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2LP
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NON 035LP
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Double LP version. This the fifth release in Burnt Friedman & Jaki Liebezeit's Secret Rhythms series. Central to the Secret Rhythms concept is Liebezeit's radical drum code in unison with Friedman's range of archaic metal percussion and synth instruments. The two musicians live and studio collaboration has led to eight striking new tracks which, at durations between 3 and 5 minutes, conform to standard expectations in length at least. Jaki Liebezeit numbers among the world's foremost drummers. Between 1968 and 1978, playing as a founding member of the legendary Can, he produced rhythms to be heard nowhere else, anticipating by many years the loops of modern club music. His delicate and peerlessly precise drum sound is audible in countless studio productions by a range of artists from Conny Plank to Jah Wobble. But by the early 1990s Liebezeit felt he had exhausted the possibilities of conventional drums. He made a radical break, and began to re-define, or re-invent, what drumming was about. Simplicity became a core principle for Liebezeit and collaborators like the Cologne formation Drums Off Chaos, or the electronic musician Burnt Friedman, who is noted for his richly detailed, groove-heavy productions. Friedman explains his reasons for seeking to meet up with Liebezeit in 2000 apart from the happy coincidence that both artists were living in Cologne: "I knew his work with Can and loved his drum sound and the post-Can developments. Above all I was interested in complex rhythmic grooves and assumed Jaki would be the ideal partner for live sets. This passion for odd time signatures and the uncommon is a driving force behind the Secret Rhythms project." Includes a remix by Romain Sygroves and Friedman.
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CD
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NON 035CD
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This the fifth release in Burnt Friedman & Jaki Liebezeit's Secret Rhythms series. Central to the Secret Rhythms concept is Liebezeit's radical drum code in unison with Friedman's range of archaic metal percussion and synth instruments. The two musicians live and studio collaboration has led to eight striking new tracks which, at durations between 3 and 5 minutes, conform to standard expectations in length at least. Jaki Liebezeit numbers among the world's foremost drummers. Between 1968 and 1978, playing as a founding member of the legendary Can, he produced rhythms to be heard nowhere else, anticipating by many years the loops of modern club music. His delicate and peerlessly precise drum sound is audible in countless studio productions by a range of artists from Conny Plank to Jah Wobble. But by the early 1990s Liebezeit felt he had exhausted the possibilities of conventional drums. He made a radical break, and began to re-define, or re-invent, what drumming was about. Simplicity became a core principle for Liebezeit and collaborators like the Cologne formation Drums Off Chaos, or the electronic musician Burnt Friedman, who is noted for his richly detailed, groove-heavy productions. Friedman explains his reasons for seeking to meet up with Liebezeit in 2000 apart from the happy coincidence that both artists were living in Cologne: "I knew his work with Can and loved his drum sound and the post-Can developments. Above all I was interested in complex rhythmic grooves and assumed Jaki would be the ideal partner for live sets. This passion for odd time signatures and the uncommon is a driving force behind the Secret Rhythms project." Includes a remix by Romain Sygroves and Friedman.
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12"
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NON 032EP
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This is the first vinyl edition of Friedman & Liebezeit's Secret Rhythms remix series, entitled Secret Rhythms+. Sam Shackleton remixed or actually recomposed the track "255-7" from the recent album Secret Rhythms 4 (NON 030CD). Rashad Becker, known as the Nonplace label's permanent mastering engineer has mixed "The Sticks," originally released on Secret Rhythms 2 (NON 019CD) released in 2005.
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CD
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NON 030CD
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The fourth album release in the Secret Rhythms series by Burnt Friedman and Jaki Liebezeit (Can) results from a 10-year collaborative project encompassing live performances and studio sessions. What began as a rehearsal for a concert delivered at the Cologne Triennale 2000 turned into a long-term exploration of the laws governing rhythm. Therefore, this fourth CD is based, like its predecessors, on a variety of rhythms seldom heard elsewhere. Extreme manipulation, percussive overdubs and Friedman's sequence-like guitar and synthesizer (Korg MS20, in this case) provide accompaniment for music to which the notion of domination is foreign. The six hypnotic instrumentals are driven by Liebezeit's cyclic drumming. In Secret Rhythms 4, the interplay of reduction and maximization is elevated to an aesthetic principle, the sound distributed dynamically over background and foreground. Fusing electronic and acoustic, improvisation and postproduction, Friedman and Liebezeit move further away from Anglo-American models. And although the duo's preference for repetition is evidence of a refusal to flaunt virtuosity, the revived notion of Krautrock seems wholly inappropriate for Friedman and Liebezeit. Be it in concert or in the studio, the swing emerges naturally from the rhythmic pattern. That Mark Ernestus (Basic Channel) was invited to mix and co-produce the second track on the album is no coincidence: he played an important part in producing club tracks (e.g. Rhythm & Sound) unsurpassed in their bold minimalism and refined quality of sound. In the early 1990s, Liebezeit dispensed with his pedal-operated bass drums and hi-hats. After his ride cymbal met the same fate, he went on to develop a new style of drumming (repeating the feat he pulled off when a member of Can). Friedman: "No more than a few of these rhythms survived over the years, but the ones that did provided a core structure for various ongoing transmutations on each of the four albums and during live shows. Jaki sometimes joked about 'secret' rhythms, because in fact the rhythms are obvious, the opposite of hidden! The fact is, they are simply seldom heard in our country, and in clubs especially you don't hear them at all." While the three preceding albums were dominated by guest contributions, the new production is devoted almost exclusively to Liebezeit's drum set and the Friedman-typical combination of keyboards and string instruments, all kinds of percussion and the computer. There are two appearances by Joseph Suchy, whose unmistakable guitar sound has left its mark on all the Secret Rhythms releases. Rashad Becker has been responsible for mastering all Nonplace titles since the first production in 2000. For the first time, Friedman and Becker co-mixed one of the album titles, a spin-off from "Entsafter" (Secret Rhythms 3), a track whose groove was previously used in "Obscured by 5" and "The Librarian" (Secret Rhythms 1 and 2). The story ends with two unworldly musicians who make music for music's sake, while others, using the benefits of technology, have "moved on" and know what they want to sell with their music. Other guest musicians include Tim Motzer (E-Fuzz guitar), Hayden Chisholm (flute, saxophone) and Daniel Schroeter (bass guitar).
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12"
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NON 029EP
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Restocked. Friedman & Liebezeit present two pieces in their "Secret Rhythms" project. Both tracks, one mixed and co-produced by Mark Ernestus (Rhythm & Sound) and one by Burnt Friedman, testify less to post-processing and editing techniques than to the physicality of the instruments played. The post-Can Liebezeit created his own cycle-based drum system and developed an innovative drumset. Friedman's percussive, synthetic or acoustic sound sequences adhere to the same understanding of rhythm, allowing the two sound generators to perfectly intermesh. Cover artwork by Theo Altenberg.
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LP
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NON 025LP
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Previously released on CD by Nonplace, this is the third release in Burnt Friedman & Jaki Liebezeit's collaborative Secret Rhythms series. The instrumental titles of SR3 dispense with soloist actions and dominant actors. All the voices and elements, which perform a circling movement forward like links in a chain, enjoy equal rights. The material finally emerges in the concentrated form of 5-10 minute songs, exploring territory beyond the current style reproductions, that is to say: remote from retro or recycling! Secret Rhythms 3 was tapped from the instruments with the maximum possible degree of immediacy, and psychedelized by Friedman's notorious dub technique. Other musicians include Hayden Chisholm, Tim Motzer, and Joseph Suchy.
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CD
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NON 025CD
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This is the third release in Burnt Friedman & Jaki Liebezeit's collaborative Secret Rhythms series, following Secret Rhythms 2, released by Nonplace in 2006. Jaki Liebezeit, together with Burnt Friedman continues to pursue a vision of new music. If it is still possible to establish a link with Liebezeit's past as a founding member of Can (1968-1978), then it lies in the spirit with which he seeks, then as now, new musical forms. The post-Can Liebezeit not only created his own cycle-based drum system but also developed an innovative drum set that concentrates on the essentials. Friedman and Liebezeit came together in Cologne in 2001, having recognized that they were on the same musical wavelength, sharing a preference for so-called "secret rhythms," which means that the rhythms are not hidden, but less common -- often foreign to Western culture. Friedman's amorphous sequences and placeless sound particles adhere to the same understanding of rhythm, allowing the two heterogeneous sound generators to perfectly intermesh and form a unit both acoustically and electronically. While the solo parts (vibraphone, guitar, and keyboard) set the tone of part 1 and 2 was colored by the singing of David Sylvian, the seven instrumental titles on part 3 dispense with soloist actions and dominant actors. All the voices and elements, which perform a circling movement forward like links in a chain, enjoy equal rights. Electronic and acoustic sound like they have always belonged together. "Die Ehrliche Haut" and "Wirklich Version" first appeared on parts 1 & 2 respectively, but were re-edited on a dub plate and slowed down. Burnt Friedman takes the credit for production, overdubs, and arranging the pieces on all three albums. Recorded in stages in the studio or rehearsal space over the course of months, the material finally emerges in the concentrated form of 5 to 10-minute songs, although terms like beginning or end have nothing to do with music of this kind. Other musicians include Hayden Chisholm, Tim Motzer, and Joseph Suchy.
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12"
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NON 024EP
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Burnt Friedman and Jaki Liebezeit (Can) present two new pieces as a pre-taster of their third album. Both musicians share a preference for so-called secret rhythms, which means that the rhythms are not hidden but less common, often foreign to Western culture. The two adventurous arrangements unfold an uncommonly hypnotic effect for respectively 10 minutes: a monstrous production, tapped from the instruments with the maximum possible degree of immediacy, and psychedelicized by Friedman's notorious dub technique.
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CD
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NON 009CD
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"Burnt Freidman and Jaki Liebezeit, both masters of deferral and playable un-playability, are living proof that freestyle-paced-hearts need neither race nor rattle. Operating expansively on utterly different levels on the other side of redundancy, they reduce hypertonic levels yet generate agitation through unpredictability. With two more musicians at their side, Josef Suchy and Morten Grønvad, they constitute a musical organism and the extraordinarily brilliant and dynamic sound quality invite both jazz aficionado and clubber to bask luxuriantly in the seductive live ambience. On Playing Secret Rhythms Burnt Friedman congenially transfers his typical emotionally operative method to the task of processing the instrumentalists' live musical elements to produce an elegantly resonating G4 assembly. By casually inserting keyboard and steel-drum sections, Friedman floods the constructions with their own bizarre beauty -- and a considerable portion of systole dub reminding us of his work with the Nu Dub Players. His partner on Playing Secret Rhythms is Jaki Liebezeit, a master of the pause and the stop, who is famous for the cyclical and liberating beat he produced as the drummer in the legendary Krautrock outfit Can from 1969 to 1978. He has trimmed back his drums: the pedals have gone and pure drum-skin remains. Friedman and Liebezeit are backed up by electric-guitar fusion legend Josef Suchy who collaborated previously with Friedman on his albums Con Ritmo and Plays Love Songs and Morten Grønvad who has proven his virtuosity in Señor Coconut among others. Plays Secret Rhythms knows no rules of play -- intuition and imagination permit no boundaries."
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