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01. Irina Emeliantseva - Composition: I - Adagio
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02. Irina Emeliantseva - Composition: II - Agiato con passione
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03. Irina Emeliantseva - Composition: III - Allegretto grazioso
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04. Irina Emeliantseva - Etude: I - Affettamente
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05. Irina Emeliantseva - Etude: II - Con dolce maniera
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06. Irina Emeliantseva - Etude: III - Burlando
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07. Irina Emeliantseva - Sonata No. 1
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08. Irina Emeliantseva - Prelude
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09. Irina Emeliantseva - Composition: I - Tres modere
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10. Irina Emeliantseva - Composition: II - Lent
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11. Irina Emeliantseva - Sonata No. 2
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12. Irina Emeliantseva - Poem: I - Allegretto, fervido
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13. Irina Emeliantseva - Poem: II - Moderato, sempre poco rubato
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14. Irina Emeliantseva - Prelude: I - Andante affettuoso
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15. Irina Emeliantseva - Prelude: II - Allegretto con moto
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16. Irina Emeliantseva - Prelude: III - Lento
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17. Irina Emeliantseva - Prelude: IV - Lento
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18. Irina Emeliantseva - Prelude: V - Lento, rubato
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19. Irina Emeliantseva - Sonata No. 5
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ARTIST
ROSLAVETS, NIKOLAY A.
TITLE
Works For Piano
FORMAT
CD
LABEL
NEOS
CATALOG #
NEOS 10902CD
NEOS 10902CD
GENRE
CLASSICAL
RELEASE DATE
7/2/2013
Featured works:
3 Compositions
(1914);
3 Etudes
(1914);
Sonata No. 1
(1914);
Prelude
(1915);
2 Compositions
(1915);
Sonata No. 2
(1916);
2 Poems
(1920);
5 Preludes
(1919-22);
Sonata No. 5
(1923). Performed by Irina Emeliantseva, piano. "The man was a political suspect: a free-thinker, a romantic social revolutionary, one who was not able to gain a footing on the floor of Marxist-Leninist ideology. As a musician and philosopher he experimented with new tonal systems, which led to him being banned as a composer. And for decades after his death he remained for Soviet authorities an 'unperson'. Abroad, in the West, his music - despite recommendation by Igor Stravinsky - was hardly ever heard, up to 1989. After the pioneering recordings by Marc-André Hamelin and others a new generation of musicians has begun to discover his music: the young Russian pianist and composer Irina Emeliantseva is one good example, a player who is also a painter and who has really taken on board the expressive style of Roslavets."
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