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LP
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SPEAKEASY 013LP
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$26.00
PREORDER
RELEASE DATE: 10/31/2025
"Andrés Miguel Cervantes brings back his Western Noir desert soundscapes with the release of his second full length album, Songs for the Seance, released on independent label Speakeasy Studios SF. Born and raised in San Diego, while calling the SF Bay area home, Cervantes' music is influenced by songwriters Leonard Cohen, Townes Van Zandt, Fred Neil, and singers Vicente 'Chente' Fernandez, George Jones, and Merle Haggard. Cervantes' lyrics and songcraft are distinctly his own, with beautiful haunting images of landscapes both internal and external delivered with his virtuosic folk guitar finger picking style that is as if Bert Jansch met Mississippi John Hurt on the crossroads of a dark desert road. Songs For The Seance is a meditation on the collection of memories that live inside everyone, experienced, dreamed, or inherited from ancestors. It touches on themes of identity, the need for belonging, loss, isolation, and hope. Songs that soar through haunting noir soundscapes, about communicating with ghosts, facing what haunts you, and knowing that 'there's some winning in staying alive.' Songs For The Seance is a moving and expansive follow up to Cervantes' debut and internationally acclaimed album The Crossing. Cervantes returns to the studio with producer Alicia Vanden Heuvel to record, once again, to Otari ½" 8 track, an analog process, with the contributions of live bandmates Jacob Aranda (pedal steel, violin), Jessie Leigh Smith (harmonica), Raphi Gottesman (drums), Alicia Vanden Heuvel (bass,vocals, percussion), Hall McCann (lead guitar, vocals), Graham Norwood (guitar), Conor Riley (piano) and Noelle Fiore (vocals). Songs For The Seance was born from Cervantes' meditative process of songwriting, crafted while living and traveling throughout the southwest, in the Mojave and Sonora deserts along the coast to where the Pacific Ocean touches the bays of San Diego and San Francisco. Cervantes' songwriting on Songs For The Seance explores themes of the soul, love, the dark and the light, of feeling haunted, unsettled, and yet seeking hope."
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7"
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SPEAKEASY 002EP
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"Andrés Miguel Cervantes is a Mexican- American singer songwriter based in San Francisco and San Diego, California. Known to fans and fellow musicians primarily for his live performances, The Crossing marks an exciting debut for an incredibly talented singer, songwriter and finger picking guitar player. The single was produced and recorded at Speakeasy Studios SF on Otari 8 track by Alicia Vanden Heuvel. 'A Coal for Caring' and 'The Barstow Street Blues (acoustic)', features Andrés alone, singing and playing his acoustic guitar. They were recorded live using only one microphone during the album's first 'demo' recording sessions. The instrumental, 'The Tales You Tell', features the album musicians Jacob Aranda (Tarnation -- pedal steel, mandolin, violin), Alicia Vanden Heuvel (bass, vocals, percussion), James Kim (Fresh & Onlys, The Court & Spark -- drums) and Ed Ivey (Rhythm Pigs -- tuba)."
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LP
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SPEAKEASY 002LP
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"Andrés Miguel Cervantes is releasing his debut album The Crossing on brand new label Speakeasy Studios SF, founded by musician, producer and engineer Alicia Vanden Heuvel (The Aislers Set, Still Flyin', Magic Trick, The Ladybug Transistor, Brigid Dawson & the Mothers Network, Dirty Ghosts). Andrés Miguel Cervantes is a Mexican-American singer songwriter based in San Francisco and San Diego, California. Known to fans and fellow musicians primarily for his live performances, The Crossing marks an exciting debut for an incredibly talented singer, songwriter and finger-picking guitar player. The album was produced and recorded at Speakeasy Studios SF on Otari 8 track by Alicia Vanden Heuvel, featuring musicians: Jacob Aranda (Tarnation - pedal steel, mandolin, violin), James Kim (Fresh & Onlys, The Court & Spark - drums), Noelle Fiore (Magic Trick, Shannon Shaw Band - vocals), Anna Hillburg (Shannon Shaw Band, Magic Trick - trumpet), Ed Ivey (Rhythm Pigs - tuba), Alicia Vanden Heuvel (bass, vocals, percussion), Nick Castro (The Young Elders - lead guitar), Raphi Gottesman (The Fresh & Onlys, China - drums) and Conor Riley (Astra, Birth - piano, bass). Influenced by songwriters Leonard Cohen, Townes Van Zandt, Fred Neil, and Vicente Fernadez, Cervantes's lyrics are distinctly his own, with beautiful, haunting images of landscapes both internal and external -- stories of traveling, searching, rambling, and experiencing the impermanence of life and love. Suffused with a dreamlike, mysterious atmosphere, his complex songs are grounded in an honesty and simplicity that make them timeless and deeply relevant. The album is characterized by both a '60s classic country and folk sound (à la Fred Neil, Lee Hazelwood, Dylan's album Desire), and a western-noir sound (Mexican Ranchera and the film soundtracks of Ennio Morricone). The title track 'The Crossing' is dedicated to Cervantes's father, telling the story of his father's border crossing and life after. This release brings a new voice to the folk/Americana/country scene from this incredibly talented Mexican-American singer-songwriter."
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