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IN STOCK
01. Barry Guy - Schizzo I (Canto XV 82,83)
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02. Zawodnik, Barry Guy/Beatrice - Schizzo II
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03. Visotzky/Beatrice Zawodnik/Barry Guy, D.M. - Schizzo III
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04. Zawodnik/D.M. Visotzky/Brice Pauset/Barry Guy, Béatrice - Schizzo IV
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05. Leonardo García Alarcón - Schizzo V (Canto XXIII 128)
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06. Zawodnik/D.M. Visotzky/Leonardo García Alarcón, Béatrice - Schizzo VI
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07. Visotzky/Barry Guy, D.M. - Schizzo VII
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08. Visotzky/Brice Pauset/Barry Guy, D.M. - Schizzo XIII
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09. Zawodnik/Brice Pauset/Barry Guy, Béatrice - Schizzo IX
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10. Zawodnik/D.M. Visotzky/Leonardo García Alarcón, Béatrice - Schizzo X
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11. Zawodnik/D.M. Visotzky/Leonardo García Alarcón, Béatrice - Schizzo XI
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12. Zawodnik/D.M. Visotsky, Béatrice - Schizzo XII
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13. Zawodnik/Leonardo García Alarcón, Béatrice - Schizzo XIII
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14. Zawodnik/D.M. Visotzky/Leonardo García Alarcón, Béatrice - Schizzo XIV
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15. Brice Pauset - Schizzo XV (Canto XXXIV 65)
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16. Zawodnik/D.M. Visotzky/Brice Pauset, Béatrice - Schizzo XVI
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17. Pauset/Barry Guy, Brice - Schizzo XVII
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18. Zawodnik/Brice Pauset, Béatrice - Schizzo XVIII
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19. Zawodnik/D.M. Visotzky/Brice Pauset, Béatrice - Schizzo XIX
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20. Visotzky/Barry Guy, D.M. - Schizzo XX
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21. Zawodnik/D.M. Visotzky/Leonardo García Alarcón, Béatrice - Schizzo XXI
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22. Zawodnik/D.M. Visotzky/Brice Pauset, Béatrice - Schizzo XXII
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23. Zawodnik/D.M. Visotzky/Leonardo García Alarcón, Béatrice - Schizzo XXIII
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24. Zawodnik/D.M. Visotzky/Brice Pauset/Barry Guy, Béatrice - Schizzo XXIV
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25. Visotzky/Barry Guy, D.M. - Schizzo XXV
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26. Barry Guy - Schizzo XXVI (Canto XV 82,83)
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ARTIST
VA
TITLE
Schizzi di Orlando Furioso
FORMAT
CD
LABEL
NEOS
CATALOG #
NEOS 11306CD
NEOS 11306CD
GENRE
CLASSICAL
RELEASE DATE
4/29/2014
At first glance, it seems remarkable that present-day musicians allow themselves to be inspired by a literary work that seems so remote from our time as does the epic poem
Orlando Furioso
by
Ludovico Ariosto
, written from 1505 onwards. Orlando's world, in a constant state of upheaval, reveals in its multi-layered nature far more analogies to the present-day realities of life than might appear at first glance. For this reason, Ariosto's broad literary area of experience can ultimately be used as a mirror into which we may look in order to better understand the enigmatic moments of our own present-day world while having recourse to the aids of artistic reflection. The conception of the Schizzi di Orlando Furioso is to be understood as this kind of glance into the mirror:
Béatrice Zawodnik
(oboe, English horn),
D.M. Visotzky
(alto saxophone),
Barry Guy
(double bass),
Brice Pauset
(harpsichord), and
Leonardo García Alarcón
(organ) allow themselves to be stimulated by Ariosto's verses to create a multifarious succession of 26 short pieces for solo, duo, trio and quartet combinations. Their essential elements include the collision of varying idioms and stylistic traits resulting from the respective areas of activity of the participating musical personalities. Due to this type of action, opposing areas of musical discourse -- namely those of the New Music, jazz and the sacred realm -- enter into relationships with each other or overlap each other, resulting in a multi-layered texture at times having the effect of a labyrinth.
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