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2LP
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THRILL 638LP
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$29.00
PREORDER
RELEASE DATE: 7/25/2025
"Originally released in 2010, The Body's All The Waters Of The Earth Turn To Blood is a watershed album that changed the landscape of heavy music. Buoyed by the eclectic cast of musicians, from the undeniably potent collaboration with The Assembly of Light Choir as led by now longtime The Body collaborator Chrissy Wolpert, to guest contributors that include members of Dead Times, Fang Island, Lichens (aka Robert Aiki Aubrey Lowe), Human Beast, and many more. The album's singularly bleak, yet beautiful atmosphere not only set the tone for The Body's career in breaking the mold, but set a new standard for what extreme music could do. All The Waters rightfully broke The Body, the duo of Lee Buford and Chip King, out from the underground and was met with acclaim from across a wide spectrum. Pitchfork's Grayson Haver Currin said of the record: 'The rare album that feels truly dangerous. As it crushes and collides doom metal, harsh noise, industrial rock, and gospel singing into one mean mess, it seems to obey no rules but its own. The result is a singular, explosive masterpiece.' NPR's Lars Gotrich put it in his 2010 Top 10 list, calling it 'the most surreal doom-metal record of 2010' and The Quietus called it the year's 'best record on the fringes of metal.' Following the album's release and subsequent tours, which sometimes included the entire Assembly of Light Choir, The Body established themselves as a permanent fixture of forward-thinking artists and a reliably overwhelming force, both on record and in live settings. All The Waters also helped spark the duo's penchant for collaboration, which they then solidified across dozens of releases, from collaborations with Braveyoung to BIG|BRAVE, Thou, Full of Hell, Uniform, and beyond. The new reissue for All The Waters is packaged as a double LP, including a whole new Side D, which is composed of bonus material never before pressed to vinyl. First edition pressings of the double vinyl reissue will be a deluxe poster edition."
"As the record continues, the beating just doesn't stop. The choral voices, returning here and there, are the only ray of hope: the Body's own singing amounts to weedy, apocalyptic howls, barely clearing the din of their processional stomps. It's an experience, this record, written in big riffs and celestial choirs and digital static." --The New York Times
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2LP
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THRILL 638X-LP
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$32.00
PREORDER
RELEASE DATE: 7/25/2025
Clear vinyl version. "Originally released in 2010, The Body's All The Waters Of The Earth Turn To Blood is a watershed album that changed the landscape of heavy music. Buoyed by the eclectic cast of musicians, from the undeniably potent collaboration with The Assembly of Light Choir as led by now longtime The Body collaborator Chrissy Wolpert, to guest contributors that include members of Dead Times, Fang Island, Lichens (aka Robert Aiki Aubrey Lowe), Human Beast, and many more. The album's singularly bleak, yet beautiful atmosphere not only set the tone for The Body's career in breaking the mold, but set a new standard for what extreme music could do. All The Waters rightfully broke The Body, the duo of Lee Buford and Chip King, out from the underground and was met with acclaim from across a wide spectrum. Pitchfork's Grayson Haver Currin said of the record: 'The rare album that feels truly dangerous. As it crushes and collides doom metal, harsh noise, industrial rock, and gospel singing into one mean mess, it seems to obey no rules but its own. The result is a singular, explosive masterpiece.' NPR's Lars Gotrich put it in his 2010 Top 10 list, calling it 'the most surreal doom-metal record of 2010' and The Quietus called it the year's 'best record on the fringes of metal.' Following the album's release and subsequent tours, which sometimes included the entire Assembly of Light Choir, The Body established themselves as a permanent fixture of forward-thinking artists and a reliably overwhelming force, both on record and in live settings. All The Waters also helped spark the duo's penchant for collaboration, which they then solidified across dozens of releases, from collaborations with Braveyoung to BIG|BRAVE, Thou, Full of Hell, Uniform, and beyond. The new reissue for All The Waters is packaged as a double LP, including a whole new Side D, which is composed of bonus material never before pressed to vinyl. First edition pressings of the double vinyl reissue will be a deluxe poster edition."
"As the record continues, the beating just doesn't stop. The choral voices, returning here and there, are the only ray of hope: the Body's own singing amounts to weedy, apocalyptic howls, barely clearing the din of their processional stomps. It's an experience, this record, written in big riffs and celestial choirs and digital static." --The New York Times
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CD
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THRILL 571CD
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"Known for the monolithic force of their music and their inventive production techniques, The Body's albums are benchmarks in the expansion and evolution of heavy music. Tightly packed with deceptively nuanced arrangements and exhilarating, challenging distortion, their compositions are possessed of an unmistakably singular sound. The Crying Out of Things is no exception; a culmination of all that The Body have done before, highlighting their mastery of dynamic and monumental music that pushes toward the unmistakable sound of oblivion. The Body have produced a wealth of groundbreaking collaborations with the likes of Full of Hell, Thou, Uniform, BIG|BRAVE, OAA, and Dis Fig. The duo's benchmark albums have, over the past two decades, changed the perceptions and directions of heavy music. The Crying Out of Things' embrace of noise is a comprehensive display of the multitude of expressions possible with abrasive sound, a skill that The Body have pioneered and refined. 'I think for us the key to the way we use noise is, it's not the only element,' says Buford. 'You've gotta really listen if you're into noise. But it also has to have dynamics. Where, say, BIG|BRAVE (who have a similar ethos) expresses it in this more intellectual, minimalist way, The Body comes from an instinctual, maximalist way. We're trying to cover it ALL.' The Body stand alone in their ability to connect disparate influences and collaborators into a wholly original, potent and singular work. Alongside producer/engineer Seth Manchester, the duo's voracious and omnivorous musical appetites have pushed the studio as an instrument into new avenues to conjure profound feelings from the music. The Crying Out of Things cements The Body's place as a leader of heavy new music, their boundless creativity, their defining ability to convey anguish, created with a visceral clarity to devastating impact."
"The results are harsh but exhilarating, loud enough to make you worry about your speakers and anguished enough to make you worry about your sanity." --Pitchfork
"Whether it's a sludge-metal lope or a near-techno pulse, this truly awesome album's sense of rhythm is perhaps its note of hope, suggesting a centre that just might hold even as things fall apart." --The Guardian
"The Body present the most uncomprimising result of their researches into the combination of harsh noise and extreme metal to date." --The Quietus
"Ten times more extreme." --The Wire, Cover feature
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LP
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THRILL 571LP
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LP version. "Known for the monolithic force of their music and their inventive production techniques, The Body's albums are benchmarks in the expansion and evolution of heavy music. Tightly packed with deceptively nuanced arrangements and exhilarating, challenging distortion, their compositions are possessed of an unmistakably singular sound. The Crying Out of Things is no exception; a culmination of all that The Body have done before, highlighting their mastery of dynamic and monumental music that pushes toward the unmistakable sound of oblivion. The Body have produced a wealth of groundbreaking collaborations with the likes of Full of Hell, Thou, Uniform, BIG|BRAVE, OAA, and Dis Fig. The duo's benchmark albums have, over the past two decades, changed the perceptions and directions of heavy music. The Crying Out of Things' embrace of noise is a comprehensive display of the multitude of expressions possible with abrasive sound, a skill that The Body have pioneered and refined. 'I think for us the key to the way we use noise is, it's not the only element,' says Buford. 'You've gotta really listen if you're into noise. But it also has to have dynamics. Where, say, BIG|BRAVE (who have a similar ethos) expresses it in this more intellectual, minimalist way, The Body comes from an instinctual, maximalist way. We're trying to cover it ALL.' The Body stand alone in their ability to connect disparate influences and collaborators into a wholly original, potent and singular work. Alongside producer/engineer Seth Manchester, the duo's voracious and omnivorous musical appetites have pushed the studio as an instrument into new avenues to conjure profound feelings from the music. The Crying Out of Things cements The Body's place as a leader of heavy new music, their boundless creativity, their defining ability to convey anguish, created with a visceral clarity to devastating impact."
"The results are harsh but exhilarating, loud enough to make you worry about your speakers and anguished enough to make you worry about your sanity." --Pitchfork
"Whether it's a sludge-metal lope or a near-techno pulse, this truly awesome album's sense of rhythm is perhaps its note of hope, suggesting a centre that just might hold even as things fall apart." --The Guardian
"The Body present the most uncomprimising result of their researches into the combination of harsh noise and extreme metal to date." --The Quietus
"Ten times more extreme." --The Wire, Cover feature
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Artist |
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LP
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THRILL 571X-LP
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LP version. Clear vinyl. "Known for the monolithic force of their music and their inventive production techniques, The Body's albums are benchmarks in the expansion and evolution of heavy music. Tightly packed with deceptively nuanced arrangements and exhilarating, challenging distortion, their compositions are possessed of an unmistakably singular sound. The Crying Out of Things is no exception; a culmination of all that The Body have done before, highlighting their mastery of dynamic and monumental music that pushes toward the unmistakable sound of oblivion. The Body have produced a wealth of groundbreaking collaborations with the likes of Full of Hell, Thou, Uniform, BIG|BRAVE, OAA, and Dis Fig. The duo's benchmark albums have, over the past two decades, changed the perceptions and directions of heavy music. The Crying Out of Things' embrace of noise is a comprehensive display of the multitude of expressions possible with abrasive sound, a skill that The Body have pioneered and refined. 'I think for us the key to the way we use noise is, it's not the only element,' says Buford. 'You've gotta really listen if you're into noise. But it also has to have dynamics. Where, say, BIG|BRAVE (who have a similar ethos) expresses it in this more intellectual, minimalist way, The Body comes from an instinctual, maximalist way. We're trying to cover it ALL.' The Body stand alone in their ability to connect disparate influences and collaborators into a wholly original, potent and singular work. Alongside producer/engineer Seth Manchester, the duo's voracious and omnivorous musical appetites have pushed the studio as an instrument into new avenues to conjure profound feelings from the music. The Crying Out of Things cements The Body's place as a leader of heavy new music, their boundless creativity, their defining ability to convey anguish, created with a visceral clarity to devastating impact."
"The results are harsh but exhilarating, loud enough to make you worry about your speakers and anguished enough to make you worry about your sanity." --Pitchfork
"Whether it's a sludge-metal lope or a near-techno pulse, this truly awesome album's sense of rhythm is perhaps its note of hope, suggesting a centre that just might hold even as things fall apart." --The Guardian
"The Body present the most uncomprimising result of their researches into the combination of harsh noise and extreme metal to date." --The Quietus
"Ten times more extreme." --The Wire, Cover feature
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