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12"
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STRIKE 169EP
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Apparat prepares a rerecording of his 2004 Peel Session: a sonic dedication to the huge mentor John Peel from Shitkatapult. Apparat swings the composer's stick with emotion to give yearning it's segue way by conducting pieces of lonely melancholic beauty with godly discretion. New strings are thanks to the violin and cello of Kathrin Pfänder and Lisa Stepf aka Complexácord. The trio harmonizes with dream-like perfection. It reminds one once again of the experimental modus operandi combining classical instruments with electronic music. Also features singer Raz Ohara, clarinet/sax player Hormel Eastwood.
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3CD
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STRIKE 155CD
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The Shitkatapult label reissues Apparat's first three albums, originally released in 2001, '02, and '03. Hardly any other musician at the interface between electronic and pop is as greatly cherished and passionately admired as the Berlin-based Apparat. He merges the inexhaustible sound-worlds of electronic music with the emotional depth of indie. He makes music to rock out to and to drift away to, to sing along to and to dive into. With Moderat, his collaboration with Modeselektor, he has commanded numerous festival stages. In 2015, he created the score for the 2015 film Equals, and is working on the third Moderat album at the time of this release, as well as his second collaboration with theatrical luminary Sebastian Hartmann. Most people got to know Apparat through his albums Walls (STRIKE 084CD, 2007) and The Devil's Walk (2011), and don't know much about his early, quintessentially electronic music dating back to just after the turn of the millennium. In his early 20s at the time, Apparat created an autonomous, radical sound-universe on those albums -- long out of print -- that is just as fascinating today as it was then. For this combined reissue, Mike Grinser painstakingly remastered each album and Carsten Aermes, a comrade-in-arms from Apparat's early days in Quedlinburg, East Germany, designed the cover based on Apparat's own original graphic design. Apparat's debut album, Multifunktionsebene, was released in 2001. With its intricate grooves and floating soundscapes, it defines a differentiated, tuned-down emotional spectrum. It is a recorded moment from another era entirely, which is exactly what makes it so powerful and captivating. Tttrial and Eror, from 2002, is his electronic magnum opus. Apparat mangles the grooves and develops rhythms with a complexity that makes Aphex Twin seem dull by comparison. And yet from within these tremendous, brutish tracks emerge minute, cautious sounds. On his third album, Duplex (2003), his world of sound explodes as he adds acoustic instruments to the electronics. Throbbing basses create an absurd contrast with saxophones and clarinets. He continues to define his acoustic space, which is reminiscent of classical chamber music; intimate and tactile. This is where he lays the foundation for Apparat as we know it. One can only marvel at the consummate and broad understanding of music that Apparat had already achieved in his youth.
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3LP
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STRIKE 155LP
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Triple LP version. Includes download code. The Shitkatapult label reissues Apparat's first three albums, originally released in 2001, '02, and '03. Hardly any other musician at the interface between electronic and pop is as greatly cherished and passionately admired as the Berlin-based Apparat. He merges the inexhaustible sound-worlds of electronic music with the emotional depth of indie. He makes music to rock out to and to drift away to, to sing along to and to dive into. With Moderat, his collaboration with Modeselektor, he has commanded numerous festival stages. In 2015, he created the score for the 2015 film Equals, and is working on the third Moderat album at the time of this release, as well as his second collaboration with theatrical luminary Sebastian Hartmann. Most people got to know Apparat through his albums Walls (STRIKE 084CD, 2007) and The Devil's Walk (2011), and don't know much about his early, quintessentially electronic music dating back to just after the turn of the millennium. In his early 20s at the time, Apparat created an autonomous, radical sound-universe on those albums -- long out of print -- that is just as fascinating today as it was then. For this combined reissue, Mike Grinser painstakingly remastered each album and Carsten Aermes, a comrade-in-arms from Apparat's early days in Quedlinburg, East Germany, designed the cover based on Apparat's own original graphic design. Apparat's debut album, Multifunktionsebene, was released in 2001. With its intricate grooves and floating soundscapes, it defines a differentiated, tuned-down emotional spectrum. It is a recorded moment from another era entirely, which is exactly what makes it so powerful and captivating. Tttrial and Eror, from 2002, is his electronic magnum opus. Apparat mangles the grooves and develops rhythms with a complexity that makes Aphex Twin seem dull by comparison. And yet from within these tremendous, brutish tracks emerge minute, cautious sounds. On his third album, Duplex (2003), his world of sound explodes as he adds acoustic instruments to the electronics. Throbbing basses create an absurd contrast with saxophones and clarinets. He continues to define his acoustic space, which is reminiscent of classical chamber music; intimate and tactile. This is where he lays the foundation for Apparat as we know it. One can only marvel at the consummate and broad understanding of music that Apparat had already achieved in his youth.
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2CD
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STRIKE 089CD
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Presenting a double CD release compiling a fine collection of Sascha Ring aka Apparat's remix work. Things To Be Frickled is a mega-showcase of current electronic music pioneers merging and redefining ways of making music. Killer club tracks as well as silent epics each find their home in Apparat's musical cosmos. This CD is not meant as a follow-up to the successful Walls album, rather, it is a way to understand Apparat's background, friends, influences, works and ideas. Things To Be Frickled presents a new motion in electronic music that takes both steps: loops/tracks/club music vs. songwriting, soundscapes, and new ways of experimenting and understanding what is possible with bits and bytes, instrument(al)s and vocals. CD1 showcases 11 giant mixes Apparat did for artists such as Paul Kalkbrenner (with Ellen Allien), Francesco Tristano, Swayzak, Boys Noize, Lusine, Nathan Fake, Meteo/Thiel, Nitrada and Raz Ohara plus an unreleased live Apparat re-version of "Let Your Love Grow" by Moderat (a cooperation between Modeselektor and Apparat) featuring the great Tikiman (aka Paul St. Hilaire). CD2 assembles 11 remixes done for Apparat plus several Apparat remix 12"s, all of them appearing on CD for the first time: Telefon Tel Aviv, Modeselektor, Chris De Luca vs. Phon.o, Thomas Fehlmann, Monolake, Boys Noize, Lusine, Anders Ilar and Raz Ohara. Also featuring a previously-unreleased mix of Shrubbn!! remixing "Hailin From The Edge."
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2LP
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STRIKE 084LP
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Sold out, repressed in 2025. Double vinyl version. Walls is the fifth full-length album for Apparat. Despite its title, Walls isn't about dividing lines. Instead, it describes a circle that pulls many elements together into a protected, enclosed space where they jostle and roam free: strings and mallet instruments; rock guitar and gravelly sawtooth synths; stuttering digital percussion and muscular studio drumming. Important guests and collaborators on this record include Telefon Tel Aviv's Josh Eustis, who did the album's final mixdown in Chicago, as well as the talented Raz Ohara, who contributes his smoky vocals. Apparat has melded his genius as a sound designer with his growing songwriting talents to craft songs brimming with ideas, energy, texture, light, color. They are hummable, embraceable, swimmable, possibly edible.
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CD
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STRIKE 084CD
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2011 repress. Walls is the fifth full-length album for Apparat, aka Berlin's Sascha Ring, who had one hell of a year 2006. His collaboration with Ellen Allien, the critically-acclaimed album Orchestra of Bubbles, forged electrifying new connections between techno, electro and pop music. Somewhere in between all the laud and acclaim and touring, he managed to record his first solo studio album since 2003's Duplex. Despite its title, Walls isn't about dividing lines. Instead, it describes a circle that pulls many elements together into a protected, enclosed space where they jostle and roam free: strings and mallet instruments; rock guitar and gravelly sawtooth synths; stuttering digital percussion and muscular studio drumming. What might be most striking about Walls is the way it creates a kind of single, sustained mood -- this is an album for listening to all in one go, front to back. This is one of those road-trip records, one of those coming-down records, one of those bedding-down records. The record veers from the chamber minimalism of "Not A Number," with its cello and vibraphones, to the bluesy rock of "Hailin' From The Edge." "Fractales Pt. 1" offers a sound that longtime Apparat listeners might recognize as most typical, while "Bassis" is, in its purest sense, a pop song, as ephemeral as clouds and as solid as the ground you're standing on -- a fitting contradiction for a record that draws equally from software and acoustic instrumentation. Important guests and collaborators on this record include Telefon Tel Aviv's Josh Eustis, who did the album's final mixdown in Chicago, as well as the talented Raz Ohara, who contributes his smoky vocals. Walls houses a magic box: a compact hour of music that promises to give back many times as much in pleasure. Apparat has melded his genius as a sound designer with his growing songwriting talents to craft 14 songs brimming with ideas, energy, texture, light, color. They are hummable, embraceable, swimmable, possibly edible.
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CD
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STRIKE 053CD
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2011 repress. Originally recorded for a Peel Session at the BBC in 2004, Silizium EP is a full-length release from Berlin-based Apparat. "A balance between things that you know people will like and things that you think people will like" is what John Peel had to say on his homepage about Apparat's music programming concept. John Peel passed away a few months later from a heart attack while vacationing in Peru. Apparat (Sascha Ring) could only find a more fitting farewell mood with the rerecording of his session: a sonic dedication to a huge mentor from Shitkatapult and their people. Apparat is known as a fluctuating mood-maker by way of his computer companion, swinging the composer's stick with emotion and conducting pieces of lonely melancholic beauty with godly discretion. New strings are thanks to the violin and cello of Kathrin Pfänder and Lisa Stepf aka Complexácord, whose soul-drenched expression lets your mind sway, as they harmonize with dreamlike perfection. It reminds one once again of the experimental modus operandi combining classical instruments with electronic music. Singer Raz Ohara and clarinet/sax player Hormel Eastwood find their chosen virtuous and emotional space on this promising cloud. What remains are warm dark drops of elegiac pop that pour down the back of your heart. Also includes remixes from Bus, Telefon Tel Aviv, and Rechenzentrum.
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CD
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STRIKE 041CD
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2011 repress. "From Schallstrom and Mexican beer, Berlin based Apparat emerges with a full-length that has hit the jackpot (minus the bling), partakes in the recent fornication between acoustics and electronics and reaches deep into conveying new and evocative sound scapes. This new long player's screw-music will penetrate deep into your ears and hunt out the pain. Duplex is a collection of new material, poetically absorbing you in every way, steering a symphonic cakewalk blitz through your emotions, and successfully/intentionally bypasses the mundane and empty laptop sounds of the giant electronic music sweat-shop. It's full of shock-and-awe, not unlike when you first took that hit of acid and listened to trance-techno (ok, maybe we're going a little too far but hell, we're excited about this album). Listen to the songs on headphones after a long day. Listen intently and you'll hear the recipe a la Duplex: Mexican digi-mosquitoes, droning Catholic organs, heart-wrenching distorted horns, and finally Apparat's renown, shuffled thump beats."
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