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LP
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ODA 001FT-LP
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$30.50
PREORDER
RELEASE DATE: 4/24/2026
Artist and multi-instrumentalist Flaer looks to the landscape to explore pastoral melancholy on debut release, Preludes. It is released in a second edition black vinyl, with an alternate cover artwork. Ensconced in his family home in rural Leicestershire in the early months of 2020, painter and musician Realf Heygate (b. 1994) picked up his childhood cello for the first time in several years and began to play. Setting himself parameters to only record onto 4-track tape with acoustic instruments -- cello, piano and acoustic guitar -- he assembled a suite of instrumental compositions that form the basis of Preludes, his debut album as Flaer and the inaugural release on Odda Recordings. Channeling the tension and unease between the pastoral idyll of the English countryside and the darkness which lurks beneath the surface, the mini-album draws inspiration from the analogue aesthetic of 1970s folk horror films, weaving field recordings of birdsong, church bells and the natural environment into chimerical melodies that reflect on Heygate's childhood experiences of rural England. Developed over a series of intuitive musical enquiries, the mini-album's uncanny quality emerges from combining raw demo takes with overdubs of almost orchestral grandeur. As a painter, Heygate's practice takes artefacts through sequences of reproduction that embrace the fluctuating materiality of the copy. Describing his artistic practice as one of self-erasure, music instead provides Heygate with a more personal and autobiographical outlet. Where the two worlds combine is on Preludes' striking artwork, which features paintings of 13th-century stone carvings from the font of the church in the town where he grew up. Speaking to a time where people were connected to the land in a more profound way, each symbol is assigned to a track on the album, which Heygate likens to giving them a title.
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LP
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ODA 006LP
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Artist and multi-instrumentalist Flaer embraces the search for quiet miracles on first full-length LP Translations. In 2023, Realf Heygate -- who makes music as Flaer -- released his debut mini-album Preludes, composed on his mother's piano and his childhood cello. Returning to ODDA for his debut full-length album, Heygate is now looking in another direction. A record that embraces transition and movement, Translations is in many ways more internal, less rooted to a single place and reflective of the process of laying new foundations in Cornwall. Like Preludes, Translations is colored with found sounds and field recordings, from the starlings which can be heard singing through the open window of his studio, to the brittle recordings of his mother, who was a linguist, learning Spanish on a set of language tapes. In both cases, Heygate embraced the translations and memories inherent to the sounds. These decayed transmissions hint at loss, resisting clarity in favor of the ineffable. Translations is also a record of ambiguities and in-betweens, suggested by the double meaning of the album's opening track "Entre." At once intricate and expansive, threaded with birdsong and acoustic guitar motifs, this and "Starling Descends" (a reference to Vaughan Williams' "The Lark Ascending") act as a bridge away from the pastoral themes of Preludes towards a more assertive sound. At times intimate in its textured instrumentation and at others more overtly grand in orchestration, reflecting a wider palette of influences. Recorded between 2023 and 2025 -- what Heygate calls "A gradual process of sowing and harvesting ideas rather than a single intense creative period" -- each track follows a rhythm similar to the small maquettes and sculptures he has been working on in his visual practice, whereby structures and melodies form intuitively in moments that are as rare as they are fleeting.
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LP
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ODA 006FT-LP
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White color vinyl version. Artist and multi-instrumentalist Flaer embraces the search for quiet miracles on first full-length LP Translations. In 2023, Realf Heygate -- who makes music as Flaer -- released his debut mini-album Preludes, composed on his mother's piano and his childhood cello. Returning to ODDA for his debut full-length album, Heygate is now looking in another direction. A record that embraces transition and movement, Translations is in many ways more internal, less rooted to a single place and reflective of the process of laying new foundations in Cornwall. Like Preludes, Translations is colored with found sounds and field recordings, from the starlings which can be heard singing through the open window of his studio, to the brittle recordings of his mother, who was a linguist, learning Spanish on a set of language tapes. In both cases, Heygate embraced the translations and memories inherent to the sounds. These decayed transmissions hint at loss, resisting clarity in favor of the ineffable. Translations is also a record of ambiguities and in-betweens, suggested by the double meaning of the album's opening track "Entre." At once intricate and expansive, threaded with birdsong and acoustic guitar motifs, this and "Starling Descends" (a reference to Vaughan Williams' "The Lark Ascending") act as a bridge away from the pastoral themes of Preludes towards a more assertive sound. At times intimate in its textured instrumentation and at others more overtly grand in orchestration, reflecting a wider palette of influences. Recorded between 2023 and 2025 -- what Heygate calls "A gradual process of sowing and harvesting ideas rather than a single intense creative period" -- each track follows a rhythm similar to the small maquettes and sculptures he has been working on in his visual practice, whereby structures and melodies form intuitively in moments that are as rare as they are fleeting.
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