Last Updated 11/05/2024 02:22 PM EST
LOG IN
CART
Cart Items :
Sub Total :
artist
label
title
catalog #
any field
advanced
New Releases
Artists
Labels
Forthcoming
Best Sellers
Reviews
Jobs
soundclips
[All Countries]
Argentina
Australia
Austria
Belgium
Brazil
Canada
Chile
China
Colombia
Croatia
Czech Republic
Denmark
Egypt
Europe
Finland
France
Germany
Greece
Hong Kong
Hungary
Iceland
Ireland
Israel
Italy
Jamaica
Japan
Korea
Liechtenstein
Lithuania
Luxembourg
Netherlands
New Zealand
Nigeria
Norway
Peru
Philippines
Poland
Portugal
Puerto Rico
Romania
Russian Federation
Scotland
Senegal
Slovenia
Spain
Sweden
Switzerland
Taiwan
Thailand
Turkey
UK
Ukraine
United States
Uruguay
World's Leading Terrorist State
World's Misleading Terrorist State
[All Formats]
Book
Cassette
CD
Clothing
Digital
DVD
MISC
VHS
Vinyl
[All Genres]
CLASSICAL
COMEDY
ELECTRONIC
EXPERIMENTAL
HIPHOP
JAZZ
Misc
ROCK
WORLD
artist
catalog #
label
title
any field
Tweet
Send Email
PRICE:
$20.00
$20.00
IN STOCK
01. GIULIANO D'ANGIOLINI - Simmetrie di ritorno für 10 Instrumente (2000)
Your browser does not support the audio element.
02. GIULIANO D'ANGIOLINI - Ita vita zita rita für verstärktes Klavier (1997)
Your browser does not support the audio element.
03. GIULIANO D'ANGIOLINI - Orizzonte fisso, bordoni mobili für 8 Instrumente (2007)
Your browser does not support the audio element.
04. GIULIANO D'ANGIOLINI - Und'ho d'andà für 9 Blechbläser (1995)
Your browser does not support the audio element.
05. GIULIANO D'ANGIOLINI - Ho visto un incidente für Solostimme (1991-1992)
Your browser does not support the audio element.
06. GIULIANO D'ANGIOLINI - Notturno in progressione für Streichquartett (2004)
Your browser does not support the audio element.
ARTIST
D'ANGIOLINI, GIULIANO
TITLE
Simmetrie Di Ritorno
FORMAT
CD
LABEL
EDITION RZ
CATALOG #
RZ 10020CD
RZ 10020CD
GENRE
CLASSICAL
RELEASE DATE
11/8/2011
"
Giuliano d'Angiolini
is a positively unique figure in contemporary music. His profound, well-conceived and stubborn take on music has led him to what he calls "impersonal" music -- music that has fully abandoned the idea of development or form. Through successive states of presentation, which aim to elucidate, d'Angiolini wanted to "
leave place in sound so that music could become less voluntary
." This led him to favor the surface and present an approach that was by no means superficial: the surface as the immediacy in the propositional content of sound and the present as the very surface of the criterion of time. In his work, musical process and material are but one and are completely laid bare. What we are to hear is non-discursive, deliberately lacking formal organization. We are even free to turn away and come back of our own will -- as if the composer wanted to make positive use of the negative metamorphosis of today's urban listeners, listeners who are constantly assailed with stimuli." --Gérard Pesson
Other releases on EDITION RZ