|
Search Result for Genre WORLD
viewing 1 To 25 of 4069 items
Next >>
|
|
|
|
|
|
|
|
|
|
|
|
2CD
|
|
SR 584CD
|
$20.00
PREORDER
RELEASE DATE: 8/7/2026
These recordings were made in the Empire of Ethiopia in 1971. The music recorded in Addis Ababa uses masenko fiddles, craar and bagana lyres, washint flutes and kabaro drums. There is folk music played in Addis Ababa tej beit bars with vocals, craar, masenko, washint and kabaro, Ethiopian Christian songs accompanied by the bagana large "Harp of David" and Mary Armede's craar accompanied Amharic sung poetry. There are Afar chants and flutes from the Danakil Desert, Anuak thumb piano, Nuer harp and dance drumming and a Fila Flute Dance from the Sudan and Kenya borderlands. A few words from the recordists: "The recordings that Ragnar Johnson and Ralph Harrisson made in Ethiopia in 1971 have preserved the skill of the musicians and the beauty of the music for posterity. After more than fifty years the music lives on for the listener."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
SR 584LP
|
$33.00
PREORDER
RELEASE DATE: 8/7/2026
Double LP version. These recordings were made in the Empire of Ethiopia in 1971. The music recorded in Addis Ababa uses masenko fiddles, craar and bagana lyres, washint flutes and kabaro drums. There is folk music played in Addis Ababa tej beit bars with vocals, craar, masenko, washint and kabaro, Ethiopian Christian songs accompanied by the bagana large "Harp of David" and Mary Armede's craar accompanied Amharic sung poetry. There are Afar chants and flutes from the Danakil Desert, Anuak thumb piano, Nuer harp and dance drumming and a Fila Flute Dance from the Sudan and Kenya borderlands. A few words from the recordists: "The recordings that Ragnar Johnson and Ralph Harrisson made in Ethiopia in 1971 have preserved the skill of the musicians and the beauty of the music for posterity. After more than fifty years the music lives on for the listener."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BTR 086WHT-LP
|
$28.00
PREORDER
RELEASE DATE: 7/31/2026
White color vinyl. Sababa 5 continues their musical journey following the success of their acclaimed self-titled debut album, which fused deep funk and Middle Eastern grooves. This offering, still under the Batov Records label, ventures into more explorative and experimental instrumental compositions. While evolving their musical direction, Aspan delves into the realm of psychedelic rock while retaining the essence of the band's signature Middle Eastern groove. In recent times, Sababa 5's talent has gained recognition on prominent French radio stations such as Radio Nova and FIP. Their tracks have become regular features on BBC Radio 6 Music, drawing the attention of notable figures and emerging talents like Gilles Peterson, Cerys Mathews, Jamz Supernova, Gideon Coe, and Deb Grant. Leading music publication Songlines has praised the band's "slick precision" and the captivating elements they infuse, ranging from "Moog synth licks" to "flavors reminiscent of Wes Montgomery-style guitar." The origin of the title stems from a misinterpretation of an upcoming storm named Alpis that proved to be milder than anticipated. The name resonated, resulting in several tracks adopting storm-related titles. Concluding the album is "Indra," a laidback composition that stands as its most serene offering. This track's fusion of psychedelic folk rock is poised to capture the hearts of many, serving as a poignant postscript to the bittersweet conclusion of summer -- a narrative of love discovered and lost.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SEISMOG 006LP
|
$46.50
PREORDER
RELEASE DATE: 7/31/2026
Anthony Hüseyin presents their new album O Geliyor (Making O), in which they return to the rediscovery of their gender, their childhood, and their attachment to Zeki Müren. Müren is widely regarded as the most important queer exponent in the history of Turkish Art Music (Türk Sanat Müzigi). This genre of music was open to musical hybridism, and Müren himself also included elements of jazz and pop music. Stylistically, O Geliyor (Making O) is a combination of contemporary discoid electro-pop music, based on Turkish Art Music by Zeki Müren. After successful current re-interpretations of Turkish music styles like neo-Anatolian pop and neo-Arabesk, this album provides a first take on neo-Turkish Art Music. The album title is referring to the third genderless person pronoun in Turkish called "O," which encompasses all gender possibilities in one word. The album reflects on the memories that haunt people and the indescribable wounds of displacement. Set against the backdrop of Berlin, home to many immigrants and political and queer refugees, it exposes the profound emptiness in a metropolis wishing to imagine itself as a safe haven for the free-spirited, yet always reminding the Other that they don't belong. At the same time, it delivers anthems for the displaced, for the queer migrants who traverse internal and external landscapes in search of a place called home. Anthony Hüseyin is a non-binary musician and performance artist of Kurdish-Turkish and Arabic descent who works with voice, text, film, dance, and installation. Raised in Urfa in Southeastern Turkey, where they learned traditional local music, they went on to study both classical and jazz singing in Istanbul and Rotterdam. Their works combine the personal and political to explore memory, identity, community, collective consciousness, and the body.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BS 090CD
|
$19.00
PREORDER
RELEASE DATE: 7/17/2026
In this work, first published in 1978 by Cetra, Antonio Infantino continues to express his ritualistic and shamanic relationship with the musical traditions of Southern Italy. The recordings focus on the mystery of death and the sacraments, the light of the spirit and the divine that descends and conquers souls. The phenomenon of Tarantism is still strong, the power of dance as a symbol of transformation and revolt, a therapeutic process of final healing. Folk music celebrates a deep sense of community, the memory of a peasant world that no longer exists but is still alive in the collective memory. Behind the tight and insistent rhythm of the percussion, the voices of the people, the colors of the squares and the scratchy string arrangements always emerge. The magical sound of the bagpipes is lost in the alleys of the villages. Infantino sings of minor cultures, the poor and oppressed classes, who share joys and sorrows, dance and music as secular forms of liberation.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SMR 001LP
|
$33.00
PREORDER
RELEASE DATE: 7/17/2026
2026 repress. Om Kalsoum! They call her "The Rose of the Nile," "The Queen of the Nile," "The Daughter of the Nile" or even "The 4th Pyramid of Egypt" since she's known as the greatest Egyptian singer of all times. Om Kalsoum's mythical life story of a poor peasant girl who grew up to become the face of Egypt is a 20th-century fairytale. Almost half a decade after her death the power of her music and singing is still moving the hearts of millions of people worldwide. At the end of her overwhelming career she was introduced to the young but brilliant composer Baligh Hamdy who wrote this 30-minute lasting monument for her in 1969. In the footsteps of Mohamed Abdel Wahab, the godfather of Egyptian modern music, Baligh Hamdy refreshed the classical Egyptian orchestra sound with the addition of stylish instruments like electric guitar (Omar Khorshid), organ (Hany Mehanna), accordeon and horns that were adapted to the eastern tonal system. The studio version of this immortal Alf Leila we Leila must undeniably be archived under the best recordings ever made in music history!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SMR 004LP
|
$33.00
PREORDER
RELEASE DATE: 7/17/2026
2026 repress. The rich and lengthy instrumental intro is just a precursor of the emotion present in this song. The talent of the composer is underlined by how he utilizes the traditional style of singing poetry in a more open and creative way. Abdel Wahab's infusing of long and groovy interludes with varied tonality, rhythmical patterns and an overall unique approach, carries Om Kalsoum's powerful voice and brings the song to an incredible climax. In this way, he gives more color and depth to the music and the skilled soloists in the orchestra are finally able to breathe. Sensual rhythms, breaks and dazzling solos of accordeon (Faruk Salamah), guitar (Omar Khorshid), violin (Ahmed Al Hefnawy) and organ (Hany Mehanna), have ensured this song is an all-time classic for belly dance routines. Souma Records thought it was time to re-release this monument on a high-quality vinyl format.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
RMLP 004X-LP
|
$28.50
PREORDER
RELEASE DATE: 7/17/2026
2026 repress. The belly dance holy grail from the organ king of Cairo, combining traditional rhythms with spaced out modern sounds. Hany Mehanna, beloved musician and composer of the greatest artists from the Arab world such as Oum Kalthoum and Abdel Halim Hafez, shows himself from a more experimental side on his solo albums. Originally released in 1973, The Miracles of the Seven Dances is a pure work of genius: hypnotic organ grooves, psychedelic guitars, mystic strings and haunting percussion.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SMR 003LP
|
$33.00
PREORDER
RELEASE DATE: 7/17/2026
2026 repress. "Enta Omri" is Om Kalsoum's most famous song, composed by Mohamed Abdel Wahab, who is still rightly regarded as a prominent musician and composer in Egypt. The creation of this song was the first long expected collaboration of two musical giants, which came at the repeated urging of Egyptian President Gamal Abdul Nasser. There was talk in Egypt on the streets and in the media about what was believed to be a cold relationship between the two legends. Finally, after years of estrangement, Mohamed Abdel Wahab took the initiative and offered Om Kalsoum a song by poet Ahmed Shafiq Kamel, for which he had just composed a musical score. To his surprise, she responded positively and started to like the theme upon hearing it a few times. After a month of rehearsals, "Enta Omri" was released in February 1964 to critical acclaim and packed performances. The event was so grand it was labeled "The Cloud Meeting." With "Enta Omri," Abdel Wahab opened up the traditional repertoire of the diva to a more innovative style, which the composer was known for. The use of the electric guitar and a long instrumental intro, fusing oriental themes with Western musical elements, made the song particularly special, securing its place in Egyptian musical history. Despite some criticism from other Egyptian composers from that era, the song was soon recognized as a milestone and opened a path to modernize Arabic music for many other musicians and singers. "Enta Omri" is loved by Arab and non-Arab audiences alike. Paying respect to the great diva, dozens of artists around the world have reinterpreted the song, adopting the intro's catchy guitar melody in their compositions.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BS 090LP
|
$29.50
PREORDER
RELEASE DATE: 7/17/2026
LP version. In this work, first published in 1978 by Cetra, Antonio Infantino continues to express his ritualistic and shamanic relationship with the musical traditions of Southern Italy. The recordings focus on the mystery of death and the sacraments, the light of the spirit and the divine that descends and conquers souls. The phenomenon of Tarantism is still strong, the power of dance as a symbol of transformation and revolt, a therapeutic process of final healing. Folk music celebrates a deep sense of community, the memory of a peasant world that no longer exists but is still alive in the collective memory. Behind the tight and insistent rhythm of the percussion, the voices of the people, the colors of the squares and the scratchy string arrangements always emerge. The magical sound of the bagpipes is lost in the alleys of the villages. Infantino sings of minor cultures, the poor and oppressed classes, who share joys and sorrows, dance and music as secular forms of liberation.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
VON 019LP
|
$42.00
PREORDER
RELEASE DATE: 7/17/2026
Von present Kino Variants 1967-1986, the first-ever collection to illuminate the vast body of work created by the Uzbek composer Rumil Vildanov during the second half of the 20th century. Offering a rare glimpse of liberated creative spirit operating behind the Iron Curtain, this engrossing double-LP provides an unprecedented immersion into the work of one of the most celebrated composers from Uzbekistan, often described as the "Ennio Morricone of Central Asia". Comprising a startling range of electronic and electroacoustic experiments, evocative chamber works and orchestral works, and more discrete instrumental efforts -- all created to accompany moving image -- totaling an incredible 82 pieces in total, this remarkable sonic journey into Vildanov's inner world and towering talents. Beginning in 1964, when he was first asked by the director, Elyor Ishmuhamedov, to compose the music for one of his films, Vildanov became "obsessed with making music for cinema" and remained deeply connected to the field for the rest of his life -- collaborating with prominent filmmakers, including Eldor Urazbaev, Ali Khamraev, and Shukhrat Abbasov. It is Vildanov's sonic contributions to film, around which Kino Variants 1967-1986 narrows its focus, illuminating the composer's striking range and diverse touchstones. The collection begins with 29 "Abstract Variations" of various durations, rendered on a range of instruments -- synthesizer, harp, harpsichord, and timpani, among numerous others -- in solo and multi-instrumental combinations, utilizing both purely acoustic and electroacoustic approaches. The second side of the collection offers an immersion into Vildanov's "Orchestral Variations", which move between constrained and encompassing scales of instrumental combination. Retaining a strong sense of cohesive vision within their diversity, Vildanov elegantly moves between the use of avant-garde tonal dissonance and lush melodic sensibilities. The second LP of Kino Variants 1967-1986 is dedicated to two thematic groupings, "Rubab Variations" and "Titles Variations". The first stands among the most culturally revealing bodies of work in the collection; centering the focus upon Vildanov's compositions for the rubab, a lute-like stringed instrument played in parts of Central and South Asia. "Titles Variations", the collection's fourth and final side, comprises 19 pieces that expand and further illuminate the range of Vildanov's musical explorations, the majority of which date from the final decade of the composer's life. Printed inner sleeves; edition of 300.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BS 109LP
|
$27.00
PREORDER
RELEASE DATE: 7/17/2026
Lero Lero is a collective of artists gathered around a shared core: the Sicilian Sound Archive of the twentieth century. The melodies it preserves, remnants of a magical world now almost entirely lost, are revived with a critical spirit and a contemporary sensibility. It is an act of reclaiming, reworking, and giving back to the community a heritage that has long remained suspended in time. In the voices of farmers, shepherds, and washerwomen, in songs of indignation and in lullabies, one can glimpse a kind of submerged Atlantis, rich with forgotten treasures. These sounds draw the listener towards fundamental questions in an increasingly plasticized artificial world. Lero Lero's sound is both archaic and visionary, infused by Mediterranean electronic textures and microtonal melismas, echoing the hypnotic tones of bagpipes and marranzani, the laments of cart drivers, and the cries of salt workers. A sound that, starting from its most ancestral elements, seeks to rethink the legacy of oral tradition through a consciously anti-folkloristic approach. The album's artwork, created by Giulia Parlato, features a suspended image disrupted by the figure of the crocodile from Palermo's Vucciria district, a submerged presence that resurfaces to unsettle the composition, mirroring the very nature of the project. Co-produced with Shhh/Peaceful and Panta.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SMR 002LP
|
$33.00
PREORDER
RELEASE DATE: 7/17/2026
2026 repress. Om Kalsoum! They call her "The Rose of the Nile," "The Queen of the Nile," "The Daughter of the Nile" or even "The 4th Pyramid of Egypt" since she's known as the greatest Egyptian singer of all times. Om Kalsoum's mythical life story of a poor peasant girl who grew up to become the face of Egypt is a 20th-century fairytale. Almost half a decade after her death the power of her music and singing is still moving the hearts of millions of people worldwide. At the end of her overwhelming career, she was introduced to the young but brilliant composer Baligh Hamdy who wrote this 30-minute lasting monument for her in 1970. In the footsteps of Mohamed Abdel Wahab, the godfather of Egyptian modern music, Baligh Hamdy refreshed the classical Egyptian orchestra sound with the addition of stylish instruments like accordeon (Faruk Salamah), electric guitar (Omar Khorshid), organ (Gamal Salamah) and horns that were adapted to the eastern tonal system. Together with the immortal Alf Leila we Leila, El Hob Kollo must undeniably be archived under the best recordings ever made in music history!
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
FLEE 008LP
|
$46.50
PREORDER
RELEASE DATE: 7/10/2026
Featuring DJ Anderson do Paraiso, DJ Sandrinho, Jonas Albrecht, Xexa, Felinto, Gabi Guedes, Sávio de Queiroz, Vincent Taeger, and Kimia. Upon their arrival in Brazil after the traumatic Atlantic crossing, enslaved populations from West Africa sought to reconstruct their sacred cultural and spiritual systems within a profoundly hostile environment. Five centuries later, the vitality of terreiros (ritual grounds) across the country bears witness to a living and adaptive religion that continues to evolve while remaining deeply rooted in ancestral traditions. Today, Candomblé is celebrated throughout Brazil and increasingly recognized internationally, far beyond Afro-descendant communities. The project Candomblé: Sacred Rhythms in Brazil, articulated around the publication of a book and a double LP combining original sound archives with newly commissioned compositions, seeks to honor this tradition by documenting its historical foundations while offering a critical and artistic reflection on its contemporary transformations and future trajectories.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
CELNYP 005EP
|
$15.50
PREORDER
RELEASE DATE: 7/10/2026
A major figure in Cameroonian makossa, Ngallé Jojo returns with Élo-Lodie/Caresse d'Amour, his first recording in over 30 years. A singer, songwriter, and producer born in Douala, he rose to fame in the late 1970s with tracks that have become classics, before settling in France and dedicating himself to his faith, like Al Green or Solomon Burke. Now rediscovered by collectors and new audiences alike, he makes a comeback that retains all the hallmarks of his style: a driving rhythm, layers of synthesizers, rich melodies, and his signature catchphrase: CHAUD (Hot). A must- see.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BSR 819LP
|
$29.00
PREORDER
RELEASE DATE: 7/10/2026
LP version. "Raw, defiant, and steeped in heavy roots reality, Kunta Kinte Roots captures Ranking Dread at the height of his powers -- riding the rhythm with fire and authority over deep Channel One-style dub backdrops. These recordings embody the militant sound of late '70s Jamaica: hypnotic basslines, echo-drenched horns, and Dread's commanding voice calling for strength, pride, and liberation. The legendary 'Kunta Kinte' story lies at the heart of the session -- its legacy driving each track like a chapter in the roots revolution. A fierce blend of message and musical muscle, Kunta Kinte Roots stands as a testament to Ranking Dread's status as one of the era's most potent and uncompromising voices. Heavy vibes, militant grooves -- and pure sound system history. Incl. insert with sleeve notes."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BSR 819CD
|
$16.00
PREORDER
RELEASE DATE: 7/10/2026
"Raw, defiant, and steeped in heavy roots reality, Kunta Kinte Roots captures Ranking Dread at the height of his powers -- riding the rhythm with fire and authority over deep Channel One-style dub backdrops. These recordings embody the militant sound of late '70s Jamaica: hypnotic basslines, echo-drenched horns, and Dread's commanding voice calling for strength, pride, and liberation. The legendary 'Kunta Kinte' story lies at the heart of the session -- its legacy driving each track like a chapter in the roots revolution. A fierce blend of message and musical muscle, Kunta Kinte Roots stands as a testament to Ranking Dread's status as one of the era's most potent and uncompromising voices. Heavy vibes, militant grooves -- and pure sound system history. Incl. insert with sleeve notes."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
RECELESP 001LP
|
$31.50
PREORDER
RELEASE DATE: 7/10/2026
The cult album, fully remastered. Recorded in Paris with Jean-Yves Messan, Patrick Francfort, and François Corea, leading figures of the African diaspora, Na Bo Ndedi is one of the pinnacles of makossa's golden age. A classic by Ngallé Jojo, with a unique sound that blends traditional rhythms with modern arrangements, vibrant grooves, and a powerful rhythmic drive. Thirty years later, Celluloid Records is reissuing this essential album in a remastered version. For collectors who know it by heart, and for all those who are finally discovering it. Also available with bonus 7" (CELPACK 001LP).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP + 7"
|
|
CELPACK 001LP
|
$42.00
PREORDER
RELEASE DATE: 7/10/2026
The cult album, fully remastered. Recorded in Paris with Jean-Yves Messan, Patrick Francfort, and François Corea, leading figures of the African diaspora, Na Bo Ndedi is one of the pinnacles of makossa's golden age. A classic by Ngallé Jojo, with a unique sound that blends traditional rhythms with modern arrangements, vibrant grooves, and a powerful rhythmic drive. Thirty years later, Celluloid Records is reissuing this essential album in a remastered version. For collectors who know it by heart, and for all those who are finally discovering it.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BJR 121LP
|
$28.00
PREORDER
RELEASE DATE: 7/3/2026
LP version. Ondanaconda does not compose with the jaw harp, but through it. For their self-titled debut album, the quartet turns this lamellophone, often perceived as archaic, into the record's sole sound source. Found for centuries across continents, from Asia to Europe, the jaw harp is played against the teeth, using the mouth as a resonating chamber, shaping sound through breath and bodily movement. Here, amplified, prepared and sometimes pushed to its limits, it becomes percussion, bass, drone and texture -- a true mouth synthesizer with vast possibilities. Between performance and trance, Ondanaconda crafts an unidentified sonic object, somewhere between collective ritual and raw electroacoustic experiment. Each piece emerges from specific combinations of instruments, exploring timbral affinities and rhythmic or harmonic potentials, while leaving room for drift and improvisation. Repetition acts as an unstable engine, bending patterns until they morph into something else. Together, Laurent Bruttin, Antoine Läng, John Menoud, and Daniel Zea weave a dense, shifting mass where individual voices dissolve into an organic, almost hallucinatory polyphony. Conceived as a continuum, the album unfolds as a hypnotic flow, a physical and immersive music that moves from mouths to bodies, saturating the surrounding space. A radical UFO, at the crossroads of concert, performance and sound installation.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
GB 1560LP
|
LP version. Originally released in 2020. Thiago Nassif is a Brazilian musician, composer and producer based in Rio de Janeiro, whose impactful mélange of pop, jarring no-wave, and edgy Tropicália has slowly been turning heads the world over. Gearbox Records presents his latest album Mente, co-produced by no wave icon Arto Lindsay, and representative, via its diverse list of accredited musicians, of the progressive, new-generational music scene that is bubbling away in Rio. The album's title is a Portuguese homonym meaning "mind" and "to lie," and represents Thiago's attitude towards what he calls the "post-truth" state of Brazil's political regime. Mixing together the languages of Portuguese and English, Thiago goes deep into no-wave, experimental electronic music, Tropicalismo, jazz and rock, moving between funk carioca to dystopian, distorted bossa nova, and beyond.
"It's music of nowhere and everywhere, disappearance and arrival, the archive becoming the now." --The New York Times
"Crunchy and distorted, yet undeniably funky" --The Wire
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BJR 121CD
|
$16.00
PREORDER
RELEASE DATE: 7/3/2026
Ondanaconda does not compose with the jaw harp, but through it. For their self-titled debut album, the quartet turns this lamellophone, often perceived as archaic, into the record's sole sound source. Found for centuries across continents, from Asia to Europe, the jaw harp is played against the teeth, using the mouth as a resonating chamber, shaping sound through breath and bodily movement. Here, amplified, prepared and sometimes pushed to its limits, it becomes percussion, bass, drone and texture -- a true mouth synthesizer with vast possibilities. Between performance and trance, Ondanaconda crafts an unidentified sonic object, somewhere between collective ritual and raw electroacoustic experiment. Each piece emerges from specific combinations of instruments, exploring timbral affinities and rhythmic or harmonic potentials, while leaving room for drift and improvisation. Repetition acts as an unstable engine, bending patterns until they morph into something else. Together, Laurent Bruttin, Antoine Läng, John Menoud, and Daniel Zea weave a dense, shifting mass where individual voices dissolve into an organic, almost hallucinatory polyphony. Conceived as a continuum, the album unfolds as a hypnotic flow, a physical and immersive music that moves from mouths to bodies, saturating the surrounding space. A radical UFO, at the crossroads of concert, performance and sound installation.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
AHONE 026CD
|
Born in 1965 into one of Bamako's most prominent griot lineages, Mah Damba carries the weight and the privilege of the djeliya -- the art of the griot -- in everything she does. Her father, the late Djeli Baba Sissoko, was chief of the griots of the Bamako region, a man who spent decades broadcasting the epics of the Mandingue empire on national radio, accompanied by his n'goni. Her aunt, Fanta Damba, is among Mali's most celebrated djelimousso. This is the ground Mah Damba stands on. It has never shifted. Taabolo Koura arrives after a career that has moved between ceremony and stage with equal conviction. Since settling in France in 1983 with her late husband, the virtuoso n'goni player Mamaye Kouyat, Mah Damba has maintained her role as griotte to the Malian community in exile. This new record deepens the musical partnership with guitarist and arranger Thierry Fournel, who has worked alongside the Damba family for twenty years. Together they have built something intimate and unhurried -- an acoustic architecture of guitar, djeli n'goni, accordion, calebasse, and guembri that serves the voice rather than decorating it. Mah Damba's instrument -- deep, warm, and now carrying the grain of six decades -- remains the center of gravity on every track.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
GB 1560CD
|
Originally released in 2020. Thiago Nassif is a Brazilian musician, composer and producer based in Rio de Janeiro, whose impactful mélange of pop, jarring no-wave, and edgy Tropicália has slowly been turning heads the world over. Gearbox Records presents his latest album Mente, co-produced by no wave icon Arto Lindsay, and representative, via its diverse list of accredited musicians, of the progressive, new-generational music scene that is bubbling away in Rio. The album's title is a Portuguese homonym meaning "mind" and "to lie," and represents Thiago's attitude towards what he calls the "post-truth" state of Brazil's political regime. Mixing together the languages of Portuguese and English, Thiago goes deep into no-wave, experimental electronic music, Tropicalismo, jazz and rock, moving between funk carioca to dystopian, distorted bossa nova, and beyond.
"It's music of nowhere and everywhere, disappearance and arrival, the archive becoming the now." --The New York Times
"Crunchy and distorted, yet undeniably funky" --The Wire
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FCW 001LP
|
The inaugural release for Nairobi label From Cool Waters is a feverish amalgam of traditional Kenyan currents and moody, minimalist electronics. Emerging from the confluence of three special talents -- Nairobi-based Nyege Nyege collaborator and experimental drummer Sven Kacirek, esteemed 83-year-old folk artist Ogoya Nengo and dodo singer/songwriter and luthier Olith Ratego -- Palagoma channels an electroacoustic synergy unlike anything you've ever heard before. The artists have collaborated in various guises before; German-born Kacirek co-produced and recorded Nengo's 2014 captivating debut LP for Honest Jon's, Rang'ala, while Ratego and Kacirek formed the duo Odd Okoddo in 2018, performing at Uganda's influential Nyege Nyege Festival in 2019 and 2023 and at events all over the world.
|
viewing 1 To 25 of 4069 items
Next >>
|
|