|
|
|
|
|
|
|
|
|
|
LP
|
|
NAOS 003LP
|
LP version. Sulphur-Tarot-Garden is a new soundtrack album by Cyclobe, recorded to accompany three alchemical dream pieces by the filmmaker Derek Jarman. Originally shot between 1972 and 1978 on silent Super-8, the films were recently premiered with their new soundtracks at the Queen Elizabeth Hall, London. For this triptych of recordings, Ossian Brown and Stephen Thrower are joined on Sulphur-Tarot-Garden by Michael J. York, Cliff Stapleton and John Contreras. This is Cyclobe's fifth album to date, following Luminous Darkness, The Visitors, Paraparaparalellogrammatica and Wounded Galaxies Tap at The Window (NAOS 001CD/LP). Brown and Thrower were previously members of the sidereal musick group, Coil.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
NAOS 004LP
|
Double LP version. The Visitors, Cyclobe's second album, was originally released in 2001. Its complex alien sound-world established them as purveyors of an immersive and phantasmagoric music like no other. Now, on the album's 13th anniversary, The Visitors sees its first-ever release on vinyl, along with a 2CD re-issue. To celebrate this release, the album's front cover features spectral artwork by the Irish artist Alex Rose, while the deluxe color inner sleeves present stunning vibratory paintings by renowned American artist Fred Tomaselli. This highly-anticipated edition also includes a specially-recorded new piece by Cyclobe, the illusory and chimeric "Son of Sons of Light," for which Brown and Thrower are joined by current Cyclobe member Michael J. York. Formed in 1999 by Ossian Brown and Stephen Thrower, Cyclobe have released five albums to date: Luminous Darkness, The Visitors, Paraparaparalellogrammatica, Wounded Galaxies Tap at The Window (NAOS 001CD/LP) and Sulphur-Tarot-Garden (NAOS 003CD/LP). Brown and Thrower were previously members of the sidereal musick group, Coil. Brightness falls from the air.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
NAOS 003CD
|
Sulphur-Tarot-Garden is a new soundtrack album by Cyclobe, recorded to accompany three alchemical dream pieces by the filmmaker Derek Jarman. Originally shot between 1972 and 1978 on silent Super-8, the films were recently premiered with their new soundtracks at the Queen Elizabeth Hall, London. For this triptych of recordings, Ossian Brown and Stephen Thrower are joined on Sulphur-Tarot-Garden by Michael J. York, Cliff Stapleton and John Contreras. This is Cyclobe's fifth album to date, following Luminous Darkness, The Visitors, Paraparaparalellogrammatica and Wounded Galaxies Tap at The Window (NAOS 001CD/LP). Brown and Thrower were previously members of the sidereal musick group, Coil.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
NAOS 004CD
|
The Visitors, Cyclobe's second album, was originally released in 2001. Its complex alien sound-world established them as purveyors of an immersive and phantasmagoric music like no other. Now, on the album's 13th anniversary, The Visitors sees its first-ever release on vinyl, along with a 2CD re-issue. To celebrate this release, the album's front cover features spectral artwork by the Irish artist Alex Rose, while the deluxe color inner sleeves present stunning vibratory paintings by renowned American artist Fred Tomaselli. This highly-anticipated edition also includes a specially-recorded new piece by Cyclobe, the illusory and chimeric "Son of Sons of Light," for which Brown and Thrower are joined by current Cyclobe member Michael J. York. Formed in 1999 by Ossian Brown and Stephen Thrower, Cyclobe have released five albums to date: Luminous Darkness, The Visitors, Paraparaparalellogrammatica, Wounded Galaxies Tap at The Window (NAOS 001CD/LP) and Sulphur-Tarot-Garden (NAOS 003CD/LP). Brown and Thrower were previously members of the sidereal musick group, Coil. Brightness falls from the air.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
NAOS 001CD
|
This is the long-anticipated third album by Cyclobe. Essentially a duo comprised of Ossian Brown and Stephen Thrower, Cyclobe have created a thrilling and compelling collection of music, which moves effortlessly from realms of cavernous cacophony to moments of blissful delicacy. The first new Cyclobe music to surface since their "death-concréte" missile Paraparaparallelogrammatica (an album made in collaboration with Nurse With Wound), Wounded Galaxies Tap At The Window showcases major new developments, with contributions from Thighpaulsandra (synthesizer/piano), John Contreras (cello) Cliff Stapleton (hurdy-gurdy), and Michael J. York (duduk/pipes). Together, they've created an immersive pan-psychedelic dream warren, rich in detail and surprise. Opener "How Acla Disappeared From Earth" rides on celestial waves of shimmering synthesizers and vocals, with York's duduk providing rhapsodic arabesques. The album's longest piece, "The Woods Are Alive With The Smell Of His Coming" (which was premiered in the United Kingdom at The Tate Gallery St. Ives, as a part of the exhibition "The Dark Monarch: Magick and Modernity In British Art") is a 17-minute pagan opus which fully manifests Cyclobe's flair for endless invention, developing from a subtly-shifting percussive motif, through multiple layers and dizzying cello crescendos, into a truly disorientating sonic invocation. On "We'll Witness The Resurrection Of Dead Butterflies (Three Moons)," Stapleton's hurdy-gurdy transmutes into a keening blizzard of sound. The haunting "Sleeper," with its clustered piano chords and Brown's beautiful, disembodied vocals, evokes an elegant otherworldliness that's finally overwhelmed by the monstrous electronic paroxysm of "Wounded Galaxies Tap At The Window," concluding the album on surges of rapturous cosmic convulsion. Thrower and Brown are well-known for their work in the legendary group Coil (Thrower played on the band's seminal 1980s/early 1990s releases, while Brown was involved in their 21st century studio and live incarnations). Among other recent credits, Thrower plays in Unicazürn and the improvising group The Amal Gamal Ensemble, while Brown appears on Current 93's recent, highly-acclaimed album Aleph At Hallucinatory Mountain. Cyclobe's unique and complex sound-world has been developing and mutating ever since their debut album released in 1999 Luminous Darkness and its unearthly successor The Visitors. With Wounded Galaxies, the group has not only produced their finest and most ambitious work to date, they've created an album which can stand tall with the year's most innovative and exciting releases. Housed in a deluxe laminated wallet with a poster insert by Alex Rose and a 4-page booklet.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
NAOS 001LP
|
This is the long-anticipated third album by Cyclobe. Essentially a duo comprised of Ossian Brown and Stephen Thrower, Cyclobe have created a thrilling and compelling collection of music, which moves effortlessly from realms of cavernous cacophony to moments of blissful delicacy. The first new Cyclobe music to surface since their "death-concréte" missile Paraparaparallelogrammatica (an album made in collaboration with Nurse With Wound), Wounded Galaxies Tap At The Window showcases major new developments, with contributions from Thighpaulsandra (synthesizer/piano), John Contreras (cello) Cliff Stapleton (hurdy-gurdy), and Michael J. York (duduk/pipes). Together, they've created an immersive pan-psychedelic dream warren, rich in detail and surprise. Album opener "How Acla Disappeared From Earth" rides on celestial waves of shimmering synthesizers and vocals, with York's duduk providing rhapsodic arabesques. The album's longest piece, "The Woods Are Alive With The Smell Of His Coming" (which was premiered in the United Kingdom at The Tate Gallery St. Ives, as a part of the exhibition "The Dark Monarch: Magick and Modernity In British Art") is a 17-minute pagan opus which fully manifests Cyclobe's flair for endless invention, developing from a subtly-shifting percussive motif, through multiple layers and dizzying cello crescendos, into a truly disorientating sonic invocation. Side two commences with "We'll Witness The Resurrection Of Dead Butterflies (Three Moons)," in which Stapleton's hurdy-gurdy transmutes into a keening blizzard of sound. The haunting "Sleeper," with its clustered piano chords and Brown's beautiful, disembodied vocals, evokes an elegant otherworldliness that's finally overwhelmed by the monstrous electronic paroxysm of "Wounded Galaxies Tap At The Window," concluding the album on surges of rapturous cosmic convulsion. Wounded Galaxies' front cover features stunning artwork by the renowned American artist Fred Tomaselli, whose work has been exhibited at the Whitney and MoMA. Thrower and Brown are well-known for their work in the legendary group Coil (Thrower played on the band's seminal 1980s/early 1990s releases, while Brown was involved in their 21st century studio and live incarnations). Among other recent credits, Thrower plays in Unicazürn and the improvising group The Amal Gamal Ensemble, while Brown appears on Current 93's recent, highly-acclaimed album Aleph At Hallucinatory Mountain. Cyclobe's unique and complex sound-world has been developing and mutating ever since their debut album released in 1999 Luminous Darkness and its unearthly successor The Visitors. With Wounded Galaxies, the group has not only produced their finest and most ambitious work to date, they've created an album which can stand tall with the year's most innovative and exciting releases. Includes two full-color inserts.
|
|
|