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01. Christoph Maria Moosmann, organ - I. Genesis
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02. Christoph Maria Moosmann, organ - II. Trio
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03. Christoph Maria Moosmann, organ - III. et exclamavi
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04. Christoph Maria Moosmann, organ - IV. Symphonie I (Halberg-Studie I)
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05. Christoph Maria Moosmann, organ - V. Halberg-Studie II
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06. Christoph Maria Moosmann, organ - VI. Halberg-Sudie III
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07. Christoph Maria Moosmann, organ - VII. superverso für eine Kleinorgel (superversolino)
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08. Christoph Maria Moosmann, organ - VIII. in media noctis (Clusterstudie)
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01. Christoph Maria Moosmann, organ - IX. Farbenmusik
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02. Christoph Maria Moosmann, organ - X. Toccata
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03. Christoph Maria Moosmann, organ - XI. Bozzetto
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04. Christoph Maria Moosmann, organ - XII. Symphonie II, Apokalypse/Finalis
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ARTIST
FLAMMER, ERNST HELMUTH
TITLE
Superverso per Organo
FORMAT
2CD
LABEL
NEOS
CATALOG #
NEOS 10913-14CD
NEOS 10913-14CD
GENRE
CLASSICAL
RELEASE DATE
8/21/2015
Ernst Helmuth Flammer
is one of the leading organ composers of our time. The connection between Flammer's
superverso
, performed here by
Christoph Maria Moosmann
, and
Olivier Messiaen
's great organ cycles is unmistakable, though the
superverso
is far more advanced in its musical design and language than Messiaen's work, only because it was composed considerably later. The
superverso per organo
, unlike Messiaen's great organ cycle
Livre du Saint Sacrement
, dispenses with specifically theological titles for its individual pieces in favor of musical and technical titles. But both share the grand design of the overall program. Trinitas on the one hand, and
Sein und Zeit
(
Being and Time
) on the other, as non-mythological, rational, natural, philosophical approaches that correlate faith, in the
Cartes
ian sense, out of a superior creative authority that orders our world. Flammer was born in Heilbronn, Germany, in 1949. He studied mathematics and physics from 1969 until 1972; there followed studies in music theory with
Peter Förtig
from 1973 until 1979; and then musicology, art history, and philosophy with
Hans Heinrich Eggebrecht
in Freiburg from 1972 until 1980. He wrote his dissertation on
Luigi Nono
and
Hans Werner Henze
. He studied composition with
Klaus Huber
,
Brian Ferneyhough
, and
Paul-Heinz Dittrich
from 1976 onward.
Other releases on NEOS
Other releases by FLAMMER, ERNST HELMUTH