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CD
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HPS 406CD
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$17.50
PREORDER
RELEASE DATE: 10/23/2026
Valley of the Sun's sixth studio LP, The Blacklight Sessions, is a deep dive into the sonic roots of the band who continues to defy genre norms. With tracks ranging from blues jam to psychedelic desert trip to driving stoner riffage, the band continues to demonstrate that their music knows no bounds, nor should. Valley of the Sun is a three-piece consisting of Ryan Ferrier (guitar, lead vocals), the band's founder and sole remaining original member (2010-present); Chris Sweeney (bass), who joined in 2018; and Johnny Kathman (drums), who joined during the band's transition back to a power trio for the Quintessence era in 2023. Also available on black vinyl (HPS 406LP), pink vinyl (HPS 406LTD-LP), and green/pink splatter vinyl (HPS 406ULTRA-LP).
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LP
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HPS 406ULTRA-LP
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$44.50
PREORDER
RELEASE DATE: 10/23/2026
LP version. Green/pink splatter color vinyl. Valley of the Sun's sixth studio LP, The Blacklight Sessions, is a deep dive into the sonic roots of the band who continues to defy genre norms. With tracks ranging from blues jam to psychedelic desert trip to driving stoner riffage, the band continues to demonstrate that their music knows no bounds, nor should. Valley of the Sun is a three-piece consisting of Ryan Ferrier (guitar, lead vocals), the band's founder and sole remaining original member (2010-present); Chris Sweeney (bass), who joined in 2018; and Johnny Kathman (drums), who joined during the band's transition back to a power trio for the Quintessence era in 2023.
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LP
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HPS 406LTD-LP
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$34.00
PREORDER
RELEASE DATE: 10/23/2026
LP version. Pink color vinyl. Valley of the Sun's sixth studio LP, The Blacklight Sessions, is a deep dive into the sonic roots of the band who continues to defy genre norms. With tracks ranging from blues jam to psychedelic desert trip to driving stoner riffage, the band continues to demonstrate that their music knows no bounds, nor should. Valley of the Sun is a three-piece consisting of Ryan Ferrier (guitar, lead vocals), the band's founder and sole remaining original member (2010-present); Chris Sweeney (bass), who joined in 2018; and Johnny Kathman (drums), who joined during the band's transition back to a power trio for the Quintessence era in 2023.
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2LP
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WWSLP 118LP
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$42.00
PREORDER
RELEASE DATE: 10/23/2026
Double LP version. Wewantsounds reissues Brigitte Fontaine's landmark 1970 Saravah album Comme à la Radio, recorded with Areski Belkacem, Wadada Leo Smith, and the Art Ensemble of Chicago. This new edition pairs the original album with rare bonus material. The release is accompanied by a lavish 24-page bilingual booklet featuring an introduction by journalist Andy Beta, essays by Wadada Leo Smith, Brigitte Fontaine biographer Benoît Mouchart, and Benjamin Barouh, plus a recent interview with Brigitte Fontaine and the late Areski Belkacem. The booklet also includes complete lyrics and a selection of rare archival photographs by Jean-Pierre Leloir and Philippe Gras. Comme à la Radio was originally released in 1970 on Pierre Barouh's cult Saravah label, fusing Fontaine's radical lyricism with Areski Belkacem's minimalist compositions and the fearless improvisations of the Art Ensemble of Chicago and Wadada Leo Smith. Its title track has since become a cult classic in jazz and groove circles. The album has been newly remastered from the original tapes and is reissued featuring 11 bonus tracks. The original album is presented in restored clarity, while the bonus tracks gather rare non-album singles, English-language takes, alternate versions and previously unreleased instrumental recordings showcasing the Art Ensemble's artistry, including the elusive English version of Comme à la Radio, and a striking early version of "L'été L'été." Comme à la Radio stands as a visionary landmark of French music and a defining statement in Brigitte Fontaine's career. This expanded edition confirms its enduring influence more than fifty years after its original release. The reissue is announced alongside its companion Comme à la Radio On Air, a deluxe 2-LP set presenting previously unreleased ORTF live recordings and additional studio rarities.
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CD
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WWSCD 118CD
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$16.00
PREORDER
RELEASE DATE: 10/23/2026
Wewantsounds reissues Brigitte Fontaine's landmark 1970 Saravah album Comme à la Radio, recorded with Areski Belkacem, Wadada Leo Smith, and the Art Ensemble of Chicago. This new edition pairs the original album with rare bonus material. The release is accompanied by a lavish 24-page bilingual booklet featuring an introduction by journalist Andy Beta, essays by Wadada Leo Smith, Brigitte Fontaine biographer Benoît Mouchart, and Benjamin Barouh, plus a recent interview with Brigitte Fontaine and the late Areski Belkacem. The booklet also includes complete lyrics and a selection of rare archival photographs by Jean-Pierre Leloir and Philippe Gras. Comme à la Radio was originally released in 1970 on Pierre Barouh's cult Saravah label, fusing Fontaine's radical lyricism with Areski Belkacem's minimalist compositions and the fearless improvisations of the Art Ensemble of Chicago and Wadada Leo Smith. Its title track has since become a cult classic in jazz and groove circles. The album has been newly remastered from the original tapes and is reissued featuring 11 bonus tracks. The original album is presented in restored clarity, while the bonus tracks gather rare non-album singles, English-language takes, alternate versions and previously unreleased instrumental recordings showcasing the Art Ensemble's artistry, including the elusive English version of Comme à la Radio, and a striking early version of "L'été L'été." Comme à la Radio stands as a visionary landmark of French music and a defining statement in Brigitte Fontaine's career. This expanded edition confirms its enduring influence more than fifty years after its original release. The reissue is announced alongside its companion Comme à la Radio On Air, a deluxe 2-LP set presenting previously unreleased ORTF live recordings and additional studio rarities.
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LP
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HPS 406LP
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$29.50
PREORDER
RELEASE DATE: 10/23/2026
LP version. Valley of the Sun's sixth studio LP, The Blacklight Sessions, is a deep dive into the sonic roots of the band who continues to defy genre norms. With tracks ranging from blues jam to psychedelic desert trip to driving stoner riffage, the band continues to demonstrate that their music knows no bounds, nor should. Valley of the Sun is a three-piece consisting of Ryan Ferrier (guitar, lead vocals), the band's founder and sole remaining original member (2010-present); Chris Sweeney (bass), who joined in 2018; and Johnny Kathman (drums), who joined during the band's transition back to a power trio for the Quintessence era in 2023.
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LP
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HPS 407LP
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$29.50
PREORDER
RELEASE DATE: 10/16/2026
LP version. Sons of Otis debut album released for the first time. "Our first recording was completely DIY. We were all broke and asked our friends for donations, in exchange for the tape and their name in the liner notes. We only released it on cassette. LIVE off the floor and raw as hell. We were looking to offend as many people as possible. Instead -- people liked it."
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CD
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HPS 408CD
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$17.50
PREORDER
RELEASE DATE: 10/16/2026
Repress of the Sons Of Otis sophomore album. "Our first full length on a major label. This album opened a lot of eyes back then. This is where our trademark 'wall of fuzz' sound started to take shape. Big budget, big sounds. Trippy and Heavy, a cult favorite of the underground scene." Also available on black vinyl (HPS 408LP), neon violet color vinyl (HPS 408LTD-LP), and purple/orange splatter color vinyl (HPS 408ULTRA-LP).
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CD
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HPS 407CD
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$17.50
PREORDER
RELEASE DATE: 10/16/2026
Sons of Otis debut album released for the first time. "Our first recording was completely DIY. We were all broke and asked our friends for donations, in exchange for the tape and their name in the liner notes. We only released it on cassette. LIVE off the floor and raw as hell. We were looking to offend as many people as possible. Instead -- people liked it." Also available on black vinyl (HPS 407LP), yellow vinyl (HPS 407LTD-LP), and orange/blue/white color vinyl (HPS 407ULTRA-LP).
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LP
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HPS 407LTD-LP
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$34.00
PREORDER
RELEASE DATE: 10/16/2026
LP version. Yellow color vinyl. Sons of Otis debut album released for the first time. "Our first recording was completely DIY. We were all broke and asked our friends for donations, in exchange for the tape and their name in the liner notes. We only released it on cassette. LIVE off the floor and raw as hell. We were looking to offend as many people as possible. Instead -- people liked it."
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LP
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HPS 409LTD-LP
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$34.00
PREORDER
RELEASE DATE: 10/16/2026
LP version. Orange vinyl version. Recorded again at the legendary Kerwax Studio by Christophe Chavanon, fully on analog tape and gear, Witchthroat Serpent's latest release Demons Left To Roam is yet another hymn to the last century's sordid dreams and fears, moral panic and the creepy costumes from Halloween in the '30s. Huge and gritty walls of guitars, rumbling stereo bass and plundering ritual drums. Songs of horror tales and satanic litanies, carried by haunted vocals.
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LP
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HPS 409ULTRA-LP
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$44.50
PREORDER
RELEASE DATE: 10/16/2026
LP version. White/yellow/red splatter vinyl version. Recorded again at the legendary Kerwax Studio by Christophe Chavanon, fully on analog tape and gear, Witchthroat Serpent's latest release Demons Left To Roam is yet another hymn to the last century's sordid dreams and fears, moral panic and the creepy costumes from Halloween in the '30s. Huge and gritty walls of guitars, rumbling stereo bass and plundering ritual drums. Songs of horror tales and satanic litanies, carried by haunted vocals.
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Artist |
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Catalog # |
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LP
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HPS 407ULTRA-LP
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$44.50
PREORDER
RELEASE DATE: 10/16/2026
LP version. Orange/blue/white color vinyl. Sons of Otis debut album released for the first time. "Our first recording was completely DIY. We were all broke and asked our friends for donations, in exchange for the tape and their name in the liner notes. We only released it on cassette. LIVE off the floor and raw as hell. We were looking to offend as many people as possible. Instead -- people liked it."
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LP
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BEAT 125LP
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$28.50
PREORDER
RELEASE DATE: 10/16/2026
Reissue of the second album by the almighty TDK, an absolute classic and one of the very best and most important Spanish hardcore punk records ever, originally released in 1986. An even more focused and destructive effort than their legendary debut, Esto es Una Empresa Capitalista (1984), with the band in top, killer shape, rips through 13 nasty, explosive and unforgettable songs. A memorable, ugly and fierce milestone of Spanish punk and hardcore created by an infamous band, absolutely essential! Includes two inserts.
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LP
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HPS 409LP
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$29.50
PREORDER
RELEASE DATE: 10/16/2026
LP version. Recorded again at the legendary Kerwax Studio by Christophe Chavanon, fully on analog tape and gear, Witchthroat Serpent's latest release Demons Left To Roam is yet another hymn to the last century's sordid dreams and fears, moral panic and the creepy costumes from Halloween in the '30s. Huge and gritty walls of guitars, rumbling stereo bass and plundering ritual drums. Songs of horror tales and satanic litanies, carried by haunted vocals.
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LP
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HPS 408LTD-LP
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$34.00
PREORDER
RELEASE DATE: 10/16/2026
LP version. Neon violet color vinyl. Repress of the Sons Of Otis sophomore album. "Our first full length on a major label. This album opened a lot of eyes back then. This is where our trademark 'wall of fuzz' sound started to take shape. Big budget, big sounds. Trippy and Heavy, a cult favorite of the underground scene."
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Artist |
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Format |
Label |
Catalog # |
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LP
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HPS 408ULTRA-LP
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$44.50
PREORDER
RELEASE DATE: 10/16/2026
LP version. Purple/orange splatter color vinyl. Repress of the Sons Of Otis sophomore album. "Our first full length on a major label. This album opened a lot of eyes back then. This is where our trademark 'wall of fuzz' sound started to take shape. Big budget, big sounds. Trippy and Heavy, a cult favorite of the underground scene."
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LP
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BEAT 124LP
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$28.50
PREORDER
RELEASE DATE: 10/16/2026
Reissue with bonus tracks of the legendary debut album by Madrid's hardcore punk legends TDK, born from the ashes of the almighty Espasmódicos. Originally released in 1984, this is a pivotal and pioneering record for enthusiasts of Spanish punk. An explosive, powerful outburst of pure, unfiltered, nasty punk delivered with fierce energy and precision. Includes two bonus tracks, one from their split 7" with Panadería Bollería Nuestra Señora del Karmen from 1984 and one from La Movida Madrileña compilation from the same year and two inserts.
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LP
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HPS 408LP
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$29.50
PREORDER
RELEASE DATE: 10/16/2026
LP version. Repress of the Sons Of Otis sophomore album. "Our first full length on a major label. This album opened a lot of eyes back then. This is where our trademark 'wall of fuzz' sound started to take shape. Big budget, big sounds. Trippy and Heavy, a cult favorite of the underground scene."
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Artist |
Title |
Format |
Label |
Catalog # |
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CD
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HPS 409CD
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$17.50
PREORDER
RELEASE DATE: 10/16/2026
Recorded again at the legendary Kerwax Studio by Christophe Chavanon, fully on analog tape and gear, Witchthroat Serpent's latest release Demons Left To Roam is yet another hymn to the last century's sordid dreams and fears, moral panic and the creepy costumes from Halloween in the '30s. Huge and gritty walls of guitars, rumbling stereo bass and plundering ritual drums. Songs of horror tales and satanic litanies, carried by haunted vocals. Also available on black vinyl (HPS 409LP), orange vinyl (HPS 409LTD-LP), and white/yellow/red splatter color vinyl (HPS 409ULTRA-LP).
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LP
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HPS 405LP
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$29.50
PREORDER
RELEASE DATE: 10/9/2026
LP version. The Garden Of Forgotten Dreams was produced and recorded by the guitarist Mat Barsacchi, mixed by Richard Beherens (Elder/Kadavar/Samsara Blues Experiment) at Big Snuff Studio in Berlin, and mastered by Carl Saff in Chicago and Adam Ayan (Foo Fighters/Pearl Jam/Rolling Stone) in Portland. "The Garden, a magical place where lost dreams don't fade, but grow like silent flowers. Each petal holds an unfulfilled wish, each scent a memory left behind. In this garden, those who enter rediscover parts of themselves they thought lost and understand that nothing should be forgotten if it has touched their heart. The garden is the image that recurs most frequently throughout the album. We chose it as a metaphor for 'refuge,' a place where we can choose to nurture our natural inclinations, let them grow and blossom, but where we can also keep our shadows and our lights hidden. Where our secrets, our most authentic truths, our aspirations and our dreams, can therefore remain guarded until we are ready to reveal them to those who can contain and appreciate them."
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LP
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UTR 178BS-LP
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$25.00
PREORDER
RELEASE DATE: 10/9/2026
LP version. 180 gram "blue sunshine" vinyl (transparent light blue and transparent yellow vinyl). "The Yummy Fur's first album of new material in over 25 years is seductive and ambiguous; a fast-paced flip through scenes from art, myth, life and fantasy; a witty whole made from glittering scraps. The band's original incarnation -- fronted by singer, songwriter and guitarist John McKeown from 1992 to 1999 -- morphed from making quick-hit cartoon-art songs to Eno and Cale-influenced creepers, populated by characters from McKeown's life in Glasgow and the films, books and poetry that he lived a parallel life through. Everybody Talks About The Weather delights in using every past iteration of the band as potent collage material: a melee of sounds and ideas existing at once, revealing themselves then dipping back into hiding. Recorded by the original core trio of McKeown, Brian MacDougall (guitar) and Paul Thomson (drums), Everybody Talks About The Weather comes 17 years after the band reformed for sporadic live shows, and seven years after the release of their sorta-greatest hits compilation Piggy Wings (Rock Action). Ten tracks long with nothing to spare, it is as condensed and vital as their best songs, with a new clarity of sound that allows their ambiguities to come into the light . . . Everybody Talks About The Weather is an unpredictable album from an unpredictable group, but ending on a moment of almost uncomplicated light is maybe its biggest surprise." --Claire Biddles (2026)
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LP
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HPS 405LTD-LP
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$34.00
PREORDER
RELEASE DATE: 10/9/2026
LP version. Violet color vinyl. The Garden Of Forgotten Dreams was produced and recorded by the guitarist Mat Barsacchi, mixed by Richard Beherens (Elder/Kadavar/Samsara Blues Experiment) at Big Snuff Studio in Berlin, and mastered by Carl Saff in Chicago and Adam Ayan (Foo Fighters/Pearl Jam/Rolling Stone) in Portland. "The Garden, a magical place where lost dreams don't fade, but grow like silent flowers. Each petal holds an unfulfilled wish, each scent a memory left behind. In this garden, those who enter rediscover parts of themselves they thought lost and understand that nothing should be forgotten if it has touched their heart. The garden is the image that recurs most frequently throughout the album. We chose it as a metaphor for 'refuge,' a place where we can choose to nurture our natural inclinations, let them grow and blossom, but where we can also keep our shadows and our lights hidden. Where our secrets, our most authentic truths, our aspirations and our dreams, can therefore remain guarded until we are ready to reveal them to those who can contain and appreciate them."
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CD
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UTR 178CD
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$13.50
PREORDER
RELEASE DATE: 10/9/2026
"The Yummy Fur's first album of new material in over 25 years is seductive and ambiguous; a fast-paced flip through scenes from art, myth, life and fantasy; a witty whole made from glittering scraps. The band's original incarnation -- fronted by singer, songwriter and guitarist John McKeown from 1992 to 1999 -- morphed from making quick-hit cartoon-art songs to Eno and Cale-influenced creepers, populated by characters from McKeown's life in Glasgow and the films, books and poetry that he lived a parallel life through. Everybody Talks About The Weather delights in using every past iteration of the band as potent collage material: a melee of sounds and ideas existing at once, revealing themselves then dipping back into hiding. Recorded by the original core trio of McKeown, Brian MacDougall (guitar) and Paul Thomson (drums), Everybody Talks About The Weather comes 17 years after the band reformed for sporadic live shows, and seven years after the release of their sorta-greatest hits compilation Piggy Wings (Rock Action). Ten tracks long with nothing to spare, it is as condensed and vital as their best songs, with a new clarity of sound that allows their ambiguities to come into the light . . . Everybody Talks About The Weather is an unpredictable album from an unpredictable group, but ending on a moment of almost uncomplicated light is maybe its biggest surprise." --Claire Biddles (2026)
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LP
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UTR 178LP
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$23.50
PREORDER
RELEASE DATE: 10/9/2026
LP version. "The Yummy Fur's first album of new material in over 25 years is seductive and ambiguous; a fast-paced flip through scenes from art, myth, life and fantasy; a witty whole made from glittering scraps. The band's original incarnation -- fronted by singer, songwriter and guitarist John McKeown from 1992 to 1999 -- morphed from making quick-hit cartoon-art songs to Eno and Cale-influenced creepers, populated by characters from McKeown's life in Glasgow and the films, books and poetry that he lived a parallel life through. Everybody Talks About The Weather delights in using every past iteration of the band as potent collage material: a melee of sounds and ideas existing at once, revealing themselves then dipping back into hiding. Recorded by the original core trio of McKeown, Brian MacDougall (guitar) and Paul Thomson (drums), Everybody Talks About The Weather comes 17 years after the band reformed for sporadic live shows, and seven years after the release of their sorta-greatest hits compilation Piggy Wings (Rock Action). Ten tracks long with nothing to spare, it is as condensed and vital as their best songs, with a new clarity of sound that allows their ambiguities to come into the light . . . Everybody Talks About The Weather is an unpredictable album from an unpredictable group, but ending on a moment of almost uncomplicated light is maybe its biggest surprise." --Claire Biddles (2026)
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