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01. MARIANNE POUSSEUR - The Wonderful Widow of Eighteen Springs (John Cage)
02. MARIANNE POUSSEUR - Only (Morton Feldman)
03. MARIANNE POUSSEUR - Von der Freundlichkeit der Welt (Hanns Eisler)
04. MARIANNE POUSSEUR - Hô 1 (Giacinto Scelsi) Hô 4 (Giacinto Scelsi)
05. MARIANNE POUSSEUR - Lettre d'Epicure 1 (György Kurtág) Lettre d'Epicure 2 (György Kurtág) Lettre d'Epicure 3 (György Kurtág) Lettre d'Epicure 4 (György Kurtág)
06. MARIANNE POUSSEUR - Mnémosyne (Henri Pousseur)
07. MARIANNE POUSSEUR - Hungry Child (Frederic Rzewski)
08. MARIANNE POUSSEUR - Experience N°2 (John Cage)
09. MARIANNE POUSSEUR - El Mundo Entero (Sephardic) Abre Tu Puerta (Sephardic) Bre Sarica (Sephardic) Que Hermoza (Sephardic)
10. MARIANNE POUSSEUR - Un Jour (Henri Pousseur)
11. MARIANNE POUSSEUR - Lustukru (Théodore Botrel)
12. MARIANNE POUSSEUR - Wien Wien Nur Du Allein (Rudolf Sieczynski)
ARTIST
TITLE
Only
FORMAT
CD

LABEL
CATALOG #
SR 278CD SR 278CD
GENRE
RELEASE DATE
8/2/2011

Pieces by John Cage, Morton Feldman, Hanns Eisler, Giacinto Scelsi, György Kurtag, Frederic Rzewski, Henri Pousseur, Théodore Botrel, Rudolf Siecynski, and Sephardic songs. Performed/interpreted by vocalist Marianne Pousseur.
"I like to listen to music in places that haven't been designed for it. I like when music mixes in with noise. Only came from a very personal desire to open the doors of my musical world to the concreteness of daily life, to tear down the fictional barriers between places and times of rehearsal and performance. Here I try to relate simple pieces to 'serious' works, sophisticated styles that are familiar to me with simple songs; I try to present them in unexpected places, familiar places that may enrich, impregnating these musical movements with all the fullness of their own lives -- a school, a car in motion, the train station. The story this ensemble tells may not be the classical contents of the works featured here, but it is a fiction -- different, less pure, contaminated, and open-ended on the world of what is around us, a world excluded from the sacred universe of music. Maybe it tells a contradictory idea of wonder and discomfort, of the necessity of an essential starting point: memory, journey, and an impossible quest for beauty and balance." --Marianne Pousseur