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LP
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INC 008LP
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Genius dembow rhythm science from DJ Python on his second album for Anthony Naples and Jenny Slattery's Incienso. Following from the reticulated deep house-paced reggaeton hybrids of that acclaimed 2017 debut, the new side by Brian Piñeyro Mas Amable takes a rambling, sidewinding trip exploring slippery, mutable 90/180bpm metrics with a serpentine guile that surely lives up to his moniker. Imagine Beatrice Dillon jamming with Gescom and Kelman Duran, and you've nearly got a grasp on this incredibly constructed album. Across 50 minutes of seamlessly arranged transitions from lush field recordings to hip-gripping dembow permutations and semi-conscious and tripped-out vocals, Python dangles the dance by a fine conceptual thread that ties the constant rhythmic chronics to their subtly shifting tonal/textural variables. Call it ambient-jungle-dancehall, avant-dembow, deep reggaeton, whatever; it's just an incredible record for lovers of rhythm and sound of all stripes. Starting up with five minutes of rustling, shoreside ambience in "Te Conocí", the album elegantly and rudely shifts its weight between seven mutations of dembow's tressilo drum pattern and junglist markers, toggling the pressure gauge from gently propulsive sway in "Pia" to tighter, darker steppers type in "Alejandro" and wave-y whistling melodies in "oooophi", before technoid neuro D&B stabs light up "Descales" and it all fades out in the narcotically effective downstroke and tripped vox of "ADMSDP", and slunks into the deep blue reggaeton electronica of "Juntos" and "mmmm". Cast somewhere between the horizontal and vertical, and thus primed for dancehall or late-night satisfaction, whatever angle it's approached from, Mas Amables is a unique and richly immersive experience that will surely rank among the definitive records of the year. Cover photo by Lazaro Rodriguez; graphic design by Josh Abramovici; front cover design by Sophie Diiorio. Mastered by Chris "CZ" Wang, cut at Dubplates & Mastering.
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12"
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DKMNTL 067EP
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DJ Python, aka New York based producer Brian Piñeyro, makes his Dekmantel debut. "Lampara" snakes and twists, like a rugged '90s London broken-beat, electronic exploration, evoking nostalgic feelings a la Boards of Canada. The retro aesthetic flows through with "Tímbrame", where the tropical reggaeton percussion floats through wafty, deep synth melodies. "Cuando" steps it up a gear, as the digital percussive rhythms go into overdrive, while "Espero" goes all Gaussian, by offering a transportive, meditative expression. "Be Si To" chops-and-cuts-and-slices across a sleuth of Warping, proto-drones. "pq cq" is a singular question mark about darkness, feeling, and trans-dimensional thinking.
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