Search Result for Genre ROCK
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LP
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ACRSLP 1671LP
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$26.00
PREORDER
RELEASE DATE: 12/31/2025
Delayed... "B.B. King, the 'King Of The Blues' is an undisputed music icon. In a career spanning seven decades, he sold in excess of 50 million records, won 20 Grammy Awards, and played alongside artists such as Bono, Eric Clapton, The Rolling Stones, Elton John, and Stevie Wonder. A hard-working musician, King toured the world several times over, taking his extraordinary blues from the margins to the mainstream. His emotional and sophisticated soloing on his Gibson guitar, 'Lucille,' coupled with his subtle vibrato style, influenced a diverse range of artists, including, Keith Richards, Carlos Santana, Jimi Hendrix, Cream, Richie Sambora, and even 50 Cent. This fine collection brings together some of King's greatest early blues numbers. From his first hit single, 'Three O'Clock Blues,' timeless tracks such as 'Woke Up This Morning' and 'Everyday I Have The Blues,' the epic double sider 'Sweet Sixteen' finishing with his early sixties classics, 'Someday' and 'Peace Of Mind.' King was a pioneer from the very beginning, with this collection demonstrating just why the British blues bands of the late sixties revered him as a guitar god. King was inducted into the Blues Foundation Hall Of Fame in 1984, the Rock 'n' Roll Hall Of Fame in 1987, received the National Academy of the Recording Arts and Sciences Lifetime Achievement Award and awarded the Presidential Medal of the Arts in 1990. In 2006 he received the Medal of Freedom, America's highest civilian honor."
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LP
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KR 109LP
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$24.00
PREORDER
RELEASE DATE: 4/25/2025
Purple Trap, the powerful trio of Keiji Haino (voice, guitar), Bill Laswell on bass, and Rashied Ali (drums), recorded live on stage at The Stone. Recorded in December 2005, this furious live album by what can easily be called a super group remained unreleased till in 2023 Bill Laswell made it accessible in a rough-mixed digital version for his bandcamp subscribers program exclusively. For this vinyl version, the music has been newly mixed by Dirk Dresselhaus (SchneiderTM) and mastered/cut by Ruy Mariné at Dubplates & Mastering Berlin. Purple Trap reunited for this one-off gig as part of a five-day Haino-festival at John Zorn's venue, The Stone, seven years after its only album had been recorded (released on Tzadik in 1999). The six untitled tracks deliver what can be expected from such musical masters: Rashied Ali, iconic free jazz drummer who played with John and Alice Coltrane, Pharoah Sanders, Sonny Rollins, James Blood Ulmer, and countless more, is all drums, from quiet tiny sounds to high-energy rhythm patterns. Keiji Haino, one of the most prolific artists of the Japanese experimental/noise scene for almost 50 years now, switches between truculent guitar splatters and full-on psychedelic outbursts. Bill Laswell, who as producer and musician created a massive body of work in fields as diverse as ambient, world music, funk, jazz (and often hybrids of these), has proven his mastery in improvisation in projects like Massacre, Painkiller or (early) Material and provides the low-end grounding with his signature bass sound, or adds effect-laden ornaments to the whole. An overdue addition to a very small body of work by a clearly under-documented supergroup!
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LP
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RRS 149CV-LP
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$24.00
PREORDER
RELEASE DATE: 4/11/2025
Color vinyl. Originally released in 1982 on New Underground Records. Featuring Descendents, Minutemen, Anti, Saccharine Trust, Redd Cross, Civil Dismay, Ill Will, or Zurich 1916, China White, Mood Of Defiance, 100 Flowers, Urinals, and Plebs.
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7"
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MR 7387EP
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$15.50
PREORDER
RELEASE DATE: 4/11/2025
Mercenárias is an iconic band in the history of Brazilian punk and post-punk. They gained global recognition after being included in several compilations outside Brazil. Recommended for fans of The Slits, DNA, Malaria!, Kleenex, and Minutemen, this early recording by Mercenárias is more punk than their albums, but still super catchy. It has been remastered from the original tape and includes an insert with previously unseen photos and a short text by Edgard Scandurra. This is a collaboration release with the Brazilian label Nada Nada Discos. Born in the vibrant alternative scene of 1980s São Paulo, Mercenárias is an iconic band in the history of Brazilian punk and post-punk. Formed by Sandra Coutinho (bass and vocals), Rosália Munhoz (vocals), Ana Machado (guitar), and Edgard Scandurra (drums), the group stood out for their rebellious attitude, incisive lyrics, and raw sound that blended punk, post-punk, and experimental elements. Their debut album, Cadê as Armas? (1986), is considered one of the most important records in Brazilian music history. Three years earlier, they recorded their first demo tape at the studio of the funk/pop band Placa Luminosa. The recording turned out great, it's the best you can wait from a Brazilian punk record: raw, aggressive, yet catchy, well-played and produced.
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CD
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GB 169CD
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$15.50
PREORDER
RELEASE DATE: 4/11/2025
Kuunatic's hotly anticipated second album Wheels of Ömon takes another adventuresome deep dive into their self-made fantasy mythology, proposing whole new worlds of psychedelic drama and ritual. In addition to their core sonic palette of tribal drums, pulsing bass, atmospheric keyboards and grouped female vocals, the acclaimed Japanese psych-rock trio played an array of Japanese traditional instruments on Wheels of Ömon. The result is a thrilling, kaleidoscopic album that brushes against tradition as it whirls into an other-worldly future. Kuunatic are the trio of Fumi Kikuchi on keyboards, Shoko Yoshida on bass and Yuko Araki on drums. All three of them also sing. They formed in 2016 and released an EP and 7" single before, in 2021, dropping their debut album, Gate of Klüna (GB 117CD, 2021), on an unsuspecting public. Wheels of Ömon builds on the story of Gate of Klüna with more tales of prophecy, mysterious powers and magical healing lakes. Kuunatic's imaginative flights of visionary fancy achieve the same kind of epic, science-fiction world-building as legendary French jazz-prog heroes, Magma. But their inspirations come from further afield. "The three of us listen to completely different types of music so our ideas and influences come from all different places," they say. "We create fantasy stories," they say, "but it's deeply influenced by historical events that happened on Earth. So, when we stayed in Switzerland, looking at the Alps and Vallée du Rhône, they made us imagine vast histories of a grand Earth and times of several hundred million years ago. Perhaps it's this majestic natural setting that has imparted to the new album a deep connection to folk traditions, to human stories, to the very roots of storytelling. It's a mood that manifests most powerfully in the album's varied use of Japanese traditional instruments. Throughout the album, Kuunatic play chappa (hand-sized cymbals used at temple rituals or festivals), sasara (a percussion instrument of 108 wooden plates strung with a cotton cord), ryuteki (a flute used in gagaku), kagurabue (a flute used for Japanese traditional shrine music) ougidaiko (a fan-shaped hand drum), kokiriko (small bamboo stick instruments), and wadaiko (a huge traditional drum that has been used for rituals or festivals since ancient times).
"Grumbling psych played on a whirring blender of guitars, synths and traditional Japanese temple instruments" -- The Wire
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LP
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GB 169LP
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$28.00
PREORDER
RELEASE DATE: 4/11/2025
LP version. Kuunatic's hotly anticipated second album Wheels of Ömon takes another adventuresome deep dive into their self-made fantasy mythology, proposing whole new worlds of psychedelic drama and ritual. In addition to their core sonic palette of tribal drums, pulsing bass, atmospheric keyboards and grouped female vocals, the acclaimed Japanese psych-rock trio played an array of Japanese traditional instruments on Wheels of Ömon. The result is a thrilling, kaleidoscopic album that brushes against tradition as it whirls into an other-worldly future. Kuunatic are the trio of Fumi Kikuchi on keyboards, Shoko Yoshida on bass and Yuko Araki on drums. All three of them also sing. They formed in 2016 and released an EP and 7" single before, in 2021, dropping their debut album, Gate of Klüna (GB 117CD, 2021), on an unsuspecting public. Wheels of Ömon builds on the story of Gate of Klüna with more tales of prophecy, mysterious powers and magical healing lakes. Kuunatic's imaginative flights of visionary fancy achieve the same kind of epic, science-fiction world-building as legendary French jazz-prog heroes, Magma. But their inspirations come from further afield. "The three of us listen to completely different types of music so our ideas and influences come from all different places," they say. "We create fantasy stories," they say, "but it's deeply influenced by historical events that happened on Earth. So, when we stayed in Switzerland, looking at the Alps and Vallée du Rhône, they made us imagine vast histories of a grand Earth and times of several hundred million years ago. Perhaps it's this majestic natural setting that has imparted to the new album a deep connection to folk traditions, to human stories, to the very roots of storytelling. It's a mood that manifests most powerfully in the album's varied use of Japanese traditional instruments. Throughout the album, Kuunatic play chappa (hand-sized cymbals used at temple rituals or festivals), sasara (a percussion instrument of 108 wooden plates strung with a cotton cord), ryuteki (a flute used in gagaku), kagurabue (a flute used for Japanese traditional shrine music) ougidaiko (a fan-shaped hand drum), kokiriko (small bamboo stick instruments), and wadaiko (a huge traditional drum that has been used for rituals or festivals since ancient times).
"Grumbling psych played on a whirring blender of guitars, synths and traditional Japanese temple instruments" -- The Wire
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LP
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JPR 119LP
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$31.00
PREORDER
RELEASE DATE: 4/11/2025
"Regarded as one of the greatest blues albums of all time. Cut by Kevin Gray at Cohearent Audio. Recorded in 1969, this album, as McDowell's titular quote suggests, is not just a collection of songs but a significant piece of musical history. It's a masterclass, a confessional, a musical statement, and a history lesson all in one. Despite its seemingly simple nature, it's a profound work. Regarded as one of the greatest blues albums of all time, I Do Not Play No Rock 'N' Roll is a must-listen, a testament to one of the greatest musical forces that has directly influenced The Rolling Stones, Aerosmith, The Black Keys, and Bonnie Raitt (to whom McDowell taught slide guitar). In 1959, McDowell's talent was first captured by folklore musicologist Alan Lomax, and from there, he quickly rose to stardom with his live recordings and festival appearances across the US and UK. This album is a testament to McDowell's unique voice and guitar style, dominating the air and filling it with raw power and authenticity."
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7"
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MR 7390EP
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$15.50
PREORDER
RELEASE DATE: 4/11/2025
This 45 comprises two killer pop dancers with plenty of psych fuzz guitars, punchy horns and funky beats: the in-demand Christie Laume's mod anthem "Rouge-Rouge" and Marta Kubisova's "Tak Dej Se K Nám A Projdem Svět," a glorious LP-only song that has never available on a 45 before. Sister-in-law of Edith Piaf (who introduced her to the music business), Christie Laume became a ye-ye style singer in '60s France. Her mod anthem "Rouge, Rouge" (1967) is a great song that never fails in making the dance floor shake, taken from a very rare and in-demand EP. On the flipside comes Marta Kubi?ová, one of the most popular singers in the Czech Republic in the '60s. Her "Tak Dej Se K Nám A Projdem Svět" is a glorious LP-only song from 1969 that has never available on a 45 before. Expect heavy basslines, punchy horns and fuzzy guitars.
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LP
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MR 472LP
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$27.00
PREORDER
RELEASE DATE: 4/11/2025
Mercenárias is an iconic band in the history of Brazilian punk and post-punk. They gained global recognition after being included in several compilations outside Brazil. Recommended for fans of The Slits, DNA, Malaria!, Kleenex, and Minutemen, the group stood out for their rebellious attitude, incisive lyrics, and raw sound that blended punk, post-punk, no wave and experimental elements. This is a compilation of rare tracks from 1983 to 1987, including ten amazing songs that didn't make it onto their two albums; there's also a great early live recording, as well as a "lost" studio session. It has been remastered from the original tapes and includes an insert with previously unseen photos and a short text by Edgard Scandurra. This is a collaboration release with the Brazilian label Nada Nada Discos. Born in the vibrant alternative scene of 1980s São Paulo, Mercenárias is an iconic band in the history of Brazilian punk and post-punk. Formed in 1982 by Sandra Coutinho (bass and vocals), Rosália Munhoz (vocals), Ana Machado (guitar), and Edgard Scandurra (drums), the group stood out for their rebellious attitude, incisive lyrics, and raw sound that blended punk, post-punk, no wave and experimental elements. Their debut album, Cadê as Armas? (1986), is considered one of the most important records in Brazilian music history.
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LP
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CSR 294LP
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$31.50
PREORDER
RELEASE DATE: 4/4/2025
LP version. Two legendary titans of the extreme metal scene -- Iggor Cavalera (Sepultura/Petbrick) and Shane Embury (Napalm Death/Dark Sky Burial) -- join forces for this unique split of brooding dark ambient, industrial strength noise, and heavy synth-laden electronics, creating what feels like the lost soundtrack to some dystopian fever dream. Setting the tone for this double-headed behemoth with creeping, cinematic dark ambience, Iggor Cavalera's side-long "Neon Gods" unfolds into a brutal sonic nightmare. Equal measures of dread and anguish come together with the occasional reprieve of slow, pulsating drones and almost meditative waves of static. The crescendo of harsh industrial noise with heavy death industrial vocalization is nothing short of pummeling. "Neon Gods" is a bit of a sonic trip, with different layers of atmospheric vibrations, from darkness to light. Shane Embury's "Own Your Darkness" merges menacing, pitch-black dark ambient and hypnotic bass swells with celestial synth lines that subtly lurk around the peripheries. Rising and falling, ebbing and flowing -- until finally the all-encompassing apocalyptic bleakness, the enveloping darkness, closes in around you.
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CD
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BORNBAD 180CD
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$12.50
PREORDER
RELEASE DATE: 4/4/2025
"Hi, it's Arthur. Here's a lesson on how not to fit into the modern music world (while still having fun). I want to make a big album. A brick. An intense, long, rich, dripping, ostentatious block. I want it to give me the feeling that I haven't overthought it. That I've listened to my lowest instincts as a musician, and I want to embark on an adventure while doing it. With its highs, lows, doubts, and moments of intense pride when you feel that massive chaos take the shape of what has, for me, become an odyssey. Forgive this lyricism, but it's also the foundation of this record. My first album, which arrived through the means of a global pandemic and the kindness of the Born Bad label in 2021, opened Pandora's box? I don't want to forget the obscure yet brilliant bands each decade has gifted us, but I also want to confront the ambition of the greatest? I want to tell myself that I don't have to write 'in' the footsteps of the Beatles, Emitt Rhodes, Bowie, or Neil Young, but that I can walk alongside them, as quietly as possible, while always pushing as far as my musical ambitions take me. So here's where it leads: A long, dense double album. The aforementioned brick? I now take the liberty to speak to those who will listen to this record, to share my idea of how to approach it. For me, it's a tribute to the adventurous, sprawling albums of the '60s, '70s, and even today, to be honest. Long, winding, baroque albums, that we listen to throughout our lives, and constantly rediscover. Albums we can listen to in small bits, sometimes one side, sometimes another, not always in the same order, not always in full. These enduring albums, by their very nature, have nourished me and still fascinate me (The Beatles' White Album, The Pretty Things' Parachute, The Kinks' Arthur, Pink Floyd's A Saucerful of Secrets, or the Desert Sessions in a more modern style)? A double album, in a gatefold format, is necessarily a strong, imposing object. So it only makes sense to accompany it with artwork that matches its weight. After all, a cover doesn't disappear once you've placed the record on the turntable. So why not get lost in it while the music does its work? To everyone who buys, steals, or downloads this record, you have my deepest gratitude." --Arthur Satan
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2LP
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BORNBAD 180LP
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$25.00
PREORDER
RELEASE DATE: 4/4/2025
Double LP version. "Hi, it's Arthur. Here's a lesson on how not to fit into the modern music world (while still having fun). I want to make a big album. A brick. An intense, long, rich, dripping, ostentatious block. I want it to give me the feeling that I haven't overthought it. That I've listened to my lowest instincts as a musician, and I want to embark on an adventure while doing it. With its highs, lows, doubts, and moments of intense pride when you feel that massive chaos take the shape of what has, for me, become an odyssey. Forgive this lyricism, but it's also the foundation of this record. My first album, which arrived through the means of a global pandemic and the kindness of the Born Bad label in 2021, opened Pandora's box? I don't want to forget the obscure yet brilliant bands each decade has gifted us, but I also want to confront the ambition of the greatest? I want to tell myself that I don't have to write 'in' the footsteps of the Beatles, Emitt Rhodes, Bowie, or Neil Young, but that I can walk alongside them, as quietly as possible, while always pushing as far as my musical ambitions take me. So here's where it leads: A long, dense double album. The aforementioned brick? I now take the liberty to speak to those who will listen to this record, to share my idea of how to approach it. For me, it's a tribute to the adventurous, sprawling albums of the '60s, '70s, and even today, to be honest. Long, winding, baroque albums, that we listen to throughout our lives, and constantly rediscover. Albums we can listen to in small bits, sometimes one side, sometimes another, not always in the same order, not always in full. These enduring albums, by their very nature, have nourished me and still fascinate me (The Beatles' White Album, The Pretty Things' Parachute, The Kinks' Arthur, Pink Floyd's A Saucerful of Secrets, or the Desert Sessions in a more modern style)? A double album, in a gatefold format, is necessarily a strong, imposing object. So it only makes sense to accompany it with artwork that matches its weight. After all, a cover doesn't disappear once you've placed the record on the turntable. So why not get lost in it while the music does its work? To everyone who buys, steals, or downloads this record, you have my deepest gratitude." --Arthur Satan
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CD
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CSR 294CD
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$15.50
PREORDER
RELEASE DATE: 4/4/2025
Two legendary titans of the extreme metal scene -- Iggor Cavalera (Sepultura/Petbrick) and Shane Embury (Napalm Death/Dark Sky Burial) -- join forces for this unique split of brooding dark ambient, industrial strength noise, and heavy synth-laden electronics, creating what feels like the lost soundtrack to some dystopian fever dream. Setting the tone for this double-headed behemoth with creeping, cinematic dark ambience, Iggor Cavalera's side-long "Neon Gods" unfolds into a brutal sonic nightmare. Equal measures of dread and anguish come together with the occasional reprieve of slow, pulsating drones and almost meditative waves of static. The crescendo of harsh industrial noise with heavy death industrial vocalization is nothing short of pummeling. "Neon Gods" is a bit of a sonic trip, with different layers of atmospheric vibrations, from darkness to light. Shane Embury's "Own Your Darkness" merges menacing, pitch-black dark ambient and hypnotic bass swells with celestial synth lines that subtly lurk around the peripheries. Rising and falling, ebbing and flowing -- until finally the all-encompassing apocalyptic bleakness, the enveloping darkness, closes in around you.
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LP
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BEWITH 173LP
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$35.50
PREORDER
RELEASE DATE: 4/4/2025
Thought Leadership's III Of Pentacles is an instant classic and glides into the pantheon of timeless guitar-soul totems. Originally out on cassette only, Be With presents the first ever vinyl issue. It's a hideously limited pressing of 300 for the world, so don't sleep on this. Thought Leadership has already garnered big support from such tastemakers as Ruf Dug, Jason Boardman, Nathan Gregory Wilkins, J Walk, Evan Woodward, Justin Robertson and Heavenly's Jeff Barrett. They reside in Stockport and are obsessed with ethereal guitar records. Captured on a multitrack recorder in a terraced house in Stockport, this is as DIY as it gets. Glaringly obvious is a love for classic Factory and early 4AD. Perhaps it is the proximity to the River Mersey where the ideas arrived, and there being but three miles between where this and the Durutti Column's classic LC was recorded, as the two operate across a familiar aural plain. Be it geographic or otherwise, limited by a true economy of means, namely guitar, pedals and drum machine, the fruit borne from these humble tools has been indelibly shaped by the perma-gloom that hangs low over the Manchester and Stockport environs. Think Sensations Fix or Göttsching at his most peeled out. Drones, ambient drifts of broken chords and distorted lead lines all swirl round the mix. Carefully remastered by Be With's engineer Simon Francisco to ensure it sounds better than ever after its initial tape release. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry, in Holland. The original tape cover artwork, so crucial to Thought Leadership's striking visual aesthetic, has been rejigged for vinyl issue here at Be With. Its stark presentation befits the music contained within. RIYL: Durutti Coulmn, Cocteau Twins, Dif Juz, Sensations Fix, Spike.
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2LP
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HPS 340LTD-LP
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$43.50
PREORDER
RELEASE DATE: 3/28/2025
Green color vinyl version. Repress of the fifth double album Old Growth. Old Growth is the fifth double album by the Washington, D.C., psychedelic rock band Dead Meadow. It was released in 2008 by Matador Records on CD and LP. Also available on black vinyl (HPS 340LP) and striped color vinyl (HPS 340ULTRA-LP).
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2LP
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HPS 332LP
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$36.50
PREORDER
RELEASE DATE: 3/28/2025
Repress of the Three Kings album. Three Kings is a combination album and film by the psychedelic rock trio Dead Meadow, first released in 2010 by Xemu Records as a CD/DVD set. The album features live tracks recorded during a hometown gig at the conclusion of a five-month tour in support of previous album Old Growth, accompanied by five new interspersed studio tracks. Also available on green vinyl (HPS 332LTD-LP) and striped vinyl (HPS 332ULTRA-LP).
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2LP
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HPS 332ULTRA-LP
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$51.50
PREORDER
RELEASE DATE: 3/28/2025
Striped color vinyl version. Repress of the Three Kings album. Three Kings is a combination album and film by the psychedelic rock trio Dead Meadow, first released in 2010 by Xemu Records as a CD/DVD set. The album features live tracks recorded during a hometown gig at the conclusion of a five-month tour in support of previous album Old Growth, accompanied by five new interspersed studio tracks. Also available on black vinyl (HPS 332LP) and green vinyl (HPS 332LTD-LP).
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LP
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WAT 003LP
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$27.00
PREORDER
RELEASE DATE: 3/28/2025
William Tyler is a Nashville guitarist and composer. He spent years woodshedding and touring with Nashville groups like Lambchop and Silver Jews before breaking away to focus on his own version of instrumental guitar music. In the summer of 2022, he was fortunate to have an artist residency at Epicenter in Green River, Utah, a tiny high desert town three hours from anything. One of the other non-profit friends of Epicenter was The Tank in Rangely, Colorado. The Tank itself is a giant and tall disused water tower from the high days of train travel and used to store water to cool train engines and such. Empty for decades, it is now an internationally recognized destination for sound art and almost unparalleled echo/acoustics. William Tyler decided to book recording time there and chose to re-interpret all of the songs of his 2019 album Goes West in a sparse yet cavernous solo acoustic setting: "Something about the frailty and space I wanted the songs to imply was lost in the over-production of the studio record, This felt like a reclamation of the songs and also a symbolic tribute to the stunning, haunted and vast possibilities of the American West, especially at the twilight of American Empire."
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2LP
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HPS 339LP
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$36.50
PREORDER
RELEASE DATE: 3/28/2025
Repress of the Shivering King And Others double album by Dead Meadow. Shivering King and Others is the third album of Washington, D.C. based band Dead Meadow. It was released on CD and double LP by Matador Records in 2003. Also available on brown vinyl (HPS 339LTD-LP) and black/yellow/orange vinyl (HPS 339ULTRA-LP).
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LP
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BEAT 109LP
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$28.00
PREORDER
RELEASE DATE: 3/28/2025
For the first time on vinyl, a pressing of this legendary tape released in 1993 in Colombia, documenting "Ultra Metal," the country's early extreme metal scene. Volume 1 of 2 of the vinyl release of The Colombian Awakening tape, released in 1993 by Schizophrenia Records, a comprehensive collection of face melting, raw recordings from the early Colombian extreme metal scene, with styles ranging from death metal to thrash and grindcore. A savage and powerful document of one of the most intense underground scenes of the era, kickstarted by the infamous Parabellum. A must for fans of underground metal! Includes remastered audio, new cover and a foldout inner sleeve with extensive liner notes. Limited edition of 300 copies. Featuring Aspid, Neus, Holocausto, Attack, Akerrak, Censura, Antagon, Eutanasia, Sarcasmo, Belial, and Averno.
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2LP
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HPS 339ULTRA-LP
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$51.50
PREORDER
RELEASE DATE: 3/28/2025
Black/yellow/orange color vinyl. Repress of the Shivering King And Others double album by Dead Meadow. Shivering King and Others is the third album of Washington, D.C. based band Dead Meadow. It was released on CD and double LP by Matador Records in 2003. Also available on black vinyl (HPS 339LP) and brown (HPS 339LTD-LP).
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2LP
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BFR 039LP
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$29.00
PREORDER
RELEASE DATE: 3/28/2025
"Led by guitarist Tommi Holappa of European desert rock icons Dozer, Greenleaf began as an informal collective of friends making music inspired by their shared love of '70s riff rock. Having transformed into a proper band in 2013, Greenleaf enters 2025 at the forefront of the global heavy scene on the heels of acclaimed latest album The Head & The Habit. Moving into the staggering twenty fifth year of an incredible career, they mark the impressive feat with a special new reissue of their earliest releases. Featuring members of Dozer, Lowrider, Demon Cleaner and more, Greenleaf's first album Revolution Rock was self-released in 2001 and never widely distributed nor repressed since its original 500-copy run. Revolution Rock Deluxe combines that landmark album with Greenleaf's long out-of-print debut EP from 2000 onto a single stunning edition, with all songs fully remastered by Karl Daniel Lidén and the original art and design brilliantly refreshed and updated by Lowrider's Peder Bergstrand. Join Blues Funeral in celebrating a quarter century of milestone riff majesty with Revolution Rock Deluxe, and experience Greenleaf's Big Bang for the first time once again!"
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Cassette
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SCT 002CS
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$19.00
PREORDER
RELEASE DATE: 3/28/2025
Synaptic Cliffs is committed to discovering unknown and unreleased music in the future, testing it in the past, and selling it in the present. This is the only way to ensure that art is timeless. The recordings on this cassette, however, were purchased in 2073 from a beautiful woman named pdqb at the Marché aux Puces in Paris for only 0.0000000000000000001 Bitcoin, but on the condition that all the material is distributed on one cassette, namely exactly as described hereinafter: The short tracks from the years 1984 to 1989 are on the A-side, and one of these recordings must be supplemented with vocals by Max Müller, the singer of the infamous Berlin band Mutter. On the B-side, there will be a binaural 16.7-tone music composition from the year 2047. Furthermore, all recordings must be mastered by Mike Grinser. Last but not least, only high-quality chrome tape may be used for production. In August 2027, the music magazine Melody Maker, which will be published again from 2026, will write: "Vor dem Punkt ist nach dem Punkt" is a surprisingly singular work with a creative force of near-unprecedented degree. It is one of the most beautiful and best-sounding post-punk albums of the last 40 years, and it is certainly the main reason why we are currently experiencing a huge comeback of post-punk, shoegaze, and goth rock."
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2LP
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HPS 340ULTRA-LP
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$51.50
PREORDER
RELEASE DATE: 3/28/2025
Striped color vinyl version. Repress of the fifth double album Old Growth. Old Growth is the fifth double album by the Washington, D.C., psychedelic rock band Dead Meadow. It was released in 2008 by Matador Records on CD and LP. Also available on black vinyl (HPS 340LP) and green vinyl (HPS 340LTD-LP).
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LP
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DC 944LP
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$23.00
PREORDER
RELEASE DATE: 3/28/2025
"Antigone is Eiko Ishibashi's new album -- a musical masterwork rife with chilling speculations, all calling from inside her own head! For Antigone, her first album of songs with lyrics and singing since 2018's acclaimed The Dream My Bones Dream, Eiko teases out images from a dystopia not unlike the one we've already got. Hers is suffused with a 'scene missing' quality, its continuity laced with sudden, odd details sprung like traps from within her music's smooth, expansive sound. It's a clash of context with Eiko's serene vocals and the well-appointed precision of the soundscape, uncanny, disturbing, not entirely okay. That's it working! And it keeps ticking like clockwork through the whole album. An accomplished keyboardist/multi-instrumental composer and improviser, Eiko consolidates her conceptions throughout Antigone. On her early song-based albums -- 2013's sci-fi-themed Imitation of Life and 2014's poptastic Car & Freezer, listeners sensed an album-oriented direction, built song by song into an inevitable whole. 2018's conceptually-united The Dream My Bones Dream allowed Eiko to tell stories closer to home. Her instrumental works since then -- 2022's For McCoy (Black Truffle) and the soundtracks for Ryusuke Hamaguchi's films, Drive My Car and Evil Does Not Exist -- have seen her diversity of musical ideas operating in an increasingly integrated long-form presentation. With these transformative encounters in hand, Eiko and her band -- drummer Tatsuhisa Yamamoto, bassist Marty Holoubek, Norweigan accordionist Kalle Moberg, Ermhoi on backing vocals, Joe Talia playing percussion and Jim O'Rourke on Bass VI, synths, etc -- bring a wide array of sounds and moods to the songs here, referencing pop, funk and jazz, ambient, electronic and musique concrète in a seamless flow. Antigone is a bittersweet look at our already-alternate reality, Eiko's jarringly personal vision glimpsed through a latticework of ambitious compositions and on-lock production techniques."
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