arpeggios, twilight ballads, shamanic rites, solemn organ, and string notes traverse the dark expanses of skeletal American deserts in an extended and obsessive ritual. Echoes of a romantic past evoke the eternal power of art and love in contrast to the ephemeral vanity of existence, in a journey of redemption through the blinding and dark lands of good and evil. Kane's dark folk-tinged vocals and guitars are accompanied by the mellotron and the voice of long-time collaborator and multi-talented artist Samantha Stella, creating a unique and personal style defined as cathartic, desert-like, disturbing, ritualistic, and psychedelic. References to the apocalyptic folk of Michael Gira/Jarboe/Swans, the gospel spirituality of Nick Cave, the perdition of Johnny Cash, the tragic poems of Nico -- evoked in Stella's icy spoken word, as highlighted by critics -- the visionary nature of Jodorowsky and the sick sound of Italian occult psychedelia, the latter being an element that characterizes.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
STUDIOMUL 052EP
|
$24.00
PREORDER
RELEASE DATE: 10/24/2025
Studio Mule presents the latest release from one of Japan's most respected producers and musicians, Kuniyuki Takahashi. This new single was created with the atmosphere of our listening bar Studio Mule in mind, and showcases Kuniyuki's unmatched ability to bridge dance music with sophisticated musical expression. With this release, Studio Mule delivers an inspired response to the timeless legacy of ECM, while continuing to explore new musical horizons.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TMSLP 001LP
|
$53.50
PREORDER
RELEASE DATE: 10/24/2025
For the 25th anniversary of the release of Strange Attitude, TMS Records has decided to re-release the album in a deluxe version (new artwork by H5) on vinyl. The album features an acoustic version of "You Were Born" and an original remix of "Little Scare" by Todd Edwards.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
TRESOR 385EP
|
$17.50
PREORDER
RELEASE DATE: 10/24/2025
Irish techno producer, Kerrie, returns to Tresor Records with her second EP for the label. Entitled Echoes Of The Live Wire, this collection captures the beauty and essence of live performance; a moment in time never to be repeated. Layered meanings are employed throughout as Kerrie explores this idea: "Live Wire" draws connections between circuit boards and the human nervous system, whilst also toying with multiple meanings of the word "live". "Echoes Of" channels classic Detroit techno influences, resonating with the distant hum of memories that refuse to fade, while "Moment To Memory" is a beatless, floating piece which slowly builds to an ecstatic crescendo.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
VAMPI 332LP
|
$28.50
PREORDER
RELEASE DATE: 10/24/2025
This curated collection comprises hard-to-find salsa 45s from the Discos Fuentes vaults -- deep cuts that have long flown under the radar but still light up dance floors today. This compilation also includes a range of studio experiments and covers -- where artists like Piper Pimienta, Galileo y Su Banda, and La Integración reimagined beloved hits, from boleros to vallenatos, through a distinctly Colombian salsa lens. During the golden age of vinyl -- from the 1960s through the 1980s -- Colombia produced an astonishing number of 45 rpm records -- many of them not tied to full albums, that continue to surprise collectors and music lovers today. This abundance can be attributed to many factors: affordability, jukebox demand, radio promotion, or simply the joy of sharing a small musical token with a loved one. Whatever the reason, these little records traveled far and wide, sometimes ending up in distant countries -- especially Mexico -- carried by DJs, collectors, or pirate radio waves. They became cultural passports, spreading salsa, cumbia, son montuno, and more. These tracks, once pressed in small numbers, feature top tier musicianship, fiery brass, unforgettable grooves, and lyrical gems that reflect the rich diversity of Colombia's musical landscape. Every track tells a story -- of artistic ambition, social change, regional identity, or simple joy. Some were attempts at hits, others personal expressions or studio curiosities. What they share is an authenticity that continues to resonate. These obscure gems, long scattered across dusty crates and forgotten jukeboxes, now find new life. They speak not just to the past, but to a timeless rhythm that still moves dancers and dreamers alike. Featuring Super Combo Los Famosos, Sexteto Manaure, La Protesta De Colombia, Sonora Guantanamera, Orquesta Salsa Panamericana, La Integración, Galileo Y Su Banda, The Latin Brothers, Piper Pimienta Y Su Orquesta, and Fruko Y Sus Tesos.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
VAMPI 333LP
|
$28.50
PREORDER
RELEASE DATE: 10/24/2025
Hasabe is a thoughtfully curated collection of Ethio-groove recordings from one of the overlooked pioneers of 1970s Addis Ababa's vibrant music scene -- Ayalew Mesfin and his Black Lion Band. Expect trap drum kits, jazz big-band styled horn sections, funky guitars played through wah wah and fuzz pedals -- all seasoned with a unique Ethiopian touch. Reissued once again thanks to Vampisoul's collaboration with Now Again. Pressed on 180g vinyl. For many, the music created in 1970s Ethiopia will sound both familiar and alien: while the trappings of '70s Ethiopian music carry some aspects that those in the West will easily identify with the Ethiopian style of singing, and the modes in which the musicians move, may confound. Perhaps some who have delved into the instrumental Ethio-Jazz of Mulatu Astatke -- a well-known Ethiopian musical export, relatively unknown in his homeland -- will have a context in which to engage this great compilation of '70s Ethiopian music by Ayalew Mesfin. The music Mesfin created with his Black Lion Band is amongst the funkiest to arise from Addis Ababa; his recording career, captured in nearly two dozen 7" singles and numerous reel-to-reel tapes, shows the strata of the most fertile decade in Ethiopia's 20th century recording industry, when records were pressed constantly by both independent upstarts and corporate behemoths, even if they were only distributed within the confines of the unconquerable East African nation. Ayalew was forced underground by the Derg regime that took control of the country in 1974. Until recently, only four of Ayalew Mesfin's tracks had been reissued, appearing in the well-known Éthiopiques series. Hasabe marks the first comprehensive release of this powerful and long-overlooked body of work by an artist whose originality and resistance defined a genre: Ethio-groove. More than four decades later, this album offers the rare opportunity to rediscover a vital and beautiful chapter in global music history.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
VAMPI 45115EP
|
$15.50
PREORDER
RELEASE DATE: 10/24/2025
Alfredo "El Inca" Linares is one of the most talented and beloved musicians in salsa history. Fans are drawn to his piano playing for its authentic Cuban feel and swing, paired with progressive arrangements and bold, uncompromising phrasing reminiscent of Eddie Palmieri. Since the 1960s in Lima, Peru -- where his career first took off -- his records have consistently hit the mark: tight, sharp, and hard as hell. It's what salseros call salsa brava con afinque. His 1973 anthem, "Tiahuanaco," is widely considered one of Linares' greatest and most iconic tracks, receiving international releases at the time. Despite its undeniable dance floor appeal, this recording has never been released on a DJ friendly 45 -- until now.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
XBIT 010EP
|
$21.50
PREORDER
RELEASE DATE: 10/24/2025
Armed with just a laptop, Rico Puestel produced these tracks at beloved places around the world to capture the magic of the moment on-site!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
ZORN 074LP
|
$38.50
PREORDER
RELEASE DATE: 10/24/2025
Aguirre edition: Mastered by Helge Sten, Audio Virus, Oslo. Lacquers by Dubplates & Mastering. Liner Notes by Theaster Gates. LPs pressed on premium audiophile-quality vinyl at Pallas Records. Rich in musical associations yet utterly singular in its voice, joyous with an inner tranquility, the music of Natural Information Society is unlike any other being made today. Their sixth album in eleven years for eremite records, descension (Out of Our Constrictions) is the first to be recorded live, featuring a set from London's Cafe OTO with veteran English free-improv great Evan Parker, & the first to feature just one extended composition. The 75-minute performance, inspired by the galvanizing presence of Parker, is a sustained bacchanalia of collective ecstasy. You could call it their party album.
This was the second time Parker played with NIS. Joshua Abrams: "Both times we played compositions with Evan in mind. I don't tell Evan anything. He's a free agent."
The music is focused & malleable, energized & even-keeled, drawing on concepts of ensemble playing common to musics from many locations & eras without any one specific aesthetic realization completely defining it.
"The rhythms that Mikel plays are not an exact reference to Chicago house, but that's in there," Abrams says. "I like to take a cyclic view of music history, can we take that four-on-the-floor, & consider how it connects to swing-era music? Can we articulate a through line? I dee-jayed for years in Chicago & lessons I learned from playing records for dancing inform how I think about the group's music. The listener can make connections to aspects of soul music, electronic music, minimalism, traditional folk musics, & other musics of the diaspora as well. It's about these aspects coming together. I don't need to mimic something, I need to embody it to get to the spirit, to get to the living thing."
For jazz fans, the sound of Parker's soprano & Jason Stein's bass clarinet might evoke Coltrane & Dolphy, even though they didn't necessarily set out to do that & they play with complete individuality. Abrams sees a bridge to the historical precedent, too. "Since we first met in the 1990s, one of the things that Evan and I connected on was Coltrane's music," he says. "I hoped that we would tap into that sound world intuitively. In this case, I think that level of evocation adds another layer of depth, versus a layer of reference."
Indeed, this is a performance in which the connections among the ensemble & the creative tension between improvisation and composition build into a complex mesh of associations & interactions. While the band confines itself to the territory mapped out by Abrams' composition, they are remarkably attentive & responsive, making adjustments to Parker's improvisations. When Parker's intricate patterns of notes interweave with the band, the parts reinforce one another & the music rockets upward. Sometimes, Parker's lines are cradled by the group's gentle pulse & an unearthly lyrical balance is struck.
Drummer Mikel Patrick Avery is locked-in, playing with hellacious long-form discipline, feel & responsiveness. Jason Stein's animated, vocalized bass clarinet weaves in & out with Lisa Alvarado's harmonium to state the piece's thematic material; the pulsing tremolo on the harmonium brings a Spacemen 3 vibe to the party. Abrams ties together melody & rhythm on guimbri, a presence that leads without seeming to. Like his bandmates, he shifts modes of playing frequently, improvising & then returning to the composed structure.
"As specific as the composition is, the goal is to internalize it & mix it up," Abrams says. "The idea is to get so comfortable that we can make spontaneous changes, find new routes of activity, stasis & byways every gig. It's like a web we're spinning. If someone makes a move, we all aim to be aware of it, make room for it. Experiencing & listening is what it's about, & Evan supercharges that."
& "supercharged" is the word for this album. With Parker further opening up their music, descension (Out of Our Constrictions) is the sound of Natural Information Society growing both more disciplined and freer, one of the great bands of its time on a deep run.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ZORN 119CD
|
$20.00
PREORDER
RELEASE DATE: 10/24/2025
Announcing Perseverance Flow, the latest album from acclaimed Chicago-based ensemble Natural Information Society (NIS). After a trilogy of double LPs by expanded manifestations of the band that began in 2018 with Mandatory Reality & continued through Since Time Is Gravity (a Pitchfork Best Jazz & Experimental Album of the Year selection & Mojo's #1 Underground Album of 2023), NIS returns to its core formation of Lisa Alvarado on harmonium, Mikel Patrick Avery on drums, Jason Stein on bass clarinet, & composer/multi-instrumentalist Joshua Abrams on guimbri for one continuous 37 minute composition across a single LP. As the rocket boosters on spaceship earth sputter closer to burnout, lower your stylus into a soundfield that grows stronger the deeper you travel into it; a dose of the medicine many of us look to music to deliver awaits you inside. One of the deep contemplations of this natural information (thanks Bill Callahan) is the wide range of source materials Abrams draws from over the band's more than 15 year history: Ideas from minimalism, modal jazz & traditional musics are regularly reimagined in these compositions. The 2021 double LP descension (Out of Our Constrictions), with guest soloist Evan Parker, reflected aspects of Abrams' love of party music, Chicago house, & John Coltrane. *But even veteran travelers with the NIS best brace themselves for the Perseverance Flow. Speaking to the history & the inspirations behind the album, Abrams offers: "We played the piece for a year in concert before the recording. At Electrical (Audio Studios, Chicago) we went in at 11 & were done in time to pick our kids up from school." Abrams continues: "In a reference world, I imagine Perseverance Flow like a live extended realization of a Jaylib lost instrumental as remixed by Kevin Shields. Or vice versa. I also think it has sympathies to some of the more rhythmically intricate dance musics out of Chicago & Lisbon." The core NIS ensemble heard on Perseverance Flow always address Abrams' writing with the discipline of orchestra musicians & the creativity of improvisers. But this time around, instead of inviting living legend status musicians Evan or William Parker or Ari Brown as honored guests to solo freely over the composed materials, Abrams' invited guest collaborator was the medium of the recording studio itself. Situated at the board with engineer Greg Norman, Abrams pushed post production techniques found only sporadically on earlier NIS records deep into the heart of the music, distorting & reshaping instruments to subtly &, at times, aggressively mutate timbre & texture, color & time. Refracting the band's signature mesmerizing chains of overlapping rhythmic patterns through the sonic funhouse of dub makes Perseverance Flow the most formally experimental NIS album to date. Now a soundworld fully unique to itself is listening to itself, consoling & humoring itself, & consoling & humoring you. A destruction myth & a creation myth of a soundworld together at once -- "energetically nutritious" (October 2025 Issue 500 The Wire) supernatural information society.
"Perseverance Flow is skipping rope in slo-mo. A dance of co-operation to rally guts & humors & keep marching through pouring tears" (Abrams).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
Book
|
|
9781916359840
|
$42.00
PREORDER
RELEASE DATE: 10/28/2025
Paperback. 208 pages. "Album sleeve art from a transformative era in America's radical jazz culture, plus covers for recordings by Black poets, civil rights activists and experimental musicians. Just over 15 years ago, Soul Jazz Records' Gilles Peterson and Stuart Baker published Freedom, Rhythm & Sound, showcasing the stunning graphic works of independently published jazz record cover designs of the 1960s and 1970s from radical jazz musicians such as Sun Ra, John Coltrane, Pharoah Sanders and more. These artists reshaped the cultural landscape for African American musicians in the US, transforming the role of jazz musician from nightclub entertainer to artist. The artwork of their often self-produced record cover designs reflected their radical agenda, spiritual awareness and singular search for musical and personal freedoms. Following the success of the first volume, Freedom, Rhythm and Sound: Chapter Two features hundreds more of these beautiful and rare jazz record cover designs from the 1960s to the 1980s. In addition to spotlighting the radical jazz musicians of this time, this second volume branches out to feature record cover art of recordings by Black poets, civil rights speechmakers and other experimental pioneers."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ACTLP 8018LP
|
$21.00
PREORDER
RELEASE DATE: 10/31/2025
"British saxophonist, composer, and bandleader Emma Rawicz unveils Inkyra, her most personal and ambitious work to date. A rising star of the European jazz scene, Rawicz combines emotional depth with dazzling compositional craft. What began as a spark during a lesson at the Royal Academy of Music has grown into a full-fledged ensemble project -- the result of years of collaboration, growth, and shared musical vision. With her longstanding band of trusted collaborators, Inkyra captures the raw energy of live performance and the intimacy of close creative bonds."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ACTLP 8020LP
|
$21.00
PREORDER
RELEASE DATE: 10/31/2025
"Forget the boxes. Forget the rules. Just play. Two of the most compelling voices in modern jazz -- trumpeter Theo Croker and pianist Sullivan Fortner -- come together for a fearless duo album that strips everything down to pure, in-the-moment expression. No rehearsals. No pre-written compositions. No expectations. Just two master improvisers in total conversation, creating music that's alive, unfiltered, and utterly free. This is raw, boundary-breaking jazz at its most honest."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
BALMAT 019LP
|
$35.50
PREORDER
RELEASE DATE: 10/31/2025
"Two years after he first appeared on Balmat with 1977, Mike Paradinas returns with 1979. The sense of continuity between the two records is clear, and not just from their titles. Both capture the Planet Mu head venturing into the wilderness, seeking something -- half-formed memories, thoughts caught in midair -- in some of the most abstract, searching music he has released. Just like 1977, 1979 surveys a synth-heavy array of ethereal soundscapes, ominous crevasses, and strange, psychedelic fugues. Like its predecessor, the new album's atmospheric cast sets it apart from much of the work Paradinas has released as µ-Ziq on Planet Mu. It's not strictly an ambient record, but it's close, as close as this famously mutable artist ever comes to inhabiting a particular genre. Paradinas' inspiration for the record began on visits to the Spanish cities of Ávila and Majadahona, where his family hails from. That might account for the sense that there are spirits flitting through this music, presences you can intuit if not quite grasp. But 1979 is also a record to meet on your own terms, and to find your own meanings in. It's a stunning record, every track a world unto itself: the mysterious contours of "Majadahonda at Dawn"; the playful melodic fillips of "Clari"; the airy melancholy of "Galletas"; the full-scale breakbeat abandon (yes, you read that right) of "Houzz 14," the rarest of dancefloor detours for Balmat. There are echoes of classic braindance and isolationist ambient and golden-age IDM; there are easter eggs and recurring themes and hidden symmetries. Despite what the title might suggest, it's less a trip back in time than a portal to another universe, a destination for(to?) which only Mike Paradinas knows the exact coordinates." --Philip Sherburne
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
CS 013B-LP
|
$42.00
PREORDER
RELEASE DATE: 10/31/2025
LP version. Aluminum sleeve. A collaboration forged in the heart of the American Midwest, In The Earth Again unites Oklahoma City's noise rock institution Chat Pile with Texas/Oklahoma's visionary guitarist and composer Hayden Pedigo. What began as a casual split release idea spiraled into a thirty-six-minute album that threads their contrasting sensibilities into something entirely new. Pedigo's panoramic, primitive guitar, meets Chat Pile's industrial decay, creating a record that explores unknown emotional registers and atmospheric depth for both, In The Earth Again sounds like a post-apocalyptic transmission from rural nowhere. Instead of making concessions, the five artists work as a single unit, and each decision is made in support of the greater vision. The result is both intimate and expansive, a tribute to the modern wasteland. Cover art by Malcom Byers.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
CS 013CD
|
$16.00
PREORDER
RELEASE DATE: 10/31/2025
A collaboration forged in the heart of the American Midwest, In The Earth Again unites Oklahoma City's noise rock institution Chat Pile with Texas/Oklahoma's visionary guitarist and composer Hayden Pedigo. What began as a casual split release idea spiraled into a thirty-six-minute album that threads their contrasting sensibilities into something entirely new. Pedigo's panoramic, primitive guitar, meets Chat Pile's industrial decay, creating a record that explores unknown emotional registers and atmospheric depth for both, In The Earth Again sounds like a post-apocalyptic transmission from rural nowhere. Instead of making concessions, the five artists work as a single unit, and each decision is made in support of the greater vision. The result is both intimate and expansive, a tribute to the modern wasteland. Cover art by Malcom Byers.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
CS 013LP
|
$29.50
PREORDER
RELEASE DATE: 10/31/2025
LP version. A collaboration forged in the heart of the American Midwest, In The Earth Again unites Oklahoma City's noise rock institution Chat Pile with Texas/Oklahoma's visionary guitarist and composer Hayden Pedigo. What began as a casual split release idea spiraled into a thirty-six-minute album that threads their contrasting sensibilities into something entirely new. Pedigo's panoramic, primitive guitar, meets Chat Pile's industrial decay, creating a record that explores unknown emotional registers and atmospheric depth for both, In The Earth Again sounds like a post-apocalyptic transmission from rural nowhere. Instead of making concessions, the five artists work as a single unit, and each decision is made in support of the greater vision. The result is both intimate and expansive, a tribute to the modern wasteland. Cover art by Malcom Byers.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
CS 013O-LP
|
$31.50
PREORDER
RELEASE DATE: 10/31/2025
LP version. Indie retailers. A collaboration forged in the heart of the American Midwest, In The Earth Again unites Oklahoma City's noise rock institution Chat Pile with Texas/Oklahoma's visionary guitarist and composer Hayden Pedigo. What began as a casual split release idea spiraled into a thirty-six-minute album that threads their contrasting sensibilities into something entirely new. Pedigo's panoramic, primitive guitar, meets Chat Pile's industrial decay, creating a record that explores unknown emotional registers and atmospheric depth for both, In The Earth Again sounds like a post-apocalyptic transmission from rural nowhere. Instead of making concessions, the five artists work as a single unit, and each decision is made in support of the greater vision. The result is both intimate and expansive, a tribute to the modern wasteland. Cover art by Malcom Byers.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
CS 013S-LP
|
$31.50
PREORDER
RELEASE DATE: 10/31/2025
LP version. Silver color vinyl. A collaboration forged in the heart of the American Midwest, In The Earth Again unites Oklahoma City's noise rock institution Chat Pile with Texas/Oklahoma's visionary guitarist and composer Hayden Pedigo. What began as a casual split release idea spiraled into a thirty-six-minute album that threads their contrasting sensibilities into something entirely new. Pedigo's panoramic, primitive guitar, meets Chat Pile's industrial decay, creating a record that explores unknown emotional registers and atmospheric depth for both, In The Earth Again sounds like a post-apocalyptic transmission from rural nowhere. Instead of making concessions, the five artists work as a single unit, and each decision is made in support of the greater vision. The result is both intimate and expansive, a tribute to the modern wasteland. Cover art by Malcom Byers.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
3CD/1DVD
|
|
ECRUS 4005CD
|
$47.00
PREORDER
RELEASE DATE: 10/31/2025
NTSC format, Region 0. "Featuring Paul 'Sandy' Davis (lead vocals, 12-string guitar), Alan Cowderoy (lead guitar, vocals), Martin Kitcat (Mellotron, organ, piano, vocals), Tim Wheatley (bass, vocals) and Robert Lipson (drums), the band first came to prominence in 1968 when they supported The Who on tour. They recorded a single for Polydor Records before a support slot for King Crimson in 1969 led to them purchasing a mellotron and changing style. In 1970 their debut self-titled album appeared on the Vertigo label and the band were greeted with critical praise. This in turn led to Gracious! performing a set at the 1970 Isle of Wight Festival (joining a bill that featured Jimi Hendrix, The Doors, The Who, Family, ELP, The Moody Blues and many more). Their set was recorded and filmed but was to remain unreleased. In early 1971 the band recorded their second album at Olympic Studios. Originally entitled Supernova and perhaps their finest work, the band was dropped by Vertigo prior to its release. The recordings eventually received a belated release on Philips Records under the title This is Gracious! later in 1971. The Recordings 1970-1971 gathers together both albums and also includes a CD of the band's 1970 Isle of Wight Festival set and a multi-region DVD featuring the film of their Isle of Wight performance. The set also includes a lavishly illustrated booklet with many unseen photographs and a new essay with band interviews by Mike Barnes."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
EFFICIENT 046LP
|
$31.50
PREORDER
RELEASE DATE: 10/31/2025
A Place In My Memory Is All I Have To Claim is the new album by Australian atmospheric pop trio Hydroplane, the storied "offshoot" formed by three quarters of independent pop group, The Cat's Miaow. On this, their first music after two decades plus of radio silence, Andrew Withycombe, Kerrie Bolton, and Bart Cummings return to the gentle, close-quarters musical world they shared around the turn of the century. Recorded during 2024 in Melbourne and Ballarat, A Place In My Memory picks up the thread Hydroplane set down with its precursor, 2001's The Sound Of Changing Places, though you can hear echoes of their other releases, too, with Withycombe noting a through-line from the group's 1998 "Failed Adventure" single. There's little quite like A Place In My Memory, then or now, though. Fellow travelers might include Empress, The Ah Club, and further back, Young Marble Giants, Veronique Vincent (the muffled, ticking drum machine also makes me think of Robin Gibb
's Robin's Reign). There's also an umbilical to the bedroom-crafted electronica doing the rounds in the late nineties and early noughties. Hydroplane hint at this through their approach to songwriting, which often builds creatively around loops as structural devices. Through all this, the trio achieve an effortless, organic weightlessness across these nine lovely songs. Many feature Bolton's clear singing voice, drifting along, while guitars, keyboards, drum machines and loops tickertape away. The constituent parts fit together, but they also have a curiously detached quality -- think of abstract cloud formations sharing the same sky. Hydroplane and The Cat's Miaow often dealt in emotional ambiguity and uncertainty, and the uncertainty of the nostalgic. This was always one of the most appealing facets of their music, and A Place In My Memory is thus named perfectly. A beautiful collection of drowsy, sleepy pop, humble and quiet, but resolute in its craft, A Place In My Memory Is All I Have To Claim is dream work in practice; a lovely reintroduction.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
EMEGO 053X-LP
|
$40.00
PREORDER
RELEASE DATE: 10/31/2025
Widely regarded as one of the most uncompromising works in experimental noise, Kevin Drumm's Sheer Hellish Miasma is once again available on vinyl. First released on CD in 2002 on the original Mego label, the album remains a landmark in extreme electronic sound and is an essential and ferocious document of Drumm at his most inventive. The history of Drumm's Sheer Hellish Miasma is one of resilience to the twists of underground trends that have come and gone since its initial release. Using guitar, tape manipulation, microphones, pedals, analog synthesizers, and subtle computer processing, Sheer Hellish Miasma is an overwhelming experience: a sonic onslaught of storming feedback, fractured textures and an unrelenting energy. At once brutal and meticulously composed, the album offers a singular vision at the outermost edges of sound art. For seasoned noise veterans, Sheer Hellish Miasma offers a bracing soundscape filled with exquisitely abrasive textures and more than enough hidden detail to warrant repeated listening -- a distinct voice in the increasingly same-sounding world of abstract electronic noise. For everyone else, Drumm's journey through the noisy underworld is likely to inspire fear or, in an optimistic case, fearful admiration. Drumm's Sheer Hellish Miasma is an abstract noise classic with this 2LP reissue being an artefact of eternal power. Gatefold sleeve, gold pantone print. Includes hot foil stamping.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
FARO 252CD
|
$12.50
PREORDER
RELEASE DATE: 10/31/2025
Phylipe Nunes Araújo's songs are as rich and varied as the diverse landscapes they were written in. The hills of Pernambuco, the lagoons of Alagoas, and the beaches of Bahia are all woven into his stripped-back, folk-inspired Brazilian songwriting. As part of a wider movement of musicians originating from Brazil's Northeast, Phylipe sees the process of music-making as the search for beauty itself. Collaborating with fellow Northeastern artists Bruno Berle, Batata Boy, and Nyron Higor among others, Phylipe's debut album represents the latest flowering of this exceptionally talented community's creative search. Born in Caruaru, Pernambuco state, and raised in the city of Santa Cruz do Capibaribe, Phylipe describes his music simply as "Brazilian music from the Agreste of Pernambuco." His masterful compositions thread together regional rhythm, folk poetry and sophisticated harmony. Phylipe's musical foundations were laid in youth, listening to the local elders rehearsing their forrós, attending São João street parties in front of his house and watching the Junina Quadrilhas dance through his neighborhood. The tradition of Northeastern folk poetry proved particularly formative for Phylipe as a lyricist. Rich with extended chords and artful dissonances, it's clear from his compositions that jazz and bossa nova also took hold, but he's quick to eschew stereotypes. On the guitar Phylipe experiments with the binary rhythms inherent in traditional Northeastern music. Coco, frevo, maracatu and baião are recontextualized, placed alongside Brazilian popular music (MPB), gentle lullabies and stunning ballads. "In these ten songs, I am experimenting with making pop music on a nylon-string guitar with my foundation in the Northeastern songbook." The contemporary musical community which Phylipe belongs to developed initially in Pernambuco's neighboring state Alagoas. Phylipe lived in its capital Maceió for three years, where he built friendships and musical bonds with Bruno Berle and Batata Boy who together produced his album. Bruno also sings in unison with Phylipe on the duet "Valise," a song Phylipe wrote aged just 15. Other collaborators on the album include Alici, who provides vocals for the ebb and flow of "Temperim", Nyron Higor who plays drums on lead single "Asa" and the sweet indie moment "Ziz"", bassist Meno Del Picchia who plays on the mystical baião "Bixin" and the propulsive "Subindo a Ladeira", and Raphael Coelho who joins Bruno and Batata on percussion for "Santa Cruz", Phylipe's hypnotically powerful portrait of his hometown.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FARO 252LP
|
$28.00
PREORDER
RELEASE DATE: 10/31/2025
LP version. Phylipe Nunes Araújo's songs are as rich and varied as the diverse landscapes they were written in. The hills of Pernambuco, the lagoons of Alagoas, and the beaches of Bahia are all woven into his stripped-back, folk-inspired Brazilian songwriting. As part of a wider movement of musicians originating from Brazil's Northeast, Phylipe sees the process of music-making as the search for beauty itself. Collaborating with fellow Northeastern artists Bruno Berle, Batata Boy, and Nyron Higor among others, Phylipe's debut album represents the latest flowering of this exceptionally talented community's creative search. Born in Caruaru, Pernambuco state, and raised in the city of Santa Cruz do Capibaribe, Phylipe describes his music simply as "Brazilian music from the Agreste of Pernambuco." His masterful compositions thread together regional rhythm, folk poetry and sophisticated harmony. Phylipe's musical foundations were laid in youth, listening to the local elders rehearsing their forrós, attending São João street parties in front of his house and watching the Junina Quadrilhas dance through his neighborhood. The tradition of Northeastern folk poetry proved particularly formative for Phylipe as a lyricist. Rich with extended chords and artful dissonances, it's clear from his compositions that jazz and bossa nova also took hold, but he's quick to eschew stereotypes. On the guitar Phylipe experiments with the binary rhythms inherent in traditional Northeastern music. Coco, frevo, maracatu and baião are recontextualized, placed alongside Brazilian popular music (MPB), gentle lullabies and stunning ballads. "In these ten songs, I am experimenting with making pop music on a nylon-string guitar with my foundation in the Northeastern songbook." The contemporary musical community which Phylipe belongs to developed initially in Pernambuco's neighboring state Alagoas. Phylipe lived in its capital Maceió for three years, where he built friendships and musical bonds with Bruno Berle and Batata Boy who together produced his album. Bruno also sings in unison with Phylipe on the duet "Valise," a song Phylipe wrote aged just 15. Other collaborators on the album include Alici, who provides vocals for the ebb and flow of "Temperim", Nyron Higor who plays drums on lead single "Asa" and the sweet indie moment "Ziz"", bassist Meno Del Picchia who plays on the mystical baião "Bixin" and the propulsive "Subindo a Ladeira", and Raphael Coelho who joins Bruno and Batata on percussion for "Santa Cruz", Phylipe's hypnotically powerful portrait of his hometown.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
IN 278492CD
|
$19.00
PREORDER
RELEASE DATE: 10/31/2025
Jerome Froese's fourth solo album. Jerome Froese was a long-standing member of the legendary German electronic band Tangerine Dream, working as a composer and multi-instrumentalist from 1990 to 2006. During this period, he received seven Grammy nominations. As the son of Tangerine Dream founder Edgar Froese, who passed away in 2015, he carries on the musical DNA with independence and innovative spirit -- in his own unique way. Froese's solo works are characterized by his unmistakable trademark sound, which he himself describes as "guitartronica" -- a unique fusion of electronic sound structures and guitar-based textures. In addition to electronic elements, the album also features stylistic influences from the post-rock and dreampop genre, which lend the sound additional emotional depth and organic warmth.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
KK 139LP
|
$28.50
PREORDER
RELEASE DATE: 10/31/2025
Lilac is the first Donna Regina album since 2019's Transient. The world has changed considerably since then, which has also left its mark on the Berlin indie pop duo. "In Lilac, I imagine good ol' Earth as a big ol' bear shaking us off because it can't stand us anymore," says Regina Janssen. "It has become a serious album," Günther affirms, but he is also adamant that it is not a sad one. Musically, Donna Regina have remained true to the spirit of their early work, recently re-released by Karaoke Kalk: their arrangements are as minimalist as they are emotionally rich. Samples play a smaller role this time than on earlier albums, with analogue instruments such as a monophonic synthesizer and, above all, guitars coming to the fore again. This frames lyrics that are being delivered by Regina in German, English, or in both languages. They delve even further into the intricacies of urban life. Starting with the ominous sounds of "Whole World In My Town," through the dreamscapes of "Autumn In Paris," to the elegiac conclusion of "No More Roses," Regina and Günther Janssen move through different timbres and styles with a few select means. Their preference for minimalist electronics becomes evident at times, while elsewhere the pieces open up to balladic arrangements in which the guitar plays a leading role. This turns Lilac into a city by itself, the songs forming its soundscape: every neighborhood looks different, every street has its own character.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MIA 061LP
|
$43.00
PREORDER
RELEASE DATE: 10/31/2025
Erik K Skodvin summons his alter ego Svarte Greiner for a dive into the dark, wintery Swedish forest with the score to the psychological thriller/horror film From Darkness (orig: Ur Mörkret). The film is director Philip W. Da Silva's debut and is set largely at night, deep in a Swedish nature reserve where mining used to take place. Loss, mental health and Nordic mythology come together in a story that revolves around the search for a missing woman. The score follows an eclectic and atmospheric path throughout the narrative with an uneasy underlaying vibe; although one with occasional points of refuge in the otherwise vast darkness. There is a gloomy, barely tangible sound of Nordic folk tradition buried in the music, even if it comes across in a different, more abstract way, where the various instruments are often used more as sound sources that are improvised (and abused) into becoming their own element. Skodvin performed and recorded the majority himself. In addition, he commissioned free improviser Axel Dörner to participate with his unique, custom-built electro-acoustic interface, which, along with Claudio Puntin's processed reeds and additional electronics, has been built into the elaborate backdrops to create an entire world that balances on the border between the approachable and the elusive - not unlike the journey of the protagonists. Skodvin's partner in Deaf Center, Otto A Totland, appears on piano in the stand out piece "What have you become?" The result is a harrowing yet deeply melancholic journey through the human psyche. One that echoes through the dark forests, cabins and lost mines of the desolate Swedish woodlands. The vinyl is released in an edition of 150 numbered copies, with screen-printed artwork on black cardboard inside a screen-printed PVC sleeve, incl. Riso-printed insert with liner notes by Mike Lazarev. 180g vinyl.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
MORR 205CD
|
$17.50
PREORDER
RELEASE DATE: 10/31/2025
Anushka Chkheidze and Robert Lippok's Uncontrollable Thoughts on Morr Music is the duo's debut joint release. The Netherlands-based Georgian composer and the German sound artist from Berlin first met in 2019 in the context of a workshop program that took place in Tbilisi, and later worked with Eto Gelashvili, Hayk Karoyi, and Lillevan on the massive Glacier Music II music and book project, released in 2021. This led them to engage in a less conceptually driven form of musicking and real-time composition that corresponds with their respective environments. They draw on traditions such as minimal music or late 1990s and early 2000s electronica to integrate subtle beats with elegiac organ drones, playful melodies with lush textures. The first document of an ever-shifting intergenerational dialogue, Uncontrollable Thoughts is a product of mutual listening outside time. Though Chkheidze and Lippok had access to professional studios, they chose to rent a simple rehearsal space, equipped with only the bare essentials -- bass and guitar amps as well as a small PA -- to maintain immediacy in their working process. The music they made together corresponded to and drew on the respective possibilities and shortcomings of this studio, much like their collaboration in general is characterized by the care with which they approach each other's talents and ideas. While both had loosely defined roles -- Chkheidze was responsible for the free-flowing beat programming and the evocative distortion came courtesy of Lippok, for example -- they individually contributed in different ways to their joint process, which is as free of hierarchies as it is limitless. Hence, the duo's focus on spontaneity and out-of-the-moment emergence makes them organically move beyond tried and tested conventions, resulting in music that seems to suspend time altogether. While there is much that sets Chkheidze and Lippok apart as solo artists, the major shared leitmotif in their respective bodies of work is the sonic engagement with space. Uncontrollable Thoughts is hence best understood as an extension of this practice; as an album that maps the geographies of their minds in motion, tracing musical movements as they melt into each other.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MORR 205LP
|
$35.50
PREORDER
RELEASE DATE: 10/31/2025
LP version. Yellow color vinyl. Anushka Chkheidze and Robert Lippok's Uncontrollable Thoughts on Morr Music is the duo's debut joint release. The Netherlands-based Georgian composer and the German sound artist from Berlin first met in 2019 in the context of a workshop program that took place in Tbilisi, and later worked with Eto Gelashvili, Hayk Karoyi, and Lillevan on the massive Glacier Music II music and book project, released in 2021. This led them to engage in a less conceptually driven form of musicking and real-time composition that corresponds with their respective environments. They draw on traditions such as minimal music or late 1990s and early 2000s electronica to integrate subtle beats with elegiac organ drones, playful melodies with lush textures. The first document of an ever-shifting intergenerational dialogue, Uncontrollable Thoughts is a product of mutual listening outside time. Though Chkheidze and Lippok had access to professional studios, they chose to rent a simple rehearsal space, equipped with only the bare essentials -- bass and guitar amps as well as a small PA -- to maintain immediacy in their working process. The music they made together corresponded to and drew on the respective possibilities and shortcomings of this studio, much like their collaboration in general is characterized by the care with which they approach each other's talents and ideas. While both had loosely defined roles -- Chkheidze was responsible for the free-flowing beat programming and the evocative distortion came courtesy of Lippok, for example -- they individually contributed in different ways to their joint process, which is as free of hierarchies as it is limitless. Hence, the duo's focus on spontaneity and out-of-the-moment emergence makes them organically move beyond tried and tested conventions, resulting in music that seems to suspend time altogether. While there is much that sets Chkheidze and Lippok apart as solo artists, the major shared leitmotif in their respective bodies of work is the sonic engagement with space. Uncontrollable Thoughts is hence best understood as an extension of this practice; as an album that maps the geographies of their minds in motion, tracing musical movements as they melt into each other.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MPIORIG 002LP
|
$30.50
PREORDER
RELEASE DATE: 10/31/2025
Filippo Diana's The Haunted Palace is the second album of unreleased tracks published by Musica Per Immagini, or a sort of soundtrack for an imaginary horror film set in a bloody past, inspired by the book The Case of Charles Dexter Ward by Howard Phillips Lovecraft. The artist formerly known as Joe Drive used analog and digital synthesizers, as well as microphones and computers, to describe in notes the ancestral practices of resurrection of the dead accomplished by a shy and unsuspected character, who slowly transforms into an alien, inspiring both fright and terror. Limited edition of 300 copies.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
N 102LP
|
$32.00
PREORDER
RELEASE DATE: 10/31/2025
The Alien Dub Orchestra is ragtag collective of Bavarian musicians, featuring members of The Notwist and G.Rag y los hermanos Patchekos. The cohort formed around the idea of performing the standards of the fabled Breadminster Songbook, aka the back-catalogue of lone dubman Elijah Minnelli. Minnelli is known for constructing wheezy, forlorn odes to his hometown, both as highly sought-after self-released 7" singles, and a critically-acclaimed debut album, Perpetual Musket for FatCat Records, lauded by the likes of The Guardian, The Wire, and The Quietus. Plays the Breadminster Songbook finds group covering Minnelli's cumbia-infused dub reggae with full band, playing an eclectic array of instruments including: guiro, accordion, melodica, sousaphone, trumpet and assorted percussion. The seeds of the Alien Dub Orchestra were sown during a support gig for The Notwist, where assorted musicians joined Minnelli for an encore, reinterpreting one of his dub remixes across woodwind, brass and assorted percussion. Despite the non-traditional origins of the source material, the inherent musicality of Minnelli's songwriting shines through across his releases, and this creative kinship is what attracted the Orchestra to reimagining his work. The first live collaboration led to recording sessions and further gigs, with the Orchestra building a full set of Minnelli's music. The resulting album puts forward the strongest case yet of the shared musical throughline between the acts, where cumbia, dub and folk sensibilities coalesce to something altogether unique. The tracks are wrought new, with melodies fleshed out and broader instrumentation expanding the sonic possibilities of the compositions. For these dubs, Minnelli is joined by Raimund Wong, who had caught his ear with his ambitious live sets, a daisy chain of tape machines and FX pedals. Again, despite their differing creative processes, the two bonded over a shared love of dub music.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
NRT 025CD
|
$24.00
PREORDER
RELEASE DATE: 10/31/2025
"Formed in the early 1970s, The Residents have now been charting a unique path through the musical landscape for over half a century now. From far-out, experimental recordings to highly conceptual, innovative multi-platform projects, the band refuses to stand still, and continues to move in several different directions at once. But you already knew that. Combining new RDX mixes produced by The Residents using their original multitrack tapes under lockdown conditions during 2020, and a number of tapes placed by Hardy Fox in a part of the band's storage complex re-discovered in 2023, Leftovers brings together the Leftovers Again?! Record Store Day trilogy, alongside extra leftovers which The Residents couldn't fit onto those vinyl only releases. Featuring alternate versions and lost tracks from The Residents' 'classic' 1970s period, the lost Man album music, Mole Trilogy outtakes, alternate versions of 'God In 3 Persons' material and even evidence of a brief 'jazz phase' Leftovers is a treasure trove for fans of this remarkable, chameleonic band at their best preserved for future generations."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
PLD 047EP
|
$20.00
PREORDER
RELEASE DATE: 10/31/2025
Ian Pooley brings back his timeless classic "Higgledy Piggledy!" with a fresh reissue on his own label, PooledMusic. Following the re-release of his landmark 2000 album Since Then, it marks the beginning of a dedicated series revisiting key moments from his catalogue. A true collector's item and dancefloor weapon, freshly pressed for a new generation of house lovers.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
QUINTESSE 097EP
|
$19.00
PREORDER
RELEASE DATE: 10/31/2025
Andy Ash is a long-time contributor to the sound of Quintessentials. The Liverpudlian shows superb diversity on his new EP Silent Planet. The opener, "Patch 2," is a stripped down masterpiece of dub techno and a perfect club tool. "Hross" can be called acid house. The B-side shows more of a relaxed vibe with the beautiful string-laded "Franco alley" and the smooth low BPM track "Yellow." This silent planet has something to say and shows great variety of styles and Andy's skills as a producer -- and yes, all AA releases have his own artwork!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SFTS 010LP
|
$27.00
PREORDER
RELEASE DATE: 10/31/2025
Originally released in 1975 during the so called "Italian Years Of Lead", Angoscia endorses all of the subliminal and controversial emotions of the time with a series of ethereal yet mysterious sketches. It is possibly one of the most intense and obscure release by famous Morricone alumni and collaborator Alessandroni. His guitar is the leading voice here, with several cloudy synth arpeggios, classical piano chords and solemn string sections. A dark feel surrounds the opera overall: a true gem ranked between the most confrontational of the Italian library genre.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SFTS 010T-LP
|
$29.50
PREORDER
RELEASE DATE: 10/31/2025
Color vinyl version. Originally released in 1975 during the so called "Italian Years Of Lead", Angoscia endorses all of the subliminal and controversial emotions of the time with a series of ethereal yet mysterious sketches. It is possibly one of the most intense and obscure release by famous Morricone alumni and collaborator Alessandroni. His guitar is the leading voice here, with several cloudy synth arpeggios, classical piano chords and solemn string sections. A dark feel surrounds the opera overall: a true gem ranked between the most confrontational of the Italian library genre.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SOD 141LP
|
$28.50
PREORDER
RELEASE DATE: 10/31/2025
Developed over three years across residencies, tours, and periods of deep listening, Your Whistle Tells of Landscape finds Australian sound artist Alexandra Spence continuing her investigations into the perceptual entanglements of sound, place, memory, and imagination. Like much of the artist's work, it unfolds at the liminal edge between the real and the imagined -- between what is heard and what is remembered. Composed from a constellation of materials gathered across sites and seasons -- snowscapes recorded in Vancouver, insect choruses from a Sydney backyard, ceramic fragments unearthed while mudlarking with tinysound -- it renders an intimate cartography of experience: one shaped equally by ecological resonance and internal drift. Each piece traces a kind of imaginary geography, where sonic ephemera become proxies for topography, weather, or myth. The album is informed by time spent at EMS (Stockholm) and MESS (Melbourne), where Spence deepened her engagement with microtonality and tuned feedback systems, and by dialogues with sympathetic artists such as Tashi Wada and Patrick Farmer. Sound materials were sourced from Serge Modular systems, a custom lyre built by Tim Wall, amplified objects, handmade electronics, and Spence's own field recordings captured within rockpools, beneath sand, and among a flock of sheep in the French Pyrenees. On "Magenta," a collaboration with Delphine Dora, the domestic and mythic intertwine, as layers of voice, environmental recordings, and Halldorophone feedback drift in and out of one another like overlapping weather systems. Despite its diverse material palette, the album resists spectacle or accumulation. Instead, it moves with a quiet sense of continuity and a rich interiority -- less a sequence of compositions than a set of situated attunements. Across its duration, sounds seem to murmur, glint, or hover right at the edge of presence, invoking a listening practice that is as much about orientation as it is about reception. These are pieces not simply about place, but of place -- etched with the grains of time, vibration, and breath.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SODA 018LP
|
$28.50
PREORDER
RELEASE DATE: 10/31/2025
Mister Water Wet returns to Soda Gong with Things Gone and Things Here Still, an album that radically expands the project's purview while preserving the homespun warmth and oblique tactility that have long defined Iggy Romeu's work. Where earlier records tilted toward the dusty swing of sample-based beatcraft or spectral minimalist jazz, here Romeu opens the frame to a more ensemble-minded approach, inviting a stellar cast of supporting musicians, including SG alumni Memotone and K. Freund, into the fold. The result is an album that feels both broader and more intimate, with live instrumentation such as piano, strings, and reeds woven into MWW's signature lattice of hand percussion, production sleights, and slippery time signatures. Acoustic and electronic textures bend toward each other like plants angling for the same light: bowed strings blur into vaporous pads, brushed drums scatter under riffing guitars, a horn phrase lingers in the same space as a cracked cassette loop. A tension between decay and presence -- the "things gone" and the "things here still" -- runs throughout the record. At times, the music evokes a chamber session refracted through waterlogged tape; at others, it recalls the afterimage of a hip-hop instrumental slowed into an oneiric haze. In the world of MWW, memory functions less as nostalgia and more as a living fabric -- mutable and resonant. Things Gone and Things Here Still finds Iggy Romeu at his most expansive, offering up a generous record of open spaces and porous boundaries. Also featuring more eaze, Ben Bondy, and Sleepdial. Die-cut sleeve, gloss laminate finish. Includes download code.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
SV 104CD
|
$25.00
PREORDER
RELEASE DATE: 10/31/2025
"Difficult as it may be to imagine, there was a time when Sun City Girls did not exist. Prior to the Bishop brothers teaming up with drummer/shaman Charlie Gocher to form SCG's classic trio lineup, there were various ad-hoc assemblages of local Phoenix-area freaks and weirdos -- groups which existed only long enough to play a single gig, open mic or house party before disbanding without a trace. Hatched from this milieu was Paris 1942, a short-lived band formed by guitarist Jesse Srogoncik that included Alan Bishop, Richard Bishop, and former Velvet Underground drummer Maureen Tucker. Paris 1942 would play only four shows in as many months, but between April and August of 1982, the band would gather several times a week in Tucker's living room, where the group feverishly wrote and rehearsed with a kind of quotidian discipline. While P42 didn't release anything during their brief tenure, a 7" EP and LP (both self-titled) surreptitiously surfaced on the Majora label in the mid to late '90s. Until now, those two titles -- as well as an appearance on Placebo's Amuck comp in late '82 -- would be the only documented evidence that this improbable, serendipitous and magnificent band ever existed. While those expecting P42's music to sound like a tantalizing combination of Sun City Girls' iconoclastic hoodoo havoc and the Velvets' primal drug-chug certainly won't be disappointed, Paris 1942 more often than not transcends even these nearly impossible expectations. Srogoncik's songs, in particular, are a revelation, displaying as much in common with the exuberant raunch of The Gun Club and the chapbook punk of Peter Laughner as they do any of the more obvious touchstones."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
SV 104LP
|
$36.00
PREORDER
RELEASE DATE: 10/31/2025
Double LP version. "Difficult as it may be to imagine, there was a time when Sun City Girls did not exist. Prior to the Bishop brothers teaming up with drummer/shaman Charlie Gocher to form SCG's classic trio lineup, there were various ad-hoc assemblages of local Phoenix-area freaks and weirdos -- groups which existed only long enough to play a single gig, open mic or house party before disbanding without a trace. Hatched from this milieu was Paris 1942, a short-lived band formed by guitarist Jesse Srogoncik that included Alan Bishop, Richard Bishop, and former Velvet Underground drummer Maureen Tucker. Paris 1942 would play only four shows in as many months, but between April and August of 1982, the band would gather several times a week in Tucker's living room, where the group feverishly wrote and rehearsed with a kind of quotidian discipline. While P42 didn't release anything during their brief tenure, a 7" EP and LP (both self-titled) surreptitiously surfaced on the Majora label in the mid to late '90s. Until now, those two titles -- as well as an appearance on Placebo's Amuck comp in late '82 -- would be the only documented evidence that this improbable, serendipitous and magnificent band ever existed. While those expecting P42's music to sound like a tantalizing combination of Sun City Girls' iconoclastic hoodoo havoc and the Velvets' primal drug-chug certainly won't be disappointed, Paris 1942 more often than not transcends even these nearly impossible expectations. Srogoncik's songs, in particular, are a revelation, displaying as much in common with the exuberant raunch of The Gun Club and the chapbook punk of Peter Laughner as they do any of the more obvious touchstones."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SYNAPTIC 003LP
|
$28.50
PREORDER
RELEASE DATE: 10/31/2025
The 85-year-old video game queen and film composer pdqb (born on November 14, 1939) delivers a beautiful love letter to your boomer childhood, a wild ride through the golden age of video gaming. Hear how she dodges bullets, jumps over cosmic chasms, beats bosses, reaches bonus stages, uses cheat codes and even her last continue -- just to stay in a world of pixels and vectors forever. pdqb will bring you back all those fond memories of unburdened joy that you might have lost while growing up. She could be your savior. Synaptic Cliffs is filled with otherworldly pride to present these 14 timeless masterpieces to its beloved listeners.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
THRILL 637CD
|
$14.50
PREORDER
RELEASE DATE: 10/31/2025
"claire rousay's music cascades from a well of documented experience, reflections of the past that compose the present. A prolific multi-instrumentalist, producer, and composer, rousay gracefully crafts boundaryless music. From her frequent and acclaimed collaborations with artists like M. Sage, more eaze, Gretchen Korsmo, Andrew Weathers, LEYA, and Alex Cunningham, to her film scoring like on The Bloody Lady. From her own compositions to her solo pop work, rousay's music is delicate yet powerful, carefully constructed with a casual intimacy. rousay collages a wealth of found sounds and field recordings with earthy strings, stately piano, and processed instrumentation, all of which trace the outlines of memories and distinct impressions and create a complex constellation of feeling. rousay's music has evolved from confessional to conversational and excavates the rich emotional essence of each passage. Her work as both archivist and adept arranger and orchestrator merge sublimely into deeply honest and engrossing music. On a little death, rousay's blend of pop sensibility and compositional acumen turn abstracted sounds into tangible feelings, its warm, glimmering glow coalescing sensually with the darkness. The process of composing a little death felt like a homecoming for rousay after the more pop-oriented song forms of 2024's sentiment. 'sentiment was a different way of working that helped refresh my music making habits and usual flow,' rousay notes. 'This record is a return to what I see as my core solo practice, a re-dedication to those methods of working which I've found most align with what I envision my music or sound to be.' Intended as a part of a trilogy along with a heavenly touch and a softer focus, the pieces on a little death sprout from a wellspring of tactile samples and granularly processed sounds. The use of sounds recorded from her life outside of the studio remains a throughline in her work. While the previous two albums used field recordings as the primary sound source or central figure in the compositions, here they act more as springboards, timbrally intertwining with live instruments like additional voices in a chamber ensemble."
"Pop at its most fragile, attenuated and surreal." --New York Times
"a fantastic tour de force -- a musical antidote to numbness." --Rolling Stone
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
THRILL 637LP
|
$25.00
PREORDER
RELEASE DATE: 10/31/2025
LP version. "claire rousay's music cascades from a well of documented experience, reflections of the past that compose the present. A prolific multi-instrumentalist, producer, and composer, rousay gracefully crafts boundaryless music. From her frequent and acclaimed collaborations with artists like M. Sage, more eaze, Gretchen Korsmo, Andrew Weathers, LEYA, and Alex Cunningham, to her film scoring like on The Bloody Lady. From her own compositions to her solo pop work, rousay's music is delicate yet powerful, carefully constructed with a casual intimacy. rousay collages a wealth of found sounds and field recordings with earthy strings, stately piano, and processed instrumentation, all of which trace the outlines of memories and distinct impressions and create a complex constellation of feeling. rousay's music has evolved from confessional to conversational and excavates the rich emotional essence of each passage. Her work as both archivist and adept arranger and orchestrator merge sublimely into deeply honest and engrossing music. On a little death, rousay's blend of pop sensibility and compositional acumen turn abstracted sounds into tangible feelings, its warm, glimmering glow coalescing sensually with the darkness. The process of composing a little death felt like a homecoming for rousay after the more pop-oriented song forms of 2024's sentiment. 'sentiment was a different way of working that helped refresh my music making habits and usual flow,' rousay notes. 'This record is a return to what I see as my core solo practice, a re-dedication to those methods of working which I've found most align with what I envision my music or sound to be.' Intended as a part of a trilogy along with a heavenly touch and a softer focus, the pieces on a little death sprout from a wellspring of tactile samples and granularly processed sounds. The use of sounds recorded from her life outside of the studio remains a throughline in her work. While the previous two albums used field recordings as the primary sound source or central figure in the compositions, here they act more as springboards, timbrally intertwining with live instruments like additional voices in a chamber ensemble."
"Pop at its most fragile, attenuated and surreal." --New York Times
"a fantastic tour de force -- a musical antidote to numbness." --Rolling Stone
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
THRILL 637X-LP
|
$27.00
PREORDER
RELEASE DATE: 10/31/2025
LP version. Sunflare color vinyl. "claire rousay's music cascades from a well of documented experience, reflections of the past that compose the present. A prolific multi-instrumentalist, producer, and composer, rousay gracefully crafts boundaryless music. From her frequent and acclaimed collaborations with artists like M. Sage, more eaze, Gretchen Korsmo, Andrew Weathers, LEYA, and Alex Cunningham, to her film scoring like on The Bloody Lady. From her own compositions to her solo pop work, rousay's music is delicate yet powerful, carefully constructed with a casual intimacy. rousay collages a wealth of found sounds and field recordings with earthy strings, stately piano, and processed instrumentation, all of which trace the outlines of memories and distinct impressions and create a complex constellation of feeling. rousay's music has evolved from confessional to conversational and excavates the rich emotional essence of each passage. Her work as both archivist and adept arranger and orchestrator merge sublimely into deeply honest and engrossing music. On a little death, rousay's blend of pop sensibility and compositional acumen turn abstracted sounds into tangible feelings, its warm, glimmering glow coalescing sensually with the darkness. The process of composing a little death felt like a homecoming for rousay after the more pop-oriented song forms of 2024's sentiment. 'sentiment was a different way of working that helped refresh my music making habits and usual flow,' rousay notes. 'This record is a return to what I see as my core solo practice, a re-dedication to those methods of working which I've found most align with what I envision my music or sound to be.' Intended as a part of a trilogy along with a heavenly touch and a softer focus, the pieces on a little death sprout from a wellspring of tactile samples and granularly processed sounds. The use of sounds recorded from her life outside of the studio remains a throughline in her work. While the previous two albums used field recordings as the primary sound source or central figure in the compositions, here they act more as springboards, timbrally intertwining with live instruments like additional voices in a chamber ensemble."
"Pop at its most fragile, attenuated and surreal." --New York Times
"a fantastic tour de force -- a musical antidote to numbness." --Rolling Stone
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
THRILL 641X-LP
|
$27.00
PREORDER
RELEASE DATE: 10/31/2025
Purple color vinyl. "Holy Sons is the largely solo project of Emil Amos (Grails, Om, Lilacs & Champagne). Puritan Themes is his 17th album and his 4th for Thrill Jockey Records and a tentpole album in his wide-ranging output, including myriad private press LPs, collections of oddities, and conceptual series. Puritan Themes relaxed vibes are influenced by the laid-back west coast rock sound of mid-period Fleetwood Mac, blended with a dose of psych distortion and imbued with the breeziness and ease of yacht rock. Puritan Themes is a record that knowingly, barely fits into the modern world. When mixing the record in Chicago, everyday Amos skated through Douglass Park listening to podcasts about the inner workings of The Band, listened to '70s AM radio while washing dishes and went to sleep at night to early Bee Gees interviews. The earliest concept of the record was based around the track 'Chain Gang' which was an imaginary take on if Cat Stevens had smoked a ton of salvia and taken a much darker route within that world of dense, story-telling/message-based songwriting. The track 'Raw & Disfigured' borrows its name from the last Thrill Jockey Holy Sons record, in a referential move that's stolen from the way Led Zeppelin separated the track 'Houses of the Holy' from the record of the same name (once again harkening back to '70s lore)."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
TR 600CD
|
$16.50
PREORDER
RELEASE DATE: 10/31/2025
Following acclaimed outings About Love and Loving Again (TR 468CD, 2020) and Hold Your Love Still (TR 550CD 2023), Christian Kjellvander returns with Ex Voto/The Silent Love, a quietly devastating and profoundly intimate record that completes an unofficial trilogy exploring love in its most tender, conflicted, and spiritual forms. Originally conceived as an album of ten soft, calm country songs, Ex Voto gradually evolved into something more expansive, yet the embryo of that intention remains, pulsing gently beneath every track. The record opens with two stripped-back songs, flows into a louder, more dynamic center piece, then drifts back into stillness, mirroring the emotional journey of its creation. As with its predecessors, Ex Voto continues Christian's exploration of themes like love, religion, the natural world, and beauty, subjects he approaches with poetic precision and emotional depth. But this album goes deeper. It is more intimate, more raw. Christian was in a different place when he began writing it, and while the gravitational center of his artistry remains constant, that personal shift colors the entire record. Recorded live over a few days in an old summer house by the sea at Sweden's southern tip, the album captures the breath and quiet of a room where no headphones were needed, where vocals bleed into the space through a PA, and every creak of the floorboards became part of the sound. The specters of each voice and instrument haunt the multi-tracks like spirits lingering in a deep desert night. It's romantic and cinematic, a kind of small-town noir transposed from the Texan wilderness to the Swedish coast. At the heart of the record is Kjellvander's deep, expressive baritone and lyrical clarity, surrounded by a sparse yet richly textured palette: brush drums, bass clarinet, mournful cornet, Rhodes, synths, and the haunting counterpoint of female vocals. Producer Tobias Fröberg focused on the scale of Christian's voice and the gravity of his words, using reverb to lend a hyper-real quality to the album's mood. The sound is different to its predecessors, and so was the recording process -- just players in a room, leaning into the silence between sounds. The result is a document of presence: atmospheric, unguarded, and emotionally resonant. Ex Voto/The Silent Love is a record that inspires patience. It's not to be consumed, but sat with, like a long conversation late into the night.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TR 600LP
|
$26.00
PREORDER
RELEASE DATE: 10/31/2025
LP version. Following acclaimed outings About Love and Loving Again (TR 468CD, 2020) and Hold Your Love Still (TR 550CD 2023), Christian Kjellvander returns with Ex Voto/The Silent Love, a quietly devastating and profoundly intimate record that completes an unofficial trilogy exploring love in its most tender, conflicted, and spiritual forms. Originally conceived as an album of ten soft, calm country songs, Ex Voto gradually evolved into something more expansive, yet the embryo of that intention remains, pulsing gently beneath every track. The record opens with two stripped-back songs, flows into a louder, more dynamic center piece, then drifts back into stillness, mirroring the emotional journey of its creation. As with its predecessors, Ex Voto continues Christian's exploration of themes like love, religion, the natural world, and beauty, subjects he approaches with poetic precision and emotional depth. But this album goes deeper. It is more intimate, more raw. Christian was in a different place when he began writing it, and while the gravitational center of his artistry remains constant, that personal shift colors the entire record. Recorded live over a few days in an old summer house by the sea at Sweden's southern tip, the album captures the breath and quiet of a room where no headphones were needed, where vocals bleed into the space through a PA, and every creak of the floorboards became part of the sound. The specters of each voice and instrument haunt the multi-tracks like spirits lingering in a deep desert night. It's romantic and cinematic, a kind of small-town noir transposed from the Texan wilderness to the Swedish coast. At the heart of the record is Kjellvander's deep, expressive baritone and lyrical clarity, surrounded by a sparse yet richly textured palette: brush drums, bass clarinet, mournful cornet, Rhodes, synths, and the haunting counterpoint of female vocals. Producer Tobias Fröberg focused on the scale of Christian's voice and the gravity of his words, using reverb to lend a hyper-real quality to the album's mood. The sound is different to its predecessors, and so was the recording process -- just players in a room, leaning into the silence between sounds. The result is a document of presence: atmospheric, unguarded, and emotionally resonant. Ex Voto/The Silent Love is a record that inspires patience. It's not to be consumed, but sat with, like a long conversation late into the night.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
TROST 266CD
|
$16.50
PREORDER
RELEASE DATE: 10/31/2025
The fiery Portuguese tenor saxophonist Rodrigo Amado returns with the sophomore album from his multigenerational quartet the Bridge, spanning modern jazz history with a deeply experienced line-up: German free jazz pioneer Alexander von Schlippenbach on piano, veteran Swiss-based American Gerry Hemingway on drums, and the explosive Norwegian Ingebrigt Håker Flaten on bass. Amado's Bridge is the span linking the spirit of improvisation Rollins applied to composed music and modern free improvisation. For Portuguese tenor saxophonist Rodrigo Amado past and future have always been connected, bound in tradition while breaking free of it. The muscular reedist values collaboration deeply, working with countless musicians from his homeland, while simultaneously forming an ever-expanding constellation of international ensembles, including the powerful cross-generational quartet with veteran multi-instrumentalist Joe McPhee, Chicago double bassist Kent Kessler, and the explosive drummer Chris Corsano -- which has released several instant classics on Trost. A few years ago, Amado formed the Bridge, another quartet featuring a stellar cast of musicians from different regions and different eras. The saxophonist's deep regard for jazz history led him to assemble a group for the ages. There's the legendary German pianist Alexander von Schlippenbach -- a still dominant figure who's been a revolutionary figure in improvised music and avant-garde composition since the early 1960s. American drummer Gerry Hemingway, who made his name as a member of Anthony Braxton's great quartet from the 1980s, has consistently reinforced his stature of one of the most restless, multivalent figures in experimental music from his adopted base in Lucerne, Switzerland. Double bassist Ingebrigt Håker Flaten rounds out the group -- a Norwegian virtuoso who's worked in the Thing with Mats Gustafsson and Paal Nilssen-Love, and more recently who's demonstrated his evolving strength as a composer with his group (Exit) Knarr. In 2023 Trost released the Bridge's galvanic debut Beyond the Margins, reflecting the tight connection the members developed on its first run of concerts in the fall of 2022, but the group's follow-up Further Beyond takes the music to another level. Across three full-bodied pieces the quartet summons a great deal of jazz history on its way to advancing the tradition.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
UR 158LP
|
$28.50
PREORDER
RELEASE DATE: 10/31/2025
Animistic Resonance marks a new stage for artist and electronic musician Leslie García, as it is her first album under her own name, following several releases as Microhm and her parallel work as founder of the contemporary art studio Interspecifics, where she has developed an extensive body of sonic projects presented in major museums and programs around the world. The album is the culmination of a profound and extended exploration of sound as language. It is also a statement against the classicism of long-form ambient pieces. Narratively, each track is conceived as a finely detailed work that functions as a condensed temporal fragment, each with its own individuality while simultaneously forming part of a broader universe. The compositional language of the album draws on minimalist structures, deep listening strategies, and experimental approaches to electronic sound. Each track offers a meditation on repetition, density, and micro-variation, unfolding like a sonic landscape shaped by temporal tension and perceptual ambiguity. Animistic Resonance resists categorization, situating itself between ambient, noise, and abstract rhythm, while grounding its aesthetic in a Latin American sensibility that embraces technological poetics, affective depth, and critical imagination. The album invites listeners to move beyond the surface and inhabit a world of vibrational and animistic temporalities. It offers a refuge in sound, a suspended space where calm can emerge. In the midst of contemporary turbulence, Animistic Resonance opens the door to imagining new ways of listening and feeling, demanding an embodied and visceral form of engagement. Composition sound synthesis and programming by Leslie García. Composed between 2022 and 2024 in Mexico City. Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY. Artwork by Daniel Castrejón.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
W25 003LP
|
$25.00
PREORDER
RELEASE DATE: 10/31/2025
2025 repress available in Oct. "Cindy Lee is the brainchild of singer/guitarist Patrick Flegel. While some may know Flegel from his time spent in Canadian experimental indie band Women, Cindy Lee has spent the past four years crafting songs that push and pull in opposing directions -- from tales of tragedy laced with haywire distortion to moments of breathtaking beauty. On Malenkost, Flegel combines everything that makes Cindy Lee so essential: heart-wrenching romantic pleas, rough shards of noise and twilit ballads. Featuring the lo-fi pop single 'A Message From The Aching Sky,' Malenkost sounds like Deerhunter playing The Supremes or vice versa. Superior Viaduct's imprint W.25TH presents the first of many Cindy Lee releases. Spectral and timeless, the music of Cindy Lee is hauntingly familiar yet of another plane, a magical collision of Brill Building hooks and uncompromising No Wave. 'Cindy Lee is intensely dark and cathartic, an eerie fever dream of fleeting, utterly heartbreaking classic girl-group melodies . . . one of the best things we have heard all year.' --Gorilla Vs. Bear"
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
W25 004LP
|
$25.00
PREORDER
RELEASE DATE: 10/31/2025
2025 repress available in Oct. "Cindy Lee is the diva alter-ego of singer/guitarist/drag queen Patrick Flegel, the one-time captain of heralded Canadian experimental guitar pop act, Women. In Flegel's working on/as Cindy Lee exclusively over recent years, their songwriting makes a move toward high atmospherics, often achieving a mysterious sweetness rooted equally in beauty and ache. As Cindy Lee's first long-form statement, Act Of Tenderness makes use of antipodal themes to create a living sound: static with grace, distortion and sugar, all masterfully arranged with crooked nods toward pop classicism. The layered vocal on 'Power And Possession' creates a palpable haunt, bringing historical girl-group lament to choir-esque heights. The feedback shriek and industrial grind of 'Bonsai Garden' provides near-operatic damage, yet never stumbles into the irrevocably grave. These snowy pieces give the album a decidedly cinematic feel, albeit one bent more towards Eraserhead. Originally released in a scant private edition in 2015, Superior Viaduct's imprint W.25TH is pleased to give Act Of Tenderness its deserving wide release."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
W25 009LP
|
$25.00
PREORDER
RELEASE DATE: 10/31/2025
2025 repress available in Oct. "Cindy Lee, the performance and songwriting vehicle of Canadian artist Patrick Flegel (who fronted influential indie group Women earlier), previously stunned listeners with Act Of Tenderness, a heart-wrenching statement informed by the noirish core of celebrity, and has continued to enchant with every album, including the startling What's Tonight To Eternity released earlier this year. Model Express originally appeared as a self-released edition of 100 gold cassettes. The arch, filmic drama of Cindy Lee's songwriting -- realized with keyboards, guitars, aching voice and collaged, lo-fi production -- traverses a wide range of emotional and sonic terrain. The red velvet psych-pop of 'What Can I Do' gives way to the fluid 'Diamond Ring' like radio bursts from space. Model Express finds Flegel at both their most experimental and immediately melodic, and this first-time vinyl release recognizes the collected tracks as a pillar in the Cindy Lee catalogue. Cindy Lee (who uses the gender neutral pronoun they) is a drag persona drawing on suburban closet queens and mid-century divas. In keeping with Flegel's interest in the fault lines of identity, gender expression, performance and media, Model Express delivers an intense and diverse set of unforgettable songs."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
W25 016LP
|
$25.00
PREORDER
RELEASE DATE: 10/31/2025
"Originally released as an edition of 50 lathe-cut LPs housed in silk-screened jackets in 2020 (fast on the heels of What's Tonight To Eternity), Cat O' Nine Tails has long intrigued die-hard Cindy Lee fans with its combination of the classic songwriting that would dominate Diamond Jubilee a few years later and an actual suite of classical songs under the title itself. Opening with the gothic soap opera theme of 'Our Lady Of Sorrows' into the manic exploration of 'Cat O' Nine Tails,' onto the dusty western walk through Patrick Flegel's lovely guitar work on 'Faith Restored,' the album seems to soundtrack the coolest movie the late '60s ever produced. All of this builds to the lush and sweeping ballad of bruised hearts that introduces that beautiful voice via 'Love Remains.' Side two sees 2024 live show closer 'Cat O' Nine Tails III' complete the suite to epic effect, before introducing the absolute showstopper that is 'I Don't Want To Fall In Love Again.' It is tender and fragile in that way that only Flegel can make both familiar and unique. Closing with the ethereal soul shuffle stomp of 'Bondage Of The Mind,' the album showcases nine songs from an essential time in the Cindy Lee evolution. W.25TH/Superior Viaduct is proud to bring this collection to the larger audience it deserves."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
WWSLP 113LP
|
$33.00
PREORDER
RELEASE DATE: 10/31/2025
Wewantsounds collaborates with cult musician Yusuf Mumin of the Black Unity Trio to unveil previously unreleased music from his personal archive. Following 2024's acclaimed Black Artist Group release, this new instalment continues to unearth hidden treasures from the Great Black Music tradition. Although the exact recording dates remain unknown, the music here is a powerful blend of serene spiritual jazz and fiery sonic intensity. All tracks have been remastered for vinyl by Colorsound Studio and the release also includes a two-page insert featuring new liner notes by Mumin and Pierre Crépon. In 1968, Yusuf Mumin was the blistering alto saxophone voice of the Black Unity Trio, who recorded the cult privately pressed album Al-Fatihah, one of the most sought-after albums in the genre. After extensive but unsuccessful searches for additional material by the group, Journey to the Ancient finally offers more unheard music from Yusuf Mumin. The album presented here draws from a selection of recordings preserved in Mumin's private collection, revealing previously unheard layers of his experimental vision. Mumin performs under both his own name and, when multitracking revelatory double bass parts, the pseudonym Dan Nuby. Born Joseph W. Phillips in 1944, Mumin became a key figure in Cleveland's radical free jazz underground of the 1960s. Deeply influenced by spiritual and esoteric traditions, Mumin was originally drawn to "outside" playing by the sonic explorations of Yusef Lateef. Shortly after Albert Ayler's U.S. recording debut with trumpeter Norman Howard, Howard and Mumin were co-leading a group in Cleveland. Mumin's legacy was cemented through his collaborations with Abdul Wadud and Hasan Shahid as the Black Unity Trio. The release includes a two-page insert featuring interview-based liner notes by Mumin and Crépon, offering fresh insight into the great history of the Cleveland scene. Journey to the Ancient continues Wewantsounds' mission to unearth the hidden treasures of such visionary jazz musicians, and it's an honor to finally present Yusuf Mumin's cutting-edge work for the first time after it remained unheard in the vault for decades.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
Book
|
|
9781953691996
|
$38.00
PREORDER
RELEASE DATE: 11/4/2025
Hardcover. 588 pages. "Fiery, funny, inviting and digressive, Sonny Simmons' memoir is a long overdue celebration of the famed New York free jazz pioneer. Though his years in the New York free-jazz scene of the sixties cemented his reputation as 'one of the most forceful and convincing composers and soloists in his field,' saxophonist Sonny Simmons (1933-2021) was nearly forgotten by the '80s, which found him broke, heavily dependent on drugs and alcohol, and separated from his wife and kids. 'I played on the streets from 1980 to 1994, 365 days a year,' Simmons tells jazz historian and biographer Marc Chaloin. 'I would go to North Beach, and I'd sleep in the park. The word got around town that Sonny is a junkie, really strung out.' The resurrection of Simmons' career -- upon the release of his critically acclaimed Ancient Ritual (Qwest Records) in 1994 -- has become a modern legend of the genre. In the last two decades of his musical career, Simmons broke through to a new echelon of recognition, joining the pantheon of great innovators and masters of the music. But to this day he remains an undersung figure. Here, in the first ever book dedicated to his life, Simmons recounts his childhood in the backwoods of Louisiana, his adolescence in the burgeoning Bay Area jazz scene and his star-studded life in New York playing alongside the greats."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
BEWITH 009-7
|
$21.50
PREORDER
RELEASE DATE: 11/7/2025
Frank Maston's beloved 2025 single finally gets its long overdue vinyl release! "Foreign Affairs" drifts through London fog and Paris shimmer, its avant-lounge glow wrapping each melody in a wistful ache. On B-side "Liaison," ghostly strings and a solitary piano paint a deserted twilight shoreline, Pacôme Henry's distinct 16mm cinematography hovering nearby. Originally written for a film Maston was scoring in 2024, he decided to keep it aside for himself. The two songs were recorded in Paris and London in the summer of 2024. Aside from the rhythm section and piano, there's vibraphone, a full string section, trombones and alto and concert flutes. The artwork for this 7" single has Roman campaign flags, referencing the foreign affairs in sort of a sassy way.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BONF 027LP
|
$28.50
PREORDER
RELEASE DATE: 11/7/2025
A reissue of the masterpiece by the great French folk singer Veronique Chalot produced in the late 1970s by the Tuscan label Materiali Sonori, a collective with which Veronique collaborated for years. Celtic music and traditional Breton ballads presented in a new elegant guise, world music created when "world music" had not yet been invented. A fascinating sound, enriched by melodies that seem ancient but are actually timeless.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
BP 028EP
|
$19.00
PREORDER
RELEASE DATE: 11/7/2025
A Bristol x Paris link-up between SSSLIP and Bamao Yendé delivers with BP028. A label debut for both artists on the BPR original series. All killer no filler ear worms from across the spectrum. A balanced collection of functional low end tools for the dance. Bristol-based producer SSSLIP, known for their experimental club hybrid productions and a growing back catalogue of strong outings on No dice, ec2a and their own imprint SSS Audio. Sharing the EP with Parisian DJ and producer, Bamao Yendé, head of Boukan Records, blending inspirations through garage, broken beat, and Kuduro.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
COSMR 043LP
|
$23.50
PREORDER
RELEASE DATE: 11/7/2025
Mentioned on Julian Cope's essential guide Jap Rock Sampler, Food Brain released their debut album in 1970, gathering influences from prog, proto-hard and psychedelic music. By far a supergroup consisting of Shinki Chen (Speed, Glue and Shinki), Hiro Yanagida (Milk Time) and Hiro Tsunoda (Flied Egg), the band showed an incredible interplay on their nine instrumental pieces, generating a cult following aboard.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
COSMR 044LP
|
$23.50
PREORDER
RELEASE DATE: 11/7/2025
A generous and off-the-track psych-rock experiment, Space Hymns originally saw the light in 1971 on influential UK company Vertigo, home of the most forward-thinking prog bands of the time. Enlisting the pure genius of the future 10 CC Kevin Godley (drums, flute) and Lol Creme (lead guitar, synth), the band was led by esoteric frontman Ramases (aka Kimberly Barrington Frost). The vocalist had a vision in the mind to late sixties where the Egyptian Pharaoh informed him he was his new incarnation. Take a trip to the moon and back!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ELA 003LP
|
$30.50
PREORDER
RELEASE DATE: 11/7/2025
Elations Recordings presents Depois do Silêncio, an intimate, forward-looking acoustic bass, digital keyboard and synthesizer recording by Brazilian avant-garde jazz luminaries Zeca Assumpção and Lelo Nazario. This release celebrates almost fifty years of the duo's friendship and musical affinity, continuing a musical dialogue between long-time collaborators. The duo began working together with Hermeto Pascoal's Grupo Vice Versa in the mid-1970s before forging one of Brazil's most adventurous experimental jazz groups Grupo Um in 1976; releasing three albums with a shared avant-garde and lateral, exploratory approach to sound fusing jazz and contemporary synthesis with expanded and prepared acoustic playing. Depois do Silêncio reflects the duo's long development of a shared conception of music, resulting in a work that is both timeless and modern. The music on the album was primarily recorded in Nazario's UTOPIA Studio, São Paulo, in 1994, featuring Assumpção on acoustic bass and Nazario on his newly acquired Ensoniq TS-12; these recordings were supplemented with acoustic bass for "Quintal da Memória" in 2018 and completed with an additional layer of rich, complex analog and virtual synthesis following their rediscovery of the material in 2022. Assumpção's deeply expressive acoustic bass playing forms the backbone of these compositions, augmented by Nazario's expansive and exploratory approach to synthesis, its constantly shifting timbres "making music a living organism, which adapts to situations as they appear." Nazario explains that "although the themes are written, much of the music is improvised based on an organic development of ideas, all intertwined and interrelated exactly as happens in a living organism." The album title Depois do Silêncio ("After Silence") references a phrase by the writer Aldous Huxley; "after silence, that which comes nearest to expressing the inexpressible is music." Assumpção and Nazario continue a search for new forms of musical expression, and here they succeed in creating music that "expand[s] the sound of musical instruments, so opening new horizons in the minds of listeners."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
EYE 017EP
|
$18.00
PREORDER
RELEASE DATE: 11/7/2025
Jonathan Kaspar returns to These Eyes with his long-awaited Time EP -- his third release on the label after six years. Known for his deep, emotive productions, Kaspar takes a bold step forward on this EP, exploring more unconventional, off-kilter sounds while still delivering his signature groove. The release also features a special moment for the artist: "Where Are You," his very first ambient track, showcasing a new, introspective side of his sound.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
GB 177CD
|
$16.00
PREORDER
RELEASE DATE: 11/7/2025
A voice, timeless as the desert, swirls up like the sirocco, drenched in cavernous reverberation, accompanied by the solitary, meditative swells of the ardine, an acoustic harp that dials in the fundamental frequency of Noura Mint Seymali's music. A brief pause, and the same refrain returns, this time picked out on a heavily flanged electric guitar, grounded by thunderous drums and growling electric bass. And there's that voice again -- direct and urgent, careening off into wild ululations and refracted echo. That's the opening two tracks on Yenbett, the brand-new album by Mauritanian force of nature, Noura Mint Seymali. In just under four and a half minutes, these two versions of the song "Lehjibb" set the tone for what's to come -- a trance-inducing and ferociously evocative blend of ancient Northwest African musical tradition and searing, electrified Saharan future rock. Noura Mint Seymali is a living embodiment of musical tradition. She hails from a family of musical visionaries: her father, Seymali Ould Ahmed Vall, was a renowned composer and scholar and her stepmother, Dimi Mint Abba, was a cherished singer and performer. Seymali is a practicing griot -- equal parts poet, singer, musician, historian and cultural custodian -- and a living embodiment of Mauritania's tradition of Moorish griot music. "The griot are highly respected lineages in our culture and are a source of social cohesion and social history that endures," Seymali explains. "We are still a kind of mirror for society, reflecting back the social bonds and history to the people. It's still the griot who are the artist celebrants of traditional weddings and ceremonies. And it's still griot representing the culture as artist ambassadors." In this role, Seymali performs as a powerful vocalist with both a deep connection to the griot's timeless repertoire, and an urge to create fresh, contemporary messages. Rounding out the band are bassist Ousmane Touré, and on drums Matthew Tinari -- an American who has resided in Senegal for many years. Tinari also co-produced the album, together with Mikey Coltun, best known as bassist with Tuareg rock pioneers Mdou Moctar. It's no surprise, then, that Yenbett smolders with a languid fire comparable to the desert blues played by West African groups such as Mdou Moctar. Certainly, Seymali can see a connection between the blues and West African music. "It's sewn from the same cloth," she says.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
GB 177LP
|
$31.50
PREORDER
RELEASE DATE: 11/7/2025
LP version. A voice, timeless as the desert, swirls up like the sirocco, drenched in cavernous reverberation, accompanied by the solitary, meditative swells of the ardine, an acoustic harp that dials in the fundamental frequency of Noura Mint Seymali's music. A brief pause, and the same refrain returns, this time picked out on a heavily flanged electric guitar, grounded by thunderous drums and growling electric bass. And there's that voice again -- direct and urgent, careening off into wild ululations and refracted echo. That's the opening two tracks on Yenbett, the brand-new album by Mauritanian force of nature, Noura Mint Seymali. In just under four and a half minutes, these two versions of the song "Lehjibb" set the tone for what's to come -- a trance-inducing and ferociously evocative blend of ancient Northwest African musical tradition and searing, electrified Saharan future rock. Noura Mint Seymali is a living embodiment of musical tradition. She hails from a family of musical visionaries: her father, Seymali Ould Ahmed Vall, was a renowned composer and scholar and her stepmother, Dimi Mint Abba, was a cherished singer and performer. Seymali is a practicing griot -- equal parts poet, singer, musician, historian and cultural custodian -- and a living embodiment of Mauritania's tradition of Moorish griot music. "The griot are highly respected lineages in our culture and are a source of social cohesion and social history that endures," Seymali explains. "We are still a kind of mirror for society, reflecting back the social bonds and history to the people. It's still the griot who are the artist celebrants of traditional weddings and ceremonies. And it's still griot representing the culture as artist ambassadors." In this role, Seymali performs as a powerful vocalist with both a deep connection to the griot's timeless repertoire, and an urge to create fresh, contemporary messages. Rounding out the band are bassist Ousmane Touré, and on drums Matthew Tinari -- an American who has resided in Senegal for many years. Tinari also co-produced the album, together with Mikey Coltun, best known as bassist with Tuareg rock pioneers Mdou Moctar. It's no surprise, then, that Yenbett smolders with a languid fire comparable to the desert blues played by West African groups such as Mdou Moctar. Certainly, Seymali can see a connection between the blues and West African music. "It's sewn from the same cloth," she says.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
GR 038LP
|
$28.50
PREORDER
RELEASE DATE: 11/7/2025
Manteca, the London Latin jazz/salsa funk combo, are back with a first-time vinyl release of their brilliant digital album Oye from 2014. Oye is a collection of heavy-duty Latin music that reaches well beyond the standard salsa or Cuban dance-band style, appealing to anyone and everyone, from mambo dancers to B-boys, jazz brothers to soul sisters! Led by Colombian singer Martha Acosta and bassist Javier Fioramonti, who have played with everyone from Roberto Pla and Candela, to Alex Wilson's groups and Salsa Celtica, as well as backing Latin legends such as Joe Bataan, Jack Costanzo, Henry Fiol and Azuquita, this band really cooks! "Que Pasa" is smoking Latin funk, this will get your head nodding and foot tapping for sure. "Oye," a lovely mid-tempo Afrobeat/Latin jazz fusion number with punching brass and super-funky kit playing. There are three cover versions on the album: Horace Silver's "The Jody Grind," a 1960s Blue Note Records soul jazz classic. Manteca does it justice, taking the original and turning it into a heavy Mongo Santamaria style funky Latin soul belter. Sergio Mendes' "Groovy Samba" is also given the 1960s Mongo "Watermelon Man" style Latin soul jazz treatment. Very hip arrangement, and some fantastic brass soloing in there too. The last one is a brave choice. It's the timeless bolero standard "Como Fue," which the band plays beautifully. "Para Pello" ("For Pello"), a conga-style big percussive beat that evolved from Afro-Cuban street carnivals. Secondly, "Bomba Chevere", a blend of Puerto Rican bomba and Colombian cumbia. The big Afro-Cuban track of the album is "Descarga China", which has two different mixes. One is a descarga funk mix with some heavyweight kit playing and smoking trumpet soloing, while the other is a more straight-ahead Latin jam with Javier's upright bass playing underpinning the whole number in a very Cachao way. Big shouts to the whole band, which features some of the best musicians from the London Latin music scene of the last three decades. This London Latin music gem has been crying out for a vinyl release for over a decade. At last, it's here. Slap it on the turntable, drop the needle on track one, turn the volume up, press play and be ready to dance. Standing still is NOT an option!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JACK 725LP
|
$26.00
PREORDER
RELEASE DATE: 11/7/2025
Splatter color vinyl. The Cure, live in Sydney on August 17, 1981. FM broadcast. Color vinyl. The Cure in their early days broadcasted on the Australian FM radio while at the Capitol Theatre in Sydney for their legendary "World Picture" tour. A breath-taking set, with remastered audio, "Charlotte Sometimes" played live for the second time in their career, along with a plethora of hits from their early days.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JACK 825LP
|
$26.00
PREORDER
RELEASE DATE: 11/7/2025
Splatter color vinyl version. The Jam live at The Rat, Boston, 13th Oct 1977. Captures the raw energy of the band's early U.S. tour. Recorded at the legendary punk club, the setlist is a blistering mix of tracks from In the City and This Is the Modern World, showcasing their aggressive, mod-punk sound. Paul Weller's sharp guitar work, Bruce Foxton's driving bass, and Rick Buckler's tight drumming deliver a relentless performance, embodying the band's youthful urgency and tight musicianship. A must-hear for fans of The Jam's early years!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
LMS 1725578
|
$41.00
PREORDER
RELEASE DATE: 11/7/2025
Goldie's 1995 debut Timeless is often described as one of the greatest dance music albums of all time. As one of the founders of Metalheadz, one of the most influential drum and bass labels, Goldie helped shape the sound of a generation, and a genre that has spanned over three decades. Listening to Timeless is like taking an adventure. If the limits of music are the limits of society, then Timeless is going to create new worlds. It's a record that travels from darkness to light across electronic oceans, across streetsoul, ambience and jazz. London Records celebrate 30 years of Timeless with limited edition vinyl, re-imagining the original white sleeve and putting the album on double vinyl for the first time since '96, with new liner notes from Tim Carr. Remastered audio.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
LMS 1725579
|
$57.00
PREORDER
RELEASE DATE: 11/7/2025
Splatter color vinyl version. Goldie's 1995 debut Timeless is often described as one of the greatest dance music albums of all time. As one of the founders of Metalheadz, one of the most influential drum and bass labels, Goldie helped shape the sound of a generation, and a genre that has spanned over three decades. Listening to Timeless is like taking an adventure. If the limits of music are the limits of society, then Timeless is going to create new worlds. It's a record that travels from darkness to light across electronic oceans, across streetsoul, ambience and jazz. London Records celebrate 30 years of Timeless with limited edition vinyl, re-imagining the original white sleeve and putting the album on double vinyl for the first time since '96, with new liner notes from Tim Carr. Remastered audio.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
N 103LP
|
$34.00
PREORDER
RELEASE DATE: 11/7/2025
Moving freely through time and space via experimental DIY recordings since 2009, Joasihno return with their fourth album Spots. Southern German experimental pop duo Joasihno -- initial solo founder Cico Beck (The Notwist, Aloa Input, Spirit Fest) and drummer/composer Nico Sierig (Instrument, Fehler Kuti) -- seem to know exactly when it's time to shine. Idiosyncratic genre tweakers since day one, they have been operating at their own pace, mostly staying in their own shady corner. Yet, almost a decade after their most recent Meshes (N 047CD), it's high time for them to take over more corners, to reclaim even more spots between lo-fi and sci-fi, retro electronica and contemporary classic. Drawing upon influences as varied as Reich, Riley, Ryuichi, múm, Meek, and Moondog, while also nodding to other experimental twosomes (e.g. The Books), the duo's fourth full-length Spots arrives via Alien Transistor. Electronic shapes align and things lift off -- with a majestic 8-bit sunrise soon appearing right in front of the listener. Whereas playful title song "Spots" is a miniature Rube Goldberg kind of device, with quirky plucked strings and glitches setting off more and more contraption layers, "Crackleboom" is uncharted energy, an open landscape, an expanding bonfire that leads to a long-forgotten piano, all dust-covered in some kind of saloon. Things break and shatter in the distance, but this spot right here is for hypnosis, dancing, sylvan spirits. And yeah, it's surprisingly hot down here in the undergrowth. It's all DIY spots, spots that leave room to dream or dangle, drape yourself over or dive into. Returning to the leafy bower on a melancholy post rock tip, we eventually learn that "Death Is Real" -- and so the listener is left with a laterna magica that turns and turns and turns. It's a beautiful spot where light and shadows keep on dancing, just like they've always done, ever since the dawn of this madcap universe.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
OTH 001CD
|
$14.50
PREORDER
RELEASE DATE: 11/7/2025
Sarathy Korwar, genre-breaking drummer, producer and composer, announces the release of his seventh album, There Is Beauty, There Already, out on Otherland. Celebrating the melodic power of the drum ensemble, the album follows his 2022 Indofuturist manifesto KALAK with a deeply immersive longform suite of percussion-led compositions. Playing as a 40-minute suite of hypnotic and transcendent drum improvisations, the album beats through a repetitive, circular structure that brings to mind Indian folk music, jazz drum ensembles like Max Roach's M'Boom and the contemporary classical minimalism of Terry Riley and Steve Reich. From the undulating bass tones of the tabla to the tonal varieties of South Indian clay pot ghatam, the snare drum snap of the drum kit, and shades of electronic texture through the Buchla Easel, Korwar's ensemble bubbles and flows through a stream of steady rhythm, forever in motion like the ceaseless energy of a river. "The album is me finding my voice as a composer again and going back to the thing I know best, which is the drums," Korwar says. "It's me falling back in love with percussion and expressing just how melodic and emotive it can be. Unlike my other albums that have often engaged with weighty themes like migration, identity and futurism, this is a raw act of placing myself front and center -- letting the drums speak instead."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OTH 001LP
|
$26.00
PREORDER
RELEASE DATE: 11/7/2025
LP version. Sarathy Korwar, genre-breaking drummer, producer and composer, announces the release of his seventh album, There Is Beauty, There Already, out on Otherland. Celebrating the melodic power of the drum ensemble, the album follows his 2022 Indofuturist manifesto KALAK with a deeply immersive longform suite of percussion-led compositions. Playing as a 40-minute suite of hypnotic and transcendent drum improvisations, the album beats through a repetitive, circular structure that brings to mind Indian folk music, jazz drum ensembles like Max Roach's M'Boom and the contemporary classical minimalism of Terry Riley and Steve Reich. From the undulating bass tones of the tabla to the tonal varieties of South Indian clay pot ghatam, the snare drum snap of the drum kit, and shades of electronic texture through the Buchla Easel, Korwar's ensemble bubbles and flows through a stream of steady rhythm, forever in motion like the ceaseless energy of a river. "The album is me finding my voice as a composer again and going back to the thing I know best, which is the drums," Korwar says. "It's me falling back in love with percussion and expressing just how melodic and emotive it can be. Unlike my other albums that have often engaged with weighty themes like migration, identity and futurism, this is a raw act of placing myself front and center -- letting the drums speak instead."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SEC 301LP
|
$29.00
PREORDER
RELEASE DATE: 11/7/2025
"X-Ray Spex was a British punk rock band that emerged in the late 1970s, known for their distinctive sound, socially conscious lyrics, and the dynamic frontwoman Poly Styrene. The band was active during the first wave of punk rock and played a significant role in the punk movement. Lead vocalist and songwriter Poly Styrene was known for her unique vocal style and often cited as an influential figure in the punk scene. Other band members on Germfree Adolescents are Jak Airport, Paul Dean, Rudi Thompson, and B P Hurding. X-Ray Spex released their debut album, Germfree Adolescents, in 1978, featuring the title track, 'Germfree Adolescents.' The album is considered a classic of the punk era. Poly Styrene's lyrics often addressed social and consumerist issues, and her unconventional fashion sense and energetic stage presence added to the band's overall identity. While X-Ray Spex had a relatively short-lived career, disbanding in 1979, they left a lasting impact on the punk scene, and their music continues to be celebrated for its originality and influence. Poly Styrene sadly passed away in 2011, but her contributions to punk rock remain influential. This limited-edition re-issue of Germfree Adolescents is pressed on black 180-gram vinyl. Incl. 12" insert poster of album cover + sleeve notes by Stephanie Phillips."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
TO 129CD
|
$15.50
PREORDER
RELEASE DATE: 11/7/2025
Claire M Singer has shared details of the captivating second instalment in a triptych of albums that delves into two intertwining narratives. Gleann Ciùin -- which means "quiet glen" in Scottish Gaelic (pronounced gly-ow-n kyoon) -- is released on CD Touch. The follow up to 2023's Saor, the heart of this album lies a profound exploration of the artist's personal journeys across the rugged, awe-inspiring landscapes of the Cairngorms in Aberdeenshire, Scotland. Through a tapestry of evocative melodies and stirring harmonies, the music transports listeners to these majestic mountain peaks, evoking the solitude, the natural wonder, and the transformative power of traversing such terrain. Gleann Cùin also represents a parallel journey, one that ventures deep into the history and grandeur of the UK's most remarkable pipe organs. As the artist navigates these historic instruments, coaxing forth their rich, resonant tones, the music becomes a vehicle for uncovering the stories embedded within these magnificent, centuries-old artifacts. Each track on the album seamlessly blends these two narrative threads, creating a captivating tapestry that invites the listener to experience the artist's own discovery, whether exploring the rugged Scottish landscape or unearthing the hidden musical treasures of the nation's most revered pipe organs. Gleann Ciùin stands as a powerful and immersive artistic statement, a mesmerizing musical journey that immerses the listener in the artist's own transformative explorations. The album's title piece is the Ivor Novello nominated "Gleann Ciùin." Originally commissioned in 2019 by the London Contemporary Orchestra and the Richard Thomas Foundation for the PRS New Music Biennial. The piece features violin, viola, four cellos, and two horns and the 1967 Flentrop organ housed under the stage when not in use in the Southbank Centre's Queen Elizabeth Hall.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
TR 599CD
|
$16.50
PREORDER
RELEASE DATE: 11/7/2025
"I founded this band, and I'll bury it when I feel like it," Naked Lunch mastermind, songwriter, and singer Oliver Welter once said. Obviously, he hasn't felt like it yet. So it should come as no surprise that this band -- believed by many to be long gone -- is opening a new chapter in its eventful history, twelve years after their last critically acclaimed album All Is Fever (TR 243CD, 2013), with their new record Lights (And A Slight Taste Of Death). Following lineup changes and internal reshuffles, comes this outrageous record, on which, as seems to be the case with every Naked Lunch release, everything is once again at stake. The madness, the perspective, and the journey of songwriter and singer Oliver Welter go deep with these songs, far-reaching -- not least inward -- and from there, back out into the world. The almost fateful encounter with musician and producer Wolfgang Lehmann ("the best and most talented music interpreter ever," as Welter puts it) inspired Welter to finalize the arrangements and production of the various song drafts for Lights (And A Slight Taste Of Death) in Lehmann's studio -- with Lehmann also handling the final mix. All this, of course, was done with the support of longtime companions Alex Jezdinsky (drums) and Boris Hauf (keys/sax). Lights (And A Slight Taste Of Death) is a 14-track tour de force; demanding and harsh, yet tender and embracing. It's an intimate self-examination, spanning grand ballads like the hauntingly beautiful "Come Into My Arms or Love Don't Love Him Anymore," to sweeping, sky-storming pop anthems such as "To All And Everyone I Love, We Could Be Beautiful," or "Going Underground," and even includes completely unexpected expressive outbursts -- like a free-jazz saxophone solo in the drugged-out "If This Is The Last Song You Can Hear." Lights (And A Slight Taste Of Death) thus takes its rightful place as a consistent continuation in the tightly woven, high-quality discography of Naked Lunch.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TR 599LP
|
$26.00
PREORDER
RELEASE DATE: 11/7/2025
LP version. "I founded this band, and I'll bury it when I feel like it," Naked Lunch mastermind, songwriter, and singer Oliver Welter once said. Obviously, he hasn't felt like it yet. So it should come as no surprise that this band -- believed by many to be long gone -- is opening a new chapter in its eventful history, twelve years after their last critically acclaimed album All Is Fever (TR 243CD, 2013), with their new record Lights (And A Slight Taste Of Death). Following lineup changes and internal reshuffles, comes this outrageous record, on which, as seems to be the case with every Naked Lunch release, everything is once again at stake. The madness, the perspective, and the journey of songwriter and singer Oliver Welter go deep with these songs, far-reaching -- not least inward -- and from there, back out into the world. The almost fateful encounter with musician and producer Wolfgang Lehmann ("the best and most talented music interpreter ever," as Welter puts it) inspired Welter to finalize the arrangements and production of the various song drafts for Lights (And A Slight Taste Of Death) in Lehmann's studio -- with Lehmann also handling the final mix. All this, of course, was done with the support of longtime companions Alex Jezdinsky (drums) and Boris Hauf (keys/sax). Lights (And A Slight Taste Of Death) is a 14-track tour de force; demanding and harsh, yet tender and embracing. It's an intimate self-examination, spanning grand ballads like the hauntingly beautiful "Come Into My Arms or Love Don't Love Him Anymore," to sweeping, sky-storming pop anthems such as "To All And Everyone I Love, We Could Be Beautiful," or "Going Underground," and even includes completely unexpected expressive outbursts -- like a free-jazz saxophone solo in the drugged-out "If This Is The Last Song You Can Hear." Lights (And A Slight Taste Of Death) thus takes its rightful place as a consistent continuation in the tightly woven, high-quality discography of Naked Lunch.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
VAMPI 329LP
|
$30.50
PREORDER
RELEASE DATE: 11/7/2025
Among the most revered voices in funk, Marva Whitney holds a special place thanks to her fierce energy and unmistakable style on tracks like the classic "Unwind Yourself," a long-time favorite for DJs and dance floors alike. Emerging from the dynamic world of the James Brown Revue in the late 1960s -- alongside iconic names like Lyn Collins and Vicki Anderson -- Marva quickly carved out a name for herself. In 1969, she began recording as a solo artist under James Brown's King label, scoring a Top 20 R&B hit with 'It's My Thing.' While mainstream hits were few, her music resonated deeply with funk lovers and crate diggers around the world. Songs like "You Got to Have a Job" and the endlessly sampled "Unwind Yourself" have only grown in stature over the decades. Her album, It's My Thing, dropped that same year and has since become a touchstone of the genre. Backed by the legendary JB's and produced by James Brown himself -- who also contributed to most of the songwriting -- the album captures a raw, unapologetic funk sound with a distinctly female voice at the forefront. From the explosive opening of "It's My Thing" -- a bold response to the Isley Brothers' "It's Your Thing" -- Marva channels sheer intensity, backed by a band that doesn't let up. The pace briefly softens with "If You Love Me," a soul-soaked ballad in the spirit of Otis Redding, before diving back into the rhythmic grit of tracks like "Unwind Yourself." Decades later, It's My Thing continues to inspire, sampled by producers and treasured by collectors -- a powerful snapshot of funk at its most uncompromising. Reissue on 180g vinyl.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
VAMPI 330LP
|
$30.50
PREORDER
RELEASE DATE: 11/7/2025
The Spice of Life, released in November 1969, stands as Marlena Shaw's second -- and final -- studio album for Cadet Records, produced and arranged by the renowned Richard Evans and Charles Stepney. From the opening, Shaw's voice -- both playful and powerful -- cuts through the lush yet tight-knit arrangements, weaving together a vibrant tapestry of soul, proto-funk, jazz, gospel, and blues. The album features two defining classics: her deeply resonant original of "Woman of the Ghetto" and a signature take on Ashford & Simpson's "California Soul," both staples in sampling culture (you'll probably find that you're more familiar with Shaw's material than you thought.) Evans and Stepney's arrangements are far from mere support -- they're panoramic and inventive. You'll hear kalimba flourishes, psych-tinged guitar accents, and bongo-fueled organ textures that elevate each track, keeping the atmosphere rich but never overwhelming. Moments like the Bacharach-styled "Looking Through the Eyes of Love" or the dramatic flair of "Stormy Monday" showcase their widescreen sensibility and Shaw's versatility. Beneath its musical elegance, The Spice of Life carries a weighty current of social commentary. Tracks such as "Woman of the Ghetto" and the succinct, fierce "Liberation Conversation" bring political and feminist themes into a soulful, expressive framework -- adding unexpected depth to the sophisticated sonic palette. This album offers an immersive journey through soul-jazz mastery, one that rewarded listeners with sampling gold for decades to come. Reissue on 180g vinyl.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
VP 4256LP
|
$43.00
PREORDER
RELEASE DATE: 11/7/2025
"First time on vinyl for Chapter One of the acclaimed previously CD-only set that was released to celebrate the 50th Anniversary of Randy's Records. Kicking off with the joyful ska of Lord Creators' Independent anthem, Chapter One runs the true course of Jamaican music in the 1960s with a virtual who's who of reggae music including Bob Marley, Peter Tosh, Toots & The Maytals, Rico, Skatalites, John Holt & Alton Ellis. Beautifully packaged with inner sleeves featuring rare photos and liner notes by Blood & Fire's Steve Barrow."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
VP 4257LP
|
$43.00
PREORDER
RELEASE DATE: 11/7/2025
"First time on vinyl for Chapter Two, the second part of the acclaimed previously CD-only set that was released to celebrate the 50th Anniversary of Randy's Records. From Augustus Pablo's groundbreaking 'Java' to Carl Malcolm's UK pop crossover hit 'Fattie Bum Bum,' Chapter Two showcase classic after classic from an all-star line-up of the '70s reggae music greats including Black Uhuru, Horace Andy, Dennis Brown, Gregory Isaacs, The Heptones & Big Youth. Beautifully packaged with inner sleeves featuring rare photos and liner notes by reggae historian, Dennis Katz."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
WE 016LP
|
$42.00
PREORDER
RELEASE DATE: 11/7/2025
As trans-Atlantic alchemists pulling from a shared dialectic that somehow encompassed both postmodern deconstructionist tendencies and a delightfully subversive sense of poptimism, it's easy to see how David Cunningham and Peter Gordon immediately hit it off upon initially meeting each other back in the late-1970s at the height of their youthful transgressions. Having initially worked together on the second Flying Lizards' LP, with its ingenious fusion of dismantled rhythms and rearranged melodies juxtaposed against the slyly sultry singing of Snatch's Patti Palladin -- with Gordon adding a few sprinkles of mischievous sax in the mix -- it's no wonder the collaboration would lead to further musical adventures. Which leads directly to the genesis of The Yellow Box. Embarking on a collaborative exercise in the structural repurposing of music as untethered puzzle pieces in need of rearrangement with no predetermined outcomes, the duo gave birth to a project that would see them move through both time and recording studios across Europe, taking nearly two years from 1981-1983 to complete. Enlisting the great Anton Fier on drums from The Feelies/Lounge Lizards nexus and John Greaves on bass from Henry Cow/Soft Heap lore to round out their duelling creative counterparts, the album would be something of a lost treasure until its eventual release on Cunningham's Piano imprint in 1996. Cinematic in scope, and filled with drifting drones, beautiful counter-melodies, eery minimalism, Kraftwerkian synthesizers, looped voices, skronky interludes, and other shifting undercurrents of sound, it was an album that utilized both a diverse array of expressive languages, as well as early sampling techniques and prepared instruments, well before most people were thinking in such expansive, integrated terms at the dawn of the '80s. Like a sparser, less groove-oriented version of My Life in the Bush of Ghosts, or a more radical take on the experimental work of Can's Holger Czukay, The Yellow Box stands at the crossroads of time and technology, fusing multiple strands of musical thought and compositional techniques into a disjointed whole that somehow still comes off as a conceptually complete record. Now, here it is again, over 40 years later, with perhaps even more historical resonance than it had before, remade and remodeled just waiting to be rediscovered again.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
WJLP 091LP
|
$28.00
PREORDER
RELEASE DATE: 11/7/2025
A Few We Remember is the new album by Jonah Parzen-Johnson and Lau Nau. The recording debut for the new duo of Finnish composer Lau Nau, aka Laura Naukkarinen, and American baritone saxophonist Jonah Parzen-Johnson, it cycles between moments of knotty ambience, whispered melody, and innocent tinkering, as the duo improvises over 8 narrative scores composed by Parzen-Johnson. Jonah Parzen-Johnson and Lau Nau are each prolific and celebrated creators on their own, with 22 albums released between the two of them, but in this fresh conversation, something completely new comes to life. In Laura's words: "I enjoy recording live takes without overdubs, and this album is exactly that -- pure first takes, bubbling creative energy happening in the moment. Jonah's written stories gave a powerful spark and direction for our improvisations, but the album reminds me of a chemical reaction: a result that is impossible without both of our inputs, and a surprise to each of us." On the debut single, First Time Viewer, it is almost impossible to tell where Jonah's fragile baritone saxophone melody begins and where Lau's live-sampled, processed, and re-synthesized accompaniment ends. As the improvisation develops, a cloud of ethereal fragments forms into a lattice of melody and texture strong enough to support the entire track.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
WRWTFWW 116LP
|
$42.00
PREORDER
RELEASE DATE: 11/7/2025
WRWTFWW Records presents the first-ever vinyl release of Japanese electronic music producer Virgo's debut album, Landform Code, a forgotten underground classic from 1998, now finally available as a limited edition 45rpm cut double LP housed in a heavyweight sleeve. Originally only released on CD by Tokyo-based cult label FORM@ RECORDS, Landform Code is an absolute gem of smooth, melodic Detroit techno infused with brilliant hints of acid, ambient, and IDM. It's a dreamy, organic, and timeless record that captures the essence of late '90s electronic innovation with a deeply soulful touch. The 12-track album, radiating with lush melodies, hypnotic rhythms, and textural detail, is an essential (hidden) treasure of electronic music history, transporting the listeners back to the pioneering days of Carl Craig, B12, The Black Dog, Ian O'Brien, or Warp's Artificial Intelligence series, beautifully honoring its influences, while solidly standing on its own as a distinct and emotionally resonant piece from Japan's underground scene. Landform Code is released simultaneously with Virgo's 1999 follow-up album Remnants (WRWTFWW 117LP), both excavated from the vaults of FORM@ RECORDS which has officially supervised the reissue efforts. This marks the first phase of a collaboration between the Swiss and Japanese labels.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
WRWTFWW 117LP
|
$42.00
PREORDER
RELEASE DATE: 11/7/2025
WRWTFWW Records presents the first-ever vinyl release of Japanese electronic music producer Virgo's unheralded sophomore album, Remnants, a sleeper underground hit from 1999, now finally available as a limited edition 45rpm cut double LP housed in a heavyweight sleeve. Released only on CD in 1999 by Tokyo-based cult label FORM@ RECORDS, Remnants is a quietly visionary record: mellow ambient techno, fluid electronica, and soul-laced atmospherics with the spirit of Detroit close to the heart. As the follow-up to his essential debut Landform Code, Virgo expands his palette here -- working in widescreen textures, warm synth tones, and patient, emotive arrangements that feel both intimate and cinematic. The result is lush, heartfelt, and simply brilliant -- a late '90s statement that rewards deep, repeated listening. Remnants sits comfortably alongside the era's best explorations in soulful techno, ambient, and IDM, recalling the sensibilities of B12, The Black Dog, Ian O'Brien, and the lineage of labels Warp, Likemind and Clear, while remaining distinctly Virgo -- subtle, sophisticated, and unexpectedly moving. The album is released alongside Virgo's Landform Code (WRWTFWW 117LP), also available on vinyl for the first time ever, as part of a collaborative reissue series between WRWTFWW and FORM@.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BR 196LP
|
$33.00
PREORDER
RELEASE DATE: 11/14/2025
After more than a decade of touring, collaborations, and sonic explorations, Peruvian guitarist and improviser Jorge Espinal presents Bombos y Cencerros, his first solo album, released through Buh Records. Based in Buenos Aires since 2007, Espinal has been part of projects such as Ricarda Cometa and Calato, where he developed a musical approach in which body and instrument function as a single rhythmic unit. The idea for the album took shape after a 16-date European tour in 2023. Back in Buenos Aires, Espinal entered Estudio Belcebú to record, in a single session, a series of pieces that condense years of practice. Here listeners hear him playing, all at once: prepared electric guitar, bass drum, cowbell, pedals, and laptop. He triggers samples, builds loops, freezes sounds. The guitar becomes a source of rhythm rather than harmony. The title Bombos y Cencerros refers to two essential elements of popular Latin American percussion. These are instruments that set the pulse, that lead the way in parties, processions, and street celebrations. In the context of the album, they also serve as a statement of intent: rhythm as a point of departure. Espinal takes this foundation and transports it to a territory where noise, repetition, and accident coexist. Bombos y Cencerros is released through Buh Records in a limited vinyl edition. The album was mixed and mastered by Genosidra, and the cover art is by Japanese artist Hideyuki Katsumata, a frequent collaborator of Espinal since his work in Ricarda Cometa.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
GB 180CD
|
$16.00
PREORDER
RELEASE DATE: 11/14/2025
The highly anticipated debut album from Amsterdam-based Indonesian psych-folk ensemble Nusantara Beat has finally arrived. Having built a rapidly rising reputation through captivating live performances and a string of acclaimed 7" singles (Bongo Joe Records), this self-titled album powerfully extends an already potent musical vision. A mesmerizing collection of eleven original tracks, Nusantara Beat delves deep into the group's Indonesian ancestral roots, and thrillingly weaves together hypnotic folk melodies, vintage Indo-pop, pulsating psychedelic grooves and contemporary sonic textures. Nusantara Beat grew out of Amsterdam's vibrant music scene, with several of its members previously playing in Dutch groups including EUT, Jungle by Night and the Turkish psych ensemble Altin Gün. But it was the allure of exploring Indonesian sounds that cemented their alliance. Released in 2023, "Djanger" is a beloved song describing the movements of a Balinese dancer. "Kota Bandung," also released in 2023, is a 1970s classic describing the capital city of West Java. And 2024's "Mang Becak" is another '70s pop track based around a conversation between a woman and a becak (bicycle rickshaw) driver, delivered in Sundanese, the local language of West Java. Across these three singles, Nusantara Beat paid heartfelt tribute to the tradition of "Sunda Pop" -- the Indonesian pop sensation that, from the 1960s onwards, blended traditional Sundanese music with contemporary pop sounds such as psychedelia, surf music and funk. Nusantara Beat have staked out a daring place in modern music, paying homage to the tradition of Sunda Pop, while reinvigorating it for the 21st century with pristine production techniques, modern synthesizers and deep grooves. Now, with their self-titled debut album, Nusantara Beat have gone one step further, writing, recording and producing eleven scintillating original songs that have their roots deep in tradition while stretching out into bold new worlds. The ethereal mood of the traditional Javanese and Balinese gamelan percussion ensemble can be heard to striking effect, underpinning the heavy twang of a surf guitar and whooshing synth sirens. And, throughout the album, samples of Balinese gamelan instruments add extra depth, along with the sounds of traditional instruments such as the kecapi zither, the kendang drum and Balinese gongs. Most of the lyrics -- written in English and translated into Indonesian -- deal with the complexities of modern love, with a bittersweet pop sensibility perfectly suited to Megan's gorgeously delicate vocal style. Atmospheric, mesmerizing and timeless, it's a perfect example of the magic Nusantara Beat weave. Nusantara Beat is the sound of an utterly unique musical collective, forging new ground with a breathtaking freshness and a seductive sense of folk history that echoes through the decades.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
GB 180LP
|
$31.50
PREORDER
RELEASE DATE: 11/14/2025
LP version. The highly anticipated debut album from Amsterdam-based Indonesian psych-folk ensemble Nusantara Beat has finally arrived. Having built a rapidly rising reputation through captivating live performances and a string of acclaimed 7" singles (Bongo Joe Records), this self-titled album powerfully extends an already potent musical vision. A mesmerizing collection of eleven original tracks, Nusantara Beat delves deep into the group's Indonesian ancestral roots, and thrillingly weaves together hypnotic folk melodies, vintage Indo-pop, pulsating psychedelic grooves and contemporary sonic textures. Nusantara Beat grew out of Amsterdam's vibrant music scene, with several of its members previously playing in Dutch groups including EUT, Jungle by Night and the Turkish psych ensemble Altin Gün. But it was the allure of exploring Indonesian sounds that cemented their alliance. Released in 2023, "Djanger" is a beloved song describing the movements of a Balinese dancer. "Kota Bandung," also released in 2023, is a 1970s classic describing the capital city of West Java. And 2024's "Mang Becak" is another '70s pop track based around a conversation between a woman and a becak (bicycle rickshaw) driver, delivered in Sundanese, the local language of West Java. Across these three singles, Nusantara Beat paid heartfelt tribute to the tradition of "Sunda Pop" -- the Indonesian pop sensation that, from the 1960s onwards, blended traditional Sundanese music with contemporary pop sounds such as psychedelia, surf music and funk. Nusantara Beat have staked out a daring place in modern music, paying homage to the tradition of Sunda Pop, while reinvigorating it for the 21st century with pristine production techniques, modern synthesizers and deep grooves. Now, with their self-titled debut album, Nusantara Beat have gone one step further, writing, recording and producing eleven scintillating original songs that have their roots deep in tradition while stretching out into bold new worlds. The ethereal mood of the traditional Javanese and Balinese gamelan percussion ensemble can be heard to striking effect, underpinning the heavy twang of a surf guitar and whooshing synth sirens. And, throughout the album, samples of Balinese gamelan instruments add extra depth, along with the sounds of traditional instruments such as the kecapi zither, the kendang drum and Balinese gongs. Most of the lyrics -- written in English and translated into Indonesian -- deal with the complexities of modern love, with a bittersweet pop sensibility perfectly suited to Megan's gorgeously delicate vocal style. Atmospheric, mesmerizing and timeless, it's a perfect example of the magic Nusantara Beat weave. Nusantara Beat is the sound of an utterly unique musical collective, forging new ground with a breathtaking freshness and a seductive sense of folk history that echoes through the decades.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
GPM 334LP
|
$47.50
PREORDER
RELEASE DATE: 11/14/2025
Body Language Vol. 27 marks the return of Get Physical's landmark series, curated this time by Dutch producer Helsloot. Since its launch in the early 2000s with curators like Dixon, Modeselektor, and DJ Hell, Body Language has become one of the most respected compilation formats in electronic music -- a series that captures moments in club culture while pointing to the future. For this new chapter, Helsloot brings his melodic and emotional touch to the project, weaving together exclusive originals, collaborations, and carefully chosen reinterpretations. A special highlight is his remix of the legendary "Body Language" by M.A.N.D.Y. vs. Booka Shade, which bridges the series' heritage with its modern vision. Across four sides, Helsloot balances intimate songwriting with dancefloor energy, joined by guests including Richard Judge, Pete Josef, Sailor & I, and Beacon. The result is both a personal artistic statement and a continuation of the Body Language legacy -- a timeless journey designed for deep listening as well as club play.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
GPM 573YV-EP
|
$21.50
PREORDER
RELEASE DATE: 11/14/2025
Arguably one of Get Physical's most influential tracks, "O Superman" sees a new release with remixes from Man Power and SIS alongside the 2008 version from Robag Whrume and a remaster of the now classic original. Man Power kicks off the new interpretations with an epic, ten-and-half-minute version that patiently stretches the original's melodies into pads and held bass tones across crisp, micro-house styled beats before unleashing loose, clattering breakbeats after a striking, extended breakdown. SIS's dreamy, percussive version sees the German producer in hypnotic, and tracky form. Robag's Pumper-Nikkel remix is yet another funky, chopped, sliced and diced piece of work from the playful producer and still sounds as fresh as ever.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
LIVITY 071LP
|
$39.50
PREORDER
RELEASE DATE: 11/14/2025
Channeling inventive sound design into incisive, characterful techno variations, Jurango returns to Livity Sound with an eight-track double album -- his longest release to date. Taíno Gold captures a moment in time for Bristol-based Nate Reece's continually evolving sound as it draws on the full spectrum of UK club music. Reece is more assured than ever tackling a variety of club-focused cuts. The tracks on the release all came together before, during and after a two-month visit to Reece's grandparents' home -- an idyllic tropical environment in a small community at the top of a hill in the northern part of Jamaica. Taíno Gold refers to the island's indigenous Taíno community and the legend of a witch luring Spanish settlers into a trap on the Martha Brae river. There are no messages explicitly embedded in the music, but the release is both a personal reflection of Reece's own experiences and family heritage, plus a reminder about the enduring scepter of colonialism and the continued need to fight against it. From absorbing Jamaica's fraught history through museum and plantation visits to the abundant nature in the garden surrounding his grandparent's house, the double EP marks a place in time for Reece, with eight advanced, ear-catching tracks as the end result. From the cascading arps of "Black Torches" to the tunnelling chords of "Waiting For Trelawny," the melodic dimension of the Jurango sound is more confident than ever. With the space afforded by a longer release, Reece widens out the scope of his artistic identity while absorbing the particular scene and setting that surrounded him while making the tracks. Taíno Gold is a vibrant next step for Jurango and a natural continuation of his work with Livity Sound.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
LPS PS019CD
|
$23.50
PREORDER
RELEASE DATE: 11/14/2025
The legacy of wipE′out″ has transcended time and cemented itself as a true transgenerational phenomenon. Launched in 1995, it didn't just revolutionize the gaming industry, it created a bridge between the gaming ecosystem and the raver community. Its futuristic aesthetics and forward-thinking sound left a mark not only on mainstream audiences but also on the most demanding corners of the underground. Decades later, the game's impact is still alive. The release in 2023 of The Zero Gravity Soundtrack on Lapsus Records proved once again that wipE′out″'s accompanying audio will go down in history as much more than just an anti-gravity racing game soundtrack. This is why Lapsus decided to go deeper into the slipstream and build the second volume you're now holding in your hands. Drawn from the original archives of Tim Wright, aka CoLD SToRAGE, this new collection surfaces unreleased cuts, pieces that couldn't fit on the first edition, and a suite of self-authored ambient reworks that translate pure velocity into wide-screen atmospherics engineered for the long straights, the drone of airbrakes, the blue hour between checkpoints. It also reconnects the circuit, gathering selections and variants tied to later chapters of the saga -- wipE′out″ HD and wipE′out″ Pure -- plus alternative mixes that, until now, only existed in the Sega Saturn dimension of the franchise. Finally, the material takes a leap into the future in the hands of four remixers especially chosen for this release: Tim Reaper, SHERELLE, Mantra, and NikNak, who collectively forge links between CoLD SToRAGE's pioneering musical vision, the sound world of the game, and the contemporary breakbeats and drum and bass vanguard. Expect the DNA you remember -- accelerated breaks, trance-vector synths, jungle influences, sub-bass rumbling neatly beneath the craft's hull, and at times even echoes of classic hardstyle -- now revealed with new angles and air. The previously unheard material carries the same aerodynamic design sense that made these tracks feel faster than the track map itself, while the ambient versions open the field of view with melodies hovering at the lip of overdrive. For the faithful -- crate-digging ravers, speed-run obsessives, and design nerds -- this is an essential expansion pack: compiling rarities, restoring context, and reframing the emotional core of wipE′out″ for late nights and early mornings alike. Bridging memory and momentum, club and console, rush and afterglow. Strap in.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
3LP
|
|
LPS PS019LP
|
$45.50
PREORDER
RELEASE DATE: 11/14/2025
Triple LP version. The legacy of wipE′out″ has transcended time and cemented itself as a true transgenerational phenomenon. Launched in 1995, it didn't just revolutionize the gaming industry, it created a bridge between the gaming ecosystem and the raver community. Its futuristic aesthetics and forward-thinking sound left a mark not only on mainstream audiences but also on the most demanding corners of the underground. Decades later, the game's impact is still alive. The release in 2023 of The Zero Gravity Soundtrack on Lapsus Records proved once again that wipE′out″'s accompanying audio will go down in history as much more than just an anti-gravity racing game soundtrack. This is why Lapsus decided to go deeper into the slipstream and build the second volume you're now holding in your hands. Drawn from the original archives of Tim Wright, aka CoLD SToRAGE, this new collection surfaces unreleased cuts, pieces that couldn't fit on the first edition, and a suite of self-authored ambient reworks that translate pure velocity into wide-screen atmospherics engineered for the long straights, the drone of airbrakes, the blue hour between checkpoints. It also reconnects the circuit, gathering selections and variants tied to later chapters of the saga -- wipE′out″ HD and wipE′out″ Pure -- plus alternative mixes that, until now, only existed in the Sega Saturn dimension of the franchise. Finally, the material takes a leap into the future in the hands of four remixers especially chosen for this release: Tim Reaper, SHERELLE, Mantra, and NikNak, who collectively forge links between CoLD SToRAGE's pioneering musical vision, the sound world of the game, and the contemporary breakbeats and drum and bass vanguard. Expect the DNA you remember -- accelerated breaks, trance-vector synths, jungle influences, sub-bass rumbling neatly beneath the craft's hull, and at times even echoes of classic hardstyle -- now revealed with new angles and air. The previously unheard material carries the same aerodynamic design sense that made these tracks feel faster than the track map itself, while the ambient versions open the field of view with melodies hovering at the lip of overdrive. For the faithful -- crate-digging ravers, speed-run obsessives, and design nerds -- this is an essential expansion pack: compiling rarities, restoring context, and reframing the emotional core of wipE′out″ for late nights and early mornings alike. Bridging memory and momentum, club and console, rush and afterglow. Strap in.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
MACROM 082EP
|
$21.50
PREORDER
RELEASE DATE: 11/14/2025
Impérieux (aka Alper Durmush) is a beatmaker extraordinaire hailing from Kırcaali / Kardjali: since antiquity a hub of mythical music, located at the crossroads of Bulgaria, Turkey and Greece. After conquering the hearts and feet of the scene with his stunning debut album Rezil and the follow-up Fena EP, Impérieux caps off his stellar year with a seven-track mini album on Macro. Unpredictability, bound together by a consistent, modernist glint. From the raw jacking of "Gips" to the warm euphoria of "Baka," from the darbuka frenzy of "Duman" to the cutting friction of "Trese" -- a triumph.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MR 479LP
|
$28.50
PREORDER
RELEASE DATE: 11/14/2025
Dharmacide is a Spanish band known for their eclectic fusion of genres, blending elements of shoegaze and dreampop music. Tougher Than the Rest is their awaited second album. They take a step forward with a darker sound with gloomy riffs and ethereal voices in which they describe perfectly how the sound of a night full of random events would be like. "The Cigs, The Light, The Coffee and Crying," the LP's first single, features a powerful reverb-laden riff with a solo vocal melody in the middle of the chaos until breaking into a powerful chorus. Dharmacide's sound is marked by intricate guitar riffs, powerful drumming, and deep, emotive vocals that create a unique atmosphere. The band, with members of Alcalá Norte and Depresión Sonora, has made a huge impact on various stages, performing at renowned venues and festivals, including iconic spots in their home country as well as internationally, earning praise for their high-energy performances and thoughtful compositions. Their latest singles have been produced, mixed and mastered by Mark Gardener from Ride. Their sound is influenced by today's bands like Diiv, Warpaint, or Beach House but also by classic artists like Cocteau Twins, Nick Cave and the Bad Seeds, and Tom Waits.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
QP K
|
$23.50
PREORDER
RELEASE DATE: 11/14/2025
Quadrant Park is a new label from the makers of frozen reeds (which will continue in its own stream). It exists to present music that demands to reach a little further, occupying new spaces and a new context. For the inaugural release, SDEM delivers a live recording with a twist: this set was recorded in early 2024 in a single take to an audience of one, at a now abandoned empty club space beneath a railway arch in Leeds. Following a series of physical and digital releases culminating with Vortices (SKALD 038CD) in 2023, SDEM has focused on continuous upgrades to a mutating live set, sporadically performed, for example, alongside the Autechre and Gescom axes. In the phase documented here, the set draws deeply from turntable-era early hip hop and '80s drum machine architecture, resulting in a landscape of tactile slippage: rhythms gripping and releasing, gestural scrubs and stabs, scratching meets musique concrète. Interlocking parts snap in and out of alignment, before recombining on the fly -- kinetic, raw, and precise. The SDEM approach is marked by Tom Knapp's sculptural take on sound design, rhythm and texture -- ranging from dystopic ambient passages to pixelated, sub-heavy beats. A member of the Skam circle of atavistic beat freaks since the late '90s, Knapp's sound is that of hyperattentive electronica buried under soil and left to decay (or ferment). What emerges is somehow both ruthlessly futuristic and redolent of decrepit antique engineering. At Quadrant Park is presented in an edition of 500 compact discs with artwork by Robert Beatty unique to every individual copy. In a warped reflection of the recording circumstances, each copy forms one distinct frame of a short film never to be viewed in its totality. Liner notes are provided by the sole witness to the recording, long-standing SDEM co-conspirator Ed Martin, aka edv3ctor, while audio was mastered by the ears that matter, frozen reeds mainstay Jim O'Rourke.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SR 569LP
|
$22.50
PREORDER
RELEASE DATE: 11/14/2025
This album is not just an homage -- it's a gentle act of remembrance. A way of tuning in to what Alvin Lucier showed the world: that listening is an art in itself. A meditation on resonance, memory, and the quiet power of pure sound. The influence of Alvin Lucier's work on acoustic phenomena and the interplay between sound and space is difficult to overstate. His legacy continues to echo through the work of countless composers and sound artists today. Lucier's music is marked by a sense of childlike wonder and sonic simplicity -- shifting perception from what people hear to how they listen. At the heart of his compositions lies the sine wave: the purest, most elemental form of sound. Clarinetist Dries Tack pays tribute to this master of minimalism with an album centered around two works Lucier composed as intimate "In Memoriams" for friends. Both pieces explore a single, elegant idea: the interaction between an instrumental tone and a sine wave. Out of that interaction, "beatings" emerge -- a pulsating rhythm that accelerates or decelerates as the waves draw nearer or drift apart. Though built on the same concept, the two works are like mirrored reflections of one another: "In Memoriam Jon Higgins," the sine wave glides in a slow glissando while the clarinet holds steady tones. "In Memoriam Stuart Marshall," it's the clarinet that dances around a fixed sine wave. Dries Tack is a clarinetist specializing in contemporary performance practices. He performs with ensembles such as Nadar Ensemble, Curious Chamber Players, and Ensemble Fractales. As co-artistic director of the GLoW Collective, he explores collaborative practices across artistic disciplines in the broadest sense. In addition to his ensemble work, Dries curates solo projects that offer fresh perspectives on existing repertoire or give rise to entirely new works at the intersection of composition and improvisation.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD/DVD
|
|
SR 574CD
|
$21.50
PREORDER
RELEASE DATE: 11/14/2025
DVD is NTSC format, region-free. Never released before. In 2009, the Triton venue (near Paris, France) was sold out to celebrate the 35th anniversary of Univers Zéro, an iconic band of the Rock In Opposition movement. These two exceptional concerts highlighted a radical and unique style of music, at the crossroads of new music and chamber rock, skillfully blending acoustic and electric instruments, as heard on the cult album Ceux du Dehors. Around Daniel Denis (drums, composition), Michel Berckmans (oboe, bassoon), and Andy Kirk (keyboards and guitar), three historical figures of the group, complemented by four other talented musicians, offered an intense multimedia show, intertwining a condensed version of key pieces from the repertoire with more recent compositions. These concerts were part of a key phase in which the band offered one of its most-accomplished line-ups, taking the opportunity to establish its sound and image. The line-up had undergone a few changes since its reformation in 2004, with Pierre Chevalier (from the band Présent) and a new bassist joining the ensemble. This highlight has now resulted in the release of a live CD/DVD, a precious testimony to the band's artistic resurgence and stage energy.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SR 585LP
|
$24.00
PREORDER
RELEASE DATE: 11/14/2025
"Narthex" means "railed-off western portico" or "ante-nave" in early Christian churches for women, penitents, and catechumens. Narthex is also a trio featuring (at the beginning) Daniel Denis (Univers Zero, Art Zoyd), Alain Neffe (Pseudo Code, Human Flesh, Bene Gesserit) and Nicolas de Villemarqué (Nuwage Music). They had a very different musical background (mostly electric/electronic rock) and decided to work in the field of a totally acoustic music recorded live (two microphones + portable DA T) in churches of their area. After several recording sessions, Nicolas de Villemarqué decided to leave the group. ln order to complete the trio, Daniel Denis and Alain Neffe ask the participation of some of their friends. Anna Homler (The Sugar Connection, Cro-Magnon), Michel Berckmans (Univers Zero, Julverne, Aksak Maboul, Von Zamla) and Daniel Malempré (M.A.L., Human Flesh) accepted the challenge and succeed to fit into their musical universe. Never released before and recorded from 1994 to 1999, Superstitions features rhythmic, exotic, deep, and primitive sounds for postmodern ears.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
TARTALB 026LP
|
$32.00
PREORDER
RELEASE DATE: 11/14/2025
Max Graef turns his attention back to his universally adored debut, Rivers of the Red Planet, and offers up an exclusive gatefold edition on marbled vinyl with new versions and unreleased gems. As such, on revisiting Rivers of the Red Planet for this Anniversary Edition, Graef decided to go beyond the basic repackaging and demo offcuts to deliver something meaningful that marks the passing of time and offers a fascinating answer to the sort of "what-ifs" so many fans of the album will have pondered. The new versions of key album tracks are as fascinating for the similarities as the differences, still bursting with the expressive flair of a versatile beat maker while comfortably leaning into a richer variety of moods and grooves. "Running (Ancient Mix)" is a downtempo dancehall-tinged dream that repositions Wayne Snow's wistful vocal in a street soul reverie replete with '90s RnB MIDI-harp. "Superswiss (Atmosphere Mix)" leans on plastic slap bass and deliciously dubbed out sax woven through a laconic beat for the ages -- the consummate lysergic swirl of chill out with teeth. "Itzehoe (World House Mix)" gets into a subheavy, spring-loaded new jack swing funk, like Jam & Lewis meeting Smith & Mighty downtown and stopping by the juice bar for a quick hit of freshness. "Jazz 104 (Acid Mix)" turns the heat up on busy, bustling breaks and bass licks that positively spring forth from the mix with a clarity and purpose that speaks to the progression in Graef's craft over the past decade.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TROST 263LP
|
$31.50
PREORDER
RELEASE DATE: 11/14/2025
A cross-generational summit between the legendary pianist Marilyn Crispell (member of the Anthony Braxton Quartet and Reggie Workman Ensemble) and Midwest improvising trio of bass clarinetist Jason Stein, bassist Damon Smith, and drummer Adam Shead delivers all the range and expressivity one would expect from such seasoned players. The concert captured on Live at the Hungry Brain moves organically from searing free jazz to contemplative, lyrical balladry, all of conceived in the urgency of the moment and revealing a long-ranging, intricate approach to free improvisation. By its very nature any time a working ensemble, even one fully devoted to improvised music, is joined by another musician its modus operandi can't help by change. While no performance the trio of Chicago bass clarinetist, drummer Adam Shead, and St. Louis bassist Damon Smith has ever been quite the same, since forming in 2021 the trio had forged a tight bond and developed a highly effective approach informed by fundamental elements of jazz tradition and a fiery desire to create anew with every gathering. On the other hand, the art of improvisation has always thrived upon new input, novel challenges, and changing circumstances. This performance is a sterling multi-generational project that uses instant communication to bridge experiences. Crispell has always worked with a wide array of collaborators, regularly embracing partnerships with musicians decades younger than her. Like Crispell, the members of the trio have their unique influences and sweet spots, but the act of spontaneous creation bridges any such differences. In June of 2023 the musicians gathered for a studio session along with performances in Madison, Wisconsin, and subsequently, in Chicago, where the group recorded Live at the Hungry Brain. While spiraling horn, the studio session releases in 2024 leaned toward shorter excursions built around a small array of gambits and ideas, the remarkable live performances captured two long-form pieces where the ensemble had the space and time to spread out and dig in. The interactions spin in multiple directions, leading the trio to occasionally veer a bit closer to the deeply lyric post-Coltrane wanderlust Crispell thrives within, unspooling gorgeously dynamic streams of tender melody. The music is given fierce propulsion, with Smith and Shead generating churning, kinetic energy. In some ways it's Stein that binds everything together, his endlessly fluid playing retaining an equanimity through serenity and chaos.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
WWSCD 105CD
|
$18.00
PREORDER
RELEASE DATE: 11/14/2025
Wewantsounds presents the release of Akiko Yano's cult 1979 album 7 O'Clock in Tokyo, recorded live in September 1978 at a pivotal moment in Japanese music history, just as Yellow Magic Orchestra was about to take the world by storm (Yano would tour the world with the group in 1979). Featuring a very funky Yano performance accompanied by Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi, plus Tatsuro Yamashita and Minako Yoshida, the album is presented outside Japan for the first time, with remastered audio, original artwork, and a four-page insert including new liner notes by Paul Bowler. Akiko Yano holds a unique place in Japan's musical history. Emerging in the mid-'70swhile still in her early 20s, she quickly gained attention for her inventive songwriting, versatile singing, playful melodies, and genre-blending mix of pop, jazz, funk, and experimental sounds. Her influence has since reached far beyond Japan, earning her a devoted international following that includes Mac DeMarco, Clairo, and Jessy Lanza. By the late '70s, she had become closely connected with the members of Yellow Magic Orchestra, joining them on their first international tour in 1979. 7 O'Clock in Tokyo, captured live in September 1978, features Yano with a band including the three musicians performing a concert to support her third studio album, To-Ki-Me-Ki, just as YMO was preparing to take the world stage with their debut album. This performance offers a compelling snapshot of a pivotal moment in Japanese pop, when musical boundaries were being explored and new sounds were emerging. The concert highlights Yano's distinctive blend of Japanese pop and funk, with a superb rendition of "To-Ki-Me-Ki's" title track and "Katarun Kararan" from the same album, plus "Satchan," a playful piece performed with Yano accompanying herself on acoustic piano. The album closes with "Walk on the Way of Life," an eight-minute funky finale that brings the musicians together in a groovy performance, underlining both their versatility and the energy of the show.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
WWSLP 105LP
|
$33.00
PREORDER
RELEASE DATE: 11/14/2025
LP version. Wewantsounds presents the release of Akiko Yano's cult 1979 album 7 O'Clock in Tokyo, recorded live in September 1978 at a pivotal moment in Japanese music history, just as Yellow Magic Orchestra was about to take the world by storm (Yano would tour the world with the group in 1979). Featuring a very funky Yano performance accompanied by Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi, plus Tatsuro Yamashita and Minako Yoshida, the album is presented outside Japan for the first time, with remastered audio, original artwork, and a four-page insert including new liner notes by Paul Bowler. Akiko Yano holds a unique place in Japan's musical history. Emerging in the mid-'70swhile still in her early 20s, she quickly gained attention for her inventive songwriting, versatile singing, playful melodies, and genre-blending mix of pop, jazz, funk, and experimental sounds. Her influence has since reached far beyond Japan, earning her a devoted international following that includes Mac DeMarco, Clairo, and Jessy Lanza. By the late '70s, she had become closely connected with the members of Yellow Magic Orchestra, joining them on their first international tour in 1979. 7 O'Clock in Tokyo, captured live in September 1978, features Yano with a band including the three musicians performing a concert to support her third studio album, To-Ki-Me-Ki, just as YMO was preparing to take the world stage with their debut album. This performance offers a compelling snapshot of a pivotal moment in Japanese pop, when musical boundaries were being explored and new sounds were emerging. The concert highlights Yano's distinctive blend of Japanese pop and funk, with a superb rendition of "To-Ki-Me-Ki's" title track and "Katarun Kararan" from the same album, plus "Satchan," a playful piece performed with Yano accompanying herself on acoustic piano. The album closes with "Walk on the Way of Life," an eight-minute funky finale that brings the musicians together in a groovy performance, underlining both their versatility and the energy of the show.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BARN 125LP
|
$31.50
PREORDER
RELEASE DATE: 11/21/2025
Stiletti City Tape Archives is the fourth Stiletti-Ana album, showing off the Finnish mastermind's talent for making electronic music that's immediately inviting while generously rewarding the focused listener. Following on stand-out work for labels like Public Posession and Höga Nord -- not to mention all sorts of odd jobs within the Sex Tags multiverse -- Stiletti-Ana presents his latest offering: eight irresistible jams cooked up in the hallowed halls of Helsinki's Haista II studio. Here, vintage and modern synths joined forces with live drums and the occasional robot-voiced interjection, resulting in a body of work that's dazzlingly off-kilter, rich in detail and instantly addictive. The artist himself states: "I think the music has a sense of urgency which relates to city life. Still, Stiletti City is a small and cozy place, a bit freaky and not gentrified." Stockholm label Studio Barnhus is delighted to invite fellow travelers into this secret town -- welcoming and full of surprises.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BB 484CD
|
$16.50
PREORDER
RELEASE DATE: 11/21/2025
A timeless statement on media, culture, and music. Karl Bartos, renowned as an essential member and songwriter of Kraftwerk during their most innovative years, is reissuing his solo album Communication on Hamburg's Bureau B. First released in 2003, 13 years after leaving the legendary electronic group, the re-release arrives at a moment when its central theme, the transformation of culture through electronic media, feels more relevant than ever. When Bartos departed Kraftwerk in 1990, he left behind a catalogue that had redefined electronic music: "The Model," "The Robots," "Numbers," "Pocket Calculator," and many more bear his imprint as co-writer and melody-maker. 2021 Kraftwerk's classic line-up was inducted into the Rock & Roll Hall of Fame for their innovative work -- the first German band ever to be honored. With the sharp-witted electro-pop of Communication, the Kraftwerk legend extended that legacy, turning his focus toward a rapidly evolving media landscape at the turn of the millennium. At the time, the album's exploration of celebrity culture, digital imagery, and the early internet felt like a glimpse into the future. Today, it reads as sharp cultural analysis of a reality that has since become ordinary. Two decades later, this reissue allows Communication to be reconsidered on its own terms. The questions Bartos posed, about image saturation, reality fragmentation, and identity commodification, resonate more strongly in the age of smartphones, social media, and streaming platforms than they did in the early 2000s. Karl Bartos: "We are living in an age of huge behavioral manipulation. Cybernetics, artificial intelligence -- this is a major challenge for humanity." Bartos's role in shaping Kraftwerk's defining sound is undisputed, yet Communication also asserts his independent artistic voice: one that critiques media while celebrating the joy of electronic sound. Its rerelease is less a nostalgic act than a reminder that Bartos's work continues to speak directly to the cultural present. With this reissue on Bureau B, Communication endures as both a document of its time and a timeless statement on media, culture, and music.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BB 484LP
|
$26.00
PREORDER
RELEASE DATE: 11/21/2025
LP version. A timeless statement on media, culture, and music. Karl Bartos, renowned as an essential member and songwriter of Kraftwerk during their most innovative years, is reissuing his solo album Communication on Hamburg's Bureau B. First released in 2003, 13 years after leaving the legendary electronic group, the re-release arrives at a moment when its central theme, the transformation of culture through electronic media, feels more relevant than ever. When Bartos departed Kraftwerk in 1990, he left behind a catalogue that had redefined electronic music: "The Model," "The Robots," "Numbers," "Pocket Calculator," and many more bear his imprint as co-writer and melody-maker. 2021 Kraftwerk's classic line-up was inducted into the Rock & Roll Hall of Fame for their innovative work -- the first German band ever to be honored. With the sharp-witted electro-pop of Communication, the Kraftwerk legend extended that legacy, turning his focus toward a rapidly evolving media landscape at the turn of the millennium. At the time, the album's exploration of celebrity culture, digital imagery, and the early internet felt like a glimpse into the future. Today, it reads as sharp cultural analysis of a reality that has since become ordinary. Two decades later, this reissue allows Communication to be reconsidered on its own terms. The questions Bartos posed, about image saturation, reality fragmentation, and identity commodification, resonate more strongly in the age of smartphones, social media, and streaming platforms than they did in the early 2000s. Karl Bartos: "We are living in an age of huge behavioral manipulation. Cybernetics, artificial intelligence -- this is a major challenge for humanity." Bartos's role in shaping Kraftwerk's defining sound is undisputed, yet Communication also asserts his independent artistic voice: one that critiques media while celebrating the joy of electronic sound. Its rerelease is less a nostalgic act than a reminder that Bartos's work continues to speak directly to the cultural present. With this reissue on Bureau B, Communication endures as both a document of its time and a timeless statement on media, culture, and music.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BEARCD 060CD
|
$22.00
PREORDER
RELEASE DATE: 11/21/2025
"The band these Brummie boys were fated to become were always an exceptional group, even in their early years as Earth, when as teenagers they formed a blues band. Neatly timed in the mid-1960s, as the blues boom was in decline. Nevertheless, they persevered, widening their repertoire, until, name-change they became the most important and most-copied of all heavy metal bands. They single-handedly invented the style that influenced and inspired not only so many bands, but also those dozens of sub-metal styles that now abound -- black metal, death metal, gothic metal, nu metal and so many more. The band's subsequent worldwide success over the last fifty odd years has, unsurprisingly, drawn attention away from just how fine a band they were at the outset. This release will most certainly address that position. These early recordings were made by the band, still known as Earth, who had already built an enviable reputation and a veritable army of fans with their high-powered, blues-rooted, red hot and rocking performances. These recordings accurately chart their development of their repertoire as they edged their way towards those heavy metal anthems that were soon to captivate the world of rock."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BEARLP 060LP
|
$38.00
PREORDER
RELEASE DATE: 11/21/2025
"Ozzy Osbourne, Tony Iommi, Geezer Butler, and Bill Ward first came together in 1968 and originally named themselves The Polka Tulk Blues Band, before transitioning to Earth shortly afterwards. In 1969, they recorded a number of demos in Zella Studios in Birmingham that were never released. The band these Brummie boys were fated to become were always an exceptional group, even in their early years as Earth, when as teenagers they formed a blues band. Neatly timed in the mid-1960s, as the blues boom was in decline. Nevertheless, they persevered, widening their repertoire, until, name-change they became the most important and most-copied of all heavy metal bands. They single-handedly invented the style that influenced and inspired not only so many bands, but also those dozens of sub-metal styles that now abound -- black metal, death metal, gothic metal, nu metal and so many more. The band's subsequent worldwide success over the last fifty odd years has, unsurprisingly, drawn attention away from just how fine a band they were at the outset. This release will most certainly address that position. These early recordings were made by the band, still known as Earth, who had already built an enviable reputation and a veritable army of fans with their high-powered, blues-rooted, red hot and rocking performances. These recordings accurately chart their development of their repertoire as they edged their way towards those heavy metal anthems that were soon to captivate the world of rock. All tracks featured have been carefully restored from the original masters, untouched for over 50 years, and presented here for the very first time in all their glory."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
Cassette
|
|
DC 966CS
|
$12.00
PREORDER
RELEASE DATE: 11/21/2025
Cassette version. "Glyders been dreaming up this sound for ages -- over years, with different players, countless shows and many late nights at the tape machine. It's been a long ride to Forever -- but now that they've arrived, the vibe's lightning and the blink of an eye. Guitarist/vocalist Joshua Condon and bassist Eliza Weber started up in 2014, but even when they put together their 2023 album debut, Maria's Hunt, they still had a revolving door on the drums. Then they met Joe Seger, who fit on the kit like a glove and in their sound like a brother. Since then, the three have ridden together, building up Forever while playing shows all around the US and Europe. This makes Forever's spirit high and tight, its sinews rumbling with communal joy. The song nugs of Forever sprouted branches and spokes on the road, the increased physicality driving their mellow licks and riffs with a great depth of rolling bottom, its groove taking them further into their own thing. After all this time, the streamlined new chassis feels mighty fine, making this the first real band album for Glyders. These sweet tunes punctuate and emphasize the wind and rain in the hair of Forever's driving jams. Glyders like to keep shuffling the deck. Taped at their own Studio 'G' in Chicago's Humboldt Park, with Josh getting the sounds they like, then mixed by Cooper Crain at Sweat Loge Studios down in Pilsen, Forever is super rich, crackling with the raw details of real life. The title comes from a battle cry within the band, something they hear at shows too. Eliza's amazing art emphasizes this for life credo, mixing classic roots with punk collage style drawn from years of flyers. It's like a family/club vibe, the kind of thing you get tattooed into your skin. Forever lands smooth, its lightning-quick 37 minutes leaving you plenty of time to live. Flip it over and let it go again, then!"
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DC 966LP
|
$23.00
PREORDER
RELEASE DATE: 11/21/2025
"Glyders been dreaming up this sound for ages -- over years, with different players, countless shows and many late nights at the tape machine. It's been a long ride to Forever -- but now that they've arrived, the vibe's lightning and the blink of an eye. Guitarist/vocalist Joshua Condon and bassist Eliza Weber started up in 2014, but even when they put together their 2023 album debut, Maria's Hunt, they still had a revolving door on the drums. Then they met Joe Seger, who fit on the kit like a glove and in their sound like a brother. Since then, the three have ridden together, building up Forever while playing shows all around the US and Europe. This makes Forever's spirit high and tight, its sinews rumbling with communal joy. The song nugs of Forever sprouted branches and spokes on the road, the increased physicality driving their mellow licks and riffs with a great depth of rolling bottom, its groove taking them further into their own thing. After all this time, the streamlined new chassis feels mighty fine, making this the first real band album for Glyders. These sweet tunes punctuate and emphasize the wind and rain in the hair of Forever's driving jams. Glyders like to keep shuffling the deck. Taped at their own Studio 'G' in Chicago's Humboldt Park, with Josh getting the sounds they like, then mixed by Cooper Crain at Sweat Loge Studios down in Pilsen, Forever is super rich, crackling with the raw details of real life. The title comes from a battle cry within the band, something they hear at shows too. Eliza's amazing art emphasizes this for life credo, mixing classic roots with punk collage style drawn from years of flyers. It's like a family/club vibe, the kind of thing you get tattooed into your skin. Forever lands smooth, its lightning-quick 37 minutes leaving you plenty of time to live. Flip it over and let it go again, then!"
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
HPS 372CD
|
$16.00
PREORDER
RELEASE DATE: 11/21/2025
Yawning Man return to the studio with founding members Gary Arce and Mario Lalli with Bill Stinson. The new album on Heavy Psych Sounds Records Pavement Ends marks Arce and Lalli returning to a collaboration off the beaten path on some of the band's darkest and heaviest themes. Drenched in sonic tension and release, bleak and beautiful. The first track released titled "Bomba Negra" digs deep in the emotional undertow of Yawning Man's unique approach to rock music. The cover painting is the band's first collaboration with Joshua Tree artist Diane Bennett. Recorded at Gatos Trail Studios by Dan Joeright. Mixed and co-produced by Mike Shear. Cover Art by Diane Bennett. Also available on black vinyl (HPS 372LP), orange vinyl (HPS 372LTD-LP), and splatter vinyl (HPS 372ULTRA-LP).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 372LP
|
$28.00
PREORDER
RELEASE DATE: 11/21/2025
LP version. Yawning Man return to the studio with founding members Gary Arce and Mario Lalli with Bill Stinson. The new album on Heavy Psych Sounds Records Pavement Ends marks Arce and Lalli returning to a collaboration off the beaten path on some of the band's darkest and heaviest themes. Drenched in sonic tension and release, bleak and beautiful. The first track released titled "Bomba Negra" digs deep in the emotional undertow of Yawning Man's unique approach to rock music. The cover painting is the band's first collaboration with Joshua Tree artist Diane Bennett. Recorded at Gatos Trail Studios by Dan Joeright. Mixed and co-produced by Mike Shear. Cover Art by Diane Bennett.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 372LTD-LP
|
$31.50
PREORDER
RELEASE DATE: 11/21/2025
LP version. Orange color vinyl. Yawning Man return to the studio with founding members Gary Arce and Mario Lalli with Bill Stinson. The new album on Heavy Psych Sounds Records Pavement Ends marks Arce and Lalli returning to a collaboration off the beaten path on some of the band's darkest and heaviest themes. Drenched in sonic tension and release, bleak and beautiful. The first track released titled "Bomba Negra" digs deep in the emotional undertow of Yawning Man's unique approach to rock music. The cover painting is the band's first collaboration with Joshua Tree artist Diane Bennett. Recorded at Gatos Trail Studios by Dan Joeright. Mixed and co-produced by Mike Shear. Cover Art by Diane Bennett.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
HPS 372ULTRA-LP
|
$41.00
PREORDER
RELEASE DATE: 11/21/2025
LP version. Splatter color vinyl. Yawning Man return to the studio with founding members Gary Arce and Mario Lalli with Bill Stinson. The new album on Heavy Psych Sounds Records Pavement Ends marks Arce and Lalli returning to a collaboration off the beaten path on some of the band's darkest and heaviest themes. Drenched in sonic tension and release, bleak and beautiful. The first track released titled "Bomba Negra" digs deep in the emotional undertow of Yawning Man's unique approach to rock music. The cover painting is the band's first collaboration with Joshua Tree artist Diane Bennett. Recorded at Gatos Trail Studios by Dan Joeright. Mixed and co-produced by Mike Shear. Cover Art by Diane Bennett.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MR 478LP
|
$28.50
PREORDER
RELEASE DATE: 11/21/2025
The release prior to Fin seemed to hint at a more acoustic version of Spanish band Exnovios -- more interested in the studio as an instrument, more electronic, and more subtle. The new dozen songs that make up their fourth LP happily confirm that impression: to the usual unbeatable formula of this Pamplona-based quartet are added new and fascinating layers -- at once fresh yet entirely logical in the evolution of such a unique band within the local scene. Exnovios' new collection of songs wasn't created in a rehearsal space or recorded in a single week in the studio. Rather, it was composed and rehearsed slowly in bedrooms and living rooms -- songs that were later brought into the studio with the idea of finishing building them there. Over the course of nearly a year, the band approached each song one by one, in a handcrafted manner, alongside their trusted ally, producer Guillermo Mutiloa. The result is a treasure trove of songs, perhaps more psych-folk than ever, as acoustic pieces abound -- full of exquisite melodies without abandoning the consciousness-expanding journeys that have made Exnovios a cult favorite: These are often drumless tracks, perhaps with some light percussion, always featuring detailed and exquisite arrangements of guitar, electronics, percussion, and even touches of strings. And despite the reduced presence of drums, fans of the band's legendary fuzz-guitar reverbcore sound won't be disappointed: there's the psychedelic "Viaje Alucinante," full of their classic riffs; their brutal cover of Psychic TV's "Godstar" (drenched in echo and eccentric vocal effects); and the perfectly crafted "Naves Misteriosas," which pulls off the impossible feat of sounding like "Cerca de las Estrellas"-era Los Pekenikes in the verses, Phil Spector in the chorus, and the Ramones in the post-chorus. Fin reveals more sides and nuances of Exnovios than ever before -- a festival of eclectic styles that all remain true to the musical vision that has defined them over the past decade, with their melodic powers at the peak of their talent.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
MR 485CD
|
$12.50
PREORDER
RELEASE DATE: 11/21/2025
1985 was a landmark year for punk rock in the Basque country, and possibly for the whole of Spain. Punk merged with the Basque Radical Rock (Rock Radikal Vasco or RRV) movement, although this was not necessarily always the case. For instance, Eskorbuto invariably kept their distance from the movement and everything related to it. Hardship was part and parcel of Eskorbuto's life and musical career. All their albums were recorded in the shortest time imaginable, partly due to tight budgets (studios were expensive, labels were close-fisted), and partly because Josu and Jualma needed to spend the money on other things. When it came to recording Anti Todo, Eskorbuto stuck to what they did best: hitting the studio with as much raw energy, provocation, inspiration, and natural talent as possible. It was their best record and it begs the question: what would Eskorbuto have been capable of if they had more time, a bigger budget, and tighter control? The song "Tamara" was practically composed on the spot in the studio in less than two recording days, as was much of "Ha llegado el momento." The experienced sound technician did an outstanding job, but a new remastering for this rerelease has given the album the richer, more vibrant sound it always deserved. Listeners can once again enjoy the urgency, simplicity, and rage of this refreshed Anti Todo, a true classic in musical history, originally released in 1985 at Eskorbuto's peak of their creativity and energy.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MR 488LP
|
$28.50
PREORDER
RELEASE DATE: 11/21/2025
Unlike other Spanish bands of the time, Los Z-66 enjoyed unique conditions that allowed their sound to stand out as one of the most advanced on the local scene in the late 1960s. As was the case with many other groups, their repertoire for entertaining discotheques had to include the hits of the moment and was not always open to the songs of the most daring international bands, which was the sound that most stimulated the musicians. In the case of Los Z-66, being based in Mallorca meant they had privileged access to hard to-find records, imported by foreign tourists, and to a much more modern atmosphere than in other parts of the country. Songs in Italian and French soon gave way to English hits by the Animals, the Stones, and the Beatles. But it was the offer received from Mike Jeffries, manager of Jimi Hendrix, the Animals, and others, to serve as the house band at the newly opened club Sgt. Pepper's that allowed the group to raise their live performances to a level rarely seen in these parts. They even soon incorporated the distorted sound of fuzz into their guitar when they received a fuzz face pedal as a gift from Jimi Hendrix himself, who was invited to play at the club's opening! Their excellent blend of stunning soul, psychedelia, and pop became their hallmark, not only in the band's concerts but also in the handful of singles and EPs they released on the Regal label. Their songs reflected the influence of bands such as The Move, Vanilla Fudge, and Blood, Sweat & Tears, showcasing a solid, modern, and powerful sound. Munster are now re-releasing for the first time their only full-length album, originally published in 1969, which is actually a compilation of songs previously released in 45 rpm format, complete with two bonus tracks not included on the original LP. This reissue, which includes a booklet with liner notes and rare photos, is a joint project between Munster and Runaway Records.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
RIPS 010CD
|
$11.00
PREORDER
RELEASE DATE: 11/21/2025
Pilot is the debut album from London quintet Miniseries. Channeling the epic sweep of TV themes and movie soundtracks into resplendent space rock they explore themes of youth and ageing, heartbreak and paranoia, euphoria and existential dread. Songwriter Doug Morch (Longview) had been working on largely acoustic folk songs when he met Angela Gannon (The Magic Numbers) at Glastonbury 2017. Romance and musical collaboration ensued. The band coalesced in the hallowed environs of Farringdon's The Betsey Trotwood pub -- a musical nexus where burgeoning indie and Americana scenes collide -- where they met fellow songwriter and guitarist Dermot Watson (from Brighton's The Dials) and drummer Danny Abbasi and were joined by Doug's former bandmate Aidan Banks on bass. When they came together, their indie folk mutated into motorik art rock. When it came to capturing their sound, the band reached for maverick musician and producer Sean Read. They recorded tracks at Read's Famous Times studio in Clapton, London, as well as at Edwyn Collins' Clashnarrow in Helmsdale, Scotland. Miniseries' Pilot is just the beginning of the story. Enthralling and atmospheric, the London quintet have created something familiar yet timeless.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
RIPS 010LP
|
$28.50
PREORDER
RELEASE DATE: 11/21/2025
LP version. Pilot is the debut album from London quintet Miniseries. Channeling the epic sweep of TV themes and movie soundtracks into resplendent space rock they explore themes of youth and ageing, heartbreak and paranoia, euphoria and existential dread. Songwriter Doug Morch (Longview) had been working on largely acoustic folk songs when he met Angela Gannon (The Magic Numbers) at Glastonbury 2017. Romance and musical collaboration ensued. The band coalesced in the hallowed environs of Farringdon's The Betsey Trotwood pub -- a musical nexus where burgeoning indie and Americana scenes collide -- where they met fellow songwriter and guitarist Dermot Watson (from Brighton's The Dials) and drummer Danny Abbasi and were joined by Doug's former bandmate Aidan Banks on bass. When they came together, their indie folk mutated into motorik art rock. When it came to capturing their sound, the band reached for maverick musician and producer Sean Read. They recorded tracks at Read's Famous Times studio in Clapton, London, as well as at Edwyn Collins' Clashnarrow in Helmsdale, Scotland. Miniseries' Pilot is just the beginning of the story. Enthralling and atmospheric, the London quintet have created something familiar yet timeless.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
RS 075EP
|
$17.50
PREORDER
RELEASE DATE: 11/21/2025
Two jewels in the crown of the soulful electronic music scene in NYC unite for a spellbinding EP on Rhythm Section International. Full Circle is a brand-new body of work from Musclecars & Toribio. These are not merely tracks -- these are three movements making up a concerto -- with a dub thrown in for good measure! This is a delicate tour de force, delivered with such raw emotion and vulnerability it allows the instrumentation takes a back seat -- just a gentle groove, swelling strings and some unresolved chords are all that's required to transform listeners to the main character of this story.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
SR 559CD
|
$16.00
PREORDER
RELEASE DATE: 11/21/2025
Uzed is the fourth album by Belgian band Univers Zero. It was released three years after Ceux du Dehors, due to a change in line-up and a new repertoire, although the EP Crawling Wind had been released in the meantime. The album marked a turning point for the band. Univers Zero explored new electric colors, giving it a more rock feel with the addition of new musicians such as Jean-Luc Plouvier, who introduced the synthesizer, guitarist Michel Delory, who played a memorable solo in "Célesta (For Chantal)," and André Mergen on electric cello and alto saxophone, who enriched the orchestral texture. With Dirk Descheemaeker on clarinet and soprano saxophone and the return of Christian Genet on bass, this evolution can also be explained by the arrival of new musicians. Uzed is entirely composed and arranged by Daniel Denis. The recording and mixing were done at Daylight Studio in Brussels in 1984, but to bring out Uzed, the sound had to be improved by giving it more dynamic range, which was done at ICP Studios in 2024. Univers Zero represents one of the longest-living bands in Belgium. It was established in 1974. Drummer Daniel Denis had the brilliant idea to gather together a team of professionals sharing the same taste for music. The band has adopted an instrumental progressive style. Over the last couple of decades, the band has also implemented a series of influences from chamber music -- most commonly, chamber music from the 20th century. Even if the line-up changes a lot over the years, the overall sound of UZ remained fairly consistent.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SR 559LP
|
$24.00
PREORDER
RELEASE DATE: 11/21/2025
LP version. Uzed is the fourth album by Belgian band Univers Zero. It was released three years after Ceux du Dehors, due to a change in line-up and a new repertoire, although the EP Crawling Wind had been released in the meantime. The album marked a turning point for the band. Univers Zero explored new electric colors, giving it a more rock feel with the addition of new musicians such as Jean-Luc Plouvier, who introduced the synthesizer, guitarist Michel Delory, who played a memorable solo in "Célesta (For Chantal)," and André Mergen on electric cello and alto saxophone, who enriched the orchestral texture. With Dirk Descheemaeker on clarinet and soprano saxophone and the return of Christian Genet on bass, this evolution can also be explained by the arrival of new musicians. Uzed is entirely composed and arranged by Daniel Denis. The recording and mixing were done at Daylight Studio in Brussels in 1984, but to bring out Uzed, the sound had to be improved by giving it more dynamic range, which was done at ICP Studios in 2024. Univers Zero represents one of the longest-living bands in Belgium. It was established in 1974. Drummer Daniel Denis had the brilliant idea to gather together a team of professionals sharing the same taste for music. The band has adopted an instrumental progressive style. Over the last couple of decades, the band has also implemented a series of influences from chamber music -- most commonly, chamber music from the 20th century. Even if the line-up changes a lot over the years, the overall sound of UZ remained fairly consistent.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
THROT 014CD
|
$15.50
PREORDER
RELEASE DATE: 11/21/2025
Following the skewed-unself-help-brilliance of Sus Dog (which marked his first full foray into songs, abetted by Thom Yorke), and its companion piece Cave Dog, Chris Clark returns to the dancefloor's simple, but no less affecting pleasures, with Steep Stims. Steep Stims marks a back-to-basics approach, invoking the early years of gung-ho creativity enforced by limitations in technology at the time. Made quickly, Steep Stims reflects the immediate rave energy of his live show, but that's not to say it's basic floor fodder, as it's rife with personality, synth magic, and knack for melody. Although swift and impressionistically captured rather than labored over, it's still formidably deft, with plenty of oddball weirdness lurking beneath the dancefloor. Soft, orange, scorched, brutal, the opening track "Gift and Wound" captures the classic dance music dread/awe/euphoria combo perfectly, before "Infinite Roller" merges sparkly-minimalism with snarling bass and soft sines, which turn more-dense and metallic as it progresses. The melancholic smoke belch of "No Pills U" gives strong classic vibrations, which is belied by its creation, made in just 20 minutes. Drumless, yet still full of exhilarating-big-trance-drama, "Who Booed The Goose" flashes by in stroboscopic fast forward, then "5 Millionth Cave Painting" gives a palate cleanser, letting "the virus with its delicious broken, luxurious reverb have a moment," before "Negation Loop" swoops down in all its glory, with Clark's tweaked vocals leading deconstructed trance breakdowns, tape edits and brutal noisebursts. An antidote to the bombast of its predecessor is "Micro Lyf," which closes the set on a poignant note, of sorts. Muted staccato gives way to field recordings "that gradually put it in this outside space; alien in a meadow somewhere nameless. It feels like a sinkhole. The record kinda swallows itself up and then is gone", ends Chris.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
THROT 014LP
|
$41.00
PREORDER
RELEASE DATE: 11/21/2025
Double LP version. Following the skewed-unself-help-brilliance of Sus Dog (which marked his first full foray into songs, abetted by Thom Yorke), and its companion piece Cave Dog, Chris Clark returns to the dancefloor's simple, but no less affecting pleasures, with Steep Stims. Steep Stims marks a back-to-basics approach, invoking the early years of gung-ho creativity enforced by limitations in technology at the time. Made quickly, Steep Stims reflects the immediate rave energy of his live show, but that's not to say it's basic floor fodder, as it's rife with personality, synth magic, and knack for melody. Although swift and impressionistically captured rather than labored over, it's still formidably deft, with plenty of oddball weirdness lurking beneath the dancefloor. Soft, orange, scorched, brutal, the opening track "Gift and Wound" captures the classic dance music dread/awe/euphoria combo perfectly, before "Infinite Roller" merges sparkly-minimalism with snarling bass and soft sines, which turn more-dense and metallic as it progresses. The melancholic smoke belch of "No Pills U" gives strong classic vibrations, which is belied by its creation, made in just 20 minutes. Drumless, yet still full of exhilarating-big-trance-drama, "Who Booed The Goose" flashes by in stroboscopic fast forward, then "5 Millionth Cave Painting" gives a palate cleanser, letting "the virus with its delicious broken, luxurious reverb have a moment," before "Negation Loop" swoops down in all its glory, with Clark's tweaked vocals leading deconstructed trance breakdowns, tape edits and brutal noisebursts. An antidote to the bombast of its predecessor is "Micro Lyf," which closes the set on a poignant note, of sorts. Muted staccato gives way to field recordings "that gradually put it in this outside space; alien in a meadow somewhere nameless. It feels like a sinkhole. The record kinda swallows itself up and then is gone", ends Chris.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
TR 598CD
|
$16.50
PREORDER
RELEASE DATE: 11/21/2025
In 1985, Eric Goulden released an album entitled A Roomful Of Monkeys on the Go! Discs label under the name Captains Of Industry. It was a disaster -- most people didn't like it -- where it wasn't roundly ignored it was critically slated. Forty years later he decided to use these songs, written in the Medway Towns between 1982 and '84, as the basis for a new album: England Screaming. On the new recordings Eric played most of the instruments himself. Sam Shepherd played the drums, Amy Rigby and Marc Valentine sang backing vocals, and contributed piano along with Eric's art school friend, performance artist Graham (Graham) Beck. England Screaming is a sonically savage world apart from the insipid, half-arsed (Eric's words) original album. He has succeeded in marrying a young and unrealized vision to the wisdom and experience of his older years, incidentally posing the question: how far have we actually come as a society? As Wreckless Eric he needs little introduction -- he wrote and recorded the classic "Whole Wide World" and had a hit with it back in 1977. Since then it's been a hit for countless other artists including The Monkees, Cage The Elephant, and Billie Joe Armstrong of Green Day. As Eric Goulden it's a little more complicated -- a musician, artist, writer, recording engineer and producer, he didn't like either the music business, the mechanics of fame, or the name he'd been given to hide behind, so he crawled out of the spotlight and disappeared into the underground. He went on to release twenty something albums in forty something years under various names -- The Len Bright Combo, Le Beat Group Electrique, The Donovan Of Trash, The Hitsville House Band, and with his wife as one half of Wreckless Eric & Amy Rigby, finally realizing he was stuck with the name Wreckless Eric.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TR 598LP
|
$26.00
PREORDER
RELEASE DATE: 11/21/2025
LP version. In 1985, Eric Goulden released an album entitled A Roomful Of Monkeys on the Go! Discs label under the name Captains Of Industry. It was a disaster -- most people didn't like it -- where it wasn't roundly ignored it was critically slated. Forty years later he decided to use these songs, written in the Medway Towns between 1982 and '84, as the basis for a new album: England Screaming. On the new recordings Eric played most of the instruments himself. Sam Shepherd played the drums, Amy Rigby and Marc Valentine sang backing vocals, and contributed piano along with Eric's art school friend, performance artist Graham (Graham) Beck. England Screaming is a sonically savage world apart from the insipid, half-arsed (Eric's words) original album. He has succeeded in marrying a young and unrealized vision to the wisdom and experience of his older years, incidentally posing the question: how far have we actually come as a society? As Wreckless Eric he needs little introduction -- he wrote and recorded the classic "Whole Wide World" and had a hit with it back in 1977. Since then it's been a hit for countless other artists including The Monkees, Cage The Elephant, and Billie Joe Armstrong of Green Day. As Eric Goulden it's a little more complicated -- a musician, artist, writer, recording engineer and producer, he didn't like either the music business, the mechanics of fame, or the name he'd been given to hide behind, so he crawled out of the spotlight and disappeared into the underground. He went on to release twenty something albums in forty something years under various names -- The Len Bright Combo, Le Beat Group Electrique, The Donovan Of Trash, The Hitsville House Band, and with his wife as one half of Wreckless Eric & Amy Rigby, finally realizing he was stuck with the name Wreckless Eric.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
VAMPI 334LP
|
$28.50
PREORDER
RELEASE DATE: 11/21/2025
This anthology of Los Wembler's allows listeners to appreciate the legacy of the iconic group from Iquitos, the most important city in the Peruvian Amazon which is only accessible by air or river, and their key role in the creation and revival of Amazonian cumbia. Los Wembler's emerged as a family band in the late 1960s in the Belén district of Iquitos and are regarded as pioneers of electric guitar-driven Amazonian cumbia from Perú. The selection of songs that make up this compilation dates from the period between 1972 and 1980, at the peak of the band's career. Songs such as "Sonido amazónico" or "La danza del petrolero" have become highly influential classics of the genre. Most of these tracks are reissued here for the first time after remaining unavailable for decades. Selva includes an insert with liner notes and photos. Pressed on 180g vinyl.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
VAMPI 45116EP
|
$15.50
PREORDER
RELEASE DATE: 11/21/2025
Manny Corchado should be a household name for all boogaloo fans. His classic track "Pow-Wow" is one of the most sought-after singles among collectors and DJs -- not just for its A-side, but also for the absolute dance floor bomb hidden on its B-side: "Chicken and Booze." This instrumental recording features an irresistible rhythm section that could practically serve as the definition of the boogaloo genre itself. On the B-side of this single comes another version of the same song -- this time re-titled "Aguardiente y Pollo" in Spanish -- performed by Nelson y sus Estrellas. The tropical and salsa orchestra, founded in Venezuela by pianist, composer, and bandleader Nelson González Rojas, keeps the same punch and dance-driven focus as Corchado's version, but adds more melodic and sophisticated arrangements.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
WJLP 084LP
|
$28.00
PREORDER
RELEASE DATE: 11/21/2025
Talk Show is a new duo collaboration featuring Steph Richards on trumpets and resonating surfaces and Qasim Naqvi on drums, almglocken bells and modular synthesizer. Having worked together on other projects for almost two decades, Miss America, released by We Jazz Records, marks their first, pure duo collaboration -- a space to engage with a sonic language they've been cultivating together for years. The album was recorded live, with Qasim crafting real-time electronics and drum set work, and Steph using trumpets and resonating percussion to summon sympathetic vibrations and otherworldly sounds through timpani, snare and water. The trumpet sounds electronically processed, though every sound is acoustic. Both artists wanted to retain the live nature of their process, so what you hear is virtually untouched. Sharing an appetite for experimentalism, theatricality and irreverent collisions of sound and image, Qasim and Steph met in 2008 at CalArts- which was a breeding ground for open creative thought and cross-disciplinary collaboration. Often working with directors in the theater program, choreographers, or experimental and character animators, Steph and Qasim's musical language has a rooting in visual performance art. From their first premiere, costumed together inside a giant two-person dress sculpture that consumed a drum set, to their most recent audio-visual nightmare which explores the horrors of '80s daytime reality talk shows, this duo presents a voice the grimy and the grotesque: a new beauty of questionable acts and character flaws in sound.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ACOLOUR 053LP
|
$30.50
PREORDER
RELEASE DATE: 11/28/2025
Going back to sleep... is a lovingly gathered suite of windswept, heart-bursting contemporary DIY indie-pop and folk including new songs by Carla dal Forno, The Reds, Pinks and Purples, Lewsberg-related duo The Hobknobs and Rat Columns, next to luminaries and newcomers Daily Toll, Who Cares?, The Lewers, The Sprigs, Drunk Elk, I Can I Can't, The Gabys, and Chateau. A beautiful contemporary companion of I Won't Have To Think About You (2017). Focused on Australian artists predominantly recording and performing in intimate spaces, the compilation's sentiment extends to likeminded artists around the world. A feeling of introspection that seems impossible to achieve when recording for anyone but yourself. A trip through the wonderfully diverse international pop underground, or more simply, a group of music makers performing on A Colourful Storm's imaginary stage.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
LMS 1725560
|
$17.50
PREORDER
RELEASE DATE: 11/28/2025
Northside were key players in the "Madchester"/baggy/indie-rave scene of the early '90s. Chicken Rhythms includes the indie dancefloor fillers "Take 5," "Shall We Take A Trip," and "My Rising Star." Featuring restored artwork by Central Station Design. Expanded CD edition features six bonus tracks: rarities, single edits, and two remixes by The Reflex and Leo Zero. Includes 12-page booklet.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LMS 1725562
|
$32.00
PREORDER
RELEASE DATE: 11/28/2025
LP version. Green color vinyl. Northside were key players in the "Madchester"/baggy/indie-rave scene of the early '90s. Chicken Rhythms includes the indie dancefloor fillers "Take 5," "Shall We Take A Trip," and "My Rising Star." Featuring restored artwork by Central Station Design. Expanded CD edition features six bonus tracks: rarities, single edits, and two remixes by The Reflex and Leo Zero. Includes 12-page booklet.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
WRWTFWW 109LP
|
$38.50
PREORDER
RELEASE DATE: 11/28/2025
WRWTFWW Records presents the limited-edition vinyl reissue of Natural Sonic, the groundbreaking 1990 environmental percussion album by Japanese composer and performer Yoshiaki Ochi. Long a hidden gem of the kankyō ongaku movement, Natural Sonic finally returns in its full analog glory, housed in a heavyweight sleeve with obi and carefully remastered from the original archives of Wacoal Art Center/Spiral's visionary NEWSIC label. Originally released only in Japan at the dawn of the 1990s, Natural Sonic is a mesmerizing exploration of earthly sound and rhythm -- a sonic tapestry woven from wood, water, and stone, and skin. Ochi, who at the time was the in-house composer and performer for world-renowned designer Issey Miyake, created a series of elemental pieces that blur the line between avant-garde percussion, ritual music, and environmental sound art. The result is both deeply physical and profoundly meditative -- an album that breathes with nature itself. Echoing the organic minimalism of Midori Takada's Through the Looking Glass and the ecological grandeur of Geinoh Yamashirogumi's Ecophony Gaia, Ochi's compositions open portals into primal landscapes, evoking forests, rivers, and stones in flux. Part of NEWSIC's celebrated experimental catalog -- alongside Yoshio Ojima's Une Collection des Chaînons, Motohiko Hamase's #Notes of Forestry, and Satsuki Shibano's Rendez-Vous -- Natural Sonic now finds new life for contemporary listeners seeking sound that feels both timeless and vital. A singular album of resonance and restraint, Natural Sonic is a treasure from the golden age of Japanese environmental music, finally available again over three decades later.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BR 192LP
|
$33.00
PREORDER
RELEASE DATE: 12/5/2025
Buh Records presents Selva Selva, the debut album by Wayku, a project led by guitarist and researcher Percy A. Flores Navarro, originally from Tarapoto, in the Peruvian Amazon. The album centers the electric guitar, blending traditional jungle sounds with contemporary approaches to explore new textures, rhythms, and expressions. Wayku emerged in late 2022 after Flores's previous project Motilones de Tarapoto. It reflects a dialogue among Amazonian music, rock, and jazz, while also drawing on Brazilian music, tropical rhythms, and other popular expressions from the jungle. The sound feels organic and evolving, rooted in tradition yet open to modern languages. According to its creator, the album seeks to renew the Amazon's repertoire by adapting it to contemporary sonic languages. Selva Selva weaves three strands of Amazonian popular music: sounds and instruments recorded in ethnographic archives, traditional folk ensembles, and tropical jungle bands. Flores Navarro's ethnographic research in Indigenous communities of San Martín and Loreto has profoundly informed Wayku's vision. His compositions interlace narratives of Indigenous resistance with traditional aesthetics, modern harmony, electric instrumentation, and symphonic elements, balancing formal exploration with cultural commitment. Across eleven tracks, Selva Selva offers a journey through native communities while reflecting the cosmopolitan realities of Amazonian cities. Songs such as "Carnaval en la selva" and "Por la marginal reimagine pandilla," a festive Amazonian genre of lively rhythms, flutes, percussion, and community ties. Wayku projects pandilla into the present, amplifying its vitality with contemporary arrangements. This work continues a lineage dating to the 1970s, when tropical Amazonian bands incorporated electric guitar into pandilla, creating the form now known as electric pandilla. Wayku revives and expands that language, asserting a discourse that empowers Amazonian musicians and raises the visibility of their work on broader stages. Selva Selva was recorded between January and March 2024 in Morales, San Martín, with Michel Paredes on bass. Flores performed the rest and handled recording and digital mastering. Vladimir Ivanov completed analog mastering and Gonzalo de Montreuil produced the artwork. The album is released by Buh Records, supported by the Peruvian Ministry of Culture's 2023 Cultural Stimulus Grants.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
MMCD 25006LP
|
$35.00
PREORDER
RELEASE DATE: 12/5/2025
The incredibly beautiful album Shinsekai, released in 1994, is finally being reissued. Long considered a phantom masterpiece and a cornerstone of Japanese techno, the album had been out of print for many years due to the business circumstances of its original label, Rising High. Now reissued by Sublime and Musicmine.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
VIT 001LP
|
$35.00
PREORDER
RELEASE DATE: 12/5/2025
Hidden Traffic is the debut album by Hard To Tell via their own imprint, Vitrage Records. Spanning eight tracks, the album blends Detroit-influenced house, breakbeat textures, warm analog tones and subtle hypnotic techno nods. From the atmospheric opener "Last Night Jam" to the emotional closer "Solid Love," Hidden Traffic showcases the full spectrum of the duo's sound -- introspective, danceable, and deeply personal.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
AKENAT 006LP
|
$25.00
PREORDER
RELEASE DATE: 12/12/2025
Volume 2 of this series focused on the amazing sonic treasures Bollywood music has to offer. This second volume is centered on the incredible instrumental gems that populate Hindi cinema soundtracks. 14 tracks of pure Bollywood instrumental genius to continue the dive into the mind-blowing world of Hindi cinema music. Covering a time span of three decades, this compilation mixes well-known names with lesser-known talents from the endlessly thrilling vaults of Hindi movie soundtracks and throws a couple of delicious covers for a truly unforgettable sonic experience. Includes liner notes. Featuring Charanjit Singh, R.D. Burman, Sapan & Jagmohan, Raghunath Seth, Chic Chocolate, S. D. Burman, Van Shipley, Kalyanji Anandji, O.P. Nayyar, Govind Naresh, Usha Khanna, S. Hazarasingh, Babla & His Orchestra, and Laxmikant-Pyarelal.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ACRSLP 1673LP
|
$26.00
PREORDER
RELEASE DATE: 12/31/2025
Delayed... "Duke Ellington was one of the most important and influential figures in the entire history of jazz, as pianist, bandleader, composer and innovator, his career spanned the evolution from the early days of electric recording. However, while critics and commentators focus on his over-arching significance as a giant of the medium, it's easy to forget that he was a genius at composing tune and songs for the medium of the three-minute, 78rpm single, and during the first three decades of his career before rock 'n' roll changed the pop landscape irrevocably, he had more than 70 records that were credited as chart hits. The Duke himself preferred not to have his work referred to as 'jazz' but liked people to see it as he himself saw it, as being 'beyond category,' simply 'American music.' In a career lasting six decades, he attracted the very best musicians to his orchestras, and gifted to the world many of the jazz standards we know and love today This LP brings together some of his most iconic compositions, including timeless classics such as the Billboard R&B No.1 'Don't Get Around Much Anymore,' alongside stalwarts of the jazz canon 'Mood Indigo,' 'Sophisticated Lady,' 'Solitude,' 'Caravan,' 'Take The 'A' Train,' and 'It Don't Mean A Thing (If You Ain't Got That Swing).' It's a fantastic insight into his most successful output during a primary era of his career, and a great showcase for the artistry which made the Duke such a revered and iconic personality."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
Book
|
|
9781633451766
|
$22.00
PREORDER
RELEASE DATE: 1/20/2026
Paperback. 150 pages. "One of the towering figures of 20th-century art holds forth on his controversial life and career in a previously unpublished set of interviews. Over six sessions between September 1951 and November 1952, Marcel Duchamp sat down with collectors and gallerists Harriet and Sidney Janis for a wide-ranging conversation about his inspirations and working processes, and his many opinions on the workings of the modern art world and its histories. The Janises, owners of the influential Sidney Janis Gallery, were ardent supporters of modern art and close friends with Duchamp. Harriet, an accomplished author, led the interviews with an eye toward writing a monograph on Duchamp, though this was never realized. Now, this previously unknown chronicle is available for the first time through the efforts of Carroll Janis, Sidney and Harriet's son. Under Harriet's expert guidance, Duchamp holds forth on his artistic philosophies, his career, his friends, his rivals and his lifelong obsession with chess. He provides an inside look at some of his most famous works, from his controversial 'Readymades' to 'The Large Glass.' Contextualized with illustrations, annotations and an introduction by Carroll Janis, this publication is a rich treasure trove of information on one of the 20th century's most controversial, groundbreaking and larger-than-life artists. Marcel Duchamp (1887-1968) dismantled the boundaries of what constitutes a work of art. Although he began his career as a painter, Duchamp was also a curator, conservator, art advisor, professional chess player, writer, inventor and celebrity. Following the completion of his conceptual masterpiece, 'The Large Glass' (1915-23), he abandoned traditional artmaking altogether. Today he is best known for his 'Readymades' -- ordinary objects such as a urinal or bicycle wheel, elevated to works of art -- which challenged traditional aesthetics and redefined authorship."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
Book
|
|
9783907236666
|
$65.00
PREORDER
RELEASE DATE: 2/3/2026
Delayed until 2026... "A massive photographic archive of Lee 'Scratch' Perry's legendary recording studio. A 600-page tribute to one of the most famous locales in music history, Black Ark is a detailed inventory of photographs and writings from the Black Ark Studios in Kingston, Jamaica, where producer Lee 'Scratch' Perry created music from 1973 onward. The eclectic and constantly evolving decoration of the studio provides an enduring visual counterpart to Perry's expansive musical catalog. From mural paintings to shape-shifting assemblages of records, instruments, found objects, posters and newspaper clippings, the artworks layer upon one another as they intertwine with the studio building itself. Perry created his own dense and diverse world in which to work: memorialized in this volume before the Black Ark disappears for good. The photographic documentation of the studio in the spring of 2021 was supplemented by efforts to secure and preserve Perry's works, objects and recordings as part of a joint project with the Smithsonian Institution in Washington, DC. Black Ark reflects the rhythm and layering effects of collage both in its content and the materials used to craft the book. Perry was involved in the development of this publication until his death in August 2021. The book closes with memorial essays from Ishion Hutchinson, David Katz, Kodwo Eshun, and John Corbett. Lee 'Scratch' Perry (1936-2021) was a musician and producer best known for pioneering the dub genre in the 1970s. He worked with well-known Jamaican artists such as Bob Marley and the Wailers, the Heptones, the Congos, and Max Romeo. In 2003 he won a Grammy Award for Best Reggae Album."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
Book
|
|
9783959053204
|
$60.00
PREORDER
RELEASE DATE: 2/3/2026
Delayed further... until early 2026.."Pioneering media artist and concrete poet Ferdinand Kriwet's 1971 cult artist's book in a facsimile edition. A monumental, three-volume encyclopedia of alphabetically organized images, Ferdinand Kriwet: Stars was first published by Kiepenheuer & Witsch in 1971. In the 1960s, German author and media artist Ferdinand Kriwet (1942-2018), inspired by concrete poetry and its interest in the visual quality of linguistic signs, began to approach the literary medium of the book in a new way. Imagining new ways of reading that resisted linearity, Kriwet experimented with alternatives, encouraging a rapid back-and-forth between the pages of the book and the texts and images on them. In Stars, he treats images like words and arranges them in alphabetical order in an epic encyclopedia format. For years, Stars has only been available, at considerable cost, in antiquarian book catalogs. This new facsimile edition of Ferdinand Kriwet: Stars brings Kriwet's pioneering vision and his seminal book back into print." 416 pages. 2.5 pounds. 5.50(w) x 8.75(h).
|
|