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CTIPT23
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Chris Carter and Cosey Fanni Tutti's remastered limited edition vinyl series continues with Pagan Tango, originally released in 1991. Available on vinyl for the first time since original release. The series has seen many of Chris & Cosey's influential albums available on vinyl for the first time, giving listeners a new opportunity to revisit some of their celebrated catalog. Pagan Tango -- described by Melody Maker as "C&C formulating perfection" -- followed in 1991 on Wax Trax!, and sees the pair once follow their own hypnotic beat in new directions. Remastered; color vinyl; printed inner sleeve with archival photos.
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CTITP23
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Chris Carter and Cosey Fanni Tutti's remastered limited edition vinyl series continues with Technø Primitiv, originally released in 1985. Available on vinyl for the first time since original release. The series has seen many of Chris & Cosey's influential albums available on vinyl for the first time, giving listeners a new opportunity to revisit some of their celebrated catalog. 1985's Technø Primitiv, originally released on Rough Trade, the album is from Chris & Cosey's whiplash minimal '80s icy synth period. Remastered; color vinyl; printed inner sleeve with archival photos.
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CTITR23
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Chris Carter and Cosey Fanni Tutti's remastered limited edition vinyl series continues with Trust, originally released in 1989. Available on vinyl for the first time since original release. The series has seen many of Chris & Cosey's influential albums available on vinyl for the first time, giving listeners a new opportunity to revisit some of their celebrated catalog. Trust, originally released on Play It Again Sam/Nettwerk in 1989, is a collection of electro-pop, rinsed through with Chris & Cosey's unique erotic vision -- "Seldom have electronics this glaciated and deep-frozen exuded so much warmth" wrote Dele Fadele in NME. Remastered; color vinyl; printed inner sleeve with archival photos.
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CTI E722
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Green vinyl. Reissue, originally released in 1984. Chris & Cosey's Elemental 7 -- available here for the first time in 40 years -- is the soundtrack to the film of the same name (on Cabaret Voltaire's Doublevision video imprint) that saw the duo working once more with John Lacey -- Lacey had previously worked with Cosey in COUM Transmissions and introduced Chris Carter to the collective. The album's highlight and one of their best loved songs, "Dancing Ghosts", sounds as fresh and relevant today as it must have on its original release. "Elemental 7 has cast a looming shadow of influence over almost all electronic music since it was made" --Boomkat.
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CTI MF22
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Pink/purple vinyl. Reissue, originally released in 1993. Muzik Fantastique! receives its first ever vinyl issue. The album finds Chris & Cosey in one of their most dynamic and melodic periods with an album that slides towards subtler grooves and textures. "Muzik Fantastique! is another example of their hidden talents" --NME.
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CTI 016LP
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2021 restock, on transparent violet vinyl. This hugely popular mid-eighties Exotika album was originally released in 1987 by Play It Again Sam. It includes such Chris & Cosey classics as the crowd-pleasing "BeatBeatBeat", the haunting ballad "Dr. John (Sleeping Stephen)", and the original version of their seminal title track "Exotika", which was adopted as an electronica anthem, most notably on the GOA scene and in the US West and East Coast gay clubs of the later 1980s. Includes a glossy insert with historic photographs and press clippings.
"Chris & Cosey beat most of 87's mainstream dance-floor contenders on their own territory of sheer pleasure, urged joy. 'BeatBeatBeat' is extreme, a revelation." --Ian Gittins (Melody Maker, 1987)
"Chris & Cosey have made a great dance record, but it's their kind of dancing. No junk here. They're crazy enough to be sincere about their musical Pleasureland and they want to share their discovery. Come and feel the sound as though your life depends on it: if it were up to them, it would depend on it." --Rockpool, 1987
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CTI 001LP
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2020 restock; on purple vinyl. Originally released to much acclaim in 1981 by Rough Trade, Heartbeat was the first in a long line of groundbreaking albums by Chris Carter and Cosey Fanni Tutti. This early example of Chris & Cosey features cut-up sampled voices, Cosey's disto-guitar, industrial sequences, melodious synths, and cinematic sweeps. Includes a 12" B/W double-sided insert of archive photos, clippings, and texts.
"There are moments of great beauty like 'Moorby' and, equally, many moments of sheer depravity all performed with Kraftwerk's cultured class and the hypnotic charm and deadly grace of a synthesised cobra." --Steve Sutherland (Melody Maker, 1982)
"All the world loves a love story... but Heartbeat still has an edge of evil among the extensions of the pair's established scenarios." --Sandy Robertson (Sounds, 1981)
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CTI 009LP
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2019 repress on transparent turquoise vinyl. Songs Of Love & Lust was originally released by Rough Trade Records in 1984 and at the time was considered to be quite a departure for both Chris & Cosey and Rough Trade. The album contains Chris & Cosey's trademark infectious rhythms, melodic tunes, edgy guitar, wailing cornet and of course Cosey's unique vocals -- which give a dark and sensual edge to the production. Includes a glossy insert with historic photographs and press clippings.
"A vice-like turn of the screw that is at once dreamy, hard and compelling. A gathering of all those forces which give electronic music a heart of its own. This is seduction!" --Adrian Jones (City Limits, 1984)
"Chris & Cosey's alluring invitation is to try another world: their promise is that the possibilities should be endless." --Don Watson (NME, 1984)
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CTI 002LP
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2019 repress on gold vinyl. This seminal album and a long time favorites with DJs and fans alike. Trance is often cited by electronic musicians as being highly influential in contemporary electronic music. Primarily an instrumental album, Trance covers everything from minimal electro and polyrhythmic sequences to rhythm heavy industrial dance tracks. Includes a 12" B/W double-sided insert of archive photos, clippings and texts.
"High-tech sequencer dazzles mix with heavy stews of sound, teasing atmospheric pieces with abrasive disco forgeries." --John Gill (Time Out, 1982)
"No one else currently turning out commercial music has anywhere near Chris and Cosey's intuitive grasp of the stimulating possibilities of electronic rhythm. Trance is just what it claims to be: a mesmerising chance to reassess the suggestive potential of sound, which in turn, attempts to intoxicate the listener into a reinvestigation of surrounding environments." --Steve Sutherland (Melody Maker, 1982)
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