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01. Jean Cohen-Solal - Concerto Cyclique
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02. Jean Cohen-Solal - Raga Du Matin
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03. Jean Cohen-Solal - Matière
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04. Jean Cohen-Solal - Quelqu'un
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ARTIST
COHEN-SOLAL, JEAN
TITLE
Flutes Libres
FORMAT
LP
LABEL
SOUFFLE CONTINU RECORDS
CATALOG #
FFL 044LP
FFL 044LP
GENRE
EXPERIMENTAL
RELEASE DATE
9/14/2018
Souffle Continu Records present the first ever reissue of
Jean Cohen-Solal
's
Flûtes Libres
, originally released in 1972. In a dreamlike fictive and windswept Brittany, hippy pirates and wild women more or less inspired by
Gérard de Nerval
fight it out in a theater, the magic of which brings to mind
Cocteau
, and where musical improvisation has an important role: this is
Noroît
, a cursed film which was never released in cinemas at the time (1976), directed by the great
Jacques Rivette
, where Jean-Cohen-Solal, his brother
Robert
and
Daniel Ponsard
can be seen and heard playing. The scene is every bit as inventive as that featuring the
Art Ensemble Of Chicago
in
Les Stances à Sophie
(1971). The same magic and invention can be found on this first album by Jean Cohen-Solal:
Flûtes Libres
. A magic which can be keenly felt on "Quelqu'un", a long contemplative mantra which takes up the whole of the B side and which anticipates the future collaboration in the mysterious universe of Jacques Rivette. Jean Cohen-Solal studied flute from all angles, and became one of the great French virtuosi, along with
Michel Edelin
who at the time was with
Triode
. This was a period (1972) when flutists were very popular with the public, most of whom had been influenced by
Roland Kirk
, including
Ian Anderson
of
Jethro Tull
. Whereas Jean Cohen-Solal tells a different story, richer and centered on the instrument itself, using the magic (yes, that again) of overdubs. Perhaps
Paul Horn
rather than Roland Kirk could be an influence but stripped of a classical background which was too audible and a tendency for easy listening. In fact, in terms of comparison, "open music" by
Bob Downes
would be the closest to the electroacoustic experiments of Jean Cohen-Solal, who, by the way, was also close to the GRM and
Bernard Parmegiani
for whom he occasionally provided sound sources. These are the qualities which probably explain why
Flûtes Libres
figures (and justifiably) on the famous
Nurse With Wound
list. Licensed from Jean Cohen-Solal. Includes eight-page booklet. Highlighter yellow vinyl; Obi strip; Edition of 700.
Other releases on SOUFFLE CONTINU RECORDS