Search Result for Genre WORLD
viewing 1 To 25 of 5268 items
Next >>
|
|
|
|
|
|
|
|
|
|
2LP
|
|
VP 4256LP
|
$43.00
PREORDER
RELEASE DATE: 11/7/2025
"First time on vinyl for Chapter One of the acclaimed previously CD-only set that was released to celebrate the 50th Anniversary of Randy's Records. Kicking off with the joyful ska of Lord Creators' Independent anthem, Chapter One runs the true course of Jamaican music in the 1960s with a virtual who's who of reggae music including Bob Marley, Peter Tosh, Toots & The Maytals, Rico, Skatalites, John Holt & Alton Ellis. Beautifully packaged with inner sleeves featuring rare photos and liner notes by Blood & Fire's Steve Barrow."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
VP 4257LP
|
$43.00
PREORDER
RELEASE DATE: 11/7/2025
"First time on vinyl for Chapter Two, the second part of the acclaimed previously CD-only set that was released to celebrate the 50th Anniversary of Randy's Records. From Augustus Pablo's groundbreaking 'Java' to Carl Malcolm's UK pop crossover hit 'Fattie Bum Bum,' Chapter Two showcase classic after classic from an all-star line-up of the '70s reggae music greats including Black Uhuru, Horace Andy, Dennis Brown, Gregory Isaacs, The Heptones & Big Youth. Beautifully packaged with inner sleeves featuring rare photos and liner notes by reggae historian, Dennis Katz."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
EB 215CD
|
$15.50
PREORDER
RELEASE DATE: 10/17/2025
Dub Spencer & Trance Hill once again realize their musical vision with their new release Synchronos. The perfect hybrid of dub and trance -- analog, danceable and at the forefront of sound technology. With Synchronos, Dub Spencer & Trance Hill present an album that defies conventional categories. The new tracks surprise and guide the listener into a colorful world of sound -- an acoustic kaleidoscope in which diversity becomes a principle. Musical components -- dub, trance, dance, techno, rock, jazz -- are put together by the musicians in new and unexpected ways. Experimental, multi-layered and always good for surprises, yet inevitably club- ready: That's Dub Spencer & Trance Hill.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
EB 215LP
|
$34.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. Dub Spencer & Trance Hill once again realize their musical vision with their new release Synchronos. The perfect hybrid of dub and trance -- analog, danceable and at the forefront of sound technology. With Synchronos, Dub Spencer & Trance Hill present an album that defies conventional categories. The new tracks surprise and guide the listener into a colorful world of sound -- an acoustic kaleidoscope in which diversity becomes a principle. Musical components -- dub, trance, dance, techno, rock, jazz -- are put together by the musicians in new and unexpected ways. Experimental, multi-layered and always good for surprises, yet inevitably club- ready: That's Dub Spencer & Trance Hill.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
EB 223CD
|
$15.50
PREORDER
RELEASE DATE: 10/17/2025
Echo Beach presents: Don Letts: The Rebel Dread -- legendary film and video director, disc jockey and musician. Don Letts, in his capacity as a selector (it's not for nothing that he hosts his own show on BBC6 radio), enthusiastically accepted the invitation to create a compilation from Echo Beach's extensive catalog to mark its 30th anniversary. A splendid and crisp selection. Featuring Dubinator, Martha And The Muffins, Dubmones, Earl 16 & Oku Onuora, Dubblestandart, Dubxanne, Claire Parsons, Dub Stax, Don Letts Dub Cartel, Aaron, Dubblestandart, Marcia Griffiths, Toogah, Fila Brazillia, Ari Up, Lee Scratch Perry, Noiseshaper, Kid Loco, Soul Sugar, RSD, Ammoye, and Dub Spencer & Trance Hill.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
EB 223LP
|
$34.00
PREORDER
RELEASE DATE: 10/17/2025
LP version. Echo Beach presents: Don Letts: The Rebel Dread -- legendary film and video director, disc jockey and musician. Don Letts, in his capacity as a selector (it's not for nothing that he hosts his own show on BBC6 radio), enthusiastically accepted the invitation to create a compilation from Echo Beach's extensive catalog to mark its 30th anniversary. A splendid and crisp selection. Featuring Dubinator, Martha And The Muffins, Dubmones, Earl 16 & Oku Onuora, Dubblestandart, Dubxanne, Claire Parsons, Dub Stax, Don Letts Dub Cartel, Aaron, Dubblestandart, Marcia Griffiths, Toogah, Fila Brazillia, Ari Up, Lee Scratch Perry, Noiseshaper, Kid Loco, Soul Sugar, RSD, Ammoye, and Dub Spencer & Trance Hill.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
FLEE 007LP
|
$45.50
PREORDER
RELEASE DATE: 9/19/2025
The songs of Louisiana's Francophone and Creole heritage have flowed through the bayous for centuries, shaped by African, Native American, French, and Caribbean influences. This double vinyl compilation and its OBI strip features a staggering 34 songs, ranging from French ballads and Creole renditions to zydeco hooks and reinterpretations by a wide array of contemporary artists such as Madteo, Tanz Mein Herz, Radio Hito, Cyril Cyril, and Deafkids, among others. With archival recordings and contemporary creations side by side, it serves as a bridge across the vast bayou of Louisiana music. Also featuring Elby "Bee" Deshotels, Alma Barthélémy, Caesar Vincent, Raywood Morvant, Chalvin Godar, Burton LeMaire, Clifton Chenier, Isome J. Fontenot, Gabriel Broussard, Emeline Broussard, Chimère FM, Yama Warashi, Herandu, _thesmoothcat, Juu, and NAPPYNAPPA.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
N 102LP
|
$32.00
PREORDER
RELEASE DATE: 9/19/2025
The Alien Dub Orchestra is ragtag collective of Bavarian musicians, featuring members of The Notwist and G.Rag y los hermanos Patchekos. The cohort formed around the idea of performing the standards of the fabled Breadminster Songbook, aka the back-catalogue of lone dubman Elijah Minnelli. Minnelli is known for constructing wheezy, forlorn odes to his hometown, both as highly sought-after self-released 7" singles, and a critically-acclaimed debut album, Perpetual Musket for FatCat Records, lauded by the likes of The Guardian, The Wire, and The Quietus. Plays the Breadminster Songbook finds group covering Minnelli's cumbia-infused dub reggae with full band, playing an eclectic array of instruments including: guiro, accordion, melodica, sousaphone, trumpet and assorted percussion. The seeds of the Alien Dub Orchestra were sown during a support gig for The Notwist, where assorted musicians joined Minnelli for an encore, reinterpreting one of his dub remixes across woodwind, brass and assorted percussion. Despite the non-traditional origins of the source material, the inherent musicality of Minnelli's songwriting shines through across his releases, and this creative kinship is what attracted the Orchestra to reimagining his work. The first live collaboration led to recording sessions and further gigs, with the Orchestra building a full set of Minnelli's music. The resulting album puts forward the strongest case yet of the shared musical throughline between the acts, where cumbia, dub and folk sensibilities coalesce to something altogether unique. The tracks are wrought new, with melodies fleshed out and broader instrumentation expanding the sonic possibilities of the compositions. For these dubs, Minnelli is joined by Raimund Wong, who had caught his ear with his ambitious live sets, a daisy chain of tape machines and FX pedals. Again, despite their differing creative processes, the two bonded over a shared love of dub music.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
BTR 126EP
|
$17.50
PREORDER
RELEASE DATE: 9/19/2025
Sababa 5 return with another essential 45 for Batov Records' Middle Eastern Groove series. This time, they team up with two very different artists on two distinct tracks built from the same hypnotic groove: soulful Turkish alt-pop sensation Canay Doğan and reed flute specialist Itzhak Ventura. After four albums and a strong run of 45s and EPs, plus support from tastemakers like Gilles Peterson, Cerys Matthews, Gideon Coe, and Jeremy Sole, Sababa 5 lay down a cinematic, slow-burning groove built for hazy summer days. Raz Man's crisp drumming locks in with Amir Sadot's psych-soul bassline. Though they share the same root groove, "Gaip" and "Seher" explore different moods and textures -- two individual pieces that complement each other while standing firmly on their own.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
VAMPI 328LP
|
$28.50
PREORDER
RELEASE DATE: 9/19/2025
Ranil is undoubtedly the most unconventional figure among the greats of Amazonian cumbia, earning a well-deserved place alongside all the better-known iconic bands. He worked as a teacher, criollo guitarist, radio host, TV entrepreneur, and politician, but gained lasting fame as the founder of Ranil y Su Conjunto Tropical in the 1970s. By 1968, around the same time Los Destellos were making waves in Lima, groups like Los Wembler's de Iquitos and Juaneco y su Combo began electrifying cumbia in Iquitos. This new genre, dubbed Amazonian cumbia, exploded nationwide in 1973, thanks to hits by Juaneco y su Combo, Los Mirlos, and Los Wembler's. The success these bands achieved spawned dozens of other groups from the Amazon. Ranil, always a visionary, recognized the movement's potential and joined forces through his first single recorded on the Dinsa label in 1974. Unhappy with the contractual terms, he went on to found Producciones Llerena, the label on which he would release the rest of his discography. Over the years, Ranil y su Conjunto Tropical featured guitarists like Límber Zumba and Luis Nigro, while Ranil remained the lead vocalist and bassist for group. Zumba and Nigro had already played with other regional bands and written songs for groups like Los Destellos and Los Mirlos. This compilation offers a glimpse into the vast musical output Ranil created in the late 1970s and early 1980s, bringing together 14 tracks from the band's ten LPs. These records have always been hard to come by as, despite being recorded in Lima, they were distributed by Ranil from Iquitos. Psychedelia, rock fusion, cumbia, salsa, mambo, Amazonian folk -- you'll find all these flavors blended into the vibrant, jungle-rich sound Ranil crafted.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BUDA 860404CD
|
$15.00
PREORDER
RELEASE DATE: 9/12/2025
"Sory Kandia Kouyaté (1933-1977) was 'The Voice' of independent Guinea. It is to this baobab of Guinean song that one of his sons, Kaabi Kouyaté dedicates this tribute. The most fascinating thing about this album is Kaabi's voice, whose timbre, modulations and inflections, and the felicity of his DNA, echo so hauntingly those of Guinea's most famous griot."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
WWSLP 102LP
|
$35.00
PREORDER
RELEASE DATE: 9/12/2025
Wewantsounds reissues Fairuz's classic album Chat Iskandaria released on Relax-in in 1987. The album sees "The Lebanese Diva" going back to her roots and interpreting classic songs by the Rahbani Brothers in her own style accompanied by hypnotic traditional orchestral arrangements. Coming with its original deluxe gatefold sleeve, the album -- curated by Mario Choueiry from Institut du Monde Arabe (Paris), who also wrote the liner notes -- has been newly remastered by Colorsound Studio in Paris. Fairuz is a living legend and one of the greatest divas of the Arab world. For more than sixty years, she has been at the heart of Arabic music, releasing landmark albums since the early '50s and performing on stages around the globe. Fairuz rose to prominence through her collaboration with the Rahbani Brothers (Assi and Mansour), a creative partnership that began in the 1950s and flourished through the 1970s, producing a vast repertoire of timeless songs that remain beloved across the Arab world and beyond. In the late 1970s, Fairuz shifted to a more modern sound with albums such as Wahdon (1979) and Maarifti Feek (1986), produced by her son Ziad Rahbani, blending jazz, funk, and other contemporary influences into her music. However, Chat Iskandaria, released in 1987, marks a return to her classic Rahbani sound, offering a more traditional yet captivating approach to Arabic music. The album sees Fairuz interpreting a selection of Rahbani Brothers compositions in their signature theatrical and orchestral style, with themes ranging from nostalgia and love -- including a heartfelt homage to the city of Alexandria -- to the passage of time, central motifs in much of their work the legendary poet Saïd Akl contributes to two songs, "Min Rawabina Al Kamar" and "Fattehhon Alay." Unlike her more experimental collaborations with Ziad Rahbani, Chat Iskandaria stays firmly rooted in traditional Lebanese and Levantine musical aesthetics. Rich in melody and poetic imagery, it showcases Fairuz at her most evocative, supported by the refined orchestral arrangements that defined her golden era with the Rahbanis. Chat Iskandaria is a must-have for lovers of classical Arabic music and a poignant reminder of the enduring artistic bond between Fairuz and the Rahbani Brothers. Wewantsounds releases the album on vinyl for the first time since its original 1987 release, featuring its beautiful gatefold sleeve, remastered audio and a new bilingual introduction by Mario Choueiry (Institut du Monde Arabe).
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BORNBAD 183CD
|
$12.50
PREORDER
RELEASE DATE: 9/12/2025
Here are fourteen tracks of untimely yet unprecedented cross-fertilization from the French West Indies: all types of music rooted in the Creole archipelago have found their way, whatsoever, to the tracklisting. Whether originating from the city or being more rural, they all go back to what Edouard Glissant, in an interview about the place of West Indian music in the Afro-American scope, called "the trace of singing, the one which got erased by slavery." The opening track features one of the emblematic orchestras of this aesthetic identity, criscrossing many music types from the archipelago. The 1974 Ray Barretto guajira is magnificently performed by Malavoi, a legendary Fayolais group. Additionally, the compilation ends on a piece by Los Martiniqueños de Francisco. Practicing the danmyé rounds (a kind of capoeiria) to the rhythm of the bèlè drum, it delivers a terrific Caterete, a kind of champeta of Afro- Colombian obedience which was originally composed by Colombian Fabián Ramón Veloz Fernández for the group Wgenda Kenya. The icing on the cake is Brazilian Marku Ribas, who found refuge in Martinique in the early 1970s, bringing his singing to the last trance-inducing track. The Los Caraïbes cover of "Dónde," a famous Cuban theme composed by producer Ernesto Duarte Brito, has a typical violin and features renowned Martinique singer Joby Valente and his piquant voice. The meaningful "Amor en chachachá" by L'Ensemble Tropicana, a band which included Haitian musicians among whom was composer and leader Michel Desgrotte, also recalls how Latin music was pervasive in the tropics in the mid-1960s. They were the ones keeping people dancing at Le Cocoteraie in Guadelupe and La Bananeraie in Martinique. Around the same time, another "foreign" band, Congolese Freddy Mars N'Kounkou's Ryco Jazz, achieved some success on both islands by covering Latin jazz classics. In a more typically salsa vein, the Super Combo, a famous Guadelupean orchestra from Pointe-Noire that was formed around the Desplan family and had Roger Plonquitte and Elie Bianay on board, adapt "Serana," a theme by Roberto Angleró Pepín. Léon Bertide's Martinican ensemble excelled at the boogaloo which had been composed by Puerto Rican saxophonist Hector Santos for the legendary El Gran Combo. Three years later, in 1972, Henri Guédon, with the help of Paul Rosine on the vibraphone, tackled the Bilongo made famous by Eddie Palmieri. On the high-value collectible single -- the first one released by Les Aiglons under the Duli Disc label -- there is a sticker classifying the track under the generic name "Afro." Digipack CD includes 20-page booklet, and liners notes in French, Spanish, English. LP version includes 6-page booklet.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
CLASSIC 091LP
|
"Talán is the title of Raphael Rogiński's new solo album. Rogiński -- Polish guitarist, composer and musicologist, received recognition not only as a member of the Shofar trio where he performs with saxophonist Mikołaj Trzaska and percussionist Macio Moretti but also thanks to his astounding takes on John Coltrane's music released in 2015 Plays John Coltrane And Langston Hughes African Mystic Music. 'Talán is a very old (probably Scythian) word that can be translated as 'maybe' and that's where my musical approach comes from -- I take something in order to lose something else,' Rogiński explains. 'It's a constant process of achieving goals by getting rid of others and I'm fixated on this idea. It's also a meditation upon a process, a calm observation,' he adds. Talán is also a result of Rogiński's fascination with the Black Sea. 'All of the tracks are somehow connected to it and some were composed in Odessa -- a city often thought of as a gateway to Asia. This is where my some of my ancestors arrived to Europe,' says Raphael. 'When working on these tunes I came to know the Black Sea both physically and spiritually. What's interesting, it's been once called Inhospitable Sea only to later turn into Hospitable Sea. A myth was tamed and when the mystery disappeared and different civilizations met, a new myth came into life. The album was composed over a couple of years and took many attempts at the recording. My patience is usually very limited so this has been a strange experience for me. But traveling the region of the Black Sea and discovering its nature within myself required time. Our world is full of wonders and awes and traveling (both physically as well as emotionally) remains one of the most important aspects of living,' Rogiński admits."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BORNBAD 183LP
|
$22.50
PREORDER
RELEASE DATE: 9/12/2025
LP version. Here are fourteen tracks of untimely yet unprecedented cross-fertilization from the French West Indies: all types of music rooted in the Creole archipelago have found their way, whatsoever, to the tracklisting. Whether originating from the city or being more rural, they all go back to what Edouard Glissant, in an interview about the place of West Indian music in the Afro-American scope, called "the trace of singing, the one which got erased by slavery." The opening track features one of the emblematic orchestras of this aesthetic identity, criscrossing many music types from the archipelago. The 1974 Ray Barretto guajira is magnificently performed by Malavoi, a legendary Fayolais group. Additionally, the compilation ends on a piece by Los Martiniqueños de Francisco. Practicing the danmyé rounds (a kind of capoeiria) to the rhythm of the bèlè drum, it delivers a terrific Caterete, a kind of champeta of Afro- Colombian obedience which was originally composed by Colombian Fabián Ramón Veloz Fernández for the group Wgenda Kenya. The icing on the cake is Brazilian Marku Ribas, who found refuge in Martinique in the early 1970s, bringing his singing to the last trance-inducing track. The Los Caraïbes cover of "Dónde," a famous Cuban theme composed by producer Ernesto Duarte Brito, has a typical violin and features renowned Martinique singer Joby Valente and his piquant voice. The meaningful "Amor en chachachá" by L'Ensemble Tropicana, a band which included Haitian musicians among whom was composer and leader Michel Desgrotte, also recalls how Latin music was pervasive in the tropics in the mid-1960s. They were the ones keeping people dancing at Le Cocoteraie in Guadelupe and La Bananeraie in Martinique. Around the same time, another "foreign" band, Congolese Freddy Mars N'Kounkou's Ryco Jazz, achieved some success on both islands by covering Latin jazz classics. In a more typically salsa vein, the Super Combo, a famous Guadelupean orchestra from Pointe-Noire that was formed around the Desplan family and had Roger Plonquitte and Elie Bianay on board, adapt "Serana," a theme by Roberto Angleró Pepín. Léon Bertide's Martinican ensemble excelled at the boogaloo which had been composed by Puerto Rican saxophonist Hector Santos for the legendary El Gran Combo. Three years later, in 1972, Henri Guédon, with the help of Paul Rosine on the vibraphone, tackled the Bilongo made famous by Eddie Palmieri. On the high-value collectible single -- the first one released by Les Aiglons under the Duli Disc label -- there is a sticker classifying the track under the generic name "Afro." Digipack CD includes 20-page booklet, and liners notes in French, Spanish, English. LP version includes 6-page booklet.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
CLASSIC 100LP
|
$29.00
PREORDER
RELEASE DATE: 9/12/2025
"Bura is a brand-new album by guitarist Raphael Rogiński and the group Ru?ičniak Tajni (Svetlana Spajić, Marina D?ukljev and Tijana Golubović). It features guest appearances by Piotr Zabrodzki (LXMP, Mitch & Mitch) and Mila Gavrilovič. Ru?ičniak Tajni is a unique meeting of Polish and Serbian musical traditions, the result of cooperation between artists seeking new forms of expression based on the cultural heritage of Central and Eastern Europe. The initiator of the project is Raphael Rogiński -- a Polish guitarist, composer and researcher, known for his experimental approach to traditional music and his love of improvisation. In the project, he is accompanied by three outstanding Serbian artists whose work is a conscious combination of local traditions and modern expression: Svetlana Spajić -- a renowned ethnomusicologist and singer, specializing in old vocal techniques and archaic song forms. Her interpretations combine authenticity of message with sensitivity to the contemporary context. Marina D?ukljev -- a pianist moving in the area of improvised and experimental music, known for deconstructing harmonic and rhythmic structures. Tijana Golubović -- a violinist and vocalist, drawing from folk performance practice, while simultaneously exploring new sonic narratives. Their collaboration resulted in the album Bura, recorded in Serbia in November 2024. The title refers to the characteristic wind from the northern Balkans, symbolizing both the forces of nature and the cultural tensions shaping the identity of the region. The album is a musical encounter of traditional Serbian songs -- reconstructed on the basis of oral traditions and archival materials - with modern means of expression. Another key element is Raphael Rogiński's original compositions, inspired by Sufi poetry, which was translated into Serbian in the 19th century."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BSR 932R-LP
|
$24.00
PREORDER
RELEASE DATE: 9/12/2025
"1999 ska heavy album from Toots & The Maytals. Wicked pacing and inspired playing and singing set this one as a high-water mark in the Maytals' discography."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
EB 212CD
|
$15.50
PREORDER
RELEASE DATE: 9/5/2025
Noiseshaper is back with new music, bringing their classic dub sound into a fresh comeback. Their return is all about those classic basslines and soulful reggae-inspired vocals, making this a must- hear for long-time-fans and a perfect introduction for new listeners. Noiseshaper now presents their highly-anticipated new album, Welcome The Unknown, featuring their latest discovery Simple Straw and soul singer Jackie Deane, whose unmistakable voice is already familiar to fans. The album's lyrics tackle themes from climate change to social inequality and love in its various forms. Simple Straw describes the new album as "pure positivity." The album features a special appearance by Bernard Fowler, best known as The Rolling Stones' longtime backing vocalist. With a spirit that bridges soulful introspection and dub-fueled defiance, Welcome The Unknown promises to be a sound journey -- one that reflects Noiseshaper's undying commitment to pushing boundaries and creating music that resonates.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
VAMPI 45114EP
|
$17.50
PREORDER
RELEASE DATE: 9/5/2025
A longtime favorite among Brazilian music collectors! Trio Ternura's "A Gira," originally released in 1973, blends mid-tempo grooves with percussive funk and soul in a way that feels effortlessly timeless. Vampisoul now make this incredible single available once again, cut at 45 RPM and remastered from the original tapes. The track was written by the group's father and uncle as a heartfelt homage to the Candomblé deity -- celebrating nature and spirituality. Trio Ternura was a true family project, made up of three siblings with deep musical roots. According to them "A Gira" captures "the dancing, the expression, the lyrics and musical relaxation -- something very Brazilian." The B-side features the trio's soulful interpretation of Gato Barbieri's "Last Tango in Paris," adding a mellow cinematic touch to this sought-after release.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
BTR 125LP
|
$28.00
PREORDER
RELEASE DATE: 9/5/2025
Psychedelic dub, Afro-Latin rhythms and cosmic grooves come together on La Chooma's self-titled debut for Batov Records. Drawing on Moroccan Gnawa, Colombian cumbia, Afrobeat, Jamaica dub and roots, and cosmic jazz, the six-piece ensemble create deep, hypnotic music rooted in global traditions and shaped for contemporary. Having already captivated local audiences with their hypnotic, organic live performances, La Chooma -- now a six-piece ensemble -- have been steadily building an international following. Initial singles "Magic Plant" and "Huachuma" earned support from tastemakers including BBC Radio 6 Music's Deb Grant and Tom Ravenscroft. "Magic Plant" distills the band's signature blend of hypnotic grooves, lush percussion and woozy synths, like Jimi Tenor lost in the Colombian Amazon. A dreamlike, dub-infused trip driven by organic rhythm and cosmic textures. "Huachuma" picks up the thread, fusing Afrobeat percussion, swirling basslines and psychedelic flourishes into a hallucinogenic jam made for a tropical dancefloor. "High Grow" conjures images of The X-Files set in Addis Ababa, with Ethiojazz-style synths dancing and tripping across a relentless Mulatu-inspired bassline and Afrobeat drums, all drenched in foreboding dub delay. Perfect for dark, smoke-filled rooms in the small hours. Like the lost child of Idris Ackamoor & The Pyramids and The Comet Is Coming, "Lonely" hits like a sledgehammer of cosmic synth funk and intense Afrorock drums, riding an acoustic bassline that breaks into a frenetic solo after a minute. The drums constantly threaten to overwhelm, but open up for the spiraling synths to peak half way through the track. "Cozumel" follows seamlessly, moving to a slightly slower groove built on a deep electric bassline and irresistible four-to-the-floor Afro-Latin rhythms. Synths rise in harmony with the haunting call of the hand-carved Egyptian kawala flute as the energy builds in the third minute before the tension finally releases. There's something in the music's spiritual core and soulful presence that recalls the groundbreaking work of Jamaican legends Count Ossie and Cedric Brooks, who fused jazz with Rastafari drumming. La Chooma draw dotted lines across time and space, finding hidden connections and shared frequencies, pulling threads together into a sound that hypnotizes the mind and moves the body.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
VPALWR 52272LP
|
$27.00
PREORDER
RELEASE DATE: 9/5/2025
"Sister Nancy's 'Bam Bam' on the Stallag Riddim is arguably the most licensed dancehall track for advertising and film backgrounds with multiple uses since 2000. The song has also displayed amazing lasting power for club DJs, with its instantly recognizable hooks. This album, originally released in 1982, showcased Sister Nancy for the world on the heels of a hit that has only gotten bigger over the decades. This is the first legitimate re-issue of the album, since the death of producer and techniques label founder, Winston Riley. Demand will be strong for this rare gem."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DLC 019LP
|
$27.00
PREORDER
RELEASE DATE: 8/29/2025
De la Catessen Records presents Cut Out the Day, the third album by Adelaide world music/cabaret outfit, Golonka. Cut Out the Day is a wild and original mix of gypsy vibes, European blues and gritty klezmer: a mixture of originals and covers from the fringes of Eastern Europe. This theatrical collection of original numbers and poetic arrangements of a wide range of eastern European folk tunes boasts moments of sublimely atmospheric melancholy, and the laughter of dark whimsy. Whatever trouble and sadness might be the seed of a song, Golonka's cure is furious rhythm and wild dancing. Golonka's five musicians from diverse backgrounds have performed all around the world, each having carved out their own career with a distinct musical voice that makes Golonka more than the sum of its considerable parts. The group formed almost 20 years ago and have been gigging constantly since then, with highlights including Womad and a tour of Japan. Featuring Dylan Woolcock on vocals, guitar and domra, Quincy Grant on clarinet and guitar, Gareth Chin on accordion, Belinda Gehlert on violin, and Harley Gray on double bass.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
GB 173LP
|
$28.00
PREORDER
RELEASE DATE: 8/29/2025
LP version. The celebrated Rwandan folk duo returns with a resonant fifth album, Rwanda Sings with Strings. The record combines their signature earthy vocals and acoustic instrumentation (guitar and hand percussion) with atmospheric cello and violin arrangements, creating a soundscape that vividly brings to life their powerful stories of resilience, memory, and longing. Recorded 100% live without overdubs in a hotel room by Grammy-winning producer Ian Brennan (Tinariwen, Ramblin' Jack Elliott, Parchman Prison Project), the album delivers an unusually intimate listening experience. Reflective, unfiltered and deeply human. For The Good Ones' fifth album, Ian Brennan scheduled a cellist and violinist to accompany the duo. The entire album was recorded in single takes without written scores or demos. The arrangements were improvised on the fly by the two string players who also didn't know each other. Within minutes of meeting all four musicians were recording -- their only communication, musical. "It was all an experiment," reports producer Ian Brennan, "but the second the strings entered during the intro of 'Agnes Dreams of Being an Artist,' it felt like the room began levitating and there was no doubt that something magical and profoundly beautiful was occurring. The album is extraordinarily ethereal -- even by their high standards." The session fulfilled the group's long-held dream to have main writer, guitarist, and lead vocalist, Adrien Kazigira's songs performed with strings. Sequestered in a Washington, DC hotel room the day prior to The Good Ones NPR "Tiny Desk" session, the musicians recorded nineteen songs in just three hours. Kazigira was so happy with the experience, afterwards, he wrapped his arms around the cello, as he lay chuckling and exhausted on the couch. The album's sound is steeped in a romanticism, longing, and a sense of resigned grandeur that echoes Malian balladeers like Boubacar Traoré or even Nick Drake and Astral Weeks. Perfect Sunday morning listening. Decidedly an underground group, The Good Ones' renown is nonetheless evidenced by the stellar musicians who've collaborated with them in the past, including members of Wilco, TV on the Radio, Sleater-Kinney, My Bloody Valentine, and Fugazi, and also by the vocal supporters that they've attracted such as Led Zeppelin legend Robert Plant. Kazigira states, "We are so thankful that music has taken us so many places that we never dreamed of visiting. And this new album has given us hope and really carried us through the hard times."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JPR 123LP
|
$30.00
PREORDER
RELEASE DATE: 8/29/2025
"Jackpot Records presents a re-issue of this revered reggae album, 1976s War Ina Babylon by Max Romeo & The Upsetters. Originally released on Island Records, the album is considered one of the greatest Reggae albums of all time and was a massive influence on the UK punk movement that was just starting to bubble to the surface. The record's incredible power belies an unlikely partnership between one of the world's greatest producers (and experimenters in sound), Lee "Scratch" Perry, and vocalist Max Romeo (who by 1976 had performed on over 120 7" singles) Romeo had been transforming from his 'rude' records to writing lyrics with social themes as the era in Jamaica was rife with poverty, gangs, and politically motivated killings. As he was looking to produce protest music at its most powerful alongside music that would never leave the listener's souls, Lee Perry and Max Romeo started collaborating together. Recorded in two weeks in 1976, utilizing Lee Perry's kitchen sink production, War Ina Babylon is considered part of Lee Perry's 'holy trinity' Black Ark produced LPs released by Island Records (Junior Murvin's Police and Thieves and The Heptones' Party Time being the other classics LPs in the trinity), this LP continues to find new fans with every passing generation. Sourced from the original master tapes. Mastered by Kevin Gray."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
GB 173CD
|
$15.50
PREORDER
RELEASE DATE: 8/29/2025
The celebrated Rwandan folk duo returns with a resonant fifth album, Rwanda Sings with Strings. The record combines their signature earthy vocals and acoustic instrumentation (guitar and hand percussion) with atmospheric cello and violin arrangements, creating a soundscape that vividly brings to life their powerful stories of resilience, memory, and longing. Recorded 100% live without overdubs in a hotel room by Grammy-winning producer Ian Brennan (Tinariwen, Ramblin' Jack Elliott, Parchman Prison Project), the album delivers an unusually intimate listening experience. Reflective, unfiltered and deeply human. For The Good Ones' fifth album, Ian Brennan scheduled a cellist and violinist to accompany the duo. The entire album was recorded in single takes without written scores or demos. The arrangements were improvised on the fly by the two string players who also didn't know each other. Within minutes of meeting all four musicians were recording -- their only communication, musical. "It was all an experiment," reports producer Ian Brennan, "but the second the strings entered during the intro of 'Agnes Dreams of Being an Artist,' it felt like the room began levitating and there was no doubt that something magical and profoundly beautiful was occurring. The album is extraordinarily ethereal -- even by their high standards." The session fulfilled the group's long-held dream to have main writer, guitarist, and lead vocalist, Adrien Kazigira's songs performed with strings. Sequestered in a Washington, DC hotel room the day prior to The Good Ones NPR "Tiny Desk" session, the musicians recorded nineteen songs in just three hours. Kazigira was so happy with the experience, afterwards, he wrapped his arms around the cello, as he lay chuckling and exhausted on the couch. The album's sound is steeped in a romanticism, longing, and a sense of resigned grandeur that echoes Malian balladeers like Boubacar Traoré or even Nick Drake and Astral Weeks. Perfect Sunday morning listening. Decidedly an underground group, The Good Ones' renown is nonetheless evidenced by the stellar musicians who've collaborated with them in the past, including members of Wilco, TV on the Radio, Sleater-Kinney, My Bloody Valentine, and Fugazi, and also by the vocal supporters that they've attracted such as Led Zeppelin legend Robert Plant. Kazigira states, "We are so thankful that music has taken us so many places that we never dreamed of visiting. And this new album has given us hope and really carried us through the hard times."
|
viewing 1 To 25 of 5268 items
Next >>
|
|