|
|
|
|
|
|
|
|
|
|
|
CD
|
|
TROST 247CD
|
$16.50
PREORDER
RELEASE DATE: 12/6/2024
The second volume of the perfect pairing Brötzmann & Nilssen-Love, recorded at Zuiderpershuis in Antwerp, August 2015. The music is less frenzied and aggressive than listeners may be used to, as the musicians shared their exploration of new tools with a more contemplative approach. To be sure, both Brötzmann and Nilssen-Love summon the usual energy here and there, but it's a genuine revelation to hear them feel out new sounds in real-time, whether it's the former caressing the rheumy nasality of the contra-alto clarinet, or the latter reveling in the sustained resonance of his new gongs. Still, even if they were trying out new tools, their rapport and level of engagement was just as strong and deep as ever. Colliding schedules prevented them from ever wrapping up the production on the album, but they began planning for it during the pandemic. Sadly, it fell to Nilssen-Love to shepherd the project at home, but it was worth the wait. This duo album represents a major statement from both musicians. Artwork by Brötzmann, design by Lasse Marhaug. Liner notes-transcription of an interview with Peter Brötzmann. Peter Brötzmann: tarogato, contra-alto clarinet, bass saxophone. Paal Nilssen-Love: drums, gongs, percussion.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TROST 247LP
|
$32.00
PREORDER
RELEASE DATE: 12/6/2024
LP version. The second volume of the perfect pairing Brötzmann & Nilssen-Love, recorded at Zuiderpershuis in Antwerp, August 2015. The music is less frenzied and aggressive than listeners may be used to, as the musicians shared their exploration of new tools with a more contemplative approach. To be sure, both Brötzmann and Nilssen-Love summon the usual energy here and there, but it's a genuine revelation to hear them feel out new sounds in real-time, whether it's the former caressing the rheumy nasality of the contra-alto clarinet, or the latter reveling in the sustained resonance of his new gongs. Still, even if they were trying out new tools, their rapport and level of engagement was just as strong and deep as ever. Colliding schedules prevented them from ever wrapping up the production on the album, but they began planning for it during the pandemic. Sadly, it fell to Nilssen-Love to shepherd the project at home, but it was worth the wait. This duo album represents a major statement from both musicians. Artwork by Brötzmann, design by Lasse Marhaug. Liner notes-transcription of an interview with Peter Brötzmann. Peter Brötzmann: tarogato, contra-alto clarinet, bass saxophone. Paal Nilssen-Love: drums, gongs, percussion.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
TROST 246CD
|
Peter Brötzmann collaborated with many artists in his career, regularly adding new compatriots into the fold, and Norwegian drummer Paal Nilssen-Love became one of his staunchest allies after the percussionist joined the Chicago Tentet in 2004. They worked in various contexts, including this inexhaustible, hard-hitting duo. Most of the albums they've issued have captured live performances, but in 2015 they made this stunning studio recording. As Nilssen-Love says in the liner notes, "Peter had acquired a contra-alto clarinet and was very enthusiastic about the sound of this instrument. I had also bought several Korean gongs which I hadn't used yet." They met up for a two-day session in Antwerp that August, and from the outset it feels different from much of their work.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TROST 246LP
|
LP version. Peter Brötzmann collaborated with many artists in his career, regularly adding new compatriots into the fold, and Norwegian drummer Paal Nilssen-Love became one of his staunchest allies after the percussionist joined the Chicago Tentet in 2004. They worked in various contexts, including this inexhaustible, hard-hitting duo. Most of the albums they've issued have captured live performances, but in 2015 they made this stunning studio recording. As Nilssen-Love says in the liner notes, "Peter had acquired a contra-alto clarinet and was very enthusiastic about the sound of this instrument. I had also bought several Korean gongs which I hadn't used yet." They met up for a two-day session in Antwerp that August, and from the outset it feels different from much of their work.
|