Last Updated 11/23/2024 07:23 PM EST
LOG IN
CART
Cart Items :
Sub Total :
artist
label
title
catalog #
any field
advanced
New Releases
Artists
Labels
Forthcoming
Best Sellers
Reviews
Jobs
soundclips
[All Countries]
Argentina
Australia
Austria
Belgium
Brazil
Canada
Chile
China
Colombia
Croatia
Czech Republic
Denmark
Egypt
Europe
Finland
France
Germany
Greece
Hong Kong
Hungary
Iceland
Ireland
Israel
Italy
Jamaica
Japan
Korea
Liechtenstein
Lithuania
Luxembourg
Netherlands
New Zealand
Nigeria
Norway
Peru
Philippines
Poland
Portugal
Puerto Rico
Romania
Russian Federation
Scotland
Senegal
Slovenia
Spain
Sweden
Switzerland
Taiwan
Thailand
Turkey
UK
Ukraine
United States
Uruguay
World's Leading Terrorist State
World's Misleading Terrorist State
[All Formats]
Book
Cassette
CD
Clothing
Digital
DVD
MISC
VHS
Vinyl
[All Genres]
CLASSICAL
COMEDY
ELECTRONIC
EXPERIMENTAL
HIPHOP
JAZZ
Misc
ROCK
WORLD
artist
catalog #
label
title
any field
Tweet
Send Email
PRICE:
$15.00
$15.00
LOW STOCK LEVEL
NO RESTOCK ESTIMATE
01. MORTON FELDMAN - For Samuel Beckett
Your browser does not support the audio element.
02. MORTON FELDMAN - Turfan Fragments
Your browser does not support the audio element.
ARTIST
FELDMAN, MORTON
TITLE
Turfan Fragments
FORMAT
CD
LABEL
DOG W/A BONE
CATALOG #
DWAB 004CD
DWAB 004CD
GENRE
CLASSICAL
RELEASE DATE
9/28/2010
2018 repress; originally released in 2001 by the Dog W/A Bone label, this release features these 2 long pieces:
For Samuel Beckett
and
The Turfan Fragments
. Performed by:
The Orchestra of the S.E.M. Ensemble
, with
Petr Kotik
, conductor.
For Samuel Beckett
and
The Turfan Fragments
are
Morton Feldman
's only chamber orchestra compositions. Both were commissions:
The Turfan Fragments
by the Swiss-Italian Radio Orchestra in 1980,
For Samuel Beckett
by the
Schönberg Ensemble
, Amsterdam, in 1987. Both titles are descriptive and suggest how Feldman arrived at a particular concept for each piece.
The Turfan Fragments
is a succession of short sections, which could indeed be described as fragments. The title relates the composition to manuscripts from Turfan (the southwest region of present-day China), which are in the collection of the Preussischer Kulturbesitz in Berlin. These calligraphic remnants, going back to the 9th century, were brought to Germany before World War I and Feldman must have seen them while living in Berlin in 1971. In contrast,
For Samuel Beckett
is based on a single idea of several chord progressions unfolding continuously for almost an hour. In 1977, Beckett wrote a text for Feldman, to be used as the libretto for his opera
Neither
. Feldman's description of Beckett's writing most eloquently suggests what was on his mind when composing
For Samuel Beckett
: "
here's something peculiar about it [Beckett's text]. I can't catch it. Finally I see that every line is really the same thought said in another way. And yet the continuity acts as if something else is happening. Nothing else is happening. What you're doing, in an almost
Proust
ian way, is getting deeper and deeper saturated into the thought
." Includes an 8-page booklet with liner notes from Petr Kotik and an extract from Morton Feldman from
Give My Regards To Eighth Street
(Exact Change). The Orchestra of the S.E.M. Ensemble; Petr Kotik, conductor.
Other releases on DOG W/A BONE
Other releases by FELDMAN, MORTON