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WACK 1040CD
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Black World originally came out in 1979, on the Wackies' imprint, Hardwax. (The original cover commemorated the first year of Honest Jon's new reggae shop Maroons Tunes, Bullwackies' UK distributor.) It's a tough album, with Leroy Sibbles guiding the selection as well as sharing bass duties -- there are versions of his classic composition "Guiding Star" and stylish Wackies heavyweight, "This World." "Tribute To Studio One" reworks Heptones' "Gonna Fight"/"Hail Don D." as modern steppers, with the kit-drums -- as throughout this album -- supplemented effectively by the latest electronic innovation from Japan. "Skylarking" puts in an appearance; and two full Joe Auxumite vocals from the solo album scheduled for release around this time, but abandoned when most of the tapes were lost. A dub version of Delroy Wilson's "Rain From The Skies" rounds out proceedings.
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WACK 1040LP
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2014 repress; LP version. Black World originally came out in 1979, on the Wackies' imprint, Hardwax. It's a tough album, with Leroy Sibbles guiding the selection as well as sharing bass duties -- there are versions of his classic composition "Guiding Star" and stylish Wackies heavyweight, "This World." "Tribute To Studio One" reworks Heptones' "Gonna Fight"/"Hail Don D." as modern steppers, with the kit-drums -- as throughout this album -- supplemented effectively by the latest electronic innovation from Japan. "Skylarking" puts in an appearance; and two full Joe Auxumite vocals from the solo album scheduled for release around this time, but abandoned when most of the tapes were lost. A dub version of Delroy Wilson's "Rain From The Skies" rounds out proceedings.
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WACK 114CD
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Out originally on the Aires label, in a plain, stencilled sleeve, this is a thrilling early-mid-'70s dub album based around three cuts of the dreader than dread Free For All rhythm. The music is made by Melvin "Munchie" Jackson and Lloyd Barnes, with productions begun in Jamaica and finished at the Sounds Unlimited studio in New York. Several surfaced at different stages as 7"s on Bullwackies' Aires imprint, and on the Tafari label which Munchie ran with his brother Maurice and Little Roy, in the Washington Gardens district of Kingston. The title track was recorded at Randy's, and came originally on The Heptones' Hepic label, featuring "Family Man" Barrett on keyboards, and on the DJ cut here, "Meditation Dub" -- sounds like Charlie Ace. There are dubs of Little Roy's "Tribal War" and "Black Bird"; Stranger Cole's "My Application," later re-voiced by The Heptones, turns up as "Dis-Ya-A-Dub"; and if things weren't smoke-filled enough, roots is the rhythm of K.C. White's "All For Free." Hard to imagine a heavier dub set reissued this year.
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WACK 114LP
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WACK 036CD
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Magnificent dub album out originally on the Senrab label in 1976 -- another great reissue in the string of classic Wackies albums that have been re-released by Berlin dub-techno duo Moritz Von Oswald and Mark Ernestus, as part of their reissue series of the complete Wackie's catalog. This record captures the time when Lloyd Barnes sparred at the desk with Prince Douglas and Jah Upton, in the first months of the White Plains Road headquarters. The selection commemorates a series of brilliant sevens and twelves on labels like City Line and Wackies, and sister labels like Upton, Versatile, and Munchie Jackson's Earth imprint. Core rhythm tracks from Jamaica -- Treasure Isle mostly, mixed by Tubby -- had been worked over at the Sounds Unlimited studio on E 24th Street in Manhattan. Baba Leslie's dry and crisp instrumental "Black Horns," is placed over Wayne Jarrett's "African Woman" mantra -- and is spun into the opening track, entitled "Black Heart Dub." The Love Joys are like genies in the stunning twin mixes of disco reggae. The track "Dub Unlimited" uses bits of John Clarke's "Pollution" (Unlimited Dub's singjay version of the Ali-Frazier "Thriller In Manilla"); "Bullwackies Revenge" is a version of the Chin Chow rhythm, a tribute to the restaurant next door; the Chosen Brothers' "Talk To The Father" is represented, as well as Andrew McCalla's "Home By The Sea." This is the smoothest dub album you'll ever run across.
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