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Search Result for Genre WORLD
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LP
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FS 4485LP
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$26.00
PREORDER
RELEASE DATE: 2/28/2025
One of the greatest classics of Brazilian popular music, with Jorge Ben mixing funky samba, Afro-Brazilian beats, and crunching guitars. Jorge Ben was the most prominent figure of the samba soul and samba funk scenes of the '70s in Brazil, and África Brasil is probably the most famous of his '70s recordings.
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VAMPI 308LP
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$30.50
PREORDER
RELEASE DATE: 2/7/2025
Reissued here for the first time, Cartão Postal is one of the best and most sought-after Brazilian funk-soul albums from the early '70s. It includes some outstanding up-tempo gems like Marcos and Paulo Sergio Valle's "Que bandeira," and the stellar "Esperar Prá Ver," co-written by Evinha's brother Renato Corrêa who also happened to be a member of the Golden Boys. This is a classic Brazilian soul-funk title, right up there with all the greatest albums of the genre. Remastered from the original tapes and pressed on 180g vinyl. This release is part of a new reissue series that will include many other outstanding Brazilian classics. Cartão Postal was originally released on Odeon Brazil in 1971, a few years after Evinha started her solo career. From 1961 to 1968 she was a member of Trio Esperança, alongside her brothers Mário and Regina. In 1969 Evinha won first prize at the Festival Internacional da Cançao Popular and her discography for Odeon took off. Cartão Postal, her third solo album, comprises some outstanding gems. "Só Quero" emanates samba soul sounds while songs like "Por Mera Coincidência" or "Rico Sem Dinheiro" resemble what Trio Esperança was doing at the time: vocal-driven groovy jams spiced with celestial strings arrangements and heavy-duty drums and basslines, which is not surprising since they both worked with the same producers and arrangers, as they were all Odeon artists. Ridiculously rare and expensive now, and at the top of many collectors' wants lists for decades, it's finally reissued here after years unavailable.
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LP
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VAMPI 306LP
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$30.50
PREORDER
RELEASE DATE: 2/7/2025
Gerson King Combo's 1977 album is a masterpiece of Brazilian soul, emerged within the Black Rio movement, which was recorded with União Black as the backing band. It features the kind of full-on funky sound you'd only expect to hear from a rare few American groups of the time. Its ten songs mix political statements, which primarily address issues of racial pride, and dancefloor-oriented music. Remastered from the original tapes and pressed on 180g vinyl. This release is part of a new reissue series that will include many other outstanding Brazilian classics. The Côrtes brothers were born and raised in Madureira. Their careers in music stood away from samba carioca and followed different paths: Getúlio was one of Jovem Guarda's composers (author of hits such as "Negro Gato") while Gerson was involved in underground dance groups and would later (as Gerson King) become a leading figure in the Black Rio movement. This album was produced by Ronaldo Corrêa and features Pedrinho da Luz as artistic director. The album has achieved cult status over the years, becoming one of the most sought-after Brazilian funk records of all times. Ridiculously rare and expensive now, at the top of many collectors' wants lists, it's finally reissued here after years unavailable out of Brazil.
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LP
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WWSLP 095LP
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$31.50
PREORDER
RELEASE DATE: 1/31/2025
Wewantsounds presents the reissue of Ammar El Sherei's sought-after instrumental album Music From The East from 1976. Here, the iconic Egyptian musician and composer revisits seven classic compositions by another Egyptian legend, Mohamed Abdel Wahab, in his own hypnotic way. Mixing Arabic music with funky arrangements and electric keyboard experimentations, the album is a perfect showcase for El Sherei's artistry. Curated and annotated by Lebanese-born Arabic music expert Mario Choueiry from Institut du Monde Arabe in Paris, this reissue has been newly remastered and comes with original Soutelphan artwork. Musician and composer Ammar El Sherei (1948-2012) is a giant of Egyptian music. Born in Upper Egypt in 1948 into an upper middle-class family (his grandfather was MP during King Fouad's reign and his eldest brother became the Egyptian ambassador to Australia), El Sherei attended a special school for the blind in Cairo (he lost his eyesight in his early childhood). He got noticed by his teachers there who recommended him to the Hadley School for the Blind in America so he could perfect his studies through a correspondence course. Thanks to this, he quickly learnt piano, oud and composition. Once his studies completed, El Sherei began playing in various Cairo bars and clubs and quickly made a name for himself on the Cairo music scene. He also started writing songs for many established Egyptian artists and quickly rose to fame, becoming one of the most sought-after composers for films and TV series. In 1976, El Sherei signed to leading Egyptian label Soutelphan and recorded Music from the East, an homage to the leading Egyptian composer Mohamed Abdel Wahab. On the album, El Sherei masterfully interprets classics from Abdel Wahab including "Enta Enta," "El Kamh El Leila," and "Balad El Mahob." With the help of innovative keyboards of the time, such as the Steelphon S900 or the Farfisa (as seen on the album cover), El Sherei creates hypnotic instrumentals that blend traditional Arabic melodies with jazz, funk and groove. Popular with vinyl collectors and diggers alike, Music from the East is a sought-after gem on the international Arabic Funk scene.
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LP
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WWSLP 103LP
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$31.50
PREORDER
RELEASE DATE: 1/24/2025
Wewantsounds presents the release of Al-Qasar's new album, Uncovered, a side-project from the group featuring covers from the Western and Arabic repertoires, as well as new originals composed by the group. The album was recorded in Europe and Africa and features guest appearances by Alsarah, Mamani Keita, Cheick Tidiane Seck, and Sami Galbi. Al-Qasar's new album keeps exploring diverse sounds from around the world. One says there's nothing like the original. But when the psychedelic collective tackles such a Depeche Mode classic as "Personal Jesus," you know you're in for a brain-melting, transcontinental journey. The lyrics are in Turkish, and the song's iconic riffs are played on electric saz. The cast is mouth-watering, with studio wizard Thomas Attar producing, playing guitar and saz and Turkish artist Sibel on vocals. "Promises," the second single, is an Afro-futuristic heavy-psych track sung in Bambara which features Malian singer Mamani Keita (who played with Salif Keita) on vocals and the revered "Black Buddah," Cheick Tidiane Seck (Gorillaz, Black Eyed Peas, Santana) on keyboards and backing vocals. On drums you've got Souleymane Ibrahim (from the Tuareg group Mdou Moctar) who unleashes a powerful beat. The rest of the album is sizzling and features Swiss-Morrocan Rai rising star Sami Galbi, Sudanese singer Alsarah, Tunisian virtuoso oud player Nada Mahmoud and Sufi singer Mariam Hamrouni. Produced by Thomas Attar who also plays guitars and synths, Uncovered has been recorded between Tunis, Lisbon, Bamako and Paris and is enhanced by Matt Hyde's warm and massive mix which will enthrall all the group's fans.
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LP
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NL 001SP-LP
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$28.00
PREORDER
RELEASE DATE: 1/24/2025
LP version. The debut album from French singer-songwriter Siân Pottok. A unique sound enriched by horns and electronic textures. Featuring Mamani Keïta, NNEKA, Abou Diarra, and Sanseverino. Deep Waters is much more than just an album. It embodies a "here and now" where the raw intensity of the earth and the yearning for a new vibration intersect. Siân Pottok has found this unique balance in the Kamele Ngoni, a traditional West African harp the practice of which she has been perfecting for several years. Surrounded by layers of brass and electronic sounds, she invites listeners to dive into a universe where every note is a nugget of emotion, a vibrant echo of the times. With this record, Siân asserts herself with the strength and simplicity of a landmark debut album, in the tradition of visionary artists such as Björk and Joni Mitchell. With Valentin Couineau as producer and Cyril Atef (Matthieu Chedid, Brigitte Fontaine, Bumcello) on drums and percussion, Siân surrounds herself with talented musicians who enrich her compositions with singular textures. Exceptional collaborations with NNEKA, Mamani Keïta, and Abou Diarra also enhance this album. Deep Waters is a powerful and authentic work, a sonic voyage that promises to leave a lasting impression.
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7"
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VAMPI 45109EP
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$15.50
PREORDER
RELEASE DATE: 12/20/2024
Welcome to the psychedelic vibes of this weed-inspired double sider where Colombian salsa and Peruvian cumbia meet! "Cannabis" is a killer organ-driven salsa song recorded by Colombian music legend Fruko while "Marihuana" by Los Darlings de Huanuco was conceived as an effort to combine rock and cumbia sounds resulting a perfectly balanced mix of both worlds. First time 7" reissue of these extremely hard to find records! Julio Ernesto Estrada Rincón aka Fruko has probably had one the busiest recording careers in the salsa biz! Not only did Discos Fuentes release some 18 full LPs under the "Fruko" banner over a 20-year period, in addition there were various side-projects like Afrosound and Orquesta Full Salsa, and also one-off studio projects like Los Pambelé. "Cannabis" is the only song released under this name and happens to be a killer organ-driven weed inspired salsa song that funnily enough was renamed "Yerbabuena" (peppermint) when included on a 1972 compilation. On the flipside comes Los Darlings de Huanuco, a pioneer band in introducing rock sounds into the local music scene of this Peruvian city. Under the inspiration of international bands such as Led Zeppelin, Santana, or The Ventures and also local artists like Jean Paul "El Troglodita" or Los York's they recorded "Marihuana." Since the band background was cumbia, the resulting sound of the song is a perfect combination of both worlds despite the original idea was recording a rock number.
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CD
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IRON 041CD
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$13.50
PREORDER
RELEASE DATE: 12/20/2024
The new album from Jamaican hornsman, Alvin Davis. Alvin is best known for the "My Homeland," 7"single, and now steps forward with a full instrumental album, backed by Alien Dread. Album features the instrumental Versions of the tracks from the Amanda J Christos Together We Are Beautiful CD. Includes digital download.
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7"
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IRON 3607EP
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$14.50
PREORDER
RELEASE DATE: 12/13/2024
7" Vinyl single in green. Includes special insert. Limited Edition. Frenchie King is a veteran artist and producer from the world of Reggae music. He was born in Jamaica and moved to the UK at the age of 12, where he began singing in a church choir. In the late 1960s he formed a church band with two friends called The Ressurectors. Their music caught the attention of Reggae star Alton Ellis. After meeting Alton a new band formed called Black Stallion and their first song on Venture Records was released entitled -- "Love Power." Alton was mentor and guiding light for Frenchie and crew; enabling them to jam with a host of Studio One artists. Frenchie went on to work with noteworthy Reggae artists like: Alton Ellis, Dennis Brown, Dennis Alcapone, Ken Parker, Tito Simon, Dave Barker, Bobby Davis (The Sensations), Ruff Cutt, Owen Gray, and Akabu. Moving into the 1980s, Frenchie started a solo career and switched to the label M1 where he released projects like "Your Entitled" and "Poor Me Natty Dread." During this time, he also worked with renowned producer Sid Buckner (Studio One), before taking a brief hiatus; returning to help produce artist Owen Gray. He also wrote the song "Blackbird" for the band Akabu which was released in 1995 on U-Sound. Moving forward into the 2000s, along with other musical adventures the iconic album People Had Enough was released in 2017, along with singles, "Let Us Do Something" and "Dance Cork." In 2023 Frenchie hooked up with The Blackstones. Through this came the opportunity to work with Iron Sound Records and producer Alien Dread. This is the first single on ISR, with a solid Roots vocal track backed by studio band: Alvin Davis, Asha B and Steven Wright. More to follow!
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LP
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VAMPI 307LP
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$28.50
PREORDER
RELEASE DATE: 12/13/2024
In 1969, producer and boogaloo godfather Bobby Marin conceived this undeservedly obscure funky, psychedelic Latin soul gem. Released on Ralph Lew's short-lived Dorado label and engineered by Jon Fausty, Bobby was backed by a top-notch studio band that included Ricardo Marrero, Joey Pastrana, Bernard Purdie, Louie Ramirez, Orlando Marin, and Ozzie Torrens. Includes liner notes by genre expert Pablo Yglesias telling the story behind the music. Generally, when discussing the first wave of Latin soul and boogaloo, it's the bands and their leaders, the singers and the songs that get all the recognition. But what of the producers, composers, and arrangers? One of the top old-school New York Latin music producers, Bobby Marin, was behind the scenes for some of the best independently produced boogaloo and salsa of the '60s and '70s. Saboreando: Pot Full Of Soul, is the album Bobby created in 1969 for his friend Ralph Lew's newly launched Dorado label. Fifty-five years later, Bobby confirms that he commemorated his humble Barrio beginnings playing stickball on West 107th Street and singing doo-wop while some kids played percussion on junkyard drums, by christening the band The 107th Street Stickball Team. The 107th Street Stickball Team was basically the same pool of friends as Ricardo Marrero's group, with the addition of Louie Ramirez playing piano and organ, Orlando Marin, Joey Pastrana and Ozzie Torrens on percussion, Mike Viñas handling the electric bass, and Butch Johnson and Danny Agosto on lead vocals for a few numbers. At that time, soul music was seen by the present Latin generation, indeed the youth market in general, as something that was different, that broke with tradition. The record, with Bobby singing several of the best tunes including "Mojo Shingaling" and "Rhythm and Soul," highlights an affinity or connection between African American and Cuban music in a convincing blend that was emblematic of the scene and allowed the young generation to feel they had a fresh kind of music all their own.
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LP
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VAMPI 309LP
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$28.50
PREORDER
RELEASE DATE: 12/13/2024
This is one of Ray Pérez's most highly sought-after albums, not only for its strong salsa dura anthems and funky boogaloo numbers but also for its brave, quirky eclecticism and youthful, rebellious spirit, all of which are reflections of "El Loco" Ray's unique genius, making him a beloved figure in rare record collector circles everywhere. The original is not that easy to find today and carries a hefty price. Thankfully, it has been remastered from the original tapes, fully licensed, with the original artwork, preserving and presenting the legacy of this great Venezuelan music for today's generation. The late 1960s was a very busy time when Pérez was juggling several different studio bands: Los Dementes, Los Calvos and Los Kenya. The daring experiment Pérez created with Los Calvos laid the basis for Los Kenya, an actual working band that released six albums between 1968 and 1972. Despite being titled Los Kenya, Vol. 2 because it was the second released by Discomoda, the record actually represents Los Kenya's third album, and is perhaps the most mature, well-rounded venture in the lot. In February 1969, on Discomoda, came Los Kenya, Vol. 2 Focused on the upcoming carnival season, it was calculated to compete with rival bands Federico Y Su Combo Latino and Sexteto Juventud for the plethora of gigs offered at that time of year. The album, like all Ray Pérez releases of the time, is short and powerful, with five tracks per side, showcasing a variety of singers, genres, rhythms, influences and arrangements, making this one of his more eccentric and interesting efforts. 1960s California "sunshine pop" rock (often referred to as "surf" on Los Kenya records), guajiras, boogaloos, descargas and even Mexican mariachi corridos are all added to the pot of salsa cooked up by "El Loco Ray" and his band. The album has been rescued from obscurity and lovingly restored, remastered from the original tapes, fully licensed, with its original artwork intact, preserving and presenting the legacy of this great Venezuelan music for today's generation of global salsa dura fans.
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2LP
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VLG 006LP
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$58.00
PREORDER
RELEASE DATE: 12/13/2024
In 1961, a giant awoke in South Central Los Angeles: a musically radical, deep-rooted, politically engaged band, its members drawn from the community it represented and served, and its music composed by them alone -- The Pan Afrikan Peoples Arkestra. The brainchild of pianist and composer Horace Tapscott, the Arkestra was intended to preserve Black music, nurture Black musicians, and above all contribute positively to community building in South Central LA. 60 Years celebrates six decades of his radical and uplifting musical and social vision. Digging deep into the Arkestra's archives, the album gathers breath-taking unreleased material, including previously unheard compositions, from every stage of the band's development -- from Tapscott's earliest iterations of the group, recording at home in 1961, to the current incarnation of the band, led by the new generation of young musicians. Tapscott passed on in 1999, but the Pan Afrikan Peoples Arkestra was built to outlast him: over more than half a century it has stayed true to its roots and to Tapscott's vision, welcoming multiple generations of players into its fold, and celebrating their music. And with current leader Mekala Session -- son of the Arkestra's veteran altoist Michael Session -- at the helm, the Ark is still going strong. 60 Years selects a song from every decade of its life, show-casing a musical family tree that includes renowned musicians such as Arthur Blythe, Dwight Trible, Phil Ranelin, Butch Morris, Kamau Daáood, Sonjia Maia Harper, Nate Morgan, Linda Hill, Adele Sebastian, Michael Session, Jesse Sharps and of course the late, great Horace Tapscott himself. Remastered from archival sources by the Arkestra's longstanding engineer Wayne Peet, 60 Years is presented by The Village -- a label operated by members of the Pan Afrikan Peoples Arkestra. With archival photographs documenting the Arkestra's history, the album arrives with liner notes featuring track-by-track commentary from Arkestra members past and present. For decades, Tapscott's musical brilliance and the majesty of the Pan Afrikan Peoples Arkestra was almost unknown outside South Central. 60 Years is the sound of all this history emerging at last, and also of history in the making. To quote Zekkeraya El-Megharbel, Arkestra conductor and trombonist: "There's more to be said, but words feel like they don't do the job."
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7"
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VAMPI 45108EP
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$15.50
PREORDER
RELEASE DATE: 12/13/2024
First time 7" reissue of this mega-rare Bobby Marin produced Latin funk gem. "Together People (Pamoja Watu)" sounds like a cross between James Brown's "It's A New Day" and Manu Dibango's "Soul Makossa," while "It's Your Thing" is a heavy Latin funk instrumental version of the Isley Brothers classic, featuring screaming Hammond organ. Both are DJ favorites and the original 45 fetches large sums, if you can find a copy. Generally, when discussing the first wave of Latin soul and boogaloo, it's the bands and their leaders, the singers and the songs that get all the recognition. But what of the producers, composers, and arrangers? One of the top old-school New York Latin music producers, Bobby Marin, was behind the scenes for some of the best independently produced boogaloo and salsa of the '60s and '70s. One of his best and most obscure productions was credited to Los Africanos, a studio project featuring Chico Mendoza and New Jersey-based band Ocho.
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7"
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SCOOP 082EP
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$14.50
PREORDER
RELEASE DATE: 12/13/2024
Classic Roots Reggae is the definitive influence on the music of Vibronics. So it has been a true labor of love to bring together the powerful voice of Jospeh Lalibela, the intricate playing of the Mafia & Fluxy Band and the deep production skills of Vibronics to make this homage to classic Jamaican Roots Dub Reggae music.
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LP
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VLG 004LP
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$28.50
PREORDER
RELEASE DATE: 12/13/2024
The Village presents the debut album by Neo Griot & The Afrocentric Prince. Neo Griot & The Afrocentric Prince is a project from duo of Griot A.K. Toney and Jali/Musician Jira, a collaboration of poetry, story, and music paying homage to the past and present. Through oral tradition music using Jazz and African instruments as accompaniment, Neo Griot and the Afrocentric Prince take you on a journey throughout the universe with poetry as the narrator. The debut album features a moving array of styles and inspirations. It also features some of the strongest up and coming young musicians of Los Angeles. Sharada Shashidhar, Devin Daniels, Mekala Session and Black Nile are prominently playing throughout the project. The Village is a record label based in Los Angeles dedicated to releasing live and studio recordings of west-coast spiritual jazz, primarily centered around the Pan Afrikan Peoples Arkestra and the legacy of Horace Tapscott. The team behind The Village includes musicians in the current iteration of PAPA, Mekala Session, and their close peers. The current lineup of the Ark consists of over 40 rotating musicians, many of whom have been in the ensemble since the '70s, alongside younger musicians in the early stages of their careers. As the Ark's official label, our goal is to distribute unreleased music into the world in a way that supports PAPA's continued efforts.
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7"
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PRTL 7043EP
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$15.50
PREORDER
RELEASE DATE: 12/13/2024
Bonafide roots reggae legend and ex-Black Uhuru frontman in mighty fine style with a choice cut originally dating from 2005 when Ryan "Twilight Circus" hooked up with Michael (Sometimes Mykal). Released on 45 for the first time by Partial in 2017. This is a welcome repress as the first press quickly sold out. Features the late great Style Scott (Roots Radics, Dub Syndicate, On-U Sounds) on drums.
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2LP
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ZZR 003LP
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$39.50
PREORDER
RELEASE DATE: 12/13/2024
Limited to 500 copies on double neon-green Vinyl LP, in a 5mm album sleeve printed with color on the front and tracklist on the back. KCT 3 marks a new chapter for The Hempolics, showcasing their growth as musicians and their commitment to pushing musical boundaries. With each track carefully crafted to perfection, the album offers a mix of infectious rhythms and soulful melodies that are sure to get you grooving. From upbeat anthems to introspective ballads, KCT 3 takes listeners on a musical journey through a variety of sounds and styles. Drawing inspiration from a diverse range of influences, the album invites listeners to explore new sonic landscapes and embrace the unexpected.
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LP
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BSR 830LP
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$24.00
PREORDER
RELEASE DATE: 12/6/2024
"Yellowman, also known as King Yellowman, is a Jamaican reggae and dancehall DJ known for his distinctive voice and catchy lyrics. He rose to prominence in the 1980s and became one of the most popular dancehall artists of that era. Yellowman's style often incorporates elements of humor, boastfulness, and social commentary. Born Winston Foster in 1956 in Kingston, Jamaica, Yellowman faced challenges from a young age due to being an albino, but he overcame these obstacles to become a highly successful musician. He gained attention for his 'toasting' style, which involves rhythmic chanting over reggae and dancehall beats. Some of Yellowman's most famous songs include 'Zungguzungguguzungguzeng,' 'Nobody Move, Nobody Get Hurt,' and 'Mr. Chin.' His music often addresses social issues as well as themes of love, partying, and his own experiences. Yellowman's impact on dancehall music and Jamaican culture is significant, and he remains an influential figure in the genre to this day. This iconic 180-gram yellow vinyl, including sleeve notes released on Burning Sounds, captures Yellowman in combination with his sparring partner Vernon Rainford, better known as Fathead, and captures Yellowman at the height of his powers. This re-issue of Divorced! (For Your Eyes Only) is released on 180-gram limited edition yellow vinyl, and includes an insert with comprehensive sleeve notes."
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CD
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XRP 2407CD
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$16.00
PREORDER
RELEASE DATE: 12/6/2024
The Salmon is the project of a legendary trio of "soul men" brought together to celebrate a long friendship, musical freedom, and creativity. Inspired by the original sounds of reggae, country, blues, and soul, they swim upstream like salmon, against clichés and norms. Their journey delights listeners and transports them to distant, soothing landscapes that reconnect them with the essentials: the love of music. The group consists of three friends with well-established careers: Kiddus I, the reggae legend with an enchanting voice, the "Last Crooner on Earth," hero of the 1977 film Rockers, and a member of the Inna De Yard project; Bazbaz, a French pianist singer-songwriter with nine albums to his credit; and Tchiky, an outstanding guitarist who has been accompanying De La Soul for about ten years. After a first EP released in 2020 featuring the tracks "Enough is Enough" and "The Long Road," and a pandemic later, The Salmon finally resurfaced in January 2022 from the hills of Kingston, where the trio, finally reunited, will make Jamaica vibrate alongside seasoned musicians, both French and Jamaican, such as Delroy Wormbass, Viryane Say, Sly Dunbar, Christianne Prince, Pam Hall, Fabrice Colombani, Fonso, Yann Cléry, David Hadjadj, Flabba Holt, and Style Scott. Their first album is a pure Franco-Jamaican gem imbued with the native land of reggae and reflects the trio's desire to return to the roots of their inspirations.
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7"
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BTR 101EP
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$17.50
PREORDER
RELEASE DATE: 12/6/2024
On their debut 45 for Batov Records, Indonesia-based Babon deliver two irresistible jams, cooked from a recipe full of Indonesian flavors, Afro-Latin funk, Morricone grooves, Bollywood breaks and blues, they call "Tropical Desert Music." A must-hear for fans of Surprise Chef, Khruangbin, or Sababa 5. Drummer Wahyudi T. Raupp and multi-instrumentalist Rayi Raditia, friends since high school in Jakarta, via university life in Melbourne, formed Babon in 2023 to address environmental issues through instrumental music, thus combining two mutual passions. Working in their home studio free of time restraints, Babon developed their "Tropical Desert Music" sound, mixing the energy and influences of Melbourne's vibrant music scene, with traditional Indonesian forms, from the pulsating rhythms of dangdut, and gamelan, the ritualistic percussion ensemble music native to Java and Bali, to keroncong, a popular and melodic folk style; while addressing environmental concerns and societal complexities, such as the impact of ruthless exploitation on tropical regions On the A-side, "Desert Rose" is a spaghetti blues dedicated to the widows marginalized and objectified by mine workers. Rayi's electric guitar gently wails with the cinematic effect akin to a Tarantino soundtrack, over a hypnotic groove that never grows tired. On the flip, "TNT" explores the moral dilemma faced by a miner torn between the destructive nature of his occupation and the dire financial needs of his family, leading to a downward spiral of alcohol abuse. Slowly raising tension levels, Babon pit somber organ riffs over bass guitar fuzz and Indonesian-sounding guitar motifs, leading to a final explosion of guitars and drums. Babon's "Tropical Desert Music" perfectly complements Batov Records' rich catalogue of Middle Eastern grooves and is an irresistible sound its own right with a poignant message.
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2LP
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MOV 3750COL-LP
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$52.00
PREORDER
RELEASE DATE: 12/6/2024
"The End Of An American Dream is the 2007 album by Lee 'Scratch' Perry (born Rainford Hugh Perry), who was a Jamaican record producer, composer and singer noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and the use of studio effects to create new instrumental or vocal versions of existing tracks. From his Black Ark Studio in Kingston Jamaica, he worked with and produced a wide variety of artists, including Bob Marley and the Wailers, Junior Murvin, Susan Cadogan, The Congos, and Max Romeo. Later, he moved to Switzerland and reinvented himself as a performance and visual artist but continued to produce innovative music -- collaborations include The Beastie Boys, The Clash, Keith Richards, George Clinton, and Adrian Sherwood. The End Of An American Dream is the first in a series of three albums he made with English musician and producer Steve Marshall a.k.a. John Saxon and is available for the very first time on red color vinyl. The 2LP The End Of An American Dream is available as a limited edition of 750 individually numbered copies housed in a gatefold sleeve."
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LP
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BT 126LP
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Carrying on a string of stunning archival releases from major figures of Indian classical tradition (including releases from members of the Dagar family and Amelia Cuni), Black Truffle presents an unheard recording from tabla master Kamalesh Maitra (1924-2005). For over fifty years, Maitra devoted himself to the rare tabla tarang, a set of between ten and sixteen hand drums tuned to the notes of the raga to be performed. While the tabla tarang has its origins in the late 19th century, Maitra was the first to recognize its potential as a solo concert instrument, using the set of tuned drums to perform full-length raags. Seated behind a semi-circular array of drums, Maitra produced stunning waves of melodic improvisation enlivened with the rhythmic invention of a master percussionist. Across his career, Maitra performed in ensembles led by Ravi Shankar, collaborated with George Harrison, and led his own East-West fusion group, the Ragatala Ensemble. However, it is in the solo setting that his remarkable artistry and the otherworldly timbral qualities of the tabla tarang are most strikingly on display. Recorded during the same 1985 Berlin sessions that produced Maitra's self-released solo LP Tabla Tarang: Ragas on Drums, on Raag Kirwani on Tabla Tarang listeners are treated to Maitra stretching out for over forty minutes on the late-night Raag Kirwani, accompanied by Laura Patchen on tabla and Mila Morgenstern and Marina Kitsos on tanpura. The performance begins with the traditional free-floating exposition section, where Maitra's spacious melodic improvisation at times almost resembles a plucked string instrument (like the sarod, which Maitra also played). For the listener unaccustomed to the tabla tarang, the sound of these microtonally inflected melodic patterns played on drums has a magic quality. As Maitra begins to imply the rhythmic cycles more strongly, Patchen joins on tabla, beginning half an hour of rhythmic-melodic exploration, where virtuosity sits side by side with delicacy and meditative attention. Accompanied by beautiful archival images and extensive liner notes from Laura Patchen, for many listeners Raag Kirwani on Tabla Tarang will be the perfect introduction to the magical world of Kamalesh Maitra, released to coincide with the hundredth anniversary of the master musician's birth.
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CD
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XRP 2407LP
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$29.50
PREORDER
RELEASE DATE: 12/6/2024
LP version. The Salmon is the project of a legendary trio of "soul men" brought together to celebrate a long friendship, musical freedom, and creativity. Inspired by the original sounds of reggae, country, blues, and soul, they swim upstream like salmon, against clichés and norms. Their journey delights listeners and transports them to distant, soothing landscapes that reconnect them with the essentials: the love of music. The group consists of three friends with well-established careers: Kiddus I, the reggae legend with an enchanting voice, the "Last Crooner on Earth," hero of the 1977 film Rockers, and a member of the Inna De Yard project; Bazbaz, a French pianist singer-songwriter with nine albums to his credit; and Tchiky, an outstanding guitarist who has been accompanying De La Soul for about ten years. After a first EP released in 2020 featuring the tracks "Enough is Enough" and "The Long Road," and a pandemic later, The Salmon finally resurfaced in January 2022 from the hills of Kingston, where the trio, finally reunited, will make Jamaica vibrate alongside seasoned musicians, both French and Jamaican, such as Delroy Wormbass, Viryane Say, Sly Dunbar, Christianne Prince, Pam Hall, Fabrice Colombani, Fonso, Yann Cléry, David Hadjadj, Flabba Holt, and Style Scott. Their first album is a pure Franco-Jamaican gem imbued with the native land of reggae and reflects the trio's desire to return to the roots of their inspirations.
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LP
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VIA 009LP
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"While there has been plenty of precedent, regarding Alvarius B's fascination with the down and out of Anglo/American cultural refuse, That's How I Got To Memphis is certainly his most realized collection of paying homage to it. The fact that this whole album is a collection of covers that have invaded AB's current musical obsessions is testament to the timeless nature of the original artists songwriting prowess. Imagine Joe Meek coming back from the dead to produce a country western and northern album by a Saginaw miscreant fried up in the Orman botanical gardens of Cairo Egypt. That this album could be a perfect soundtrack to a Paul Lynch sequel to his portrait of failed ambition masterpiece The Hard Part Begins is irrelevant, because it stands alone as a sequel to another AB masterpiece, Baroque Primitiva. That this album also highlights actual OUTSIDER artists from the halcyon days of holy, rebellious, loner losers should give hope, cuz outsider these days means you don't have a gmail account or Meta colonized brain. That's How I Got To Memphis is a superb collection of songs about longing, love lost and found, curios picked up and dropped off, tragedy and hope, confusion and epiphany while stumbling around through back roads to nowhere." --HM
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7"
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BJR 45034EP
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$15.50
PREORDER
RELEASE DATE: 12/6/2024
The Swiss trio AMAMI returns with Islands, a new EP featuring four explosive tracks along with their Dub versions. Following the success of their previous projects Giant and Soleil, the group continues to explore the intersection of Dancehall, Dub, and Afro-Pop, while staying true to their live approach, without sequencers or computers. Issued from the EP comes "Wrong Way." The track kicks off with a powerful Jamaican influence, mixing steppa, rockers, and dub into AMAMI's signature explosive fusion. This track, a real dance floor igniter during the group's European tours, is an energetic bombshell that turns every set upside down. In addition to the original song, the 7'' features a Dub version, paying homage to the Jamaican Dub scene. For this remix, AMAMI collaborated with Dub legends Vibronics from the UK. These bold reinterpretations honor the genre, emphasizing bass, drums, and sound effects like delay and reverb, all while staying rooted in a dynamic and experimental vibe that invites dancing.
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