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CD
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RM 4213CD
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"Let`s go back to the pre-orthodox world, the ancient one, which gave us mythology, extreme experiences, congealed in stories. Echo was a storyteller herself, distracting from what was going on around her, up to the point when she got punished, and from then she was only able to repeat the last words spoken to her, to her, to her... A loop is a loop is a loop and it`s all about roses. A rose is arrows, is errors... Echo -- is a potential, endless space. We need this construction towards an actual eternity we cannot grasp. This layer was up above the countless expressions. I could hear it from the very first moment to the last. Searching in transitions, lost in transitions. The idea of a space behind the next space helps us get through, in order not to get lost in such constructions. If We Could Hear has seven pieces, a beginning, and an end. It`s a poem and not a Matryoshka even though it sounds like one. 'A strange footprint on the shores of the unknown, out there extending from nowhere, turning in on itself to a place which is both an ending and a beginning." --Robert Smithson
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LP
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RM 4168LP
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Of Which One Knows is a collection of works by Natalie Beridze that sit outside the easy categorization of "album". They are of course, an album, but they are more than that, in that they represent a kind of multiplicity in sound, an accumulation of experience, of emotion, of life, transposed into sound. It is only together that the stories that sit between them might start to be assembled. Spanning a decade and a half, these works chart a trajectory of investigation and curiosity that charts the very edges of Beridze's intensely personal compositions.
From Natalie Beridze: "Of Which One Knows, was written and produced between 2007-2021. Such unreleased material is a quintessential backdrop to an artist's processes, as it has obviously never landed in any full bodies of work. It does however gain humble significance, which feels approachable, which is about absence and hence always fresh, drifting somewhere between remembrance and obliviousness. I see sound in smells, maps and mischievously put random words in poems, as they provoke pivotal subconscious algorithms in me. These tracks are the portrayal of those feelings. Anterior memories; Layer upon layer; Petrichor -- a smell of first rain; In spring; Jupiter Florida; I'm in beauty Kentucky; In paradise Miami; I'm in cut off Louisiana; In why Arizona; Sea of moisture moon; I am the memory of. Every blissful moment of the divine process of music-making, that goes back to a sacred process of a child at play -- a burning response to the intensity of the neigh to invisible blueness of half-formed ice. The span of time for this music reminds me of my dad's studio. Infinite thick wooden drawers that crackle clack, bounce clatter, peal, rattle the same way as before. There is no decay crumbling, perishing or rot in the objects inside. Clippers, liner pens, tracing paper, cutters for grown-ups, unused razors and their tiny spare blade packs, tapes, compasses, leather and metal roll meters, are all intact. Random snapshots, outdated student ids and driving licenses in leather sliders, letters, postmarks, piled up separately in intense small section drawers. All's in perfect order. All intact. Layouts, house models with tiny tables and chairs and swimming pools with people inside, others by the fireplace, some holding cocktails, others reading books- are very dusty, smelling of glue and cardboard, all intact. Some stacked one on top of another, others unfinished on the modelling table under the stained swinging arm desk lamp."
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LP
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MONIKA 087LP
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LP version. Edition of 300. Includes download code. "Guliagava, by Natalie Beridze, TBA, Tusia Beridze is like her previous albums, it was recorded in Tbilisi, south-easternmost Europe. The Georgian metropolis is far from pop-cultural arteries, nevertheless its youth observes precisely what is happening outside, and installs that otherness in their own world with a delicate hand. Yet they never run the risk of piddly writing a diary, on the contrary, they again make this now expanded own, this enriched own available for the outside world. Natalie Beridze's cooperation with Monika Enterprise began in 2005 - she was one of four artists on the compilation 4 Women No Cry Vol.1. Her album Forgetfulness followed in 2010. Over the last two years Beridze produced Guliagava. Three pieces - "Museum On Your Back", "Those Things", "Opening Night" - were created with Gacha Bakradze. "Opening Night" is also part of the soundtrack to the award-winning film When the Earth Seems to Be Light by Salome Machaidze ,David Meskhi and Tamuna Karumidze. The song "Hello" Beridze wrote with Gio Koridze, a student at Tbilisi's media university CES, where she teaches composition. The words to "Fishermen 2015" come from the farewell letter of a Syrian refugee who drowned in the Mediterranean. Guliagava is a fantasy word that Natalie Beridze's little daughter Lea once seemed to hear in a Russian lullaby. She speaks the word Guliagava when she needs comfort, when she needs a hand to cling to. Natalie Beridze's music is of a rare, bewitching beauty - even when her beats are shredded or when she rocks with an abrasive four-to-the-floor. She moves within her own characteristic tonality of diminished chords that frequently extends into the minor harmony - a tonality within which an unsettling, questioning undertone often resonates alongside the sense of melancholic longing. In her older releases lines could be drawn to IDM and Broken Beats or Detroit Techno, and an admiration for musicians such as Autechre, Aphex Twin or the Cocteau Twins could be detected, here there is a suggestion of R&B over dubstep. But it's a kind R&B over Dubstep based on the bold assumption that both styles clearly trace their lineage to Kate Bush. Her vocals have never been so animated, her songwriting has never sounded so complete, and her arrangements, for all their complexity, have never been so round. Guliagava is Beridze's tenth album and it is nothing less than her masterpiece." - Andreas Reihse (2016)
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CD
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MONIKA 087CD
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"Guliagava, by Natalie Beridze, TBA, Tusia Beridze is like her previous albums, it was recorded in Tbilisi, south-easternmost Europe. The Georgian metropolis is far from pop-cultural arteries, nevertheless its youth observes precisely what is happening outside, and installs that otherness in their own world with a delicate hand. Yet they never run the risk of piddly writing a diary, on the contrary, they again make this now expanded own, this enriched own available for the outside world. Natalie Beridze's cooperation with Monika Enterprise began in 2005 - she was one of four artists on the compilation 4 Women No Cry Vol.1. Her album Forgetfulness followed in 2010. Over the last two years Beridze produced Guliagava. Three pieces - "Museum On Your Back", "Those Things", "Opening Night" - were created with Gacha Bakradze. "Opening Night" is also part of the soundtrack to the award-winning film When the Earth Seems to Be Light by Salome Machaidze ,David Meskhi and Tamuna Karumidze. The song "Hello" Beridze wrote with Gio Koridze, a student at Tbilisi's media university CES, where she teaches composition. The words to "Fishermen 2015" come from the farewell letter of a Syrian refugee who drowned in the Mediterranean. Guliagava is a fantasy word that Natalie Beridze's little daughter Lea once seemed to hear in a Russian lullaby. She speaks the word Guliagava when she needs comfort, when she needs a hand to cling to. Natalie Beridze's music is of a rare, bewitching beauty - even when her beats are shredded or when she rocks with an abrasive four-to-the-floor. She moves within her own characteristic tonality of diminished chords that frequently extends into the minor harmony - a tonality within which an unsettling, questioning undertone often resonates alongside the sense of melancholic longing. In her older releases lines could be drawn to IDM and Broken Beats or Detroit Techno, and an admiration for musicians such as Autechre, Aphex Twin or the Cocteau Twins could be detected, here there is a suggestion of R&B over dubstep. But it's a kind R&B over Dubstep based on the bold assumption that both styles clearly trace their lineage to Kate Bush. Her vocals have never been so animated, her songwriting has never sounded so complete, and her arrangements, for all their complexity, have never been so round. Guliagava is Beridze's tenth album and it is nothing less than her masterpiece." - Andreas Reihse (2016)
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