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Search Result for Genre Misc
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9783907236666
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$65.00
PREORDER
RELEASE DATE: 3/4/2025
Delayed until March/2025... "A massive photographic archive of Lee 'Scratch' Perry's legendary recording studio. A 600-page tribute to one of the most famous locales in music history, Black Ark is a detailed inventory of photographs and writings from the Black Ark Studios in Kingston, Jamaica, where producer Lee 'Scratch' Perry created music from 1973 onward. The eclectic and constantly evolving decoration of the studio provides an enduring visual counterpart to Perry's expansive musical catalog. From mural paintings to shape-shifting assemblages of records, instruments, found objects, posters and newspaper clippings, the artworks layer upon one another as they intertwine with the studio building itself. Perry created his own dense and diverse world in which to work: memorialized in this volume before the Black Ark disappears for good. The photographic documentation of the studio in the spring of 2021 was supplemented by efforts to secure and preserve Perry's works, objects and recordings as part of a joint project with the Smithsonian Institution in Washington, DC. Black Ark reflects the rhythm and layering effects of collage both in its content and the materials used to craft the book. Perry was involved in the development of this publication until his death in August 2021. The book closes with memorial essays from Ishion Hutchinson, David Katz, Kodwo Eshun, and John Corbett. Lee 'Scratch' Perry (1936-2021) was a musician and producer best known for pioneering the dub genre in the 1970s. He worked with well-known Jamaican artists such as Bob Marley and the Wailers, the Heptones, the Congos, and Max Romeo. In 2003 he won a Grammy Award for Best Reggae Album."
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WIRE 493
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$11.00
PREORDER
RELEASE DATE: 2/21/2025
"On the cover: In February New York based artist and sonic therapist Devi Mambouka will release her second album as Masma Dream World. The long awaited follow-up to 2020's Play At Night, Please Come To Me will be released via Nabil Ayers' Valley Of Search label. For The Wire Mambouka discusses ritual, healing and 'music for the shadow world' with Emily Pothast; Sound Art with Stones Sound: artists like Glasgow-based Cypriot Antonia Kattou and the UK's Simon James, aka The Simonsound, as well as critical architectural practices such as Bethlehem-based AAU Anastas, use stone as a focal point for an interrogation of geopolitics. Bobby Jewell reports; Caxtrinho: As Caxtrinho, Brazilian singer and guitarist Paulo Vitor Castro's turbulent, psychedelic strategies against samba and bossa nova made a formidable impression with last year's album Queda Livre. By Derek Walmsley; Louis Laurain: The experimental cornetist has brought his free and extended techniques to ensembles like the The Umlaut Big Band and Lumpeks as well as collaborations with Éliane Radigue, Stephen O'Malley and, most recently, Pierre Bastien with whom he's releasing a new album via Brighton's Rose Hill records. By Clive Bell; Invisible Jukebox: Lydia Lunch From downtown NYC to The Lydian Turn podcast, legend in her own lifetime Lydia Lunch takes on The Wire's blind listening test. Tested by Claire Biddles; Global Ear: Tijuana; Unlimited Editions: Pointless Geometry; Inner Sleeve: Jules Reidy; Plus, one page profiles of Chris Cundy, Able Noise and Polonius."
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DC 871BK
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"Jim Franks is not a professional baker, because there are no such things as professional bakers. He is also not your father and never will be, nor is this a cookbook full of stories and recipes. Jim Franks is a baker and a poet who's written a love story about bread, which is to say he's written a life story about listening, learning, trying, failing, adapting, and above all, caring. Through humor, history, relentless curiosity, and refreshingly unsentimental poetry, Existential Bread teaches there are many ways to bake a loaf just as there are many ways to live a life." Paperback; 5.5" x 8.25" / 170pp "Existential Bread is a collected bakers' common sense from Jim Franks, one of the most knowledgeable people about modern baking in the United States today." --Matt Kedzie, Owner-Baker of Starter Bread "Part love letter, part philosophical manifesto, Jim Frank's book is an earnest and charming exploration of our human relationship with bread and what it takes to make it." --Fiona Cook, Author of The Wheel of the Year "In a world of samey-samey, this book is different. Jim Franks doesn't want you to make his bread (by providing glossy photos and detailed recipes); he wants you to make your bread (by sharing his practice and what he has learned). In a world of 'shoulds' and 'bottom lines,' Existential Bread creates space while providing structure for you to fall in love with the ancient act of making bread. Plus, it's a very fun read." --Abra Berens, Author of Ruffage, Grist and Pulp
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MAGGOT 019
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$12.00
PREORDER
RELEASE DATE: 1/24/2025
"On the Cover: The Velvet Underground -- Lost in Sound -- Multiple features on your favorite band, with rare images and cool ephemera throughout. Here Come The Tapes: A Guide To The Velvet Underground's Live Tape Stash by Tyler Wilcox. Plus, full length reviews of new reissues of cassette tapes by ur-VU drummer Angus MacLise, and a lengthy appreciation by Stephen Thomas Erlewine of Light in the Attic's excellent pre-VU Lou Reed set. Killer Content: "TV on the Radio and the Magic Negro Myth." Martin Douglas on the band's visionary debut LP, Desperate Youth, Bloodthirsty Babes -- and the lessons we haven't learned 20 years later. This piece is such a standout, wait until you read it. Punk Diary: Excerpts from Hat & Beard Press' I Feel Famous: Punk Diaries 1977-1980, written by a then-17-year-old Angela Jaeger. This diary was renowned for years and has finally seen the light of day, with multiple images to support it. Sweeping Promises: A very visual look at the great, shimmering guitar-pop band. Their visual aesthetics so perfectly accompany their sound, and that's discussed in detail for the first time. 12XU: Fred Thomas' engrossing talk with Gerard Cosloy about the third major record label he's run, and why it matters. This is the third in a series of columns on record labels. Razor Braids: Raucous, hilarious, uncompromising -- an introduction to the Brooklyn-based band who you're sure to hear more from soon. Antietam Loves Sleepyhead: Two of our favorite bands from the 1980s on how to keep the love alive. Antietam was formed in Louisville in 1984 out of the ashes of the Babylon Dance Band. They soon moved to NYC And released a series of beloved records for Homestead. Sleepyhead formed in 1988 in the basement of their NYU dorm and released beloved albums for the likes of Slumberland. The Sonics: An in-depth look at the fun, new documentary film on the Pac NW garage pioneers. Departmentstore Santas: Wonderful interview with the folks behind the major 1984 self-released DIY effort, At The Medieval Castle Nineteen 100-Year Lifetimes Since, a record on par with the best efforts by Desperate Bicycles, Homosexuals, and V3. Joy Guidry: Ana Gavrilovska on the beautiful music of the contemporary jazz bassoonist. Plus our regular, excellent columns by Mimi Lipson, Lucy Sante, Andy Zax, and others, including the debut of Desert Island owner Gabe Fowler's "Customer Profiles" column..."
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9783959053204
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$60.00
PREORDER
RELEASE DATE: 1/21/2025
Delayed further... until early 2025.."Pioneering media artist and concrete poet Ferdinand Kriwet's 1971 cult artist's book in a facsimile edition. A monumental, three-volume encyclopedia of alphabetically organized images, Ferdinand Kriwet: Stars was first published by Kiepenheuer & Witsch in 1971. In the 1960s, German author and media artist Ferdinand Kriwet (1942-2018), inspired by concrete poetry and its interest in the visual quality of linguistic signs, began to approach the literary medium of the book in a new way. Imagining new ways of reading that resisted linearity, Kriwet experimented with alternatives, encouraging a rapid back-and-forth between the pages of the book and the texts and images on them. In Stars, he treats images like words and arranges them in alphabetical order in an epic encyclopedia format. For years, Stars has only been available, at considerable cost, in antiquarian book catalogs. This new facsimile edition of Ferdinand Kriwet: Stars brings Kriwet's pioneering vision and his seminal book back into print." 416 pages. 2.5 pounds. 5.50(w) x 8.75(h).
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9780956999160
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12 punk rock bedrooms displaying and listing memorabilia from each of the top punk bands. "The bedroom wall and what to cover it with has always been a dilemma through the ages as we reveled in our teenage/rebellious glory. Posters, flyers, ticket stubs badges tour programs and record sleeves. Items we gathered, begged and stole were carried home after sweaty nights in clubs and pubs. Tape and blu tack in hand we tried to find a place to add our new additions. I always thought it would be great to show the punk rock items of what I call 'the class of '76' groups I had gathered over the years in a bedroom setting. Each room could have a different theme. Blondie, Buzzcocks, The Clash, The Damned, Generation X, The Jam, Ramones, Sex Pistols, Siouxsie and The Banshees, The Stranglers, and maybe a mixed Punk Room with all the above and some smaller bands to fill out the story. Maybe I could then put all that in a book to show the beauty of it all. So I did and here it is. I hope all this madness might bring back some fond memories for you as you flick through these pages." --Mal-One
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CVSD 126BK
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In Straight Up, Without Wings, Joe McPhee surveys sixty years in creative music. Starting with his trumpeter-father's influence and formative years in the U.S. Army, McPhee recounts experiences as a Black-hippy-cum-budding-musician based in upstate New York, perched at an ideal distance from Manhattan's free jazz demimonde of the 1960s and its loft scene of the 1970s. A natural storyteller, revealing never-told tales and reveling in the joys of noise, McPhee puts the influence of -- and encounters with -- Ornette Coleman, John Coltrane, and Albert Ayler into the context of an independently-minded young player, ravenous for experience, dealing with the crucible of racism, seeking to break out beyond the bounds of a regional Hudson Valley scene that he knows like the back of his hand. The memoir draws forward through thrilling passages in Europe and across the United States, as McPhee gains momentum, as his music becomes the impetus for multiple record labels, as he collaborates with figures from Peter Brötzmann to Pauline Oliveros, and as he eventually goes on to inspire musicians far and wide. Written as an oral history, deftly conducted by Mike Faloon to preserve McPhee's unique narrative voice, Straight Up, Without Wings includes "reflections" by eight musicians from across the protagonist's rich history. Photography: Ziga Koritnik, Ken Brunton, John Corbett. First printing, edition of 1000. 166 pages. Dimensions: 8.5" x 6" x .5".
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WIRE 491-2
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"On the cover: 2024 Rewind -- The Wire's essential guide to the highs and lows of the last 12 months in underground music and culture, including our Top 50 Releases of the Year and Archive Releases of the Year charts, both compiled from the votes of more than 60 of our critics and contributors. Other features include cultural reflections from our roster of writers, our specialist columnists' charts and analyses from avant rock to noise, and essays on some of 2024's talking points including the revival of the CD, new compositional potentials of noise, and genre naming in the vortex of social media. Elsewhere in the issue: YATTA -- The New York based, Sierra Leone born multidisciplinary artist has just released their latest album Palm Wine via PTP. Five transient, introspective years in the making, it is their most personal release to date, reflecting on their relationship to tradition, family history, story-telling and the idea of home. By Stephanie Philips. Musica Ex Machina: At Lausanne's EPFL Pavilions, the exhibition Musica Ex Machina: Machines Thinking Musically plots a history of algorithmic and computational thought in music from the Middle Ages to the present day citing a range of theories and compositions from Schoenberg to Coltrane, George Lewis to Jennifer Walshe. Robert Barry visits it to ponder the saga of mechanical music. Bridget Hayden: The DIY multi-instrumentalist and singer is known for her involvement with expansive ensembles like Vibracathedral Orchestra and Folklore Tapes as well as duos with Bill Nace and Roy Claire Potter. Todmorden's Basin Rock label will release her new solo album, Cold Blows The Wind, in January. By Lucy Thraves. Plus one page profiles of Oranssi Pazuzu, Sakina Abdou, Stuart Argabright and Everlovin'."
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BOOK/7"
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DAMBOOK 005BK
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"Hardback in slipcase with 7" vinyl. Out of print since its initial 2012 very limited first edition run. Contains exclusive 7" featuring previously unreleased 1983 interview with Barney Sumner conducted by the author. Over 400 unique-to-this-publication photos of the band and 200 plus images of rare memorabilia. No one has ever documented the early live career of a truly iconic band in such detail. Dec Hickey saw every New Order UK gig between Feb '81 and June '84 -- some fifty plus nights! Forewords by Peter Hook and Stephen Morris. Introductions by Moby and . Paul Morley. Moby: 'Up until about 10 minutes ago I thought that the depths of my Joy Division/New Order obsession were untouched/unmatched. Then I looked through this book. Ah boy, I'm beaten. And in awe.' Paul Morley: 'I can very much understand someone having an obsession with New Order. It was inevitable that a fan, a loyal, attentive follower, of such a group on such a meticulous label releasing records packaged with such scrupulous suggestive care would themselves be particularly obsessive. The fan(atic) symbolizes the idea that without obsession, life is nothing. For the fan, New Order are an ideal object of desire, the perfect pop group -- in the form of a perfect puzzle, an actual sign of fluid intelligence -- to obsess over, to collect, analyze, interpret, treasure, and ultimately possess.'"
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UT 067
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"On the cover: English musical/comedy/Dada geniuses the Bonzo Dog Doo-Dah Band, their riotous story based on interviews with the three surviving band members. And Australian '70s punk rock and roll heroes the Saints: Part One of an amazing interview with Ed Kuepper. Also featured: the tragic tale of '60s West Coast mystery group Weird Herald, Part 3 of Rob Symmons' revelatory Subway Sect memoirs, Canadian '60s garage/psychsters the Fringe, and the pre-history of one of the greatest post-sixties psychedelic bands, Plasticland. And lots more, including the indispensable review sections covering all the latest vinyl and CD reissues, and rock 'n' roll-related books."
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EAT 020BK
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"Robert Pollard's amazing collages in a full-color 238-page book."
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MAG
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WJMAG 013
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$28.00
PREORDER
RELEASE DATE: 11/29/2024
All articles presented in English. Includes "Mary Lou Williams" by Anton Spice, "Tomeka Reid" by Michael Mikesell, "Horace Silver" by Seymour Wright, "Wind Up & Julius Eastman" by Marc Medwin, "Esmond Edwars at Prestige" by Francis Gooding, "Contemporary Ethio-Jazz" by Nathan Hamelberg,
"Ivo Perelman & Matthew Shipp" by Phil Freeman, "Arooj Aftab" by Rob Garratt, "John Surman" by Bret Sjerven, "Punk Jazz with Benjamin Herman" by Danny Veekens, "Discaholic Column" by Mats Gustafsson, Odysseus Festival 2024 photo report, reviews, and more. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers.
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WIRE 490
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"On the cover: AR Kane. Overlooked in their late '80s Mk 1 era and unsung for years after their 1994 split, the duo of Alex Ayuli and Rudy Tambala heralded many landmark developments in '90s music: most famously dreampop, shoegaze and post-rock. Through their embrace of dub, soul and club-forward forms they also impacted the development of trip hop, ambient dub and even, obliquely, house music's explosion into the charts. With last year's release of the AR Kive box set and a return to live activity, they talk to early supporter Simon Reynolds about what to expect next. Inside the issue: Yatta, Sun Yizhou, Cuntroaches. Invisible Jukebox: Sun Araw."
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DGV 2004BK
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"A limited deluxe box set of Dust & Grooves Volume 1 (10th Anniversary Edition) and Dust & Grooves Volume 2. Over 1000 full color pages, featuring over 270 of the world's greatest vinyl collectors, including: Questlove, A-Trak, Gilles Peterson, DāM FunK, Floating Points, Four Tet, Peanut Butter Wolf, Quantic, DJ Spinna, Kid Koala, Don Letts, Rich Medina, King Britt, Andy Votel, Colleen Murphy, Shawn Lee, Mayer Hawthorne, The Gaslamp Killer, and bass maestro Ron Carter. Included in the box set: Hardcover slipcase with foil stamping; 18x24" 'Sleeve Face' poster by Dust & Grooves."
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DGV 2001BK
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"A stunning 650-page hardcover illustrated book, featuring over 150 record collectors including A-Trak, Colleen Murphy, DāM FunK, Peanut Butter Wolf, Quantic, DJ Spinna, Kid Koala, Don Letts, Andy Votel, Shawn Lee, Mayer Hawthorne, and bass maestro Ron Carter. Renowned photographer and publisher Eilon Paz returns with Dust & Grooves: Further Adventures In Record Collecting, a sequel to his 2014 best-selling Dust & Grooves, highlighting over one hundred fifty of the world's most fascinating and accomplished vinyl collectors, bridging stunning images with extensive interviews, and revealing the motives and backstories behind the global record-collecting community. Ten years after the first book release, with vinyl's consistent surge in popularity, Further Adventures, spanning over 650 pages, digs deeper than its predecessor, underscoring gorgeous collections from astute, everyday enthusiasts to venerated DJs, musicians and producers. Veteran journalist and editor David Ma (Wax Poetics, NPR, Rolling Stone) handles the editorial end of this sequel, making Further Adventures a cultural leader in the field, expertly accentuating the world's unifying devotion to vinyl. Tailor-made for lovers of world-class photography, novice to expert collectors, and music obsessives alike."
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PRTBL 001BK
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"A 470-page hardcover book featuring highly detailed photos and comprehensive research on 222 portable vinyl record players. Once considered little more than a children's plaything or a grade school accessory, the portable record player has gained newfound respect in recent years. Whatever they may lack in high-end audio fidelity, battery-powered turntables more than make up for it with their convenience and ease of use. Just ask any crate digger: a cult favorite portable like the Columbia GP-3 or the Audio-Technica Sound Burger (or even the Fisher-Price Big Bird model) can be an absolutely essential companion on an all-day vinyl hunt. Portables features lavish, detailed photos of 222 portable turntables from around the world, including rare record players from Japan, the UK, Germany and the Soviet Union as well as the USA, and ranging in vintage from the 1920s to the early twenty-first century. They're all gorgeously captured here by photographer Eilon Paz, with accompanying commentary from music historian Dan Epstein. Whether you're a hardcore turntable collector, an aficionado of cool vintage audio gear, a student of industrial design, or a vinyl lover curious about the wild world of portable record players, Portables will make your head spin -- and will soon have you scouring thrift stores, antique malls, and even your grandma's attic for the portable record player of your dreams."
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9780956999122
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The growth of the Jamaican recording industry. Records have played an integral part in the history of Jamaican music and the importance of making records, as opposed to making music, can never be overstated. These are the stories, told through first-hand accounts wherever possible, of the men and women -- manufacturers, musicians, singers, deejays, arrangers and record producers -- who made the records and who made the sound of reggae available worldwide. 350-page hardback book. Illustrated throughout with period photos, artifacts and record labels.
"This volume of what promises to become a crucial series covers in comprehensive fashion Jamaican music's pivotal phase, when the music absorbed its US influences from soul and moved on from rock steady and progressed to the uniquely Jamaican sound of reggae and rockers. It was a period in which old and new rhythms became the cornerstone of the music and thus the true foundation of reggae. This second volume in the trilogy, amply illustrated, contains a wealth of interview testimony from the creators of the music and is both utterly authentic and essential reading." --Steve Barrow, Co-author of Reggae The Rough Guide
"If you couldn't be there, or even thereabouts, at the time, consider this book your very own literary TARDIS to help you to relive the evolution of Jamaican music at (almost) first hand. I'm very proud to have had even the smallest involvement with this essential read." --Tony Rounce, Author and Music Historian
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9780956999115
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The birth and growth of the Jamaican recording industry. Records have played an integral part in the history of Jamaican music and the importance of making records, as opposed to making music, can never be overstated. These are the stories, told through first-hand accounts wherever possible, of the men and women -- manufacturers, musicians, arrangers and record producers -- who made the records and who made the sound of reggae available worldwide. 188-page hardback book. Illustrated throughout with period photos, artifacts and record labels.
"An absolutely crucial survey of the origins of the Jamaican music industry replete with chapter and verse quotes from many of the pivotal movers and shakers. A wealth of new information, expertly marshalled: this is a book whose time has come." --Steve Barrow, Co-author of Reggae The Rough Guide
"Jamaican Recordings is a fine read and a book that anybody with more than a passing interest in Jamaican recordings will need to add to their library right away." --Tony Rounce, Author and Music Historian
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SCC 006BK
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"Perhaps you first encountered Lesley Arfin in the pages of Vice -- where her 'Dear Diary' column ran for six years in the aughts, rampaging you the reader through the flaming youth of a Long Island misfit girl and all the shit she tried. Or maybe it was the book collection -- all those searing 'Diary' entries coupled with latter-day Lesley's acerbic responses. Or perhaps, like your present writer, you sat up late, until late became early, falling in with the poor fucked-up creatures of Love (Netflix, 2016?2019), your heart breaking for the familiarity of their simple desires and the mayhem that followed. Plus, there's Girls, Awkward, Brooklyn Nine-Nine, Betty; there's any number of ways you might have happened upon Lesley Arfin over the past twenty-plus years. As a comedian and a writer and a producer, her signature ability is to channel the heaviest of feels from the excruciating kind of real-life trouble that people put themselves through just trying to live every day. A gut-punch punctuated with a belly-laugh. Now, reflect on Tickle Me, and Lesley's path not traveled (until now): visual artist! As a kid, she wanted to write comic books. But she wasn't a happy artist in her youth, or a good one (so she thought), so she stuck to writing, up until her acumen'd brought her to the apex of the craft: the grind of network television. By then, doing a little painting seemed downright relaxing! Plus, it was therapeutic -- until it got to be so compelling it was like OCD. The busier she was -- with work, marriage, having a baby -- the more images came, the more paintings piled up. As you move through the images that make up Tickle Me, you see Lesley tapping her familiar depths and the creepy humor that she finds down there -- but through an outrageous riot of flowers and colors and '70s Sears Catalog imagery! If this is a safe space, then is there actually NO safe space? Fuhgettaboutit -- it's all just life space. Tickle Me features Lesley's early expressions of her truth in graphic art. Glittery reflections on gender, weather, mistakes, feminism, fantasy, failure, nostalgia; her own personal language rendered in watercolor, gauche, acrylic, fiber, stickers and collage. Like life, no guarantees, other than from that from any beginning, it can only keep growing. And it has, and it will."
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MAG/CD
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WIRE 489
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"Every copy of the November issue will come with a free CD of The Wire Tapper 66 attached to the cover. This latest edition of The Wire Tapper features a cover designed by Firpal and contains 16 new tracks by Boris Hauf, Rafael Anton Irisarri, and Niton. Featuring John Butcher, Masayoshi Fujita, Moor Mother, Schande, and more. On the cover: Marshall Allen. Inside the issue: Once Upon A Time In Lithuania, Frank Chickens, Water Damage. Invisible Jukebox: Pharmakon. Global Ear: Latvia. Unlimited Editions: Reading Group. Inner Sleeve: Eleni Poulou. Plus one page profiles of Kamilya Jubran, Flickers From The Fen, SEO, and Callahan & Witscher."
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RT 002
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"Record Time No 2 hits the bargain bins and neglected corners of the local record store to find great records that are still affordable to average folks. And, as with the first issue, we dig into the back stories of these records and artists, with a focus on good writing. This time around we do a deep dive into the life and career of Ray (Rae) Bourbon, a pre-Stonewall drag artist and comedian; jazzman Charles Lloyd's 'wilderness' albums; Catalan folk legend and politico Lluis Llach; oddball rockers the Hampton Grease Band; finding the South African country music holy grail; Canadian cabaret rocker Louis Furey; the weird world of Polka; hard rocking should-have-been-huge Birtha; actor and music pusher Jack Webb; Sex Pistols and Pistols-inspired novelty records; patron saint of smart asses Rick Johnson; and more! Contributors this time are Tom Hyland, Owen Maercks, Stella Beratlis, Steve Silverstein, Nathanel Amar, Adam Taub, Nate Knaebel, Laurent Bigot, Mike Trouchon, Greg Pshaw, Johnny Sunshine, Dennis Worden, Fred De Vries, Stan Appleton, Billups Allen, and Todd Trick Knee, with guest appearances by Lali Donovan, Larry Hardy, Tony Coulter, and Dana Katharine. Edited by S Soriano."
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MAGGOT 018
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"On the cover: Grace Jones by Tamara Palmer: Palmer delves into the entire history of this remarkable artist, who will naturally deliver us a stunning cover image. Jones is even more of a one-of-a-kind musician and persona than most of us realize, so we're extra excited to feature her on the cover of this issue. Deep Archival Dives With Living Luminaries -- PULP: Peeling back the onion of time, we are graced with a fine selection of ephemera and rare images from the forthcoming Hat + Beard book on the cult band's cult band: I'm With Pulp, Are You?, by Mark Webber; Mayo Thompson: Jasper Leach has delivered a stunningly good and very deep dive into the genesis and long life of Thompson's masterpiece Corky's Debt to His Father; REDD KROSS: They've already had a great double album and documentary readied for summer but in the Fall there's also a definitive RK book so we enlisted Jen B. Larson to do a career-spanning feature on your favorite teen babes from Monsanto. Larson wrote Hit Girls: Women of Punk in the USA 1975-83; MARY TIMONY: Mary Timony is one of the great guitar luminaries and songwriters of the indie era, but rarely does she get the credit she deserves. Audrey Golden, author of I Thought I Heard You Speak: Women at Factory Records, not only went into every nook and cranny of Timony's career, but the first question she asked Timony is one for the ages: 'Is that a lute?'"
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9798988670025
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"When Paul Simon first heard the Zulu accordion flourish that would open his multi-platinum album Graceland, he told Joe Boyd that it seemed to proclaim, 'You haven't heard this before!' Yet the 'world music' boom of the 1980s that Simon's album helped to usher in had roots that extended back through the decades and across continents: tango on the eve of World War I, Latin dance across the '30s, '40s and '50s, reggae in the '70s, pre-War samba and pre-Beatles bossa nova, Eastern European ensembles filling capitalist concert halls during the Cold War, Indian ragas changing rock and roll in the 1960s, gypsy music inspiring classical composers of the 19th and 20th centuries. As far back as 1853, the music that had intrigued Simon had captivated London during a Zulu choir's extended run there. (Only Charles Dickens dissented.) Like that of other far-flung musical traditions sweeping the globe, the story of Zulu music and its relationship to neighbors, invaders, appropriators, and admirers -- from brutal 19th century massacres to 'The Lion Sleeps Tonight' -- is more controversial, colorful, and complex than many imagine. Joe Boyd was part of a small group of label heads and journalists who chose 'world music' as their marketing slogan in the 1980s. Already the legendary producer of artists including Pink Floyd, The Incredible String Band, Soft Machine, Fairport Convention, Nick Drake, Toots and the Maytals, and many others, Boyd had little idea how fast and how wide those simple words would spread, or how far back the history went. He would soon learn, producing pathbreaking music in Cuba, Brazil, Bulgaria, Mali, Hungary, Spain, and India under his label Hannibal Records. Following the success of his book White Bicycles: Making Music in the 1960s, a self-published smash hit, Boyd now sets out to explore the stories behind the world music he had helped to popularize. He has traveled across continents and interviewed dozens of musicians, producers, and academics, and spent years reading, listening, and writing. The one-of-a-kind result is And The Roots of Rhythm Remain: a riveting, symphonic, globetrotting tour of the music that shapes the world. Hardcover. 900 pages."
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WIRE 488
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"On the cover: Keiji Haino. Inside: Shamica Ruddock, Seppuku Pistols, Jabu, Gregory TS Walker, Viktar Siama?ka. The Primer: John Butcher. Invisible Jukebox: Wolfgang Voigt. Epiphanies: Mark Webber on Spaceman 3. The Inner Sleeve: Céline Gillain on Leonard Cohen. Global Ear: Nicosia. Unlimited Editions: Nashazphone, and in the reviews sections: Wendy Eisenberg, Ivo Perelman, Yellow Swans, Meshell Ndegeocello, Tristwch Y Fenywod, Byard Lancaster, Zdeněk Li?ka, Dr John, Supernormal, Heroines Of Sound, and much more."
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WJMAG 012
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The twelfth issue of We Jazz Magazine, Worldwide for Gilles Peterson. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Includes "Gilles Peterson" by Anton Spice, "Ingrid Laubrock" by Stewart Smith, "Hannibal Lokumbe" by Bret Sjerven, "Universal Folks Sounds" by Magnus Nygren, "Spoken Word/Free Jazz" by Alex Coles, "Dutch Jazz Archive" by Danny Veekens, "Takuya Kuroda" by Rob Garratt, "Jan Roder and Michael Griener of Die Enttäuschung" by Bill Meyer, "divr" by Daryl Worthington, "Astro Can Caravan" by Wif Stenger, "Discaholic Column" by Mats Gustafsson, "J Jazz 1955-88" by Tony Higgins, album reviews, and more.
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