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LP
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TROST 204LP
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Full Blast, live at the Tonic Club, New York, April 11, 2007. The recording of the last show ever in the legendary NYC club by Peter Brötzmann's Full Blast powerhouse was previously only available in a limited run of semi-official CD bootlegs. Now remastered for vinyl by Martin Siewert. Screenprinted cover with a design by Brötzmann. Edition of 500 (hand-numbered). Personnel: Peter Brötzmann - reeds; Marino Pliakas - e-bass; Michael Wertmüller - drums.
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LP
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TROST 182LP
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Repressed. Rio is a limited live release by Peter Brötzmann's Full Blast. This is power free jazz in trio format, recorded at Audio Rebel, Rio de Janeiro, Brazil 2016. With all the projects Brötzmann is currently working on, Full Blast - with the precise and dynamic Swiss rhythm section of Marino Pliakas (electric bass) and Michael Wertmüller (drums) is the most consistent, the longest running. Mixed and mastered by Martin Siewert in Vienna. Artwork by Peter Brötzmann.
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2LP
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TROST 148LP
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Double LP version. Gatefold sleeve. With all the projects Peter Brötzmann is currently working on, Full Blast -- with the precise and dynamic Swiss rhythm section of Marino Pliakas and Michael Wertmüller -- is the most consistent and the longest-running. Their fifth album finds the band in a studio again, with time and the desire to try something new. Seven compositions in the distinctive, strong Full Blast nature get an exciting electronic treatment by Michael Wertmüller (with electronics by Gerd Rische, recorded months before his death in October 2015) during and after the recording. For mixing the band decided to work with Gareth Jones (well-known for his work with Einstürzende Neubauten and Depeche Mode), whom they have used with Pliakas's band Steamboat Switzerland before. Full Blast have created an album that in its nonconformity and richness in variety stands on his own in contemporary jazz. Peter Brötzmann: reeds; Marino Pliakas: e-bass; Michael Wertmüller: drums. Recorded live on March 11 and 12, 2015 at Garnison 7, Vienna. Mixed by Gareth Jones, London, November 2015. Mastered by Martin Siewert, December 2015. Produced by Konstantin Drobil and Michael Wertmüller. Cover art by Peter Brötzmann. Designed by Brötzmann and Klaus Untiet.
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CD
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TROST 148CD
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With all the projects Peter Brötzmann is currently working on, Full Blast -- with the precise and dynamic Swiss rhythm section of Marino Pliakas and Michael Wertmüller -- is the most consistent and the longest-running. Their fifth album finds the band in a studio again, with time and the desire to try something new. Seven compositions in the distinctive, strong Full Blast nature get an exciting electronic treatment by Michael Wertmüller (with electronics by Gerd Rische, recorded months before his death in October 2015) during and after the recording. For mixing the band decided to work with Gareth Jones (well-known for his work with Einstürzende Neubauten and Depeche Mode), whom they have used with Pliakas's band Steamboat Switzerland before. Full Blast have created an album that in its nonconformity and richness in variety stands on his own in contemporary jazz. Peter Brötzmann: reeds; Marino Pliakas: e-bass; Michael Wertmüller: drums. Recorded live on March 11 and 12, 2015 at Garnison 7, Vienna. Mixed by Gareth Jones, London, November 2015. Mastered by Martin Siewert, December 2015. Produced by Konstantin Drobil and Michael Wertmüller. Cover art by Peter Brötzmann. Designed by Brötzmann and Klaus Untiet.
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CD
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ALP 187CD
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"To say (Full Blast) is a powerhouse is an understatement. These three men don't just rattle the house, they bring it down. They don't simply shake the eardrums, they pierce them right through. They don't mess around with subtleties... they electrify the air with the sound of music that is here and now." -Tom Sekowski, Gazeta. "Shades of Last Exit (sans guitar) are evident, and Full Blast also frequently conjures the essence of Brotzmann's landmark early free recording Machine Gun in it's visceral intensity. Herr Brö himself refers to Full Blast as 'The Trio.' Black Hole lives up to its moniker -- and as such, is not recommended for the faint of heart. And after sensational performances at Brotzfest Tokyo and the hallowed Berlin & London Jazz Festivals, more high voltage is undoubtedly on the way."
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