Search Result for Genre ROCK
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ACRSLP 1671LP
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Delayed... "B.B. King, the 'King Of The Blues' is an undisputed music icon. In a career spanning seven decades, he sold in excess of 50 million records, won 20 Grammy Awards, and played alongside artists such as Bono, Eric Clapton, The Rolling Stones, Elton John, and Stevie Wonder. A hard-working musician, King toured the world several times over, taking his extraordinary blues from the margins to the mainstream. His emotional and sophisticated soloing on his Gibson guitar, 'Lucille,' coupled with his subtle vibrato style, influenced a diverse range of artists, including, Keith Richards, Carlos Santana, Jimi Hendrix, Cream, Richie Sambora, and even 50 Cent. This fine collection brings together some of King's greatest early blues numbers. From his first hit single, 'Three O'Clock Blues,' timeless tracks such as 'Woke Up This Morning' and 'Everyday I Have The Blues,' the epic double sider 'Sweet Sixteen' finishing with his early sixties classics, 'Someday' and 'Peace Of Mind.' King was a pioneer from the very beginning, with this collection demonstrating just why the British blues bands of the late sixties revered him as a guitar god. King was inducted into the Blues Foundation Hall Of Fame in 1984, the Rock 'n' Roll Hall Of Fame in 1987, received the National Academy of the Recording Arts and Sciences Lifetime Achievement Award and awarded the Presidential Medal of the Arts in 1990. In 2006 he received the Medal of Freedom, America's highest civilian honor."
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LP
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MR 479LP
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$28.50
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RELEASE DATE: 11/14/2025
Dharmacide is a Spanish band known for their eclectic fusion of genres, blending elements of shoegaze and dreampop music. Tougher Than the Rest is their awaited second album. They take a step forward with a darker sound with gloomy riffs and ethereal voices in which they describe perfectly how the sound of a night full of random events would be like. "The Cigs, The Light, The Coffee and Crying," the LP's first single, features a powerful reverb-laden riff with a solo vocal melody in the middle of the chaos until breaking into a powerful chorus. Dharmacide's sound is marked by intricate guitar riffs, powerful drumming, and deep, emotive vocals that create a unique atmosphere. The band, with members of Alcalá Norte and Depresión Sonora, has made a huge impact on various stages, performing at renowned venues and festivals, including iconic spots in their home country as well as internationally, earning praise for their high-energy performances and thoughtful compositions. Their latest singles have been produced, mixed and mastered by Mark Gardener from Ride. Their sound is influenced by today's bands like Diiv, Warpaint, or Beach House but also by classic artists like Cocteau Twins, Nick Cave and the Bad Seeds, and Tom Waits.
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CD
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OTH 001CD
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$14.50
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RELEASE DATE: 11/7/2025
Sarathy Korwar, genre-breaking drummer, producer and composer, announces the release of his seventh album, There Is Beauty, There Already, out on Otherland. Celebrating the melodic power of the drum ensemble, the album follows his 2022 Indofuturist manifesto KALAK with a deeply immersive longform suite of percussion-led compositions. Playing as a 40-minute suite of hypnotic and transcendent drum improvisations, the album beats through a repetitive, circular structure that brings to mind Indian folk music, jazz drum ensembles like Max Roach's M'Boom and the contemporary classical minimalism of Terry Riley and Steve Reich. From the undulating bass tones of the tabla to the tonal varieties of South Indian clay pot ghatam, the snare drum snap of the drum kit, and shades of electronic texture through the Buchla Easel, Korwar's ensemble bubbles and flows through a stream of steady rhythm, forever in motion like the ceaseless energy of a river. "The album is me finding my voice as a composer again and going back to the thing I know best, which is the drums," Korwar says. "It's me falling back in love with percussion and expressing just how melodic and emotive it can be. Unlike my other albums that have often engaged with weighty themes like migration, identity and futurism, this is a raw act of placing myself front and center -- letting the drums speak instead."
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LP
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OTH 001LP
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$26.00
PREORDER
RELEASE DATE: 11/7/2025
LP version. Sarathy Korwar, genre-breaking drummer, producer and composer, announces the release of his seventh album, There Is Beauty, There Already, out on Otherland. Celebrating the melodic power of the drum ensemble, the album follows his 2022 Indofuturist manifesto KALAK with a deeply immersive longform suite of percussion-led compositions. Playing as a 40-minute suite of hypnotic and transcendent drum improvisations, the album beats through a repetitive, circular structure that brings to mind Indian folk music, jazz drum ensembles like Max Roach's M'Boom and the contemporary classical minimalism of Terry Riley and Steve Reich. From the undulating bass tones of the tabla to the tonal varieties of South Indian clay pot ghatam, the snare drum snap of the drum kit, and shades of electronic texture through the Buchla Easel, Korwar's ensemble bubbles and flows through a stream of steady rhythm, forever in motion like the ceaseless energy of a river. "The album is me finding my voice as a composer again and going back to the thing I know best, which is the drums," Korwar says. "It's me falling back in love with percussion and expressing just how melodic and emotive it can be. Unlike my other albums that have often engaged with weighty themes like migration, identity and futurism, this is a raw act of placing myself front and center -- letting the drums speak instead."
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CD
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HPS 370CD
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$16.00
PREORDER
RELEASE DATE: 10/17/2025
Repress of the Belzebong's sophomore album. Greenferno is the second studio album by the Polish stoner doom band Belzebong. Recorded in early 2015, it was the first release to feature second drummer Hexy Dude. Also available on black vinyl (HPS 370LP), green color vinyl (HPS 370LTD-LP), and splatter color vinyl (HPS 370ULTRA-LP).
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LP
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HPS 370LTD-LP
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$31.50
PREORDER
RELEASE DATE: 10/17/2025
LP version. Green color vinyl. Repress of the Belzebong's sophomore album. Greenferno is the second studio album by the Polish stoner doom band Belzebong. Recorded in early 2015, it was the first release to feature second drummer Hexy Dude. Also available on black vinyl (HPS 370LP), green color vinyl (HPS 370LTD-LP), and splatter color vinyl (HPS 370ULTRA-LP).
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LP
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HPS 370LP
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$28.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. Repress of the Belzebong's sophomore album. Greenferno is the second studio album by the Polish stoner doom band Belzebong. Recorded in early 2015, it was the first release to feature second drummer Hexy Dude. Also available on black vinyl (HPS 370LP), green color vinyl (HPS 370LTD-LP), and splatter color vinyl (HPS 370ULTRA-LP).
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LP
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HPS 370ULTRA-LP
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$41.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. Splatter color vinyl. Repress of the Belzebong's sophomore album. Greenferno is the second studio album by the Polish stoner doom band Belzebong. Recorded in early 2015, it was the first release to feature second drummer Hexy Dude. Also available on black vinyl (HPS 370LP), green color vinyl (HPS 370LTD-LP), and splatter color vinyl (HPS 370ULTRA-LP).
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LP
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VIO 084LP
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$36.50
PREORDER
RELEASE DATE: 10/10/2025
Essential Liverpool psychedelic folk collective mapping their territory with a record rooted in place and memory. Professor Yaffle have created their most focused and expansive work yet. Following acclaimed previous releases, Everyone Wants to Dream finds the band at their creative peak. The album turns on Everton Brow -- an unremarkable Liverpool hill offering the city's finest view. Rogers returns to this vantage point throughout eight tracks, using it as both setting and metaphor for looking back on life without nostalgia. From here, you can see the Mersey stretch toward Snowdonia, the city spread below like a living map. "Lost in a Dream (On Everton Brow)" weaves Lee Roger's lyrics as an eighteen-year-old lyrics with newly composed music. "Everyone Wants to Dream" confronts the disorientation when your children grow and your role shifts. "On Top of the World" becomes what Rogers calls "a stoned love letter to Liverpool." This is Professor Yaffle's first release with Violette Records, marking the beginning of a partnership between two Liverpool entities who've circled each other for years before finding their moment. Featuring a 1979 Karl Hughes photograph of a policeman surveying Liverpool from Everton Brow, capturing something essential about the record: that those who maintain order might dream the biggest dreams of all. For fans of: CSNY, Tim Buckley, Talk Talk, The Byrds, Sufjan Stevens, Love, Tame Impala, Nick Drake.
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CD
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WWSCD 106CD
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$18.00
PREORDER
RELEASE DATE: 10/10/2025
Wewantsounds reissues French pop icon Brigitte Fontaine's landmark 1968 album Brigitte Fontaine Est Folle, originally released on the cult label Saravah and arranged by Jean-Claude Vannier. This special, approved by the artist, features the original album, newly remastered from the original tapes, along with demos, instrumentals, and a live rendition of "Il Pleut" recorded for France Inter/ORTF. The release also includes a 20-page bilingual booklet with introductions by journalist Jeremy Allen and Stereolab's Laetitia Sadier, essays by Brigitte Fontaine's biographer Benoît Mouchart and Benjamin Barouh, plus full lyrics and rare archival photos. Brigitte Fontaine needs no introduction. An inspiring figure in French music since the 1960s, she has long been revered by a wide array of musicians -- from Stereolab to Sonic Youth, Beck, and Jarvis Cocker. Originally released in 1968 on Pierre Barouh's cult Saravah label, Brigitte Fontaine Est Folle shattered conventions. Fusing Fontaine's lyrical brilliance -- tackling themes like death, social revolt, and female desire -- with Vannier's lush, funky arrangements, the pair created a work that was ahead of its time. The release offers a selection of rare and previously unreleased recordings, including demos -- recently unearthed by the album's composer, Olivier Bloch-Lainé -- instrumentals showcasing Vannier's skills, and a groundbreaking 1969 live rendition of "Il Pleut" recorded for France Inter/ORTF. This version features Malachi Favors on bass, forming a direct link to her next LP, Comme à la Radio, recorded with the Art Ensemble of Chicago. Rebellious, witty and timeless, Brigitte Fontaine Est Folle is a landmark work by an artist who not only redefined French pop but also expanded its boundaries on the international scene. This deluxe edition stands as a vital document of her enduring legacy and one of the most original voices in modern music.
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2LP
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WWSLP 106LP
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$42.00
PREORDER
RELEASE DATE: 10/10/2025
Double LP version. Wewantsounds reissues French pop icon Brigitte Fontaine's landmark 1968 album Brigitte Fontaine Est Folle, originally released on the cult label Saravah and arranged by Jean-Claude Vannier. This special, approved by the artist, features the original album, newly remastered from the original tapes, along with demos, instrumentals, and a live rendition of "Il Pleut" recorded for France Inter/ORTF. The release also includes a 20-page bilingual booklet with introductions by journalist Jeremy Allen and Stereolab's Laetitia Sadier, essays by Brigitte Fontaine's biographer Benoît Mouchart and Benjamin Barouh, plus full lyrics and rare archival photos. Brigitte Fontaine needs no introduction. An inspiring figure in French music since the 1960s, she has long been revered by a wide array of musicians -- from Stereolab to Sonic Youth, Beck, and Jarvis Cocker. Originally released in 1968 on Pierre Barouh's cult Saravah label, Brigitte Fontaine Est Folle shattered conventions. Fusing Fontaine's lyrical brilliance -- tackling themes like death, social revolt, and female desire -- with Vannier's lush, funky arrangements, the pair created a work that was ahead of its time. The release offers a selection of rare and previously unreleased recordings, including demos -- recently unearthed by the album's composer, Olivier Bloch-Lainé -- instrumentals showcasing Vannier's skills, and a groundbreaking 1969 live rendition of "Il Pleut" recorded for France Inter/ORTF. This version features Malachi Favors on bass, forming a direct link to her next LP, Comme à la Radio, recorded with the Art Ensemble of Chicago. Rebellious, witty and timeless, Brigitte Fontaine Est Folle is a landmark work by an artist who not only redefined French pop but also expanded its boundaries on the international scene. This deluxe edition stands as a vital document of her enduring legacy and one of the most original voices in modern music.
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LP
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HPS 369ULTRA-LP
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$41.00
PREORDER
RELEASE DATE: 10/3/2025
LP version. Purple/black color vinyl. Litania is a doom/Hindustan psych band from Italy and Serbia. The sound is based on drones, heavy riffing and inspired by ancient Hindustan singing and playing (with instruments such as Sitar, Dilruba and Harmonium). Litania is also the title of their first album. Featuring Elisa De Munari (vocals, harmonium, sitar, Dilruba), Marco Degli Esposti (electric guitar and drones), Enrico Baraldi (bass guitar), and Vladimir Marikoski (drums and percussions).
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CD
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PFMI 105CD
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$15.50
PREORDER
RELEASE DATE: 10/3/2025
Perhaps it was a cold winter day or a warm summer night in Finland -- but it was around 2010. Someone came up with an idea to combine bluegrass, Finnish folk and rock/metal music. The outcome was and has since been Steve 'n' Seagulls. The kind of band you've never heard before but you do want to hear again. Hailing from Finland in Northern Europe -- this flock of musical energy keeps on going and flying faster than ever. Now, the sun lays its rays on the long-awaited fifth Steve 'n' Seagulls album -- The Dark Side of the Moo! Recorded and produced with the same crew as the previous one, Steve 'n' Seagulls have again found and torn down the limits of progressive bluegrass and newgrass. The album combines elements from genres that are hard to imagine together. Yet they meet and shake hands like old friends.
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CD
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HPS 369CD
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$16.00
PREORDER
RELEASE DATE: 10/3/2025
Litania is a doom/Hindustan psych band from Italy and Serbia. The sound is based on drones, heavy riffing and inspired by ancient Hindustan singing and playing (with instruments such as Sitar, Dilruba and Harmonium). Litania is also the title of their first album. Featuring Elisa De Munari (vocals, harmonium, sitar, Dilruba), Marco Degli Esposti (electric guitar and drones), Enrico Baraldi (bass guitar), and Vladimir Marikoski (drums and percussions). Also available on black vinyl (HPS 369LP), red vinyl (HPS 369LTD-LP), and purple/black vinyl (HPS 369ULTRA-LP).
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LP
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HPS 369LP
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$28.00
PREORDER
RELEASE DATE: 10/3/2025
LP version. Litania is a doom/Hindustan psych band from Italy and Serbia. The sound is based on drones, heavy riffing and inspired by ancient Hindustan singing and playing (with instruments such as Sitar, Dilruba and Harmonium). Litania is also the title of their first album. Featuring Elisa De Munari (vocals, harmonium, sitar, Dilruba), Marco Degli Esposti (electric guitar and drones), Enrico Baraldi (bass guitar), and Vladimir Marikoski (drums and percussions).
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LP
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PFMILP 105LP
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$29.50
PREORDER
RELEASE DATE: 10/3/2025
LP version. Perhaps it was a cold winter day or a warm summer night in Finland -- but it was around 2010. Someone came up with an idea to combine bluegrass, Finnish folk and rock/metal music. The outcome was and has since been Steve 'n' Seagulls. The kind of band you've never heard before but you do want to hear again. Hailing from Finland in Northern Europe -- this flock of musical energy keeps on going and flying faster than ever. Now, the sun lays its rays on the long-awaited fifth Steve 'n' Seagulls album -- The Dark Side of the Moo! Recorded and produced with the same crew as the previous one, Steve 'n' Seagulls have again found and torn down the limits of progressive bluegrass and newgrass. The album combines elements from genres that are hard to imagine together. Yet they meet and shake hands like old friends.
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LP
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FTR 809LP
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$27.50
PREORDER
RELEASE DATE: 10/3/2025
"Although it was the lead track on the Stones's eighth studio LP, Let it Bleed, the song 'Gimmie Shelter' was not released as a single. Indeed, the single 'from' that album was the countrified non-LP track, 'HonkyTonk Women' backed with the corny chorale sluice of 'You Can't Always Get What You Want.' It was as though the Stones, knowing they would soon be pilloried on the cross of Altamont, wanted to have a way to try and dodge those nails by being able to claim they weren't even a rock band. Well, fuck them. 55 long years after the Stones's shameful retreat from their true identity, Jackie O Motherfucker has decided to try them in the court of public opinion, both for their jaundiced world view as well as the sheer cowardice of their presentation of facts. The simplest way for JOMF to proceed would have been to illuminate the ridiculous musical and philosophical inconsistencies inside their trademark song of 1968/9, 'Sympathy for the Devil,' but they chose to leave child's play to children. Instead, they took the four minutes and thirty seconds of 'Shelter,' divided it into thirds and created a set of music that explores the mathematical relationships between those segments and the three parts of a song which it reportedly inspired, The Stooges's 'Gimme Danger.' I've had the Calculus of the equation explained to me a couple of times by Tom Greenwood, the founding member of JOMF, but I get sorta lost in most number stuff more evolved than Trigonometry. My sense is that three improvised pieces on this album are musical meditations about the possible existence of a tripartite equivalent of Aristotle's Golden Mean. And while I totally believe in his as a concept, it doesn't really help to explain what the music sounds like, y'know? The three tracks are drawn from two live shows and one studio session, using a line-up resembling that on 2023's Manual of the Bayonet, the music here is largely-instrumental, reed-laced, and filled with the same glowing sense of direction this listener gets when I'm several acid sheets to the wind. Some parts collect themselves and repeat like small bursts of energy trapped inside a pyramid. When vocals do pop up, they sound like out-takes from the soundtrack to Kenneth Anger's Invocation of My Demon Brother, and submerge themselves in a murk of Egyptian dust. Some might compare JOMF's sound to the more abstruse out-takes from the Dead's Gizan shows of '78. But its commentary on the nature of musical forms reaches back further than that. I mean, remember -- the Dead pulled out of playing Altamont. I'm not sure JOMF would have done the same, but I'm sure they would have done something if they found themselves in the same situation. And it might well have sounded like this. As Bear always said, 'A trip in time saves nine.' Good thought, and as diggable today as it was back then. Hop on. This shelter is rolling. --Byron Coley, 2025
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LP
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HPS 369LTD-LP
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$31.50
PREORDER
RELEASE DATE: 10/3/2025
LP version. Red color vinyl. Litania is a doom/Hindustan psych band from Italy and Serbia. The sound is based on drones, heavy riffing and inspired by ancient Hindustan singing and playing (with instruments such as Sitar, Dilruba and Harmonium). Litania is also the title of their first album. Featuring Elisa De Munari (vocals, harmonium, sitar, Dilruba), Marco Degli Esposti (electric guitar and drones), Enrico Baraldi (bass guitar), and Vladimir Marikoski (drums and percussions).
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CD
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DC 956CD
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$13.50
PREORDER
RELEASE DATE: 9/26/2025
"The shaman of the six-string is back. Waving his axe of choice, Sir Richard Bishop once again summons forth damnable truth and beauty on an all-new musical kamikaze run through histories both written and -- as of yet -- not commonly known. Since the dying days of the 20th century, the composer/player of spirited polytheistic guitar recitals including Salvador Kali, Improvika, The Freak of Araby, Tangier Sessions, and most recently, Oneiric Formulary has worked feverishly to wrench and wrangle all the music that has and can possibly fall out of the guitar from east to west. With Hillbilly Ragas, Sir Rick stretches his callused hands across the waters to draw diverse musics back to his shack with the gladiatorial bloodthirst and balance of gravitas and jocosity listeners can expect from him in every hot little moment of play. But there's more to be said than these merely glib rantings as to what happens when traditional music heads for the hillbillies:"
"There were a few different approaches I utilized for this release. First and foremost, I wanted to go back to basics, to strip away any excesses and keep it as simple as possible: one man, one acoustic guitar, no overdubs, no effects, no electricity. Taking several cues from the sounds most often associated with the so-called American Primitive guitar style, I wanted to avoid any traditional approaches and instead try something more-raw and aggressive, concentrating more on rhythm and movement as opposed to anything predictable or overly melodic, while also keeping my particular interpretive ideas about East Indian Raga in the mix. I've always felt that the majority of what is considered to be American Primitive music, while certainly based on historical American musical traditions, never really had any sounds that I personally thought of as being primitive -- it always seemed too orderly, too developed, and too safe? During the recording process I was envisioning an undiscovered mountain man or "hillbilly" who had remained hidden in his own private backwoods; one who never learned, or even heard about, any traditional musical canon that he was expected to work within. So what we have here with Hillbilly Ragas are nine pieces for solo acoustic guitar, each one representing a different excursion into the dark woods -- the untamed explorations of a musical loner, an outsider, maybe even an undesirable, embodying a peculiar folklore and turning it into sound -- creating his own folk music in the process. He's still out there, fueled by moonshine, his supernatural surroundings, and a fuck-all attitude!" --Richard Bishop, 2025
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LP
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DC 956LP
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$20.00
PREORDER
RELEASE DATE: 9/26/2025
LP version. "The shaman of the six-string is back. Waving his axe of choice, Sir Richard Bishop once again summons forth damnable truth and beauty on an all-new musical kamikaze run through histories both written and -- as of yet -- not commonly known. Since the dying days of the 20th century, the composer/player of spirited polytheistic guitar recitals including Salvador Kali, Improvika, The Freak of Araby, Tangier Sessions, and most recently, Oneiric Formulary has worked feverishly to wrench and wrangle all the music that has and can possibly fall out of the guitar from east to west. With Hillbilly Ragas, Sir Rick stretches his callused hands across the waters to draw diverse musics back to his shack with the gladiatorial bloodthirst and balance of gravitas and jocosity listeners can expect from him in every hot little moment of play. But there's more to be said than these merely glib rantings as to what happens when traditional music heads for the hillbillies:"
"There were a few different approaches I utilized for this release. First and foremost, I wanted to go back to basics, to strip away any excesses and keep it as simple as possible: one man, one acoustic guitar, no overdubs, no effects, no electricity. Taking several cues from the sounds most often associated with the so-called American Primitive guitar style, I wanted to avoid any traditional approaches and instead try something more-raw and aggressive, concentrating more on rhythm and movement as opposed to anything predictable or overly melodic, while also keeping my particular interpretive ideas about East Indian Raga in the mix. I've always felt that the majority of what is considered to be American Primitive music, while certainly based on historical American musical traditions, never really had any sounds that I personally thought of as being primitive -- it always seemed too orderly, too developed, and too safe? During the recording process I was envisioning an undiscovered mountain man or "hillbilly" who had remained hidden in his own private backwoods; one who never learned, or even heard about, any traditional musical canon that he was expected to work within. So what we have here with Hillbilly Ragas are nine pieces for solo acoustic guitar, each one representing a different excursion into the dark woods -- the untamed explorations of a musical loner, an outsider, maybe even an undesirable, embodying a peculiar folklore and turning it into sound -- creating his own folk music in the process. He's still out there, fueled by moonshine, his supernatural surroundings, and a fuck-all attitude!" --Richard Bishop, 2025
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LP
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HPS 359LP
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$28.00
PREORDER
RELEASE DATE: 9/26/2025
LP version. Incorporating dusty, doom metal elements with a hint of California sunshine added for good measure. Dusted Angel's doom falls in line with traditional acts like '70s era Pentagram and Saint Vitus' more rockin' moments. Dusted Angel is a band that likes to keep it in the family. Made up of a group of close friends that have known each since the early '80s, stemming from playing in various intertwined bands engraved in the extended Santa Cruz family of friends. Featuring Ed Gregor on guitar, Eric "Dog" Fieber on guitar, Steve Ilse on drums, Clifford Dinsmore on vocals, and Eliot Young on bass. Formed in 2009, Dusted Angel is a sleeping giant that awakens from time to time to enlighten people with their unique brand of heavy, heavy groove laden music. Now it's time for a new album via Heavy Psych Sounds Records!
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LP
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HPS 359ULTRA-LP
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$41.00
PREORDER
RELEASE DATE: 9/26/2025
LP version. Red/yellow/purple color vinyl. Incorporating dusty, doom metal elements with a hint of California sunshine added for good measure. Dusted Angel's doom falls in line with traditional acts like '70s era Pentagram and Saint Vitus' more rockin' moments. Dusted Angel is a band that likes to keep it in the family. Made up of a group of close friends that have known each since the early '80s, stemming from playing in various intertwined bands engraved in the extended Santa Cruz family of friends. Featuring Ed Gregor on guitar, Eric "Dog" Fieber on guitar, Steve Ilse on drums, Clifford Dinsmore on vocals, and Eliot Young on bass. Formed in 2009, Dusted Angel is a sleeping giant that awakens from time to time to enlighten people with their unique brand of heavy, heavy groove laden music. Now it's time for a new album via Heavy Psych Sounds Records!
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LP
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OSR 116LP
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$31.50
PREORDER
RELEASE DATE: 9/26/2025
LP version. First ever release of post-Children Of The Mushroom heavy prog studio/live recordings from 1971. Formed in California in 1967, Children of the Mushroom were the quintessential garage-psych band. As the times evolved, the band hardened their sound, shortening their name to Mushroom. By 1970, Mushroom became Lady, incorporating prog-rock influences and instruments like flute to their hard-pych organ/guitar dominated sound, drawing inspiration from bands like Jethro Tull, Steamhammer, Gypsy, or Bloodrock. In 1971 the band recorded a few studio demos at Village Recorders in Los Angeles, which are presented here in top sound quality along with a couple of raw, lo-fi but killer live tracks from the same year. Long tracks, heavy fuzz guitar, Hammond organ, flute, and powerful vocals. Remastered sound. Includes insert with liner notes by Klemen Breznikar (It's Psychedelic Baby) and rare photos. Also includes download card with three live bonus tracks.
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LP
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CRO 003LP
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$28.50
PREORDER
RELEASE DATE: 9/26/2025
Long overdue reissue of the first album by The Hanging Stars. Initial 300 copies come with 12"x12" print. London-based psych-folk outfit The Hanging Stars re-release their much-loved debut album Over the Silvery Lake on Crimson Crow. Blending folk pastoralism with swampy '60s Americana, they sound like the missing link between the California desert sun and the grey skies of London Town. The album was recorded between LA, Nashville and Walthamstow, with each of these vastly different places leaving an indelible mark on the songs. Now signed to the Loose Records label and fronted by London-based songwriter, singer and guitarist Richard Olson (The See See, Eighteenth Day of May), The Hanging Stars are essentially a loose collective of people who weave together a blissed-out psychedelic tapestry. The rest of the core band is made up of Sam Ferman on bass and Paulie Cobra on drums, Horse on pedal steel and Patrick Ralla on banjo, guitar. They jam rather than write and hang out rather than rehearse, harnessing a kind of tipsy euphoria resplendent with luscious arrangements and glorious vocal harmonies. There are a number of allusions to nature and the weather on the album, borne in part out of the contrasting surroundings in which it was produced. The band's fascination with Americana led them to record some of the material Stateside, laying down some of the parts at Battle Tapes Studios in Nashville, as well as at Vision Quest Studios in Los Angeles with Rob Campanella. Following the LA recordings, a trip to the Californian desert provided the core notion of what they wanted to produce -- a shard of light that they clung on to whilst recording the rest of the album in the significantly more rain-soaked atmosphere of Walthamstow, London, under the watchful eye of Brian O'Shaughnessy at Bark Studios. The Hanging Stars place themselves firmly as part of a long folk tradition encompassing European and North American influences -- as a continuation rather than a pastiche of these styles. This is the sound of a band really coming in to their own, fully formed and in no doubt of their vision. With Over the Silvery Lake they succeeded in producing a record, which has the country, blues and folk traditions at its heart.
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LP
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BRD 007LP
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$26.00
PREORDER
RELEASE DATE: 9/26/2025
Spot The Difference invites you to explore the Balcony's Paradise project through a new lens of chiaroscuro. Psychedelia alters perception, and from the first track, listeners journey through a timeless sonic space filled with echoes, mysterious atmospheres, and spherical guitar melodies. Lorenz O'Tool initially returned to Australia to work on some new stuff with his partner on drums and co-founder of the project, Jeremy Tayler. The album also features some covers of Television Personalities, two tracks by M.O.T.O., and one by Jeff Clarke of the Black Lips, three influential bands for O'Tool, who is also the guitarist and co singer of the Berlin post-punk Band Die Verlierer.
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