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CD
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GB 183CD
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Taiga Trans, the debut album from Fauna, is a hypnotic collision of krautrock propulsion, psychedelic ritual, and subterranean rave energy. The eight-piece Swedish outernational collective channels a multicultural, multidimensional sound that feels both deeply rooted and otherworldly. Think Goat's feral mysticism, Can's motorik drive, and a dancefloor at its most transcendental. Electronic textures whoosh like solar winds. Quiet percussion sighs and chatters. A jaw harp sets up a twanging bounce. An ancient saz introduces a taut riff. Suddenly a high-strung electric guitar scorches and a deep, booming bass groove drops with a four-to-the-floor kick drum thud. Welcome to the mysterious world of Fauna. Since forming around three years ago, the Gothenburg-based group have forged a singular sound, proposing an imaginary world somehow outside of history. It's a sound of cultures and philosophies entwining, creating a liminal space where traditional acoustic instrumentation meets electronic innovation. The group's origins go back to informal, intimate jam sessions held by guitarist Tommie Ek and bassist Ibrahim Shabo -- two experienced musicians who had been playing together in the local rock scene for over a decade. During the recording of these demos the core duo attracted a cohort of likeminded sonic adventurers, leading to the current live line-up as a nine-piece ensemble with Ek and Shabo joined by core members Caroline Kabat (drums), Cuneyd Kocalp (percussion), Jennie Magnusson (guitar), Ibrahim's sister, Alexandra Shahbo (vocals) and French flautist Fauna Buvat. Now, their debut album, Taiga Trans, offers eight concise snapshots of that transporting experience, harnessing the band's primordial live energy while making the most of 21st century studio technology. You'll hear echoes of heroic 1960s/'70s Swedish psychedelic bands like Träd, Gras & Stenar in the hypnotic, repetitive grooves. You'll hear the mind-melting squelch of vintage acid house. If the human voice can be seen as the original and oldest musical instrument, it's followed closely by the drum and the flute, as played with sly and alluring delicacy by Fauna Buvat. And it's these ancient sounds -- slotted into the buzz of Fauna's hypermodern rituals that make their music so overpoweringly seductive.
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LP
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GB 183LP
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LP version. Taiga Trans, the debut album from Fauna, is a hypnotic collision of krautrock propulsion, psychedelic ritual, and subterranean rave energy. The eight-piece Swedish outernational collective channels a multicultural, multidimensional sound that feels both deeply rooted and otherworldly. Think Goat's feral mysticism, Can's motorik drive, and a dancefloor at its most transcendental. Electronic textures whoosh like solar winds. Quiet percussion sighs and chatters. A jaw harp sets up a twanging bounce. An ancient saz introduces a taut riff. Suddenly a high-strung electric guitar scorches and a deep, booming bass groove drops with a four-to-the-floor kick drum thud. Welcome to the mysterious world of Fauna. Since forming around three years ago, the Gothenburg-based group have forged a singular sound, proposing an imaginary world somehow outside of history. It's a sound of cultures and philosophies entwining, creating a liminal space where traditional acoustic instrumentation meets electronic innovation. The group's origins go back to informal, intimate jam sessions held by guitarist Tommie Ek and bassist Ibrahim Shabo -- two experienced musicians who had been playing together in the local rock scene for over a decade. During the recording of these demos the core duo attracted a cohort of likeminded sonic adventurers, leading to the current live line-up as a nine-piece ensemble with Ek and Shabo joined by core members Caroline Kabat (drums), Cuneyd Kocalp (percussion), Jennie Magnusson (guitar), Ibrahim's sister, Alexandra Shahbo (vocals) and French flautist Fauna Buvat. Now, their debut album, Taiga Trans, offers eight concise snapshots of that transporting experience, harnessing the band's primordial live energy while making the most of 21st century studio technology. You'll hear echoes of heroic 1960s/'70s Swedish psychedelic bands like Träd, Gras & Stenar in the hypnotic, repetitive grooves. You'll hear the mind-melting squelch of vintage acid house. If the human voice can be seen as the original and oldest musical instrument, it's followed closely by the drum and the flute, as played with sly and alluring delicacy by Fauna Buvat. And it's these ancient sounds -- slotted into the buzz of Fauna's hypermodern rituals that make their music so overpoweringly seductive.
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