|
|
|
|
|
|
|
|
|
|
|
CD
|
|
MDW 008CD
|
Cambridge's acclaimed psych-folk quintet Fuzzy Lights return with their fifth album Fen Creatures. Following on from 2021's critically lauded Burials the band have created their most conceptually focused work to date -- a mediation on environmental crises that uses the folklore and history of East Anglia as a lens to examine humanity's fractured relationship with the natural world. The album operates across multiple historical timelines, from Iron Age hill forts to medieval plague houses, from Byron's Romantic-era environmental warnings to the immediate threat of rising sea levels, creating a temporal tapestry that weaves ancient stories with contemporary concerns. Musically, the quintet, Rachel Watkins (vocals/violin), Xavier Watkins (guitar/electronics), Chris Rogers (guitar), Daniel Carney (bass), and Mark Blay (drums), have pushed deeper into experimental drone territories while maintaining the crystalline folk sensibilities that have become their signature. Lead track "Greenteeth" transforms the traditional cautionary tale of Jenny Greenteeth, the water spirit who lures children to their deaths. Elsewhere, "War Ditches" imagines the Iron Age dead of a Cambridge hill fort keeping watch over the land, their vigil ending as modern people lose connection with the earth. "The Promise" creates an imaginary encounter with the ghosts of Landbeach village across multiple eras, connecting the 1665 plague with our recent pandemic experience through shared narratives of community resilience and loss. Critics praised Burials as "way beyond folk and folk in essence all at once" (Backseat Mafia) and "folk-rock looking back squarely at the early 1970s" (Financial Times), and Fen Creatures promises to cement Fuzzy Lights' reputation as one of Britain's most vital contemporary folk acts. The album positions them firmly within the lineage of artists like Fairport Convention, Trees, and Comus who understood that engaging with tradition isn't nostalgic escapism, but a way of accessing older wisdoms about how to live in the world.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MDW 008LP
|
LP version. Cambridge's acclaimed psych-folk quintet Fuzzy Lights return with their fifth album Fen Creatures. Following on from 2021's critically lauded Burials the band have created their most conceptually focused work to date -- a mediation on environmental crises that uses the folklore and history of East Anglia as a lens to examine humanity's fractured relationship with the natural world. The album operates across multiple historical timelines, from Iron Age hill forts to medieval plague houses, from Byron's Romantic-era environmental warnings to the immediate threat of rising sea levels, creating a temporal tapestry that weaves ancient stories with contemporary concerns. Musically, the quintet, Rachel Watkins (vocals/violin), Xavier Watkins (guitar/electronics), Chris Rogers (guitar), Daniel Carney (bass), and Mark Blay (drums), have pushed deeper into experimental drone territories while maintaining the crystalline folk sensibilities that have become their signature. Lead track "Greenteeth" transforms the traditional cautionary tale of Jenny Greenteeth, the water spirit who lures children to their deaths. Elsewhere, "War Ditches" imagines the Iron Age dead of a Cambridge hill fort keeping watch over the land, their vigil ending as modern people lose connection with the earth. "The Promise" creates an imaginary encounter with the ghosts of Landbeach village across multiple eras, connecting the 1665 plague with our recent pandemic experience through shared narratives of community resilience and loss. Critics praised Burials as "way beyond folk and folk in essence all at once" (Backseat Mafia) and "folk-rock looking back squarely at the early 1970s" (Financial Times), and Fen Creatures promises to cement Fuzzy Lights' reputation as one of Britain's most vital contemporary folk acts. The album positions them firmly within the lineage of artists like Fairport Convention, Trees, and Comus who understood that engaging with tradition isn't nostalgic escapism, but a way of accessing older wisdoms about how to live in the world.
|