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CD
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R-M 212CD
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The world became another since the release of Decadent yet Depraved (R-M 178CD, 2017), and so has Belief Defect's reflection of it: now darker, political, honest -- end times in Cinemascope. When the duo reunited in the studio after the two-year fracture COVID inflicted on reality, the album that had been on pause all this time seemed insufficient against whatever life had morphed into, while humanity hid from itself. Finishing an album coherent to the present moment took prolonged studio shut-ins that proved to be as cathartic as the struggle sessions of the cultural revolution must have been. Desire and Discontent unfolds like a parable, structured by subsonic frequencies that give arrangements a solid gravity, dissonant chord progressions resulting in coherent movements, punctuated by human-like voices over slow, suspenseful melodies that come into being without the listener's awareness. Contributing to the album with machine-like precision drumming is Merlin Ettore, vocals from Anna Gartner, and the artwork of Juan Mendez (Silent Servant).
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2LP
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R-M 212LP
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The world became another since the release of Decadent Yet Depraved (R-M 178CD), as did Belief Defect's reflection of it: now darker, political, honest -- end times in Cinemascope. When the duo reunited in the studio after the two-year fracture COVID inflicted on reality, the album that had been on pause all this time seemed insufficient against whatever life had morphed into, while humanity hid from itself. Finishing an album coherent to the present moment took prolonged studio shut-ins that proved to be as cathartic as the struggle sessions of the cultural revolution must have been. Desire and Discontent unfolds like a parable, structured by subsonic frequencies that give arrangements a solid gravity, dissonant chord progressions resulting in coherent movements, punctuated by human-like voices over slow, suspenseful melodies that come into being without the listener's awareness. Contributing to the album with machine-like precision drumming is Merlin Ettore, vocals from Anna Gartner and the artwork of Juan Mendez (Silent Servant).
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12"
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R-M 185EP
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After their highly-acclaimed debut album Decadent Yet Depraved (R-M 178CD/LP, 2018), Berlin and LA-based producers Belief Defect invited a variety of artists to join their Remixed project. Remixed 01 is about transferring the pieces back into abstract space, and each remixer does it in his very own way. Alessandro Cortini's one-take live recording is a lesson in classical ambient music. Telefon Tel Aviv's remix is timelessly modern and extremely delicate sound design. Rather opposite concepts are coming from Surachai's brutal pattern design and Kangding Ray's expressive and analogously saturated repetitions for the dancefloor.
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2LP
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R-M 178LP
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Double LP version. Decadent Yet Depraved, the debut album by Belief Defect, finds shelter and complicity in Raster as a home and label. Familiar with the underground music scene and how its skeptical nature can also be an obstacle to overcome, Belief Defect abandon any claim or credit in an attempt to transcend the limits authorship imposes, avoid the boundaries, or expectations, earned or self-imposed, and find the clearest, most direct path to their music for themselves and the listener. At the core of the album is the music that inspired them, the conclusion of countless recordings listened to in their formative years that ultimately result in a life-long devotion to electronic music: from dancefloor to primal anger and self-annihilating noise, to transcendental, ambient escapism, and intense self-reflexive sonic layering. The result is a soundtrack for this apocalyptic time, an uncompromising reflection on the state of mankind and its uncertain future -- underscored by a sense of religious and secular demise referenced in track titles, samples, and soundscapes scattered throughout the album. Yet, more than a political statement Decadent Yet Depraved is an introspective journey, turning each listener into a spiritual soul-seeker staring into the abyss, reaching for some kind of cathartic truthfulness. Sculpture, prosthetics, and photography by Sarah Sitken.
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CD
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R-M 178CD
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Decadent Yet Depraved, the debut album by Belief Defect, finds shelter and complicity in Raster as a home and label. Familiar with the underground music scene and how its skeptical nature can also be an obstacle to overcome, Belief Defect abandon any claim or credit in an attempt to transcend the limits authorship imposes, avoid the boundaries, or expectations, earned or self-imposed, and find the clearest, most direct path to their music for themselves and the listener. At the core of the album is the music that inspired them, the conclusion of countless recordings listened to in their formative years that ultimately result in a life-long devotion to electronic music: from dancefloor to primal anger and self-annihilating noise, to transcendental, ambient escapism, and intense self-reflexive sonic layering. The result is a soundtrack for this apocalyptic time, an uncompromising reflection on the state of mankind and its uncertain future -- underscored by a sense of religious and secular demise referenced in track titles, samples, and soundscapes scattered throughout the album. Yet, more than a political statement Decadent Yet Depraved is an introspective journey, turning each listener into a spiritual soul-seeker staring into the abyss, reaching for some kind of cathartic truthfulness. Sculpture, prosthetics, and photography by Sarah Sitken.
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