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01. GrauSchmacher Piano Duo - Et blanc et noir: a mon ami A. Kussewitsky
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02. GrauSchmacher Piano Duo - Et blanc et noir: au lieutenant Jacques Charlot
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03. GrauSchmacher Piano Duo - Et blanc et noir: a mon ami Igor Stravinsky
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04. GrauSchmacher Piano Duo - Sonata for Two Pianos: Moderato
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05. GrauSchmacher Piano Duo - Sonata for Two Pianos: Thema. Largo
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06. GrauSchmacher Piano Duo - Sonata for Two Pianos: Variation 1
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07. GrauSchmacher Piano Duo - Sonata for Two Pianos: Variation 2
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08. GrauSchmacher Piano Duo - Sonata for Two Pianos: Variation 3
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09. GrauSchmacher Piano Duo - Sonata for Two Pianos: Variation 4 (conclusion)
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10. GrauSchmacher Piano Duo - Sonata for Two Pianos: Allegretto
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11. GrauSchmacher Piano Duo - Six epigraphes antiques: Pour invoquer Pan, dieu du vent d'ete
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12. GrauSchmacher Piano Duo - Six epigraphes antiques: Pour un tombeau sans nom
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13. GrauSchmacher Piano Duo - Six epigraphes antiques: Pour que la nuit soit propice
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14. GrauSchmacher Piano Duo - Six epigraphes antiques: Pour la danseuse aux crotales
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15. GrauSchmacher Piano Duo - Six epigraphes antiques: Pour l'Egyptienne
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16. GrauSchmacher Piano Duo - Six epigraphes antiques: Pour remercier la pluie au matin
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17. GrauSchmacher Piano Duo - La Sacre du Printemps (First Part: L'adoration de la terre): Introduction
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18. GrauSchmacher Piano Duo - La Sacre du Printemps (First Part: L'adoration de la terre): Les augures printaniers
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19. GrauSchmacher Piano Duo - La Sacre du Printemps (First Part: L'adoration de la terre): Danses des adolescentes
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20. GrauSchmacher Piano Duo - La Sacre du Printemps (First Part: L'adoration de la terre): Jeu du rapt
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21. GrauSchmacher Piano Duo - La Sacre du Printemps (First Part: L'adoration de la terre): Rondes printanieres
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22. GrauSchmacher Piano Duo - La Sacre du Printemps (First Part: L'adoration de la terre): Jeux de cites rivales
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23. GrauSchmacher Piano Duo - La Sacre du Printemps (First Part: L'adoration de la terre): Cortege du sage
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24. GrauSchmacher Piano Duo - La Sacre du Printemps (First Part: L'adoration de la terre): Le sage
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25. GrauSchmacher Piano Duo - La Sacre du Printemps (First Part: L'adoration de la terre): Danse de la terre
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26. GrauSchmacher Piano Duo - La Sacre du Printemps (Second Part: La sacrifice): Introduction
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27. GrauSchmacher Piano Duo - La Sacre du Printemps (Second Part: La sacrifice): Cercles mysterieux des adolescentes
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28. GrauSchmacher Piano Duo - La Sacre du Printemps (Second Part: La sacrifice): Glorification de l'elue
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29. GrauSchmacher Piano Duo - La Sacre du Printemps (Second Part: La sacrifice): Evocation des ancetres
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30. GrauSchmacher Piano Duo - La Sacre du Printemps (Second Part: La sacrifice): Action rituelle des ancetres
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31. GrauSchmacher Piano Duo - La Sacre du Printemps (Second Part: La sacrifice): Danse sacrale (L'elue)
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ARTIST
DEBUSSY, CLAUDE/IGOR STRAVINSKY
TITLE
Le Sacre
FORMAT
CD/SACD
LABEL
NEOS
CATALOG #
NEOS 20805CD
NEOS 20805CD
GENRE
CLASSICAL
RELEASE DATE
7/2/2013
Featured works: "En Blanc Et Noir" (1914/15) for two pianos and "Six Épigraphes Antiques" (1915) for piano four hands by Claude Debussy (1862-1918); "Sonata For Two Pianos" (1943/44) and "Le Sacre Du Printemps" (1912) (version for piano four hands) by Igor Stravinsky (1882-1971). Performed by: GrauSchumacher Piano Duo (Andreas Grau & Götz Schumacher). "Igor Stravinsky and Claude Debussy, although contemporaries, followed very different musical paths. Whereas Stravinsky went on the attack with shocking new rhythmic and metric devices, Debussy revolutionized music in a much more subtle way: with harmonic schemes that are no longer rooted in tonality, and a musical language that offers a freedom not found in the cold logic of Stravinsky, banning herewith constructivist moments via an approach to open form never previously encountered. That gainsaid, the two composers influenced each other strongly and even learned from each other during a short phase of their creativity. This was the Europe of the post-1914 era, with all its portentous outcomes. Debussy was fascinated with the explosive power of 'Sacre'; Stravinsky -- for his part -- recognized around this time Debussy's modernity, to which his groundbreaking cantata 'Le Roi Des Étoiles' was dedicated, a work composed as early as 1911. And even if both composers finally went their own way, for a short moment in time their ideas augmented each other and led to a kind of cross-fertilization despite the fundamentally dissimilar nature of their musical vision." Stereo/multichannel hybrid SACD that can be played on any CD player.
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