|
|
|
|
|
|
|
|
|
LP
|
|
ALT 051COL-LP
|
Clear vinyl edition. Alter presents a remastered edition of Cremation Lily's second album. Recorded whilst living in Hastings and originally released as a double cassette on his Strange Rules label in 2017, The Processes And Instruments Of Normal People forms a trilogy of albums in the Cremation Lily canon that were influenced by the life and atmospheres within British coastal towns. Composed using a rudimentary set-up of synth, drum machine and two modified walkmans, Cremation Lily draws upon a broad range of influences from the underground electronic music spectrum. Noise, tape music, and ambient techno are all referenced and align to form a cohesive collection of tracks, flowing fluidly in sequence. Melancholic synth pads and deep kick drums intersect with crude field recordings and occasional bursts of feedback, evoking a claustrophobic uncertainty that feels more like being pulled under than carried above. Features additional piano and violin by Theodore Cale Schafer.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
Cassette
|
|
FLENSER 131CS
|
Cassette version. "Cremation Lily's Dreams Drenched In Static exists at the horizon of consciousness and heavy experimental music. Through the use of frenetic vocal melodies, tape degradation, and guitar noise, the album documents the liminal moments at the edge of sleep, and the distressing thoughts that often accompany late-night R.E.M. disturbances. The lyrics were largely written at three in the morning and serve to evoke the depression and meditations on death that seem to haunt these early hours. Based in London, England, Cremation Lily is the project of Zen Zsigo. Like many Flenser artists, Cremation Lily is difficult to classify. Starting out in 2009 as a sample-based ambient artist, Cremation Lily has evolved to incorporate more rock-based guitar instrumentation and influence from a wide range of genres such industrial, shoegaze, tape loops, noise, and power electronics. Although rooted in electronic music, Cremation Lily shares similarities with other Flenser artists like Planning For Burial and Have a Nice Life, as well as black metal. Dreams Drenched In Static is the first Cremation Lily album to primarily rely on guitar and vocal-based contributions, and is the project's most intentional and developed work to date."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FLENSER 131LP
|
"Cremation Lily's Dreams Drenched In Static exists at the horizon of consciousness and heavy experimental music. Through the use of frenetic vocal melodies, tape degradation, and guitar noise, the album documents the liminal moments at the edge of sleep, and the distressing thoughts that often accompany late-night R.E.M. disturbances. The lyrics were largely written at three in the morning and serve to evoke the depression and meditations on death that seem to haunt these early hours. Based in London, England, Cremation Lily is the project of Zen Zsigo. Like many Flenser artists, Cremation Lily is difficult to classify. Starting out in 2009 as a sample-based ambient artist, Cremation Lily has evolved to incorporate more rock-based guitar instrumentation and influence from a wide range of genres such industrial, shoegaze, tape loops, noise, and power electronics. Although rooted in electronic music, Cremation Lily shares similarities with other Flenser artists like Planning For Burial and Have a Nice Life, as well as black metal. Dreams Drenched In Static is the first Cremation Lily album to primarily rely on guitar and vocal-based contributions, and is the project's most intentional and developed work to date."
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ALT 051LP
|
Limited vinyl edition of Cremation Lily's second album. Originally released as a double cassette on his Strange Rules label in 2017, The Processes And Instruments Of Normal People forms a trilogy of albums in the CL canon that were influenced by the life and atmospheres within British coastal towns. Composed using a rudimentary set-up of synth, drum machine, and two modified Walkmans, CL draws upon a broad range of influences from the underground electronic music spectrum. Noise, tape music and ambient techno are referenced and align in a cohesive collection of tracks, flowing fluidly in sequence. Melancholic synth pads and deep kick drums intersect with crude field recordings and occasional bursts of feedback, evoking an uncertain claustrophobia. More like being pulled under than carried above. Features additional piano and violin by Theodore Cale Schafer, new mastering by John Hannon. Edition of 250.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
ALT 053CD
|
Double-CD package collecting the two most recent Cremation Lily albums; The Processes And Instruments of Normal People (2017) and In England Now, Underwater (2018), previously only available on vinyl. Observations of coastal England and isolation via tape-washed electronics and field work. Six-panel, digifile with eight-page booklet.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ALT 017LP
|
Cremation Lily is the project of UK-based Z. Zsigo. For the past five years, Zsigo has been consistently working under most people's radars with his distinctly personal take on power electronics, developing a modest cult following and a respectable catalog of releases through his Strange Rules label. In 2012 the project was brought to the attention of Steve Underwood from Harbinger Sound who subsequently released the Fertility Servant 7" and the project began to gather a more visible live presence thanks to gigs with the likes of Consumer Electronics, Con-Dom, Natural Assembly and on the East Coast of America, too, with Alberich and Âmes Sanglantes. Now Alter is pleased to present the first full-length vinyl collection of Cremation Lily material -- Fires Frame the Silhouette is compiled mostly from reworked and remixed tracks from previous CL cassette releases. All pieces are thematically linked by a time and place in Zsigo's life and bringing them together creates a record of masterful atmosphere which ranks high in the industrial/PE canon and closes a chapter in the project's timeline. Mastered by Arthur Rizk and cut to vinyl by Noel Summerville. Limited one-time pressing of 300 copies.
|