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Search Result for Genre ROCK
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LP
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BR 025LP
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$30.50
PREORDER
RELEASE DATE: 4/24/2026
LP version. Evergreen In Your Mind, the new and third album from Norwegian singer-songwriter Juni Habel, exists in two worlds at the same time. Songs were recorded in quiet corners of her home, on the piano in the school where she works, and it uses the physical world around her to provide percussion. It also takes place, as she herself attests, within a dream; an imagined place in which her desire for oneness with each other and the world is finally realized. Evergreen In Your Mind was recorded with co-producer Stian Skaaden. It is Habel's first album in three-years, following the breakthrough success of 2023's Carvings LP. Formed of eleven new recordings, the songs here remain delicate, with Habel's voice playing an elegant lead role. Small shifts in Habel's sound result in a notable stride forward. More focus went into the groove of these songs. Playfulness was embraced and, perhaps most importantly, patience played a fundamental role in shaping the album with time and care given to every element of these songs. The extra time that was given to the project gave Juni the space to nurture her creativity. She would read and listen to music, hike into the hills, place herself within nature and seek out stillness. Not as a deviation from her work but as a fundamental part of the process. It's a search for connection, and it's a recurring theme across Evergreen In Your Mind. The album's title-track and fist single feels indicative of this narrative. A gorgeous, delicate folk song, it finds Habel out in the woods, hiding from real life, caught in the space between the natural world and the pull of modernity. The album cover also adds shimmer: a striking photograph of Juni among the mountains, it was taken on a day trip to Rondane, a five-hour drive each way from her home.
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CD
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BR 025CD
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$12.50
PREORDER
RELEASE DATE: 4/24/2026
Evergreen In Your Mind, the new and third album from Norwegian singer-songwriter Juni Habel, exists in two worlds at the same time. Songs were recorded in quiet corners of her home, on the piano in the school where she works, and it uses the physical world around her to provide percussion. It also takes place, as she herself attests, within a dream; an imagined place in which her desire for oneness with each other and the world is finally realized. Evergreen In Your Mind was recorded with co-producer Stian Skaaden. It is Habel's first album in three-years, following the breakthrough success of 2023's Carvings LP. Formed of eleven new recordings, the songs here remain delicate, with Habel's voice playing an elegant lead role. Small shifts in Habel's sound result in a notable stride forward. More focus went into the groove of these songs. Playfulness was embraced and, perhaps most importantly, patience played a fundamental role in shaping the album with time and care given to every element of these songs. The extra time that was given to the project gave Juni the space to nurture her creativity. She would read and listen to music, hike into the hills, place herself within nature and seek out stillness. Not as a deviation from her work but as a fundamental part of the process. It's a search for connection, and it's a recurring theme across Evergreen In Your Mind. The album's title-track and fist single feels indicative of this narrative. A gorgeous, delicate folk song, it finds Habel out in the woods, hiding from real life, caught in the space between the natural world and the pull of modernity. The album cover also adds shimmer: a striking photograph of Juni among the mountains, it was taken on a day trip to Rondane, a five-hour drive each way from her home.
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LP
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HPS 285X-LP
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$28.00
PREORDER
RELEASE DATE: 3/27/2026
2026 repress. Helichrysum delves deep into the human experience, exploring the wounds people carry and the transformative power that lies within them. It serves as a culmination of countless creative and personal choices, leading to a place of greater harmony with each other and with the world's collective intentions. Musically speaking, the album is a testament to our commitment to delivering a sonic experience that is unapologetically raw, adventurous, heavy, groovy and psychedelic. The choice to name the album after the Helichrysum plant, holds a significance as the plant symbolizes endurance, healing, immortality, and the power to overcome adversity, which mirror many of the themes throughout the record. Also available on purple vinyl (HPS 285PUR-LP) and transparent splatter vinyl (HPS 285HALF-LP).
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LP
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HPS 285PUR-LP
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$31.50
PREORDER
RELEASE DATE: 3/27/2026
Purple vinyl version. 2026 repress. Helichrysum delves deep into the human experience, exploring the wounds people carry and the transformative power that lies within them. It serves as a culmination of countless creative and personal choices, leading to a place of greater harmony with each other and with the world's collective intentions. Musically speaking, the album is a testament to our commitment to delivering a sonic experience that is unapologetically raw, adventurous, heavy, groovy and psychedelic. The choice to name the album after the Helichrysum plant, holds a significance as the plant symbolizes endurance, healing, immortality, and the power to overcome adversity, which mirror many of the themes throughout the record.
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LP
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HPS 285HALF-LP
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$41.00
PREORDER
RELEASE DATE: 3/27/2026
Transparent splatter color vinyl. 2026 repress. Helichrysum delves deep into the human experience, exploring the wounds people carry and the transformative power that lies within them. It serves as a culmination of countless creative and personal choices, leading to a place of greater harmony with each other and with the world's collective intentions. Musically speaking, the album is a testament to our commitment to delivering a sonic experience that is unapologetically raw, adventurous, heavy, groovy and psychedelic. The choice to name the album after the Helichrysum plant, holds a significance as the plant symbolizes endurance, healing, immortality, and the power to overcome adversity, which mirror many of the themes throughout the record.
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LP
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HPS 170NEON-LP
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$31.50
PREORDER
RELEASE DATE: 3/27/2026
Magenta color vinyl. 2026 reissue. An album that serves as a musical bridge to their critically acclaimed debut 111, while being a fresh exploration of sound and vision. Circle Of Days is a pensive reflection of frustration and hope, experienced as people evolve from the confinements of self-indulgence and into a more altruistic mindset. Listeners new to HDC can expect to hear a band that feels familiar yet also unique. Hippie Death Cult are a group with their own musical identity. One that manages to be influenced by great rock and metal bands of the past while not becoming a blueprint of them.
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LP
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HPS 170X-LP
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$28.00
PREORDER
RELEASE DATE: 3/27/2026
2026 reissue. An album that serves as a musical bridge to their critically acclaimed debut 111, while being a fresh exploration of sound and vision. Circle Of Days is a pensive reflection of frustration and hope, experienced as people evolve from the confinements of self-indulgence and into a more altruistic mindset. Listeners new to HDC can expect to hear a band that feels familiar yet also unique. Hippie Death Cult are a group with their own musical identity. One that manages to be influenced by great rock and metal bands of the past while not becoming a blueprint of them. Also available on magenta color vinyl (HPS 170NEON-LP) and yellow/black color vinyl (HPS 170YELL-LP).
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LP
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HPS 170YELL-LP
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$41.00
PREORDER
RELEASE DATE: 3/27/2026
Yellow/black color vinyl. 2026 reissue. An album that serves as a musical bridge to their critically acclaimed debut 111, while being a fresh exploration of sound and vision. Circle Of Days is a pensive reflection of frustration and hope, experienced as people evolve from the confinements of self-indulgence and into a more altruistic mindset. Listeners new to HDC can expect to hear a band that feels familiar yet also unique. Hippie Death Cult are a group with their own musical identity. One that manages to be influenced by great rock and metal bands of the past while not becoming a blueprint of them.
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LP
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THRILL 648LP
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$25.00
PREORDER
RELEASE DATE: 3/20/2026
LP version. "more eaze is the moniker of Brooklyn-based composer, orchestrator, and multi-instrumentalist, mari maurice. A renowned collaborator both in performance and on recordings, maurice's own work is a fantasia, a reflection of her curious and explorative musical mind, encompassing entire spectrums of sound from a wide sonic pallet of electro-acoustic textures, folk traditions, and pop forms that pirouette into fully realized ecosystems. sentence structure in the country is a definitive statement of the matchless quality of more eaze's skill as player and musical thinker. The album relishes the ecstatic in performance and collaboration with an inviting wit and incisive compositions, imbuing tenderness, frustration, and joy into each passage. The title is an acknowledgement of the vernacular that shaped maurice's musical production. As Coltrane said, 'It all has to do with it.' maurice grew up playing fiddle in traditional folk and country tunes, and while playing on her album is entirely different, her reverence for the evolution of folk forms and her playing remain integral to those performances. Informing her production choices were maurice's well- chosen collaborators: Wendy Eisenberg on electric guitar, piano and voice, Henry Earnest on electric guitar, Alice Gerlach on cello, Jade Guterman on acoustic guitar, and Ryan Sawyer on drums. maurice explains how her collaborators helped sculpt the album's sound: 'There are ways Jade or Wendy choose to voice chords that are not how I'd play them in this context, but that's kind of the point. Their voices redefine what I'm making but also help me define my own.' sentence structure in the country is a collection of compositions, each beautifully realized, self-contained worlds. maurice's dexterous, tasteful arranging lays bare her influences and obsessive fascinations with remarkable congruency while foregoing any sense of indulgence. Her music holds a density not only in the lush compositions and embellishing flourishes, but also for those moments of spare, minimalist beauty. sentence structure in the country is a textural marvel, a mosaic of ethereal electronics and loamy acoustics sculpted around deeply moving, enduring songs."
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2CD
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MIG 91072CD
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$25.00
PREORDER
RELEASE DATE: 3/20/2026
"Dr. John, also known as 'The Nighttripper,' is a musical high priest of voodoo rock. Born Malcolm 'Mac' John Rebennack Jr. on November 20, 1941, in New Orleans (USA), he is a six-time Grammy Award winner and member of the Rock and Roll Hall of Fame. That's enough by way of introduction; everything else is music history. It began in 1968 with the release of his first album, Gris-Gris (Atco Records), a sometimes eerie-sounding mixture of voodoo spells, rhythm and blues, and Creole soul music. With his colorful and picturesque stage performances, he stylized himself as Dr. John (Creaux) the Night Tripper, becoming an icon of psychedelic rock. Dr. John's true love, however, was the blues influenced by his hometown of New Orleans. He collaborated with numerous blues musicians such as Charles Brown and roots rocker Willy DeVille, as well as jazz musicians such as Maria Muldaur and Bennie Wallace, and rock musicians such as Mick Jagger and Eric Clapton. He appeared in Martin Scorsese's film The Last Waltz, a film adaptation of Bob Dylan and The Band's farewell concert, as well as in the film Blues Brothers 2000. On July 9, 1999, Dr. John performed at the Loreley as part of a Rockpalast festival. He was accompanied by three outstanding session musicians: David Barard (bass), Bobby Broom, and Herman Ernest (drums). The set list included Dr. John classics such as 'Iko, Iko,' 'Right Place, Wrong Time,' and 'I Walk On Guilded Splinters,' which became a global hit in 1969 in Marsha Hunt's version and was later covered by Cher, Humble Pie, and the Neville Brothers, among others. This Rockpalast recording is a moving legacy of the extraordinary musician and human being Dr. John, who passed away in the summer of 2019 in his beloved hometown of New Orleans."
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CD
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THRILL 648CD
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$14.50
PREORDER
RELEASE DATE: 3/20/2026
"more eaze is the moniker of Brooklyn-based composer, orchestrator, and multi-instrumentalist, mari maurice. A renowned collaborator both in performance and on recordings, maurice's own work is a fantasia, a reflection of her curious and explorative musical mind, encompassing entire spectrums of sound from a wide sonic pallet of electro-acoustic textures, folk traditions, and pop forms that pirouette into fully realized ecosystems. sentence structure in the country is a definitive statement of the matchless quality of more eaze's skill as player and musical thinker. The album relishes the ecstatic in performance and collaboration with an inviting wit and incisive compositions, imbuing tenderness, frustration, and joy into each passage. The title is an acknowledgement of the vernacular that shaped maurice's musical production. As Coltrane said, 'It all has to do with it.' maurice grew up playing fiddle in traditional folk and country tunes, and while playing on her album is entirely different, her reverence for the evolution of folk forms and her playing remain integral to those performances. Informing her production choices were maurice's well- chosen collaborators: Wendy Eisenberg on electric guitar, piano and voice, Henry Earnest on electric guitar, Alice Gerlach on cello, Jade Guterman on acoustic guitar, and Ryan Sawyer on drums. maurice explains how her collaborators helped sculpt the album's sound: 'There are ways Jade or Wendy choose to voice chords that are not how I'd play them in this context, but that's kind of the point. Their voices redefine what I'm making but also help me define my own.' sentence structure in the country is a collection of compositions, each beautifully realized, self-contained worlds. maurice's dexterous, tasteful arranging lays bare her influences and obsessive fascinations with remarkable congruency while foregoing any sense of indulgence. Her music holds a density not only in the lush compositions and embellishing flourishes, but also for those moments of spare, minimalist beauty. sentence structure in the country is a textural marvel, a mosaic of ethereal electronics and loamy acoustics sculpted around deeply moving, enduring songs."
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LP
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THRILL 648X-LP
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$27.00
PREORDER
RELEASE DATE: 3/20/2026
LP version. Opaque red color vinyl. "more eaze is the moniker of Brooklyn-based composer, orchestrator, and multi-instrumentalist, mari maurice. A renowned collaborator both in performance and on recordings, maurice's own work is a fantasia, a reflection of her curious and explorative musical mind, encompassing entire spectrums of sound from a wide sonic pallet of electro-acoustic textures, folk traditions, and pop forms that pirouette into fully realized ecosystems. sentence structure in the country is a definitive statement of the matchless quality of more eaze's skill as player and musical thinker. The album relishes the ecstatic in performance and collaboration with an inviting wit and incisive compositions, imbuing tenderness, frustration, and joy into each passage. The title is an acknowledgement of the vernacular that shaped maurice's musical production. As Coltrane said, 'It all has to do with it.' maurice grew up playing fiddle in traditional folk and country tunes, and while playing on her album is entirely different, her reverence for the evolution of folk forms and her playing remain integral to those performances. Informing her production choices were maurice's well- chosen collaborators: Wendy Eisenberg on electric guitar, piano and voice, Henry Earnest on electric guitar, Alice Gerlach on cello, Jade Guterman on acoustic guitar, and Ryan Sawyer on drums. maurice explains how her collaborators helped sculpt the album's sound: 'There are ways Jade or Wendy choose to voice chords that are not how I'd play them in this context, but that's kind of the point. Their voices redefine what I'm making but also help me define my own.' sentence structure in the country is a collection of compositions, each beautifully realized, self-contained worlds. maurice's dexterous, tasteful arranging lays bare her influences and obsessive fascinations with remarkable congruency while foregoing any sense of indulgence. Her music holds a density not only in the lush compositions and embellishing flourishes, but also for those moments of spare, minimalist beauty. sentence structure in the country is a textural marvel, a mosaic of ethereal electronics and loamy acoustics sculpted around deeply moving, enduring songs."
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CD
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MORR 207CD
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$17.50
PREORDER
RELEASE DATE: 3/13/2026
With News from Planet Zombie, The Notwist return to view after years of exploration and experiment with an album rich in both melancholy and positivity, sketched across a suite of thrilling, fiercely committed pop songs. It's an album reflecting a chaotic world, but responding with warmth and generosity, to achieve creative and spiritual consolidation. Recorded in their home base of Munich, it reconnects with the security of the local to explore the troubles of the global: a guiding impulse writ large across this album's eleven songs. For News from Planet Zombie, the core trio of Markus and Micha Acher and Cico Beck embraced the plural possibilities of writing together, bringing songs to the collective and then arranging, rehearsing and recording that material live, in the studio. The result is an album that's energized, fully in "the now", with spectacular moments where you can hear the magic bubbling up in the dynamic between the Achers, Beck, and fellow members Theresa Loibl, Max Punktezahl, Karl Ivar Refseth, and Andi Haberl. The openness to chance also takes in guest turns from friends both local and international, reflective of a cosmopolitan Munich: Enid Valu joins in on vocals, while Haruka Yoshizawa guests on taishōgoto and harmonium, Tianping Christoph Xiao on clarinet, and Mathias Götz on trombone. The Notwist aren't best known for cover versions, but News from Planet Zombie features two: a gorgeous version of Neil Young's "Red Sun" (from 2000's Silver & Gold), and a take on Athens, Georgia folk-pop gang Lovers' "How the Story Ends." They slot into the album's narrative perfectly, nestling in like old friends, revealing The Notwist as poetic interpreters. Also available on black vinyl (MORR 207LP) and orange color vinyl (MORR 207ORA-LP).
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LP
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MORR 207ORA-LP
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$33.00
PREORDER
RELEASE DATE: 3/13/2026
LP version. Orange color vinyl. With News from Planet Zombie, The Notwist return to view after years of exploration and experiment with an album rich in both melancholy and positivity, sketched across a suite of thrilling, fiercely committed pop songs. It's an album reflecting a chaotic world, but responding with warmth and generosity, to achieve creative and spiritual consolidation. Recorded in their home base of Munich, it reconnects with the security of the local to explore the troubles of the global: a guiding impulse writ large across this album's eleven songs. For News from Planet Zombie, the core trio of Markus and Micha Acher and Cico Beck embraced the plural possibilities of writing together, bringing songs to the collective and then arranging, rehearsing and recording that material live, in the studio. The result is an album that's energized, fully in "the now", with spectacular moments where you can hear the magic bubbling up in the dynamic between the Achers, Beck, and fellow members Theresa Loibl, Max Punktezahl, Karl Ivar Refseth, and Andi Haberl. The openness to chance also takes in guest turns from friends both local and international, reflective of a cosmopolitan Munich: Enid Valu joins in on vocals, while Haruka Yoshizawa guests on taishōgoto and harmonium, Tianping Christoph Xiao on clarinet, and Mathias Götz on trombone. The Notwist aren't best known for cover versions, but News from Planet Zombie features two: a gorgeous version of Neil Young's "Red Sun" (from 2000's Silver & Gold), and a take on Athens, Georgia folk-pop gang Lovers' "How the Story Ends." They slot into the album's narrative perfectly, nestling in like old friends, revealing The Notwist as poetic interpreters.
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LP
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MORR 207LP
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$30.50
PREORDER
RELEASE DATE: 3/13/2026
LP version. With News from Planet Zombie, The Notwist return to view after years of exploration and experiment with an album rich in both melancholy and positivity, sketched across a suite of thrilling, fiercely committed pop songs. It's an album reflecting a chaotic world, but responding with warmth and generosity, to achieve creative and spiritual consolidation. Recorded in their home base of Munich, it reconnects with the security of the local to explore the troubles of the global: a guiding impulse writ large across this album's eleven songs. For News from Planet Zombie, the core trio of Markus and Micha Acher and Cico Beck embraced the plural possibilities of writing together, bringing songs to the collective and then arranging, rehearsing and recording that material live, in the studio. The result is an album that's energized, fully in "the now", with spectacular moments where you can hear the magic bubbling up in the dynamic between the Achers, Beck, and fellow members Theresa Loibl, Max Punktezahl, Karl Ivar Refseth, and Andi Haberl. The openness to chance also takes in guest turns from friends both local and international, reflective of a cosmopolitan Munich: Enid Valu joins in on vocals, while Haruka Yoshizawa guests on taishōgoto and harmonium, Tianping Christoph Xiao on clarinet, and Mathias Götz on trombone. The Notwist aren't best known for cover versions, but News from Planet Zombie features two: a gorgeous version of Neil Young's "Red Sun" (from 2000's Silver & Gold), and a take on Athens, Georgia folk-pop gang Lovers' "How the Story Ends." They slot into the album's narrative perfectly, nestling in like old friends, revealing The Notwist as poetic interpreters.
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LP
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MR 497LP
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$28.50
PREORDER
RELEASE DATE: 3/13/2026
Monterrey musician Hernando Rocha managed to record his debut LP in 1970 after spending time living in the United States, where he absorbed the latest waves of psychedelic rock. Reinventing himself as Ernan Roch, La Onda Pesada was finally released a year later, credited to Ernan Roch with Las Voces Frescas. Three elements really stood out on the record: Ernan's strong, expressive vocals; the guitars, ranging from powerful fuzz driven riffs to calm, reflective passages close to the folk sound of Simon & Garfunkel; and the high poetic level of the lyrics. The album included songs written during his year in the U.S.: "Sittin on a Side of the Ocean," "Give Me a Piece (She Doesn't Care)," and "The Train," which opened Side A. The songs reflect the existential angst of a 16-year-old -- Ernan's age when he wrote them. For instance, "The Train," with its powerful guitar intro, might suggest the anticipation of love, but it's actually not about romance at all: it deals with suicide and a dialogue with death, portrayed as a woman dressed in black waiting at the end of the station. The life-and death theme continues in "Sittin on a Side of the Ocean," which speaks of a loveless world filled with hate, erupting into a striking riff by guitarist Miguel Cárdenas. These tracks were joined on Side A by "I Found All," "I Can't," and "Round Round." Side B featured "Gonna Make I," "A Life of Love," "Cause of Love," "All Right/It's Gonna Take Me Time," and "Give Me a Peace," for a total of ten songs. The quality of the material is even more impressive when you realize Rocha was only 17 years old when he recorded it. When the album came out, with its bluesy, psychedelic sound and Hendrix-inspired guitar work, it seemed destined for commercial success -- but several factors stood in the way. One was the growing censorship of Mexican rock after Avándaro; another was the new government's view of rock as "cultural imperialism." The record went largely unnoticed throughout the '70s and '80s, but with the rise of online marketplaces in the early 2000s, it was rediscovered by international collectors, who hailed it as a hidden gem and praised its production. Munster now reissues it with liner notes and newly remastered sound.
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LP
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MR 496LP
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$28.50
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RELEASE DATE: 3/13/2026
Rikk Agnew's All by Myself is one of those records that feels like a secret you're lucky to stumble upon -- a raw, weird, totally personal snapshot of a restless artist at a pivotal moment. Originally released in 1982 on Frontier Records, the album stands apart from most of what was coming out of Southern California at the time, even though it was born right in the middle of the exploding hardcore punk scene. By 1982, Rikk Agnew was already a big deal underground. As the guitarist for Adolescents, he helped shape the sound of Orange County hardcore with sharp riffs, surf-inflected melodies, and a sense of urgency that became hugely influential. He also played in bands like D.I. and later Christian Death, moving fluidly between hardcore punk, post-punk, and darker, more experimental territory. Agnew wasn't just a fast, aggressive guitarist -- he was a songwriter with range, curiosity, and a strong DIY instinct. All by Myself lives up to its title in the most literal way. Agnew recorded the album largely on his own, playing all the instruments and handling vocals himself. Instead of delivering another straight-up hardcore record, he went inward. The result is a lo-fi, home-recorded collection of songs that blend punk energy with new wave, post-punk, psychedelic touches, and even moments of pop sensitivity. It's rough around the edges, but that's exactly the point -- the album feels intimate, unfiltered, and honest. In the early '80s, Southern California punk was loud, fast, and often confrontational. Bands were pushing against the mainstream and even against each other, racing toward more extreme sounds. While All by Myself shares that DIY spirit, it doesn't fully play by hardcore rules. The tempos shift, the moods wander, and the songs feel more like personal experiments than scene anthems. That made the record a bit of an outlier at the time -- but also what gives it lasting appeal. Frontier Records was the perfect home for a release like this. The label was known for supporting artists who didn't quite fit into neat categories, and All by Myself captured that ethos perfectly. Today, All by Myself is often seen as a cult classic. For fans of early punk, post-punk, or anyone interested in the roots of DIY recording culture, this album is essential listening.
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LP
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MOV 3943COL-LP
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$39.00
PREORDER
RELEASE DATE: 2/27/2026
"Cranes is a dream pop/shoegaze band formed by siblings Alison and Jim Shaw who rose to stardom following a world tour with the Cure in 1992. After the influential Dedicated label folded in 1998, they went on a two-year hiatus after which they set up their own label Dadaphonic. Here, they released three studio albums between 2001 and 2008, of which this record is their penultimate. This record, as any other on their label, strikes the perfect balance between their typical '90s alt rock underpinnings and modern electronica. Downtempo beats and swirling effects combined with jangly guitars and Alison Shaw's mysterious vocal presence make for a deep and subdued album, in the best way possible. Particles & Waves is available on vinyl for the first time as a limited edition of 1000 individually numbered copies on crystal clear, blue and white marbled vinyl."
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12"
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KALITA 12026EP
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$20.50
PREORDER
RELEASE DATE: 2/27/2026
Kalita Records return to the vaults of South Africa's trailblazing Music Team label to present five essential, long-lost disco and boogie gems. Lovingly remastered and primed for today's dance floors, these carefully curated cuts from Maurice Horwitz's pioneering imprint showcase the very best of Music Team's output. With this collection, Kalita shines a light once more on the phenomenal creativity of Music Team and its artists during South Africa's vibrant disco and boogie era of the late '70s and '80s, ensuring these treasures continue to receive the attention they deserve.
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CD
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DC 964CD
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$13.50
PREORDER
RELEASE DATE: 2/27/2026
"My Days of 58 is the eighth Bill Callahan album, his first since 2022. The twelve tunes here open uncanny depths of expression as Bill continues to blaze one of the most original songwriting-and-performance trails out there. With My Days of 58, he applies the living, breathing energies of his live shows to the studio process, sharpening his slice-of-life portraiture to cut deeper than ever before. The core musicians featured on My Days of 58 is the group that toured for 2022's REALITY: guitarist Matt Kinsey, saxophonist Dustin Laurenzi and drummer Jim White, whose synergy was evident in 2024's live Resuscitate!. This showed Bill, as he puts it, 'that they could handle anything I threw at them,' adding: 'Improv/unpredictability/the unknown is the thing that keeps me motivated to keep making music. It's all about listening to yourself and others. A lot of the best parts of a recording are the mistakes -- making them into strengths, using them as springboards into something human.' With this in mind, Bill prepared the songs with each player separately. Taking a note from songwriter, fan and friend Jerry DeCicca, he recorded the basic tracks for all but one song in a duo with Jim White. Meanwhile, he rehearsed with Matt, guitar to guitar, while asking Dustin to make horn charts for a few songs. Bill: 'I usually just sing a melody to a horn player or let them try a few takes and go from there. This time I thought, why not get some of the record charted out. There's always room for spontaneity on top of that. And we did indeed throw some off the cuff stuff on top of the charted horns in a couple cases where they weren't fully doing what I wanted. With this record I kept thinking of it as a 'living room record.' I'm not talking about fidelity at all here. Living room attitude. Living room vibe. Not too loud, not otherworldly. I asked for the horns to be relaxed like someone on the couch playing, not a blast from heaven or hell.' For more spontaneity and human color, Bill called up several other players: Richard Bowden on fiddle, whom he'd seen playing with Terry Allen and loved; pianist Pat Thrasher; bassist Chris Vreeland; and trombonist Mike St. Clair."
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LP
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BEWITH 184LP
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$38.50
PREORDER
RELEASE DATE: 2/27/2026
Hogan, The Hawk & Dirty John Crown sounds like the soundtrack of a blaxploitation movie from the early '70s and, packed with funky fusion and smoother orchestral numbers, it is basically that. Featuring a veritable who's who of killer library break snakes, it's not hard to see how this commands over £350 on secondary markets. This beautifully presented reissue, part of Be With's fresh campaign with the legendary library label Music De Wolfe, is well overdue. Recorded for De Wolfe in 1972, Hogan, The Hawk, Dirty John Crown is a fantastic start-to-finish listen. The flute-funk of Hawkshaw and Parker's opener "The Hawk" comprises driving, fuzzy, wah-wah-drizzled bell-laced breaks with synths and basslines to murder for. Up next, Haseley's "The Happening" is a carefree, rhythmic builder with strings and horns. Hawkshaw and Parker's amazing "Main Chance" is likely the reason you're here; it's a moody, beaty proto-hip-hop banger; all rolling drums and flute-laced, organ-drenched, synth-funk breaks. The cool AF "Hogan Baby" has a soft, rounded, bluesy feel. Grant's pounding "Dirty John Crown" brilliantly conjures swirling string-swept serenity atop driving, incisive drama-funk breaks. Hawkshaw and Parker come roaring back with the murky, creeping crime-funk of "Swarf" with killer basslines underpinning slow-mo high-class flute-funk. Reg Tilsley enters the fray with the bright, snappy, carefree "Turnover." The brief "Tarantula" gets listeners back on track with the driving crime funk breaks, super clean yet brooding. Side 2 opens with the car chase swag of Haseley's dramatic, driving "Precinct". Haseley's rolling "Sidewinder Version 1" is robust and exuberant with bouncy horns before a cracking Parker-Hawkshaw one-two featuring the tense "Pressure" and the deeply soulful "Call Me", a relaxed, medium-tempo organ feature. With building piano and strings Gordon Grant's excellently titled "Scorch" is as aggressive and dramatic as you'd hope. Hawkshaw and Parker's furtive flute-funk of "Digger" precede the light, melodic and romantic themes of Tilsley's "Marianne" whilst "Sidewinder Version 2", a faster iteration of Track B2 sees Haseley close out this remarkable set in bouncy, bright fashion. The audio for Hogan, The Hawk, Dirty John Crown has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored as the finishing touch to this long overdue re-issue.
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2LP
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DC 964LP
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$30.00
PREORDER
RELEASE DATE: 2/27/2026
Double LP version. "My Days of 58 is the eighth Bill Callahan album, his first since 2022. The twelve tunes here open uncanny depths of expression as Bill continues to blaze one of the most original songwriting-and-performance trails out there. With My Days of 58, he applies the living, breathing energies of his live shows to the studio process, sharpening his slice-of-life portraiture to cut deeper than ever before. The core musicians featured on My Days of 58 is the group that toured for 2022's REALITY: guitarist Matt Kinsey, saxophonist Dustin Laurenzi and drummer Jim White, whose synergy was evident in 2024's live Resuscitate!. This showed Bill, as he puts it, 'that they could handle anything I threw at them,' adding: 'Improv/unpredictability/the unknown is the thing that keeps me motivated to keep making music. It's all about listening to yourself and others. A lot of the best parts of a recording are the mistakes -- making them into strengths, using them as springboards into something human.' With this in mind, Bill prepared the songs with each player separately. Taking a note from songwriter, fan and friend Jerry DeCicca, he recorded the basic tracks for all but one song in a duo with Jim White. Meanwhile, he rehearsed with Matt, guitar to guitar, while asking Dustin to make horn charts for a few songs. Bill: 'I usually just sing a melody to a horn player or let them try a few takes and go from there. This time I thought, why not get some of the record charted out. There's always room for spontaneity on top of that. And we did indeed throw some off the cuff stuff on top of the charted horns in a couple cases where they weren't fully doing what I wanted. With this record I kept thinking of it as a 'living room record.' I'm not talking about fidelity at all here. Living room attitude. Living room vibe. Not too loud, not otherworldly. I asked for the horns to be relaxed like someone on the couch playing, not a blast from heaven or hell.' For more spontaneity and human color, Bill called up several other players: Richard Bowden on fiddle, whom he'd seen playing with Terry Allen and loved; pianist Pat Thrasher; bassist Chris Vreeland; and trombonist Mike St. Clair."
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Cassette
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DC 964CS
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$12.00
PREORDER
RELEASE DATE: 2/27/2026
Cassette version. "My Days of 58 is the eighth Bill Callahan album, his first since 2022. The twelve tunes here open uncanny depths of expression as Bill continues to blaze one of the most original songwriting-and-performance trails out there. With My Days of 58, he applies the living, breathing energies of his live shows to the studio process, sharpening his slice-of-life portraiture to cut deeper than ever before. The core musicians featured on My Days of 58 is the group that toured for 2022's REALITY: guitarist Matt Kinsey, saxophonist Dustin Laurenzi and drummer Jim White, whose synergy was evident in 2024's live Resuscitate!. This showed Bill, as he puts it, 'that they could handle anything I threw at them,' adding: 'Improv/unpredictability/the unknown is the thing that keeps me motivated to keep making music. It's all about listening to yourself and others. A lot of the best parts of a recording are the mistakes -- making them into strengths, using them as springboards into something human.' With this in mind, Bill prepared the songs with each player separately. Taking a note from songwriter, fan and friend Jerry DeCicca, he recorded the basic tracks for all but one song in a duo with Jim White. Meanwhile, he rehearsed with Matt, guitar to guitar, while asking Dustin to make horn charts for a few songs. Bill: 'I usually just sing a melody to a horn player or let them try a few takes and go from there. This time I thought, why not get some of the record charted out. There's always room for spontaneity on top of that. And we did indeed throw some off the cuff stuff on top of the charted horns in a couple cases where they weren't fully doing what I wanted. With this record I kept thinking of it as a 'living room record.' I'm not talking about fidelity at all here. Living room attitude. Living room vibe. Not too loud, not otherworldly. I asked for the horns to be relaxed like someone on the couch playing, not a blast from heaven or hell.' For more spontaneity and human color, Bill called up several other players: Richard Bowden on fiddle, whom he'd seen playing with Terry Allen and loved; pianist Pat Thrasher; bassist Chris Vreeland; and trombonist Mike St. Clair."
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LP
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BELA 004-017LP
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$27.00
PREORDER
RELEASE DATE: 2/20/2026
A bizarrely entrancing jewel from the depths of the Japanese underground, Doo Dah Nean was originally released in small run of hand assembled cassettes by the La Musica label in the late '90s. The album is the sole release and evidence of Nean, an entirely under-the-radar trio that crossed the sensual, disassociated female vocals of Japanese iroke kayōkyoku music with off-balance shamanic rhythm and echoing electronic rumble. Nean were the trio of Yui on bass and electronics, Naoko on voice, and Non on drums. Both Yui and Non were also part of Holy Angels, and Yui played with Ohkami No Jikan and Mauduit Nuit. Vocalist Naoko, in her lone recorded appearance anywhere, elevates the proceedings to peak outsider strangeness. Her ultra-repetitive chants and sighs balance childlike innocence with sinister knowing. Alternately distracted and humming to herself or delivering breathy, near field whispers, the simple juxtaposition of her vocalizations with Non's stumble-drunk drums, and the amorphous blobs and gloops of tone unleashed from Yui's instruments lands like an avant garde, proto-ASMR incantation. A truly confounding release in a La Musica catalogue that's not exactly thin on the ground for such form. Housed in die-cut "Uni-Pak" style gatefold with metallic gold ink and soft touch finishes with printed inner sleeve. Vinyl pressed at RTI. Additional mastering by Timothy Stollenwerk, Stereophonic mastering lacquers by Phillip S. Rodriguez. Elysian masters executive produced by Peter Kolovos.
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LP
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RANDB 179LP
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$28.50
PREORDER
RELEASE DATE: 2/20/2026
Leonard Cohen's appearance on 20th March 1968 in a BBC television special had a huge impact and contributed greatly to his success in this country. Here are eleven of the songs he played, recorded in excellent sound. Backed by a select group of UK musicians including Danny Thompson and Dave Cousins, Cohen performed seven tracks from his debut LP. The remaining tracks appearing on subsequent records, with the exception of "There's No Reason You Should Remember Me." Comes with full recording details and extensive sleeve notes.
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