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Search Result for Genre Misc
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9783907236666
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$65.00
PREORDER
RELEASE DATE: 3/4/2025
Delayed until March/2025... "A massive photographic archive of Lee 'Scratch' Perry's legendary recording studio. A 600-page tribute to one of the most famous locales in music history, Black Ark is a detailed inventory of photographs and writings from the Black Ark Studios in Kingston, Jamaica, where producer Lee 'Scratch' Perry created music from 1973 onward. The eclectic and constantly evolving decoration of the studio provides an enduring visual counterpart to Perry's expansive musical catalog. From mural paintings to shape-shifting assemblages of records, instruments, found objects, posters and newspaper clippings, the artworks layer upon one another as they intertwine with the studio building itself. Perry created his own dense and diverse world in which to work: memorialized in this volume before the Black Ark disappears for good. The photographic documentation of the studio in the spring of 2021 was supplemented by efforts to secure and preserve Perry's works, objects and recordings as part of a joint project with the Smithsonian Institution in Washington, DC. Black Ark reflects the rhythm and layering effects of collage both in its content and the materials used to craft the book. Perry was involved in the development of this publication until his death in August 2021. The book closes with memorial essays from Ishion Hutchinson, David Katz, Kodwo Eshun, and John Corbett. Lee 'Scratch' Perry (1936-2021) was a musician and producer best known for pioneering the dub genre in the 1970s. He worked with well-known Jamaican artists such as Bob Marley and the Wailers, the Heptones, the Congos, and Max Romeo. In 2003 he won a Grammy Award for Best Reggae Album."
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9783959053204
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$60.00
PREORDER
RELEASE DATE: 1/21/2025
Delayed further... until early 2025.."Pioneering media artist and concrete poet Ferdinand Kriwet's 1971 cult artist's book in a facsimile edition. A monumental, three-volume encyclopedia of alphabetically organized images, Ferdinand Kriwet: Stars was first published by Kiepenheuer & Witsch in 1971. In the 1960s, German author and media artist Ferdinand Kriwet (1942-2018), inspired by concrete poetry and its interest in the visual quality of linguistic signs, began to approach the literary medium of the book in a new way. Imagining new ways of reading that resisted linearity, Kriwet experimented with alternatives, encouraging a rapid back-and-forth between the pages of the book and the texts and images on them. In Stars, he treats images like words and arranges them in alphabetical order in an epic encyclopedia format. For years, Stars has only been available, at considerable cost, in antiquarian book catalogs. This new facsimile edition of Ferdinand Kriwet: Stars brings Kriwet's pioneering vision and his seminal book back into print." 416 pages. 2.5 pounds. 5.50(w) x 8.75(h).
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9798988670025
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$34.00
PREORDER
RELEASE DATE: 9/24/2024
"When Paul Simon first heard the Zulu accordion flourish that would open his multi-platinum album Graceland, he told Joe Boyd that it seemed to proclaim, 'You haven't heard this before!' Yet the 'world music' boom of the 1980s that Simon's album helped to usher in had roots that extended back through the decades and across continents: tango on the eve of World War I, Latin dance across the '30s, '40s and '50s, reggae in the '70s, pre-War samba and pre-Beatles bossa nova, Eastern European ensembles filling capitalist concert halls during the Cold War, Indian ragas changing rock and roll in the 1960s, gypsy music inspiring classical composers of the 19th and 20th centuries. As far back as 1853, the music that had intrigued Simon had captivated London during a Zulu choir's extended run there. (Only Charles Dickens dissented.) Like that of other far-flung musical traditions sweeping the globe, the story of Zulu music and its relationship to neighbors, invaders, appropriators, and admirers -- from brutal 19th century massacres to 'The Lion Sleeps Tonight' -- is more controversial, colorful, and complex than many imagine. Joe Boyd was part of a small group of label heads and journalists who chose 'world music' as their marketing slogan in the 1980s. Already the legendary producer of artists including Pink Floyd, The Incredible String Band, Soft Machine, Fairport Convention, Nick Drake, Toots and the Maytals, and many others, Boyd had little idea how fast and how wide those simple words would spread, or how far back the history went. He would soon learn, producing pathbreaking music in Cuba, Brazil, Bulgaria, Mali, Hungary, Spain, and India under his label Hannibal Records. Following the success of his book White Bicycles: Making Music in the 1960s, a self-published smash hit, Boyd now sets out to explore the stories behind the world music he had helped to popularize. He has traveled across continents and interviewed dozens of musicians, producers, and academics, and spent years reading, listening, and writing. The one-of-a-kind result is And The Roots of Rhythm Remain: a riveting, symphonic, globetrotting tour of the music that shapes the world. Hardcover. 900 pages."
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MAG
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WJMAG 012
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The twelfth issue of We Jazz Magazine, Worldwide for Gilles Peterson. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Includes "Gilles Peterson" by Anton Spice, "Ingrid Laubrock" by Stewart Smith, "Hannibal Lokumbe" by Bret Sjerven, "Universal Folks Sounds" by Magnus Nygren, "Spoken Word/Free Jazz" by Alex Coles, "Dutch Jazz Archive" by Danny Veekens, "Takuya Kuroda" by Rob Garratt, "Jan Roder and Michael Griener of Die Enttäuschung" by Bill Meyer, "divr" by Daryl Worthington, "Astro Can Caravan" by Wif Stenger, "Discaholic Column" by Mats Gustafsson, "J Jazz 1955-88" by Tony Higgins, album reviews, and more.
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WIRE 487
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"On the cover: this summer, avant metal duo The Body and vocalist/producer Felicia Chen, aka Dis Fig, take their collaboration on the road in the US and UK, showcasing work from their joint album Orchards Of A Futile Heaven out now on Thrill Jockey. They talk about collaborative processes and more to Antonio Poscic. Plus, inside the issue: interviews with dissident Czech guitarist Pavel Richter, improvising polymath Steve Beresford, punk turned improv bassist Farida Amadou, an Invisible Jukebox with Tokyo avant rock duo Melt Banana, and much more. The Inner Sleeve: Eve Libertine, Epiphanies: Roy Claire Potter, Global Ear: Barcelona, Unlimited Editions: YOUTH, plus in the review sections: Laurie Anderson, Belong, Seefeel, Three Quarter Skies, Dhangsha, NicoNote, Laura Cannell, Primitive Percussion Youth Orchestra, Endon, Bobby Hutcherson, Harold Land, Red Kross, David Corio's images of Black musicians, the Gnaoua & World Music Festival, Gary Stewart, Lonnie Holley, specialist columnists, and more."
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MAG
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UT 066
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"Ugly Things #66 on the cover: a mind-blowing, emotional interview with Michelle Phillips about the stratospheric highs and catastrophic lows she experienced with the Mamas & the Papas -- the music, the men, the drugs, the power trips, and the magical, inviolable, fragile chemistry they shared as a group. Also: the history of Peru's greatest psychedelic band, Traffic Sound; Peter Stanfield goes deep on the MC5's 1972 UK sojourn; '60s garage punks the Emperors from Long Beach, California and the Traits from Pelham, NY; the continuing story of UK '70s punk outsiders the Subway Sect; soul music songwriter hero Dan Penn; Japanese Mod power pop trio the Badge; Canadian '60s garage/psychsters the Fringe -- and lots more, including, as always, the expansive and essential review sections covering all the latest vinyl and CD reissues, and rock 'n' roll-related books."
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MAG
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MAGGOT 017
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"Maggot Brain is a full-color, quarterly magazine edited by noted Detroit scribe Mike McGonigal: 100+ pages packed with phenomenal content -- art, music, literature, unpublished archival material, and more -- with a simple promise to only exist on the printed page. On The Cover: Unpublished Joe Dilworth photo of My Bloody Valentine, from sessions for their Isn't Anything record. My Bloody Valentine: Revelatory, unpublished interview excerpts from hours of tapes with Kevin Shields by editor Mike McGonigal conducted for his 33⅓ book on Loveless. Inside: A great interview with Joe Dilworth by Mike Galinsky and pages of his photos of London's underground music scenes in the 1980s and '90s, including unseen images of MBV. Will Oldham: Great, lengthy conversation with his collaborator and longtime friend Nathan Salsburg, on the occasion of their record of Lungfish covers. Harvey Milk: Epic, well-illustrated oral history of the pioneering '90s Athens, GA-based doom/ heavy-rock/ experimental/otherwise unclassifiable and influential band. Justin Green: New scans of the underground cartoonist's music comics, many originally published in Tower's Pulse magazine. 18 full pages, with text by comics historian John Kelly."
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WIRE 486
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"On the cover: David Lynch & Chrystabell. Since performing on the soundtrack to 2006's Inland Empire, Texas-born Chrysta Bell Zucht, aka Chrystabell, has had an enduring creative partnership with film director David Lynch. But after countless in-studio and on-screen collaborations, the new album Cellophane Memories, out soon via Sacred Bones, will be their first fully co-credited album. In a wide-ranging exclusive interview, the duo talk to The Wire about cinema, music and more. By Britt Brown. Inside the issue: The sound world of David Lynch. Expanding on the issue's cover feature, Wire writers contribute a series of essays on the sonic and audio components of director David Lynch's idiosyncratic worldview. Topics range from fandom and karaoke, the sonic semiotics of wind and the influence of Twin Peaks on rave music to reinterpretations of songs from the Lynchian repertoire by artists like Ono and Backxwash. Invisible Jukebox: Dhangsha. The composer and educator formerly known as Dr Das of Asian Dub Foundation takes on The Wire's mystery listening challenge. Tested by Daryl Worthington. Plus one page profiles of Copper Sounds, Miaux, and Feeo & Caius Williams, and regular sections and columns including Epiphanies, Unlimited Editions, Global Ear, and The Inner Sleeve."
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WIRE 485
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"On the cover: Tomeka Reid: The cellist, composer, improvisor and band leader goes from strength to strength across several creative projects. By Stewart Smith. Plus: KMRU: The Kenyan sound artist finds a new mode of listening on his collaboration with Kevin Martin. By Ilia Rogatchevski; Bodies In Motion: Dance and music collide in the creative worlds of Malik Nashad Sharpe, NWAKKE and Bianca Scout. By Emily Bick and Misha Farrant; Gordan: Folk songs of the Balkans plug into noise and industrial currents in this cross-continental trio. By Abi Bliss; Tongue In The Mind: DJ and conceptualist Juliana Huxtable joins forces with Jealous Orgasm and Via App to rock the club. By Claire Biddles; Invisible Jukebox: Karl Bartos: Will the ex-Kraftwerk man have had more fun computing The Wire's mystery record collection? Tested by Leah Kardos. Also inside this issue: Global Ear Belgrade; Unlimited Editions Notice Recordings; Unofficial Channels A Moon Age Daydream; The Inner Sleeve by Alison Cotton; Nick Dunston; Nika Son; Henry Birdsey; Sisso & Maiko; Epiphanies by Jim Staley; pages of reviews and much more."
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RT 001
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[sold out] "Record Time is a new print-only music magazine that focuses on obscure, unusual, forgotten and neglected records, not collectibles or rarities, but great records that can be had without shelling out max cash. The debut arrives right when interest in records is at a 30-year high and is growing across generations. Record Time is about the wonderful world of records, specifically unusual, obscure, forgotten and neglected slabs of plastic. Rather than focus on holy grails of the most expensive kind or $$$ reissues, Record Time scours bargain bins, garage sales, and those corners of record stores that only the most diehard music freaks dig through -- and what readers find are wonderful records that are too often passed by even though they are usual cheap. In that spirit, Record Time #1 does a deep dive into the crazy history of Plastic Bertrand's 'Ca Plane Pour Moi,' the biggest international hit single in punk history, its roots in novelty music, Elton Motello's contribution to the song, and the dozens of cover versions, answer songs, rip-offs and exploitations the song inspired. Also in issue one: A cruise through the music and career of Hansadutta Swami, the Hari Krishna 'machine gun guru' and failed rock star; a dip into controversial politico/musician Harvey Matusow and his Jew's Harp Band; the Surfsiders, a fake surf band that included a young Lou Reed; Alquin and the Dutch prog rock scene of the 1970s; the obscure and delightful DIY psych pop of The People's Victory Orchestra And Chorus; and records on alleged Kennedy assassin Lee Harvey Oswald. There's more: Columns on 1960s garage instrumental 45s and forgotten 7"s from the 1990s punk scene, a feature on The Wuzz Band, a run-through of the records and crimes of novelty rapper/drug kingpin Hurt Em Bad, a ton of record reviews (of albums lurking in used bins), an interview with Dick Vivian of San Francisco's Rooky Ricardo's Records (and Dick's picks of great budget R&B and girl group singles), and more. Record Time is published and edited by Scott Soriano, a long-time music writer, record label runner, zine publisher, and political journalist. It features a rich group of contributors such as Brian Turner, Owen Maercks, Laurent Bigot, Fred de Vries, Johnny Sunshine, D. Worden, and others, from the US, France, South Africa, and abroad. 11"x8.5", perfect-bound with color cover."
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DC 198BK
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"Back in print for the first time this era is David Berman's Actual Air. Released in paperback in 1999 by the now-defunct Open City and praised everywhere in the then-ascendant print press industry (including names that still make waves today like The New Yorker and GQ), David Berman's first (and only) book of poetry was and is a journey though shared and unreliable memory. Uncannily inspired, Berman's poems walk through doors into rooms where one might hear 'I can't remember being born/and no one else can either/even the doctor who I met years later/at a cocktail party' (from 'Self-Portrait at 28'), or praise 'the interval called hangover/a sadness not co-terminous with hopelessness' (from 'Cassette Country') and 'that moment when you take off your sunglasses/after a long drive and realize it's earlier/and lighter out than you had accounted for' ('The Charm of 5:30'). At that time, Berman was called a modern-day Wallace Stevens and a contemporary of John Ashberry with his own logic, awareness of pop culture and sensitivity to the details of the post-postmodern world in his poems. Alongside his lyrics to a half-dozen infamous Silver Jews records, Actual Air endeared Berman to lovers of poetry, prose, and music alike. Poet James Tate said it best: 'It is a book for everyone.' And poet laureate Billy Collins could only add, 'This is the voice I've waited so long to hear.' The second edition of the hardcover version of Actual Air is limited to 1000 copies. Features of the second edition are: new larger dimensions and enlarged typeface, new dustjacket artwork variant, deluxe cloth boards, updated full-color endpapers, dust-jacket featuring a photo of the artist around the time of publication, and of course the poems that inspired all this fuss in the first place. Fans of Actual Air, get hard again!"
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9781953691194
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"Steve Cannon's cult classic novel returns to print. Despite decades of notoriety as one of the 'filthiest books in the world,' Steve Cannon's first and only piece of longform fiction, Groove, Bang and Jive Around, has hardly been read since first being published in 1969. In the words of American poet Ishmael Reed, Cannon's debut work inspired a generation by breaking with staid literary modernism. Its publication 'signaled a resurfacing of the irreverent, underground trickster tradition of Black orature.' This erotic farce follows Annette, a teenage runaway, from the outhouse of a New Orleans juke joint to the psychedelic paradise of Oo-bla-dee -- an idyllic country possibly founded by Dizzy Gillespie -- by way of bacchanalian voodoo ritual. As Ophelia Press, its original publisher, wrote, Groove, Bang and Jive Around is an absolute necessity 'for everyone who wants to know where and how the action takes place in sex and soul.' Steve Cannon (1935-2019) moved to New York City in 1962 and joined the Umbra Workshop. He worked with and was a mentor to many artists and writers. In 1990 he founded the magazine and gallery A Gathering of the Tribes in New York City's East Village." 4.3 x 0.7 x 7 inches; 244 pages; 7.2 ounces.
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Book w/CD
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SOL 199BK
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"On the Borderline is two books in one: It's an autobiography by Robin Storey, the musician best known as Rapoon. And it's a comprehensive survey of his parallel career as a visual artist. Rounding out the package is compact disc containing all-new recordings, attached inside the front cover. Robin Storey's autobiography starts with a unvarnished review of his early years growing up in a hardscrabble village near the Scottish border, in the far north of England. He was often cold and hungry, dressed in second-hand clothes, foraging for wild mushrooms, or turnips and carrots pilfered from fields near his home, where he shared meals with his parents and four siblings. His introduction to art preceded his experiments in music, both of which are examined in detail. He covers his days playing football, attending art school, meeting girls, dabbling in improvisational music, working as a graphic artist, living in a variety of precarious situations, and eventually finding himself making music as a co-founder of Zoviet France. Gigs around England and Europe followed, along with marriage, fatherhood, and a more settled existence. The majority of the book is given over to a comprehensive review of Robin Storey's output as a visual artist. His paintings regularly appear on the jackets of his albums, but only a fraction of his work has been widely published, and the second portion of On the Borderline is filled with page after page of rarely seen paintings and charcoal drawings. The images are grouped chronologically, allowing readers to appreciate the progress and evolution of his artistic style. There are more than 100 pages of color and black-and-white images, starting in the 1970s and carrying forward into 2020s. It's an enchanting collection of sensuously drawn charcoal nudes, abstract or impressionist patterns evoking primordial landscapes, alien voyagers, and vibrating hallucinations usually visible only to ancient shamans. On the Borderline is a hardcover book with 176 pages, most printed in color. Limited edition of 400 copies. A new compact disc recording A Dark Telling is mounted inside the cover."
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WIRE 484
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"On the cover: Shellac, Arnold Dreyblatt, Robyn's Rocket, Zoh Amba, Normil Hawaiians, Kalia Vandever, Antti Vauhkonen, Marion Cousin. Invisible Jukebox: Iceboy Violet. The Inner Sleeve: Kai Fagaschinski on The Jimmy Giuffre 3. Global Ear: Berlin choir A Song For You. Unlimited Editions: Ipecac. Unofficial Channels: Music Republic & Moroccan Tape Stash. Epiphanies: Tashi Wada on tuning systems, plus 40 pages of reviews including Tony Conrad & Jennifer Walshe. FUNK.BR: São Paulo, Christer Bothén featuring Bolon Bata, Somerset House Studios' Assembly, and much more,"
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MAG
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WJMAG 011
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The eleventh issue of We Jazz Magazine, Oni Puladi for Carla Bley. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Carla Bley by Stewart Smith, Gondwana Records by Debra Richards, [Ahmed] by Seymour Wright, Amirtha Kidambi by Ayana Contreras, Ruth Goller by Daryl Worthington, Abdul Wadud by Pierre Crépon/David Neil Lee, François Jeanneau by Bret Sjerven, Mette Henriette by Debra Richards, Nduduzo Makhathini by Rob Garratt, Discaholic column by Mats Gustafsson, We Jazz Festival 2023 photo essay by Julius Töyrylä, album and live reviews, plus more.
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UF 059BK
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"There are no obvious pathways of understanding into or through Christina Carter's For Want of Walls, a catalog of the unknowable more than a book of any easy categorization. Carter has been an active agent in independent music and art since the early '90s, and much like her work in other mediums, her writing follows no predictable template and upends even standard expectations of non-linear structures. The words arrive in segments and at various velocities, quickly shifting perspectives between narrators and timelines, moving from fathoms beneath murky waters to above ground in an undone world. For Want of Walls follows several previous collections of Carter's writing, but is her first book to include visual art. Watercolor paintings act as inversions and co-representations of the written word delivered in a different language, a rough-cut juxtaposition of bold, cut-flower colors. These images map out diagrams of remembered rooms, the floor plans and furnishings of various childhood homes, and forgotten but still grasped presences, all recollected outside of time like a barely held together, yet somehow still vibrant, vaseless bouquet. As Carter's ever-unraveling fragments emerge there are moments of blood, glass, divinity, reflection. Unwonted displays of beauty and waves of warm, generous confusion require an open curiosity. For Want of Walls asks that the reader becomes porous to its efflorescent currents."--Fred Thomas
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MAG
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WIRE 483
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"The Wire issue #483, May 2024. On the cover: Still House Plants. Inside: Cheer-Accident, Lolina, NikNak, FUJI|||||||||||TA, Ana Lua Caiano, BBBBBBB, Fatboi Sharif, Angelica Sanchez. Invisible Jukebox: Kristin Hersh. Unlimited Editions: Tripalium Corp. The Inner Sleeve: Lee Gamble on Chain Reaction. Epiphanies: Jlin on Philip Glass. Global Ear: Tashkent, plus 40 pages of reviews including Kavain Wayne Space and XT, Natalia Cappa, Bianca Scout, NOUT, Ustad Noor Bakhsh, punk rock in Northern Ireland, Indonesia and Kosovo, female Latin American electronic music composers, Sakamoto on film, and much more."
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9781739887810
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"An archive of aural sensations past, teeming with rare and previously unpublished vintage hi-fi brochures. Remember roller-skating while wearing your first Walkman? Or relaxing to easy listening in your pure white Philips lounge? Or playing chess on your JVC tabletop radio? All these scenarios can be found in the geeky and rarefied world of the vintage hi-fi brochure, where graphic design and acoustic apparatus make magical music together. From austere postwar Britain to poppy pre-millennium Japan, Audio Erotica presents a nostalgic nirvana of the strangest and most significant period hi-fi brochures. The volume acts as a companion title to the delightful Jonny Trunk/FUEL publication, Auto Erotica: A Grand Tour through Classic Car Brochures of the 1960s to 1980s and is manufactured in the same format. Alphabetically listed, from Aiwa to Zenith, with Braun, JVC Nivico, Nakamichi, Sony and everything in between, this book will resonate with any music fan. Setting the tempo are the pipe-smoking, high-end separates (amplifiers, speakers, turntables) of the 1950s, followed by the swinging Dansette record players of the 1960s, the prog-brushed-metal music centers of the 1970s and the sleek capitalist cabinet stack systems of the 1980s -- not forgetting the aerobic stereo sound portability facilitated by the boombox, and that final high-fidelity, hardware hurrah: the compact disc. The evocative brochures in Audio Erotica track the technological development of audio equipment before the digital download, while simultaneously revealing the way hi-fi was marketed to the listening public. With knobs on. A striking screen-printed graphic cover on 'brushed aluminum' paper echoes the hi-fi systems shown in the brochures."
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9781944860608
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"The definitive visual biography on the life of Arthur Russell. The music of Arthur Russell defies classification. From his pioneering compositions as part of New York's vibrant avant-garde scene (alongside artists including Phillip Glass, David Byrne, Laurie Anderson, John Cage, and Allen Ginsberg) to his genre-expanding disco productions, from his new wave and art pop to his posthumously released folk songs, Russell crafted timeless and foundationally influential work until his premature death in 1992 from AIDS-related illnesses. Now, in a landmark publication curated by critically-acclaimed writer Richard King, Travels Over Feeling collects the extensive ephemera found in Russell's New York Public Library archive, along with pieces from the personal collections of those who were closest to him. Combining unseen visual material -- handwritten scores, lyrics, photos, letters, and drawings -- with new texts by King and extensive original interviews with Arthur's collaborators, contemporaries, family, and friends, Travels Over Feeling paints a portrait of Arthur Russell unlike any which has come before, revealing a true picture of one of the most distinctive artists of the last fifty years. Hardcover, 304 pages."
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MAG
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UT 065
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"Ugly Things issue 65 top cover story: the Futuristic Sounds of the Yardbirds; writer Peter Stanfield explores their change of direction in 1965, their rivalry with The Who and lots more. Also featured: Detroit rock pioneers the Chosen Few, the band that spawned future members of SRC and the Stooges, the compelling story of UK '70s punk outsiders the Subway Sect as told by guitarist Rob Symmons; '70s power pop princes the Paley Brothers; Viennese proto-punk anarchists Novaks Kapelle; the sixties adventures of Matthew and Daniel Moore (the Moon, Colours, Matthew Moore Plus Four); and a fascinating study of the beat music industry behind the Iron Curtain during the Cold War. Plus: Moby Grape, the Ascots, Cyril Jordan on Little Richard, and the meticulous review sections, covering all the latest vinyl and CD reissues, and rock and roll-related books."
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9798987624982
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"The complete collection of Fluxus' newspapers featuring work by iconic conceptual artists, writers and composers. This volume collects all 11 newspapers published by the Fluxus artists' collective between January 1964 and March 1979. Although published irregularly, the newspapers promoted Fluxus events and publications -- especially the group's famous multiples and Fluxkits -- with advertising materials, order forms and price lists interspersed throughout. More than just a space for promotion and information, the newspapers featured artworks by more than 60 artists as well as appropriated newspaper headlines, advertisements, articles and comic strips. The Fluxus Newspaper exemplifies the group's 'do-it-yourself' attitude: an approach that is comical, collaborative, interdisciplinary and anti-commercial. The periodical is also an early example of the artist newspaper: a medium which grew out of the underground press movement and flourished in the late '60s and '70s as artists sought new mediums for distributing their work. Artists include: Ay-O, Carol Bergé, Joseph Beuys, Walter De Maria, Willem de Ridder, Robert Filliou, Ken Friedman, Allan Kaprow, Alison Knowles, George Macunias, Yoko Ono, Nam June Paik, Ben Patterson, Dieter Roth, Takako Saito, Wolf Vostell."
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MAGGOT 016
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"On the cover: This is a really packed, special issue of Maggot Brain, with the feature cover story a comprehensive interview by celebrated writer Sasha Frere-Jones with essayist Lucy Sante (who's written for every issue of MB since the start), on the occasion of her awesome memoir about transitioning, I Heard Her Call My Name. Inside: Phill Niblock: A tribute to the genius musician, filmmaker, label head, and generous promoter of ecstatic sound, by Steve Silverstein. Tresa Leigh: An in-depth feature on the star of Efficient Space's beloved Ghost Riders compilation! Really a beautiful, untold story. Dredd Foole: As his legacy is revealed through Corbett vs Dempsey's archival series, Foole talks to Six Organs of Admittance's Ben Chasny about the role of his band the Din in the Boston underground. Plus, sidebars from Christina Carter, Kris Price, and Phil Milstein. Loopsel: Mike McGonigal on some of the most elusive, beautiful contemporary music, straight out of Gothenburg. Sleater-Kinney: 30 vital years of uncompromising music, by none other than Audrey Golden!"
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WIRE 482
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"In the magazine: Darius Jones, Steve Roach, Clarissa Connelly, [Ahmed], Shovel Dance Collective, Arushi Jain, Kulku, Harmony Holiday, Richie Culver. Invisible Jukebox: Ka Baird. Global Ear: Dublin. Epiphanies: Aura Satz on the sound of sirens. Inner Sleeve: Raji Rags on D'Angelo. Unlimited Editions: Industrial Coast. Unofficial Channels: The Rest newsletter, plus 40 pages of reviews including Shabaka Hutchings, Eddie Prévost, Creation Rebel, Eugene S Robinson, hcmf 2023, and more. On the CD: 16 new tracks by Jac Berrocal, Elaine Mitchener, Derek Piotr, Heejin Jang, Lori Vambe, Shit & Shine, The Phereomoans, A Lily, Dream Skills & GW Sok, and more."
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MAG
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WJMAG 010
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The tenth issue of We Jazz Magazine, Dominoes for Donald Byrd. All articles presented in English. Donald Byrd by Andy Beta, Lonnie Liston Smith by Anton Spice, Charles Gayle by Seymour Wright, Anoushka Shankar & Arooj Aftab in conversation by Debra Richards, Billy Harper by Bret Sjerven, Anni Kiviniemi by Wif Stenger, Kenneth Jimenez by Andrey Henkin, Sun Ra by Francis Gooding, Muffins by Marc Medwin, Discaholic column by Mats Gustafsson, Vogel Records by Lander Lenaerts and reviews and more 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers.
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MAG
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WIRE 481
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"On the cover: The Haxan Cloak. Inside: DJ Znobia, Linda Smith, Ariel Kalma, Billy Bultheel, Lumpeks, Yasuhiro Morinaga, John Pope, Invisible Jukebox: Kahil El'Zabar, Epiphanies: Edward Ka-Spel on Faust. The inner sleeve: Teresa Winter on Saint Etienne, Global Ear: Santiago, Unlimited Editions: Thanatosis Produktion, Unofficial Channels: The Blindboy Podcast. In the reviews sections: Allison Burik, John Surman, Univers Zero, Techno Animal, Le Guess Who?, rap in Britain and much more."
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