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viewing 1 To 14 of 14 items
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CD
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KOO 005CD
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Recording of the entire session performed at "Geometry of Now", the audiovisual festival organized by the V-A-C Foundation and curated by Mark Fell that took place at the former power station GES-2 in the hearth of Moscow (2017). CoH, the alias of Ivan Pavlov, is a Russian word for both sleep and dream, spelled in Cyrillic and pronounced as "son". Having left Russia for Sweden in 1995, CoH produced an extensive catalog of releases, including several notable collaborations with leading figures in industrial music, such as Cosey Fanni Tutti and Peter Christopherson of Coil/Throbbing Gristle. His dreamlike progression resonates here within GES-2, an exceptional monument of industrial archeology from the early 20th century, which Renzo Piano transformed into a multifunctional exhibition space whose renovation was completed later in 2021.
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CD
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NPLUS 002CD
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NOTON announce the release of COH's album WYGG [While Your Guitar Gently]. Throughout his career, Stockholm-based sound artist and musician Ivan Pavlov has shown a relentless desire to map musical landscapes and sound qualities. A reference to The Beatles' "While My Guitar Gently Weeps", WYGG takes back the ambitions of COH's previous album MUSIC VO (2020) to the electronic and digital domains. With prominent acoustic tones, WYGG ruminates on the tonal qualities of the guitar, resulting in a balanced combination of sonic, textural, and melodic explorations between acoustic and programmed sounds. The album opens with a sharp play of timbres and electronics, gradually taking the listener into an atmosphere that veers between jaunty, playful glitchy electronics and noise. Over nine compositions, COH's sonic detailing emerges as a form of pointillism made of infinitesimal variations and subtle rhythmic structures. There is a warm fragility throughout the album as the waves of acoustic harmony blend cunningly with the drifting plucks and shivery electronics. The two closing tracks conceived by COH as an extension of the album's sonic narrative flit between minimalism and abstract pop with vocal work from Pavlov and vocalist Ola. "Bolero With Ola" offers an expressive dynamic with the female voice enacting a poem written by Pavlov. Conceived as a cover of Soft Cell's 1983 homonymous song, "Heat" features COH's alias Frankie Gothard singing voice and carries the track into a soothing soundscape as he gently tones down Marc Almond's lyrics.
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PIC. DISC + CD
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HG 1705LP
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Ivan Pavlov pays tribute to the late Sentrax founder and prolific musician John Everall, who passed away in September 2014. Sourced from analog material, the six tracks are an exercise in minimalism and subtlety singular even in Pavlov's impressive back catalog. Pavlov focuses on swirling arpeggios whose colorfulness is mirrored in Ruth Stofer's artwork. From the joyful, handclap-driven "2016", to the hectic gabber derivate "Overbeat", the Russian producer explores a minimalistic yet organic palette of synthesizer sounds that stylistically reach from the hymn-like poise of "Wavetrap" to the playful and warm vibes of "Alone (Minimal Selfie)". With a feature of Coil's John Balance on the CD-only bonus track "Hunger Remix", Pavlov adds yet another facet to this evocative marriage of sonic purity and emotional rawness. Over a throbbing rhythm, the late poet's dry intonation serves as an eerie coda to this tender tribute to lost friends. As a dialogue between this world and the other, CoH's digital manipulation and Everall's analog source material as well as stark minimalism and tonal richness, CoH Plays Everall captures two kindred spirits bidding each other farewell. Limited edition picture disc includes a CD.
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LP
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EMEGO 245LP
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The ongoing relationship between Editions Mego and CoH continues with this special collection of works made by CoH over a number of years, released on a variety of labels. What brings these works together is the incorporation of vocalists and lyrics. Neatly compiled here, a diverse pool of vocalists elevate the otherwise instrumental works of CoH (Ivan Pavlov) into worlds of narrative, the human and the haunted. Little Annie brings her sly subversive cabaret style to one of the works whilst delivering an intense list of daily activities on another whereas Peter "Sleazy" Christopherson conjures a world beyond our own with his cracked spectral delivery interpreting Pavlov's disembodied electronics. "I wrap my last kiss in a bandage... I send you this message." Frankie Gothard provides classic distorted industrial swagger to the proto-disco "Fffetish" where "Love's Septic Domain", featuring John Balance and Louise Weasel, screams from the abyss of "dirty hospitals"; as starlit and damaged as any of the classic Balance deliveries. A previously unreleased work featuring the renowned fashion designer Ann Demeulemeester skips along a metronomic beat whilst the voice lays out dry settings and instruction. Elsewhere, Noriko Taguchi embeds a fragile sensibility to a music box melody whilst Anna Yamada's collaboration results in an exquisite blend of disorientating pop. The versatility of Pavlov's practice is on display, as proto disco, industrial simulation, and pop all come together with the vocalists presenting a wide range of human function, from the absurd to the mundane to world's unknown. Cover photo and graphic design by Victor Robyn; Cut by Rashad Becker at Dubplates & Mastering, Berlin, June 2017.
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12"
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GESTELL 005EP
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The final track on CoH's release, Music VOL. (EMEGO 222CD) is titled "Return to Mechanics", connecting the two. This EP contains a set of bouncy, slouchy robotic grooves, full of tweeps and pneumatic, rubberized squelches that were too energetic to be on Music VOL. Return to Mechanics also includes a reimagining of Donna Summer's classic track "I Feel Love". Each track on the EP is a free-time computer based composition. Mastered and cut by Rashad Becker. 150g vinyl in full color. Direct-to-board jacket with gloss varnish finish - designed by Joe Gilmore and Cameron Shafii.
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CD
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ROTOR 021CD
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Pop-up sleeve. Z-Rated coincides with the premiere of Takashi Miike's 2010 farcical action film Zebraman 2: Attack on Zebra City, and the album carries many of the ironic connotations found in the original film. Yet Z-Rated is so much more. . . . It is a reference to the raw power of no-budget creation below that of B-movies. The album contains pieces from various years, as far back as the early '90s -- music that was hitherto kept hidden and is now revealed at last, including obscure and odd tracks and rare live recordings. Diverse in style and form, Z-Rated undoubtedly carries Ivan Pavlov's own uninhibited touch all in the power and finesse characteristic of all of the CoH productions. Active in the avant-garde electronic scene since the '90s, Ivan Pavlov aka CoH is a spearhead of radically modern electronics whose work always carries a human emotional charge.
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CD
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EMEGO 222CD
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Opening a sonic space that leads into delicate subconscious spheres, Ivan Pavlov aka CoH has created his most sophisticated work to date. MUSIC VOL. is a piece of gentle acoustic excitement. Evolving around concepts of silence and sound, each track reveals to the listener a different emotional chamber. The work generates a profound intimacy derived from the fact that "VOL." is meant literally; Pavlov places variations of volume and soft progressions of sound at the fore, inviting comparisons to classical music. It is these gentle, nearly silent tones that force the listener to pay attention to the inner qualities of each sound -- its color and vibration -- while simultaneously revealing its tactile and corporeal qualities. At the same time, CoH creates atmospheric settings that invite the listener into complete immersion. A condition close to meditation is provoked, making the listener intuitively aware of slight alterations. Subtle sensations arise from the exquisite affective dramaturgy that operates here. Reminiscent of minimalistic film scores, CoH's sparse sound design creates a painstakingly continuous arc of suspense that never dissolves. Written and recorded January - December 2015. All music by Ivan Pavlov/CoH. Artwork by Tina Frank.
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2LP
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EMEGO 197X-LP
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Restocked. Special double set of COH's To Beat album (released previously as CD) featuring exclusive remixes by Matmos, JG Thirlwell, John Parish, Ryuchi Sakamoto, and Drew McDowall. Vinyl-only. No digital. Original To Beat notes: Picking up right where the last track on the previous COH release RETRO-2038 (EMEGO 172CD/LP) left off, the new album is focused on the use of beats within the similar aesthetics. While most of the previous COH records openly shy away from accentuated beat structures and instead build up their rhythmical content by layering waves and pulses, every track on To Beat is padded with just that -- beats. The music transition is illustrated in the album's artwork, displaying transformation of a sine-wave, a tone, into a waveform which is "beat." This mathematical progression is made audible in the album's opening track. The rest of the album, however, steers clear from dull math and presents the beats in their more traditional context of what could be referred to as "adventurous dance music," taking the listener through various examples of beat use with the sense of playfulness and joy. The final piece, "Beat to Wave," wraps it up by dissolving a simplistic post-techno piece into a tonal chord. This brings back the album's main idea, where tone and beat are essentially one and the same, like vowels and consonants in a language, like Yin and Yang in music.
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CD
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EMEGO 197CD
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Picking up right where the last track on the previous Coh release RETRO-2038 (EMEGO 172CD/LP) left off, the new album is focused on the use of beats within the similar aesthetics. While most of the previous COH records openly shy away from accentuated beat structures and instead build up their rhythmical content by layering waves and pulses, every track on To Beat is padded with just that -- beats. The music transition is illustrated in the album's artwork, displaying transformation of a sine-wave, a tone, into a waveform which is "beat." This mathematical progression is made audible in the album's opening track "Wave to Beat." The rest of the album, however, steers clear from dull math and presents the beats in their more traditional context of what could be referred to as "adventurous dance music," taking the listener through various examples of beat use with the sense of playfulness and joy. The final piece, "Beat to Wave," wraps it up by dissolving a simplistic post-techno piece into a tonal chord. This brings back the album's main idea, where tone and beat are essentially one and the same, like vowels and consonants in a language, like yin and yang in music.
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2LP
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EMEGO 172LP
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Gatefold double LP version. COH is the moniker used by Ivan Pavlov from Russia for more than a decade. COH is also the Russian word for "sleep." Yet, do not be deceived -- RETRO-2038 is much more of a deep space than a deep sleep. The second COH release on Editions Mego is a true delight to behold, inviting as it does its exploration of electronic sound in minimalism, futuristic pop and the uncharted territories in-between. Ranging from digital updates of Giorgio Moroder's pulse experiments to menacing, lingering LF tones, with occasionally scattered outbursts of jovial noise and glimpses of tonal interstellar disco, RETRO-2038 precisely engraves each of its components with a melodic line and a rhythmical pattern, often beatless. The album as a whole is a work of profound playfulness, at once whimsical and deeply seductive. It opens a crisp crystalline cosmos of its own, rich with unknown objects dancing through ominous orbital auras and smooth gravitational fields. Like a cyber-organic spacecraft moving through dark matter, RETRO-2038 looks back with a warmth as it heads towards its future with abiding optimism. After all, the future can't wait. Artwork by Tina Frank.
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CD
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EMEGO 172CD
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COH is the moniker used by Ivan Pavlov from Russia for more than a decade. COH is also the Russian word for "sleep." Yet, do not be deceived -- RETRO-2038 is much more of a deep space than a deep sleep. The second COH release on Editions Mego is a true delight to behold, inviting as it does its exploration of electronic sound in minimalism, futuristic pop and the uncharted territories in-between. Ranging from digital updates of Giorgio Moroder's pulse experiments to menacing, lingering LF tones, with occasionally scattered outbursts of jovial noise and glimpses of tonal interstellar disco, RETRO-2038 precisely engraves each of its components with a melodic line and a rhythmical pattern, often beatless. The album as a whole is a work of profound playfulness, at once whimsical and deeply seductive. It opens a crisp crystalline cosmos of its own, rich with unknown objects dancing through ominous orbital auras and smooth gravitational fields. Like a cyber-organic spacecraft moving through dark matter, RETRO-2038 looks back with a warmth as it heads towards its future with abiding optimism. After all, the future can't wait. Artwork by Tina Frank.
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2LP
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EMEGO 114LP
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Lavish gatefold for the vinyl 2LP version. It would be too easy to simply call IIRON the COH metal album, as it goes way beyond that. True, this album of classic Ivan Pavlov stompers contains more than its fair share of guitars both acoustic and electric, yet it still maintains that sense of power and purpose through electronic music which stands out as the COH "raison d'être." Coming 11 years after IRON (Wavetrap, 2000), which also tackled the sound of rock with alarming results, the new album features not only recent guitar tracks recorded at Music Research Centre at York University, but also recordings made during Soviet-era Russia, which refer to Pavlov's underground music activities in the early '80s when making or even consuming of "metal music" was forbidden. IIRON is a powerful, well-executed electronic rock record, with just a dash a humor to keep it from becoming pompous, as so much of that kind of music can be sometimes. With stunning artwork by Stephen O'Malley (Sunn O)))). Vinyl cut by Rashad Becker at Dubplates & Mastering, Berlin, November 29th, 2010. HAIL TO WORLD PEACE AND DEATH TO FALSE METAL. In memoriam: Satoshi Kon and Peter Christopherson.
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EMEGO 114CD
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It would be too easy to simply call IIRON the COH metal album, as it goes way beyond that. True, this album of classic Ivan Pavlov stompers contains more than its fair share of guitars both acoustic and electric, yet it still maintains that sense of power and purpose through electronic music which stands out as the COH "raison d'être." Coming 11 years after IRON (Wavetrap, 2000), which also tackled the sound of rock with alarming results, the new album features not only recent guitar tracks recorded at Music Research Centre at York University, but also recordings made during Soviet-era Russia, which refer to Pavlov's underground music activities in the early '80s when making or even consuming of "metal music" was forbidden. IIRON is a powerful, well-executed electronic rock record, with just a dash a humor to keep it from becoming pompous, as so much of that kind of music can be sometimes. Packaged in a 4-panel digipack for CD, and lavish gatefold for the vinyl, with stunning artwork by Stephen O'Malley (Sunn O)))). Vinyl cut by Rashad Becker at Dubplates & Mastering, Berlin, November 29th, 2010. HAIL TO WORLD PEACE AND DEATH TO FALSE METAL. In memoriam: Satoshi Kon and Peter Christopherson.
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CD
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R-N 071CD
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Originally released in 2006. The Raster-Post series winds up with a pop release by label regular and favorite Coh aka Ivan Pavlov. Entitled Patherns, this 4-track CD-EP creates a picture-puzzle-like effect, while at the same time, there are four exercises in constructive melancholy. Coh seems to recall the times of pushing rhythms and propulsive club music of the '80s and '90s (as we all know his love for the "Moroder" sound), but the past appears digitalized here... nothing would make you think that this is not a product of the 21st century! The Patherns EP presents Coh's sonic speculation in humorous and almost lyrical terms. The texture varies from piece to piece, but the basic structure stays the same and creates a diabolic drive which is a force in itself. While frisky and playful in some parts, this release never loses its depth. In this respect, the listener should follow the instructions on the inside: PLAY LOUD IF YOU CAN! 23-minute EP, housed in a die-cut digipak.
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viewing 1 To 14 of 14 items
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