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Artist	Title	Format	Label	Catalog #

ROBERTO Y SU NUEVO MONTUNO	El Nuevo Montuno Llego	LP	VAMPISOUL	VAMPI 347LP
$28.50 PREORDER RELEASE DATE: 3/13/2026 Roberto y su Nuevo Montuno recorded their first album, El Nuevo Montuno Llegó (1970), when Roberto Berríos was just 22 years old. This was also the debut release on Haddock's own Uniart label. Berríos remembers that they did the recording in two sessions, splitting it up into four tracks per visit. The engineer was the famed Pedro "Pedrito" Henríquez, who recorded El Gran Combo, Roberto Roena and many others. The band had a mix of tasty, powerful originals, from Tony Cintrón's title track that announced the band had arrived, "El Nuevo Montuno Llegó," to Quique Dávila's mournful "Triste Arrabal." Then there was the hit Santería themed tune, "Llamé a Changó," which was a song that Quique Dávila brought to the band, but had been originally composed by Carlos Pinto, though Quique was given the credit. Dávila also composed "Me Queda Un Guaguancó," which is Roberto's favorite song on the record (as well as a fan favorite), with Papo sounding like his friend Héctor Lavoe, and Quique Dávila's proud manifesto declaring that Puerto Rico now had its own son montuno, "Oye Tu Son, Borinquen," featuring the pianist's tasty but brief solo. The cover versions came from the group's earliest period when most of their repertoire consisted of renditions of beloved but lesser known tunes, and include Louie Ramírez's "Balancéate" (a favorite of Roberto's from Ray Barretto's songbook), Bobby Valentín's "Monina y Ramón" (recorded during his stint with Willie Rosario), and a bolero indelibly sung by Cheo Feliciano when he was with the Joe Cuba Sextet, "Dichoso," written by Joe Cuba's talented pianist, Nick Jiménez. Some of the arranging was done by Cintrón and some by Dávila, though Quique had some help from his old friend from El Combo Moderno, Freddie Miranda, who at that time was with Roberto Roena's Apollo Sound. Roberto says that the arrangements of the cover tunes were made specifically to be different and more contemporary sounding than the originals. El Nuevo Montuno Llegó has become a legendary salsa dura classic from Puerto Rico and Vampisoul are thrilled to present this first legitimately licensed and remastered vinyl reissue. It includes detailed liner notes that reveal the untold story of the band and their debut album, and rare photos.

Artist	Title	Format	Label	Catalog #
DAMILY	Fanjiry	CD	BONGO JOE RECORDS	BJR 119CD
$16.00 PREORDER RELEASE DATE: 2/27/2026 After decades spent shaping the sound of southern Madagascar and becoming one of the defining voices of tsapiky, Damily returns with Fanjiry, his most intimate and focused record to date. Known for electrifying village ceremonies and carrying the fever of Toliara across continents, he takes a sharp turn -- not away from trance, but deeper into its core. Recorded in just three days at Studio Black Box with analog wizard Peter Deimel, Fanjiry strips the tsapiky band down to a single guitar and a single heartbeat. Damily plays alone, yet fills the space completely -- bass, rhythm, melody, pulse, and breath merging into a dense and vibrating sound. Every riff is architecture, every harmonic a door opening onto memory, childhood landscapes, and nights where music heals, binds, and exhausts the dark. There is no nostalgia here, no museum of tradition. Fanjiry is a new frontier for tsapiky: raw, precise, suspended between earth and sky, born from craft and necessity. The title -- the last star before dawn -- captures its essence: a quiet moment before the world awakens, where a single guitar can hold an entire history and still point forward.

Artist	Title	Format	Label	Catalog #
DE BELEM, FAFA	Emorio	7"	VAMPISOUL	VAMPI 45118EP
$17.50 PREORDER RELEASE DATE: 2/27/2026 Singer and actress Fafá de Belém is one of Brazil's most beloved and popular artists. This vinyl single from 1975 marked the very beginning of her long and successful career in Brazilian popular music and, over the years, has become a highly sought-after collector's item among DJs worldwide. The record features two tracks, "Êmoriô" and "Naturalmente," written by João Donato alongside Gilberto Gil and Caetano Veloso, originally released on his album Lugar Comum that same year. Fafá de Belém's versions, however, strip away the originals' sophisticated arrangements in favor of a more driving groove and a raw, funky edge that makes them absolute dancefloor weapons.

Artist	Title	Format	Label	Catalog #
DO NASCIMENTO & VITTOR SANTOS ORCHESTRA, FABIANO	VILA	CD	FAR OUT RECORDINGS	FARO 255CD
$11.00 PREORDER RELEASE DATE: 2/27/2026 Hidden away amidst the bustle of Rio de Janeiro's Catete neighborhood is a small alleyway behind a cast iron gate. At its end is Bairro Saavedra, the courtyard surrounded by Neo-colonial houses where Brazilian guitar virtuoso Fabiano do Nascimento spent much of his childhood. Built in 1928, this secluded neighborhood with its wooden shutters, tiled floors and tranquil benches, provides the inspiration for the title of Do Nascimento's new album VILA, a collaborative project with a sixteen-piece orchestra led by trombonist and arranger Vittor Santos. Recorded between Rio de Janeiro and Los Angeles, VILA is grand, tender, warm, playful and nostalgic. On this stunningly ambitious work, the delicate compositions led by Nascimento's guitar, which sits central in the mix, are surrounded by Santos' breathtaking orchestral arrangements which swirl in all directions: complimenting, questioning, responding; in constant conversation. Like the eclecticism of the architecture Do Nascimento grew up surrounded by, his music straddles many worlds at once. He is known as a Brazilian acoustic guitar master and as such has collaborated with Arthur Verocai, Airto Moreira, and Itibere Zwarg. But equally at home in Los Angeles's jazz and experimental music scenes, Do Nascimento is also known for his work with artists like Sam Gendel and Carlos Nino. Vittor Santos is an arranger and trombonist who has worked extensively with many of the greats of Brazilian music, including João Donato, Marcos Valle, Toninho Horta, and Elza Soares.

Artist	Title	Format	Label	Catalog #
COSTA, GAL	Gal Costa (1969)	LP	VAMPISOUL	VAMPI 344LP
$30.50 PREORDER RELEASE DATE: 2/27/2026 Released in 1969, Gal Costa is the album that cemented Gal as one of the boldest voices of Brazil's Tropicalia movement -- and it still sounds thrillingly alive today. Coming right after the genre-shaking Tropicália ou Panis et Circencis, this LP captures a moment when Brazilian music was breaking rules, blending psychedelia, rock, samba, and poetic experimentation into something totally new. Gal's voice is the real star here: warm, fearless, and incredibly expressive. She moves effortlessly from soft, intimate moments to explosive, full-throttle performances, always sounding confident and emotionally present. Backed by adventurous arrangements and songs from key Tropicalia figures like Caetano Veloso and Gilberto Gil, the album feels both playful and politically charged, even when it's being subtle. Several tracks stand out as absolute classics. "Baby" is a highlight right away -- cool, tender, and deceptively simple, with Gal delivering Caetano Veloso's lyrics in a way that feels both innocent and quietly radical. On the other end of the spectrum, "Divino, Maravilhoso" is pure intensity: urgent, raw, and electrifying, capturing the restless spirit of the era and showcasing Gal's power at full blast. "Não Identificado" leans into dreamy psychedelia, floating between romance and cosmic imagery, while "Que Pena" shows her knack for turning heartbreak into something irresistibly melodic and catchy. What makes this record special is its balance. It's experimental without being alienating, sophisticated without losing its groove. Tracks flow naturally, pulling you into a colorful, slightly rebellious world that reflects the cultural tension and creativity of late-'60s Brazil. If you're curious about Tropicalia or just want a timeless album driven by pure vocal charisma, Gal Costa (1969) is an essential listen.

Artist	Title	Format	Label	Catalog #
DAMILY	Fanjiry	LP	BONGO JOE RECORDS	BJR 119LP
$26.00 PREORDER RELEASE DATE: 2/27/2026 LP version. After decades spent shaping the sound of southern Madagascar and becoming one of the defining voices of tsapiky, Damily returns with Fanjiry, his most intimate and focused record to date. Known for electrifying village ceremonies and carrying the fever of Toliara across continents, he takes a sharp turn -- not away from trance, but deeper into its core. Recorded in just three days at Studio Black Box with analog wizard Peter Deimel, Fanjiry strips the tsapiky band down to a single guitar and a single heartbeat. Damily plays alone, yet fills the space completely -- bass, rhythm, melody, pulse, and breath merging into a dense and vibrating sound. Every riff is architecture, every harmonic a door opening onto memory, childhood landscapes, and nights where music heals, binds, and exhausts the dark. There is no nostalgia here, no museum of tradition. Fanjiry is a new frontier for tsapiky: raw, precise, suspended between earth and sky, born from craft and necessity. The title -- the last star before dawn -- captures its essence: a quiet moment before the world awakens, where a single guitar can hold an entire history and still point forward.

Artist	Title	Format	Label	Catalog #
DO NASCIMENTO & VITTOR SANTOS ORCHESTRA, FABIANO	VILA	LP	FAR OUT RECORDINGS	FARO 255LP
$28.00 PREORDER RELEASE DATE: 2/27/2026 LP version. Hidden away amidst the bustle of Rio de Janeiro's Catete neighborhood is a small alleyway behind a cast iron gate. At its end is Bairro Saavedra, the courtyard surrounded by Neo-colonial houses where Brazilian guitar virtuoso Fabiano do Nascimento spent much of his childhood. Built in 1928, this secluded neighborhood with its wooden shutters, tiled floors and tranquil benches, provides the inspiration for the title of Do Nascimento's new album VILA, a collaborative project with a sixteen-piece orchestra led by trombonist and arranger Vittor Santos. Recorded between Rio de Janeiro and Los Angeles, VILA is grand, tender, warm, playful and nostalgic. On this stunningly ambitious work, the delicate compositions led by Nascimento's guitar, which sits central in the mix, are surrounded by Santos' breathtaking orchestral arrangements which swirl in all directions: complimenting, questioning, responding; in constant conversation. Like the eclecticism of the architecture Do Nascimento grew up surrounded by, his music straddles many worlds at once. He is known as a Brazilian acoustic guitar master and as such has collaborated with Arthur Verocai, Airto Moreira, and Itibere Zwarg. But equally at home in Los Angeles's jazz and experimental music scenes, Do Nascimento is also known for his work with artists like Sam Gendel and Carlos Nino. Vittor Santos is an arranger and trombonist who has worked extensively with many of the greats of Brazilian music, including João Donato, Marcos Valle, Toninho Horta, and Elza Soares.

Artist	Title	Format	Label	Catalog #
SHERMAN, BIM	Ghetto Dub	LP	WEEK-END RECORDS	WE 019LP
$42.00 PREORDER RELEASE DATE: 2/27/2026 The long-overdue revival of Bim Sherman's catalog begins here. These essential recordings are widely available again for the first time in decades, opening a new chapter in the appreciation of one of Jamaica's most distinctive voices and representing a major moment for reggae and dub aficionados around the world. This reissue series not only preserves his legacy but also offers listeners the chance to experience the depth and timeless resonance of Sherman's work in its full glory. Bim Sherman -- born Jarret Lloyd Vincent, in Westmoreland, Jamaica -- holds a unique place in reggae history. Emerging in the mid-'70s, his ethereal, haunting vocal style quickly set him apart from his contemporaries. He was soon collaborating with the top producers and musicians of the era, including Adrian Sherwood and the On-U Sound collective, bridging the gap between roots reggae and experimental dub and laying the groundwork for the fusion of Jamaican sounds with the vibrant underground scene in the UK. His career, from Kingston to London to Mumbai, was marked by an artistic daring and spiritual intensity that has earned him enduring respect across generations. The centerpiece of this reissue campaign is Ghetto Dub from 1988, a record that distills Sherman's artistry into its most potent form. Originally released in a limited number, the album embodies the stark yet soulful beauty of dub production. With its reverb-drenched drums, cavernous basslines, and echo-laden atmospherics, Ghetto Dub transforms Sherman's various tracks into spectral presences that drift in and out of the mix. The arrangement and production -- minimal yet profoundly textured -- captures both the raw urgency of Jamaican street culture and the forward-looking experimentation of the UK dub scene. Each track unfolds like a meditation, balancing grit with grace, density with space. Ghetto Dub is more than an album; it is an immersive soundscape that reaffirms Bim Sherman as one of reggae's most otherworldly and visionary figures.

Artist	Title	Format	Label	Catalog #
SABABA 5	CA VA CA VA	LP	BATOV RECORDS	BTR 132LP
$28.00 PREORDER RELEASE DATE: 2/20/2026 Sababa 5 return to their roots on Ça Va Ça Va -- a melting pot of Middle Eastern and Mediterranean sounds, layered with psych-soaked guitars, cosmic synths and heavy, driving grooves. A pure dose of party energy and nostalgia from Batov Records' finest. With four albums already behind them, Sababa 5 have earned global support, from Songlines magazine and BBC Radio 6 Music tastemakers including Gilles Peterson, Jamz Supernova, and Iggy Pop to France's FIP Radio and Radio Nova, for their unique blend of traditional Middle Eastern celebration music with psychedelic grooves, funk, jazz, rock, and international vocal collaborations spanning Japan to India. The Paris-based group have taken this sound to stages across Europe, including Reeperbahn Festival and Dresden's Super Fest. Ça Va Ça Va is the band's hafla album -- a return to the wedding and event celebration music that first shaped Sababa 5. Recorded in Paris, it draws directly from the sounds of hafla -- the joyful, communal music heard at Middle Eastern weddings, parties and festive gatherings -- with a sprinkling of influences from the wider Mediterranean. The group utilize their classic combination of electric guitar, bass, drums, organ, and synths to transform these ideas into vibrant melodies, dance-ready rhythms, and a spirit of abundance and togetherness. Opening track "Bienvenue" sets the tone with a mysterious, longing guitar solo before bursting into an irresistible rhythm and jubilant guitar motif. It flows seamlessly into "Allô," straight into wedding-riot territory -- a fast-rising instrumental that showers the dancefloor with energy as it builds around a hypnotic, arpeggio-driven riff. The album is almost entirely original material, with two key exceptions: "Ypárcho" (I Exist), a beautiful instrumental journey inspired by a classic Greek song traditionally performed by Stelios Kazantzidis, and "Asunsan," an instrumental flip of the much-loved Sababa 5 collaboration "Nasnusa" with Yurika Hanashima. Another impressive step in the Sababa 5 story, Ça Va Ça Va captures both joy and longing -- the unmistakable warmth of Eastern Mediterranean celebration and the band's surf-rock edge -- sounding more confident, spirited and deeply rooted than ever.

Artist	Title	Format	Label	Catalog #
LEE & THE DRAGONAIRES, BYRON	Plays Jamaica Ska	LP	KIDS OF YESTERDAY	KOY 008LP
$23.50 PREORDER RELEASE DATE: 2/13/2026 This is the legendary Byron Lee and his Dragonaires carrying the flag of Jamaican ska and calypso! First released in 1964 on Kentone label this fine album sees the so-called Jamaica's number one band offering their special mixture of Caribbean flavored sounds. The album consists of a string of hits enhanced by a bunch of Kingston's top ska singers such as Stranger & Patsy, Eric "Monty" Morris, The Charmers, Keith & Ken, The Maytals, and Roy And Yvonne.

Artist	Title	Format	Label	Catalog #
VA	Put It On It's Rock-Steady	LP	KIDS OF YESTERDAY	KOY 009LP
$23.50 PREORDER RELEASE DATE: 2/13/2026 Historically considered as some kind of bridge between ska and reggae, Rock Steady is certainly one of the most influential music genres in Jamaican history. Originally released in 1968 this is an amazing compilation showcasing the cream of the genre. Some sort of Jamaican sweet soul music manifesto featuring an incredible array of groups and singers. Featuring The Wailers, King Perry, The Claredonians, Delroy Wilson, Justin Hines, Movin' Brothers, Bob & Andy, Tartans, Hopetown Lewis, Ken Boothe, Mr. Foundation, Gaylands, Three Tops, and Pat Kelly.

Artist	Title	Format	Label	Catalog #
VASQUEZ Y SU CONJUNTO, ANGEL	La Gustadera	LP	VAMPISOUL	VAMPI 346LP
$28.50 PREORDER RELEASE DATE: 2/13/2026 Ángel Vásquez brought Antillean shades into the accordion tradition of a region overflowing with juglares, as the Colombian northern coast has always been. Vásquez built a monumental songbook where pachanga, charanga, son, cumbia, and even the Puerto Rican countryside, Boricua sound, played leading roles. His few recordings carried a remarkable stylistic range, making it difficult to put him into any single category -- a quality that led to a style he himself called vasquesón. In the early seventies, he released through Discos Fuentes a single that would become one of the anthems of the Barranquilla Carnival: "Pica pica en carnaval," a tropical, electrifying gem with a guarachero flow so unmistakable that it's still a staple in verbenas, neighborhood dances, and picó parties today. La gustadera comprises a muscular, rhythm-packed ride moving from pachanga to paseaito, passing through charanga, porro, son and, of course, vasquesón -- a full-on celebration where the accordion leads the dance. Here, direct lines are drawn between Colombian coastal folklore and Afro-Antillean sound -- pure joy painted with the everyday imagery of coastal life. First time reissue of this mega rare Ángel Vásquez album.

Artist	Title	Format	Label	Catalog #
MORRIS, SYLVAN THE GENIUS	Auntie Melva's Workshop Dub	CD	TAMOKI-WAMBESI-DOVE	TWCD 1075CD
$12.50 PREORDER RELEASE DATE: 2/13/2026 Sylvan 'The Genius' Morris' Auntie Melva's Workshop Dub. Written, arranged and produced by Roy Anthony Perry Cousins. Mastered at Glass Studios, Wirral, England.

Artist	Title	Format	Label	Catalog #
LOS ROGER'S	Que Ardiente!	LP	VAMPISOUL	VAMPI 345LP
$28.50 PREORDER RELEASE DATE: 2/13/2026 Iquitos, one of Peru's most remote cities and the capital of its Amazon region, was the epicenter of the psychedelic cumbia movement. Countless bands emerged from this place, each with a different fate in their musical journeys. Some rose to become international stars and flag bearers of cumbia, while others remained local legends, their fame never traveling far beyond the Amazon jungle. Los Roger's achieved great success in Iquitos and served as the foundation and inspiration for many local bands that emerged in the late 1960s and early 1970s. ¡Qué ardiente! combines the best of the band's limited discography. The recordings come from their first 45 RPM single and their two mini-LPs for the FTA label, as well as their only elusive LP from 1971, ¡Qué ardiente!, ("How Burning!") recorded for the prestigious IEMPSA label. Their discography dives deep into Cuban-influenced sounds, where the guitar shares the spotlight with powerful percussion and -- with tracks like "Descarga Roger's" -- with the vocals as well. Los Roger's came to an abrupt end just one year after the release of their LP, at the peak of their career, due to their disappointments with the music industry.

Artist	Title	Format	Label	Catalog #
ZUKIE, TAPPER	Earth Running	LP	LANTERN REC.	LANR 061LP
$31.50 PREORDER RELEASE DATE: 2/13/2026 Fully licensed, all tracks remastered. Earth Running, originally released in 1979 on the Tappa's Stars label, can be considered the Jamaican's toaster's maturity album. Lyrics here are rooted in the "ghetto life" as always. A work with an international flavor: On Side B, two convincing dance tracks, the anthemic funkfest "Freak" and "One More Chance," often championed by DJs in the following years. A work that explored new territories, a mandatory re-issue for all authentic reggae lovers.

Artist	Title	Format	Label	Catalog #
BORGES, LO	Lo Borges	LP	VAMPISOUL	VAMPI 338LP
$30.50 PREORDER RELEASE DATE: 2/6/2026 Before he turned 20, Lô Borges released one of the most captivating albums to come out of Brazil's rich musical landscape -- a record that somehow flew under the radar at the time but has since become a cult favorite for listeners around the world. Recorded in the same whirlwind year as the legendary Clube da Esquina -- the groundbreaking collaboration with Milton Nascimento and Beto Guedes -- this self-titled solo debut finds Lô Borges in full creative flight. Pressured by Odeon Records to deliver a solo project, Borges responded with a burst of youthful brilliance, sometimes writing a song in the morning and laying it down in the studio that very night. The result? An album that's spontaneous, heartfelt, and sonically stunning. From the shimmering guitars of "Você Fica Melhor Assim" to the dreamy melodies of "Canção Postal" and the jazz-infused groove of "Calibre," the album blends Brazilian popular music with rock, soul, and subtle psychedelic touches. It's got the intimate spirit of a bedroom recording, but with the musical sophistication of legends -- with collaborators like Toninho Horta, Tenorio Jr., Nelson Angelo, and of course, Beto Guedes helping bring Borges' vision to life. Fans of Caetano Veloso, Gilberto Gil, or early Nascimento will feel right at home here -- but Lô Borges brings his own voice, at once tender and electrifying, to every track. The guitars are fuzzy, the harmonies rich, and the songwriting nothing short of magical. Though it didn't make a splash in 1972, Lô Borges has only grown in stature over the years. It's the kind of album you discover once, then return to again and again -- a timeless treasure from a young artist who helped redefine Brazilian music from the ground up. If you're into warm, soulful songwriting with a touch of experimental edge, this record is waiting for you. Give it a listen -- and see why Lô Borges is considered one of Brazil's most underrated masterpieces. Reissue on 180g vinyl.

Artist	Title	Format	Label	Catalog #
VA	Music from the Caucasus: The Archive of ORED Recordings, 2013-2023	LP	TAL	TAL 039LP
$32.00 PREORDER RELEASE DATE: 1/30/2026 LP version. The label ORED Recordings was founded in 2013 by Circassian friends and fellow musicians Bulat Khalilov and Timur Kodzoko, in order to start an activity which is dedicated to documenting and preserving the traditional and post-traditional music of the North Caucasus. Khalilov and Kodzoko were excited about this music as it sounded like a force that transcends borders and in which time dissolves and community becomes the only compass. Through hundreds of field recordings from communal gatherings, local festivities, and family meetings, the label has captured a wide range of individual voices and their unique acoustic manifestations. All recordings on this album capture the raw expressiveness of mountainside villages. Music performances being played by people who dedicate their love to music and an additional willingness to share intimate emotions. Whereas most academic ethnomusicologist travel around the world in order to study foreign cultures, Bulat Khalilov and Timur Kodzoko were fascinated by what they just heard in the familiar regions of their then home town Nalchik. In resolut contrast to Russian academic circles they soon developed a DIY punk ethos for their far-reaching work, beginning to formulate their own language in the field of ethnomusicology and to push the traditions forward. However, the label's work goes far beyond mere preservation. The work of the label aims to reflect not only the great music of the Caucasus and its various communities but also to tell the stories behind it. They are stories of struggle, of independence, of working with historical memory in the present times of the 21st century. The compilation Music from the Caucasus provides a first introduction to the comprehensive work of ORED Recordings. For this collaborative release on TAL the recordings are being made accessible for the first ever time, all coming with extensive liner notes and yet unpublished photographs. Featuring Tizhin Gup, Kamran Kərimov və Yusif Əzizov, Tatiana Dordzhieva and Maria Beltsykova, Arkady and Arseniy Kagramyan, Mutat and Ilyas from Ulyap, Balkhar Ensemble, Zamudin Guchev, Tizhin Gup, Şirzad Fətəliyev və Arazbarı Balaban Qrupu, Bagdagyul Ramazanova, Şirzad Fətəliyev və Arazbarı Balaban Qrupu, Bagdagyul Ramazanova, Aşıq Altay, Mirjavid Cəfərov, and Nayil Quoshi.

Artist	Title	Format	Label	Catalog #
MAIA, TIM	Tim Maia (1973)	LP	VAMPISOUL	VAMPI 342LP
$30.50 PREORDER RELEASE DATE: 1/30/2026 Tim Maia's self-titled 1973 album is one of those records that hits you from the very first groove and doesn't let go. Originally released on Polydor Brazil, this was the fourth in a series of Tim's self-titled albums -- and many fans and critics still consider it the crown jewel. Packed with irresistible hooks, lush arrangements, and that unmistakable Tim Maia swagger, the album captures the singer at the peak of his creative powers. If you're new to Tim Maia, here's the quick story: born in Rio de Janeiro, Tim was a larger-than-life icon whose music married American soul and funk with Brazilian samba and pop long before "fusion" was a buzzword. A true musical polymath, he absorbed everything from Curtis Mayfield to Motown and translated it into a sound entirely his own -- gritty, passionate, and full of groove. He didn't just introduce soul to Brazil; he made it Brazilian. On this 1973 release, Tim pushes everything up a notch. The arrangements are bigger, slicker, and surprisingly majestic, without losing the raw spirit that earned him a devoted following. From the moment "Réu Confesso" opens the album, you know you're in for something special -- smooth, funky, and heartfelt in all the right ways. The bittersweet "Gostava Tanto de Você" remains one of his most beloved classics, while "O Balanço" bursts with Brazilian flavor that practically dares you not to move. And with tracks like "Do Your Thing, Behave Yourself" and "Over Again," Tim shows just how naturally the soul idiom fit him, even when he switched to English. This record has everything: deep grooves, soaring strings, magnetic vocals, and that unmistakable sense of joy that Tim Maia carried into every session. It's a front-to-back winner -- one of those albums that deserves a spot not just in Brazilian music history, but in any collection that celebrates great soul, funk, and timeless grooves. If you're a longtime fan, it's a reminder of why Tim Maia is legendary. If you're discovering him for the first time, this is the perfect place to start. Either way: press play, turn it up, and let Tim do his thing. Reissue on 180g vinyl.

Artist	Title	Format	Label	Catalog #
GRUPO UM	Nineteen Seventy Seven	LP	FAR OUT RECORDINGS	FARO 254LP
$28.00 PREORDER RELEASE DATE: 1/30/2026 LP version. Brazilian avant-jazz vanguardists Grupo Um celebrate their 50th anniversary, sharing a second previously lost 1970s album from the vaults. Nineteen Seventy Seven (titled after the year it was recorded) is another rip-roaring instrumental fusion treasure from the band which spawned from within Hermeto Pascoal's famed mid-1970s São Paulo collective. Like their debut album Starting Point, Grupo Um's Nineteen Seventy Seven was recorded when Brazil's military dictatorship was at its most repressive. Just like Hermeto Pascoal's Viajando Com O Som (1977) and Grupo Um's previous album Starting Point (1975), both of which remained unreleased until the 21st century, Zé Eduardo asserts that the 1977 album was flatly "without any chance to be released at that time." Recorded at Rogério Duprat's Vice-Versa Studios in São Paulo, the group were under both time and space restraints. Expanding from a trio to a quintet, original Grupo Um members Lelo Nazario (keys), Zé Eduardo Nazario (drums), and Zeca Assumpção (bass) were joined by saxophonist Roberto Sion and percussionist Carlinhos Gonçalves. Carlinhos, Zé and Zeca had already played together in the group Mandala, while brothers Lelo and Zé had just finished a stint backing Hermeto Pascoal during his years in São Paulo. Lelo was deeply immersed in modular synthesizer experimentation during this period, working extensively with the ARP2600 and EMS Synthi AKS. These electroacoustic explorations formed the sonic foundation for "Mobile/Stabile," one of his first compositions to merge modular synthesis with Brazilian music, a fusion that would ripple throughout the Brazilian jazz scene. The piece premiered at the first São Paulo International Jazz Festival in 1978, performed by Grupo Um with guest trumpeter Márcio Montarroyos. The version on Nineteen Seventy Seven is the first recording of the composition. Nineteen Seventy Seven combines Afro-Brazilian rhythm, modular synthesis and a plethora of whistles, percussion and effects pedals. Grupo Um's daring music represents a manifesto of resistance during the dictatorship years, but it's one which remains just as relevant today.

Artist	Title	Format	Label	Catalog #
VA	Music from the Caucasus: The Archive of ORED Recordings, 2013-2023	CD	TAL	TAL 039CD
$17.50 PREORDER RELEASE DATE: 1/30/2026 The label ORED Recordings was founded in 2013 by Circassian friends and fellow musicians Bulat Khalilov and Timur Kodzoko, in order to start an activity which is dedicated to documenting and preserving the traditional and post-traditional music of the North Caucasus. Khalilov and Kodzoko were excited about this music as it sounded like a force that transcends borders and in which time dissolves and community becomes the only compass. Through hundreds of field recordings from communal gatherings, local festivities, and family meetings, the label has captured a wide range of individual voices and their unique acoustic manifestations. All recordings on this album capture the raw expressiveness of mountainside villages. Music performances being played by people who dedicate their love to music and an additional willingness to share intimate emotions. Whereas most academic ethnomusicologist travel around the world in order to study foreign cultures, Bulat Khalilov and Timur Kodzoko were fascinated by what they just heard in the familiar regions of their then home town Nalchik. In resolut contrast to Russian academic circles they soon developed a DIY punk ethos for their far-reaching work, beginning to formulate their own language in the field of ethnomusicology and to push the traditions forward. However, the label's work goes far beyond mere preservation. The work of the label aims to reflect not only the great music of the Caucasus and its various communities but also to tell the stories behind it. They are stories of struggle, of independence, of working with historical memory in the present times of the 21st century. The compilation Music from the Caucasus provides a first introduction to the comprehensive work of ORED Recordings. For this collaborative release on TAL the recordings are being made accessible for the first ever time, all coming with extensive liner notes and yet unpublished photographs. Featuring Tizhin Gup, Kamran Kərimov və Yusif Əzizov, Tatiana Dordzhieva and Maria Beltsykova, Arkady and Arseniy Kagramyan, Mutat and Ilyas from Ulyap, Balkhar Ensemble, Zamudin Guchev, Tizhin Gup, Şirzad Fətəliyev və Arazbarı Balaban Qrupu, Bagdagyul Ramazanova, Şirzad Fətəliyev və Arazbarı Balaban Qrupu, Bagdagyul Ramazanova, Aşıq Altay, Mirjavid Cəfərov, and Nayil Quoshi.

Artist	Title	Format	Label	Catalog #
TOURE, ALI FARKA	Ali Toure "Farka"	LP	SURVIVAL RESEARCH	SVVRCH 110LP
$20.50 PREORDER RELEASE DATE: 1/30/2026 Recorded in 1976, this self-titled album captures Ali Farka Touré at the very dawn of his recording career, working far from the glare of the international spotlight. Pressed in small numbers and circulating quietly for years, it remained largely unknown beyond his home country, yet within its unadorned performances lies the unmistakable spark of an artist on the cusp of greatness. Voice, guitar, and percussion with a directness and intimacy that feel both timeless and deeply personal. Once overlooked, it now stands as a captivating rediscovery, an essential early chapter in a remarkable journey, and a treasured prize for collectors and musical historians alike.

Artist	Title	Format	Label	Catalog #
POWELL & VINICIUS DE MORAES, BADEN	Os Afrosambas (Color Vinyl)	LP	OJO DE MUJER	OJO 25008LP
$22.50 PREORDER RELEASE DATE: 1/30/2026 Recorded in 1966, Os Afrosambas is a groundbreaking album that fuses traditional samba with Afro-Brazilian spiritual rhythms from candomblé and umbanda. The collaboration between virtuoso guitarist Baden Powell and poet Vinícius de Moraes creates a deeply evocative soundscape, blending haunting melodies, rich harmonies, and intricate arrangements. Featuring the vocal harmonies of Quarteto em Cy, the album honors Bahia's cultural roots while expanding the expressive possibilities of Brazilian music.

Artist	Title	Format	Label	Catalog #
GRUPO UM	Nineteen Seventy Seven	CD	FAR OUT RECORDINGS	FARO 254CD
$11.00 PREORDER RELEASE DATE: 1/30/2026 Brazilian avant-jazz vanguardists Grupo Um celebrate their 50th anniversary, sharing a second previously lost 1970s album from the vaults. Nineteen Seventy Seven (titled after the year it was recorded) is another rip-roaring instrumental fusion treasure from the band which spawned from within Hermeto Pascoal's famed mid-1970s São Paulo collective. Like their debut album Starting Point, Grupo Um's Nineteen Seventy Seven was recorded when Brazil's military dictatorship was at its most repressive. Just like Hermeto Pascoal's Viajando Com O Som (1977) and Grupo Um's previous album Starting Point (1975), both of which remained unreleased until the 21st century, Zé Eduardo asserts that the 1977 album was flatly "without any chance to be released at that time." Recorded at Rogério Duprat's Vice-Versa Studios in São Paulo, the group were under both time and space restraints. Expanding from a trio to a quintet, original Grupo Um members Lelo Nazario (keys), Zé Eduardo Nazario (drums), and Zeca Assumpção (bass) were joined by saxophonist Roberto Sion and percussionist Carlinhos Gonçalves. Carlinhos, Zé and Zeca had already played together in the group Mandala, while brothers Lelo and Zé had just finished a stint backing Hermeto Pascoal during his years in São Paulo. Lelo was deeply immersed in modular synthesizer experimentation during this period, working extensively with the ARP2600 and EMS Synthi AKS. These electroacoustic explorations formed the sonic foundation for "Mobile/Stabile," one of his first compositions to merge modular synthesis with Brazilian music, a fusion that would ripple throughout the Brazilian jazz scene. The piece premiered at the first São Paulo International Jazz Festival in 1978, performed by Grupo Um with guest trumpeter Márcio Montarroyos. The version on Nineteen Seventy Seven is the first recording of the composition. Nineteen Seventy Seven combines Afro-Brazilian rhythm, modular synthesis and a plethora of whistles, percussion and effects pedals. Grupo Um's daring music represents a manifesto of resistance during the dictatorship years, but it's one which remains just as relevant today.

Artist	Title	Format	Label	Catalog #
LABAT, JEAN-YVES	Underwater Electronic Orchestra (Yellow Vinyl)	LP	OJO DE MUJER	OJO 25005LP
$22.50 PREORDER RELEASE DATE: 1/30/2026 Underwater Electronic Orchestra is a captivating blend of electronic experimentation and avant-garde aesthetics. Labat's intricate compositions, characterized by layered synth textures and unconventional rhythms, create a sonic landscape that is both immersive and thought-provoking. Released in 1976, the album challenges traditional musical boundaries, offering listeners a glimpse into Labat's innovative approach to electronic music.

Artist	Title	Format	Label	Catalog #
BEN, JORGE	Jorge Ben (1969)	LP	VAMPISOUL	VAMPI 343LP
$30.50 PREORDER RELEASE DATE: 1/30/2026 Jorge Ben is someone who needs no introduction. Since his first hits in the early '60s, this the greatest icons of the greatest icons of Brazilian pop music. His anthems "Mais Que Nada" or "Pais Tropical" are among two of the most ever listened Brazilian songs of all time. Ben's self-titled 1969 album is a true samba-soul masterpiece from one of Brazil's most creative voices. This isn't your typical late-'60s LP: Jorge Ben blends the hypnotic swing of samba with funk, psychedelia, and sun-soaked soul in a way that feels both classic and ahead of its time. Released in November 1969, this was Jorge Ben's sixth studio record, and his first back with the Philips label after a creative hiatus. He recorded it with the tight-knit, percussive groove of Trio Mocotó -- whose rhythms lock in beautifully with Ben's laid-back guitar and vocals. On top of that, the album features lush orchestral arrangements from José Briamonte and Rogério Duprat, adding a soaring, psychedelic dimension to Ben's sound. Standout tracks? You've got the joyous anthem "País Tropical," a perfect celebration of Brazilian life. Then there's "Take It Easy My Brother Charles," a socially conscious number that tells the story of a rebellious sailor -- Ben weaves in themes of race, identity, and resilience. And songs like "Que Pena" bring in that sweet, soulful melancholy, while breezy cuts like "Criola," "Domingas," and "Barbarella" highlight his playful, poetic side. This record is a rare blend of genres -- samba, soul, funk, psychedelia -- and it's got a timeless energy. Whether you're already into Brazilian music or just looking for something fresh and soulful, Jorge Ben's 1969 album is a joyous entry point. Reissue on 180g vinyl.

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