Search Result for Genre ROCK
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BBI 043LP
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$28.50
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RELEASE DATE: 12/6/2024
Can Con, the debut album from the enigmatic Canadian collective The Psych Fi's, comes via Bobo Integral. The group is an offshoot of Canadian singer-songwriter Jerry Leger's rock 'n' roll side project, The Del Fi's. Just as The Psych Fi's describe themselves as "spontaneous psychedelic rock," The Del Fi's recorded two albums characterized by spontaneity, spirit, and trust. This time Leger brings his songs to a revolving door of musicians and singers (18 members, including Jerry, in the case of Can Con). Most of the performers have not heard these compositions before recording them. They have no chance to second-guess; they must be fearless and jump in with both feet. Recorded live in a haunted Toronto studio on a cold January 2024 day by fellow "Fi" Aaron Goldstein (Espanola, Kathleen Edwards, Daniel Romano), Can Con captures a moment in time (which is relative). Leger acts as a sort of loose conductor, allowing certain soloists to emerge from the musical collage. Listeners will get lost in "Summer's Right Around the Corner", which also features Don Stevenson (founding member of the legendary '60s psychedelic rock band Moby Grape) on backing vocals, alongside Kate Boothman (Katie Cruel) and Angie Hilts. This sound has evolved out of Del Fi performances, specifically when musicians Nichol Robertson, Jason Kenemy, Dave Clark (The Rheostatics, Woodshed Orchestra), and Michael Eckert were involved. Leger and these "Fi's" eagerly ventured down less-traveled roads to destinations unknown. Other Psych Fi's include Ken Yoshioka, Matthew Cooke, Les Armstrong, Chris Bennett, Shawn Clarke, Katie Methot, and members of Jerry Leger & The Situation (Dan Mock, Kyle Sullivan, Alan Zemaitis).
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4LP BOX
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ITR 1977LP
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$130.00
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RELEASE DATE: 11/22/2024
"One of the most revered, reviled and talked about records in all Australian music history, I'm Stranded by The Saints finally gets the vinyl box set treatment. A joint collaboration between In The Red, Universal Music Australia, and spearheaded by Feel Presents and Saints founder Ed Kuepper, the deluxe edition of I'm Stranded features four vinyl LPs covering all the band's studio and live recordings from 1976 thru 1977 and includes: the iconic debut album remastered for vinyl for the first time in over forty years; A five-song live performance from Paddington Town Hall Sydney 3/4/1977, appearing on vinyl for the first time; A full live performance from the Hope & Anchor Front Row Festival, London November 1977, appearing on vinyl for the first time; All three tracks from the 1977 This Perfect Day 12-inch single and all four tracks from the 1977 1-2-3-4 double 7-inch single; The previously unreleased 1976 demo mix of the full I'm Stranded album. In addition to all that vinyl, the set also features a twenty-eight page 12"x12" photo essay of the band covering their origins from 1973 through the end of'77, an authorized band history, an 8"x10" 1976 promo photo, and a I'm Stranded sticker."
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DC 912X-LP
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$25.00
PREORDER
RELEASE DATE: 11/22/2024
"For those of you who've mislaid your history goggles, this archival release recalls an ancient time in the world of recorded music. Yes, back in the dinosaur days of the 1990s, a creature known as Aerial M walked the earth, before evolving into Papa M and PAJO and beyond and back. Even then, the music of M had a next-wave vibe, walking upright among the knuckle-draggers (and having drinks in the evening with others of its genetic detachment). It was too much to last very long, of course -- but some things end up lasting forever, don't they? Fuck! So it is today that Drag City, an organization largely set up to bring you the best of all available M recordings, is proud to be there for the release of the only Aerial M session ever recorded for John Peel's BBC Radio One show, as it was originally recorded on March 3, 1998 and broadcast on April 2 of the same year. The studio versions of these songs, which appear on Aerial M's self-titled album and Papa M's Hole of Burning Alms comp, were played by "M" himself (now revealed to be David Pajo!), which makes this album a rare alternative view of the canonical M, played by an actual Aerial M band who, all too briefly, embodied the sound for a year or so before Papa brought a brand-new bag. This session found them fortuitously roadburned from several weeks in the European Theatre. OG-M's signature minimalist long-fuse sizzle is thrillingly intact here; in fact, even more so, as the tunes are jammed out past the studio versions' originally delineated borders, reaching rudely across the table in moments of liveness that the studio-bound project might have decided against when conferring only with the walls. For fans of their epic version of 'Turn Turn Turn,' this is more sweetmeats from that raucous old skull -- but if you've not been down this road before, be prepared: the taste will set you slowly aflame. And then, before you know it, the band is dined and dashed -- just like the band that Aerial M was, all too briefly amok on the earth that was too. Salute!"
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BANG 040LP
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$30.50
PREORDER
RELEASE DATE: 11/22/2024
2024 repress, 140-gram vinyl, gatefold cover. In 1980, right before the recording of The Gun Club's mighty debut The Fire of Love, Jeffrey Lee Pierce did a handful of solo acoustic recordings based on his fascination for Mississippi Delta blues. And this is what this record sounds like -- Jeffrey Lee Pierce doing a review of the classic blues -- raw, bitter and straight to your heart. These recordings are now released on vinyl for the first time. This album contains a 16-page booklet with previously-unreleased photographs and chronicles from Pierce's friends, speaking about their times and memories with him -- people such as Nick Cave, Mark Lanegan (Screaming Trees, Gutter Twins), Henry Rollins, Kim Salmon (Scientists, Beasts Of Bourbon), Terry Graham (The Gun Club), Tex Perkins (Beasts Of Bourbon, Cruel Sea, Butcher Shop), Kid Congo Powers (The Gun Club, The Cramps, Nick Cave And The Bad Seeds, Butcher Shop), Jim Sclavunos (Nick Cave And The Bad Seeds, The Cramps, Sonic Youth, Panther Burns), Spencer P. Jones (Beasts Of Bourbon, The Johnnys, Butcher Shop, Slappers), Steve Wynn (Dream Syndicate), Jeremy Gluck (Barracudas), Jim Duckworth (The Gun Club), Billy Zoom (X), Keith Morris (Circle Jerks, Black Flag), Bob Bert (Chrome Cranks, Pussy Galore, Sonic Youth, Five Dollar Priest), Hugo Race (Nick Cave And The Bad Seeds), Peter Aaron (Chrome Cranks), Dave Graney (Moodists), Tav Falco (Panther Burns), Dan Stuart (Green On Red), and more.
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7"
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MR 7372EP
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$15.50
PREORDER
RELEASE DATE: 11/15/2024
Historical rescue of the only existing recording of Antihéroes, yet another mystery of the Argentine musical underground scene of the '80s, now available on vinyl for the first time. This obscure post punk band show their harshness and darkness in these only two songs they recorded, back in 1985, and which were distributed on a cassette that has today achieved cult status. This release is the result of the collaborative work between Twistin' Bones (Costa Rica) and Munster Records. Antihéroes is yet another mystery of the Argentine musical underground scene of the 80s. Back in the '70s, Valentín Alsina, Buenos Aires province. Jurek and Marcelo, children of Polish immigrants, meet at a religious school. Fast forward a few years and Marcelo is given a keyboard and meets Wojtek, another Polish boy with hunger for rock and Siekiera and Brigada Krysys records. They then decide to start a dark wave band. Jurek playing a single drum and a cymbal with an umbrella as stand, Marcelo on keyboards and Wojtek on bass, it's all set to go! Julio Torres became the guitarist and, answering an ad on a magazine, a singer turned up: the charismatic teenage poet Mónica Vidal. After three rehearsal sessions at a metal workshop, they made their first public appearance in 1984, at the basement of the Manzana de las Luces, an almost completely abandoned old 17th century convent in the San Telmo neighborhood. A young and experienced guitarist, Beto Morales, was in the audience and he'd later join the band after Julio quit. They recorded these songs in 1985. Their only existing recording, at the peak of their career, is this single that is finally released forty years after its recording thanks to the collaborative work between Twistin' Bones and Munster Records. The songs keep all their magic and spell intact beyond the passing of time and unfair oblivion.
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LP
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MR 464LP
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$27.00
PREORDER
RELEASE DATE: 11/15/2024
Aguaturbia (1970) is an essential album to understand the construction of Chilean rock. This very influential album is raw and dynamic, featuring heavy rhythms, distortion, and exceptional phased female vocals reminiscent of Jefferson Airplane. It comprises original compositions and electrifying renditions of songs brought to fame by the likes of Tommy James & The Shondells, The Beatles, and, of course, Jefferson Airplane elevating these classics to new heights of intensity and rhythmic allure. Aguaturbia's debut album was originally released in 1970 and showcases one of South America's most significant psychedelic bands from the late '60s and early '70s. Their influence in their native Chile -- and beyond -- was groundbreaking. It was played live in 1969 on three tracks, and it became an icon of transgression due to its unbridled musical aesthetics and cover art that -- for the time of its irruption -- meant a clear defiance of the conservative logics lived in Chile, which saw in the nudity of the cover a challenge to morality and good manners. The album is raw and dynamic, featuring heavy rhythms, distortion, and exceptional phased female vocals reminiscent of Jefferson Airplane. Guitarist Carlos Corales shines and when he played solos at the gigs, the effect on the audience was silence and euphoria at the same time, they couldn't believe what they heard. Everything was done with a professional attitude. In fact, Carlos Corales (guitar) and Willy Cavada (drums) were both professional musicians who had made a previous career in rock and roll bands. The LP showcases breathtaking moments, like Willy Cavada's masterful drum solo in "Ah Ah Ah Ay" captured flawlessly in a single take. Dive into the sensual psychedelic journey of "Erotica," where Denise's alluring vocals dance harmoniously with Carlos' electrifying guitar. Plus, don't miss their thrilling renditions of "Somebody to Love" and "Crimson and Clover" -- each track elevating classics to new heights of intensity and rhythmic allure. This album is more than music; it's an invitation to experience sheer auditory bliss!
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LP
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STR 071LP
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$28.50
PREORDER
RELEASE DATE: 11/15/2024
Vinyl limited to 300 copies. White with red streaks. Golden-era of kinked, acid-hued, analogue, harmonic song writing sits at the heart of The Eggmen Whoooooo!'s first, mind-bending, full-length album. Two-decades of meandering musicality fans the embers of cult Welsh legends, El Goodo, glowing beneath Benedict Frye's latest bakeries of sound. Whisking effervescence and color into the flat glass of soda of mundane middle age, the former El Goodo pace-setter has gathered a band of five other, talented souls and asks the jittery cut of sparking psych to lead the charge for the band's debut album, Fuzzy Eggs, Please. Almost a full two decades since El Goodo rose to an elevated position amongst discerning music-lovers as consorts to, support act beneath and studio collaborators with Super Furry Animals, and a full four years since the final act of the departed band (their last, acclaimed studio album, Zombie) a tapestry of distinctly and brilliantly odd songs scrambles from the heart of the Welsh hills. Transplanted into the chest cavity of a new, stage-ready six-headed creature, what awakes is a new beast of valve amp and feedback-fueled splendor. All ten songs, recorded in mountainous seclusion in Carmarthenshire with producer, Thighpaulsandra (Spiritualized, Tim Burgess), have clustered in strange harmony on The Eggmen Whoooooo!'s very first, perfectly imperfect album. Formed in a lightning strike of inspiration by prolific, remote South Wales-based keeper of various musical flames, Benedict E Frye, The Eggmen Whoooooo! finds members of kindred, Welsh musical spirits, El Goodo, Los Blancos, and Trecco Beis, joining hands and overloading studio plug sockets in a display of unchallenged creative hubris. With nobody to please but themselves, the six-piece's indulgence in sounds straddles sun-licked Californian harmonies and the torn-sneakered snottiness of New York punk making for thrilling sonic schizophrenia with only their own record collections occasionally poached.
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CD
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THRILL 571CD
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$14.50
PREORDER
RELEASE DATE: 11/8/2024
"Known for the monolithic force of their music and their inventive production techniques, The Body's albums are benchmarks in the expansion and evolution of heavy music. Tightly packed with deceptively nuanced arrangements and exhilarating, challenging distortion, their compositions are possessed of an unmistakably singular sound. The Crying Out of Things is no exception; a culmination of all that The Body have done before, highlighting their mastery of dynamic and monumental music that pushes toward the unmistakable sound of oblivion. The Body have produced a wealth of groundbreaking collaborations with the likes of Full of Hell, Thou, Uniform, BIG|BRAVE, OAA, and Dis Fig. The duo's benchmark albums have, over the past two decades, changed the perceptions and directions of heavy music. The Crying Out of Things' embrace of noise is a comprehensive display of the multitude of expressions possible with abrasive sound, a skill that The Body have pioneered and refined. 'I think for us the key to the way we use noise is, it's not the only element,' says Buford. 'You've gotta really listen if you're into noise. But it also has to have dynamics. Where, say, BIG|BRAVE (who have a similar ethos) expresses it in this more intellectual, minimalist way, The Body comes from an instinctual, maximalist way. We're trying to cover it ALL.' The Body stand alone in their ability to connect disparate influences and collaborators into a wholly original, potent and singular work. Alongside producer/engineer Seth Manchester, the duo's voracious and omnivorous musical appetites have pushed the studio as an instrument into new avenues to conjure profound feelings from the music. The Crying Out of Things cements The Body's place as a leader of heavy new music, their boundless creativity, their defining ability to convey anguish, created with a visceral clarity to devastating impact."
"The results are harsh but exhilarating, loud enough to make you worry about your speakers and anguished enough to make you worry about your sanity." --Pitchfork
"Whether it's a sludge-metal lope or a near-techno pulse, this truly awesome album's sense of rhythm is perhaps its note of hope, suggesting a centre that just might hold even as things fall apart." --The Guardian
"The Body present the most uncomprimising result of their researches into the combination of harsh noise and extreme metal to date." --The Quietus
"Ten times more extreme." --The Wire, Cover feature
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LP
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THRILL 571LP
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$25.00
PREORDER
RELEASE DATE: 11/8/2024
LP version. "Known for the monolithic force of their music and their inventive production techniques, The Body's albums are benchmarks in the expansion and evolution of heavy music. Tightly packed with deceptively nuanced arrangements and exhilarating, challenging distortion, their compositions are possessed of an unmistakably singular sound. The Crying Out of Things is no exception; a culmination of all that The Body have done before, highlighting their mastery of dynamic and monumental music that pushes toward the unmistakable sound of oblivion. The Body have produced a wealth of groundbreaking collaborations with the likes of Full of Hell, Thou, Uniform, BIG|BRAVE, OAA, and Dis Fig. The duo's benchmark albums have, over the past two decades, changed the perceptions and directions of heavy music. The Crying Out of Things' embrace of noise is a comprehensive display of the multitude of expressions possible with abrasive sound, a skill that The Body have pioneered and refined. 'I think for us the key to the way we use noise is, it's not the only element,' says Buford. 'You've gotta really listen if you're into noise. But it also has to have dynamics. Where, say, BIG|BRAVE (who have a similar ethos) expresses it in this more intellectual, minimalist way, The Body comes from an instinctual, maximalist way. We're trying to cover it ALL.' The Body stand alone in their ability to connect disparate influences and collaborators into a wholly original, potent and singular work. Alongside producer/engineer Seth Manchester, the duo's voracious and omnivorous musical appetites have pushed the studio as an instrument into new avenues to conjure profound feelings from the music. The Crying Out of Things cements The Body's place as a leader of heavy new music, their boundless creativity, their defining ability to convey anguish, created with a visceral clarity to devastating impact."
"The results are harsh but exhilarating, loud enough to make you worry about your speakers and anguished enough to make you worry about your sanity." --Pitchfork
"Whether it's a sludge-metal lope or a near-techno pulse, this truly awesome album's sense of rhythm is perhaps its note of hope, suggesting a centre that just might hold even as things fall apart." --The Guardian
"The Body present the most uncomprimising result of their researches into the combination of harsh noise and extreme metal to date." --The Quietus
"Ten times more extreme." --The Wire, Cover feature
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LP
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THRILL 571X-LP
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$27.00
PREORDER
RELEASE DATE: 11/8/2024
LP version. Clear vinyl. "Known for the monolithic force of their music and their inventive production techniques, The Body's albums are benchmarks in the expansion and evolution of heavy music. Tightly packed with deceptively nuanced arrangements and exhilarating, challenging distortion, their compositions are possessed of an unmistakably singular sound. The Crying Out of Things is no exception; a culmination of all that The Body have done before, highlighting their mastery of dynamic and monumental music that pushes toward the unmistakable sound of oblivion. The Body have produced a wealth of groundbreaking collaborations with the likes of Full of Hell, Thou, Uniform, BIG|BRAVE, OAA, and Dis Fig. The duo's benchmark albums have, over the past two decades, changed the perceptions and directions of heavy music. The Crying Out of Things' embrace of noise is a comprehensive display of the multitude of expressions possible with abrasive sound, a skill that The Body have pioneered and refined. 'I think for us the key to the way we use noise is, it's not the only element,' says Buford. 'You've gotta really listen if you're into noise. But it also has to have dynamics. Where, say, BIG|BRAVE (who have a similar ethos) expresses it in this more intellectual, minimalist way, The Body comes from an instinctual, maximalist way. We're trying to cover it ALL.' The Body stand alone in their ability to connect disparate influences and collaborators into a wholly original, potent and singular work. Alongside producer/engineer Seth Manchester, the duo's voracious and omnivorous musical appetites have pushed the studio as an instrument into new avenues to conjure profound feelings from the music. The Crying Out of Things cements The Body's place as a leader of heavy new music, their boundless creativity, their defining ability to convey anguish, created with a visceral clarity to devastating impact."
"The results are harsh but exhilarating, loud enough to make you worry about your speakers and anguished enough to make you worry about your sanity." --Pitchfork
"Whether it's a sludge-metal lope or a near-techno pulse, this truly awesome album's sense of rhythm is perhaps its note of hope, suggesting a centre that just might hold even as things fall apart." --The Guardian
"The Body present the most uncomprimising result of their researches into the combination of harsh noise and extreme metal to date." --The Quietus
"Ten times more extreme." --The Wire, Cover feature
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PING 086LP
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$35.00
PREORDER
RELEASE DATE: 11/1/2024
Anadol and Marie Klock have teamed up for a joint album, La Grande Accumulation. They met in 2022 at a festival in England crowded with violent seagulls and outsider musicians. Klock being prone to barking on stage and Anadol not laughing at jokes she doesn't find funny, they straight away had the intuition that they would meet again. And so they did, a few months later, at Anadol's studio in Istanbul. Today, the two Pingipung artists present the fruit of this musical friendship. La Grande Accumulation was born out of the peculiar atmosphere of the studio neighborhood in Büyükada, an island where thousands of cats run free and humans randomly destroy things during apocalyptic times when parts of Turkey had just been turned into dust by terrible earthquakes. The French lyrics are inspired by hours of conversations, the music is consequently drenched in absurdity, overflowing with a strong urge to live and enjoy. La Grande Accumulation brings together Marie Klock's mysterious metaphors and Anadol's intriguing radiophonic psych-pop. Stretching forms beyond common sense to see how long they can resist is probably their favorite game. The result are six highly imaginative tracks that challenge the sub-three-minutes standards of Spotify pop. Gözen Atila aka Anadol is well-known to the Pingipung audience, with three solo LPs on the label. Her music follows a kind of collage logic, she interweaves countless styles, combining field and studio recordings with obscure quotation marks here and there. Marie Klock is a French writer and musician who produces songs oscillating between synthpop and neo-folk, full of anarchic humor and existential dread. Marie Klock delivers her lyrics in song or spoken word, stream-of-consciousness musings on strange human adventures, and her rich keyboard melodies culminate in a nonchalant dialogue with the bass trombone ('La Reine des Bordels'). In the opulent opening piece ('La Grande Accumulation'), a woman is cursed to take home everything she kicks in the street; a bit later, listeners stumble upon a ghoul hiding in the gutter ('Sirop amer'), Mona Lisa loses her teeth ('Sonate au Jambon') and a warthog struggles to climb the stairs of a silver tower ('Sabots triviaux'). La Grande Accumulation was mixed and mastered by Jonas Romann at Chaos Compressor Club in Hamburg and cut to vinyl by Kassian Troyer at D&M in Berlin. It's an audiophile LP that invites to focus on every detail in this heap of musical ideas.
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FLENSER 156LP
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$26.00
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RELEASE DATE: 11/1/2024
"Uboa's fifth album Impossible Light almost never made it out of the dark. From its initial conception in 2018, this record went to hell and back, dragging its immensity and too-big-to-hold emotion through the torturous process of translation to sound and returned triumphantly as a full-bodied record in a distinct new style. Impossible Light begins where Uboa's 2019 breakout album The Origin Of My Depression left off -- and ends somewhere entirely different. The Origin stunned with its methodical use of doom, harsh noise, and ambient soundscapes while documenting a raw, unhindered account of Xandra Metcalfe's experiences with her transition and her struggles with mental health. Over time The Origin steadily grew a cult-like following which developed into a full-fledged internet community focused around noise, neurodiversity and transness. While Uboa's signature style of highly polished, cinematic 'hypernoise' is front and center in Impossible Light, there is also a daring departure into the genres of industrial metal/rock, setting it apart from any other Uboa release thus far and distinguishing it from other contemporary noise records. Metcalfe kept the lyrical content of this record as a time capsule of the catastrophic ups and downs and rapidly changing environments within herself and in the world from 2018-2023. Key collaborators include Blood Of A Pomegranate, Otay:onii, Charlie Looker, and Haela Hunt-Hendrix of Liturgy. Impossible Light dives fearlessly into queer sexuality, trans embodiment, grief for those who couldn't make it, solidarity for those facing unimaginable discrimination, the toxic spread of transphobic hatred and misinformation, and the ultimate hope of recovery from trauma and mental anguish. This is a record about the light at the end of the tunnel and the power it takes to keep moving towards it."
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BJR 104CD
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$16.00
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RELEASE DATE: 11/1/2024
Orchestre Tout Puissant Marcel Duchamp's latest album, Ventre Unique, is a dynamic exploration that seamlessly blends folk, krautrock, post-punk, and African rhythms, delivering an emotionally charged yet exuberant listening experience. Helmed by Geneva-based Vincent Bertholet, the orchestra's ever-evolving lineup and distinctive sound pay homage to both African music traditions and avant-garde artist Marcel Duchamp, while pushing the boundaries of contemporary music. Recorded over ten days in the outskirts of Paris at Studio Midilive, the album features an eclectic international cast of 12 musicians. The result is a beautifully organic sound that balances Bertholet's simple, loop-based compositions with intricate arrangements of marimba, horns, strings, and angular guitars. Ventre Unique is the group's sixth album and follows their acclaimed 2021 release, We're Ok But We're Lost Anyway (BJR 073LP). While their previous work captured the disarray of the world during the pandemic, Ventre Unique reflects on shared human experiences, inviting listeners to find common ground through music.
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CD
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TR 581CD
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$16.50
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RELEASE DATE: 11/1/2024
Trust Fund, the musical project of singer-songwriter Ellis Jones, returns with a fifth album, Has It Been A While?, recorded in Sheffield by producer and close friend Joe Mackenzie Todd. Fans of Jones' delicate, funny, relatable songwriting will know that yes, it has been a while. The 2018 LP Bringing the Backline -- which received praise from Pitchfork, Rolling Stone, The Guardian, and more -- coincided with Jones calling time on Trust Fund, as band members began their own families, and he moved to Norway (and then on to Canada) to begin a career in academia. His return reflects a realization that his music-making days continue to stretch out before him, and marks the development of a mature style that offers both continuity and change. While previous Trust Fund albums have foregrounded a fuzzy, indie-rock aesthetic, on Has It Been A While? Jones strips his songs down to classical guitar and vocals, supported by captivating string quartet arrangements provided by Maria Grig. Fans of seventies singer-songwriters, and in particular Nick Drake's first two Joe Boyd-produced albums, will find much to recommend here, while Belle and Sebastian's early folk-inflected material is another obvious touchstone. Elsewhere on the record, the title track itself evokes both the spirit and simplicity of Chet Baker's "I Get Along Without You Very Well." Has It Been A While? marks the culmination of Trust Fund's return to activity, following the low-key release of five single tracks across 2022 and 2023.
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LP
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HVALUR 045LP
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$32.00
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RELEASE DATE: 11/1/2024
Brand-new band featuring Bedroom Community's own Valgeir Sigurðsson at the helm, commissioned by Belgium's BClassic arts and music foundation -- this project has blossomed into a full band for its three core members. Who is Isabelle Lewis, anyway? What kind of music does she make? Is she an opera singer? Does she write pop songs? Does she compose ethereal ambient soundscapes? Does she play chamber music on the violin? Is she producing dark, electronic beats? Well? yes. But Isabelle Lewis is not so much a person as a project. Isabelle's debut album, Greetings, credits a trio of composer-performers at its heart: producer Valgeir Sigurðsson, vocalist Benjamin Abel Meirhaeghe, and violinist Elisabeth Klinck. The sound of the elusive Isabelle Lewis is heard most clearly in the push and pull between them, the three-way tension that gives the album its musical and emotional drive. Each of the three brings more to the collaboration than those epithets might imply. Elisabeth's solo performance practice incorporates composition, improvisation, live electronics, and a close command of bowing and fingering techniques that make her fiddle sing, whisper or whistle as required. Benjamin is a self-taught countertenor -- keening, crooning, and swelling to a voluptuous sensuality -- but also an interdisciplinary stage director and performer. Well known for his work as a producer and studio collaborator, and as a composer of scores for film and stage, Valgeir's solo discography interweaves meticulously crafted electronics, drones, noise, and other digital elements with acoustic instruments and vocals recorded with naked, unflinching clarity. But the extravagant theatricality Benjamin brings grapples against the thudding bass of the implacable digital backdrop. The album as a whole is elegantly shaped, swelling from an intimate, interpersonal statement into something deeper and more spacious. The first half of the album leans slightly towards self-contained pop songcraft and ticking beats, while side B jumps off into the almost symphonic grandeur of songs like "Moonshell" or the instrumental "Not the water, air, or the dirt." The ominous weight of the droning sub-bass and trombone (guest player Helgi Hrafn Jónsson) only makes the interplay between vocals and violins (guest player Daniel Pioro joining Elisabeth) seem more delicate and vulnerable. RIYL: Perfume Genius, Anhoni, Rufus Wainwright, James Blake, Bat For Lashes, John Grant.
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LP
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BJR 104LP
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$28.00
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RELEASE DATE: 11/1/2024
LP version. Orchestre Tout Puissant Marcel Duchamp's latest album, Ventre Unique, is a dynamic exploration that seamlessly blends folk, krautrock, post-punk, and African rhythms, delivering an emotionally charged yet exuberant listening experience. Helmed by Geneva-based Vincent Bertholet, the orchestra's ever-evolving lineup and distinctive sound pay homage to both African music traditions and avant-garde artist Marcel Duchamp, while pushing the boundaries of contemporary music. Recorded over ten days in the outskirts of Paris at Studio Midilive, the album features an eclectic international cast of 12 musicians. The result is a beautifully organic sound that balances Bertholet's simple, loop-based compositions with intricate arrangements of marimba, horns, strings, and angular guitars. Ventre Unique is the group's sixth album and follows their acclaimed 2021 release, We're Ok But We're Lost Anyway (BJR 073LP). While their previous work captured the disarray of the world during the pandemic, Ventre Unique reflects on shared human experiences, inviting listeners to find common ground through music.
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VIO 080LP
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$35.50
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RELEASE DATE: 11/1/2024
Dive into the soul-stirring depths of Snowgoose's latest album, Descendant. Descendant is crafted with their exquisite blend of folk and psych. Featuring the guitar of Raymond McGinley (Teenage Fanclub), the keys of Chris Geddes (Belle and Sebastian), the bass of Stevie Jones (Arab Strap), the pedal steel of Tim Davidson (Tracyanne & Danny), and the drums of Stuart Kidd (BMX Bandits) and Adam Stearns (Trembling Bells), this album is a testament to the collaborative spirit of Scottish indie royalty. Worldwide pressing of 500 copies only.
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LP
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FLENSER 156X-LP
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$29.00
PREORDER
RELEASE DATE: 11/1/2024
Color vinyl version. "Uboa's fifth album Impossible Light almost never made it out of the dark. From its initial conception in 2018, this record went to hell and back, dragging its immensity and too-big-to-hold emotion through the torturous process of translation to sound and returned triumphantly as a full-bodied record in a distinct new style. Impossible Light begins where Uboa's 2019 breakout album The Origin Of My Depression left off -- and ends somewhere entirely different. The Origin stunned with its methodical use of doom, harsh noise, and ambient soundscapes while documenting a raw, unhindered account of Xandra Metcalfe's experiences with her transition and her struggles with mental health. Over time The Origin steadily grew a cult-like following which developed into a full-fledged internet community focused around noise, neurodiversity and transness. While Uboa's signature style of highly polished, cinematic 'hypernoise' is front and center in Impossible Light, there is also a daring departure into the genres of industrial metal/rock, setting it apart from any other Uboa release thus far and distinguishing it from other contemporary noise records. Metcalfe kept the lyrical content of this record as a time capsule of the catastrophic ups and downs and rapidly changing environments within herself and in the world from 2018-2023. Key collaborators include Blood Of A Pomegranate, Otay:onii, Charlie Looker, and Haela Hunt-Hendrix of Liturgy. Impossible Light dives fearlessly into queer sexuality, trans embodiment, grief for those who couldn't make it, solidarity for those facing unimaginable discrimination, the toxic spread of transphobic hatred and misinformation, and the ultimate hope of recovery from trauma and mental anguish. This is a record about the light at the end of the tunnel and the power it takes to keep moving towards it."
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LP
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TR 581LP
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$26.00
PREORDER
RELEASE DATE: 11/1/2024
LP version. Trust Fund, the musical project of singer-songwriter Ellis Jones, returns with a fifth album, Has It Been A While?, recorded in Sheffield by producer and close friend Joe Mackenzie Todd. Fans of Jones' delicate, funny, relatable songwriting will know that yes, it has been a while. The 2018 LP Bringing the Backline -- which received praise from Pitchfork, Rolling Stone, The Guardian, and more -- coincided with Jones calling time on Trust Fund, as band members began their own families, and he moved to Norway (and then on to Canada) to begin a career in academia. His return reflects a realization that his music-making days continue to stretch out before him, and marks the development of a mature style that offers both continuity and change. While previous Trust Fund albums have foregrounded a fuzzy, indie-rock aesthetic, on Has It Been A While? Jones strips his songs down to classical guitar and vocals, supported by captivating string quartet arrangements provided by Maria Grig. Fans of seventies singer-songwriters, and in particular Nick Drake's first two Joe Boyd-produced albums, will find much to recommend here, while Belle and Sebastian's early folk-inflected material is another obvious touchstone. Elsewhere on the record, the title track itself evokes both the spirit and simplicity of Chet Baker's "I Get Along Without You Very Well." Has It Been A While? marks the culmination of Trust Fund's return to activity, following the low-key release of five single tracks across 2022 and 2023.
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LP
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FTR 778LP
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$27.50
PREORDER
RELEASE DATE: 10/25/2024
To Celebrate its 25th anniversary, Cardinal Fuzz and Feeding Tube Records present the lost classic that is Outrageous Cherry's Out There In The Dark, presented for the very first time on vinyl. Originally released via the DF2K (the contemporary sister label of Del-Fi), one of the classic labels of the '50s and '60s (Richie Valens/Bobby Fuller) and in Europe via Poptones. While earlier records shared a love of The Turtles, The Troggs, and Television Personalities (among a host of other stuff), Out There In The Dark feels like Eno and Hawkwind filtered through Petula Clark's hit singles and Spectorized via Matthew Smiths' wonderful analog production. Recorded at Jim Diamond's Ghetto Recorders Studio, this release makes use of a huge ancient reel to reel machine that provides that superb tape echo effect employed across this LP. Like Guided By Voices, Outrageous Cherry's affection for this kind of music never sounds retro, and their experimental touches make Out There In The Dark plays like a jukebox full of forgotten hits, a time machine with its controls set for the past and the future. Across 13 tracks, sweet melodies and harmonies soar over vicious urban Motor City guitar workouts. Motown-fueled bass and drums throb hypnotically as Matthew Smith sings as though Brian Wilson had been an honorary Ramone. Beatle-esque pop numbers like "Tracy", "Corruptable," and the made-for-AM radio "Where Do I Go When You Dream?" balance moodier songs like the album's narcotic centerpiece, "Easy Come, Uneasy Glow." Their trippy side comes to the forefront on the excellent, backwards guitar-driven "Only the Easy Way Down," as Larry Rays solos cut like a jagged knife, and in the title track's drifting guitars and shifting tempos. Smith's ultra-faithful, vintage production style sparkles on "A Bad Movie." The album closer "There's No Escape From the Infinite" ends in a trance-inducing guitar apocalypse that would make Spacemen 3 and The Jesus And Mary Chain proud. Presented in a gloss laminated outer sleeve and with a four-page folded A4 insert and download code.
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LP
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SUBURBIA 046LP
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$24.00
PREORDER
RELEASE DATE: 10/25/2024
Originally released on Toxic Shock records in 1989, this is the debut album of junk rockers Sloppy Seconds. It makes you want to jump around, dance, party and roll through town with the windows down and the volume up to eleven. Shirtless, sweaty and unleashed, not for the faint of heart. The junk-rock classic is back! Pressed on green vinyl.
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LP
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MR 462LP
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$27.00
PREORDER
RELEASE DATE: 10/25/2024
The Zeros are a pioneer punk rock band formed in 1976 in Chula Vista, California. Comparisons with The Ramones are often made when describing the energetic and fierce guitar driven sound of the group. The first singles recorded by the band instantly catapulted The Zeros into a top draw on the local scene and have become legendary. Unfortunately, the band never cut an album during these days. This release compiles all their early singles, some rare tracks (including the previously unreleased "Left to Right") and songs taken from a 1978 live show. Munster are thrilled to reissue this essential '80s power pop gem as part of a series of releases celebrating Bomp! 50th anniversary. Their debut single was released in 1977 on Greg Shaw's very own Bomp! Records. It included "Don't Push Me Around" and "Wimp," two of the greatest punk rock songs of all time, both written by Javier Escovedo. It was followed by another single in 1978, "Wild Weekend" and a third one in 1980, "They Say That (Everything's Alright)." The first singles recorded by the band instantly catapulted The Zeros into a top draw on the local scene and have become legendary. Unfortunately, the band never cut an album during these days.
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CD
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BFR 037CD
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$12.00
PREORDER
RELEASE DATE: 10/25/2024
"In the wake of two landmark 2020 releases, Elephant Tree and Lowrider have seized the opportunity to redefine who they are and declare where their musical voyages will go next with the collaborative album The Long Forever, easily one of the most eagerly awaited split releases in the history of heavy rock. Like two timelines converging, The Long Forever finds both bands at critical junctures: each has a broad and expanding influence, each is revered onstage and off, and each is delivering its first proper new release in four years to tremendous anticipation. Bringing these bands onto a shared collaborative platter would be an event regardless of the surrounding circumstances, but the significance of this album is even greater. The album's title comes from the nickname for the multi-week coma that Elephant Tree singer/guitarist Jack Townley was in for medical reasons after a near-fatal biking accident in early 2023. Dreaming without waking and losing all sense of time as his mind attempted to cope with the ordeal, that lyrical description only hints at the enormity of Jack's experience. The year or so that followed manifested a musical freedom in both bands' respective approaches, Elephant Tree choosing a raw, set-up-the-mics-and-go approach during Jack's gradual return to playing, while Lowrider grew more complex and expressive in building songs to follow up their massively adored 2020 album Refractions. The Long Forever subverts and supersedes expectations, orbiting around a traumatic nexus as the gravitational singularity that bends and shapes every note that escapes forth. Perseverance, healing and stubbornness of passion made The Long Forever a reality, and fans of both Elephant Tree and Lowrider are certain to rejoice at the towering result!"
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12"
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DC 925EP
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$25.00
PREORDER
RELEASE DATE: 10/25/2024
"Picking up the pieces of the picked-up pieces, Wand ride on, baby. Three months since they dropped the incredible mass of Vertigo upon the world, here is more, plating the pre-release single 'Help Desk' alongside 'Goldfish,' an additional cog from Vertigo's assembly, and then, in the name of the ever-expanding viewpoint (and the much-required dream-extension app), adding three remixes for good measure. 'Help Desk' and 'Goldfish' are brethren of the eight epochal vibrations that make up Vertigo -- boiled down from a tremendous volume of jams, then squeezed through the pinprick called automatic writing. Or 'riding,' as in, the groove/as far as they can see/past the horizon line/Jupiter space/the infinity room/whatever you choose to call it. The remixes delve back into the material, integrating another set of concentric thought-spirals into the radiant action. The unique perspectives of Beat Detectives, Dead Rider, and Dean Spunt become one with the Wand material, igniting inevitable further expansions. This EP's like a handshake promise that's fulfilled after the action has gone down -- the thanks you get for staying open and hanging in there. The present you get for being present! But everything has a price in time."
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LP
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DC 922LP
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$23.00
PREORDER
RELEASE DATE: 10/25/2024
"Wand, having shifted smoothly into phase IV of their star-flung efforts on the wings of the latest, Vertigo, follow upon it with an LP release of the archival In a Capsule Underground. These demos and unreleased songs from Ganglion Reef, as they're so helpfully dubbed on the front facing of the jacket, are the earliest Wand recordings that Drag City knows of, preceding everything that's come so far. It's not simply a function of time and nostalgia at this late moment that they sound invariably like magical recordings by, and for, children, is it? From the reverse end of the telescope, it's not so easy to tell. Just because someone's young doesn't mean that they are absolutely gonna sound like a souped-up baby Moody Blues crossed with a young-wave Status Quo, Barrettian Pink Floyd, Genesis-era Genesis, and transitioning Barclay James Harvest, all letting loose in the post-punk garage, does it? Yes, it happens more than sometimes in rock and roll life. But with Wand, what if their desire to sound pixieish and ethereal while mowing down with buzzing guitars and bass set to stun was simply a tactile approach to the conceptualization of phase I? Whatever the case, it can be generally agreed that in 2014-2015, they managed to pump out three distinct progressions on this theme -- Ganglion Reef, Golem, and 1000 Days -- at a trot. And now that In a Capsule Underground's spinning on a turntable eternal, come to find out, they actually did it twice with Ganglion Reef. The light, fizzy versions here have distinctive, gleaming magic energies all their own and will provide quite the breathtaking thrill ride when endeavored upon by all who haven't yet heard them."
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