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LP
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HONEY 094LP
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Recorded live in Sweden in September 1961, the Uppsala Concert is an important document from Dolphy's first Swedish tour as leader of an obscure but talented local quartet featuring Rony Johansson (piano), Kurt Lindgren (bass), and Rune Carlsson (drums). Master Dolphy shines, as always, on all his instruments alto sax, bass clarinet, and flute, while the track list consists of a rare mix of standards such as Milt Jackson's "Bags Groove," Monk's "52nd Street Theme," Cole Porter's "What Is This Thing Called Love?" and the famous unaccompanied alto sax version of "Laura," all this plus a 20-minutes-long version of Dolphy's blues "245" where every single note played by Dolphy sounds as pure gold.
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LP
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SOW 044LP
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Recorded live by Rudy Van Gelder, this is one of a pair of Eric Dolphy's albums documenting the 1961 historical residency at the Five Spot, New York's major temple of the early avant-garde. This is timeless music performed by one of the essential line-ups in modern jazz. A marvelous quintet featuring the great Booker Little on trumpet and the amazing rhythm section of Mal Waldron on piano, Richard Davis on double bass, and Ed Blackwell on drums plus, of course, master Eric Dolphy on alto saxophone, bass clarinet, and flute. Clear vinyl. "All forward thinking and challenged listeners need to own these epic club dates" --AllMusic.
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LP
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SOW 043LP
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Reissue, originally released in 1961. Looking Ahead is the debut album by American jazz musician Ken McIntyre, recorded with fellow alto saxophonist Eric Dolphy in 1960 and released on the New Jazz label in January 1961. From the beginning Mr. McIntyre considered himself part of the avant-garde or "new thing" movement in jazz, as spearheaded by musicians like Ornette Coleman, Bill Dixon, and Cecil Taylor, although his own music was considerably more traditionally melodic than theirs. He played a whole fleet of reed instruments, including oboe, bassoon, bass clarinet, and saxophones. In 1964, on the album Way, Way Out, he recorded bouncing, urgent jazz tunes with chilly, dissonant string arrangements; in 1966, he accompanied Mr. Taylor on the album Unit Structures, a landmark recording of the jazz avant-garde. Clear vinyl.
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LP
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SVVRCH 074LP
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Reissue, originally released in 1960. Avant-garde pioneer Eric Dolphy achieved incredible things with the bass clarinet, establishing it as a vehicle for solo improvisation, and was equally adept on alto and flute, gaining kudos from peers such as John Coltrane and Charles Mingus. Outward Bound holds a special place in jazz as Dolphy's first LP fronting his dynamite quintet, leaving conventions behind from the get-go. With the entire group on tremendous form throughout and Dolphy reaching the heights of his genius, this is a stellar release from a giant whose star shined brightly and briefly, until his tragic early death from undiagnosed diabetes. Unmissable!
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LP
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SOW 031LP
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Reissue, originally released in 1961 by Prestige/New Jazz label. Straight Ahead marks the last Eric Dolphy's appearance within a series of fortunate collaborations with saxophonist Oliver Nelson. This is a great modern jazz album taking shape from a quintet studio session (all first takes) engineered and supervised by master Rudy Van Gelder and featuring Oliver Nelson (alto and tenor saxes, clarinet), Eric Dolphy (alto sax, bass clarinet, flute), Richard Wyands (piano), George Duvivier (double bass), and Roy Haynes on drums. A serious bunch of jazz stylists all caught in fine form and concentration. Needless to add that the Nelson-Dolphy sax tandem shines throughout the whole album while Duvivier and Haynes inject their angular yet hard swinging groove. The track list consists of five Nelson's originals plus Milt Jackson's "Ralph's New Blues". Limited clear vinyl edition.
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LP
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SOW 010LP
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Limited repress. Sowing Records present a reissue of Eric Dolphy's Conversations, originally released in 1963. A landmark in Eric Dolphy's discography. Conversations is the result of a historical studio session held in New York in 1963 with Dolphy at the core of various line-up configurations featuring a bunch of young innovators like Prince Lasha, Sonny Simmons, Woody Shaw, Bobby Hutcherson, Clifford Jordan, Richard Davis... Each of the four tracks is a fine example of Dolphy's highly eclectic language including an alto sax solo of rare beauty ("Love Me"), a landmark duet with Richard Davis ("Alone Together") and two magnificent quintet pieces ("Jitterbug Waltz" and "Music Matador"). A real piece of art from a true jazz genius in the early New Thing era. Clear vinyl.
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LP
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HONEY 048LP
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Reissue. Originally recorded by Rudy Van Gelder in August 1960 and released in February 1961, Caribè shows the great multi-instrumentalist Eric Dolphy in the unexpected context of the Latin Jazz Quintet. A fascinating combination of apparently distant elements where Dolphy's masterful playing shines through every harmony and groove displayed by this solid Latin Jazz Quintet featuring Juan Amalbert (congas), Gene Casey (piano), Charlie Simons (vibraphone), Bill Ellington (bass), and Manny Ramos (drums, timbales).
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LP
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NAKED 011LP
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This is the second volume from the historical Uppsala concert in September 1961. An important document from Eric Dolphy's first Swedish tour as leader of a local and yet ultra-dynamic quartet featuring Rony Johansson (piano), Kurt Lindgren (bass), and Rune Carlsson (drums). This second chapter consists of four long tracks including classic standards such as "Out of Nowhere" and "I'll Remember April". Essential harmonic structures for Dolphy's highly adventurous improvisations on alto sax, bass clarinet, and flute.
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CD
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HH 3106CD
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Eric Dolphy Septet, with Donald Byrd, live from the Qui Péche club, Paris on June 11th, 1964. Just a few weeks before his death, Eric Dolphy performed a concert at the Le Chat Qui Péche club in Paris on June 11, 1964, broadcast on French radio station France Musique, with a septet including fellow jazz luminary Donald Byrd on trumpet. The six tracks on this disc include selections from his albums Outward Bound (1960), Out There (1961), and Far Cry (1962), as well as a version of John Coltrane's "Naima". Personnel: Eric Dolphy - alto saxophone, bass, clarinet, flute; Donald Byrd - trumpet; Nathan Davis - tenor saxophone; Jack Diéval - piano; Jacques Hess - bass; Franco Manzecchi - drums; Jacky Bambou - congas. The entire broadcast is presented here, digitally remastered, with background liners.
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