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IN STOCK
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ARTIST
TITLE
Decay Music n. 3: Rueben
FORMAT
LP
LABEL
CATALOG #
DSDM 003LP
DSDM 003LP
GENRE
RELEASE DATE
6/25/2021
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Riding the razor's edge between rigorous experimentation, innovation, and tradition, London based, Italian composer, cellist, and electronic performer, Sandro Mussida, joins the Die Schachtel family with Rueben, his third solo LP. Active since the early 2000s, Sandro Mussida worked extensively with Mark Fell, Curl Collective, Lorenzo Senni, Oren Ambarchi, and Alessandra Novaga, among others, as well as a founding member of the interdisciplinary artists' group TQS Collective, before releasing his solo debut, Ventuno Costellazioni Invisibili, on Metrica in 2017 (MTR 001LP), followed by Eeeooosss, released by Soave in 2019 (GRA 005LP). Rueben, like its predecessor, deploys a microtonal vocabulary within a three-instrument sound palette and builds upon Mussida's long-standing investigations of active listening, augmented by a developing practice that challenges aural perceptions of historical, non-equal-tempered tuning systems. The third instalment of Die Schachtel's Decay Music series -- launched to highlight inspired contemporary experimental efforts in the ambient, ethereal, and emotively abstract music -- Rueben was recorded during 2018 in the church of St.Giusto in Volterra, Italy. Deeply inspired by Italian Renaissance paintings encountered by Mussida during the work's composition, and conceived at the intersection of acoustic and electronic aural fields, in careful response to the space itself, the sounds of electric guitar, bass clarinet, and cello -- treated as minuscule sound atoms, rapidly projected to form structures of evolving densities -- harmoniously enter into dialogue, forming a multi-layered, contemplative sonic landscape, within the interwoven complexity of their own reflections. Across the length of Rueben, bound to the work's inspiration in the visual realm, the interplay between the senses blur, presenting the act of listening as a mirror for the experience and legacies of seeing. In Mussida's hands, sound emerges as a trace or memory suspended in a non-linear conception of time, where imprint, movement, and event, as they relate to place and happening, are perceived by the ear, recalling the Russian theologian Pavel Florenskij's idea of "reverse time", that likens temporal condition activated by experiences with art as similar to that of dreams. Vast in scope and intricate detail, the nine discrete compositions that form Rueben unfold in a series of interconnected, shimmering landscapes of tone and texture, each, through the interplay of their elements, configuring a radically dense rendering of minimalist, ambient music that challenge the perceived boundaries of those historical definitions. An inspired and radically forward-thinking realization of electro-acoustic music. Cover features an original Sumi-e painting by Japanese artist and avant rock drummer Akihide Monna (Bo Ningen). 180 gram marble vinyl; one-time edition of 250.
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