|
|
|
|
|
|
|
|
|
|
|
3LP
|
|
HELLO 026LP
|
Triple LP version. Multi-faceted artist Daze Maxim aka Marcus Manowski presents Rising/Falling, his second full-length work following his 2000 debut album Same Place the Bot Got Smashed. The album's title refers to meditative breathing exercises, in which Manowksi developed an interest around the same time as the album's conception. This additional balance and clarity allowed the album to develop harmoniously, and paved the way for completion. There is also a nod to reflexivity; though this discipline provided necessary solace, it also demanded greater engagement. The overall aesthetic is unquestionably true to the minimal framework Manowski has meticulously crafted since his debut in 2000. In a playground of intermittent tempo and hybrid organic electronica, harmony builds while dissonance prevails. There is maturity and guts in the selection and delivery of each part's piece in the puzzle, and a true viral beauty as it gains momentum. What is immediately striking about the album in full is its brooding space and progression. From ambient tones and warped classic synths to rigorous live instrumentation, the sonic palette enriches as the odyssey continues. Recalling a camera lens drifting in and out of focus, Manowski toys with periodic collapse and elongated movements, but always pulls the listener back through percussive punctuation. The collaborations featured on the album occurred naturally, though the sessions played out differently. Sloth's unique trumpet work on the opener is an entirely improvised workout without specific key or time signatures. In contrast, Yonatan, a classically trained jazz musician from Tel Aviv now residing in NYC, added bowed and fingered double bass to an already arranged work. Finally, the piece with Bruno Pronsato became a re-imagination of a previous live composition under their Others moniker. Each partnership subtly enriches the spectrum, though never overtaking Manowski's position at the helm. Haunting every intimate beat and phrase is a true jazz sensibility. A diligent yet self-taught student of composition and theory, Manowski's brilliance lies within his persistent tightrope-walk of texture and melody. Rising/Falling is as intrinsically musical and direct as is gets, and the outcome is elegantly unsettling.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
HELLO 026CD
|
Multi-faceted artist Daze Maxim aka Marcus Manowski presents Rising/Falling, his second full-length work following his 2000 debut album Same Place the Bot Got Smashed. The album's title refers to meditative breathing exercises, in which Manowksi developed an interest around the same time as the album's conception. This additional balance and clarity allowed the album to develop harmoniously, and paved the way for completion. There is also a nod to reflexivity; though this discipline provided necessary solace, it also demanded greater engagement. The overall aesthetic is unquestionably true to the minimal framework Manowski has meticulously crafted since his debut in 2000. In a playground of intermittent tempo and hybrid organic electronica, harmony builds while dissonance prevails. There is maturity and guts in the selection and delivery of each part's piece in the puzzle, and a true viral beauty as it gains momentum. What is immediately striking about the album in full is its brooding space and progression. From ambient tones and warped classic synths to rigorous live instrumentation, the sonic palette enriches as the odyssey continues. Recalling a camera lens drifting in and out of focus, Manowski toys with periodic collapse and elongated movements, but always pulls the listener back through percussive punctuation. The collaborations featured on the album occurred naturally, though the sessions played out differently. Sloth's unique trumpet work on the opener is an entirely improvised workout without specific key or time signatures. In contrast, Yonatan, a classically trained jazz musician from Tel Aviv now residing in NYC, added bowed and fingered double bass to an already arranged work. Finally, the piece with Bruno Pronsato became a re-imagination of a previous live composition under their Others moniker. Each partnership subtly enriches the spectrum, though never overtaking Manowski's position at the helm. Haunting every intimate beat and phrase is a true jazz sensibility. A diligent yet self-taught student of composition and theory, Manowski's brilliance lies within his persistent tightrope-walk of texture and melody. Rising/Falling is as intrinsically musical and direct as is gets, and the outcome is elegantly unsettling.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
RANDFORM 003EP
|
Conceptual minimal techno from Daze Maxim. Vinyl-only. No repress.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
HELLO 022EP
|
Hello?Repeat presents "Flash" and "Anavi." Both tracks bring a linear and continuous flow, to many, a Daze Maxim signature in the sense that each element does not scream for attention alone, it is the combination of them which creates the overall impact. It has to do with structure and the way in which elements are thrown in, adding that bit of surprise effect which is able to stun and amuse. Groovy, hypnotic, dark, and surprising, filled with locomotive rhythms and synth pad harmonies, here are two killer cuts from Daze Maxim.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
HELLO 016EP
|
As usual, Hello?Repeat co-founder Daze Maxim returns with three outstanding tracks which are made for a better tomorrow.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
HELLO 014EP
|
Daze Maxim returns with another eruption on Hello? Repeat. With Organ Message, Daze delivers two delicious tracks that bubble over like a volcano. The title track attacks us with Daze's trademark crispy beats, an ultra-funky bass and a quirky synth line that shows you the way to Maxim's cosmos. Once you arrive there, "Strange Things" is waiting for you with a voluminous flow of lava. A hard-hitting, percussion-driven track from outer space.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
HELLO 012EP
|
Daze Maxim returns to Hello? Repeat with a big bang. The A-side opens with "Tube People," a deep and intense house track that builds into a mind-bending groove. As if this is not enough, we get "Jat," an unstoppable rollin' percussion lesson where we ask ourselves if Daze has 15 more arms to play this stuff. We're speechless. Right after this impressive monster, Daze returns to his deeper side and delivers "Mudhole," a reduced, up-building disco caterpillar.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
HELLO 006EP
|
"On this EP, Daze hits you with a funky, bleepy flow to make you bounce. 'Pull Absurde' -- the opening and title cut -- is a dry, hard hitting n' driven track, accented with Daze's typical vocals and breakdowns from outer space. A real bumper. The flipside holds a rough percussive and hypnotic trip -- 'Take Me Home.' With this piece, Mr. Maxim proves again his highly individual taste and takes us into a deep journey through the endless world of his musical spectrum. Listen carefully. Welcome to planet Pull Absurde."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
HELLO 004EP
|
"After successful releases like 'Bad Heroin' and 'Intimacy Girl,' Daze Maxim aka Heartz4 returns with a superb funk monster on Hello? Repeat. This EP starts with 'Simply Driving Gold,' a pure dancefloor shaker with crispy beats, quirky sequences and funky vocals which will simply drive you crazy. The hypnotic vibe of 'Affectent' continues right there and takes you deep into the night, with hands in the air and a big smile on your face! This EP will shake your legs like you got ants in your pants."
|