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LP+CD
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WAVES 003LP
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Magazine announces the album Waves 3 by Curd Duca, the third and last part of the trilogy Waves: Austrian electronic composer Curd Duca is widely known for his 1990s series of critically acclaimed easy listening 1-5 (Normal) and elevator 1-3 (Mille Plateaux). After a long break from the studio, Duca has issued part 1 of the Waves series in late 2020 on Magazine WAVES 001LP. This was in fact his first album in 20 years. The Waves recordings pick up the thread of his '90s work and open up a new chapter. Again, everything is shifting constantly and all tracks are quite different (soft, rough, melodic, abstract...), but complement each other in a surprisingly coherent way to form an idiosyncratic universe. While other experimental artists can sound as if they're attempting to lift lead weights over their heads, Duca is content flicking feathers into their faces. After his impressive 1990s/00s run on Normal and Mille Plateaux, Curd Duca had disappeared for 20 years before emerging from the aether last year. The albums of the new Waves trilogy represent a flawless examination of sound and texture. The Vienna-based producer still straddles high and low culture, but approaches his sonics with a more historically aware ear. So plain and resonant gong recordings are placed next to pop music loops and DSP-fractured cut-ups, and icy electronic jams nudge up against cassette warped instrumental sketches. Waves 3 is a continuation and culmination of the series. In the final chapter, you're drawn in with church bells on dome, but quickly transported to another era entirely with the crackly bläser and absurd zither, a tongue-in-cheek plunderphonic experiment assembled from zither samples. Duca follows this evocative run of tracks with a machine-gun blast of experimental sound, from the percussive 500 GRM to the ferric ASMR birdsong of "ziegenmelker." This is Duca at his most uncompromising, grabbing central European culture and dragging it through his array of processes. Playing the album from beginning to end opens up a weightless cut-and-paste mixtape, stitched together with expert foresight and a knowing wink to camera. Like the best psychedelic experiences, memories are triggered and turned inside-out, and knowledge is allowed to blossom. Curd Duca has been refining his process for three decades now, and few artists have quite the same ability to challenge, provoke, and inspire.
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LP+CD
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WAVES 002LP
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Magazine announce the album Waves 2 by Curd Duca, the second part of the trilogy Waves: Austrian electronic composer Curd Duca is widely known for his 1990s series of critically acclaimed easy listening 1-5 (Normal) and elevator 1-3 (Mille Plateaux). After a long break from the studio, Duca has issued part 1 of the Waves series in late 2020 on Magazine (WAVES 001LP). That was in fact his first album in 20 years. The Waves recordings pick up the thread of his '90s work and open up a new chapter. Again, everything changes constantly and all tracks are quite different (soft, rough, melodic, abstract...), but complement each other in a surprisingly coherent way to form a singular universe. Waves 2 takes off into more experimental realms, expanding on Duca's unusual combination of avant-garde aesthetics and organic qualities. Duca navigates through spaces deep and wide, in a flowing succession of soothing and sometimes elusive moments. The music is elegant, light and transparent, occasionally dark and raw, sometimes veering off into microtonal scales.
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LP+CD
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WAVES 001LP
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Waves 1 is the first release of Curd Duca since the legendary Elevator series (1998-2000). Waves is an album trilogy. Waves 2 and 3 will be released on Magazine in 2021. If you think of Curd Duca's Waves in terms of sound, rather than in terms of form, each track on Waves is actually like the large, illuminated, richly decorated initial letter that introduces the narrative of so many medieval manuscripts. It is as if Duca was collecting extraordinary letters, opening up an alphabet of sounds, and developing a musical phonetics between adjacent terms. From gong to gone; bell to bells minus drone; dome to father. The real beauty of Curd Duca's cycle lies in the fact that it opens up differently from so many perspectives. That you can understand it as a collection of treasures, as a commentary on our acoustic environment, as an attempt to dissect the world and stylize its parts. Much like a printer's typesetting box, Duca proposes an inventory of everything that sounds. Some of the pieces are exaggerations. Some allusions. Others abstractions, parodies, and transgurations. It is often not even clear whether the music is based on a recording or a synthetic sound. Is the nightjar real or is it a synthetic imitation? Did Duca really use brass and zither sounds or simulate them on the computer? The hermaphroditic nature between reality and arti ciality is a central aspect of Duca's sound world. There is only one thing you must not do with this music: trivialize it or underestimate it. With Waves, Duca is exploring the very essence of sound, and its possible meanings and contradictions.
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