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viewing 1 To 12 of 12 items
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7"
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LOVE 135EP
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Demdike Stare return to Modern Love with their first release on the label since 2018. The A-side features vocals from Alice Merida Richards. Edition of 500 copies, comes with a holographic Modern Love sticker. Mastered and cut by Rashad Becker. Both cuts find Demdike in wickedly rambunctious mood, the A-side "Junk" weaving gated filters and squashed subs into the gynoid vocal delivery of Alice Merida Richards, formerly of baroque pop band Virginia Wing, and here giving it a full Nico via Trish Keenan thing. Imagine the Chain Reaction label doing monochrome, mutant pop, and you're just about there. "Tuff Crew" on the flip sees the duo panel-beating sheet noise, gnashing drums and hyperpop hiccups into a seething industrial dancehall swivel made to swarm warehouses with its dizzying stereo diffusions. Hands down some of their best gear, play extra loud for the full madness.
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2LP
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LOVE 111LP
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Since the release of their album Wonderland (LOVE 105JC-CD/105LP, 2016), Demdike Stare have been recording material for this new double album Passion; an asymmetric re-imagining of UK club styles taking in frenzied drum trax, shortwave jungle, pinging dancehall and clipped, post-punk riddims. During this time they've been busy curating their DDS label (releases from Shinichi Atobe, Mica Levi, Robert Aiki Aubrey Lowe, and Equiknoxx, among others) and have been commissioned by both the Groupe de Recherches Musicales (GRM) and the surviving members of Gruppo di Improvvisazione Nuova Consonanza to mine and rework their archives. Enlisting visual artist Michael England (Autechre, Gescom, Leila), they've created a cinematic accompaniment for their collaborative live shows, resulting in the image which adorns this cover - a hybrid/composite portrait exploring/questioning the current use of software in creating hyper reality and the manipulation of the self. The accompanying film includes documentary footage filmed at a Voguing event in NYC, a Blackpool promenade and a Newark, New Jersey roller rink, the end result smudging the lines between live performance, documentary and sonic cinema. It's an idea that's echoed on Passion, continuing a process Demdike began on their Testpressing series of dismantling lines between analog and digital realms, between urban realism and fantasy, between experimental, pop and soundsystem cultures. An outlandish configuration of avant-garde and ultimately functional club weapons designed and honed for the weightiest bassbins, it's also their most direct and fucked up record to date -- a raucous, joyful 9-track smash that comes off like a night on a glamorous, neon-lit bender. Mastered by Matt Colton. RIYL: Errorsmith, PrÃncipe, Dem 2, Jon E Cash, Wiley, Joy Division, DJ Scud, Equiknoxx, Anthony 'Shake' Shakir, Bernard Parmegiani. High-gloss varnish sleeve.
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CD
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LOVE 105JC-CD
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A project that came to life fueled by collector's obsession and a life-long willingness to dive head-first into unknown musical wormholes, Miles Whittaker and Sean Canty have never been defined by a singular musical trajectory. Their opening salvo of releases dabbled with the aesthetic of the occult and provided an alternate, parallax view of the Italian Library records with which they were both obsessed at the time, but as their long running mixtape series and brilliantly curated DDS label attest, their interests extend far outside the crevices of early electronic music and into dance music, dancehall, roots, jungle, techno, industrial, noise and beyond. While 2013's Testpressing series provided an outlet for mostly club-based productions shot from the hip, Wonderland, their first album since 2012's Elemental, has been constructed with a narrative in mind. From the clipped hard-style of the opening "Curzon", through the jaunty dancehall mutations of "Animal Style" and "FullEdge", exotica/house refractions on "Hardnoise", the frankly ridiculous, bass-bin destroying jungle ructions on "Sourcer", or the extended tease of "Overstaying", it's probably the most enjoyable and loose-limbed hour of music in their catalog, or that you'll likely hear in these weird, angst-ridden times. Mastered and cut by Matt Colton. Comes in a jewel case.
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2LP
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LOVE 105LP
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Limited repress; Double LP version. Gatefold sleeve. A project that came to life fueled by collector's obsession and a life-long willingness to dive head-first into unknown musical wormholes, Miles Whittaker and Sean Canty have never been defined by a singular musical trajectory. Their opening salvo of releases dabbled with the aesthetic of the occult and provided an alternate, parallax view of the Italian Library records with which they were both obsessed at the time, but as their long running mixtape series and brilliantly curated DDS label attest, their interests extend far outside the crevices of early electronic music and into dance music, dancehall, roots, jungle, techno, industrial, noise and beyond. While 2013's Testpressing series provided an outlet for mostly club-based productions shot from the hip, Wonderland, their first album since 2012's Elemental, has been constructed with a narrative in mind. From the clipped hard-style of the opening "Curzon", through the jaunty dancehall mutations of "Animal Style" and "FullEdge", exotica/house refractions on "Hardnoise", the frankly ridiculous, bass-bin destroying jungle ructions on "Sourcer", or the extended tease of "Overstaying", it's probably the most enjoyable and loose-limbed hour of music in their catalog, or that you'll likely hear in these weird, angst-ridden times. Mastered and cut by Matt Colton.
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MENS SMALL T-SHIRT
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DDSTP6-NEG-B-S
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Limited edition Demdike Stare screen-printed T-shirts with artwork by Alex Solman. Tees are Gildan Premium, 100% cotton pre shrunk jersey knit. Taped neck and shoulders. Sizes: to fit chest in inches S (34-36) M (38-40) L (42-44) XL (46-48). This is size SMALL.
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MENS MED T-SHIRT
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DDSTP6-NEG-N-M
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Limited edition Demdike Stare screen-printed T-shirts with artwork by Alex Solman. Tees are Gildan Premium, 100% cotton pre shrunk jersey knit. Taped neck and shoulders. Sizes: to fit chest in inches S (34-36) M (38-40) L (42-44) XL (46-48). This is size MEDIUM.
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MENS SMALL T-SHIRT
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DDSTP6-NEG-N-S
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Limited edition Demdike Stare screen-printed T-shirts with artwork by Alex Solman. Tees are Gildan Premium, 100% cotton pre shrunk jersey knit. Taped neck and shoulders. Sizes: to fit chest in inches S (34-36) M (38-40) L (42-44) XL (46-48). This is size SMALL.
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MENS SMALL T-SHIRT
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DDSTP6-POS-B-S
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Limited edition Demdike Stare screen-printed T-shirts with artwork by Alex Solman. Tees are Gildan Premium, 100% cotton pre shrunk jersey knit. Taped neck and shoulders. Sizes: to fit chest in inches S (34-36) M (38-40) L (42-44) XL (46-48). This is size SMALL.
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MENS SMALL T-SHIRT
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DDSTP6-POS-N-S
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Limited edition Demdike Stare screen-printed T-shirts with artwork by Alex Solman. Tees are Gildan Premium, 100% cotton pre shrunk jersey knit. Taped neck and shoulders. Sizes: to fit chest in inches S (34-36) M (38-40) L (42-44) XL (46-48). This is size SMALL.
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2CD
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LOVE 1077CD
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2014 Jewel case repress, replacing the original gatefold/6-page digifile. Demdike Stare is Miles Whittaker and Sean Canty, who released Elemental in 2012 after touring and gradually piecing together sounds for this series. After four limited edition vinyl installments, Elemental is a 2CD album, including different versions of tracks that appeared on the vinyl editions, plus extensive additional material -- making for a two-hour trip through dark, post-industrial terrain. Mastered and cut at Dubplates & Mastering.
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3CD
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LOVE 1067CD
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2014 Jewel case repress, replaces the original oversized gatefold fold-out profile pack. Demdike Stare's Tryptych, a lavish triple CD production that brings together three albums that have previously only been available on vinyl (Forest Of Evil, Liberation Through Hearing, Voices Of Dust), plus an extra 40 minutes of bonus material recorded during the same sessions. Demdike Stare is a project made up of two insatiable vinyl collectors based in the north of England: Sean Canty (who works for the esteemed Finders Keepers label) and Miles Whittaker (a long-time producer and DJ who has released music under the MLZ moniker and as part of Pendle Coven). The music Demdike Stare make is hard to pin down, based largely around archival musical sources ranging from obscure library records to long-forgotten jazz, early electronic, and industrial recordings, alongside an array of Iranian, Pakistani, Turkish and Eastern European material largely unknown in the Western world. Demdike Stare absorb and re-align these found sounds via their ever-expanding array of analog machines, ending with something that is in part plunderphonic, but ultimately completely new. Their music has sometimes been lumped in with the hypnagogic, hauntological and "witch house" movements, but ultimately, Demdike Stare should appeal to anyone with an interest in everything from classic KPM Library records through to the music of Basic Channel and all the way to the smudged, altered-realities of James Ferraro and The Caretaker. That is, at least until the next record, when the frames of reference might just change up and take them somewhere completely different. Mastered at Berlin's Dubplates & Mastering. Artwork by Andy Votel.
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CD
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LOVE 059CD
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2014 repress. Demdike Stare is a long-in-the-making hook-up between two shady characters operating at the fringes of Manchester's fragmented music scene: Miles Whittaker and Sean Canty. Miles has been a long-time affiliate of Modern Love as one half of Pendle Coven and under his own MLZ alias, while Canty is one of the city's most recognizable vinyl collectors, carrying an obsession with everything from obscure Nordic Doom records to Anatolian funk albums, fuelled by his day job helping out at the Finders Keepers label. The project is named after Pendle's most famous witch: Elizabeth Southerns, aka Demdike. The tracks on Symbiosis are drawn from elements of Turkish, Indian, Iranian, African and West Indian film soundtracks alongside Norwegian drone records, classic house templates, punctured dub, modified techno and the Arctic noise perfected by Mika Vainio. Original sources and dense analog experiments weave around each other with little care for convention or stylistic expectation, instead throwing the pair's extensive musical knowledge into a set of tracks that, quite brilliantly, defy categorization. The album opens with "Suspicious Drone," a dense, 6-minute opening that chugs along like a malfunctioning mechanical beast, honing in on Lancashire's dark industrial landscapes before moving onto more exotic, balmy territory. "Haxan Dub" (named after the film narrated by William Burroughs about witchcraft) deploys fragmented dub echoes infused with displaced horns and African signatures, taking its time with one of the jerkiest rhythms you'll have the pleasure of hearing, before "Jannisary" tangles in and out of an Iranian hook and a squashed Congolese rhythm that creates an asymmetric, geniusly-constructed dancefloor killer. By the time the album comes to a close with "Ghostly Hardware" an hour later, the cycle is complete with a return to icy tundras and chugging machinations steeped in the traditions of Scandinavian machine music and pure analog frequencies, expertly handled by those masterful technicians over at Berlin's Dubplates & Mastering.
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viewing 1 To 12 of 12 items
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