Search Result for Genre ROCK
viewing 1 To 25 of 24495 items
Next >>
|
|
|
|
|
|
|
|
|
|
LP
|
|
ACRSLP 1671LP
|
Delayed... "B.B. King, the 'King Of The Blues' is an undisputed music icon. In a career spanning seven decades, he sold in excess of 50 million records, won 20 Grammy Awards, and played alongside artists such as Bono, Eric Clapton, The Rolling Stones, Elton John, and Stevie Wonder. A hard-working musician, King toured the world several times over, taking his extraordinary blues from the margins to the mainstream. His emotional and sophisticated soloing on his Gibson guitar, 'Lucille,' coupled with his subtle vibrato style, influenced a diverse range of artists, including, Keith Richards, Carlos Santana, Jimi Hendrix, Cream, Richie Sambora, and even 50 Cent. This fine collection brings together some of King's greatest early blues numbers. From his first hit single, 'Three O'Clock Blues,' timeless tracks such as 'Woke Up This Morning' and 'Everyday I Have The Blues,' the epic double sider 'Sweet Sixteen' finishing with his early sixties classics, 'Someday' and 'Peace Of Mind.' King was a pioneer from the very beginning, with this collection demonstrating just why the British blues bands of the late sixties revered him as a guitar god. King was inducted into the Blues Foundation Hall Of Fame in 1984, the Rock 'n' Roll Hall Of Fame in 1987, received the National Academy of the Recording Arts and Sciences Lifetime Achievement Award and awarded the Presidential Medal of the Arts in 1990. In 2006 he received the Medal of Freedom, America's highest civilian honor."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LMS 1725562
|
$32.00
PREORDER
RELEASE DATE: 11/28/2025
LP version. Green color vinyl. Northside were key players in the "Madchester"/baggy/indie-rave scene of the early '90s. Chicken Rhythms includes the indie dancefloor fillers "Take 5," "Shall We Take A Trip," and "My Rising Star." Featuring restored artwork by Central Station Design. Expanded CD edition features six bonus tracks: rarities, single edits, and two remixes by The Reflex and Leo Zero. Includes 12-page booklet.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
LMS 1725560
|
$17.50
PREORDER
RELEASE DATE: 11/28/2025
Northside were key players in the "Madchester"/baggy/indie-rave scene of the early '90s. Chicken Rhythms includes the indie dancefloor fillers "Take 5," "Shall We Take A Trip," and "My Rising Star." Featuring restored artwork by Central Station Design. Expanded CD edition features six bonus tracks: rarities, single edits, and two remixes by The Reflex and Leo Zero. Includes 12-page booklet.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
RIPS 010LP
|
$28.50
PREORDER
RELEASE DATE: 11/21/2025
LP version. Pilot is the debut album from London quintet Miniseries. Channeling the epic sweep of TV themes and movie soundtracks into resplendent space rock they explore themes of youth and ageing, heartbreak and paranoia, euphoria and existential dread. Songwriter Doug Morch (Longview) had been working on largely acoustic folk songs when he met Angela Gannon (The Magic Numbers) at Glastonbury 2017. Romance and musical collaboration ensued. The band coalesced in the hallowed environs of Farringdon's The Betsey Trotwood pub -- a musical nexus where burgeoning indie and Americana scenes collide -- where they met fellow songwriter and guitarist Dermot Watson (from Brighton's The Dials) and drummer Danny Abbasi and were joined by Doug's former bandmate Aidan Banks on bass. When they came together, their indie folk mutated into motorik art rock. When it came to capturing their sound, the band reached for maverick musician and producer Sean Read. They recorded tracks at Read's Famous Times studio in Clapton, London, as well as at Edwyn Collins' Clashnarrow in Helmsdale, Scotland. Miniseries' Pilot is just the beginning of the story. Enthralling and atmospheric, the London quintet have created something familiar yet timeless.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MR 488LP
|
$28.50
PREORDER
RELEASE DATE: 11/21/2025
Unlike other Spanish bands of the time, Los Z-66 enjoyed unique conditions that allowed their sound to stand out as one of the most advanced on the local scene in the late 1960s. As was the case with many other groups, their repertoire for entertaining discotheques had to include the hits of the moment and was not always open to the songs of the most daring international bands, which was the sound that most stimulated the musicians. In the case of Los Z-66, being based in Mallorca meant they had privileged access to hard to-find records, imported by foreign tourists, and to a much more modern atmosphere than in other parts of the country. Songs in Italian and French soon gave way to English hits by the Animals, the Stones, and the Beatles. But it was the offer received from Mike Jeffries, manager of Jimi Hendrix, the Animals, and others, to serve as the house band at the newly opened club Sgt. Pepper's that allowed the group to raise their live performances to a level rarely seen in these parts. They even soon incorporated the distorted sound of fuzz into their guitar when they received a fuzz face pedal as a gift from Jimi Hendrix himself, who was invited to play at the club's opening! Their excellent blend of stunning soul, psychedelia, and pop became their hallmark, not only in the band's concerts but also in the handful of singles and EPs they released on the Regal label. Their songs reflected the influence of bands such as The Move, Vanilla Fudge, and Blood, Sweat & Tears, showcasing a solid, modern, and powerful sound. Munster are now re-releasing for the first time their only full-length album, originally published in 1969, which is actually a compilation of songs previously released in 45 rpm format, complete with two bonus tracks not included on the original LP. This reissue, which includes a booklet with liner notes and rare photos, is a joint project between Munster and Runaway Records.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
TR 598CD
|
$16.50
PREORDER
RELEASE DATE: 11/21/2025
In 1985, Eric Goulden released an album entitled A Roomful Of Monkeys on the Go! Discs label under the name Captains Of Industry. It was a disaster -- most people didn't like it -- where it wasn't roundly ignored it was critically slated. Forty years later he decided to use these songs, written in the Medway Towns between 1982 and '84, as the basis for a new album: England Screaming. On the new recordings Eric played most of the instruments himself. Sam Shepherd played the drums, Amy Rigby and Marc Valentine sang backing vocals, and contributed piano along with Eric's art school friend, performance artist Graham (Graham) Beck. England Screaming is a sonically savage world apart from the insipid, half-arsed (Eric's words) original album. He has succeeded in marrying a young and unrealized vision to the wisdom and experience of his older years, incidentally posing the question: how far have we actually come as a society? As Wreckless Eric he needs little introduction -- he wrote and recorded the classic "Whole Wide World" and had a hit with it back in 1977. Since then it's been a hit for countless other artists including The Monkees, Cage The Elephant, and Billie Joe Armstrong of Green Day. As Eric Goulden it's a little more complicated -- a musician, artist, writer, recording engineer and producer, he didn't like either the music business, the mechanics of fame, or the name he'd been given to hide behind, so he crawled out of the spotlight and disappeared into the underground. He went on to release twenty something albums in forty something years under various names -- The Len Bright Combo, Le Beat Group Electrique, The Donovan Of Trash, The Hitsville House Band, and with his wife as one half of Wreckless Eric & Amy Rigby, finally realizing he was stuck with the name Wreckless Eric.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
Cassette
|
|
DC 966CS
|
$12.00
PREORDER
RELEASE DATE: 11/21/2025
Cassette version. "Glyders been dreaming up this sound for ages -- over years, with different players, countless shows and many late nights at the tape machine. It's been a long ride to Forever -- but now that they've arrived, the vibe's lightning and the blink of an eye. Guitarist/vocalist Joshua Condon and bassist Eliza Weber started up in 2014, but even when they put together their 2023 album debut, Maria's Hunt, they still had a revolving door on the drums. Then they met Joe Seger, who fit on the kit like a glove and in their sound like a brother. Since then, the three have ridden together, building up Forever while playing shows all around the US and Europe. This makes Forever's spirit high and tight, its sinews rumbling with communal joy. The song nugs of Forever sprouted branches and spokes on the road, the increased physicality driving their mellow licks and riffs with a great depth of rolling bottom, its groove taking them further into their own thing. After all this time, the streamlined new chassis feels mighty fine, making this the first real band album for Glyders. These sweet tunes punctuate and emphasize the wind and rain in the hair of Forever's driving jams. Glyders like to keep shuffling the deck. Taped at their own Studio 'G' in Chicago's Humboldt Park, with Josh getting the sounds they like, then mixed by Cooper Crain at Sweat Loge Studios down in Pilsen, Forever is super rich, crackling with the raw details of real life. The title comes from a battle cry within the band, something they hear at shows too. Eliza's amazing art emphasizes this for life credo, mixing classic roots with punk collage style drawn from years of flyers. It's like a family/club vibe, the kind of thing you get tattooed into your skin. Forever lands smooth, its lightning-quick 37 minutes leaving you plenty of time to live. Flip it over and let it go again, then!"
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TR 598LP
|
$26.00
PREORDER
RELEASE DATE: 11/21/2025
LP version. In 1985, Eric Goulden released an album entitled A Roomful Of Monkeys on the Go! Discs label under the name Captains Of Industry. It was a disaster -- most people didn't like it -- where it wasn't roundly ignored it was critically slated. Forty years later he decided to use these songs, written in the Medway Towns between 1982 and '84, as the basis for a new album: England Screaming. On the new recordings Eric played most of the instruments himself. Sam Shepherd played the drums, Amy Rigby and Marc Valentine sang backing vocals, and contributed piano along with Eric's art school friend, performance artist Graham (Graham) Beck. England Screaming is a sonically savage world apart from the insipid, half-arsed (Eric's words) original album. He has succeeded in marrying a young and unrealized vision to the wisdom and experience of his older years, incidentally posing the question: how far have we actually come as a society? As Wreckless Eric he needs little introduction -- he wrote and recorded the classic "Whole Wide World" and had a hit with it back in 1977. Since then it's been a hit for countless other artists including The Monkees, Cage The Elephant, and Billie Joe Armstrong of Green Day. As Eric Goulden it's a little more complicated -- a musician, artist, writer, recording engineer and producer, he didn't like either the music business, the mechanics of fame, or the name he'd been given to hide behind, so he crawled out of the spotlight and disappeared into the underground. He went on to release twenty something albums in forty something years under various names -- The Len Bright Combo, Le Beat Group Electrique, The Donovan Of Trash, The Hitsville House Band, and with his wife as one half of Wreckless Eric & Amy Rigby, finally realizing he was stuck with the name Wreckless Eric.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
RIPS 010CD
|
$11.00
PREORDER
RELEASE DATE: 11/21/2025
Pilot is the debut album from London quintet Miniseries. Channeling the epic sweep of TV themes and movie soundtracks into resplendent space rock they explore themes of youth and ageing, heartbreak and paranoia, euphoria and existential dread. Songwriter Doug Morch (Longview) had been working on largely acoustic folk songs when he met Angela Gannon (The Magic Numbers) at Glastonbury 2017. Romance and musical collaboration ensued. The band coalesced in the hallowed environs of Farringdon's The Betsey Trotwood pub -- a musical nexus where burgeoning indie and Americana scenes collide -- where they met fellow songwriter and guitarist Dermot Watson (from Brighton's The Dials) and drummer Danny Abbasi and were joined by Doug's former bandmate Aidan Banks on bass. When they came together, their indie folk mutated into motorik art rock. When it came to capturing their sound, the band reached for maverick musician and producer Sean Read. They recorded tracks at Read's Famous Times studio in Clapton, London, as well as at Edwyn Collins' Clashnarrow in Helmsdale, Scotland. Miniseries' Pilot is just the beginning of the story. Enthralling and atmospheric, the London quintet have created something familiar yet timeless.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MR 478LP
|
$28.50
PREORDER
RELEASE DATE: 11/21/2025
The release prior to Fin seemed to hint at a more acoustic version of Spanish band Exnovios -- more interested in the studio as an instrument, more electronic, and more subtle. The new dozen songs that make up their fourth LP happily confirm that impression: to the usual unbeatable formula of this Pamplona-based quartet are added new and fascinating layers -- at once fresh yet entirely logical in the evolution of such a unique band within the local scene. Exnovios' new collection of songs wasn't created in a rehearsal space or recorded in a single week in the studio. Rather, it was composed and rehearsed slowly in bedrooms and living rooms -- songs that were later brought into the studio with the idea of finishing building them there. Over the course of nearly a year, the band approached each song one by one, in a handcrafted manner, alongside their trusted ally, producer Guillermo Mutiloa. The result is a treasure trove of songs, perhaps more psych-folk than ever, as acoustic pieces abound -- full of exquisite melodies without abandoning the consciousness-expanding journeys that have made Exnovios a cult favorite: These are often drumless tracks, perhaps with some light percussion, always featuring detailed and exquisite arrangements of guitar, electronics, percussion, and even touches of strings. And despite the reduced presence of drums, fans of the band's legendary fuzz-guitar reverbcore sound won't be disappointed: there's the psychedelic "Viaje Alucinante," full of their classic riffs; their brutal cover of Psychic TV's "Godstar" (drenched in echo and eccentric vocal effects); and the perfectly crafted "Naves Misteriosas," which pulls off the impossible feat of sounding like "Cerca de las Estrellas"-era Los Pekenikes in the verses, Phil Spector in the chorus, and the Ramones in the post-chorus. Fin reveals more sides and nuances of Exnovios than ever before -- a festival of eclectic styles that all remain true to the musical vision that has defined them over the past decade, with their melodic powers at the peak of their talent.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BEARCD 060CD
|
$22.00
PREORDER
RELEASE DATE: 11/21/2025
"The band these Brummie boys were fated to become were always an exceptional group, even in their early years as Earth, when as teenagers they formed a blues band. Neatly timed in the mid-1960s, as the blues boom was in decline. Nevertheless, they persevered, widening their repertoire, until, name-change they became the most important and most-copied of all heavy metal bands. They single-handedly invented the style that influenced and inspired not only so many bands, but also those dozens of sub-metal styles that now abound -- black metal, death metal, gothic metal, nu metal and so many more. The band's subsequent worldwide success over the last fifty odd years has, unsurprisingly, drawn attention away from just how fine a band they were at the outset. This release will most certainly address that position. These early recordings were made by the band, still known as Earth, who had already built an enviable reputation and a veritable army of fans with their high-powered, blues-rooted, red hot and rocking performances. These recordings accurately chart their development of their repertoire as they edged their way towards those heavy metal anthems that were soon to captivate the world of rock."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BEARLP 060LP
|
$38.00
PREORDER
RELEASE DATE: 11/21/2025
"Ozzy Osbourne, Tony Iommi, Geezer Butler, and Bill Ward first came together in 1968 and originally named themselves The Polka Tulk Blues Band, before transitioning to Earth shortly afterwards. In 1969, they recorded a number of demos in Zella Studios in Birmingham that were never released. The band these Brummie boys were fated to become were always an exceptional group, even in their early years as Earth, when as teenagers they formed a blues band. Neatly timed in the mid-1960s, as the blues boom was in decline. Nevertheless, they persevered, widening their repertoire, until, name-change they became the most important and most-copied of all heavy metal bands. They single-handedly invented the style that influenced and inspired not only so many bands, but also those dozens of sub-metal styles that now abound -- black metal, death metal, gothic metal, nu metal and so many more. The band's subsequent worldwide success over the last fifty odd years has, unsurprisingly, drawn attention away from just how fine a band they were at the outset. This release will most certainly address that position. These early recordings were made by the band, still known as Earth, who had already built an enviable reputation and a veritable army of fans with their high-powered, blues-rooted, red hot and rocking performances. These recordings accurately chart their development of their repertoire as they edged their way towards those heavy metal anthems that were soon to captivate the world of rock. All tracks featured have been carefully restored from the original masters, untouched for over 50 years, and presented here for the very first time in all their glory."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
MR 485CD
|
$12.50
PREORDER
RELEASE DATE: 11/21/2025
1985 was a landmark year for punk rock in the Basque country, and possibly for the whole of Spain. Punk merged with the Basque Radical Rock (Rock Radikal Vasco or RRV) movement, although this was not necessarily always the case. For instance, Eskorbuto invariably kept their distance from the movement and everything related to it. Hardship was part and parcel of Eskorbuto's life and musical career. All their albums were recorded in the shortest time imaginable, partly due to tight budgets (studios were expensive, labels were close-fisted), and partly because Josu and Jualma needed to spend the money on other things. When it came to recording Anti Todo, Eskorbuto stuck to what they did best: hitting the studio with as much raw energy, provocation, inspiration, and natural talent as possible. It was their best record and it begs the question: what would Eskorbuto have been capable of if they had more time, a bigger budget, and tighter control? The song "Tamara" was practically composed on the spot in the studio in less than two recording days, as was much of "Ha llegado el momento." The experienced sound technician did an outstanding job, but a new remastering for this rerelease has given the album the richer, more vibrant sound it always deserved. Listeners can once again enjoy the urgency, simplicity, and rage of this refreshed Anti Todo, a true classic in musical history, originally released in 1985 at Eskorbuto's peak of their creativity and energy.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SR 559LP
|
$24.00
PREORDER
RELEASE DATE: 11/21/2025
LP version. Uzed is the fourth album by Belgian band Univers Zero. It was released three years after Ceux du Dehors, due to a change in line-up and a new repertoire, although the EP Crawling Wind had been released in the meantime. The album marked a turning point for the band. Univers Zero explored new electric colors, giving it a more rock feel with the addition of new musicians such as Jean-Luc Plouvier, who introduced the synthesizer, guitarist Michel Delory, who played a memorable solo in "Célesta (For Chantal)," and André Mergen on electric cello and alto saxophone, who enriched the orchestral texture. With Dirk Descheemaeker on clarinet and soprano saxophone and the return of Christian Genet on bass, this evolution can also be explained by the arrival of new musicians. Uzed is entirely composed and arranged by Daniel Denis. The recording and mixing were done at Daylight Studio in Brussels in 1984, but to bring out Uzed, the sound had to be improved by giving it more dynamic range, which was done at ICP Studios in 2024. Univers Zero represents one of the longest-living bands in Belgium. It was established in 1974. Drummer Daniel Denis had the brilliant idea to gather together a team of professionals sharing the same taste for music. The band has adopted an instrumental progressive style. Over the last couple of decades, the band has also implemented a series of influences from chamber music -- most commonly, chamber music from the 20th century. Even if the line-up changes a lot over the years, the overall sound of UZ remained fairly consistent.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DC 966LP
|
$23.00
PREORDER
RELEASE DATE: 11/21/2025
"Glyders been dreaming up this sound for ages -- over years, with different players, countless shows and many late nights at the tape machine. It's been a long ride to Forever -- but now that they've arrived, the vibe's lightning and the blink of an eye. Guitarist/vocalist Joshua Condon and bassist Eliza Weber started up in 2014, but even when they put together their 2023 album debut, Maria's Hunt, they still had a revolving door on the drums. Then they met Joe Seger, who fit on the kit like a glove and in their sound like a brother. Since then, the three have ridden together, building up Forever while playing shows all around the US and Europe. This makes Forever's spirit high and tight, its sinews rumbling with communal joy. The song nugs of Forever sprouted branches and spokes on the road, the increased physicality driving their mellow licks and riffs with a great depth of rolling bottom, its groove taking them further into their own thing. After all this time, the streamlined new chassis feels mighty fine, making this the first real band album for Glyders. These sweet tunes punctuate and emphasize the wind and rain in the hair of Forever's driving jams. Glyders like to keep shuffling the deck. Taped at their own Studio 'G' in Chicago's Humboldt Park, with Josh getting the sounds they like, then mixed by Cooper Crain at Sweat Loge Studios down in Pilsen, Forever is super rich, crackling with the raw details of real life. The title comes from a battle cry within the band, something they hear at shows too. Eliza's amazing art emphasizes this for life credo, mixing classic roots with punk collage style drawn from years of flyers. It's like a family/club vibe, the kind of thing you get tattooed into your skin. Forever lands smooth, its lightning-quick 37 minutes leaving you plenty of time to live. Flip it over and let it go again, then!"
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
SR 559CD
|
$16.00
PREORDER
RELEASE DATE: 11/21/2025
Uzed is the fourth album by Belgian band Univers Zero. It was released three years after Ceux du Dehors, due to a change in line-up and a new repertoire, although the EP Crawling Wind had been released in the meantime. The album marked a turning point for the band. Univers Zero explored new electric colors, giving it a more rock feel with the addition of new musicians such as Jean-Luc Plouvier, who introduced the synthesizer, guitarist Michel Delory, who played a memorable solo in "Célesta (For Chantal)," and André Mergen on electric cello and alto saxophone, who enriched the orchestral texture. With Dirk Descheemaeker on clarinet and soprano saxophone and the return of Christian Genet on bass, this evolution can also be explained by the arrival of new musicians. Uzed is entirely composed and arranged by Daniel Denis. The recording and mixing were done at Daylight Studio in Brussels in 1984, but to bring out Uzed, the sound had to be improved by giving it more dynamic range, which was done at ICP Studios in 2024. Univers Zero represents one of the longest-living bands in Belgium. It was established in 1974. Drummer Daniel Denis had the brilliant idea to gather together a team of professionals sharing the same taste for music. The band has adopted an instrumental progressive style. Over the last couple of decades, the band has also implemented a series of influences from chamber music -- most commonly, chamber music from the 20th century. Even if the line-up changes a lot over the years, the overall sound of UZ remained fairly consistent.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MR 479LP
|
$28.50
PREORDER
RELEASE DATE: 11/14/2025
Dharmacide is a Spanish band known for their eclectic fusion of genres, blending elements of shoegaze and dreampop music. Tougher Than the Rest is their awaited second album. They take a step forward with a darker sound with gloomy riffs and ethereal voices in which they describe perfectly how the sound of a night full of random events would be like. "The Cigs, The Light, The Coffee and Crying," the LP's first single, features a powerful reverb-laden riff with a solo vocal melody in the middle of the chaos until breaking into a powerful chorus. Dharmacide's sound is marked by intricate guitar riffs, powerful drumming, and deep, emotive vocals that create a unique atmosphere. The band, with members of Alcalá Norte and Depresión Sonora, has made a huge impact on various stages, performing at renowned venues and festivals, including iconic spots in their home country as well as internationally, earning praise for their high-energy performances and thoughtful compositions. Their latest singles have been produced, mixed and mastered by Mark Gardener from Ride. Their sound is influenced by today's bands like Diiv, Warpaint, or Beach House but also by classic artists like Cocteau Twins, Nick Cave and the Bad Seeds, and Tom Waits.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD/DVD
|
|
SR 574CD
|
$21.50
PREORDER
RELEASE DATE: 11/14/2025
DVD is NTSC format, region-free. Never released before. In 2009, the Triton venue (near Paris, France) was sold out to celebrate the 35th anniversary of Univers Zéro, an iconic band of the Rock In Opposition movement. These two exceptional concerts highlighted a radical and unique style of music, at the crossroads of new music and chamber rock, skillfully blending acoustic and electric instruments, as heard on the cult album Ceux du Dehors. Around Daniel Denis (drums, composition), Michel Berckmans (oboe, bassoon), and Andy Kirk (keyboards and guitar), three historical figures of the group, complemented by four other talented musicians, offered an intense multimedia show, intertwining a condensed version of key pieces from the repertoire with more recent compositions. These concerts were part of a key phase in which the band offered one of its most-accomplished line-ups, taking the opportunity to establish its sound and image. The line-up had undergone a few changes since its reformation in 2004, with Pierre Chevalier (from the band Présent) and a new bassist joining the ensemble. This highlight has now resulted in the release of a live CD/DVD, a precious testimony to the band's artistic resurgence and stage energy.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SR 585LP
|
$24.00
PREORDER
RELEASE DATE: 11/14/2025
"Narthex" means "railed-off western portico" or "ante-nave" in early Christian churches for women, penitents, and catechumens. Narthex is also a trio featuring (at the beginning) Daniel Denis (Univers Zero, Art Zoyd), Alain Neffe (Pseudo Code, Human Flesh, Bene Gesserit) and Nicolas de Villemarqué (Nuwage Music). They had a very different musical background (mostly electric/electronic rock) and decided to work in the field of a totally acoustic music recorded live (two microphones + portable DA T) in churches of their area. After several recording sessions, Nicolas de Villemarqué decided to leave the group. ln order to complete the trio, Daniel Denis and Alain Neffe ask the participation of some of their friends. Anna Homler (The Sugar Connection, Cro-Magnon), Michel Berckmans (Univers Zero, Julverne, Aksak Maboul, Von Zamla) and Daniel Malempré (M.A.L., Human Flesh) accepted the challenge and succeed to fit into their musical universe. Never released before and recorded from 1994 to 1999, Superstitions features rhythmic, exotic, deep, and primitive sounds for postmodern ears.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BR 196LP
|
$33.00
PREORDER
RELEASE DATE: 11/14/2025
After more than a decade of touring, collaborations, and sonic explorations, Peruvian guitarist and improviser Jorge Espinal presents Bombos y Cencerros, his first solo album, released through Buh Records. Based in Buenos Aires since 2007, Espinal has been part of projects such as Ricarda Cometa and Calato, where he developed a musical approach in which body and instrument function as a single rhythmic unit. The idea for the album took shape after a 16-date European tour in 2023. Back in Buenos Aires, Espinal entered Estudio Belcebú to record, in a single session, a series of pieces that condense years of practice. Here listeners hear him playing, all at once: prepared electric guitar, bass drum, cowbell, pedals, and laptop. He triggers samples, builds loops, freezes sounds. The guitar becomes a source of rhythm rather than harmony. The title Bombos y Cencerros refers to two essential elements of popular Latin American percussion. These are instruments that set the pulse, that lead the way in parties, processions, and street celebrations. In the context of the album, they also serve as a statement of intent: rhythm as a point of departure. Espinal takes this foundation and transports it to a territory where noise, repetition, and accident coexist. Bombos y Cencerros is released through Buh Records in a limited vinyl edition. The album was mixed and mastered by Genosidra, and the cover art is by Japanese artist Hideyuki Katsumata, a frequent collaborator of Espinal since his work in Ricarda Cometa.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
LMS 1725579
|
$57.00
PREORDER
RELEASE DATE: 11/7/2025
Splatter color vinyl version. Goldie's 1995 debut Timeless is often described as one of the greatest dance music albums of all time. As one of the founders of Metalheadz, one of the most influential drum and bass labels, Goldie helped shape the sound of a generation, and a genre that has spanned over three decades. Listening to Timeless is like taking an adventure. If the limits of music are the limits of society, then Timeless is going to create new worlds. It's a record that travels from darkness to light across electronic oceans, across streetsoul, ambience and jazz. London Records celebrate 30 years of Timeless with limited edition vinyl, re-imagining the original white sleeve and putting the album on double vinyl for the first time since '96, with new liner notes from Tim Carr. Remastered audio.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JACK 825LP
|
$26.00
PREORDER
RELEASE DATE: 11/7/2025
Splatter color vinyl version. The Jam live at The Rat, Boston, 13th Oct 1977. Captures the raw energy of the band's early U.S. tour. Recorded at the legendary punk club, the setlist is a blistering mix of tracks from In the City and This Is the Modern World, showcasing their aggressive, mod-punk sound. Paul Weller's sharp guitar work, Bruce Foxton's driving bass, and Rick Buckler's tight drumming deliver a relentless performance, embodying the band's youthful urgency and tight musicianship. A must-hear for fans of The Jam's early years!
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JACK 725LP
|
$26.00
PREORDER
RELEASE DATE: 11/7/2025
Splatter color vinyl. The Cure, live in Sydney on August 17, 1981. FM broadcast. Color vinyl. The Cure in their early days broadcasted on the Australian FM radio while at the Capitol Theatre in Sydney for their legendary "World Picture" tour. A breath-taking set, with remastered audio, "Charlotte Sometimes" played live for the second time in their career, along with a plethora of hits from their early days.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
VAMPI 330LP
|
$30.50
PREORDER
RELEASE DATE: 11/7/2025
The Spice of Life, released in November 1969, stands as Marlena Shaw's second -- and final -- studio album for Cadet Records, produced and arranged by the renowned Richard Evans and Charles Stepney. From the opening, Shaw's voice -- both playful and powerful -- cuts through the lush yet tight-knit arrangements, weaving together a vibrant tapestry of soul, proto-funk, jazz, gospel, and blues. The album features two defining classics: her deeply resonant original of "Woman of the Ghetto" and a signature take on Ashford & Simpson's "California Soul," both staples in sampling culture (you'll probably find that you're more familiar with Shaw's material than you thought.) Evans and Stepney's arrangements are far from mere support -- they're panoramic and inventive. You'll hear kalimba flourishes, psych-tinged guitar accents, and bongo-fueled organ textures that elevate each track, keeping the atmosphere rich but never overwhelming. Moments like the Bacharach-styled "Looking Through the Eyes of Love" or the dramatic flair of "Stormy Monday" showcase their widescreen sensibility and Shaw's versatility. Beneath its musical elegance, The Spice of Life carries a weighty current of social commentary. Tracks such as "Woman of the Ghetto" and the succinct, fierce "Liberation Conversation" bring political and feminist themes into a soulful, expressive framework -- adding unexpected depth to the sophisticated sonic palette. This album offers an immersive journey through soul-jazz mastery, one that rewarded listeners with sampling gold for decades to come. Reissue on 180g vinyl.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
VAMPI 329LP
|
$30.50
PREORDER
RELEASE DATE: 11/7/2025
Among the most revered voices in funk, Marva Whitney holds a special place thanks to her fierce energy and unmistakable style on tracks like the classic "Unwind Yourself," a long-time favorite for DJs and dance floors alike. Emerging from the dynamic world of the James Brown Revue in the late 1960s -- alongside iconic names like Lyn Collins and Vicki Anderson -- Marva quickly carved out a name for herself. In 1969, she began recording as a solo artist under James Brown's King label, scoring a Top 20 R&B hit with 'It's My Thing.' While mainstream hits were few, her music resonated deeply with funk lovers and crate diggers around the world. Songs like "You Got to Have a Job" and the endlessly sampled "Unwind Yourself" have only grown in stature over the decades. Her album, It's My Thing, dropped that same year and has since become a touchstone of the genre. Backed by the legendary JB's and produced by James Brown himself -- who also contributed to most of the songwriting -- the album captures a raw, unapologetic funk sound with a distinctly female voice at the forefront. From the explosive opening of "It's My Thing" -- a bold response to the Isley Brothers' "It's Your Thing" -- Marva channels sheer intensity, backed by a band that doesn't let up. The pace briefly softens with "If You Love Me," a soul-soaked ballad in the spirit of Otis Redding, before diving back into the rhythmic grit of tracks like "Unwind Yourself." Decades later, It's My Thing continues to inspire, sampled by producers and treasured by collectors -- a powerful snapshot of funk at its most uncompromising. Reissue on 180g vinyl.
|
viewing 1 To 25 of 24495 items
Next >>
|
|