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01. PIETRO GROSSI - PG 4 (1965)
02. PIETRO GROSSI - SP (1965)
03. PIETRO GROSSI - OM (1966)
04. PIETRO GROSSI - Modulazioni Per Michelangelo (1965)
05. Riccardo Andreoni - Studio Sugli Impulsi
06. Albert Mayr - Proposta Sonora VIII
07. Aurelio Peruzzi - Studio 1 (1967)
08. SMET - EL 25 (1966)
09. NPS - Interferenze 2 (1967)
01. PIETRO GROSSI - A - Create [A]
02. PIETRO GROSSI - B - Sound Life 24
03. PIETRO GROSSI - C - Fuga XII
04. PIETRO GROSSI - A - Sound Life 11
05. PIETRO GROSSI - C - Silencio
06. PIETRO GROSSI - B - Sound Life 17
07. PIETRO GROSSI - C - Fuga XII Inversa
08. PIETRO GROSSI - A - Arte Della Fuga Elaborata
09. PIETRO GROSSI - B - Combinatoria - 1970
10. PIETRO GROSSI - B - Monodia - 1970
11. PIETRO GROSSI - A - Create
12. PIETRO GROSSI - C - Silenzio
13. PIETRO GROSSI - B - Sound Life 25
14. PIETRO GROSSI - C - Fuga Xiii
15. PIETRO GROSSI - A - Sound Life 11
16. PIETRO GROSSI - C - Fuga Xiii Inv
17. PIETRO GROSSI - B - Sound Life 27
18. PIETRO GROSSI - A - Arte Della Fuga Elaborata
19. PIETRO GROSSI - B - Sound Life 42
20. PIETRO GROSSI - B - Create
21. PIETRO GROSSI - B - Variazioni Su Scarlatti Sonata 119
22. PIETRO GROSSI - A - Sound Life 11
ARTIST
TITLE
Combinatoria
FORMAT
2CD BOX

LABEL
CATALOG #
DS 020CD DS 020CD
GENRE
RELEASE DATE
7/6/2010

A comprehensive guide to the core recordings of one of the most visionary and inspiring, subversive and radical musicians from Italy, this 2CD box deluxe edition captures Pietro Grossi's original vision, presenting a wide selection of his studio early recordings, beautifully remastered to preserve the enduring quality. Pietro Grossi used to playfully define himself as pigro (trans. "lazy"), but he wasn't lazy at all! Few musicians have been working everyday at such a cracking pace, creating, teaching and writing -- and when we listen to his music, we should bear in mind how this complex figure of musician, cellist and composer, and also visual artist, has developed creative thinking in a path where a blend of very different aspects organically cohabited. Since the late '50s, Grossi was convinced of the potential of the "new sound" and was totally obsessed with pioneering it, to the point where he would found the S 2F M (Studio di Fonologia Musicale di Firenze) in 1963 -- which made its headquarters in Florence at the Conservatorio, and then in his apartment -- spending days and nights on end splicing tapes and working with various modified machines to create his abstract soundscapes. The two CDs feature his first analogical electronic music, as well as some S 2F M studio works by colleagues such as Vittorio Gelmetti, Gruppo NPS (with Teresa Rampazzi) and Albert Mayr, while the second disc is focused on the prototype computer-generated sound synthesis.