Search Result for Genre WORLD
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LP
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GRUMETE 004LP
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$28.00
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RELEASE DATE: 7/25/2025
Flamenco is a Spanish art, which has always been prone to hybridization with a multitude of musical languages. Therefore, the universe of "flamenco fusion" could well reflect the way in which Spaniards have related throughout history with other cultures. And that relationship may have often been one of dialogue, exchange, respect and crossbreeding. Among the circumstances that could have favored the traditional mestizaje of flamenco art is the open character of the south of the Iberian Peninsula, to all the civilizations that have settled in its territories; the encounter with America in 1492, and the brotherhood with the Spanish-speaking countries; that the Casa de contratación de Indias, the entity that regulated the transit between Spain and America for centuries, was founded in none other than Seville! (and olé); without forgetting the fundamental African contribution, brought to America by millions of black slaves throughout the 400 years of the slave trade. Pícaro Vol. 4 is an excellent example of how some Spanish flamenco musicians knew how to take advantage of the fashion of other styles and rhythms coming from outside Spain, creating a new sound universe and incorporating them into their repertoire. Undoubtedly, there is a generational replacement of "flamenco Ye-Ye" in Spain with artists like Rosalía or C. Tangana, although now it will be necessary to modernize "the label". This compilation offers listeners a snapshot of the multiple styles of flamenco hybridization that triumphed in the world during the decades of the '50s and '60s of the 20th century. Through its microsurcos comes immeasurable flamenco ye yé (track 1), flamenco rock and roll (tracks 3 and 4), flamenco cha cha chá (tracks 6, 7 and 15) or flamenco mambo (track 12), together with other unusual, exotic and impossible mixes of Spanish song with tango arrabalero, bluegrass, easy listening, swing, groove or soul. Always a happy mix, brought together with exquisite taste in this vinyl for your enjoyment. Featuring Juana Chicharro, Encarnita, Amina Y Su Cuadro Flamenco, Dolores Abril Y Juanito Valderrama, El Titi, María Bonita Y José De Moreno, Los Alcarson, Paquito Jerez, Rosita, Rafael Martínez Y Su Orquesta, Emilio Varela, Felipe Campuzano, Los Españoles, Tito Moya Y Su Orquesta, Los Plata, and Rosa Morena.
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LP
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VAMPI 326LP
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$28.50
PREORDER
RELEASE DATE: 7/18/2025
This elusive and lesser-known 1966 collector's gem by Óscar Agudello y el Combo Moderno called Pa' mi muñeca is an album devoted to recreating the strength of a musical genre that's been the soundtrack of Colombian life for decades and represents a milestone on the route cumbia had taken by 1966, when it was originally released on Discos Fuentes. It's exactly the kind of music that lights up a tambó or a fandango circle on carnival night. First time reissue. Includes liner notes by genre expert Don Alirio. 180g vinyl. It is a rarity where the artist took an unexpected musical turn and performed several porros, paseaitos, gaitas, and cumbias, evoking the swaying motion and rolling waves of Colombia's Caribbean sound. It resonates with the echoes of a romantic minstrel laced with an unexpected richness of nuance, a hallmark of the cumbia sound. A dozen tracks, none of them new, but suffused with a consciousness that can be understood within the context of their time and with the personality of the artist bold enough to bring them to life. "Madre cumbia" opens the album with a festive, nostalgic mood, infused with the simple beauty and the electrifying beat of the tropics that immediately makes you want to get up and dance. It's a fantastic example of how to perform a song with passion and make the listener fall instantly in love with an album. "Pa' mi muñeca," the title track, is a fast-paced paseaito that explores new paths that took a shortcut to the dance halls. A showstopper on the dance floor. "Está como mango" is a porro-cumbia that charms with a rich tapestry of compliments, the calling card of many old-school tropical songs. "Cumbia de recuerdo," "Cumbia suave," "Cumbia de Santa Marta," are back-to-back cumbias. This is an album devoted to recreating the strength of a musical genre that's been the soundtrack of Colombian life for decades. It's a record dedicated to capturing good times, filled with simple dreams, steeped in joyful energy, and shining with the uninhibited flair, or better said, the quality of the sixties.
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7"
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VAMPI 45112EP
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$15.50
PREORDER
RELEASE DATE: 7/18/2025
Here it is, for the first time on a 45, "Drug Story," the lost track by Joe Bataan. Pure Latin soul, recorded at the peak of the artist's career and released 50 years later! A must-purchase for those into Latin soul and funk. Joe Bataan's extensive discography was expanded in 2022 with the release of some old recordings from the King of Latin Soul that had never been previously published. After the success of his album Riot! (1968), Bataan had easy access to a studio whenever inspiration struck to record a new song sketch or even a complete track. Sometimes, he would finish the recording entirely and offer it in its final version to Fania for release. This usually worked, although on some occasions, the song was rejected. In the case of "Drug Story," the track was recorded without a clear final purpose, even though Bataan hoped it would become part of an album. When the Fania executives heard the result, they immediately rejected it, thinking it promoted drug use. The tapes were filed away and lost in oblivion until they ended up in a thrift store in New York. From there, they were rescued by a Latin music specialist and later sold, eventually making their way to the Vampisoul archives. The song was finally released in its entirety in 2022 on the LP Drug Story by Now Again. It features a long, slow vocal intro that evolves into a more up-tempo track with two very distinct parts, to the point that it almost feels like two different songs. It transports us to the best moment of Joe Bataan's career, with all of his classic ingredients, delivering a track as good as his most famous songs. Bataan himself takes on the lead vocals and piano, Bobby Rodríguez handles the flute, sax, and bass, Pete 'Choki' Quintero plays the drums, and William Howes Jr. plays the electric guitar with wah-wah effects.
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LP
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LBR 144LP
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$32.00
PREORDER
RELEASE DATE: 7/18/2025
Nicolás Ibarburu is a prominent figure in Uruguayan music. Renowned for his exceptional guitar skills since his teenage years, he has also established himself as a talented songwriter. In La Ruta de la Seda, he showcases a unique blend of personal songwriting, Latin fusion rhythms, pop sensibility, and deep-rooted Uruguayan musical influences. He quickly gained recognition, performing alongside his brothers, Martín and Andrés, in various projects. Ibarburu's mastery of the guitar has led to collaborations with legendary figures from both Argentina and Uruguay, including the iconic Luis Alberto Spinetta, Jaime Roos, Fito Páez, and Rubén Rada. As his career evolved, Ibarburu expanded his influence beyond performance, establishing himself as a talented songwriter with a captivating solo career. With his signature guitar sound and lyrics that explore the magic of artistic creation and the poetic depths of the subconscious, Ibarburu continues to push the boundaries of his artistry.
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2LP
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BJR 008A-LP
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$35.50
PREORDER
RELEASE DATE: 7/11/2025
2LP Silk Screen Sleeve plus insert. Before Guaracha UFO propelled Meridian Brothers onto the international stage, Eblis Álvarez was already shaping his singular sonic universe in the shadows. Released only on CD in between 2009 and 2012 via local label La Distritofónica, Meridian Brothers VI and VII never had wide distribution or media exposure. Yet, these albums represent a crucial phase in the band's evolution, capturing the energy of Bogotá's experimental cumbia scene at the time. VII pushes experimentation even further with a custom-built sampling algorithm, generating unpredictable loops and grooves. These two albums laid the foundation for the radical fusion and irreverent spirit that would later define Meridian Brothers. Now reissued on vinyl for the first time, these historic recordings offer a raw and fascinating glimpse into the origins of one of Latin America's most forward-thinking musical projects.
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2LP
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GBR 046LP
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$41.00
PREORDER
RELEASE DATE: 7/11/2025
30 years old and sounding better than ever! The Growing Bin presents a vinyl reissue of Maim That Tune, the timeless downbeat album that many regard as Cobby & McSherry's best joint effort. Back on wax for its 30th birthday -- remastered with finesse by master Sergey Luginin -- it will blow the minds of those who have listened to it for hundreds of times and those who have the pleasure to be "At Home In Space" for the first time.
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2LP
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BJR 007A-LP
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$35.50
PREORDER
RELEASE DATE: 7/11/2025
2LP Silk Screen Sleeve plus insert. Before Guaracha UFO propelled Meridian Brothers onto the international stage, Eblis Álvarez was already shaping his singular sonic universe in the shadows. Released only on CD in between 2009 and 2012 via local label La Distritofónica, Meridian Brothers VI and VII never had wide distribution or media exposure. Yet, these albums represent a crucial phase in the band's evolution, capturing the energy of Bogotá's experimental cumbia scene at the time. On VI, Álvarez crafts a hallucinatory patchwork of cumbia and vallenato, using his guitar as the guiding thread before layering other instruments on top. These two albums laid the foundation for the radical fusion and irreverent spirit that would later define Meridian Brothers. Now reissued on vinyl for the first time, these historic recordings offer a raw and fascinating glimpse into the origins of one of Latin America's most forward-thinking musical projects.
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LP
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MMACONDO 005LP
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$32.00
PREORDER
RELEASE DATE: 7/11/2025
Davorio is a powerful and heartfelt album born from a musical collaboration between Italian pianist and composer Samuele Strufaldi and the villagers of Gohouo-Zagna in the Ivory Coast's Guemon region. Released on Música Macondo Records, the project blends Guéré traditional music, jazz, western classical and electronica, creating a modern musical language that tells the stories, traditions, and spirit of the village across 16 tracks. This unique project uses music as a bridge between cultures, while supporting the construction of a community space library and music studio for the children of Gohouo-Zagna. The project's journey began in August 2019, when Strufaldi was invited by local djembe player Boris Pierrou to visit Gohouo-Zagna. Immersing himself in the life of the village, Strufaldi was inspired by Pierrou's vision of creating a library space to foster learning, cultural preservation, and music-making for future generations. From this initial encounter, Davorio took shape as a collaborative cultural exchange that transcends borders, time, and genre. During his time in Gohouo-Zagna, Strufaldi, alongside Francesco Gherardi and Boris Pierrou, worked closely with Guéré musicians. The album captures the pulse of the village itself -- from recordings of children's clapping games and percussion sessions to traditional songs and ambient village sounds. Interspersed between the tracks are 40-second "audio photographs" offering glimpses of daily life, each carefully annotated in the liner notes to preserve the meaning and story behind the music. The Guéré people, part of the wider Kru ethnic group, have safeguarded their folk music and percussive traditions for centuries. On Davorio, their legacy intertwines with Strufaldi's lush electronic production, intricate jazz structures, and expressive saxophone melodies. Rhodes keys ripple against the driving beat of djembe drums, while elements of drum & bass and ambient jungle rhythms elevate the album into a truly global, yet rooted, sonic experience. "I feel that the creative process into a collective and unconscious territory belongs to everybody, where we can meet each other and find and share new treasures," Strufaldi reflects -- a sentiment that resonates deeply throughout the record. Davorio stands as a testament to the power of music to connect communities, honor traditions, and build a better future.
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LP
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WWSLP 108LP
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$33.00
PREORDER
RELEASE DATE: 7/4/2025
Wewantsounds continues its Algerian music reissue program with the release of Freh Khodja's sought-after 1975 LP, Ken Andi Habib. Recorded in Paris with Les Flammes, a group of immigrant musicians, the album is now reissued for the first time. Selected by Paris-based DJ Cheb Gero, who recently compiled the Sweet Rebels Rai set and curated the Abranis LP release for Wewantsounds, Ken Andi Habib is a masterful blend of Arabic music, jazz, Carribean/Latin grooves and funk. Featuring original artwork, audio remastered by Colorsound Studio, and a two-page insert with new liner notes (French/English) by Algerian journalist Rabah Mezouane. Originally released in 1975, Ken Andi Habib is an important document of North African music recorded during the 1970s. Born in 1949 in Sidi Bel Abbès, Algeria, Khodja developed an early passion for music, studying saxophone and theory before moving to Paris in 1968 to continue his training at the École Normale de Musique. Alongside his musical education, he experienced the difficult reality of immigrant life in France. In Paris, Khodja became a member of Les Flammes, a group composed largely of musicians from the African diaspora, particularly Cape Verde. With Les Flammes providing the musical backing and the vocal group El Salem handling background vocals, Khodja recorded Ken Andi Habib in 1975, in a Parisian studio. The album blends North African melodies with jazz, funk, and Caribbean influences, reflecting the diverse musical environment of the city at the time. Released by the Algerian label La Voix Du Globe, Ken Andi Habib was distributed mainly within North African immigrant communities in France and Algeria. While it received limited attention at the time of its release, it later became highly regarded among collectors and DJs interested in rare Arabic grooves and North African recordings. The album stands out for its synthesis of Arabic music with contemporary styles without losing its distinct identity. Rabah Mezouane places Khodja's work within the wider context of musical innovation by North African artists in France during the 1970s.
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LP
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GB 176LP
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$28.00
PREORDER
RELEASE DATE: 6/27/2025
LP version. "This record follows the embrace of winter time; the closing in of darkness, the cold, the pull to turn inward. But also, the customs of the season, and gathering for the ceilidh: songs and stories told round the fire; where the boundaries between reality and imagination blur."
Thus, Brìghde Chaimbeul introduces her third album, a release which comes after two years of incredible acclaim for its predecessor Carry Them With Us (GB 139CD/LP), which won awards from such diverse places as The Guardian (Best Folk Album Of 2023 #7) and The Quietus (Best Albums of 2023 #13). Since that album, she has played stages from Tennessee to Denmark, often far outside the traditional/folk circuit where she first made her name, and often playing for audiences who'd never seen someone play small pipes before. To appear alone on the main stage at 2024's Supersonic Festival in Birmingham and reduce a hungover festival crowd to rapt silence probably isn't what Chaimbeul expected, and nor would she have expected to be hailed as leading a revival of interest in an instrument that was arguably fading into obscurity. Sunwise is more a solo record than Carry Them With Us, which saw her collaborate with acclaimed artist and peripatetic collaborator Colin Stetson. Chaimbeul explains that she'd spent the last two years playing live solo, "so that's where I was naturally going at the time of recording, most of the collaborators came on after I had recorded my parts," the exception being "Sguabag/The Sweeper" where she recorded live with the three other pipers. She explains that she's learned a great deal about how to record her instrument, where "a lot of it is about tone, and the depth and richness of that tone, paying attention to detail -- what mics you're using, and how to get the best sound possible." However, Stetson returns on the rousing, whirling "A Chailleach," which also features Chaimbeul's lovely, sparingly used voice. Sunwise is a remarkable album, a record steeped in folklore and tradition but also embracing minimalism, experimentation and the eternal presence of the drone. Her love for this music, these traditions and shared stories, shines through everything she does: "It's a music and language that has survived so much and for so long -- it's the music of people. It's music of the land. And I think it's extremely relevant to hold on to that and learn from that in current times."
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LP
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JB 005LP
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$33.00
PREORDER
RELEASE DATE: 6/27/2025
A true embodiment of Brazilian boogie, this is the first official reissue of Brylho's album, founded in Rio de Janeiro in 1978 as Brylho da Cidade. The group was influenced by the Black Rio movement of Tim Maia, Cassiano, and others. Members included Arnaldo Brandão (vocals/bass), Paulo Roquette (guitar), Cláudio Zoli (guitar/vocals), Robério Rafael (drums), Bolão (percussion), and Ricardo Cristaldi (keyboard). Claudio Zoli stands out as an important funk artist of the 1980s, during a time when pop rock bands dominated the Brazilian music scene. This album features one of the biggest hits of 1983: the soulful reggae groove "Noite do Prazer." Often described as Rio de Janeiro's answer to George Benson's "Give Me the Night," it's a timeless classic that bridges funk, soul, and Brazilian grooves. On "Se Você For a Salvador," a sun-soaked, feel-good boogie track, younger generations have embraced a new term to describe the sound: Brazilian City Pop. The record also delivers dancefloor heat like the stomping "Jóia Rara," the vibrant soul-reggae fusion "Destrava Maria," the ahead-of-its- time rap-funk hybrid "Cheque Sem Fundo," and the electrifying samba-reggae "Pé de Guerra," rich with Bahian rhythms and energy. Closing out the album are two under-the-radar jazz-funk gems: "Meditando" and "171." Though often lumped into the boogie category, these tracks lean more toward the sleek 1980s jazz-funk sound, reminiscent of UK acts like Level 42.
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CD
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GB 176CD
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$15.50
PREORDER
RELEASE DATE: 6/27/2025
"This record follows the embrace of winter time; the closing in of darkness, the cold, the pull to turn inward. But also, the customs of the season, and gathering for the ceilidh: songs and stories told round the fire; where the boundaries between reality and imagination blur."
Thus, Brìghde Chaimbeul introduces her third album, a release which comes after two years of incredible acclaim for its predecessor Carry Them With Us (GB 139CD/LP), which won awards from such diverse places as The Guardian (Best Folk Album Of 2023 #7) and The Quietus (Best Albums of 2023 #13). Since that album, she has played stages from Tennessee to Denmark, often far outside the traditional/folk circuit where she first made her name, and often playing for audiences who'd never seen someone play small pipes before. To appear alone on the main stage at 2024's Supersonic Festival in Birmingham and reduce a hungover festival crowd to rapt silence probably isn't what Chaimbeul expected, and nor would she have expected to be hailed as leading a revival of interest in an instrument that was arguably fading into obscurity. Sunwise is more a solo record than Carry Them With Us, which saw her collaborate with acclaimed artist and peripatetic collaborator Colin Stetson. Chaimbeul explains that she'd spent the last two years playing live solo, "so that's where I was naturally going at the time of recording, most of the collaborators came on after I had recorded my parts," the exception being "Sguabag/The Sweeper" where she recorded live with the three other pipers. She explains that she's learned a great deal about how to record her instrument, where "a lot of it is about tone, and the depth and richness of that tone, paying attention to detail -- what mics you're using, and how to get the best sound possible." However, Stetson returns on the rousing, whirling "A Chailleach," which also features Chaimbeul's lovely, sparingly used voice. Sunwise is a remarkable album, a record steeped in folklore and tradition but also embracing minimalism, experimentation and the eternal presence of the drone. Her love for this music, these traditions and shared stories, shines through everything she does: "It's a music and language that has survived so much and for so long -- it's the music of people. It's music of the land. And I think it's extremely relevant to hold on to that and learn from that in current times."
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CD
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CLE 078CD
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$12.00
PREORDER
RELEASE DATE: 6/27/2025
Al Bilali Soudan, sparked by passion and experience, generate an improvisational tour de force melding tradition, rhythm and scale. From Tombouctou Mali, these bravura players have performed together for generations. Pairing blazing strings with insistent percussion, Al Bilali Soudan's cultural roots represent the source of trance desert blues.
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LP
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BR 189LP
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$35.00
PREORDER
RELEASE DATE: 6/27/2025
Buh Records presents El tiempo quiere cantar ("Time Wants to Sing") the debut album by Pacha Wakay Munan, a duo formed by Peruvian musicians and researchers Dimitri Manga Chávez and Ricardo López Alcas. This album explores the sonic possibilities of pre-Hispanic instruments in a contemporary musical context. Through their performance, they explore their tonal possibilities, the interaction between their frequencies, and their ability to generate new dialogues. The work of Pacha Wakay Munan aligns with the tradition of sound explorers such as the Peruvians Arturo Ruiz del Pozo and Luis David Aguilar or the Colombians Yaki Kandru. The album's repertoire consists of pieces that explore diverse sonorities and musical concepts. "Pacha Wakay Munanqa" introduces the timbral variety of the instruments used. "El Taki Onkoy" draws inspiration from historical accounts and the meaning of its name ("Sick Song"), based on a Culina chant documented by Rodolfo Holzmann. It features vocals by the experienced singer Ximena Menéndez. "Mundo Posible" is a reinterpretation of an improvisation session with musicologist Chalena Vásquez Rodríguez, where the piano dialogues with ceramic antaras. Other pieces delve into the sonic construction of these instruments in relation to their cultural contexts. "Machu Tara" explores the concept of tara, a rough and vibrant sound quality found in certain Andean musical traditions. "Túpac Huaca" references the Huaca Aliaga in Lima, creating a sound palette where pututos, whistling vessels, and quenas converge. "Agua, Cuarzo y Viento" introduces quartz sikus and bowls tuned to different frequencies, evoking the interaction between natural elements and resonant vibrations. In the piece "Qinray Tema", Camilo Ángeles plays the metal transverse flute, creating a contrast with the pre-Hispanic ceramic flutes and pelican bone flutes. El tiempo quiere cantar is released by Buh Records in digital format and in a limited vinyl edition of 300 copies.
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2CD
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EB 213CD
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$15.50
PREORDER
RELEASE DATE: 6/20/2025
To celebrate its 30th anniversary, the Hamburg-based dub label Echo Beach is treating itself to a multidimensional portrait of its home and Hanseatic city of Hamburg. The label has already traveled the world musically and released dub sets from the UK, South Africa, New Zealand, New York, Jamaica and Germany. King Size Dub: Hamburg is the first album compilation dedicated exclusively to dub music from Hamburg. Even when the label entered the stage with a compilation of UK dub, there were already sound masters such as Silly Walks and Dub Me Ruff, projects by producer Matthias Arfmann and bands such as Dub Division and Di Iries a lively dub scene in Hamburg, which has blossomed just as wildly over the decades as the Echo Beach label outside Germany, with overlaps and crossovers occurring. Now the time of harvest has come: The first Dub- Label has teamed up with the best record store in town, and not just for Dub-Heads, and pressed a groove full of versions, specials and exclusives from the Hamburg studios. Featuring Station 17, Udo Lindenberg, Chassy Meets Matthias Arfman, Nikel Pallat & Tc Sunshine, Elbtonal Percussion, Protassov, Prince Istari, Frau Kraushaar, Knarf Rellöm Arkestra, Heinz Strunk, Black Jets, Legoluft, Kings Of Dubrock, Caracho, Pensi, Haghbin, Annananda, Echohäuser, Fettes Brot, Absolute Beginner, Khalia X Silly Walks, Greg Morris III, Deichkind, Turtle Bay Country Club, Onejiru, Jahyu, Ras Tinny, Knarf Rellöm & Tillamanda, Erobique, MC Lafote, Guzzi & Scuzz, Manuel Scuzzo, Sam Ragga Band, Erobique & Palminger, Rockers To Rockers, Ashraf Sharif Khan, Viktor Marek, Sufi Dub Brothers, Hallo Werner Clan, Re, Peter Heppner & Mika Bajinsky, Dub Division, Reggaedemmi, Penguin Sound, Kastrierte Philosophen, Die Goldenen Zitronen, Easy Business & Eric Iq Gra, and Kein Hass Da.
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LP
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EB 213LP
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$33.00
PREORDER
RELEASE DATE: 6/20/2025
LP version. To celebrate its 30th anniversary, the Hamburg-based dub label Echo Beach is treating itself to a multidimensional portrait of its home and Hanseatic city of Hamburg. The label has already traveled the world musically and released dub sets from the UK, South Africa, New Zealand, New York, Jamaica and Germany. King Size Dub: Hamburg is the first album compilation dedicated exclusively to dub music from Hamburg. Even when the label entered the stage with a compilation of UK dub, there were already sound masters such as Silly Walks and Dub Me Ruff, projects by producer Matthias Arfmann and bands such as Dub Division and Di Iries a lively dub scene in Hamburg, which has blossomed just as wildly over the decades as the Echo Beach label outside Germany, with overlaps and crossovers occurring. Now the time of harvest has come: The first Dub- Label has teamed up with the best record store in town, and not just for Dub-Heads, and pressed a groove full of versions, specials and exclusives from the Hamburg studios. Featuring Station 17, Udo Lindenberg, Chassy Meets Matthias Arfman, Nikel Pallat & Tc Sunshine, Elbtonal Percussion, Protassov, Prince Istari, Frau Kraushaar, Knarf Rellöm Arkestra, Heinz Strunk, Black Jets, Legoluft, Kings Of Dubrock, Caracho, Pensi, Haghbin, Annananda, Echohäuser, Fettes Brot, Absolute Beginner, Khalia X Silly Walks, Greg Morris III, Deichkind, Turtle Bay Country Club, Onejiru, Jahyu, Ras Tinny, Knarf Rellöm & Tillamanda, Erobique, MC Lafote, Guzzi & Scuzz, Manuel Scuzzo, Sam Ragga Band, Erobique & Palminger, Rockers To Rockers, Ashraf Sharif Khan, Viktor Marek, Sufi Dub Brothers, Hallo Werner Clan, Re, Peter Heppner & Mika Bajinsky, Dub Division, Reggaedemmi, Penguin Sound, Kastrierte Philosophen, Die Goldenen Zitronen, Easy Business & Eric Iq Gra, and Kein Hass Da.
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LP
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DMOO 092LP
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$20.50
PREORDER
RELEASE DATE: 6/20/2025
Jorge Ben's 1963 debut, Samba Esquema Novo, introduced his infectious blend of bossa nova and samba, propelled by the timeless "Mas Que Nada" and "Chove Chuva." While his later sound leaned more into rock and Afro-Brazilian rhythms, this album bursts with swirling melodies, rich harmonies, and big-band energy, all anchored by Ben's distinctive, minor-key guitar work. A vibrant, era-defining classic.
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LP
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LTNC 028LP
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$28.00
PREORDER
RELEASE DATE: 6/20/2025
LP version. Latency present És pregunta, the second album from Catalan vocal duo Tarta Relena. Founded by Helena Ros Redon and Marta Torrella i Martínez, Tarta Relena explores the rich vocal traditions of the Mediterranean, singing in languages such as Classical Greek, Italian, Spanish, Latin, Catalan, Ladino, and more. Their music blends sacred and secular influences, drawing inspiration from flamenco, lyrical song, traditional music, and electronic experimentation. És pregunta dives into themes of tragic contemplation, portraying the tension between natural and human forces grappling with mysterious and inevitable consequences. The album is a conceptual journey through fate, knowledge, and the struggle to reconcile our future selves with present realities. Influenced by Mediterranean folk, Georgian laments, and the mystic works of 12th-century visionary Hildegard von Bingen, Tarta Relena crafts a vibrant sonic world where the past and future converge. Renowned for their captivating live performances, Tarta Relena has enchanted audiences at festivals like Sónar, Le Guess Who, Mutek, Big Ears, and Primavera Sound. Their stage presence is enriched by subtle electronics and rhythmic patterns played on a ceramic amphora, creating a unique texture to their vocal artistry. Collaborations with artists such as Marina Herlop and Maria Arnal i Marcel Bagés have further pushed the duo to explore new dimensions of contemporary folk music. For Tarta Relena, folk is a living tradition -- deeply rooted in the past but always evolving.
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LP
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GB 161LP
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$31.50
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RELEASE DATE: 6/20/2025
LP version. Dal:um -- alongside peers Park Jiha, Jambinai and Leenalchi -- are at the forefront of new Korean music. The duo of Ha Suyean and Hwang Hyeyoung are virtuosos on two different types of traditional zithers, the gayageum and geomungo, and their music deftly navigates a plethora of contemporary influences: post-minimalism, experimental folk and abstract jazz. The sound of 21st century Seoul, where the boundaries of tradition are stretched and occasionally broken. Something magical is happening on the South Korean music scene, and it isn't K-Pop. Blow away the froth, and it is soon apparent that in the concert halls and clubs of Seoul and beyond, a febrile music scene is bubbling up. Ha Suyean and Hwang Hyeyoung grew up learning formal Korean gugak music, excelling on two different types of zithers: the gayageum and geomungo respectively. But these two young women soon became restless. Dal:um translates as "to keep pursuing something," a name which couldn't be more apposite. Suyean and Hyeyoung garnered wide acclaim and toured around the world with their debut album, Similar and Different (GB 112CD, 2021), and with their second album, Coexistence, they are taking another leap forward. Similar and Different was the sound of two musicians pushing and pulling one another. In Coexistence they have become one: one with one another, one with the wider world around them, one with life itself. It is music that is deeply personal, but personal in the way that it absorbs the life that surrounds the pair, finding peace, fear, drama and -- ultimately -- hope. Coexistence was forged at the tail end of the COVID pandemic. The duo, who first met as members of the Seoul Metropolitan Youth Traditional Music Ensemble, determined that this time round they would compose the whole album themselves. They took inspiration from the nature around them in Seoul, as well as from their tours in Europe, where long car journeys took them through natural landscapes that were strikingly different from home. "The pandemic made us realize how precious the things around us truly are," they explain. "As we wrote, we contemplated the value of living alongside other living things. The question that arose was: how can we harmoniously coexist with the life surrounding us? We wanted to encapsulate these thoughts in our music."
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7"
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PRTL 7093EP
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$15.50
PREORDER
RELEASE DATE: 6/20/2025
This classic Earl 16 track from 1980 makes its debut on a 7" single, recorded at Harry J Studios in Jamaica and produced by Earl Morgan of The Heptones. The steppers rhythm is instantly recognizable, having been used in Lacksley Castell's "Jah Love Is Sweeter" and Black Uhuru's "Time to Unite." The dub cut is mixed by Sylvan Morris.
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CD
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FARO 250CD
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$12.50
PREORDER
RELEASE DATE: 6/20/2025
Far Out Recordings continues its reissue campaign of the late Argentinian guitarist Agustin Pereyra Lucena's work with the first-ever vinyl reissue of his singular 1988 private press album, Puertos De Alternativa, now his most sought-after LP. The album features some of Agustin's most uniquely beautiful compositions, including "Luces de Valeria" and "Preparativos Maritimos," alongside Baden Powell's "Pequeño Vals" and "O Cego Aderaldo (Nordeste)," and "Tema Barroco" by his longtime collaborator, Guilhermo Reuter. By 1988, Agustín had established himself as one of Argentina's foremost interpreters of Brazilian music. The seventies saw success with his group Candeias, and he gained recognition in Brazil, forming friendships and collaborations with luminaries such as Vinicius de Moraes, Baden Powell, Dorival Caymmi, Toquinho, and Maria Bethania. Following the era of dictatorship in South America, Agustín spent the late seventies and early eighties, living and touring in Norway as part of his European travels with his group Agustín Pereyra Lucena Quartet. Recorded after returning to his native Buenos Aires, Agustin Peyera Lucena's Puertos de Alternativa emerged from this confluence of diverse experiences and influences, revealing an artist deeply connected to his environment. The album's title, meaning "Alternative Harbours," reflects Agustín's particular affinity for water. He observed that much of his favorite music originated from places with rivers and seas nearby, noting, "There is a flow near water that influences guitar playing for sure." With a profound connection to both instrument and environment, Agustín's music is often difficult to place. The album begins rooted deeply in South American soil, drawing clear inspiration from Brazilian guitar masters like Heitor Villa Lobos, Garoto, and Baden Powell. But, as it progresses, a sense of journey unfolds, evoking new landscapes and horizons -- from the crystalline beauty of glacial Norway to the gentle currents of the Rio de la Plata. The ensemble on Puertos de Alternativa features notable Argentinian musicians, including drummer Osvaldo Avena, flautist Rubén Izarrualde, and saxophonist Bernardo Baraj. Mastered by Stuart Hawkes at Metropolis Studios from the original master tapes which had been lovingly kept by Agustin's nephew José Lucena Perreyra.
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ROOTS 055EP
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$14.50
PREORDER
RELEASE DATE: 6/20/2025
'90s digital BOMB delivered by the one-of-a-kind voice that is Daweh Congo. Daweh's haunting delivery and spiritual fire set him apart in the roots revival movement. "Fi Years" is one of the first tunes he released, dating back to 1996. An anthem of struggle and resilience, still hitting hard decades later.
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ROOTS 056EP
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$14.50
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RELEASE DATE: 6/20/2025
Militant roots missile delivered by the one-of-a-kind voice that is Daweh Congo. Daweh's haunting delivery and spiritual fire set him apart in the roots revival movement. On "Prophecy Reveal," originally released in 2000, Daweh's mystical chant rides a heavy digital rhythm, while the flip side unleashes deep '90s electronic dub vibes.
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LP
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SOR 006LP
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$23.50
PREORDER
RELEASE DATE: 6/20/2025
Sons Of Jah were a vocal trio formed in Trenchtown, Jamaica, in 1976, led by the enigmatic Trevor Bow. This album -- originally released in 1980 and recorded at Treasure Isle Recording Studio -- assembles a fantastic cast of musicians: Negus Dawtas contribute superb backing vocals, Aston 'Family Man' Barret is on bass, Earl 'Chinna' Smith on guitar and the great Rico Rodriguez has the horns. Enlisting also a couple of mandatory instrumental tracks, The Sons of Jah delivered a majestic third album.
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LTNC 028CD
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$16.00
PREORDER
RELEASE DATE: 6/20/2025
Latency present És pregunta, the second album from Catalan vocal duo Tarta Relena. Founded by Helena Ros Redon and Marta Torrella i Martínez, Tarta Relena explores the rich vocal traditions of the Mediterranean, singing in languages such as Classical Greek, Italian, Spanish, Latin, Catalan, Ladino, and more. Their music blends sacred and secular influences, drawing inspiration from flamenco, lyrical song, traditional music, and electronic experimentation. És pregunta dives into themes of tragic contemplation, portraying the tension between natural and human forces grappling with mysterious and inevitable consequences. The album is a conceptual journey through fate, knowledge, and the struggle to reconcile our future selves with present realities. Influenced by Mediterranean folk, Georgian laments, and the mystic works of 12th-century visionary Hildegard von Bingen, Tarta Relena crafts a vibrant sonic world where the past and future converge. Renowned for their captivating live performances, Tarta Relena has enchanted audiences at festivals like Sónar, Le Guess Who, Mutek, Big Ears, and Primavera Sound. Their stage presence is enriched by subtle electronics and rhythmic patterns played on a ceramic amphora, creating a unique texture to their vocal artistry. Collaborations with artists such as Marina Herlop and Maria Arnal i Marcel Bagés have further pushed the duo to explore new dimensions of contemporary folk music. For Tarta Relena, folk is a living tradition -- deeply rooted in the past but always evolving.
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